Collection by Bagyi.

Yangon Camera Museum.(Camera Collectors Association,Yangon)https://www.facebook.com/Yangon-Vintage-Camera-945852298856995/
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Cameras

	Manufacturer:Model	Manufacture years	Serial Number	Date acquired	Price Paid	Comments
	Olympus: @ zoom 80 af
	Kodak Eastman: 16mm cine enlarger			1930		KODAK 16MM CINE ENLARGER 1930'S era Kodak 16mm frame enlarger still works perfectly and is in beautiful Like New condition. Uses Kodak 616 roll film
	Bell & Howell: 2123 XL			1977		Single lens reflex viewing and focusing. Appears to have through the lens automatic exposure. Uses 4 AA batteries in the handle. Diopter adjustment for eyepiece. Screw cable shutter release socket on shutter button. Close focus 5 feet. Tripod socket. Focal length 10.5mm to 26mm, about 2.5X. "f/1.2" lens. According to Super8Wiki manufactured in 1977.
	Hanimex: 35 ES	c1986				Plasic bodied 35mm camera, fixed 35mm lens with built in manual flash, selectable ASA settings of 100, 200 and 400. Manual wind and rewind. The built in flash is powered by 2x AAA batteries and has a flash ready light upon the rear of the camera next to the viewfinder
	SC 911: 35 mm
	Hanimex: 35 SE	c1980s	124			Hanimex was founded after WWII to import European cameras to Australia. It was founded by Jack Hannes who gave it its name which was an abbreviation for Hannes Import Export. It sold cameras that were made by Tōkyō Kōgaku, Sedic and Royal in Japan, by Finetta, Montanus, Vredeborch and Dacora in West Germany, by Pentacon in East Germany, by Chinese and other manufacturers. Hanimex distributed SLR lenses for several different lens mounts of renowned camera systems. The lenses were also just branded as Hanimex.[
	AGFA: Agfamatic 300 Sensor	1972		1972		Agfamatic-300 Sensor 126 cartridge film camera, takes Magicubes flash, CdS Computer Automatic. Lens: de by Agfa in Germany ca.1972
	AGFA: Agfamatic III S	1960	DG 6415			The Agfamatic II camera was maufactured by the Agfa company of Munich Germany in circa 1961. This 35mm camera featured an electric eye for exposure correction. A light exposure indicator was visible in teh view finder indicatgreen for correct light and red for too dim of light. It featured a dial for close-ups, groups or distant scenes. It was fitted with a fast f2.8 Color-Apotar lens and a shutter providing speeds up to 1/250th of a second.
	Minolta: Alpha 3700-i					Type: 35mm SLR with intelligent control of autofocus, auto explspeed Program AE, Lens Mount: Minolta A-type Bayonet Focusing: Autofocus, Manual Shutter: 4 - 1/1000 sec, Bulb - Electronically controlled Metering: TTL Dual-area contrast-detection metering coupled to autofocus system Film-speed Range: ISO 32 to 3200 Mirror: Instant return Viewfinder: Eye-level fixed roof mirror displays 90% of field of view; 0.75x magnification Flash: Built-in, hot shoe Film Advance: Automatic Self Timer: Electronic with 10 sec. delay Power: 6v 2-CR5 Lithium battery Dimensions: 142 x 88.5 x 60.5mm Weight: 420g
	Minolta: Apex 70		13222375
	Argus: Argus C2	1938-1942				The Argus C-2 was a popular solid durable camera with coupled rangefinl
	Kodak Eastman: Baby Brownie	1934-1941	none	1934-1941		The tiny Baby Brownie camera has a moulded plastic body designed by Walter Dorwin Teague and has a simple folding frame finder for lining up the subject. The US made Baby Brownies, destined for export from 1936-1939, had a button for brief time exposures. Kodak UK Limited manufactured this camera for export only after World War II with the brief time button added only to these models from 1951 until it was discontinued in 1952.
	Bilora (Kürbi & Niggeloh): Bella 66	1956-1963		1956-63		The Bella was a line of cheap but attractive and well-built 120, 127 roll film and 35mm cameras made by Bilora in Germany. The Bellas went through several revisions over the life of the name. The body was based on alloy castings, with added leather-effect covering - in various colour combinations. Each was styled a little more like a 35mm camera than a roll film one. The back was removable for film loading, and most models featured a different, large back catch.
	Konishiroku (Konica): Big Mini BM 201	c1990	1633275
	Konishiroku (Konica): Big Mini VX BM 701	1996	H006185
	AGFA: Billy Clack 51	1934-1940				Finnish although it is not clumsy at all. This version of Clack takes 6 x 9cm pictures on 120 film and the dimensions when closed are: 156 X 76 X 33 mm. A smaller 4,5 X 6cm version was also manufactured. Agfa has made also an Agfa Clack box camera (Click in US ) but the same onomatopoetic name has been used before by a German camera manufacturer Rietzschel in Munich (München).
	Coronet Camera: Box 020	c1930-1937
	Kodak Eastman: Brownie 127 (1953-1959)	1953-1959				The Brownie 127 has a moulded smooth plastic body with broad horizontal steps and an optical direct vision finder. 1952-1955: The first Brownie 127 camera had a plain lens face-plate. 1956-1959: The original plain lens face-plate was replaced with a cross-hatched face-plate.
	Kodak Eastman: Brownie Fiesta	1962-1966
	Kodak Eastman: Brownie Hawkeye	1949-1951		1950-1961		Film type: Roll film size 620 Approx. dates of manufacture: 1950 - 1961Approx. original price: $7Approx.
	Kodak Eastman: Brownie Movie Camera f/2.7					The Brownie 8 mm. Movie Camera was introduced by the Eastman Kodak Company of Rochester, U.S.A. and first imported into Britain in 1955. In the following year British production of the same model began at the Harrow factory of Kodak Limited. The first series was fitted with a single ƒ 2.7 lens and open frame finder. In 1957 a model II was introduced with "Sundial" type exposure calculator incorporated in the front panel. In 1958 a new lens with maximum aperture of ƒ 1.9 was fitted, and the open frame finder was superseded by an optical finder with plastic front and rear elements. A more powerful spring motor, providing a continuous run of 9 ft. of film (40 seconds of screen time) at one winding, was also fitted at this time
	Kodak Eastman: Brownie Movie Camera f/2.7 model 2					This camera is just what the amateur has been waiting for a really simple, inexpensive 8mm. movie camera which is easy to use and which takes top quality pictures in full rich colour or black and white. All the user has to do is load, set the lens aperture according to the built in guide, and press the exposure lever. A 'Lumenized' f/2-7 fixed-focus lens, easy sprocketless loading, builtin exposure guide, and a continuous running device which enables 'self-movies’ to be taken, are a few of the features that make the 'Brownie' Movie Camera Model II such an attractive proposition.
	Kodak Eastman: Brownie Reflex	1946-1960				The Kodak Brownie Reflex non-synchronized camera was manufactured from May 1940 to Aug 1942 in the US. It had a simple Bakelite body camera with a main lens and a second-surface keystone reflecting mirror viewfinder. The viewfinder had a hinged sheet metal cover. The winder was on the base, which was removable for film loading. Note the lack of flash synchronization terminals below the main lens on the non-sync model... The Kodak Brownie Reflex Synchro model was manufactured from Sept 1941-May 1952 in the US and from 1946 to May 1960 in the UK; some were also made in Canada. Thus overall the model had a 20 year production run. The synchro model had a two-pin flash connector below the taking lens, and had the shutter selector inverted.
	Kodak Eastman: Brownie Reflex 20	1959-1966
	Kodak Eastman: Brownie Six-20 Camera Model C	1953-1957		1953-57		Brownie Six-20 camera Model C MANUFACTURER: Kodak Ltd. PLACE MANUFACTURED: England, Harrow TEXT ON STRAP:Made by * Kodak Ltd.* London. INTRODUCTION DATE: 1946 PRODUCTION DATES: 1953-1957 FILM TYPE: 620 rollfilm IMAGE SIZE: 2¼ x 3¼ inch. STANDARD LENSES/SHUTTERS: meniscus f/11 100mm, single blade shutter Each was available with two different faceplate styles, with the change occurring in 1953. Both basic types of Model C had no flash contacts, but a later version the second type also came with flash contacts Morocco-grained imitation leather covered metal body; two brilliant finders. 1946-1953: plain matt enamel front; metal wind knob and release button. 1953-1957: horizontally striped front; plastic wind knob and release button; triangular spring back catch.
	Kodak Eastman: Brownie Six-20 Camera Model D	1953-1957		1953-57
	Kodak Eastman: Brownie Six-20 Camera Model E	1953-1957
	Kodak Eastman: Brownie StarFlash	1957-1965
	Kodak Eastman: Brownie Starlet (USA)	1957-1962
	Kodak Eastman: Brownie Starmatic II	1961-1963
	Kodak Eastman: Brownie Starmeter	1960-1965
	Eumig: C3 M	c1959	1128513
	Konin: C36 ef
	Olympus: Camedia C-zoom		101191310			CAMEDIA C-1 (2001) Ease of operation is a key feature of the CAMEDIA C-1 digital camera, which first went on sale in 2001. It has a slim, compact body design, and the number of control buttons has been kept to a minimum for optimal simplicity. The 1/3.2 CCD provides 1.3-megapixel resolution. About three months after the launch of the CAMEDIA C-1, Olympus introduced the C-1 Zoom, which has a similar body size but is equipped with a 3x zoom lens.
	Kodak Eastman: Cameo	1993-1995		1993-95
	Kyocera: Campus 70	1996
	Budweiser: Can Camera 35mm
	Canon: Canon A35 Datelux	1977		1977		Canon’s first camera featuring a built-in flash. On the front of the camera, the flash was on the upper right corner. When necessary, the user could pop-up the flash manually. The flash would then start charging. The flash retracted manually. The camera used the CAT System which set the flash aperture automatically according to the subject distance, film speed, and flash output. The camera had a coincidence rangefinder for focusing, fully automatic program EE, and date imprinting (the mechanism was in the lens barrel like the Datematic). When the shutter button is pressed halfway after the film advances, the date is displayed at the bottom center of the viewfinder. (The date is imprinted on the lower right corner of the picture.)In Japan, the camera was nicknamed “Nighter” which refers to night baseball games.
	Canon: Canon AE-1	1976-1984	829905	1976		Introduced in April 1976, the AE-1 was a very successful camera worldwide. When the AE-1 came out, TTL manual-metering models (including the Canon FTb and FTb-N) were still the mainstream in the 35mm SLR market. Autoexposure models were still at the very top end of the SLR market. They were expensive and produced in small numbers. The AE-1, however, was designed from the ground up with five major units and twenty-five minor units. They were centrally controlled by a microcomputer. By incorporating electronics, the parts count could be reduced by 300. The manufacturing of the camera was also highly automated. This made it possible to produce a low-cost camera having high-end features.
