Antique, vintage and used digital
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Cameras
| Manufacturer:Model | Manufacture years | Serial Number | Date acquired | Price Paid | Comments | |
 | 3D TECHNOLOGY: 3D Trio | 1998 | c | 2008 | 10.00 | This is an Image Tech Trio 3D camera; it’s a very simple “point and shoot” 35mm camera. It’s got a built-in flash and a semi-rugged olive green plastic body. Manufactured in 1998 by a company out of Norcross, Georgia, this was one of several cameras to try to create 3D images on 35mm film. You put a roll of 35mm film in the camera, and after shooting about a dozen and a half pictures, you mailed the roll to a special photo processing lab and they would send you back a set of pictures that were affixed to lenticular plastic. Essentially, you received 3D pictures, albeit the same type of 3D that you could find in those old “magic motion” trading cards from the late 1800’s early 1900’s but these were in color. If you get a viewer you can see 3D images just like the old Civil War 3D pictures. The problem is that this camera pictured above does not work and listed in Poor condition. It was a victim of battery leakage and is worth 50 cents for parts in 2013. |
 | 3D TECHNOLOGY: ImageTech 3D FX | 1996 | c | 2010 | 10.00 | This is a 35 mm viewfinder lenticular stereo camera manufactured by 3D Image Technology, Inc., P.O. Box 4300, Norcross, Georgia 30091-4300, USA. The camera was introduced in 1996 and used the 135 film cartridge. The separation between each lens is 18.5mm and the Plastic lenses are 1:9.5/27 mm with diaphragms Fixed at f/9.5. These are fixed focus from 1.2 m to infinity with a mechanical guillotine type shutter behind the lenses. The shutter is cocked with film transport and the one shutter speed is 1/100 of a second. The camera has a thumb wheel film advance and a Newton viewfinder. The film is loaded and rewound manually after pressing a release button located on the bottom of the camera. The camera also has a built in flash unit, frame counter S to 24, ¼ inch by 20 thread tripod socket, fold down rewind crank, double exposure prevention, "flash ready" LED, and has a handy built in carry strap. The camera on two AA batteries and the instructions recommend you use 400 ASA film for best results. The ImageTech 3Dfx is one of several lenticular 3D cameras sold under the ImageTech brand. The Kalimar 3D was a clone of this camera. Other, more well-known lenticular 3D cameras are the Nimslo and the Nishika. All lenticular 3D cameras incorporate multiple lenses to produce multiple images taken simultaneously from slightly different angles. Producing the final lenticular print requires special processing whereby the individual images are sliced up into very thin vertical strips which are then interlaced and covered with a sheet of plastic that has long vertical lenses in it. These lenses focus on different images depending on the viewing angle. When you tilt the lenticular picture back and forth, left and right, you see the original images one at a time which causes the illusion of 3D. The camera pictured here is in Fine condition and worth $20.00 in 2017. |
 | 3D TECHNOLOGY: ImageTech 3D FX | 1996 | c | 2015 | 5.00 | This is a 35 mm viewfinder lenticular stereo camera manufactured by 3D Image Technology, Inc., P.O. Box 4300, Norcross, Georgia 30091-4300, USA. The camera was introduced in 1996 and used the 135 film cartridge. The separation between each lens is 18.5mm and the Plastic lenses are 1:9.5/27 mm with diaphragms Fixed at f/9.5. These are fixed focus from 1.2 m to infinity with a mechanical guillotine type shutter behind the lenses. The shutter is cocked with film transport and the one shutter speed is 1/100 of a second. The camera has a thumb wheel film advance and a Newton viewfinder. The film is loaded and rewound manually after pressing a release button located on the bottom of the camera. The camera also has a built in flash unit, frame counter S to 24, ¼ inch by 20 thread tripod socket, fold down rewind crank, double exposure prevention, "flash ready" LED, and has a handy built in carry strap. The camera on two AA batteries and the instructions recommend you use 400 ASA film for best results. The ImageTech 3Dfx is one of several lenticular 3D cameras sold under the ImageTech brand. The Kalimar 3D was a clone of this camera. Other, more well-known lenticular 3D cameras are the Nimslo and the Nishika. All lenticular 3D cameras incorporate multiple lenses to produce multiple images taken simultaneously from slightly different angles. Producing the final lenticular print requires special processing whereby the individual images are sliced up into very thin vertical strips which are then interlaced and covered with a sheet of plastic that has long vertical lenses in it. These lenses focus on different images depending on the viewing angle. When you tilt the lenticular picture back and forth, left and right, you see the original images one at a time which causes the illusion of 3D. The camera pictured here is in Good condition and worth $10.00 in 2017. |
 | AGFA: Agfamatic 4000 Pocket | 1974 | c | 2012 | 16.00 | Introduced in 1974 the 4000 is the evolved version of the model 2000 with a more luminous objective with a 26mm lens and a variable exposition controlled by an electronic shutter. The camera also has variable shutter speeds of 1/250 of a second to 30 seconds and the focus selected with pictograms of a Mountain, a two person Group plus a person from the waste up. These pictograms are accompanied by a scale of distance (in blue characters), in feet or meters coupled to diagrams for the utilization of the Magi cube at distances of 4m, 2m, and 1 to 2m. An LED in the finder indicates the correct exposure and if you have to use the flash. When you insert a Magi cube this automatically fixes the shutter speed on 1/50 of a second. The identifiers on this camera are "AGFAMATIC 4000", "pocket", and the Agfa logo engraved in black. On the front panel, "AGFAMATIC 4000" and "sensor" in white print located on the top panel. Also a bright red shutter button, hidden viewfinder until opened, and a ¼ 20 tripod socket with a handy carry strap screwed in it. The camera pictured is in Fine condition and worth $30.00 in 2014. |
 | AGFA: Autostar X-126 | 1972 | c | 2016 | 5.00 | The Agfa Autostar X-126 is a plastic-bodied Galilean optical viewfinder camera for 126 Kodapak film cartridges, made by Agfa in about 1972. The camera has a fake meter-cell window: in fact the camera has fixed exposure, and fixed focus. It was manufactured at the Agfa plant in Suzano Brazil and the factory is still in that location. The camera also has an f12 42mm lens, ¼” 20 thread tripod mount, film view window for frame count, X-flashcube mount on the top, right thumb film advance wheel, 1/50th of a second shutter, shutter release button, and a carry strap hard point. The camera pictured here is in good condition and worth $5.00 in 2016. |
 | AGFA: Billy Record 7.7 | 1933-1949 | c | 2016 | 12.00 | 1933-1949 Poor condition worth $8.00 for repair or parts in 2016 (shutter lever sticks). Agfa Billy Record is a series of medium format film folding camera made by Agfa and produced from 1933 to 1949. Billy Record cameras were listed in catalogs by lens openings as models 8.8, 7.7, 6.3 and 4.5. The names are based on the maximum lens opening. The basic body is the same for 8.8, 7.7 and 6.3 models. The 4.5 model uses the body style of the Agfa Billy Compur. All models use 120 roll film for 6x9cm frames. The lens is Agfa Anastigmat Igestar in Automat shutter in 8.8, 7.7 and 6.3 models. There are some cosmetic variations, like chrome decors, during their production period. The camera was succeeded by the Agfa Billy Record II. The Billy Record 7.7 was produced from 1933 to 1942 but was also available in 1949 and sold in the USA and UK as Speedex Record. (Probably using pre-war inventory or parts). The lens is an Agfa Anastigmat Igestar 1:7.7/100mm (three optical elements) and the shutter an Agfa Automat with speeds of 1/25 of a second to 1/100 of a second. The aperture ranged from 1:7.7 to 1:32 and the camera weighed 560 g. The dimensions are 165×88×37mm (closed), 165×108×131mm (open). The 7.7 camera also has two tripod mounts for portrait plus landscape that are 3/8” with 16 threads per inch, different from the modern ¼” 20 thread of today. |
 | AGFA: Iso Pak C (1969) | 1969 | c | 2017 | 5.50 | The Iso-Pak C is an evolved version of the Iso-Pak. It uses the then popular flashcubes introduced in the early 1960’s. To activate the flashcubes the camera uses two CR2025 batteries. With the C model the thumb wheel film advance was replaced by a single action lever film advance, which has greater speed to the next frame. The German made camera also has a Parator shutter assembly with a fixed focus lens. The shutter speed of 1/100 of a second is regulated automatically down to 1/40 of a second with the installation of the flashcube. The flash range was 1.5 to 3 meters (5 to 10ft). The camera sold for about $100.00 and $117.00 for the kit. This 126 film pack camera was introduced in 1969 and manufacturing stopped the following year in late 1970. The camera pictured here is in Good condition and worth $10.00 in 2017. |
 | AGFA: Iso Pak Ci | 1969 | c | 2015 | 10.00 | Agfa ISO-PAK CI was introduced in 1969. The Iso Pak was introduced in 1970, and the Iso Pak C in 1969. They were all made in Munich, Germany by the Agfa Camera-Werk Company. The cameras were made for the drop in 126 film cartage and the rotating flash cube. This camera has a Prator shutter and two shutter speeds of 1/40 and 1/80 of a second. It also has two settings, one for sun and one for clouded weather or flash. The camera has a fixed focus f/11 lens and a single action lever film advance. This lever advances to the next frame and turns the flash cube for the next flash assisted picture. The flashcubes are powered by two large button cells at the bottom of the camera body. This battery (Varta 4825) is no longer available today but replacement batteries do exist. The camera pictured here is in good working condition but missing the escutcheon that surrounds the lens assembly. The camera is worth $10.00 in 2020. |
 | AGFA: Isoly (I) | 1960 | c | 2005 | 10.00 | Isoly is a series of medium format viewfinder film cameras made by Agfa and produced from 1960 to 1971. These cameras use 120 film for 16 frames of 4x4cm. Also, diapositive films can be used. The different models are distinguished by their lens and shutter specifications. They were offered with different lens options. Isoly, later renamed “Isoly I”, still retaining its character as the basic model. The Isoly name was used again in the 1980s for a 35mm camera named as the Agfa Isoly 100. The Isoly I has a single shutter speed of 1/30 of a second and a focus distance (in meters) of 5 to infinity in sunlight, or 2.5 to 5m in close up. The Aperture size is 11; 16, it has a self-timer, flash shoe, and a ¼” 20 thread tripod hard point. The Isoly instructions recommend B/W ASA/ISO 40 film for sunlight and ASA/ISO 100 film for dull days. Overall the camera is very forgiving of the available light given such few settings. This one pictured comes with the Agfa Isoly Blitz flash unit, is in fine condition, and is worth $25.00 in 2015. |
 | AGFA: Karat 3.5 | 1938-1941 | c | 1998 | 22.00 | Agfa Karat 3.5 camera was produced in Germany from 1938 to 1941. Karat 36 designed for standard 35mm cassettes, this unit uses the unique "karat cassettes" which transport film from a loaded cassette to an empty take up one. The sprocket "teeth" aid in the transport system as do two unique folding flaps that hold the emulsion flat on the film tracks. The pressure plate also does its part to ensure flatness. The bellows are hidden behind the lens mount plate. A button on the top body plate unlocks them to a fully extended state, and a thumb lever at 3 o'clock enables the user to retract the bellows in a closed position. Also on the top plate, one will find the tunnel like viewfinder, the advance knob, film counter and the shutter release button. The lens is a Agfa Solinar 3.5 50mm, 2 elements cemented together form the rear group, and the front two elements also cemented together form the front lens group. The focusing is achieved by rotating the front group to the desired distance. The shutter and aperture blades reside between the front and rear lens groups. The shutter is a Compur Rapid rim-set type with speeds from 1 second to 1/500 of a second plus B. It requires manual cocking prior to release. The camera pictured above is in good condition and worth $35.00 in 2016. |
 | AGFA: Optima | 1959-1960 | c | 2017 | 10.00 | The original Optima was released in 1959 and was the first manufactured camera with programmed exposure, obtained by a selenium-meter driven mechanical system. Moving its exposure setting lever down triggers a mechanical system that obtains aperture value and speed from the electromechanical part of the meter. The system mirrors a green or a red signal into the viewfinder when the camera catches appropriate exposure settings from the meter or not. The camera does not require any batteries. Left hand "magic" exposure setting lever must be held down while pressing the top-mounted shutter release in the automatic setting mode. In the flash setting mode you need only press the shutter release. The lens Color-Apotar S 39mm f/3.9 and the shutter is special Compur-B with speeds 1/30-1/250. The camera also has a wheel on the top that could be set to the film value (ASA or DIN). It is claimed to be the world's first fully automatic 35mm camera. It also sold as Agfamatic in Canada. The camera pictured here is in Poor condition and worth $2.00 for parts in 2017. |
 | AGFA: Optima IA | 1962 | c | 2000 | 10.00 | The \"original\" Optima was the first fully automatic camera in the world. There were times when Agfa was no doubt one of the best known camera brands. Only second to Kodak. After manufacturing cameras over a half of the century, production ended in 1983. Today both companies, Kodak and Agfa, are continuing in photo-business, producing film, photo papers etc. aiming more for the professional usage. The Optima Ia takes 24x36 negatives on 135mm film. It has f2.8 45mm Agfa Color-Agnar lens. The shutter, 1/30-1/250, operates automatically when you press the shutter release. When you press the shutter lever halfway down a mechanical system sets the correct aperture value and speed from the electromechanical part of the meter. A red signal dot in a viewfinder turns green when the right aperture/shutter speed combination is achieved. The camera weighs 400g and measures 121x82x68 mm. This system has no battery. Required energy is produced by a selenium cell and focusing is manual. This model was produced from 1962 up till the end in 1983. The camera pictured above is in Fine condition and worth $25.00 in 2013. A selenium meter is a light-measuring instrument based on the photoelectric properties of selenium. The most common use of such light meters is measuring the exposure value for photography. The electric part of such a meter is an electromagnetic measuring instrument which is connected to the anode and cathode of a selenium photo cell that produces more or less electric power when exposed to more or less light. The optical part of such a meter is a window in front of the photo cell\'s light-sensitive side. The window\'s surface is usually structured like a honeycomb as seen in the camera above to the left of the view finder made of convex lenses. This type of window helps to bundle the light coming from the direction in which the photo cell is pointed. The mechanical part of a selenium meter is an analog calculator which accepts exposure value and film speed as input parameters for showing the possible aperture and shutter-speed combinations for correct exposure. |
 | AGFA: Optima II S | 1961-1966 | c | 1990 | 12.00 | AGFA LAUNCHED the Optima IIs in 1961 and discontinued the camera in 1966. There’s an f/2.8 Color Apotar lens with front cell focusing by three click-stop symbols indicating scenic, groups and a double-head portrait setting. The front turns further to just a blank part of the symbol ring, but if you look underneath you find it’s stopped at a close-up setting of 1m or 3 ¼ ft. Some makers use a single head symbol for this, but Agfa didn\'t on the Optima. The bright line viewfinder has a couple of small lines just inside the top to indicate the parallax error on close-upshots. The lens is set in a Prontormator shutter with only three settings, B, a lightning flash symbol and a red A. On A the exposure is entirely automatic. The Prontormator shutter is coupled a selenium cell found next to the viewfinder, and if you point the camera at the sky you get a small aperture on the five-bladed iris. Take it into a fairly dim light and you get a large aperture. There’s a dial on the top plate for film speed setting up to 200 ASA. Other features of the camera are a flash contact socket, accessory shoe, cable shutter release socket, rewind knob, and a frame counter. Agfa also sold various filters, lens hoods, and close-up kits for this camera.1961-1966 Fine condition worth $60.00 in 2014 |
 | AGFA: Optima II S | 1961-1966 | c | 1991 | 25.00 | AGFA LAUNCHED the Optima IIs in 1961 and discontinued the camera in 1966. There’s an f/2.8 Color Apotar lens with front cell focusing by three click-stop symbols indicating scenic, groups and a double-head portrait setting. The front turns further to just a blank part of the symbol ring, but if you look underneath you find it’s stopped at a close-up setting of 1m or 3 ¼ ft. Some makers use a single head symbol for this, but Agfa didn\'t on the Optima. The bright line viewfinder has a couple of small lines just inside the top to indicate the parallax error on close-upshots. The lens is set in a Prontormator shutter with only three settings, B, a lightning flash symbol and a red A. On A the exposure is entirely automatic. The Prontormator shutter is coupled a selenium cell found next to the viewfinder, and if you point the camera at the sky you get a small aperture on the five-bladed iris. Take it into a fairly dim light and you get a large aperture. There’s a dial on the top plate for film speed setting up to 200 ASA. Other features of the camera are a flash contact socket, accessory shoe, cable shutter release socket, rewind knob, and a frame counter. Agfa also sold various filters, lens hoods, and close-up kits for this camera. The camera pictured here is in Good condition and worth $55.00 in 2017. |
 | AGFA: Optima Rapid 250 | 1965 | c | 2018 | 10.00 | Optima Rapid 250 is a 35mm rapid film viewfinder camera made by Agfa was introduced in 1965. It belongs to the Agfa Optima Rapid series of automatic cameras with 24x24mm exposures on Rapid cassettes that appeared in 1964. The body of this first Optima Rapid model is different from later Optima Rapid 1966 series. The Optima Rapid 250 has programmed automatic exposure by a Selenium cell exposure meter, ordering the shutter speed and the aperture. Manual mode is possible for flash and B. Focusing is manual front focusing type with a symbols scale depicting portrait, group, and landscape. The camera also has a hot-shoe, Agfa Color-Agnar 45mm f/2.8 lens, ¼ inch 20 thread tripod mount, and an Automatic shutter with 1/30 to 1/250 of a second. The shutter release lever is on the lens/shutter barrel. It also has a Bright-frame viewfinder that shows green and red signals for correct exposure. The Rapid cassette was Agfa’s reply to Kodak’s instantly popular Instamatic cassette but the film rolls have become rare and precious. Other manufacturers made cameras that used the Agfa Rapid film system like Fujica and Minolta but like the 126 film cassette, it is no longer available. Methods to reload the Rapid cartridge can be achieved provided you have two Rapid cartridge cases. One to hold the film and the other to be the take-up. The camera pictured here is in Poor condition and is worth $5.00 for parts in 2018. |
 | AGFA: Silette (Type 3) | 1958 | c | 2016 | 15.00 | Silette type 3 was introduced in 1958. The Agfa Silette Type 3 Camera has an Color-Agnar 45mm f/2.8 Lens, 1/25 to 1/200 of a second Prontor Shutter, single action right thumb film advance lever, shutter release plunger socket in the center of the shutter release button, PC flash socket on the bottom of the lens escutcheon, accessory cold shoe, large viewfinder, ¼ inch 20 thread tripod socket on the bottom of the camera, a 7 second delayed shutter timer lever, frame counter at the bottom back of the camera, and a ASA plus film rewind selector knob (wheel with window). You could purchase the Agfa Synchro Flashgun KM that mounted on the cold shoe and plugged into the PC socket. In an effort to sell Agfa film only to the Silette owners Agfa coded the film selector knob with a combination of letters and numbers to indicate exposure speeds (ASA). CN = Color negative film, daylight type. CN 17 = Color negative film, daylight type and artificial light. CK over A = Color reversal film, artificial light type (Incandescent lamps with 3400 degrees Kelvin). CF over F = Color reversal film artificial flash type (3800 degrees Kelvin). CT over Day = Color reversal film daylight type. When buying Agfa film for the Silette you had to look for the letters and numbers corresponding with your selector knob (wheel) that fit your needs. CN-17 was the more commonly used film for obvious reasons and was approximately 40 ASA (ISO). The camera pictured at the top is in fine condition and worth $25.00 in 2016. |
 | AGFA: Solinette II | 1952-1955 | 2017 | 17.00 | Agfa made this folding 35mm viewfinder camera between 1952 and 1955. The styling echos the medium-format Agfa Isolette cameras. The Solinette is a horizontal folder, i.e. the bed drops downwards on struts with the camera held horizontally, distinguishing it from the otherwise somewhat similar Kodak Retina. The top plate is almost symmetrical, with matching advance and rewind knobs, and the shutter release button on the right matching the bed release on the left. The shutter is cocked manually. The release button is threaded for a cable release. There is a double-exposure prevention interlock that releases the shutter when the film pin wheel turn during frame advance and it has no override control. The shutter is synchronized for flash, with a PC socket on top of the shutter unit, and a cold shoe on the top plate. The lens focuses to 3½ feet; focusing is by movement of the whole lens and shutter, with a focus ring behind the lens. There is a mechanical frame counter in a window in the middle of the top plate, in front of the accessory shoe. This must be set manually when a new role of film is loaded; the counter is advanced to 'A' by pressing the button on the back of the top housing (the button itself is released by a sliding control on the other side). The camera back is then closed and you advanced the counter to frame 1 after winding the film normally till it stops. The same frame counter button serves as the rewind release. On some examples, there is a film-type reminder dial in the rewind knob. There were two versions of this camera: the Solinette and Solinette II, and the latter is far more common. There were also several lens and shutter variations, as shown in the table below. The camera pictured above is in Poor condition and is worth $5.00 for parts in 2017. | |
 | AGFA: Super Silette (1955) | 1955 | c | 2020 | 15.00 | The Super Silette is a 35mm film rangefinder camera made by Agfa and introduced in 1955. It belongs to the long lasting Silette series. It is similar to original Silette with coupled rangefinder. Early ones have flash PC socket on left-hand side of front plate, later moved to right-hand side. It also sold as Ansco Super-Memar in USA. The lenses was Agfa Apotar f3.5 40mm or Color-Apotar f2.8 45mm or Color Solinar f2.8 50mm in Prontor-SVS or Solinar f3.5 45mm in Synchro-Compur shutter; from 1956 with high quality six element Solagon 50mm f/2 six-element lens in Synchro-Compur shutter and is considered the most desirable model of the Silette fixed-lens family. The Super Silette's second model (1960) was completely flat top-plate, recessed re-wind knob flush with top. Other features are coupled rangefinder, Agfa Color-Apotar 45mm f/2.8 lens in Prontor-SVS shutter. It also sold as Super Solina. The camera pictured here is in Poor condition and worth $5.00 for parts or disply in 2020. |
 | AGFA ANSCO: Cadet A-8 Flash | 1940 | c | 2019 | 10.00 | The Agfa Cadet Flash box camera was manufactured jointly by the Agfa Company in Munich German and the Ansco Company in Binghamton, New York, in the USA circa 1940. This specially made camera was designed to accommodate a detachable synchronized flash unit mounted on the top with two contact sockets. The A-8 Cadet Flash snapshot box camera was made only in the No. A-8 size, and therefore capable of capturing eight 1 5/8 x 2 1/2 inch exposures on No. A-8 Agfa roll film (127 roll film). It has a fixed focus high-grade lens, a one-way shutter release providing instantaneous exposures only at about 1/50 of a second, an easy loading metal cone, a hinged back with spring chip holder, and a pop-up direct frame viewfinder (this was mounted on the film advance winder side of the camera). The frame viewfinder was the only one on the camera. The two brilliant waist high finders found on the other cadet cameras were removed to accommodate the large flash unit. The camera body was cardboard covered in leatherette plus wood support for the glass lens plus leaf shutter mounting inside the camera. The back and face of the camera are metal with leatherette inserts and the Leatherette face plated has “Agfa” in a raised relief logo. The camera also has a one direction film advance winder that needs to be pulled out to retrieve and replace film, a red view window for frame counting using the film backing, metal escutcheons (on the lens opening, Shutter release lever, plus film advance winder), and a leather handle mounted to the left side of the camera. The camera pictured here is in fine condition and worth $15.00 in 2019. |
 | AGFA ANSCO: Cadet B-2 | 1937-1940 | c | 2015 | 6.00 | This camera was designed in Germany and produced from 1937 to 1940 by the Agfa Ansco Corp, Binghamton, NY USA. It uses B2 (120) roll film and weighed in at 14.4oz without film. You can also take color pictures with the B2 Plenachrome film or 120 film that is comparable. It has a single meniscus lens and a rotary shutter with a sliding adjustable aperture. The shutter speed is 1/30th of a second with a slide bar time setting that closed the shutter when the shutter lever was released. The focal range is 2m to infinity as were most box cameras of the time. The camera also has two viewfinders that let the operator choose portrait or landscape. The view finders use chromed polished steal not mirrors and they have held-up well over the years. Much of this information was obtained from mattsclassiccameras.com or Matt Denton’s site. The camera pictured above is in good condition and worth $5.00 in 2015. |
 | AGFA ANSCO: Cadet B-2 | 1937-1940 | c | 2019 | 5.00 | The Agfa Ansco Cadet B-2 camera was designed in Germany and produced from 1937 to 1940 by the Agfa Ansco Corp, Binghamton, NY USA. The full Ansco version was introduced in 1947 with no noticeable changes other than a faster shutter speed. It uses B2 (120) roll film and weighed in at 14.4oz without film. You can also take color pictures with the B2 Plenachrome film or 120 film that is comparable. It has a single meniscus lens and a rotary shutter with a sliding adjustable aperture. The shutter speed is 1/60th of a second with a slide bar time setting that closed the shutter when the shutter lever was released. The focal range is 2m to infinity as were most box cameras of the time. The camera also has two viewfinders that let the operator choose portrait or landscape. The view finders use chromed polished steal not mirrors and they have held-up well over the years. Much of this information was obtained from mattsclassiccameras.com or Matt Denton’s site. The camera pictured above is in Fine condition and worth $20.00 in 2017. |
 | AGFA ANSCO: Cadet B-2 | 1937-1940 | c | 2019 | 3.00 | This camera was designed in Germany and produced from 1937 to 1940 by the Agfa Ansco Corp, Binghamton, NY USA. It uses B2 (120) roll film and weighed in at 14.4oz without film. You can also take color pictures with the B2 Plenachrome film or 120 film that is comparable. It has a single meniscus lens and a rotary shutter with a sliding adjustable aperture. The shutter speed is 1/30th of a second with a slide bar time setting that closed the shutter when the shutter lever was released. The focal range is 2m to infinity as were most box cameras of the time. The camera also has two viewfinders that let the operator choose portrait or landscape. The view finders use chromed polished steal not mirrors and they have held-up well over the years. Much of this information was obtained from mattsclassiccameras.com or Matt Denton’s site. The camera pictured above is in Good condition and worth $8.00 in 2019. |