	Canon: Canon AE-1 program	c1981	2152133	1981		It was five years after the AE-1 became a worldwide hit. Many users wanted the program AE mode that was featured in the A-1. This mode set both the shutter speed and aperture automatically. The user just had to press the shutter button. The AE-1 Program camera was developed in response to the demand for program AE and to succeed the original AE-1. The camera now had both shutter speed-priority AE and program AE modes. It also sported a palm grip like the A-1. The camera was also compatible with the A-1’s Motor Drive MA. The viewfinder featured LEDs. It was quite an advanced camera. To make Motor Drive MA compatible with the AE-1 Program camera, it had three electrical contacts instead of only two which the original version had. Also, Power Winder A was converted into Power Winder A2 for higher performance.
	Canon: Canon AF 35 M Ii
	Canon: Canon AV-1	1979	428647	1979		The Canon AV-1 is a 35mm single-lens reflex camera with an FD lens mount, introduced by Canon Inc. in 1979. The AV-1 was very similar to the 1976 AE-1 but provided aperture priority autoexposure rather than the AE-1's shutter speed priority AE.[1] The camera is not capable of fully manual exposure.[2] Canon's international distributors, particularly in the United States, had clamored for such a camera because competing brands offered mostly aperture-priority cameras and some preferred it.[1] The AV in the name referred to the type of autoexposure; Av (Aperture Value) is a common abbreviation for aperture priority.
	Canon: Canon EOS 100
	Canon: Canon EOS 55
	Canon: Canon FT QL	1966-1972	360521			The Canon FT QL is a 35mm single-lens reflex camera introduced by Canon of Japan in March 1966. It has a Canon FL lens mount compatible with the large range of FL series lenses. The FT can also operate the later Canon FD series lenses in stop-down mode, but the earlier R series has a different lens aperture mechanism and cannot be used, although the bayonet fitting is similar. The standard kit lenses were Canon's 50mm f/1.8 ; 50mm f/1.4 and 58mm f/1.2, the body-only option was offered later.
	Canon: Canon FTb QL	1971	585801	1971		Camera type: Single Lens Reflex (SLR)Lens Mount: FL/FD bayonet/breech Approx. dates of maufacture: FT: 1966-1970, FTb: 1971-1977Approx. original price: FT: $239 (1968); $169.95 (1974) Approx. street value: FT: $75, FTb: $125
	Canon: Canon FX	1964-1966	389399	1964-66		Canon FX is a 35mm film SLR camera made by Canon and introduced in 1964. It introduced the Canon FL lens mount, the successor to the Canon R.
	canon: canon sprint		1071822			The fourth model in Canon's Sure Shot series, released in July 1985, this autofocus compact camera was variously known as the Sprint, AF35J (Jet) and Autoboy LITE. It was available in red or black.
	Canon: Canon UC-10					With the rapid explosion in the super-compact camcorder market, Canon introduced the UC10 to fully counter the competitors. It was developed in the pursuit of not only light weight, but also exceptionally attractive and unique specifications, performance, and design. Its compact body weighed about 580g. The UC10 employed a high-performance 8x zoom lens equipped with two aspherical elements, compact inner focusing system and new features such as a detachable wireless remote controller.
	Canon: Canon VI-T Chrome	1958-1960	617318			This is a very popular Canon rangefinder model and is somewhat rare. The transport lever is on the bottom plate.
	Canon: Canonet	1961	248380	1962		The Canonets were a series of rangefinder cameras made by Canon from the early 1960s to the early 1980s. They were aimed at enthusiasts on a budget and more discerning point-and-shoot photographers.
	Canon: Canonet QL 17	1965	E-63162			The Canonet QL 17 GIII is the final, high-end version of Canon's famous Canonet compact rangefinder series of the 60s and 70s. It provides shutter-priority auto-exposure and parallax compensation with its 40mm f/1.7 lens. The lens is sharpest at f/4 - f/5.6 [1]. Its Copal leaf shutter offers shutter speeds from 1/4 to 1/500, with X flash sync at any speed.
	Canon: Canonet QL 19	1965	368008	1965		Canonet QL19E is a 35mm film rangefinder camera manufactured by Canon and produced between 1965-69. It belongs to the long lasting Canon Canonet series which produced between 1961-82. Canonet QL19 E is the first Canon camera that have an electronic shutter. The shutter blades were controlled by magnet. The QL19 E has no manual controls and like wise little information about exposure.The “E” version was made with a Sieko EE shutter vs. the standard Copal SV shutter on the rest of the QL line.
	Sony: CCD-V50					8mm Video Camcorder
	Certo: Certo-Phot	c1958
	Chinon: Chinon 35 EE	1976	111551			The Chinon 35 EE is a 35mm compact rangefinder camera made in Japan. It was introduced by Chinon in 1976. It has programmed auto-exposure using a CdS meter with a needle display of the shutter speed & aperture in the viewfinder, powered by a PX-675 mercury battery in the base
	Chinon: Chinon Genesis	1988	2030574
	Chinon: Chinon Pacific 200 XL		321808
	Chinon: Chinon SLR	1979	477048			Chinon Industries Inc. was established in 1948 and incorporated in 1953. The company started as a camera components manufacturer and diversified into optical equipment and computer peripheral equipment. In 1997, long-time partner Eastman Kodak Company became Chinon's majority shareholder by increasing its stake to 50.1%. As part of Kodak Group's global network, the new Chinon Industries Inc. focused its optical, image compression, and other imaging technologies on digital camera design and development. Chinon produced a series of digital camera models for Kodak, and in October of 2000, Kodak increased its share of Chinon to 59.02%. Chinon is now renamed Kodak Japan Ltd and, following Kodak's withdrawal from the camera market, now specialises in optical display film for electronic display devices.
	Olympus: Chrome Six I	1948-1950	No,187612
	Wood and Brass: Cine Camera
	Minolta: Classic Minolta SR-7					The Minolta SR-7 is the first Minolta SLR to have a built-in exposure meter. In fact it was the worlds first 35mm SLR with a built in battery operated CdS-meter when introduced in 1962, and at the time Minolta's top of the line SLR camera model, usually equipped with the superb Auto Rokkor -PF 1:1.4 f=58mm standard lens with a depth-of-field pre-view lever. The meter is of the dual range variety, having a low and a high range selected by a push button, situated early on at the rear, and later, on model V, to the left of the lens mount on the side of the mirror housing. The meter reading, to be manually transferred to the lens aperture ring, is shown in a window next to the rewind knob at the top of the camera. The film speed is set on the shutter speed dial by lifting and turning to outer collar.
	Kodak Eastman: Colorburst 350					1981 – 82 , Colorburst 350-blue lettering , USA ,Original Price-$96.50
	Kodak Eastman: Colorburst 50	1979		1979		Kodak colorburst 50 instant camera , it requires PR10 instant film.
	Polaroid: Colorpack 80	1971-1976
	Zeiss Ikon: Contina II (527/24)	1956-1958				During WWII Hubert Nerwin thought about a new 35mm folder. The results of his thoughts were developed after the war to Zeiss Ikon's first completely new postwar product, made since 1948 as Ikonta 522/24. As Zeiss was unable to produce sufficient Tessar lenses (due to war damage to their production facilities), this is one of the few Zeiss models ever to feature a non-Zeiss (Schneider Xenar) lens. The model was continued in 1953 as Contina, as one of the first cameras of the new Contina series of 35mm viewfinder cameras (one was a rangefinder) made in Germany by Zeiss Ikon. The first models were folders, later models were rigid. Some had linked shutter/aperture rings, using the Light-value system. The folding models had knob wind, frame counter and rewind fitted to the bottom; the later ones had top-mounted 180° lever wind, knob rewind and frame counter around the shutter release.
	Zeiss Ikon: Contina II folding (524/24)	1952-1953				Contina is a 35mm film viewfinder camera made by Zeiss Ikon and produced between 1962-65.
	Cosina Co: Cosina C1S	c1992				The Cosina C1s is a 35mm SLR made by Cosina, whose products are more typically seen rebranded under other names. While a manual-focus, manual-exposure camera may seem like a throwback in the 21st century, some users (and instructors of photography) still appreciate a camera that emphasizes the essentials, not unlike the venerable Pentax K1000. The C1s also uses the K-mount lens standard, and so can mount a wide variety of lenses dating back to 1975. On the more modern side, the vertically-traveling shutter reaches 1/2000 sec., and syncs with electronic flash at 1/125 sec. The shutter is mechanical and does not require batteries to operate; power is only required to illuminate the meter display LEDs in the viewfinder. Both silver and black finish versions were sold. The Cosina C1 is the same camera, but lacking a self-timer. The C2 and C3 are similar-looking SLRs but offering electronic-shutter autoexposure. The C1s is a continuation of the features Cosina developed for the CT1 Super and variations have appeared as the Dakota RZ-2000, among other names. Links
	Decora: Dacora Subita			1953		The Subita was a medium format folding camera with optical viewfinder for type 120 film rolls. It is the first one of the Dacora 120 film folding cameras series.
	Sony: DCR HC-42E
	Sony: DCR HC-95
	Canon: Dial 35	1963-1967		1963-67		The Canon Dial 35 was an unconventional half-frame 35mm camera with clockwork automatic film advance. It was made in Japan by Canon from November 1963. The Dial 35 was also sold as the Bell & Howell Dial 35.
	Minolta: Dimage 7					The Minolta Dimage 7, 7i, 7Hi series is a "pro-sumer" line of digital electronic viewfinder cameras from Minolta. These are also known as bridge digital cameras. They are capable of capturing images in the 5-megapixel range. The Dimage 7 was announced 11 February 2001.[1] The line uses a 2588 × 1960 pixel sensor coupled with a permanently attached optical 28–200 mm (35 mm equivalent) f/2.8W – f/3.5T zoom lens with a macro switch (16 elements in 13 groups, includes two AD glass elements and two aspheric elements) The Dimage 7/7i/7Hi series cameras were powered with four AA batteries, which discharged quickly; the 7-series was replaced by the DiMAGE A1 in July 2003.
	Kodak Eastman: Disc 4000	1982-1984		1982-84		The Kodak Disc 4000 was one of Kodak's cameras for its own disc miniature film format. Type: compact fixfocus camera Manufacturer: Kodak Produced between: 1982-1984 Films: Kodak disc film (fifteen 8×10.5mm exposures) Lens: 1:2.8/12.5 mm Flash: built-in Original pice: $66.00
	Durst S A.: Durst 66 (colored)	1956
	Sony: DVD DCR-403
	Minolta: Dynax 404si	1999	95200794
	Kodak Eastman: Ektra 100	1983		1983		Kodak Professional Ektar 100 is a daylight-balanced color negative film characterized by an ultra-vivid color palette, high saturation, and an extremely fine grain structure. Utilizing the cinematic VISION Film technology, this film's smooth grain profile pairs with a micro-structure optimized T-GRAIN emulsion to make it especially well-suited to scanning applications, and advanced development accelerators offer extended versatility when making enlargements. Ektar has a nominal sensitivity of ISO 100/21°, and advanced cubic emulsions and proprietary DIR couplers render it with high sharpness, fine detail, and a well-defined edge quality. The combination of rich colors, fine grain, and optimized sharpness benefit this film's use for nature, travel, and outdoor photography, as well as fashion, product, and other commercial applications.