 | AGFA ANSCO: Cadet D-6 | 1935-1941 | c | 1999 | 7.50 | Manufactured from 1935 to 1941 by Agfa Ansco (which later became part of GAF Corporation) in Binghamton, New York. A common box camera of the day with uncommon features. Agfa Ansco made several versions of this camera. They used either “B2” film (a.k.a. 120 film) or “D6” film (a.k.a. 116 film) and earlier cameras had art deco face plates. This one uses D6 film. The lens opening has a clear filter fitted in place to protect the shutter behind. The actual taking lens is really attached to the film transport box (which is removable for film loading) on the inside of the camera. More than just point and click, this camera has to additional levers just above the shutter release. The top one, labeled “Diaphragm” is fully “open” when all the way in, brings in a yellow filter at the next indent and pull all the way up slips in a smaller aperture hole. The lever in the middle, labeled “Time” give a normal shutter when down or you could pull it up and get the equivalent of “Bulb” on other cameras and hold the shutter open. The camera pictured above is in fine condition and worth $10 to $20 in 2013. |
 | AGFA ANSCO: Chief | c1935-1941 | c | 1994 | 10.00 | The Agfa Ansco Chief camera was manufactured by the Agfa company in Munich German from 1935 to 1941. This simple box camera was created through a collaboration with the fa-mous American Industrial designer Henry Dreyfuss. Described in advertising as the camera of tomorrow today. It was made of durable steel metal. It featured a built-in shutter release, optical direct view finder, water proof, pebble grain covering, synchronized flash, rotary shutter providing bulb and instantaneous exposures, and a fixed focus meniscus lens mounted in a turret lens mount. The camera was made in two sizes, model JN152 was ca-pable of capturing eight 2 1/4 x 3 1/4 inch exposures on Agfa PB20 or standard 620 roll film and model JN153 was capable of capturing eight 2 1/4 x 4 1/4 inch exposures on Agfa PD16 or standard 616 roll film. 1940 Fine condition worth $15.00 in 2020 |
 | AGFA ANSCO: Clipper PD-16 | 1936-1939 | c | 2018 | 5.00 | The Agfa PD16 Clipper is one of the very first cameras produced by German company Agfa after its acquisition of the American company Ansco, thus forming Agfa-Ansco. Like the early offerings of many photographic company mergers, this camera was sold under both brands as the Agfa PD16 Clipper and the Ansco Clipper although it appears that they were all made in the very same American factory in Binghamton, NY. The Clipper uses 616 film, a now discontinued medium format film. Although it is not a conventional folding camera, the Clipper employs a lens that must first be expanded before use. To do so, simply grab the two extended posts on either side of the lens plate and pull outward until two metal tabs click into place and lock the lens into shooting position. The lens itself is very simple and is pre-focused to cover everything from six feet to infinity. The self-cocking shutter is triggered by the small silver-colored lever with a red plastic end attached next to the lens. The shutter has two speeds: 1/60 of a second and, if you pull out the small metal tab above the lens, bulb (shutter stays open as long as the shutter button is depressed). The camera was produced from 1936 to 1939 in Binghamton New York, USA. In the early versions there is no optical viewfinder but a flip-up viewfinder frame and they also had a film rewind knob in addition to the film advance knob on the opposite side. The camera pictured above is in good condition and worth $15.00 in 2018. |
 | AGFA ANSCO: Clipper PD-16 | 1936-1939 | c | 2020 | 3.00 | The Agfa PD16 Clipper is one of the very first cameras produced by German company Agfa after its acquisition of the American company Ansco, thus forming Agfa-Ansco. Like the early offerings of many photographic company mergers, this camera was sold under both brands as the Agfa PD16 Clipper and the Ansco Clipper although it appears that they were all made in the very same American factory in Binghamton, NY. The Clipper uses 616 film, a now discontinued medium format film. Although it is not a conventional folding camera, the Clipper employs a lens that must first be expanded before use. To do so, simply grab the two extended posts on either side of the lens plate and pull outward until two metal tabs click into place and lock the lens into shooting position. The lens itself is very simple and is pre-focused to cover everything from six feet to infinity. The self-cocking shutter is triggered by the small silver-colored lever with a red plastic end attached next to the lens. The shutter has two speeds: 1/60 of a second and, if you pull out the small metal tab above the lens, bulb (shutter stays open as long as the shutter button is depressed). The camera was produced from 1936 to 1939 in Binghamton New York, USA. In the early versions there is no optical viewfinder but a flip-up viewfinder frame and they also had a film rewind knob in addition to the film advance knob on the opposite side. The camera pictured above is in good condition and worth $10.00 in 2020. |
 | AGFA ANSCO: Clipper Special | c1938-1940 | c | 2018 | 12.00 | The Agfa Clipper Special camera was manufactured by the Agfa- Ansco Company from 1938 to 1940. This Clipper Special camera was similar to the PD16 Clipper and the Ansco Clipper, except that it was slightly restyled and had an upgraded lens. The Agfa PD16 Clipper is one of the very first cameras produced by German company Agfa after its acquisition of the American company Ansco, thus forming Agfa-Ansco. All three of these cameras maintained a simplicity of operation and durable in an inexpensive camera. It featured a telescoping front that the user pulls out to an inch and a quarter and when closed the shutter release was locked. It was capable of capturing fifteen 2 1/16 x 2 1/2 inch sized exposures on Agfa PD16 film or standard number 616 roll film. It was fitted with an Anastigmat f6.3 lens and an adjustable shutter with speed ranges from 1/25 to 1/100 of a second plus B and timed. The focus range was 4 feet to infinity and is marked on the lens ring as 4, 5, 6, 8, 10, 20, and INF. The back of the camera has two red windows labeled A and B. They are for lining up the exposure by getting the same number on the back of the film in each window. Also on the back is a Depth of Field Table particular to the cameras markings. Other markings on the camera are “Made by Agfa Ansco Corporation in Binghamton, N.Y.” and on the film advance knob is, “USE PD-16 AGFA FILM”. The camera is well-constructed with a steel body plus parts and has some reshoring heft to it. One of the detractors is that it has no double exposure protection so the user need be mindful. The film loading knob and film advance knob pull up to accommodate the film roll and take-up spool. Both can be difficult to center and get into position. Hundreds of thousands of these were sold by Agfa Ansco and they are not rare. The camera pictured here is in fine condition and worth $20.00 in 2018. |
 | AGFA ANSCO: PD-16 Readyset | 1935 | 2019 | 15.00 | The Agfa PD 16 Readyset, a 6x9 folder re-badged as "Agfa" by the camera maker Ansco, after Ansco merged with Agfa in 1928. Took 616 film, and was introduced sometime around 1935. The camera sold for $9.50 ($175 today) and was listed as item JN111. It produced pictures of 2 ½ by 4 ¼ inches on 616 roll films or PD 16 Agfa film. The Readyset has a fixed focus lens that is in focus from 10 feet to infinity. It also has a 1/50 of a second shutter with two setting of timed and instantaneous. In the timed setting the aperture is f8 and f5.6 in the instant position. The shutter release has no double exposure protection but does have a plunger socket that is protected by a plug when not in use. The camera comes with a brilliant finder mounted to the lens assembly frame that can be used in the landscape or portrait position. A foot rest is provided for portrait frames along with a tripod socket in the front face plate. A red window with a cover in the back of the camera provided a way to count the frames using the numbers on the paper backing of the roll films. The camera pictured here is in fine condition and worth $25.00 in 2019. | |
 | AGFA ANSCO: Pioneer PD-16 | c1940 | c | 2016 | 5.00 | The Pioneer camera was manufactured by the Agfa Company from 1940 to 1952. Designed as a simple snap-shot camera made of a durable plastic body with metal covers. The camera featured a built-in direct view finder, synchronized flash sockets, and turret lens mounting of a high-quality lens plus a bulb and instantaneous rotary shutter. It was made in two sizes, a PB20 for capturing eight exposures 2 1/4 x 3 1/4 inch on no. 620 or PB20 roll film or a PD16 for capturing eight exposures 2 1/4 x 4 1/4 inch on no. 616 or PD16 roll film. This camera was priced at $2.95 for the PB20 and $3.45 for the PD16. The camera has no double exposure protection and would be a box camera if not for the flash sockets. Most of the information was obtained from the HistoricCamera.com site. The camera pictured here takes the 616 or PD16 film, is in Good condition, and worth $10.00 in 2016.. |
 | AGFA ANSCO: Plenax PD-16 | 1935 | c | 2000 | 10.00 | The Agfa PD 16 or Agfa Ansco PD 16 were a series of folding cameras for type PD16 roll film (equivalent to Kodak\'s designation 616). The Plenax camera was manufactured by the Agfa Company from 1935 to approximately 1941. Designed as a low cost folding bed roll film camera. Many models are distinguished only by the lens designations Antar (f/14), Hypar (f6.3), or Tripar (f/11). Others are designated \"Plenax\" (regardless of lens type), and these include a few higher-specification models with Hypar f/6.3 Anastigmat lenses, and shutters offering T, B, 100, 50, and 25 settings. The approximate max width is 7 1/2 inches, depth of 6 inches, and a height of 3 1/2 inches. If a mask is used for ½ prints you can get 16 prints to a roll and without the mask it takes 2 ½ x 4 ¼ prints of 8 to the roll (616 film-120 film can be substituted with some work). Other features are a reversible brilliant finder, tripod sockets for landscape plus portrait, and red frame use viewing windows in the back film compartment cover. All of the punctuation variations PD 16, PD-16, and PD16 may be encountered, as the company itself was not consistent. The camera pictured above is in good condition and worth $15.00 in 2013. |
 | AGFA ANSCO: Shur-Shot | c1932-1940 | c | 2004 | 9.00 | 1935-1941 good condition worth $15.00 in 2014 |
 | AGFA ANSCO: Shur-Shot | c1932-1940 | c | 2019 | 0.00 | The Shur Shot cameras are basic box cameras manufactured in Binghamton, New York by Ansco, which went through several minor variations and were made in the hundreds of thousands. The Agfa Ansco Shur Shot series began in 1932 and ended in 1940. Shur Shot cameras originally carried the name Agfa-Ansco in use at that time. Post-1941 models were branded as Ansco alone. The cameras were made in sizes for 120 and 116 films; but because of the German Agfa company connection, these were specified using the German designations B2 (120 films) and D6 (116 films) respectively. The Shur Shot camera is a simple cardboard box covered with leatherette. A structural panel of wood behind the faceplate holds the shutter mechanism (approximately 1/30 of a second), and a fixed aperture of approximately f/13. The image is formed by a single backward-facing meniscus lens behind this. Two brilliant viewfinders were provided to allow framing photos in either horizontal (landscape) or vertical (portrait) orientations. Most models permitted long (bulb) exposures by pulling a small tab outwards. The more advanced models also included a slider which positioned either a smaller aperture (approximately f/22) or a yellow filter in front of the main lens. (The filter was intended for black & white photography, e.g. to deepen the tone of blue skies.) To load film it is necessary to pull out the wind knob and open the back cover, which then permits the entire metal film carriage (and lens) to slide out of the body. The metal faceplate of the camera can also be taken off by lifting tabs off of small pegs both sides, giving access to the shutter and viewfinder (e.g. if cleaning or lubrication is required). The Shur Shot simple, reliable, and maintainable design has preserved large numbers of them in perfectly usable condition right up to the present day. The camera pictured here is a D6 with the yellow filter option and the bulb tab. It is in good condition and worth $15.00 in 2019. |
 | AGFA ANSCO: Shur-Shot Special | c1932-1941 | c | 2019 | 4.00 | The Shur Shot Special was sold from 1932 to 1941 and is a basic box camera with extras. Manufactured in Binghamton, New York by Ansco it went through two minor variations with the face plate. The Early type had a black art-deco faceplate that has 30 vertical bands of narrow stripes and the post c1939 model has a light face with U-shaped band of 6 then black stripes. The Shur Shot series were made in sizes for 120 and 116 film; but because of the Agfa connection these were specified using the German designations B2 and D6 like the special. The Special had two brilliant viewfinders, which allowed either horizontal or vertical composition. The shutter is about 1/50 of a second plus Bulb/Timed exposures by pulling a small tab outwards above the shutter release and filter/aperture pull-out slide. The Special included a slider which positioned either a smaller aperture (approximately f/22), a yellow filter in front of the main lens, or all the way in for about an f13 aperture. The yellow filter was intended for black & white photography to deepen the tone of blue skies. The camera also has two metal cropping flaps or wings for ½ frame film use. These are attached to the film/lens cage and can be deployed or packed away only before loading film. Another feature was the capability of a close-up portrait by sliding the front lens out of the way with the use of the slide button on the front face plate under the lens. Pictures from 5 to 10 feet were taken without the lens and 10 feet to infinity with the lens. To load film it is necessary to pull out the wind knob and open the back door, which then permits the entire film carriage (and lens) to slide out of the body. A film Agfa Film sticker is affixed to the side of the film carriage with instructions on film type (D-6) and full plus half frame load procedures. Above that is the word “SPECIAL” probably for the workers to add the correct sticker and join the carriage with the correct body. The metal faceplate of the camera can be taken off by lifting tabs away from three small pegs on either side, giving access to the shutter and viewfinders if cleaning or repairs are required. The camera used highly polished steel plates for the interior reflective surfaces of the viewfinders. The camera pictured here is in poor condition and worth $2.00 in 2019. |