	Kodak Eastman: Ektra 22	1978-1980				The Kodak Ektra 22 is a 110 Cartridge camera produced by Kodak Made between 1978-80 it has a 25mm f9.5 lens with 3 speed shutter. It takes 110 cartridge film
	Yashica: Electro 35	1966
	Yashica: Electro 35 GL	1974	50200830			In 1966 Yashica introduced the Electro 35, the first of a very successful line of 35mm rangefinder cameras with fixed Yashinon lenses. The rangefinder is coupled to the focusing ring and the viewfinder is parallax corrected. The Electros use aperture priority exposure with a stepless automatic shutter with speeds from 30 seconds to 1/500s. Metering is done by half depressing the shutter button.
	Yashica: Electro 35 GS	1969
	Yashica: Electro 35 GSN	1975	H-767284			The Electro 35 is a rangefinder camera made by Japanese company Yashica from the mid-1960s with a coupled and fixed 1:1.7 45 mm lens. It was the first electronically controlled camera, operating mainly in an aperture priority 'auto' mode. The only other modes of operation are 'flash' (1/30th) and 'bulb'. The Electro 35 GSN (satin chrome) and GTN (black) were introduced in 1973. The major change for these cameras was the addition of a hot shoe while keeping the PC socket.
	Yashica: Electro 35 GX	1975	51101040
	Houghton: Ensign Ful-Vue Super	1954-1959				"The Ful-Vue camera is really a very simple camera. It consists of a light-tight box. In front of the box there is a hole, over which the lens is fixed. Behind this hole is the shutter. There is a second lens in a second box above it. This produces a picture on the viewfinder on top of the camera. In the back of the box is another hole covered by a red window. This helps you in winding the film on, which you do by the knob at the side of the box near the top."
	Houghton: Ensign J-B (Junior Box)	c1932
	Houghton: Ensign Selfix 420	c1940
	Houghton: Ensign Selfix 820	c1950s
	Canon: EOS 10 (EOS 10S / EOS 10 QD)	1990
	Canon: EOS 300 (EOS Rebel 2000 / EOS Kiss III)	1999
	Keystone: EverFlash XR 308	c1970s				c1970s. 110 film, pocket camera. Built-in flash. Telephoto lens.
	Ihagee: Exakta VX IIa (Exakta Varex IIa)	1957-1961				Exakta Varex IIa 5,981pages on this wiki Edit Talk0 Advertisement Exakta Varex IIa is a 35mm film SLR camera manufactured by Ihagee Kamerawerk Steenbergen & Co, Dresden, former East Germany and produced between 1960-63.
	FED: FED (Type 1f)	1949-1953	No-621306	1949-53		The original FED is a 35mm film Rangefinder camera, manufactured by F.E. Dzerzhinsky factory, in Kharkov, Ukraine, former USSR. The original FED is also known as FED NKVD, FED-1 and FED-S. All original FED cameras produced between 1934-55, quantity 626847.
	Fujifilm: Fine Pix 2700
	Fujifilm: Fine Pix A-205 S		3CL61266
	Fuji Optical: FinePix 2800 Zoom	2001	2HA08889
	Fujifilm: Finepix S1 Pro		BB 10832-100			A digital SLR based on the Nikon F60/N60 body, but with Fuji electronics. It takes Nikon mount lenses, including older AI and AIS manual lenses without metering for those. It takes Compact Flash memory cards (including micro-drives) and SmartMedia cards (available up to 128mb). The Finepix S1Pro uses the Fuji Super CCD. It has a 3 megapixel ccd, but with fuji incamera software processing produces a 6 Megapixel image 3000x2000 or two other smaller settings. uncompressed Tiff file takes approx 25 - 45 seconds to save depending on memory card!. Typically best to use the high quality jpeg setting. Chthree Jpeg in Fine, Normal, and Basic settings (good, bad, and ugly compression). ASA/ISO speeds 320, 400,800, 1600, Color or Black and White, with other settings.
	Coronet Camera: Flashmaster	c1954
	Meopta: Flexaret Va	1960-1964	30952371			Meopta Flexaret Va The Va is a Flexaret V adapted with a separate rewind knob which permits 35mm film to be used, provided you can source the special adaptor/mask kit (not hard). Taking lens Meopta Belar 80mm f3.5 Prontor SVS shutter 1 - 1/400 Czechoslovakia c. 1958-61
	Kodak Eastman: Folding Pocket No.1A Mod C	1905-1907
	Kodak Eastman: Folding Pocket No.3A Mod B2	1903-1915
	Fuji Optical: Fotorama F-55V (voice)	1982
	Fuji Optical: Fotorama Mr. Handy MF Date	c1990	70802129
	Minolta: Freedom Action Zoom 90 (Freedom Traveler)	1999	38003063
	Fuji: Fuji 3000 zoom Auto Focus					Introduced by Fuji circa 1991, the Discovery 3000 Zoom Date is an unconventionally-styled 35mm camera. It was also sold as the Fuji FZ-3000 Zoom Date and the Fuji Zoom Cardia 3000. It is held horizontally like a pair of binoculars. It includes a sophisticated (13-element) 38–115 mm zoom lens, programmed autoexposure, and date/time imprinting into the image area. Film speeds from ISO 25–1600 are automatically set using DX coding. The motorized film transport is of the type which first fully unspools the 35mm roll; then as frames are exposed, they are rewound back into the cassette. This eliminates any risk of losing images by accidentally opening the camera. The Discovery 3000 uses a separate optical viewfinder (rather than a reflex finder); but this zooms in parallel with the main lens to indicate the framing of the image. An integral strap surrounding the photographer's right hand helps ensure a secure grip on the camera. There is an LCD screen on the rear of the camera to indicate the settings in use. The maximum aperture of the lens is limited to f/4.4–8.9 (depending on zoom setting). Thus a small internal electronic flash is included; and Fuji offered a dedicated external flash (using a proprietary connector), which offered more power and telephoto reach. Power for all camera functions comes from a 6-volt lithium battery.
	Fuji Optical: Fuji Work Record OP	1993-2006
	Fuji Optical: Fujica Auto 5	1980	8012856			Fujica Auto-5 is a zone focus compact camera released in 1980. Apart from focusing, it is fully automatic, with autowinder, auto-loading, auto-return, auto-exposure and automatic setting of film speed. Since this predates the introduction of DX coded film, it relies on Fuji's older proprietary film speed indication mechanism. For other films, the ISO speed is set manually. Its lens is the 38 mm f/2,8 so typical for its class and era. A date back version was also available, in black or blue. For those wanting a really automatic camera, Fuji released the Fujica Auto-7 the following year, which added autofocus.
	Fuji Optical: Fujica Auto 7		4120830			An autofocus compact camera from Fuji released in 1981. Lens is a Fujinon 38mm f/2.8.
	Fuji Optical: Fujica AX 1	1980	3081705			The AX-1 is a 35mm SLR camera manufactured by Fuji in 1980. The camera was also released by Porst as the CR-3 automatic. It is one of three cameras released that year simultaneously with the AX-3 and AX-5. These cameras share a similar body, but the AX-3 and AX-5 has more exposure program modes. It uses Fujica X lenses.
	Fuji Optical: Fujica Compact 35	1966
	Fuji Optical: Fujica HD-M	1984
	Fuji Optical: Fujica ST 605	c1976		1976		The Fujica ST605 is a 35mm SLR made in Japan by Fuji, introduced in c.1976. It has a M42 lens mount - for Praktica/Pentax Screwmount Lenses, a rubberized silk curtain focal plane shutter running from 1/2 to 1/700s. It has an internal light meter requiring two SR44 1.5 batteries. The Fujica ST605N is an updated ST605 with shutter speed setting shown in the view finder.
	Fuji Optical: Fujipet	1959	28478
	Fuji Optical: Fujix 8 P670sf		no;3100328			is'nt my own photo Origional ad
	Fisher: FVC-P801					Fisher FVC-P801 8mm Camcorder Vintage Video Camera Recorder Japan
	Borel, Victor: GR-S95		16406953			Victor Victor GR-S95 (SVHC movie ) and a panoramic camera
	Bolex-Paillard: H16	c1935-1947		1935		H-16 16mm Camera 1935 OVERALL DIMENSIONS: 8 1/2" x 6" x 3" WEIGHT: Approximately 5 1/2 lbs (without lenses) OUTER CASE: Highly polished duraluminium body, covered in genuine Morocco leather. Metal parts arechrome-plated. FILM CAPACITY: 100ft (30m) and 50ft (15m) daylight loading spools of 16mm film.
	Haking: Halina 35 Mark II					W. Haking Enterprises Ltd. is a camera and binocular maker based in Hong Kong (China). It was founded by Dr. Haking Wong (1906-1996) and Dr. Pauline Chan in 1956. In 2002 the company was taken over by Dr. Tony Chak-Leung Tai & Dr. Tai-Chin Lo and built a new factory in Xinhui (Guangdong).
	Haking: Halina Viceroy	c1960s				HAKING'S HALINA VICEROY TLR c1957 VINTAGE 120 ROLL FILM CAMERA
	Sony: Handycam CCD SC 65		1021342
	Sony: Handycam CCD TR 9
	Sony: Handycam M-10		223067			Lightest camcorder in the world when launched, at 1.0 kg. This model is exclusively for recording. The CCD-M8 marked the start of the Handycam series. It is significantly smaller than the CCD-V8. The lens barrel has a sliding cover, and the grip incorporates the battery compartment. Offering convenience and simplicity approaching a fully automatic still camera, the premier Handycam was exceptionally easy to operate with one hand.
	Minolta: Hi-matic AF 2	1981	2268601			Minolta Hi-Matic AF2 was the first viewfinder camera for 35mm film with active infrared autofocus when it was launched in 1981 as successor of the Hi-Matic AF. It was one of the last of Minolta's long-lasting Hi-Matic series of quality viewfinder and rangefinder cameras with automatic exposure. In addition to its autofocus the camera has a buzzer which indicates too small object distance or low light. The built-in flash needs two AA-batteries. The camera has the same kind of lens as most other 1970s Hi-Matics, a four-element construction with focal length 38mm. It has also the typical CdS-meter window inside the filter-thread in the front of the lens barrel. Even the film speed selector around the lens is typical 1970s Hi-Matic design, as well as film advance lever and rewind knurl.
	Rocket Camera: HIT Type	c1950				The New Rocket is a Japanese subminiature camera taking ten 14×14mm exposures on 17.5mm paper backed rollfilm, made in the late 1940s or early 1950s by Tōkyō Seiki and perhaps by a Rocket Camera Co.