 | AGFA ANSCO: Viking | c1940 | C | 2005 | 15.00 | 1952 Fine condition worth $35.00 in 2014 |
 | Aiptek: PenCam Trio | c1998 | 1998 | 20.00 | 1998 Fine condition worth $10.00 in 2014 (2.0MP) | |
 | Aiptek: PenCam Trio | c1998 | 1998 | 20.00 | 1998 Fine condition worth $10.00 in 2014 (2.0MP) | |
 | Aires Cameras: Aires 35 II | 1954 | c | 2017 | 15.00 | The Aires 35-II camera was manufactured by the Aires Camera Industries Company of Tokyo, Japan in circa 1954. It is a well-made 35mm camera featuring a coupled rangefinder. It is constructed of metal with leather covering. It is fitted with an Aires Coral f3.2 lens mounted in a Seikosha-Rapid shutter capable of providing speeds from 1 second to 1/500 of a second. This camera is the telemetric version of the Aires 35. The 35-II is the first Japanese camera to propose a collimated frame in the viewfinder. Its shutter release is in fact the big lever located in fronting. Its general appearance precedes all the range of the telemetric Aires and in particular the 35-III and all its alternatives. Close to 40,000 Aires 35 II were sold and manufactured during its run. The camera pictured here is fine condition and worth $100.00 in 2017. |
 | Aires Cameras: Aires 35 V | 1958-1962 | c | 2019 | 62.00 | The Aires 35-V was manufactured in Japan from 1958 until 1962. With Aries vast experience producing rangefinders, they strived to compete at a higher level. Aires engineers, therefore, started working on a “Supermodel”: a 35mm rangefinder, with high quality, interchangeable lenses, a leaf shutter, and a coupled selenium meter. The 35-V is the result of these specification requirements. It was sold either with a 1:1.9 45mm H-Coral lens or (optional) 1:1.5 45mm S-Coral. The camera was also sold in a kit complete with hoods, filters, and three lenses in a leather case, bearing the Aires label. The lenses in the kit were the 1:1.5 45mm S-Coral, 1:3.2 35mm W-Coral, plus the 1:3.5 100mm T-Coral and they work with the rangefinder. The 35-V is the last of the Aires rangefinders. It sports a Seiko leaf shutter with speeds from 1 second to 1/400 of a second plus B. the camera also has a rapid film advance lever, cable release socket on the shutter release button, exposure counter, one hand focus knob, accessory shoe, synchro socket, fold down rewind crank, M-X synchro switch, and a double exposure setting on the front of the camera (has three settings of double D, Advance A, and Rewind R). The 35-V was one of the best rangefinder cameras ever made but the days of the rangefinder were numbered before it was introduced. In 1957 Asahi Pentax introduced the first SLR and in 1959 Nikon introduced the Nikon F SLR camera (the most advanced camera of its day) plus Agfa releases the first automatic camera. Aires was counting on sales of their other 35-V lenses too move towards profit. This didn't happen and by 1962 the firm tried a leaf shutter SLR designed camera; that also failed. For Aires it was the end and bankruptcy. The camera pictured here is in fine condition and worth $200.00 in 2019. |
 | Ansco: Ansco 1065 | 1978 | 2016 | 6.50 | The Ansco 1065 is a simple 35mm snapshot viewfinder camera manufactured by Haking of Hong Kong, after they had gained ownership of the Ansco trademark in October of 1981. The registration date was filed in September of 1978 by Haking. The camera is the same as the 1979 Ansco 1100 made by the original Ansco company only with a hot shoe instead of a flash bar socket. This camera has a 45mm f/8 fixed focus lens and there is a simple 3-position aperture adjustment labeled with "weather conditions." The top panel includes a two conductor hot shoe for attaching a flash, a resettable frame counter on the top, a fold down rewind crank handle, and a shutter button. The camera also has a right thumb film advance wheel, a ¼” by 20 thread tripod mount, two hard points for attaching a strap, rewind release button on the bottom, and a 45mm view finder. The camera can handle ASA 100 to 400 film and this is recommended for best results. The camera is labeled Made in MACAU and has a Hi (Heye International) logo on the front. Haking’s is mostly known as Halina in the camera world and has produced many a camera under that name. The camera pictured here is in Fine condition and worth $15.00 in 2016. | |
 | Ansco: Ansco 1100 | 1979 | c | 2005 | 0.00 | 1980 good condition worth $5.00 in 2015 |
 | Ansco: Ansco 235 | 1979 | c | 2009 | 5.00 | 1979 good condition worth $5.00 in 2015 |
 | Ansco: Ansco 50 | 1986 | c | 1/1/2014 | 10.00 | The Ansco 50 110 film cartridge camera is very small about 2 inches in length without the film in it. The 110 film is about an inch longer than the camera and is exposed when loaded. The half way point for the film cartridge is at the lens and the rest sticks out on the shutter release button side. The shutter speed was fixed at approximately 1/100 of a second and the fixed lens is somewhere around 45 or 50mm with f/8 or f/11 aperture. The camera has a thumb film advance wheel that also loaded the shutter. When you advance the film the shutter mechanism has a pin that enters a hole in the film that stop the advance at each frame and when you depressed the shutter release the pin retracted to allow you to access the next frame. This was true of all 110 manually advanced cameras. The Ansco 50 was once given as a toy camera at fast food establishments plus other promotions and is sometimes referred to as a Keychain camera even though it has no eyelet for that purpose. The Ansco 50 comes equipped with a fold down open frame viewfinder and a white sight line on the cameras top at the center of the view finding frame. The only other feature was on the film when loaded in the form of a frame counter by use of the view window on the back of the cartridge exposing the frame number printed on the film paper backing. This camera was introduced in 1986 toward the end of the heyday of the 110 film cartridge and was made in Hong Kong by a business that had purchased the Ansco name. The camera pictured here is in Fine condition and worth $10.00 in 2014. |
 | Ansco: Ansco 633 Tele-Flash | 1985 | c | 2014 | 5.00 | 1985 Good condition worth $5.00 in 2014 |
 | Ansco: Ansco 735 DX | 1987-1989 | c | 2017 | 7.00 | The 735 DX is a point and shoot film camera produced from 1987 to 1989. It boasts a built-in flash and motorized film advance. It takes still photographs on standard 35mm film. This is an all-black camera, except for the lettering and flash reflector and red version of the camera exists. Lettering on the front indicates that the 735 has "Auto Focus" capability. This camera model is relatively compact and has many features of the time. Its viewfinder and lens are located in the middle of the camera and it needs two AA batteries to be inserted before it will function. This camera also has auto exposure, DX coding capability, ¼” 20 thread tripod mount, built in flash, frame counter, motor rewind, flash ready light, film observation window in the back, programed shutter, handy carry strap, and was made in Taiwan. The camera pictured here comes with the original box, the instruction booklet, is in fine condition, and is worth $15.00 in 2017. |
 | Ansco: Ansco M35 | c1985 | c | 2015 | 3.00 | 1987-1988 Good condition worth $5.00 in 2015 |
 | Ansco: Anscoflex II | 1954 | c | 2016 | 20.00 | 1953-1956 fine condition worth $35.00 in 2016 |
 | Ansco: Anscoflex II | 1954 | c | 2020 | 15.00 | The Ansco Anscoflex II is an unusual enameled-metal pseudo TLR (Twin Lens Reflex) with a large lens cover which slides up to form the viewfinder hood. It was built in the USA by Ansco from 1954 to a design by Raymond Loewy and was discontinued in 1956. The aperture (f/11) and shutter speed are fixed. It takes 6x6cm images on 620 film, wound by a large ratcheted knob in the side that went to the next frame with a back and forth winding motion. It retailed for $27.95 in a 1956 Sears catalog. The camera was advertised as an inexpensive easy to use quality camera. The Anscoflex II also has a two element meniscus f/11 lens, rotary shutter, ¼ inch 20 thread tripod mount, close up lens from 3 ½ to 7 feet, yellow filter for sunlight defusing, plus a normal focus range of 6 feet to infinity, grey leather camera cover, and a shutter speed of 1/60 of a second. This camera originally came with an Anscoflash Type IV unit that uses two C batteries and takes SF, SM, or M2 flash bulb for all distances. The camera came as a set in a brown hard leather carry case. Included was the flash unit, two C batteries, four flash bulbs, and the camera in its grey protective leather covering. The camera pictured here is in fine condition and worth $35.00 in 2016. |
 | Ansco: Arrow | c1925 | c | 2017 | 10.00 | The Ansco Arrow was manufactured by Ansco of Binghamton, NY in circa 1925. This camera was made of cardboard with a wood insert frame and the back was made of metal. It was covered with a leatherette and had a leather handle with the words "The Arrow" embossed into it. The camera accepted standard 120 roll film but suggested Ansco’s 6A or 6B roll film. It has a leaf shutter with a speed of 1/50 of a second. The shutter release can go in either direction to engage. The camera had no double exposure protection and you can expose a frame as many times as you like. The Arrow also has two waist high viewfinders for portrait plus landscape. The camera is considered somewhat rare because they do not come up that often. The camera pictured here is in Good condition and worth $25.00 in 2017. |
 | Ansco: Buster Brown Folding No.3A | 1913 | c | 2015 | 20.00 | The No. 3A Folding Buster Brown camera were manufactured by Ansco in circa 1913. The camera body was made out of wood and covered in seal grain imitation leather. The bellows were made of black leather and the metal parts were nickel plated. It was fitted with a fix-focus meniscus lens or a rapid rectilinear lens and a No. 1 Actus shutter providing instantaneous speeds of 1/25, 1/50 and 1/100th of a second, plus time and bulb. The No. 3A Folding Buster Brown took 3 1/4 x 5 1/2 inch negatives (Postcard size) on Ansco no. 18A and 18B film or no. 122 Kodak film. It measured 2 1/2 x 4 3/4 x 9 3/4 and weighed 40 ounces. It was originally priced around $10.00. This 3A Buster Brown pictured above is in good condition and worth $25.00 in 2017. |
 | Ansco: Buster Brown Folding No.3A | 1913 | c | 2019 | 7.00 | The No. 3A Folding Buster Brown camera was manufactured by Ansco in circa 1913 with a serial #L832. The camera body was made out of wood and covered in seal grain imitation leather. The bellows were made of black leather and the metal parts were nickel plated. It was fitted with a fix-focus meniscus lens or a rapid rectilinear lens and a No. 1 Actus or the TIB shutters providing instantaneous speeds of 1/25, 1/50 and 1/100th of a second, plus time and bulb. The markings for aperture are unclear on both assemblies but seem to be limited to about f5.6 (due to the outer lens escutcheon) to f16 within the marked area but are capable of going further to about f22. The camera also has a focusing lever with distance scale and a reflecting waist high type finder on its folding bed. The No. 3A Folding Buster Brown took 3 1/4 x 5 1/2 inch negatives (Postcard size) on Ansco no. 18A and 18B film or no. 122 Kodak roll films. The camera measured 2 ½” wide x 4 ¾” high x 9 ¾” long and weighs 40 ounces. It was originally priced around $10.00. This 3A Buster Brown pictured above is in good condition and worth $25.00 in 2019. |
 | Ansco: Buster Brown No.2 | 1906-1923 | c | 2015 | 5.00 | This camera was released in a box with the Richard Felton Outcault’s cartoon strip “Buster Brown” displayed prominently on all sides of the box. The Ansco Buster Brown No 2 is a box type camera that was produced by Ansco of Binghamton, NY from 1906 to 1923. The \"Buster Brown\" model was Ansco\'s answer to the then popular Kodak \"Brownie\" line of box cameras. As the Kodak \"Brownie\" was named after the popular Palmer Cox cartoon, the \"Brownies\". The camera itself is a very basic box camera design. The entire body of the camera is constructed out of wood, including most of the internal film holder/chamber. The camera features both portrait plus landscape viewfinders, imitation leather covering, nickel plated or black painted trim, leaf shutter with approximately 1/50 of a second shutter speed, and a fixed focus glass lens. On the top of the camera there is a pull tab that allows the user to select three different aperture sizes. On the opposite side of the cameras shutter release lever there is a small tab that allows for time exposures when pulled out. An interesting thing to note about this camera is the \"D-ring\" advance key. Which, when flipped-out allows the user to easily advance the film and neatly tucks-in when not in use. Also, the camera would have originally used No. 4A (120) roll film. The camera pictured above is in poor condition and worth $3.00 in 2015. |
 | Ansco: Cadet (I) | 1959 | c | 2020 | 10.00 | The Ansco Cadet camera was manufactured by Ansco USA Division in circa 1959. Designed similar to the Ansco Cadet Flash camera, but with built-in flash contacts for use with the Anscoflash V attachment that used Class M flashbulbs. The Ansco Cadet provides the simple focus free features of a snapshot camera. It was made out of plastic with a metal faceplate, back plate, plus internal flash sync components. Features included a large optical viewfinder, double exposure prevention incorporated in the film advance mechanism, red frame count view window in the back cover, wind film advance wheel on the bottom of the camera, drop out film compartment for film changing ease, cloth carry strap, and easy color or black and white exposure setting. It was fitted with a fixed focus meniscus lens and Film advanced loaded shutter with 1/50 of a second speed. The camera takes twelve exposures on standard no. 127 film. The Cadet, Cadet Flash, and Cadet Reflex use the same bottom half and have the exact same drop-out film compartment. All three cameras have interchangeable drop-out film compartments with the exact same dimensions. When you look at the Cadet Flash’s left side you can see the indents for the flash attachment that the Cadet and Cadet Reflex uses only the Cadet Flash has no contacts. A great way to save design time for Ansco and use a platform that works. The Cadet outfit came with 1 roll of Ansco All-weather 127 film, two AA batteries, flash unit, 4 flash bulbs, and user’s manual (labeled “Your Ansco Cadet Camera”). The outfit sold for $14.00. The design of this Ansco Cadet series was in competition with the contemporary, very much alike Kodak Brownie Star series - particularly the Starflex - with the winder in the base with a central foot, the strap loops, the three-point flash contacts and the general layout. But the design of the Ansco Cadet, Cadet Flash, and Cadet Reflex is foggy due to the existence of the Whitehouse Beacon Reflex plus Beacon One Twenty-Seven having an identical lower half, film compartment, and locking mechanisms for the film compartment. It is unclear if Whitehouse commissioned Ansco to make the Whitehouse designed cameras for them or this is an Ansco design sold or used by Whitehouse or even produced by Ansco for Whitehouse seeing how it is such a departure from all other Beacon cameras. The Kodak similar cameras were probably a copy, given Kodak’s track record, with subtle measurement differences like the distance plus size of the flash contacts, the narrowing of the base footprint, and location of the compartment locking device. Kodak always looked for a way to compete. The camera pictured here is in fine condition and worth $20.00 in 2020. |
 | Ansco: Cadet Box B2 | 1947 | c | 2019 | 4.00 | Introduced in 1947 the Ansco B2 Cadet came along the split from Agfa and Ansco's subsequent race to pack shelves with inexpensive amateur cameras. While it looks almost exactly like the earlier Agfa B2 Cadet, it is distinctly lower quality. Unlike the Agfa Cadet B2 and the Agfa Ansco Cadet B2 this camera has no Time exposure feature, uses a plastic frame advance knob, a thinner metal finish prone to rusting, a cardboard film holding compartment, and a compressed cardboard handle. The shutter speed is 1/50 of a second and the aperture about f/11. The minimum focus range is 8 feet (2.5M) and the best film to use in it is 50 to 100 ASA. The camera pictured here is in fine condition and worth $15.00 in 2019. |
  | Ansco: Cadet Disc 100 | c1980s | c | 2020 | 15.00 | Ansco Cadet Disc 100, Asaflex Discolor, Haking Disc 01-H and Halina Disc 100 were the identical camera and some sported adverts on the front as well as came in an assortment of colors. The Halina came in red, blue, orange, plus grey and all had black front lens surrounds plus film compartment covers. The Haking Disc 01-H, Ansco Cadet Disc 100, and Asaflex Discolor came in all black with a red shutter release button, red, blue, and yellow, all with a black front lens surrounds plus film compartment covers. All four cameras have a fixed f/4 optical lens, a single aperture, and 2 conductor Hot Shoe. The cameras could use any 2 conductor flash unit but the Ansco kit came with an Ansco-Lite F20. These cameras need no batteries and have a mechanical shutter, film advance, and shutter loading system. Some of the advertising on the front of the cameras was Swanson Pot Pies, Piedmont, Beefeater Gin, Budweiser, plus Coke or Coca Cola and some just had things like “Makin’ Magic”. The Haking Disc 01-H and Asaflex Discolor cameras were sold plus distributed by Haking Enterprises Limited based in Hong Kong and all four cameras were made in Taiwan. The Halina and Ansco branded cameras were distributed in the UK, Ireland, the Middle East and Africa by a company called Halina Imaging, part of the British photographic distribution company SPS Logistics. The red camera here also donned the Coca-Cola emblem and were a giveaway like other certain select advertising models. The film for the cameras forms a flat disc, and is fully housed within a plastic cartridge. Each disc holds fifteen 10 × 8 mm exposures, arranged around the outside of the disc, with the disc being rotated 24° between each image. It was introduced by Kodak in 1982 and last manufactured in 1999, though the cameras had disappeared from the market long before then. The camera pictured here is in Fine condition and worth $20.00 in 2020. |
  | Ansco: Cadet Disc 100 | c1980s | c | 2020 | 6.00 | Ansco Cadet Disc 100, Asaflex Discolor, Haking Disc 01-H and Halina Disc 100 were the identical camera and some sported adverts on the front as well as came in an assortment of colors. The Halina came in red, blue, orange, plus grey and all had black front lens surrounds plus film compartment covers. The Haking Disc 01-H, Ansco Cadet Disc 100, and Asaflex Discolor came in all black with a red shutter release button, red, blue, and yellow, all with a black front lens surrounds plus film compartment covers. All four cameras have a fixed f/4 optical lens, a single aperture, and 2 conductor Hot Shoe. The cameras could use any 2 conductor flash unit but the Ansco kit came with an Ansco-Lite F20. These cameras need no batteries and have a mechanical shutter, film advance, and shutter loading system. Some of the advertising on the front of the cameras was Swanson Pot Pies, Piedmont, Beefeater Gin, Budweiser, plus Coke or Coca Cola and some just had things like “Makin’ Magic”. The Haking Disc 01-H and Asaflex Discolor cameras were sold plus distributed by Haking Enterprises Limited based in Hong Kong and all four cameras were made in Taiwan. The Halina and Ansco branded cameras were distributed in the UK, Ireland, the Middle East and Africa by a company called Halina Imaging, part of the British photographic distribution company SPS Logistics. The camera with company emblems were a giveaway like other certain select advertising models. The film for the cameras forms a flat disc, and is fully housed within a plastic cartridge. Each disc holds fifteen 10 × 8 mm exposures, arranged around the outside of the disc, with the disc being rotated 24° between each image. It was introduced by Kodak in 1982 and last manufactured in 1999, though the cameras had disappeared from the market long before then. The camera pictured here is in Fine condition and worth $8.00 in 2020. |
  | Ansco: Cadet Disc 100 | c1980s | c | 2020 | 5.00 | Ansco Cadet Disc 100, Asaflex Discolor, Haking Disc 01-H and Halina Disc 100 were the identical camera and some sported adverts on the front as well as came in an assortment of colors. The Halina came in red, blue, orange, plus grey and all had black front lens surrounds plus film compartment covers. The Haking Disc 01-H, Ansco Cadet Disc 100, and Asaflex Discolor came in all black with a red shutter release button, red, blue, and yellow, all with a black front lens surrounds plus film compartment covers. All four cameras have a fixed f/4 optical lens, a single aperture, and 2 conductor Hot Shoe. The cameras could use any 2 conductor flash unit but the Ansco kit came with an Ansco-Lite F20. These cameras need no batteries and have a mechanical shutter, film advance, and shutter loading system. Some of the advertising on the front of the cameras was Swanson Pot Pies, Piedmont, Beefeater Gin, Budweiser, plus Coke or Coca Cola and some just had things like “Makin’ Magic”. The Haking Disc 01-H and Asaflex Discolor cameras were sold plus distributed by Haking Enterprises Limited based in Hong Kong and all four cameras were made in Taiwan. The Halina and Ansco branded cameras were distributed in the UK, Ireland, the Middle East and Africa by a company called Halina Imaging, part of the British photographic distribution company SPS Logistics. The camera with company emblems were a giveaway like other certain select advertising models. The film for the cameras forms a flat disc, and is fully housed within a plastic cartridge. Each disc holds fifteen 10 × 8 mm exposures, arranged around the outside of the disc, with the disc being rotated 24° between each image. It was introduced by Kodak in 1982 and last manufactured in 1999, though the cameras had disappeared from the market long before then. The camera pictured here is in Fine condition and worth $10.00 in 2020. |
  | Ansco: Cadet Disc 100 | c1980s | c | 2020 | 15.00 | Ansco Cadet Disc 100, Asaflex Discolor, Haking Disc 01-H and Halina Disc 100 were the identical camera and some sported adverts on the front as well as came in an assortment of colors. The Halina came in red, blue, orange, plus grey and all had black front lens surrounds plus film compartment covers. The Haking Disc 01-H, Ansco Cadet Disc 100, and Asaflex Discolor came in all black with a red shutter release button, red, blue, and yellow, all with a black front lens surrounds plus film compartment covers. All four cameras have a fixed f/4 optical lens, a single aperture, and 2 conductor Hot Shoe. The cameras could use any 2 conductor flash unit but the Ansco kit came with an Ansco-Lite F20. These cameras need no batteries and have a mechanical shutter, film advance, and shutter loading system. Some of the advertising on the front of the cameras was Swanson Pot Pies, Piedmont, Beefeater Gin, Budweiser, plus Coke or Coca Cola and some just had things like “Makin’ Magic”. The Haking Disc 01-H and Asaflex Discolor cameras were sold plus distributed by Haking Enterprises Limited based in Hong Kong and all four cameras were made in Taiwan. The Halina and Ansco branded cameras were distributed in the UK, Ireland, the Middle East and Africa by a company called Halina Imaging, part of the British photographic distribution company SPS Logistics. The camera with company emblems were a giveaway like other certain select advertising models. The film for the cameras forms a flat disc, and is fully housed within a plastic cartridge. Each disc holds fifteen 10 × 8 mm exposures, arranged around the outside of the disc, with the disc being rotated 24° between each image. It was introduced by Kodak in 1982 and last manufactured in 1999, though the cameras had disappeared from the market long before then. The camera pictured here is in Fine condition and worth $10.00 in 2020. |
 | Ansco: Cadet Flash | 1960 | c | 2020 | 12.00 | The Ansco Cadet Flash camera was manufactured by Ansco USA Division in circa 1960. Designed similar to the original Cadet camera, but with a built-in flash with reflector for use of standard AG-1 or AG-1b flashbulbs, and had a flashbulb ejector button in the back of the flash unit. The Ansco Cadet Flash provides the simple focus free features of a snapshot camera. It was made out of plastic with a metal faceplate, back plate, plus internal flash components. Features included a large optical viewfinder, built-in synchronized flash with reflector, double exposure prevention incorporated in the film advance mechanism, red frame count view window in the back cover, wind film advance wheel on the bottom of the camera, drop out film compartment for film changing ease, permanently attached cloth carry strap, and easy color or black and white exposure setting. It was fitted with a fixed focus meniscus lens and film advance loaded shutter with 1/50 of a second speed. The camera takes twelve exposures on standard no. 127 film. The Cadet, Cadet Reflex, and Cadet Flash use the same bottom half and have the exact same drop-out film compartment that are interchangeable. When you look at the Cadet Flash’s left side you can see the indents for the flash attachment that the Cadet uses only the Cadet Flash has no contacts. A great way to save design time for Ansco and use a platform that works. The Ansco Cadet Reflex top half has a waist high viewfinder instead of eye level and the Anscoflash V unit flash contacts on the side. The design of this Ansco Cadet series was in competition with the contemporary, very much alike Kodak Brownie Star series - particularly the Starflex - with the winder in the base with a central foot, the strap loops, the three-point flash contacts and the general layout. But the design of the Ansco Cadet, Cadet Flash, and Cadet Reflex is foggy due to the existence of the Whitehouse Beacon Reflex plus Beacon One Twenty-Seven having an identical lower half, film compartment, and locking mechanisms for the film compartment. It is unclear if Whitehouse commissioned Ansco to make the Whitehouse designed cameras for them or this is an Ansco design sold or used by Whitehouse or even produced by Ansco for Whitehouse seeing how it is such a departure from all other Beacon cameras. The Kodak similar cameras were probably a copy, given Kodak’s track record, with subtle measurement differences like the distance plus size of the flash contacts, the narrowing of the base footprint, and location of the compartment locking device. Kodak always looked for a way to compete. The camera pictured here is in fine condition and worth $20.00 in 2020. |