	Asahi: Honeywell Pentax SL	1965	3070935			Type- 35mm single-lens reflex. Film and Picture Size 35mm film (20 or 36 exposures). 24mm x 36mm Standard Lenses- Super-Takumar 55mm Super-Takumar f/2.0 with fully automatic diaphragm. Distance scale: 0.45m (1.5 feet) to infinity. Filter size: 49mm. With depth-of-field scale. Equipped with diaphragm preview lever which affords visual check of depth of field. Shutter- Focal plane shutter with single non-rotating dial (dial rotates to select shutter speed but remains stationary when exposure is made - this is a reference to earlier cameras that had shutter speed dials that rotated when the exposure was made). Speeds: B, 1-1/1000 sec. Film speed (ASA) setting dial and window on shutter speed dial. Built-in self-timer releases shutter in 5-13 seconds. Shutter curtains of special rubberized silk.
	Asahi: Honeywell Pentax Spotmatic F (SP-F)	1973	2479730			The Pentax Spotmatic F (SPF) added full-aperture metering to all of the features found in the Spotmatic II. Full aperture metering required the newer Super-Multi-Coated (S-M-C) Takumar lenses with an aperture-position linkage to the camera. The camera retained backwards compatiblily with all earlier Takumar lenses. Read more at: http://www.pentaxforums.com/camerareviews/pentax-spotmatic-f.html#ixzz3uRIhgTf1
	Polaroid: Impulse Portrait	1988-1992
	Kodak Eastman: Instamatic 100	1963-1966				The first Instamatics went on sale for $16 in early 1963.They were the first cameras to use Kodak's new 126 format. The easy-load film cartridge made the cameras very inexpensive to produce, as it provided the film backing plate and exposure counter itself and thus saved considerable design complexity and manufacturing cost for the cameras. A wide variety of print and slide film was sold by Kodak in the 126 format.
	Kodak Eastman: Instamatic 154	1965-1969
	Kodak Eastman: Instamatic 76X
	Fuji Optical: Instax 100	1999		1999		Type: Instant camera Film: Fujifilm Instant Color Film "instax" Picture Size: 62x99mm (based on the golden ratio, closer to the naked eye) Lens: Move in/out type Fujinon Lens 2 components, 2 elements, 95mm Aperture: f/14 Shutter: Programmed electronic shutter 1/64 ~ 1/200 Viewfinder: Real image viewfinder 0.45x Focusing: Motor-driven 2-range switching (0.9 to 3m/3m to infinity) Power supply: 4 LR6/AA-size 1.5V alkaline batteries for around 10 film packs. Dimensions: 171.5 x 91.5 x 119.5 mm Weight: 650 gr (withour batteries, strap and film pack).
	Fuji Optical: Instax 200	2008		2008		The Fujifilm Instax 100 was released on May 1st, 1999[1]. It has been replaced by the newer Fujifilm Instax 200, which is very similar except the flash is on one side rather than directly above the lens.
	Konishiroku (Konica): Jump Auto	1991	5658893
	Kodak Eastman: Junior Six-20 Series II	1937-1940
	Kodak Eastman: KE-85		0206041
	Field Camera: Keihan			1951		With origional wooden tripod
	seagull: KJ 1		368495
	Seagull: KJ-1					The Seagull KJ-1 is a 1970s style rangefinder camera for standard 35mm film. It has a an reverse Galilean bright-frame viewfinder with parallax marks and coupled rangefinder. Three control rings are around the lens barrel: a distance setting ring for distances from 1m to infinity, a speed setting ring for speeds 1 sec. to 1/300 sec. plus B mode, and an aperture setting ring for apertures from f2.8 to f16.
	Kodak Eastman: kodak 435
	Kodak Eastman: kodak 800		050310			Disposable Camera
	Kodak Eastman: Kodak EC-300
	Kodak Eastman: Kodak XL 340		567819
	Konishiroku (Konica): Konica Auto S2	1965
	Konishiroku (Konica): Konica C35 AF	1977-1980	858709	1977		1977-1980. 35mm compact automatic camera. World's first 35mm camera with auto-focus. It used the Visitronic AF system manufactured by Honeywell.
	Konishiroku (Konica): Konica C35 Automatic	1971-1972	728216
	Konishiroku (Konica): Konica C35 EF	1975	380356
	Konishiroku (Konica): Konica C35 EFP	1977	844685			The Konica C35 EFP is a 35mm compact camera with built-in flash, made by Konica in Japan, introduced in 1978. The 38mm f4 lens is fixed-focus. Inside the 46mm filter thread is a switch giving a choice between 100 and 400 ASA, which switches between two apertures. The shutter is single speed, 1/125s. There is a CdS cell providing a low-light warning, but not full metering. The built-in flash pops up - sliding the whole panel upward - when selected by an orange release button; pushing it back down again turns it off. There is a button on the (user's) right of the lens for close-up flash. Power for the flash and the exposure warning comes from two AA batteries.
	Konishiroku (Konica): Konica FM	c1965	3802877			The Konica FM was the last of the Bayonet Mount I (aka "Early" or "F-Mount") SLR cameras. It was introduced in 1964. The next Konica, the Auto-Reflex, would have a larger diameter bayonet mount allowing the linkage for aperture control to be completely enclosed within it. The Konica FM might have been the first Japanese 35mm SLR to have a cross-coupled, CdS-based meter built in. The meter was powered by a single 625 mercury cell (1.3V). The FM continued use of the Copal Square shutter found in the F series predecessors and shared the same specifications as the FP and FS models. By the time the FM went into production,Konishiroku was beginning to hit is stride in camera production with four years experience in the manufacturing of SLRs. The FM are wonderful handling cameras. Currently,few can be found with accurate, working light meters. However, because the Konica FM is a fully-mechanical in operation, the camera is usable without the meter.
	Konishiroku (Konica): Konica FTA	c1968				1970-1973. 35mm film, SLR camera. TTL-metering. Black or chrome. Self-timer. Same as Konica FTA, but with shutter release lock lever. Marked as "FTA". Japanese version of Konica Autoreflex T(2).
	Konishiroku (Konica): Konica MT 7	1986	2674504
	Kyocera: Kyocera DV-L100
	Yashica: Kyocera Zoomtec 70		281547
	Century Camera: Large Format
	Nikon: Lite-Touch Zoom 120ED	2000	3140837
	GOMZ: Lomo LC-A	1983-1990	6530208
	Kowa: lupinus 35-A					Vintage Japanese Camera Vintage Lupinus Kowa Company Tokyo Japan
	Mamiya: Mamiya 6					The Mamiya Six I, II and III were wartime and immediate postwar models, and had both eye-level and waist-level finders. The coupled rangefinder was combined with the eye-level finder. As a result, there were three windows at the front of the top housing. The Mamiya Six III added an exposure counter with double exposure prevention.
	Mamiya: Mamiya CP	1964-1967				Mamiya: Mamiya CP 1964-1967. 35mm SLR camera. Mamiya or Mamiya/Sekor nameplate. Also known as the "Mamiya CWP".
	Mamiya: Mamiya Sekor 1000 DTL	1968	230982			The 1000DTL was released in 1968 by the Mamiya Camera Company of Tokyo, Japan. Mamiya is famous for making the RB67/RZ67 medium format cameras that are the standard cameras of fashion photographers. The 1000DTL is an improvement over the 1000TL, which along with the 500TL, was Mamiya's first 35mm cameras with through the lens (TTL) exposure metering using a CdS cell. If you compare Mamiyas with other cameras in the same period, the Miranda Sensorex or Pentax Spotmatic for example, you'll see that Mamiya was technologically very advanced.
	Mamiya: Mamiyaflex C3	1962-1965
	Yashica: Mat
	Rainbow: MD-35F
	Feinwerktechnik: Mec 16 SB	1960	12600226
	Tougodo: Meikai ELX	c1965
	Meikai: Meikai ST					Introduced in 1963, by Togodo, a minor Japanese camera manufacturer. A simple and cheap viewfinder camera with a 50mm lens targeted at a young audience and sold in toy and stationary stores. The aperture is controlled via a three-step ring (for bright light, medium light, poor light indicated by icons). These days a few toy-camera users have adopted this model.
	Suruga Seiki: Mihama Six Model II	1953				The Mihama Six is a series of 6×6 folding cameras using 120 film, produced by Mihama (or Suruga) from 1952 until 1957. There are a number of models, all sharing the same body with horizontal folding bed. This body was manufactured by Takane,[1] at least for the early days. An MSK logo appeared on the folding struts. No model of Mihama Six has any automation for film advance, and all but one can take both 6×6 and 4.5×6 pictures. These have two red windows in the back, one for each format, with a sliding cover accordingly engraved. All the lenses are 75mm f/3.5 unless stated otherwise. Mihama does not seem to have been a lens maker, and "Mihama" lenses can be presumed to have been a mere matter of branding.
	Polaroid: Mini Portrait 203	1993
	Yashica: Minister III	1966	H-73367			The Yashica Minister III was one of the first cameras with the meter's sensor mounted inside the filter connection ring. It had a coupled rangefinder. Type: rangefinder camera Manufacturer: Yashica Films: 35mm Lens: Yashinon 1:2.8/45mm Shutter: Citizen leaf shutter with speeds from 1 sec. upto 1/500 sec. Metering: selenium element (circle element around the lens) gives its voltage to a meter upon the camera
	Minolta: Minolta a303 si super		99602076
	Minolta: Minolta AF E	1984	5093135
	Minolta: Minolta AF S	1983	8172670			Missing lens cover
	Minolta: Minolta AF Tele quartz date
	Minolta: Minolta AF Zoom 65	1989	92302410
	Minolta: Minolta AL	1961-1965	167518
	Minolta: Minolta Autopak 430EX	1978
	Minolta: Minolta Autopak 450E	1976
	Minolta: Minolta Autopak 460TX	1979
	Minolta: Minolta Capio 25		22530761
	Minolta: Minolta Dimage F-300
	Minolta: Minolta FS 35	1989	5514574
	Minolta: Minolta FS-E II	1987	01222626
	Minolta: Minolta SR-1 chrome	1959-1964	2238787
	Minolta: Minolta SR-1 S	1964	4102718			The Minolta SR-1 was launched in 1959 as the second 35mm SLR camera from Chiyoda Kogaku. There is actually not much difference between this and the first one, the SR-2. It was obviously introduced as a low budget alternative, with the fastest shutter speed removed, and offered with a slightly slower standard lens, the six-element Auto Rokkor-PF 1:2 f= 55mm.
	Minolta: Minolta SR-7	1962-1964	2541950			The Minolta SR-7 is the first Minolta SLR to have a built-in exposure meter. In fact it was the worlds first 35mm SLR with a built in battery operated CdS-meter when introduced in 1962, and at the time Minolta's top of the line SLR camera model, usually equipped with the superb Auto Rokkor -PF 1:1.4 f=58mm standard lens with a depth-of-field pre-view lever. The meter is of the dual range variety, having a low and a high range selected by a push button, situated early on at the rear, and later, on model V, to the left of the lens mount on the side of the mirror housing. The meter reading, to be manually transferred to the lens aperture ring, is shown in a window next to the rewind knob at the top of the camera. The film speed is set on the shutter speed dial by lifting and turning to outer collar.