 | Ansco: Cadet Reflex | 1960 | c | 2020 | 12.00 | The Ansco Cadet Reflex camera was manufactured by Ansco USA Division in circa 1960. Designed similar to the original Cadet camera, but with a waist high viewfinder. The Ansco Cadet Reflex provides the simple focus free features of a snapshot camera. It was made out of plastic with a metal faceplate, back plate, plus internal flash components. Features included a large optical waist high viewfinder, synchronized flash contacts, double exposure prevention incorporated in the film advance mechanism, red frame count view window in the back cover, wind film advance wheel on the bottom of the camera, drop out film compartment for film changing ease, cloth carry strap, and easy color or black and white exposure setting. It was fitted with a fixed focus meniscus lens and film advance loaded shutter with 1/50 of a second speed. The camera takes twelve exposures on standard no. 127 film. The Cadet, Cadet Reflex, and Cadet Flash use the same bottom half and have the exact same drop-out film compartment that are interchangeable. When you look at the Cadet Flash’s left side you can see the indents for the flash attachment that the Cadet and Cadet Reflex uses only the Cadet Flash has no contacts. A great way to save design time for Ansco and use a platform that works. The Ansco Cadet Reflex and Ansco Cadet use the Anscoflash V unit that connects to the flash contacts on the side with a wheeled screw in the center. The design of this Ansco Cadet series was in competition with the contemporary, very much alike Kodak Brownie Star series - particularly the Starflex - with the winder in the base with a central foot, the strap loops, the three-point flash contacts and the general layout. But the design of the Ansco Cadet, Cadet Flash, and Cadet Reflex is foggy due to the existence of the Whitehouse Beacon Reflex, Beacon Flash Color, plus Beacon One Twenty-Seven having an identical lower half, film compartment, and locking mechanisms for the film compartment. It is unclear if Whitehouse commissioned Ansco to make the Whitehouse designed cameras for them or this is an Ansco design sold or used by Whitehouse or even produced by Ansco for Whitehouse seeing how it is such a departure from all other Beacon cameras. The Kodak similar cameras were probably a copy, given Kodak’s track record, with subtle measurement differences like the distance plus size of the flash contacts, the narrowing of the base footprint, and location of the compartment locking device. Kodak always looked for a way to compete. The camera pictured here is in poor to good condition and worth about $5.00 with the flash unit in 2020. |
 | Ansco: Coca Cola (Polar Bear) | c2000s | c | 2020 | 15.00 | Coca-Cola began using polar bears for print advertising in 1922. And the polar bears would appear occasionally in printed advertisements over the next seventy years. It wasn’t until 1992 that advertising professional Ken Stewart gave life to the Coca-Cola polar bears in the popular Northern Lights television commercial in February 1993. The Coke polar bears were one of the first digitally animated advertising campaigns. The television commercials featuring the polar bears touched on the emotion and magic that many of Coca-Cola’s previous ad campaigns had done. Starting in 1993, the Coca-Cola Polar Bears from the “Always Coca-Cola” (admit it, you just sang that in your head) series of advertisements and many more successful marketing campaigns came complete with matching Coke merchandise. Manufactured in 1999, the Coca-Cola Polar Bear Camera could be purchased in a Coca-Cola collector tin or bought by itself in a sealed plastic clamshell package. The camera came with two AA batteries and a roll of Kodak Max 400 color film, a Coke branded camera case, and camera strap. The camera is a simple point-and-shoot, with no special features other than being automatic and motorized. Sliding the polar bear, holding a bottle of Coke, to the side reveals about a 35mm f/5.6 lens. The camera automatically senses light and fires the flash if needed. The top of the camera features a frame counter and a switch to rewind the film. The shutter is triggered by pressing the Coca-Cola bottle cap at the top. The camera pictured here is in fine condition and worth $20.00 in 2020. |
 | Ansco: Dollar Box | 1910-1928 | c | 2016 | 6.00 | 1910-1928 fine condition worth $25.00 in 2016 |
 | Ansco: Dollar Box | 1910-1928 | c | 2017 | 5.00 | The Ansco Dollar camera is a simple box camera that I picked up in Belfast, Maine. It takes 8 images on 127 film. They're cleaner images than I was expecting. Except for that thread in the corner. The camera was produced from 1910 to 1928 and is a small 4x3½x2½" box camera for 127 film. Available in black, burgundy or green. No strap. Some are identified "Ansco Dollar Camera" on the front. The same camera in red and with a strap was sold as the Kiddie Camera from 1926 to 1929. Boys Life magazine touted it as “The biggest dollars’ worth your money can buy” in 1924. In fine condition this camera is worth $20.00 to $30.00 in 2016. The camera pictured here is in good condition and worth $15.00 in 2017. |
 | Ansco: Flash Clipper | 1940s-1952 | c | 4/12/1998 | 13.00 | Ansco Flash Clipper: This camera takes the discontinued 616 size film. 616 ran from 1932 until 1984. good condition $10.00 in 2014 |
 | Ansco: Flash Clipper | 1940s-1952 | c | 2017 | 5.00 | The Ansco Clipper and Flash Clipper were simple non-adjustable cameras made by Agfa Ansco, later Ansco, from the 1940s into 1954. (The series began as the Agfa Ansco PD16 Clipper, but Agfa branding was dropped during the WWII years.) The lens board pulled out of the camera body for taking pictures, and collapsed to make the camera more compact when not in use. The focus and aperture were fixed, while the shutter had I (Instant) and B (Bulb or timed) settings. The Flash Clipper was modified with an accessory shoe, and a proprietary two-pin flash sync connection beside the lens. The Flash Champion is a name variant of the Flash Clipper. An upmarket, higher-spec version of the same camera (featuring focus and exposure adjustments) was the Clipper Special. The camera was constructed of metal and covered with a water resistant plastic cover. It took sixteen 2 1/2 x 2 1/8 inch sized exposures on standard no. 616 roll film. The Ansco Flash Clipper featured a fixed focus 2 element f11 doublet lens, and a direct optical view finder. The camera measures about 5 x 3 3/4 x 2 1/4 inches when folded. The Ansco Flash Clipper camera with flash unit was originally priced at approximately $18.50. The camera only ranged from $12.50 to $14.50. The camera pictured here is in good condition and worth $15.00 in 2017. |
 | Ansco: Junior No.2C | 1917-1923 | 2016 | 15.00 | 1916 good condition worth $30.00 in 2016 | |
 | Ansco: Junior No.3A | 1916-1931 | 5/20/2005 | 12.50 | 1913-1932 in just good condition worth $25.00 in 2014 | |
 | Ansco: Memar | 1954-1958 | c | 2019 | 15.00 | The 35mm Memar was introduced in 1954 and production was discontinued in 1958. It was made by Agfa under the Ansco name and is the same camera as the first Agfa Silette. The Memar features are an optical viewfinder, a leaf shutter, a single action lever wind advance, a flash socket in the front of the camera, aperture settings of 3.5 to 16, focus range of 3 feet (914.4mm) to infinity, and an accessory shoe (Agfa KM flash compatible). Its shutter is a Pronto (1/25 of a second to 1/200 plus B). The lenses are three element Agfa Apotar 3.5/45mm that most Memar’s had or an Agfa Color Apotar 2.8/45mm. In the USA, it was known as the Ansco Memar and sold at a suggested retail price of $39.95. The camera body was made of die-cast metal and covered in black leather. The exposed metal parts were finished in satin chrome. The Agfa Silette (type 1, not to be confused with the Silette I) did have subtle difference but only when it came to the number of lens and shutter combination that could be found on the camera. Agfa made the Silette in some form from 1953 to the mid-60s. The camera pictured here is in Good condition and worth $25.00 in 2019. |
 | Ansco: Memo 35 | 1984-1986 | 3.00 | 1984-1986 poor condition worth $0.50 in 2014 | ||
 | Ansco: Memo Disc HR 10 | 1986-1987 | 2004 | 5.00 | 1980 in fine condition and worth $15.00 in 2014 | |
 | Ansco: Memo Disc HR 30 | 1986-1987 | 2016 | 8.00 | The Ansco Disc HR30 was just one in a series of Ansco HR cameras like the HR 10, HR 10T, HR 15, HR 20, HR 25, HR 40, HR 30, HR 40, HR 50, and the HR 65. The Memo Disc HR 10, Disc HR 10, and the Disc HR 10T names are referring to the same camera and the only HR in the series with the MEMO label under Ansco. This is just a few of the disc cameras produced by Ansco. The HR 30 camera was introduced in 1986 and discontinued a year later in 1987. The camera has a focus free 12.5mm f2.8 fixed focus lens, a built-in electronic flash, flash on/off switch in front, flash ready light in the back, motor drive, camera/lens cover, frame count window in the back, red LED error indicator near the viewfinder, and a handy carry strap. The camera came in 6 available colors: Red, Black, Champagne, Metallic Blue, Silver, and Charcoal Grey. The flash, motor drive and other camera features are powered by two AA batteries suppling 3 volts. The camera pictured here is in fine condition and worth $10.00 in 2016. | |
 | Ansco: Panda | 1939-1950 | 2017 | 3.00 | The Ansco Panda camera was manufactured by ANSCO from approximately 1939 to 1950. The camera was constructed of molded black plastic with white plastic accents around the twin lens, the winder knob, and a red plastic tipped shutter release for a modern look. The focal length of the camera is 60 mm and it has an f/16 lens. Focus is fixed and objects from about 6' to infinity are in focus. Designed as a twin lens reflex, the Ansco Panda was capable of capturing twelve 2 1/4 x 2 1/4 inch square (6x6cm) exposures or nine 2 7/8 x 2 7/8 inch exposures on standard 620 roll film. Its appearance is quite similar to the Kodak Baby Brownie and was designed to compete directly with it. It featured a magnifying reflex type view finder that provided a bright image almost as big as the finished print. It was fitted with a fix focus single meniscus lens and snap shot shutter. The camera measures about 3 x 3 1/4 x 3 1/2 inches. The Ansco Panda camera was originally priced at $6.00 and later reduced as low as $3.95. The camera pictured here is in Good condition and worth $10.00 in 2017. | |
 | Ansco: Pioneer | 1947-1958 | N/A | 8.50 | 1947 to 1953 in fine condition and worth $15.00 in 2014 | |
 | Ansco: Pioneer | 1947-1958 | 2016 | 5.00 | 1947 to 1953 in fine condition and worth $15.00 in 2016 | |
 | Ansco: Pix Panorama | c1990s | 2014 | 10.00 | 1992 Fine condition worth $10.00 in 2014 | |
 | Ansco: Pix Panorama | c1990s | 2016 | 6.00 | This 35mm camera is a 100% plastic and is completely fixed — fixed focal length, fixed focus, fixed shutter speed, fixed aperture. There is no way to make any sort of adjustment other than the placement of the camera. It has a 28mm f/11 lens with a 1/125 shutter speed and a 13 x 36mm panorama mask. It was made in China in 1992 and they did make a version without a built in flash. The other features it does have are a built in lens cove that locks the shutter button when closed, frame counter on top, rewind release button on the bottom with a rewind fold away crank lever on top that releases the film when pulled up, panorama masked viewfinder, a flash on/off switch, flash ready LED near the viewfinder, a right thumb film advance wheel, and a handy carry strap. The print size it produced was 89 x 254mm or 3.5” x 10”. The camera pictured above is in fine condition and worth $10.00 in 2016. | |
 | Ansco: Readyflash | 1953 | 2014 | 20.00 | 1953 fine condition worth $20.00 in 2014 | |
 | Ansco: Readyset Royal No.1A brown | 1925-1932 | c | 2018 | 15.00 | The Readyset Royal No.1, 1A cameras were manufactured by Agfa Ansco between 1925 and 1932. The Readyset Royal cameras were made distinctive by their coverings. The camera features were similar to that of the regular Ansco Readyset. These folding cameras were constructed of metal. They were fitted with a fixed focus lens with an f/8 aperture mounted in a simple instantaneous 1/30 of a second leaf shutter with a manual time release setting. In 1925 Ansco first released the Ostrich version. This version had a genuine leather covering dyed golden-brown and pimpled to resemble Ostrich skin and the bellows are maroon. In 1931 the second version was the Silver Fox version. This version also had a genuine leather covering but it was dyed brown and black to look like the fur of a silver fox which gave the camera a truly unique and enduring design. The exposed metal parts are painted with grey enamel and the bellows are black. The 1A produces a 2½”x 4¼'' picture. The Readyset Royal 1A uses B2 Agfa film, 4A Ansco film, or 120 Kodak film. It also has a plunger shutter release socket and a shutter release lever. Other features are two foot rests for horizontal and vertical table top pictures plus two ¼” 20 thread tripod sockets for horizontal and vertical exposures. The camera pictured here is in Good condition and worth $45.00 in 2018. |
 | Ansco: Rediflex | 1950 | 2013 | 20.00 | 1950 Good condition worth $20.00 in 2014 | |
 | Ansco: Rediflex | 1950 | 2015 | 5.00 | 1950 Poor condition worth $2.00 in 2015 (shutter needs work) | |
 | Ansco: Shur Flash | 1953 | c | 1994 | 10.00 | 1953-1960 Good condition worth $8.00 in 2014 |
 | Ansco: Shur Flash | 1953 | c | 2003 | 10.00 | 1953-1960 fine condition worth $25.00 in 2014 |
 | Ansco: Shur Flash | 1953 | c | 2016 | 15.00 | The Ansco Shur-Flash was basic box camera with flash attachment that was introduced by Ansco in 1953. It was a popular box camera made with a water resistant fiber body covered in black imitation leather and a metal faceplate and viewer. It was capable of capturing eight 2 1/4 x 3 1/4 inch exposures on standard 120 roll film. The camera was fitted with a fixed focus single meniscus lens for taking photos from about 8 feet to infinity. The guillotine shutter provided snap shot speed of about 1/40 of a second. The Ansco Shur-Flash camera was originally priced at $4.95 and the complete outfit with camera, Anscoflash Type III flash attachment, film and flash bulbs costs $9.75. The two AA batteries for the flash were not included. The camera pictured here is in good condition and comes in the original box with the flash unit and 10 flash bulbs. This camea is worth $20.00 in 2016. |
 | Ansco: Shur Flash | 1953 | c | 2017 | 5.00 | The Ansco Shur-Flash was basic box camera with flash attachment that was introduced by Ansco in 1953. It was a popular box camera made with a water resistant fiber body covered in black imitation leather and a metal faceplate and viewer. It was capable of capturing eight 2 1/4 x 3 1/4 inch exposures on standard 120 roll film. The camera was fitted with a fixed focus single meniscus lens for taking photos from about 8 feet to infinity. The guillotine shutter provided snap shot speed of about 1/40 of a second. The Ansco Shur-Flash camera was originally priced at $4.95 and the complete outfit with camera, Anscoflash Type III flash attachment, film and flash bulbs costs $9.75. The two AA batteries for the flash were not included. The camera pictured here is in Good condition and worth $20.00 in 2017. |
 | Ansco: Shur Shot | 1948 | 2012 | 2.00 | 1948 poor condition worth $5.00 in 2014 | |
 | Ansco: Shur Shot | 1948 | 1948 Fine condition worth $20.00 in 2014 | |||
 | Ansco: Shur Shot Junior | 1948 | c | 2015 | 8.00 | 1948 Good condition worth $10.00 in 2015 |
 | Ansco: Silhouette Zoom | 1990s | 1993 | 45.00 | 1990 Good condition worth $15.00 in 2014 | |