	Minolta: Minolta SR-7 Type-b					There are several versions of this camera, the most significant improvement is the 1965 revised body style, the SR-7 model V, which was also the basic body-style for the Minolta SR-T 101 to be introduced the following year. The improved style is recognized by the fact that the stepped shoulders on the camera body are removed. The camera has a built-in 10 seconds delay self-timer mechanism and features a mirror lock-up dial situated on the right-hand side of the mirror housing. The camera body design is particularly clean, having no integral accessory shoe at the top of the prism housing. The shoe was supplied as a separate item to be fixed to the camera using the viewfinder window frame, the early models having a screw-on fixing ring and the later ones a square push on fixture with a locking device.
	Minolta: Minolta SR-T 101		1739436			The Minolta SR-T 101 is a 35mm manual focus SLR camera with Through-The-Lens exposure metering - TTL for short, that was launched in 1966 by Minolta Camera Co. Staying in production for ten years with only minor changes, proves the thorough effort being put into the development of the camera before the introduction. The design is based on the innovative Minolta SR-7 model V camera of 1962, but the principal design is inherited from the original 1958 Minolta SR-2. The SR-T 101 however, has several significant features apart from the TTL meter. The most significant one is perhaps the full aperture metering facility, automatically compensating for the at any time fitted lens' maximum aperture,[2] a feature it took twelve more years for Nikon to accomplish. Full aperture TTL metering was commercially first realised in the brilliant Tokyo Kogaku Topcon RE Super, a feature first realised in a screw mount camera by the introduction of the Olympus Kogaku Olympus FTL, their first full frame 35mm SLR in 1971, but which was abandoned one year later in favour of the remarkable OM system.
	Minolta: Minolta SRT Super	1973	1097518			Crome; Body only
	Minolta: Minolta SRT-101	1966				The Minolta SR-T 101 is a 35mm manual focus SLR camera with Through-The-Lens exposure metering - TTL for short, that was launched in 1966 by Minolta Camera Co. Staying in production for ten years with only minor changes, proves the thorough effort being put into the development of the camera before the introduction.
	Minolta: Minolta SRT-303B	1975	3336925			In August 1975 Minolta upgraded the entire range with minor new features, and renamed the cameras. The top of the line SR-T 102 became the SR-T 202, or SR505 in Japan and SR-T 303b in Europe. There is some speculation that this was conducted as simply a marketing measure, but it is considered more likely that Minolta had a plan for progressive upgrades to the platform, with respective model improvements every few years. The camera remained very similar to the previous model, with some minor changes
	Minolta: Minolta X-700	1981-1982	2665970			In 1981, the X-700 was awarded the European "Camera of the Year". Its competitive pricing resulted in its becoming the most successful Minolta camera since the SRT line. As Minolta began[when?] to introduce its auto-focus cameras and lenses, further research and development of manual-focus 35mm SLR cameras was shelved. Some internal components of the X-700 were changed over its production run, apparently in an effort to further reduce costs. Minolta was also one of the first major 35mm SLR manufacturer to outsource assembly of its cameras to countries outside Japan.[citation needed] They moved production of their X-300 to China in 1990, where the Seagull Camera factory took over production. In 1999, the X-700 camera was discontinued.
	Minolta: Minolta XD-S	1979	3705333			Very rare XD camera with a diopter adjustment in place of the viewfinder shutter. Apart from that the camera is idetical to the XD/XD-7/XD-11.1979. 35mm SLR camera. Japanese market only. Black only.
	Minolta: Minolta XG-7	1977				The Minolta XG Series of cameras commenced in 1977 with the launch of the XG7 which coincided with the release of the new XD Series body, the XD11 (XD in Japan, XD7 in Europe and Oceania). The new cameras were designed to provide automatic exposure photography to users at a lower cost than the XD bodies, and as a result they fell between the XD Series and the mechanical SR-T Series that was still in production.
	Minolta: Minolta XG-E	1977	117442			Another trusty 35mm SLR camera from the late 1970s, the Minolta XG-E was the first model in the XG series produced by Minolta until the early 1980s. Find out more about this analogue beauty in this installment of Lomopedia! Launched in 1977, the Minolta XG-E (also known as XG-7 in the USA and Canada, and XG-2 in Europe and elsewhere) was the first model in the XG series of budget 35mm automatic exposure SLR cameras which were lightweight, small, and easy to use. Its introduction coincided with the release of the more advanced Minolta XD series, and thus, the served as a more affordable affordable autoexposure option.
	Minolta: Minolta XG-M	1982	1032881			Body only
	Minolta: Minoltaflex III	1950-1954				1950-1954. 120 film, TLR camera.
	Miranda: Miranda RE
	Moskava: Moskava II		5306974
	Mikona: MV-989		1342044
	Victor-16: NC-160					16 mm Movie Camera
	Canon: New Sure Shot (AF35M II / Autoboy 2)	1984	4901461	1984		The third in Canon's Sure Shot series, released in 1983, this was known as the (New) Sure Shot in the US, AF35M II in Europe, and Autoboy 2 in Japan. Its specifications are very similar to the original Sure Shot (but with a 4-element, 4-group lens this time) but can be identified by the sloped edge near the shutter release button.
	Nikon: Nikkormat EL (same as Nikomat EL)	1972	5528516			Nikkormat EL - The First Electronic Nikon Camera The Nikkormat EL was an all-metal, electromechanically (some solid-state electronics, but mostly springs, gears and levers) controlled, manual focus SLR with manual exposure control or aperture priority autoexposure, manufactured in Japan from 1972 to 1976. It was available in two colors: black with chrome trim and all black. The EL had dimensions of 93.5 mm height, 145 mm width, 54.5 mm depth and 780 g weight. This was very large and heavy compared to many other SLRs of the mid-1970s. As Nippon Kogaku's first electronic autoexposure camera, the EL required a battery (one 6 V PX-28 or 4SR44 in the bottom of the mirror box) to power its electronically controlled metal-bladed, vertical travel, focal plane shutter to a speed range of 4 to 1/1000 second plus Bulb and flash X-sync of 1/125th second.
	Nikon: Nikon AF
	Nikon: Nikon AF 210	1994
	Nikon: Nikon AF 230	1997	5927900
	Nikon: Nikon EF 300	1997	4085082
	nikon: Nikon EF 500 SV		8050318
	Nikon: Nikon EM	1979
	Nikon: Nikon F Photomic FTN	1968
	Nikon: Nikon F Photomic FTN	1968
	Nikon: Nikon F-60	1998
	Nikon: Nikon F-60 D	1998
	Nikon: Nikon F-75	2003
	Nikon: Nikon F-80	2000
	Nikon: Nikon F-90 X	1994
	Nikon: Nikon F65D
	Nikon: Nikon FE	1978	3278717			2 Camera
	Nikon: Nikon FM
	Nikon: Nikon FM10	1995				The Nikon FM10 is a manual focus 35 mm film camera sold by Nikon Corporation. It is of SLR design and was first available in 1995. It is normally sold in a kit that includes a Zoom Nikkor 35–70 mm f/3.5-4.8 zoom lens, although a Zoom Nikkor 70–210 mm f/4.5-5.6 zoom lens is also available. An electronic companion model known as the FE10 was also sold at one stage. The FM10 is not actually manufactured by Nikon itself, and is not a true member of the Nikon compact F-series SLRs, as the name implies. It is manufactured by Cosina in Japan[1] (as are both the lenses), and is derived from the Cosina CT-1 chassis. Following Nikon's decision in January 2006 to concentrate on digital cameras, the FM10 and the high-end F6 are the only two film-based camera bodies carrying the Nikon name, with the F6 being the only current film-based camera currently manufactured by Nikon. The FM10 has a shutter speed range of 1 to 1/2000th second plus bulb and flash X-sync of 1/125th second. Its dimensions are 139 x 86 x 53 mm, and it weighs 420g. The camera is finished in black with champagne chrome trim. The FM10 was originally intended for sale in developing Asian markets, but is now sold in Western countries too.
	Nikon: Nikon FM2	1983-1985	7037516			4 Camera
	Nikon: Nikon TW 35-80	1991	2128642
	Nikon: Nikon W35	1991	4006955
	Nikon: Nikon Zoom 200 AF	1995
	Nikon: Nikon Zoom 310 AF	1995
	Vredeborch: Nordetta 3D	1951				Vredeborch was a camera maker based in Nordenham, a town on the German North Sea coast. The name of the company come from the Vredeborch castle (Friedeburg in standard German; Peace Castle in English) established at the beginning of the city's history, circa 1407. The company Vredeborch GmbH was founded in 1945. Several of its cameras were sold under names given by other distributors. It stopped camera-making in 1970.
	Panasonic - National: NV M-17 video camera recorder
	Panasonic - National: NV M-33 video camera recorder
	Panasonic - National: NV-DS7
	Panasonic: NV-MS950EN		G1HT00206			World Wide Sponsor 1992 Olympic Game JTS25-04
	Olympus: Olympus 35 DC	1971-1974	342671			Introduced in 1971, the Olympus 35 DC is the fully automatic sibling of the renowned Olympus 35 RD. Aside from automatically selecting the best combination of shutter speed and aperture for the scene metered by the camera's CdS "eye", the 35 DC has the same body construction, rangefinder assembly, and more importantly, the same F.Zuiko 40mm/1.7 lens as the one on the RD.
	Olympus: Olympus 35 LE	1965				The Olympus 35 LE was a rangefinder launched in 1965. It featured the world's first programmable electronic shutter with a flashmatic function. The 1/15-1/500s programmable EE electronic shutter was controlled by a CdS light sensor through some transistor electronics. Operation was as simple as setting the distance and pushing the shutter button.
	Olympus: Olympus Camedia c-3100 zoom			219531168
	Olympus: Olympus iS-100S (iS-10S / L-10S)	1996				The Olympus iS-100s is an autofocus 35mm single lens reflex camera and part of the Olympus iS series. It is also known as the iS-10S or L-10s. It features a built-in 28-110mm f/4.5-5.6 zoom lens.
	Olympus: Olympus IZM 200		1244173
	Olympus: Olympus LT Zoom 105	1997	4032171
	Olympus: Olympus OM-1	1973-1974				The Olympus OM-1 is a manually operated 35mm single-lens reflex camera. It is part of the Olympus OM system. History.The OM-1n is similar to the OM-1MD, with a redesigned film advance lever, a flash ready/sufficient flash LED in the viewfinder, and automatic flash synchronization (X-sync), regardless of the position of the FP/X switch when used with a T-series flash unit mounted on Flash Shoe 4.
	Olympus: Olympus OM-10	1979		1979		The Olympus OM-10 is a 35mm single-lens reflex camera model that was launched by Olympus Corporation in June 1979. It is a part of the Olympus OM system
	Olympus: Olympus Pen EE	1961-1963
	Olympus: Olympus Pen EE-3	1973-1983	5365979			The Pen series is a family of half-frame cameras made by Olympus from 1959 to the beginning of the 1980s. Aside from the Pen F series of half-frame SLRs, they are fixed-lens viewfinder cameras. The Pen EE.3, produced from 1973 to 1983, seems to be almost exactly the same camera except that it added the flashmatic system when used with the matching GN14 flash.
	Olympus: Olympus XA	1979
	Olympus: OM-30					The Olympus OM System (O = Olympus, M = Maitani) was a line of 35mm single-lens reflex cameras, lenses and accessories sold by Olympus between 1972 and 2002 (some accessories were sold until early 2003). The system was introduced by Olympus in 1972, more than a decade after Nikon, Canon, and other manufacturers had established their own SLR ranges. The range was designed by Yoshihisa Maitani, chief designer for Olympus, and his staff.
	Polaroid: One Step	1993
	Polaroid: One Step Version II	c1980s
	Vivitar: Onki 27
	AGFA: Optima 1035 Sensor	1976		1976		- a HUGE brightline viewfinder that makes them useful to people with glasses; - one single thumb lever that winds or rewinds the film, depending on the polarity set by a push button; - a foolproof quick-loading system; the big Sensor shutter release with a clear pressure point; - automatic exposure; - an f/2.8 lens (fast ad practical); - a plastic slab that (briefly) protects the exposed film from fogging when you accidentally open the back; - a plastic-coated, all-metal body.
	Konishiroku (Konica): Panorama Zoom	1991				Konishiroku (Konica): Panorama Zoom - 1991. 35mm film, compact, autofocus camera. 28-56mm F/3.5-6.6 lens. Panoramic feature.
	Paxina: Paxina I			1950-1954		The first Paxina model (numbered I only retrospectively, because of the existence of the model II) was made in 1950-54. It is very similar to Braun's earlier Pax (the only significant difference being the basic focusing control).
	Asahi: Pentax Espio 115M	1996	9517599			The Pentax Espio 115(M) is a 35mm compact zoom camera with autofocus made by Pentax, introduced in 1996[1]. In the US it was called the IQZoom 115 with a revised version taking the V suffix. An even later 115G model had a metal middle section with rubber grips. It was part of the Espio/IQZoom series.
	Asahi: Pentax Espio 120	1994	9140155
	Asahi: Pentax Espio 140	1994	5026201			Pentax Espio 140 35mm compact camera with autofocus and zoom lens, issued by Pentax in 1994. Part of the Pentax Espio IQZoom series. Various versions including Espio 140V (a late model in a longer, slimmer body with sliding front cover), Espio 140M (shiny "silver" body) and IQZoom 140 Date.
	Asahi: Pentax Espio 150SL	2001	4746938			The original Pentax IQZoom compact camera was introduced in 1986 (available in 1987 in most locations worldwide). It won awards from the Technical Image Press Association (TIPA) and European Imaging and Sound Association (EISA). The Pentax Espio camera was released in 1992. From 1990-2005, Pentax sorted its compact cameras into two main groups. The low end range had a PC prefix. The high end series was branded as Espio. Afterwards Espio branded models started appearing in some regions instead of IQZoom which was now most common in the US. Many early IQZoom packaged and branded cameras did not display the IQZoom marking on the camera body itself. Though marked IQZoom on the box, even photos of the camera body on the box did not have IQZoom. These were mostly quite advanced compacts with built-in flash, autofocus, and zoom lenses. Espio/IQZoom models are listed below.
	Asahi: Pentax Espio 738S	c2000	2584709			The Pentax Espio 738 is a 35mm compact camera with autofocus and a zoom lens, issued by Pentax in 1995. Part of the Pentax Espio IQZoom series. Various versions including Espio 738G and IQZoom 738S. It was made in China.
	Asahi: Pentax Espio 928	1994	8521962	1994		The Pentax Espio 928 is a 35mm compact camera with autofocus and wide-angle zoom made by Pentax. In the US it was known as the IQZoom 928. Even at it's widest 28mm focal length setting, the lens is very sharp and contrasty, with negligible distortion and not much vignetting. The camera has a couple of interesting exposure modes. Pressing the button with "mountains" icon once will set the focus at infinity, which is ideal for shooting landscapes, particularly from the window of a sightseeing bus. Pressing it twice more will put the camera in "snapshot mode", with the zoom fixed at 28mm and focus at 2.9m, allowing the shutter to fire almost immediately, since the autofocus is disabled.
	Asahi: Pentax IQ-Zoom 900	1989	8810800
	Asahi: Pentax K1000	1976-1997				K1000 is a 35mm film SLR camera made by Pentax and produced between 1976–97. Its design descends from the original Spotmatic series of screw-mount SLRs introduced in the 1960s. An affordable camera for the amateur photographer, it was a fully mechanical, manual camera designed without any program modes. It survived much longer than originally intended and became the archetypal "student's camera." The K1000 was equipped with all features required for manual photography: a TTL metering system, wide-ranging shutter speeds from 1/1000 to 1 s, and the ability to use all the available K-mount lenses made by Pentax and licensees such as Ricoh and Cosina. The K1000 omitted some features found on more advanced models, such as depth-of-field preview, self-timer, and separate meter on/off switch.
	Asahi: Pentax K2 (black)	1975	7120226			With lens
	Asahi: Pentax Optio		4464481			The Pentax Optio series is a line of consumer digital cameras manufactured by Pentax Corporation. It consists mostly of point-and-shoot cameras, and encompasses the bulk of Pentax's lower-end camera models. These products typically range in cost from $200-$500 USD, with specific "W" models targeted for underwater and outdoor use.
	Asahi: Pentax PC 33	1997	9510909			Type: 35mm motorized camera with auto fash. Film: 35mm perforated cartridge film. 24mm x 36mm format. Lens: 30mm F6 3 lens. 3 elements in 3 groups Focusing: Free focus Focusing Range: 1 5 m to infinity Shutter: Shutter speed 1/125 sec. Aperture Setting: F6 3 Film Speed Index: ISO 100/200 and 400. Viewfinder: Mamfication 0.68X Field angle: 88% Flash: Built-in type, Recycling time: approx. 8 sec. AUTO FLASH. Weight: 175g Film Winding and rewinding: Automatic winding and power rewind. Red-eye Reduction: LED lamp light up before the shutter is released. Counter: Additive, automatic reset to "S" When the camera back door is opened. Power Source: 2 AA alkaline or manganese batteries. (IMi-Cd batteries cannot be used.) Dimensions: 118 (L) x 73.5 (H) x 46.5 (W) mm
	Asahi: Pentax S3	1961	No;354031			The company that would become Pentax was founded in 1919 as Asahi Kōgaku Kōgyō G.K. (旭光学工業㈾). It was originally an optical company, beginning by making glasses under the Aoco brand (presumably the acronym of Asahi Optical Company), and made its first Aoco v projection lens in 1923.[1] It began to produce camera lenses in the early 1930s, under the management of the CEO Kajiwara Kumao (梶原熊雄) and his closest collaborator Matsumoto Saburō (松本三郎).
	Asahi: Pentax SF 7	1988-1993
	Asahi: Pentax SL	1965	3070935			The SL was essentially a meter-less version of the Spotmatic as it lacked the behind the lens ttl meter. It was pitched by Asahi Optical to replace the legendary SV. The SL had the slot on the shutter speed dial to allow it to accept clip on meters (model SL) and was popular with those that preferred using a dedicated Spot Meter. Read more at: http://www.pentaxforums.com/camerareviews/pentax-sl.html#ixzz3uXGdzWsV
	Asahi: Pentax Spotmatic (SP) (chrome)	1964	1357941	1964		The Pentax Spotmatic refers to a family of 35mm single-lens reflex cameras manufactured by the Asahi Optical Co. Ltd., later known as Pentax Corporation, between 1964 and 1976.
	Asahi: Pentax Spotmatic F (SP-F) (chrome)	1973	4583987	1973		The Spotmatic SP F, launched in 1973, included several improvements. It was the first version to offer open-aperture metering, but this needed the updated Super-Multi-Coated (S-M-C) Takumar lenses with an aperture-position linkage to the camera. The FP option for the hot shoe synchronisation was dropped and the meter circuit design was revised to take account of the lens aperture setting and to indicate correct exposure when zero current is flowing through the meter, which now allowed for a variation in voltage from the battery. The battery now needed extra capacity and was changed to the now-defunct PX625 mercury cell. The light meter is constantly switched on but there is an automatic cut-off when the light is at EV2 or less, so it is important to keep the lens cap on when the camera is not in use, in order to conserve the battery.
	Asahi: Pentax SV (chrome)	1962	1895089			The Asahi Pentax SV / H3v was launched in 1963. This introduces the fully automatic aperture operation on the Asahi Pentax cameras. For the US market, this model was regarded as a replacement for the H3 with the addition of a self-timer (v), which was the other new thing on this model. It is situated under the rewind knob with an integral film reminder dial. A curved arrow and a chrome release button on the top plate next to it complement the function. A yellow engraved V on the dial indicates when the picture will be taken as seen from the camera front. A new automatic resetting frame counter is placed under a cover on top of the wind-lever hub. The standard lens is the Super-Takumar 1:1.8 / 55mm.
	Asahi: Pentax Zoom 60	1988	7302462
	Asahi: Pentax Zoom 70 S	1988	7480751
	Kuribayashi (Petri): Petri 1.9 Color Corrected	1958-1960
	Konishiroku (Konica): Pocket Shot		BK094380
	Polaroid: Polaroid 340	1969-1971			75 US$	Antique market price in Burma(Myanmar)
	Polaroid: Polaroid 7500 Zix
	Polaroid: Polaroid 80A (Highlander)	1957-1959
	Polaroid: Polaroid automatic 104		T 552219
	Polaroid: Polaroid J 33	1961-1963	AF 251025
	Canon: PowerShot G5	2003				The PowerShot G5, which succeeds the 4-megapixel PowerShot G3 released in November 2002, combines the high performance and versatility of its predecessor with a high-resolution 1/1.8″ 5-megapixel CCD sensor, which realizes large images of up to 2,592 x 1,944 pixels for enhanced imaging performance. Canon’s proprietary DIGIC Image Processor optimizes the performance of the 5-megapixel CCD sensor to achieve image quality at the highest level in its class. Specialized for digital cameras, DIGIC architecture uses an enhanced signal-processing algorithm to enable processing power far greater than that of conventional technology. Executing large-volume, complex calculations in a split second, DIGIC realizes boosted image quality, auto-focus precision, and image-processing speed.
	Canon: PowerShot S20	2000	A51204405
	Hanimex: Praktica nova I B	c1967	72890			The Praktica PL nova I was introduced in 1967 by Pentacon as new improved variant of the Praktica nova. It had an improved shutter speed dial and the original nova's missing shutter speed 1/15 sec. Another new feature was the "Pentacon load" (PL) system for faster film insertion. The Praktica PL nova I B was a variant with built-in meter.