 | Ansco: Speedex 4.5 | 1946-1950 | 2017 | 15.00 | The Ansco Speedex 4.5 camera was sold under the Ansco name but features an Afga badge on the internals. It features 4 shutter speeds at 200, 50, 25, and ‘B’ as well as the variable diaphragm from 4.5 through 32. It has adjustable focus which is marked at 3, 3.5, 5, 6, 8, 10, 15, 30, and Infinite feet. It also features a flash sync for mountable flash, a Vario lens, PC flash sync, an optical viewfinder, cold shoe, oval red window in the back cover for frame count, ¼” 20 thread tripod mount, and double exposure prevention but is over rideable. The Ansco Speedex 4.5 “Special” is basically an Agfa Isolette (German camera) but with an Ansco trademark for the North American market. The Ansco Speedex 4.5 had a 1/200 of a second shutter and the Ansco Speedex 4.5 Special and Special R had a 1/300 of a second shutter and the “R” stood for rangefinder. In 1946 the The Speedex 4.5 sold for $32.00, the Special for $44.00, and the Special R for $50.00. The Speedex 4.5 was produced from 1946 to 1950 but sold for some years later. Like its Agfa twin, the Speedex 4.5 “Special” was aimed to the advanced amateur. It allowed for variable focus and an extended range of exposure settings. In 1955 its advertised price was $47.50 with a leather case for $5 more. The Ansco Speedex, Speedex Special, and Speedex Special R are considered a medium format pocket folder Ansco. Originally the cameras were made by Anthony & Scovill but they merged with Argus in early 1938. The camera pictured here is in good condition and worth $15.00 in 2017. | |
 | Ansco: Standard Speedex | 1950 | 1994 | 5.00 | 1949-1950 Poor condition worth $5.00 for parts in 2014 (Shutter needs work) | |
 | Ansco: Viking (1952) | 1952 | 2010 | 25.00 | 1952-1959 Good condition worth $45.00 in 2014 | |
 | Ansco: Viking 6.3 | 1946 | 2017 | 22.00 | 1946 Good condition worth $80.00 in 2017 | |
 | Ansco: Vision (Auto Load) | 1987 | 2014 | 0.00 | 1987 Good condition worth $5.00 in 2014 | |
 | Ansco: Vision (Fully Automatic) | 1987 | 2013 | 8.00 | 1987 Good condition worth $5.00 in 2014 | |
 | Apparat & Kamerabau: Arette C | 1958 | c | 2019 | 5.00 | The Arette C is a compact rangefinder 35mm film camera which has a Xenar 50mm f2.8 lens in a Prontor-SVS shutter with 9 shutter speeds from 1 second to 1/300 of a second plus bulb for timed exposures. It also has 6 aperture settings stopping down to f16 and a cold shoe for a flash unit with connectivity via pc sync on the front of the camera. Other features on the camera are a plunger socket, a rotating focus ring with left plus right handed grip bumps, frame counter on the bottom, a right handed single action frame advance lever, a slide out foot for table top placement, an ASA reminder wheel on the top right, a film advancing indicator plus pop-up film rewind & film release when pulled up to the second position located on the top left of the camera, a focus range of 3.5ft (1m) to infinity, and a ¼ inch 20 thread tripod socket. The camera was introduced in 1958 and is Similar to Arette IC. The Arette series was produced from 1956 to 1959. Apparate und Kamerabau Gmbh was a camera manufacturer based in Friedrichshafen, Germany. It was formed by brothers Eugene and Max Armbruster in February 1946 and camera production continued until the mid-1960s. The camera pictured here is in good condition and worth $15.00 in 2019. |
 | Argus: 3D Stereo | 1998 | c | 2017 | 5.00 | Argus, in 1998, sold a stereo camera that uses two mirrors called a beam splitter to create stereo exposure pairs that can be printed after conventional developing and viewed with a lorgnette (special pair of lenses or viewer). The camera sold for under $90 including the supplied viewer. The Argus 3D Stereo camera is a rebranded Loreo 3D camera and they both use ordinary 35mm film. The camera requires no special processing or printing. Simply have your film processed to prints as usual. The prints will automatically show two perspective views of your picture, which allows you to enjoy viewing full stereo depth using a 3D viewer. You will be able, through the viewer, to see your pictures with a realism no ordinary camera can give you. 3-D pictures require a wide sharpness range so that near and distant objects are shown with equal sharpness. Your cameras 28mm lens is set so that pictures can be taken from as close as 80 cm (2.5 feet) to infinity. The camera has no device for manual focusing adjustment. To activate the flash you have to push the Flash selector switch to the left and the flash will spring open. When using the flash the best results are obtained if your subject is between 1.5m (5 feet) and 2.5m (8 feet) from the camera with 200 ISO film. 400 ISO speed film increases that range to 3.0m (9 feet). To close the flash reflector you simply push the reflector hood down with your hand until it locks. To conserve the batteries always switch off the flash by closing the reflector hood when not needed. The camera has a flash ready LED next to the viewfinder view port and the flash is powered by two AA batteries. Unfortunately the batteries were left in this camera and the flash does not work due to corroded terminals. For this reason the camera is worth $5.00 in 2020. |
 | Argus: Argoflex E | 1940-1948 | 2016 | 30.00 | 1940-1948 fine condition worth $35.00 in 2016 | |
 | Argus: Argoflex Seventy-Five | 1949-1953 | c | 2015 | 8.00 | 1949-1958 Fine condition worth $20.00 in 2015 |
 | Argus: Argoflex Seventy-Five | 1949-1953 | c | 2017 | 4.00 | The Argus Seventy-five has a twin lens reflex design with a fixed-focus lens and everything between 6 feet and infinity will be sharp. For close up shots Argus manufactured lenses that could be fitted. The Argus Seventy-five produces 6x6 images and takes 620 film no longer available. Respooling a role of 120 film to fit the camera isn't hard. You'll need a dark room and two 620 spools if your camera hasn't got an integrated take up spool. This allows you to use the first to spool the 120 film on the first 620 spool, and then roll it onto the second spool. This way it's hardly ever necessary to adjust the tape that connects the film to the paper back. The Argus Seventy-five was manufactured from 1953 to 1958. Virtually indestructible this camera is constructed from thick Bakelite, glass lenses, and Aluminum. The predecessor of this camera was the Argoflex Seventy-five, which was manufactured from 1949 to 1953. The name of the Argoflex Seventy-five was changed to Argus Seventy-five in 1953, which is the same year the name of the Argoflex 40 was changed to Argus 40. This was a marketing campaign for reintroduction of both cameras. The Argus Seventy-five was followed by the Argus 75 (numbers not script), which was manufactured between 1958 and 1964 in a lighter brown color but the same exact camera. To recap the “Argoflex Seventy Five”, the “Argus Seventy Five”, and the “Argus 75” have interchangeable parts but the paint design plus name was changed on the aluminum. In essence Argus was able to manufacture the same camera for 15 years from 1949 to 1964. The camera pictured here is in good condition and worth about $5.00 in 2017. |
 | Argus: Argus 345X Electric Eye | 1973 | 2013 | 5.00 | 1975 Poor condition worth $0.50 for parts in 2014 | |
 | Argus: Argus 545 | 1987 | 2013 | 5.00 | 1987 fine condition worth $10.00 in 2014 | |
 | Argus: Argus 75 | 1958-1964 | N/A | 19.00 | 1953-1958 Fine condition worth $25.00 in 2014 with the flash unit | |
 | Argus: Argus 75 | 1958-1964 | 2000 | 10.00 | 1953-1958 good condition worth $10.00 in 2014 | |
 | Argus: Argus 75 | 1958-1964 | c | 2012 | 10.00 | 1953-1958 good condition worth $10.00 in 2014 |
 | Argus: Argus 75 | 1958-1964 | c | 2015 | 10.00 | 1953-1958 fine condition worth $20.00 in 2015 |
 | Argus: Argus 75 | 1958-1964 | c | 2020 | 5.00 | The Argus Seventy-five has a twin lens reflex design with a fixed-focus lens and everything between 6 feet and infinity will be sharp. For close up shots Argus manufactured lenses that could be fitted. The Argus Seventy-five produces 6x6 images and takes 620 film no longer available. Respooling a role of 120 film to fit the camera isn't hard. You'll need a dark room and two 620 spools if your camera hasn't got an integrated take up spool. This allows you to use the first to spool the 120 film on the first 620 spool, and then roll it onto the second spool. This way it's hardly ever necessary to adjust the tape that connects the film to the paper back. The Argus Seventy-five was manufactured from 1953 to 1958. Virtually indestructible this camera is constructed from thick Bakelite, glass lenses, and Aluminum. The predecessor of this camera was the Argoflex Seventy-five, which was manufactured from 1949 to 1953. The name of the Argoflex Seventy-five was changed to Argus Seventy-five in 1953, which is the same year the name of the Argoflex 40 was changed to Argus 40. This was a marketing campaign for reintroduction of both cameras. The Argus Seventy-five was followed by the Argus 75 (numbers not script), which was manufactured between 1958 and 1964 in a lighter brown color but the same exact camera. To recap the “Argoflex Seventy Five”, the “Argus Seventy Five”, and the “Argus 75” have interchangeable parts but the paint design plus name was changed on the aluminum. In essence Argus was able to manufacture the same camera for 15 years from 1949 to 1964. The camera pictured here is in Good condition and worth about $20.00 with flash unit and bulbs in 2020. |
  | Argus: Argus 75 | 1958-1964 | c | 2020 | 10.00 | The Argus 75 has a twin lens reflex design with a fixed-focus lens and everything between 6 feet and infinity will be sharp. For close up shots Argus manufactured lenses that could be fitted. The Argus Seventy-five produces 6x6 images and takes 620 film no longer available. Respooling a role of 120 film to fit the camera isn't hard. You'll need a dark room and two 620 spools if your camera hasn't got an integrated take up spool. This allows you to use the first to spool the 120 film on the first 620 spool, and then roll it onto the second spool. This way it's hardly ever necessary to adjust the tape that connects the film to the paper back. The Argus Seventy-five was manufactured from 1953 to 1958. Virtually indestructible this camera is constructed from thick Bakelite, glass lenses, and Aluminum. The predecessor of this camera was the Argoflex Seventy-five, which was manufactured from 1949 to 1953. The name of the Argoflex Seventy-five was changed to Argus Seventy-five in 1953, which is the same year the name of the Argoflex 40 was changed to Argus 40. This was a marketing campaign for reintroduction of both cameras. The Argus Seventy-five was followed by the Argus 75 (numbers not script), which was manufactured between 1958 and 1964 in a lighter brown color but the same exact camera. To recap the “Argoflex Seventy Five”, the “Argus Seventy Five”, and the “Argus 75” have interchangeable parts but the paint design plus name was changed on the aluminum. In essence Argus was able to manufacture the same camera for 15 years from 1949 to 1964. The camera pictured here is in Good condition with a fitted close-up lens and worth about $20.00 in 2020. One picture has the close-up lens on and the other it sits in front |
 | Argus: Argus A Black | 1936-1941 | 2009 | 20.00 | 1936-1941 good condition worth $15.00 in 2014 | |
 | Argus: Argus A Black | 1936-1941 | 1998 | 15.00 | 1936-1941 Good condition worth $25.00 in 2014 | |
 | Argus: Argus A2 (A2B) | 1946-1950 | 1998 | 25.00 | 1939-1950 Good condition worth $40.00 in 2014 | |
 | Argus: Argus A2 (A2B) | 1946-1950 | 2015 | 20.00 | 1939-1950 good condition worth $20.00 in 2014 (missing the cloth light seal) | |
 | Argus: Argus A3 | 1940-1942 | 2016 | 5.00 | 1940-1942 good condition worth $20.00 in 2016 | |
 | Argus: Argus C20 (C-Twenty) | 1956-1958 | 2015 | 10.00 | 1956-1957 good condition worth $15.00 in 2015 (missing a tan insert on top of the rewind wheel) | |
 | Argus: Argus C3 | 1939-1966 | c | 2007 | 10.00 | 1939-1966 poor condition worth $5.00 in 2014 |
 | Argus: Argus C3 | 1939-1966 | c | 1996 | 10.00 | 1939-1966 good condition worth $15.00 in 2014 |
 | Argus: Argus C3 | 1939-1966 | c | 2002 | 10.00 | 1939-1966 good condition worth $15.00 in 2014 |
 | Argus: Argus C3 | 1939-1966 | c | 2002 | 10.00 | 1939-1966 good condition worth $15.00 in 2014 |
 | Argus: Argus C3 | 1939-1966 | c | 1992 | 22.00 | 1939-1966 Good condition worth $30.00 in 2014 |
 | Argus: Argus C3 | 1939-1966 | c | 2015 | 5.00 | 1939-1966 good condition worth $15.00 in 2014 |
 | Argus: Argus C3 | 1939-1966 | c | 2017 | 5.00 | 1939-1966 good condition worth $15.00 in 2014 |
 | Argus: Argus C3 | 1939-1966 | c | 2017 | 8.00 | 1939-1966 good condition worth $15.00 in 2014 |
 | Argus: Argus C3 | 1939-1966 | c | 2017 | 10.00 | The Argus C3 was a low-priced rangefinder camera mass-produced from 1939 to 1966 by Argus in Ann Arbor, Michigan, USA. The camera was the best-selling 35mm camera in the world for nearly three decades, and helped popularize the 35mm format. Due to its shape, size, and weight, it is commonly referred to as "The Brick" by photographers (in Japan its nickname translates as "The Lunchbox"). The most famous 20th century photographer who used it was Tony Vaccaro, who employed this model during World War II The C3 was constructed primarily of Bakelite plastic and metal castings. The design featured an unusual and simplistic diaphragm shutter built into the camera body, so the camera could make use of interchangeable lenses without the need for a complex focal plane shutter. The rangefinder utilized a separate viewfinder from that of the regular viewfinder and was coupled to the lens through a series of gears located on the outside of the camera body. The profusion of knobs, gears, buttons, levers, and dials on the camera lent it a "scientific" look that was found in customer surveys to be one of the things buyers most liked about the camera. By virtue of its low price and reputation for rugged durability the Argus C3 managed to outlast most of its American competition and fend off precision German-built cameras and the cheap high quality Japanese cameras that began to enter the American market in the 1950s. But eventually the design simply became too outdated and clumsy and production ended in 1966 after sales had slumped. Interestingly, sales of the C3 had slumped many times during its production life, and each time Argus announced they were going to discontinue the camera, dealers and photographers would rush to buy what they believed to be the last of the cameras, leading Argus to reverse their decision to end production several times. It has been argued the Argus C3 is responsible for popularizing the use of 35mm film, and considering the long production run and the high number of Argus C3 cameras made, this may very well be true, especially in its native United States. Although the design is now over 75 years old, the C3 retains a strong following due to its simplicity and durability, as well as nostalgia value. Used C3s are cheap and plentiful, and their simple construction makes them relatively easy to repair. The C3 pictured here is in good condition and worth $20.00 in 2017. |