	Canon: Prima BF 90 Date		3262706
	Canon: Prima DX II		4101756
	Kodak Eastman: Pro-Star 111		z 063-2
	Bilora (Kürbi & Niggeloh): Radix	c1949
	Kodak Eastman: Retinette IA (044)	1963-1967
	Riken: Ricoh Auto Half	1960-1963
	Ricoh: Ricoh FF-700	1987	33 191651
	Ricoh: Ricoh FF-9 SD Transparent	1990	13298/20000			The FF-9SD Limited was an edition of 20,000 that came out in '92 (as far as I've been able to determine). It has a 35mm f/3.5 Ricoh lens, auto focus, auto pop up flash with limited override (via the 'mode' button) and does 'panorama' via an insert - i.e. you have to shoot the entire roll the same way. I have film in it now so samples will be forthcoming.
	Ricoh: Ricoh KR-5 Super (A-50/XR-5/CR-5)	1982	73140508
	Ricoh: Ricoh Myport 310 Super		FN 136735
	Ricoh: Ricoh Shotmaster AF-P	c1989
	ricoh: Ricoh Shotmaster Zoom 105 Plus
	Ricoh: Ricoh XF-30	1985
	Ricoh: Ricoh XR-500 (KR-5/A-500)	1979	75396514
	Riken: Ricoh XR500 auto
	Ricoh: Ricoh YF-20	1987
	Riken: Ricohflex Million	1957
	Minolta: Riva GT	1994	5007015
	Minolta: Riva Zoom 115 EX (Freedom Zoom Supreme)	1995
	Minolta: Riva Zoom 125
	Minolta: Riva Zoom 135 EX	1994	21428880
	Minolta: Riva Zoom 90 Date	1999	41932406
	Minolta: Riva zoom af 5		3405023
	Minolta: Riva Zoom Pico	1994
	Rocket Camera: Rocket Camera	c1955				The most usual model takes 4×5cm format pictures and has a box-shaped body, said to be made of tin.The advance knob is at the top left and a simple viewfinder is attached to the rear of the top plate. There is a single uncovered red window in the back, near
	Rollei: Rolleiflex 3.5 E	1956-1959	1861572
	Royal Camera: Royal 35	1960				The Royal 35 fixed lens rangefinder camera was the first camera made by Royal Camera of Tokyo in 1955, featuring: rangefinder-coupled Tomioka Tominor 50mm / f2.8 - f22 with 5 elements, or, Tominor 50mm / f2.0 - f22 lens with 7 elements and with a 40.5 filter ring. The f2.8 lens was developed in two versions. The early f2.8 lens version had a stepped barrel and 32mm filter ring. The later f2.8 lens version appeared similar to the faster f2.0 lens with 40.5 filter ring, so that both Royal 35 versions (and later Royals) could use the same size filters, hoods and lens caps. Copal-S shutter with shutter speeds: B, 1, 1/2, 1/5, 1/10, 1/25, 1/50, 1/100 and 1/300s. The shutter was located in the body behind the lens, which was not usual for mid-1950's mid-market Japanese rangefinder cameras. body-mounted Copal self-timer with lever, versus a lens-mounted self-timer. Shutter speed dial on the body, versus a speed ring on the lens. 10-blade aperture diaphragm on each lens version, giving nearly circular pupils. There were two main Royal 35 versions. The 'deluxe version'[1] used the f2.0 lens, had a conical chrome-capped black shutter speed dial. The standard model used the f2.8 lens, had a larger, flatter silver shutter speed dial.
	Yashica: Samurai Z	1989	223876			The Yashica Samurai Z and Z-L were introduced in 1989 by Kyocera, continuing the series begun with the Samurai X3.0 and X4.0 but in a slightly smaller and lighter body. The Z-L version was notable as being functionally identical to the Samurai Z, but with its handgrip and controls reversed for use by left-handed photographers. Other new features in the Z/Z-L were faster sequence shooting (claimed to reach 4.5 frames per second); plus double-exposure and intervalometer options. The zoom range was only 3x, as with the original Samurai; and the Z's 25–75 mm zoom was slower, at f/4.0–5.6 to help reduce body size. The electronic flash pops up, rather than having a fixed diffuser as on the earlier Samurais.
	Kuribayashi (Petri): Semi First (Model U)	1939
	Minolta: Semi Minolta I	1934-1935
	Sharp & Hitchmough: Sharp VL- DC 1		1159341			Sharp VL-DC1 Taking on the form of Sharp's popular ViewCam series of camcorders, this compact model features an LCD monitor--not a flip-out model but one fitted right on the back of the camera body. It also includes those two all-important accessories--an external mike input and headphone jack. A square joystick-style button maneuvers through the on-screen menus to choose features like manual iris and white balance control. At first sight, I figured that this method of moving through control options would prove to be difficult, but I was mistaken, as I quickly glided through pages of program menus. The manual focus control on this camcorder could really use some redesign work. That square button plays the role of focusing the camcorder. It can get a little confusing, but the text appears quite large in the LCD monitor and it coaches you along with arrows that point in the direction you need to go. This camcorder was built for fun, easy operation and, in that respect, performs very well. It's a good camcorder for beginners, practical for taping birthdays, holidays or other family events and allows for the addition of a few digital effects to spice them up.
	Sharp & Hitchmough: Sharp VL- HL 80		1122741
	Sharp & Hitchmough: Sharp VL-EL 310
	Sharp & Hitchmough: Sharp VL-H860		903328904
	Kodak Eastman: Signet 35	1951-1958		1951-58		The Kodak Signet 35 was Kodak's top American-made 35mm camera of the 1950's and the first of the Kodak Signet camera line. The Signet 35 has a coupled coincident image rangefinder, an excellent Ektar 44mm f3.5 lens with rear helicoid focus, automatic film stop counter with double exposure prevention, all built into a sturdy cast aluminum alloy body. The manually cocked Kodak Synchro 300, shutter works well, but compared with the shutters on equivalent German and Japanese cameras of the period, it has significantly fewer speeds (B, 1/25, 1/50, 1/100, and 1/300). However, time has proved the shutter to be very reliable, especially when compared to some of Kodak's leaf shutters of more impressive specifications. The Signet 35 originally sold for $95 USD[1] (app. $810 USD in 2007). The design was by Arthur H Crapsey, and it was made between February 1951 - March 1958
	Kodak Eastman: Signet Auto 35					The Kodak Automatic and Motormatic series were Kodak’s last American made 35mm cameras, and their first automatic exposure 35mm cameras. Tracing their original roots back to the Kodak 35 of 1938, there were seven different models; the first, the Kodak Automatic 35, was introduced in 1959 while the last, the Motormatic 35R4, was introduced in 1965. Production ceased in 1969.
	Kodak Eastman: Six-20 Brownie Model C	1946-1953		1946-63
	GOMZ: Smena 2	c1953-1956				Smena-2 is a 35mm film viewfinder camera produced between 1954-61 by GOMZ and 1957-61 by MMZ with quantity of 1.580.000 units. Smena = Смена, means Young Generation. 4290389432_fb3e1e2910_m.jpg Smena-2 by MMZ image by Siim Vahur (Image rights) Main differences from Smena-1 are added synchronizer and self-timer. These cameras were designed to be inexpensive and accessible to the public. It is a very simple viewfinder camera made of bakelite. It has a removable back and uses cassette to cassette film transport. All controls are on the lens/shutter barrel. There are 4 types with one sub-types of the GOMZ Smena-2, and 3 types with 2 sub-types of the MMZ Smena-2.
	Canon: Snappy S (S-30FF)	1985	2032518	1985		The Canon Snappy S (Snappy S-30 FF in Europe) of July 1985 was a compact camera for budget-conscious photographers, and was the third member of the Canon Snappy series. It was available in black, red, green, and yellow. An interesting design quirk was that the lens cover rotated to close the lens and switch the camera off.
	Franka Werke: Solida III	1951-1958		1951-58		1951-1958. 120 film, 4x4 or 6x6cm exposures, folding, viewfinder camera. 1951: flat top housing with DOF table, rewind knob on left 1952: rewind knob on the right side, angled housing 1954: larger finder, higher housing 1958: 4x4cm format 1958: 6x6cm format, rapid-wind lever.
	Franka Werke: Solida Record T (1962)	1962	none	1962		The Franka Solida Record T was the rigid body variant of Franka's two-format Solida Record cameras. It could make 6x6 cm or 4x4 cm exposures on type No. 120 film rolls. The variant of 1958 had a lever near the viewfinder to change the viewfinder frame. The variant of 1962 had two finders instead. It offered choice between apertures f8, f11 and f16, and choice between the shutter speed 1/30 sec. and bulb mode. The lens was a focusable 70mm f8 achromatic Spezial-Objektiv.
	Polaroid: Spectra AF	1997
	Polaroid: Spectra Pro	1990-1998				Polaroid introduced the Spectra system of cameras in 1986. It was an all-new line of cameras, and had a corresponding new film. Spectra film (called 'Image' outside of North America) is different from 600 integral film in that it has a different image format: a rectangular 9.2 x 7.3cm rather than 600 film's square format. Spectra film is otherwise identical to 600 film - ISO speed, development method and operation remain identical.
	Graflex: Speed Graphic	1912-1941	A 12223
	Minolta: SR-1s		4102719			The Minolta SR-1s was launched in 1967 as an improved version of the Minolta SR-1. It got the lens mount and the faster shutter of the Minolta SR-T 101, but no internal electronics. An optional CdS-meter could be coupled to the shutter speed control wheel. Mirror lock-up was possible.
	Braun: SR-2000
	Riken: Steky III	c1950-1955				This camera was launched in 1947 by Riken Kogaku (Richo), Japan and used 16mm film. After the war in Japan, midget cameras whose picture size was 14 x 14mm got a large popularity among the soldiers of the Occupation Forces from the U.S. But most of them were of poor quality and no more than toys. It was then that Steky was produced as a high-quality camera.
	Polaroid: Studio-Express 485 b
	Polaroid: SUN 660	1986-1992
	JVC: Super VHS					The Victor Company of Japan, Limited, or Japanese Victor Company is more commonly known as JVC - and is a large manufacturer and developer of audio & visual technology. It is particularly known for developing the VHS video-cassette system. They continue to make professional and amateur video and specialist still cameras.
	Polaroid: Supercolor 635 CL	1986-1992
	Olympus: Superzoom 105 (Infinity Accura Zoom 105 / OZ Classy 105) (1996)	1996	1111323
	Olympus: Superzoom 110 (Infinity SuperZoom 3000 / OZ 110 Zoom)	1992	2062252
	Olympus: Superzoom 80G (Infinity Zoom 80)	2002
	Canon: Sure Shot 60 Zoom (Prima Zoom Shot / Autoboy Juno)	1995
	Canon: Sure Shot Ace (Prima Shot / Autoboy Prisma) Date	1988
	Canon: Sure Shot M (Prima Mini / Autoboy F)	1993	80000641
	Canon: Sure Shot Z155 Caption (Prima Super 155 Caption)	2002	21-70015921
	Canon: Sure Shot Zoom Max (Prima Zoom Mini / Autoboy A)	1992	6913141	1992		Fully-automatic zoom compact camera which can switch between normal and panorama modes(Japanese version only) with the flip of a lever. Autofocusing features 3-point Smart Autofocus with high-performance AI-AF and 161 focusing steps. The high-performance 38-76mm f/3.8-7.2 lens gives a 2x zoom ratio. For macro shots, you can get as close as 0.45 m.
	Polaroid: SX-70	1972-1977		1972-1977
	Tokyo Kogaku: Topcon IC 1	1973-1978				The Topcon IC-1 Auto is a 1973-1978 35mm SLR from Tokyo Kogaku named for the Integrated Circuit which controlled its shutter priority auto exposure. It was the successor to the Topcon Unirex, and the last Topcon camera to use the UV bayonet lens mount. There are two versions of this camera, where the original dates from 1974 to 1976 and the new from 1976 to 1978. The difference between the two is mostly to do with the specification of the standard lens, where the original was a 50mm f2, and the new a 55mm f1.8. Accordingly the lens speed compensator dial on the original has a maximum setting of f2, while the new has a maximum of f1.8. Additionally, an LED battery condition indicator was added to the upper area of the viewfinder, it got a hot shoe flash connection, the Auto logo colour was changed from black to red, and the serial number was moved from the top plate (next to the rewind knob) to the back of the hot shoe mounting.
	Tokyo Kogaku: Topcon Unirex	1969-1973				The Topcon Unirex is a 1969-1973 SLR from Tokyo Kogaku offering TTL spot or averaging metering. The Unirex is most unusual for a SLR in having a leaf shutter not within the lens (or between a permanently attached rear section of the lens and an exchangeable front section), but instead behind the lens, which is exchangeable in its entirety.
	Mamiya: Tower 16
	Olympus: Trip 35 (chrome)	1967-1984	4988749
	Olympus: Trip AF 50	2002	6378711
	Olympus: Trip Junior	1989	2198389
	Olympus: Trip MD3	1998	06626201
	Olympus: Trip XB40 AF	2000	5199703
	Minolta: Uniomat I	1960
	Polaroid: Vision	c1993
	Voigtländer: Vitessa (Type 136) (Vitessa T)	1956				The folding Vitessa was replaced by the rigid Vitessa T. It was based on the folding Vitessa models, and retained their basic body but without the barn-door, their rangefinder, uncoupled selenium meter and the plunger rod advance mechanism. But the Vitessa T had a rigid body, and interchangeable lenses in front of a Synchro-Compur leaf shutter. Focusing is by a ring around the lens, as usual but unlike the folding Vitessa that have a wheel operated by the right thumb.
	Voigtländer: Vito C	1960-1967				Vito C is a 35mm film viewfinder camera, manufactured by Voigtländer and produced between 1960-67. It is the first and basic model of the Voigtländer Vito C series.
	Vivitar: Vivitar BV 20
	Vivitar: Vivitar Onki 28		D1101104
	Vivitar: Vivitar Series 1 370 z
	Vivitar: Vivitar T101	c1998
	Vivitar: Vivitar V4000S	c1997				The Vivitar V4000 is a Pentax K mount 35mm SLR marketed by Vivitar. As with most Vivitar-branded cameras, Cosina was the actual manufacturer, using parts from their CT1 Super and related models. The V4000 has shutter speeds from 1 second to 1/2000 of a second, with a B setting and flash sync at 1/125 of a second. ISO range is from 25-3200. The viewfinder has a horizontal split-image spot and a microprism ring, with the LED readout for the light meter located on the left side. Two color variants of the V4000 exist, an all-black model and a two-tone black and silver model. The camera requires two LR44 or SR44 batteries. In common with a number of other Cosina-built SLRs, the shutter release of the V4000 is locked (and no meter readout can be seen) until the film-advance lever is pulled outwards from the body. The V4000s shares all these specifications, but also offers a self-timer.
	Vivitar: Vivitar V6000	c1990
	Hitachi: VM-E25					8MM Video Camcorder
	Hitachi: VM-E8E		10436406			Video8 Camcorder
	Vredeborch: Vrede-Box Syncrona	c1950-1953				Vrede Box is a series of medium format film box camera, manufactured by Vredeborch GmbH, Nordenham, Germany. A large number of cameras were made for other distributors with their own name. Vrede Box models were the basis for many name variations, such as Filmor, Fodor, G-M-Box, Haaga, Helios, Hanimex, Joy-Box, Manex, Monty, N-Box, Prinz Pilot, Photopia, Regia Box, Slomexa, Texar, Union. There are many models and versions of the Vrede Box. Sometimes the camera fronts with the names have been used indiscriminately, so a Standard has a self-timer or a Paloma has none. Early versions of the cameras has diagonally hand-strap on the top, late ones straight hand-strap.[1]. Some cameras have no model name on the front.
	Minolta: Weathermatic A	1980	1600152
	Studio Camera: wooden
	National: WV-3030N		24A11774			This is a National WV-3030N vidicon tube colour camera from 1980. This would be National/Panasonic's first range of portapak VHS saticon colour cameras to be on the market.
	Minolta: X-70		5024490
	Minolta: XE-b		3608127
	Yashica: Yashica Autofocus Motor D	1983			20 US$	The Yashica Auto Focus Motor II D is a basic 35mm point-and-shoot from 1980. It comes in two models: the Auto Focus Motor II D Quartz as shown here with quartz date, and the plain Auto Focus Motor II without date. There was an older model Auto Focus Motor that came before this model. It had a pop-up flash. In 1980, autofocus was a big deal, and so was a built-in motor. It took Nikon three more years to introduce its first autofocus and first built-in motor camera, the Nikon L35AF, which wasn't an SLR, either. This Yashica was literally years ahead of Nikon.
	Yashica: Yashica D	1958-1974				Yashica-D is a medium format film TLR camera made by Yashica and produced between 1958-74. Film 120 roll, picture size 6x6cm Taking lens: Yashinon 80mm f/3.5, four elements, Bayonet I filter mount Early models were equipped with coated three-element Yashikor 80mm f/3.5 viewing and taking lenses The last Yashica-D models were equipped with bright 80mm f/2.8 Yashinon viewing lenses; models with this viewing lens and the Yashinon taking lens are very desirable on the used market. Aperture: up to f/22, setting: by a thumb wheel just above the left side of the taking lens, aperture and speed numbers are visible in a coupled small window just above thetaking lens Focus range: 1-20m +inf
	Yashica: Yashica EZ View AF (Clearlook AF)	1997
	Yashica: Yashica FFT	1973	30700392			The Yashica FFT is a manual focus 35mm film SLR camera from Yashica. It has a focal plane shutter with speeds from 1s to 1/1000 with B. Flash sync is at 1/60 a sec. Flash can be used via the hot shoe or the pc sync terminal. The self-timer has a delay of approx 10 sec. It features an TTL center-weighted metering system using a CdS photo cell. It is activated by pressing downward on a dedicated switch at the left hand side of the lens mount. The meter will continue use power if the switch is not reset to the up position. The meter switch is automatically reset if the shutter is released. The viewfinder has a needle based display on the right. Center the needle for proper exposure. The meter has a range of 2.85 to 18 EV at (ASA 100, f/1.9), settable to film speeds from 25 to 800 ASA. Focusing is controlled on the lens barrel, with a center micro-prism on the focusing screen. The film transport uses a single stroke film advance lever. Film is rewound with a rewind crank and is powered by a 1.3v mercury battery.
	Yashica: Yashica FR II	1978	148018			The Yashica FR-II was an electronically-controlled 35mm film SLR cameramade by Yashica and produced between 1977-81.
	Yashica: Yashica FX-3 Super	1984-1986	1351691			In 1984 the FX-3 was replaced by the FX-3 Super, that added a vestigial grip to the body, a flash-ready indicator in the finder, and moved the meter switch to the shutter release button. It too was only sold in black finish. Kyocera (which had acquired Yashica in 1983) released the FX-7 Super in 1985, exactly the same camera finished in chrome.
	Yashica: Yashica FX-3 Super 2000	1987	1411132			In 1986 the FX-3 Super was in turn succeeded by the FX-3 Super 2000 with a shutter speed range extended to 1/2000, and a wider ISO range from 25 - 3200 ISO instead of 12 - 1600.
	Yashica: Yashica FX-D Quartz	1980-1986
	Yashica: Yashica J-5	1964	2403520			Yashica 35mm SLR with built-in CdS cell light meter was introduced in 1964. The camera was a little alike the Minolta SR-7 of 1962 but of course it differed in some details, especially the lens mount. Both cameras had a battery powered meter coupled to the shutter speed setting, with CdS photo resistor which looked through a separate bull's eye and didn't measure thru the lens yet. The camera has a focal plane shutter that supports speeds up to 1/1000 of second. It has an M42 screw mount. Original list price in 1964 with a Yashinon f/1.8 lens was $175 and with a DX f/1.4 lens was $225.
	Yashica: Yashica MF-2 Super	2008
	Yashica: Yashica MG-1	1975	81008440			This is a typical fixed lens 35mm rangefinder from the 1970s, but with a body on the large side. The lens is a fixed Yashinon 45/2.8 which focuses from about 1m to infinity and takes 55mm filters. The aperture priority exposure system is measured by a CdS meter above the lens. CdS metering requires batteries. Two LEDs on the top of the body indicate slow speed and over-exposure. The camera was available with either a black or chrome body.
	Yashica: Yashica p mini 2
	Yashica: Yashica Super 8					Yashica Super-8 60 E (Electronic) Year: 1968-71 Lens: Yashinon-DX El. Zoom 1,8 / 8 - 48 mm Microprism Focusing Auto Zoom Frame rates: 12,18,24 + single frame Auto Exposure Backlight Control and Spotlight Control +/- correction for auto Remote control socket No sound 4 X AA batteries + No separate battery for light meter Made in Japan Original price in England (in the year of introduction): £135 Recently paid in eBay net auction: $20 eBay 7/1999 $35 eBay 8/1999
	Krasnogorsk: Zenit 10	1981-1982
	Krasnogorsk: Zenit 12 XP	1983-1990	85211353
	Krasnogorsk: Zenit 3 M	1962-1970				Zenit 3M is a 35mm film SLR made by KMZ and produced between 1962-70 with quantity of 781.678 units. Zenit means Zenith, a point in the sky that appears directly above the observer. It is a part of the long-running Zenit series. The UK export version of this camera doesn't have the 3M marking on it only marked Zenit on the front. The main differences from Zenit-3: the back cover is removable and the new mechanism of cocking lever with shutter release button. There are 10 types and 6 sub-types of the Zenit-3M.
	Fujifilm: zoom