 | Argus: Argus C3 | 1939-1966 | c | 2019 | 5.00 | The Argus C3 was a low-priced rangefinder camera mass-produced from 1939 to 1966 by Argus in Ann Arbor, Michigan, USA. The camera was the best-selling 35mm camera in the world for nearly three decades, and helped popularize the 35mm format. Due to its shape, size, and weight, it is commonly referred to as "The Brick" by photographers (in Japan its nickname translates as "The Lunchbox"). The most famous 20th century photographer who used it was Tony Vaccaro, who employed this model during World War II The C3 was constructed primarily of Bakelite plastic and metal castings. The design featured an unusual and simplistic diaphragm shutter built into the camera body, so the camera could make use of interchangeable lenses without the need for a complex focal plane shutter. The rangefinder utilized a separate viewfinder from that of the regular viewfinder and was coupled to the lens through a series of gears located on the outside of the camera body. The profusion of knobs, gears, buttons, levers, and dials on the camera lent it a "scientific" look that was found in customer surveys to be one of the things buyers most liked about the camera. By virtue of its low price and reputation for rugged durability the Argus C3 managed to outlast most of its American competition and fend off precision German-built cameras and the cheap high quality Japanese cameras that began to enter the American market in the 1950s. But eventually the design simply became too outdated and clumsy and production ended in 1966 after sales had slumped. Interestingly, sales of the C3 had slumped many times during its production life, and each time Argus announced they were going to discontinue the camera, dealers and photographers would rush to buy what they believed to be the last of the cameras, leading Argus to reverse their decision to end production several times. It has been argued the Argus C3 is responsible for popularizing the use of 35mm film, and considering the long production run and the high number of Argus C3 cameras made, this may very well be true, especially in its native United States. Although the design is now over 75 years old, the C3 retains a strong following due to its simplicity and durability, as well as nostalgia value. Used C3s are cheap and plentiful, and their simple construction makes them relatively easy to repair. The C3 pictured here is in Poor condition and worth $3.00 for parts in 2019. |
 | Argus: Argus C3 Matchmatic | 1958-1966 | 2014 | 10.00 | 1958-1966 Poor condition worth $12.00 in 2014 (Shutter needs work) | |
 | Argus: Argus C3 Matchmatic | 1958-1966 | 2012 | 10.00 | 1958-1966 good condition worth $15.00 in 2014 | |
 | Argus: Argus C4 | 1951-1957 | 2015 | 15.00 | 1951-1957 fine condition worth $30.00 in 2015 | |
 | Argus: Argus C44 | 1956-1957 | c | 2015 | 20.00 | The Geiss Company of Chicago customized Argus C4 cameras for interchangeable lenses which were made by Enna in Munich, Germany. Argus took what they were doing and followed suit with the C44 (spelled out as "c-forty-four" on the camera itself). The camera shared the same body as the C4, including that model's improved rangefinder/viewfinder. The only real difference was in the lenses. The standard Cintagon 50mm f/2.8 was the first 4-element lens (Tessar-type) that the Ann Arbor factory produced. The design was said to have been computed with the help of an early digital computer, 'MIDAC (Michigan Digital Automatic computer),' belonging to the University of Michigan and developed in 1951. Three other focal lengths were offered as well: 50mm f/1.9; 35mm f/4.5 and 100mm f/3.5. These were manufactured by Steinheil in Germany, to a somewhat higher standard of finish, but also branded Cintagon. However the C44 bayonet is clumsy to use, as a lens cannot be mounted until pairs of small red guide marks inside the mount throat and the lens bayonet are aligned. The C44 employs a behind-the-lens leaf shutter (as do other Argus C-series models), offering speeds of 1/10 to 1/300 of a second and B. This fires with an unexpectedly noisy snap, not unlike a mousetrap closing. The camera's frame counter counts down to 0, so the user must remember to re-set it to the correct number of frames with each re-loading and hope not to bump it accidentally after that. A new C44 owner will search in vain for a rewind-release button. Instead, lifting and slightly twisting the advance knob disengages the film drive and allows the roll to be rewound. The camera does have a two contact hot shoe that went well with the Argus flash unit designed for it. The flash unit mount has a spring loaded center contact and a locking lever on the side to secure it to the camera. It operates using two 1.5 volt C batteries that are loaded in the unit and add quite a bit of weight. The camera pictured here is in poor condition due to a bad shutter and worth $10.00 for parts in 2015. |
 | Argus: Argus Instant Load 164 | 1968 | c | 2016 | 4.00 | The Argus Instant Load 164 started being produced in 1968 and ended in 1969 after Sylvania was sold and camera production was suspended. Sylvania owned Argus 10 years at that time. The camera weighs 4.6 ounces and is 4"x2"x2.5". It takes 126 Cartridge film and uses flash cubes that advance with the frame wheel. The flash cube mount is powered by two PX825 batteries that are housed in the film compartment. The PX825 battery is no longer available but replacements do exist. Frames are advanced with a right thumb wheel that also loads the shutter. The camera also has a ¼” by 20 thread tripod mount, optical viewfinder, film view window that shows the frame number, and has a handy carry strap. The 164 was one of the last of the Instant Load series and the cheapest. The Instant Load in the name denotes the ease of film change with 126 cartridge film. This is a point and shoot camera that is closer to a Box camera than cameras of that era. The camera pictured here is in Good condition and worth $10.00 in 2016. |
 | Argus: Argus Instant Load 257 | 1966 | 2016 | 5.00 | The following in quotes is from newspaper ad in 1966, the release year. "It’s automatically goof proof! Uses 126 film cartridge load for slides or prints. Has fully automatic electric eye that gives you perfect focus every time! Comparable Value $44.95, now only $27.63.” The camera weighs 13.4 ounces and the Dimensions are 4.75"x2.25"x2.75". It has a flash socket on the top center of the camera under a flip up shield with a flash bulb eject lever in the back. The socket takes the AG3B cap less type flash bulb used on many cameras of the era and rated to 30 meters with 100 ASA film. The flash is powered by two N type batteries held in a compartment with a sliding cover on the bottom of the camera. The lens is an Argus coated Cintar and focus range of 3 feet to infinity. This Instant Load 257 also has a thumb lever film advance, a ¼” 20 thread tripod mount, and a large shutter button on the front of the camera. The camera pictured here is in fine condition and worth $15.00 in 2016. | |
 | Argus: Argus Instant Load 260 | 1965-1966 | c | 2016 | 5.00 | The camera was introduced by Argus in 1965 and discontinued in 1966. Argus was the first brand to follow Kodak at the launch of the cartridge 126. The camera weighs 13.4 ounces and the Dimensions are 4.75"x2.25"x2.75" and uses 126mm film. It has a flash socket on the top center of the camera under a flip up shield with a flash bulb eject lever in the back. The socket takes the AG1 cap less type flash bulb for black and white photos, AG1B (the B stands for blue that omitted the yellow cast of the clear tungsten bulbs that was not a problem with B/W photos) plus the high powered AG3B also for color photos and were used on many cameras of the era. Later models of the Instant Load series used a Flash Cube mount like the Instant Load 264. The flash is powered by two N type batteries held in a compartment with a sliding cover on the bottom of the camera. The f2.8 lens is an Argus coated Cintar and focus range of 3 feet to infinity. This Instant Load 260 also has a thumb lever film advance, a ¼” 20 thread tripod mount, and a large shutter button on the front of the camera. The camera pictured here is in good condition and worth $5.00 in 2016. |
 | Argus: Argus Instant Load 260 | 1965-1966 | c | 2018 | 5.00 | Argus was the first brand to follow Kodak after launching the 126 cartridge. For this, the brand gave the manufacture of its model 260 to Mamiya. This one was quite evolved, better than most Kodak 126 devices of the time. They followed that with a series of several models also manufactured by Mamiya (257, 264), then others (270, 284) manufactured by Sedic. To provide a full range of 126, Argus was also partnering with Balda to deliver low-end devices. The 264 is the evolution of the model 260. The 260, equipped with an AG-1 bulb, was considered outdated when the flashcube was introduced (1966 by Sylvania). Argus then modified the 260 to use the flashcube. The other technical characteristics remained identical. The electronic shutter, exposure control, and flash was powered by two 1.5 volt size N batteries stored in the bottom of the camera. The exposure control is fully automatic determined by the sensitivity of the film. The Argus Instant Load 260 was manufactured in Japan by Mamiya from 1965-1966 and replaced by the 264. |
 | Argus: Argus Instant Load 270 | 1966-1967 | c | 2016 | 15.00 | The Instant Load 270 was introduced in 1966 and was discontinued in 1967. It is a 126 cartridge film (discontinued in 1999) camera with a 40mm f/2.8 lens. It also has a CdS light meter, optical viewfinder, a two connector hot shoe, right thumb lever film advance, and was made in Japan and relabeled Argus, probably made by Mamiya. Argus had not produced a camera in the US since 1963 but did have optics contracts but the era of US-designed and -manufactured cameras had ended. The 270 gives the photographer no help in focusing beyond marking portrait, group, and landscape on the focus barrel. The camera used a PX-13 mercury based battery no longer available or legal to sell. They do make a replacement like the Duracell 625A, Wein Cell Px625, and the Energizer A76. The camera pictured here is in fine condition and worth $30.00 in 2016. |
 | Argus: Argus Instant Load 284 | 1967 | 2016 | 5.00 | Argus entered the 126 camera market in 1964 with the Argus 260. The Instant Load 284 was released in 1967 as the top end of the Argus 126 cartridge lineup and originally sold for $87. At this stage in its history, Argus was having other manufacturers make a lot of its models and the 284 was made in Japan by Sedic. It has a hot shoe plus a flash cube socket, 40mm Argus Cintagon coated lens, right thumb film advance lever, and a PC socket. It has a CdS cell that could be used to set the shutter speed and aperture. The 284 also has manual aperture settings from f/2.8 to f/22. The shutter speed is around 1/50 of a second. It has two battery compartments, one 625 battery (mercury battery replacement 625A, PX625A, and MRB625) drives the CdS meter. It is worth noting that this camera like others using mercury batteries do not have voltage regulators because the mercury battery discharge was so accurate. The Alkaline replacement batteries will make the camera work but with erratic results without some wiring. The camera also uses two obsolete 1.5 volt PX-825 batteries to power the built in flash cube holder it has on the top. The PX-825 battery is also known as the LR53, EPX825, V825PX, HPX825, RPX825, BLR53, KA825, and Pertrix 7201 some may be available on line. In the case of the 825 battery, you can also find fixes, rigs, and add-ons on line. Focusing is by distance scale and the distance markings are both on the lens and viewable through the viewfinder. The camera pictured here is in Poor working condition and is for display or parts only. It is worth $3.00 in 2016. | |
 | Argus: Argus Instant Load 364 | 1968 | c | 2020 | 6.00 | The Argus Instant Load 364 was introduced in 1968 and made by the Balda-Werke Company (Argus) out of Germany. The body is the same as the Instant Load 164, Carefree Instant Load, Instant Load 144 Skylark, Instant Load Sidekick, Instant Load 164, Lady Debutante (not branded "Argus"), Lady Carefree, and Lady Carefree Elite (all with no light measuring device)(Box cameras with flash). The body was also used for the Instant Load 364, Go-Light Carefree 366, Instant Load 374, and Instant Load 374 transparent front (all had light metering). The Instant Load 364 was the only one with a fake walnut finish surrounding the lens. The camera production ended in 1969 after Sylvania was sold and camera production was suspended. Sylvania owned Argus 10 years at that time. All the cameras take 126 Cartridge film and uses flash cubes that advance with the frame wheel. The flash cube mount plus electric eye is powered by two PX825 batteries that are housed in the film compartment. The mercury PX825 battery is no longer available but replacements do exist. It is worth noting that this camera like others using mercury batteries does not have voltage regulators because the mercury battery discharge was so accurate. Results with the replacement batteries may be sketchy. Frames are advanced with a right thumb wheel that also loads the shutter. The camera also has a ¼” 20 thread tripod mount, optical viewfinder, film view window that shows the frame number, and has a handy carry strap. The Instant Load in the name denotes the ease of film change with 126 cartridge film. These cameras can suffer from electrolysis damage to the shutter assembly that leaves deposits on the blades if the batteries are left in. Removing batteries when not in use is always a good idea. The camera pictured here is in Poor working condition and worth $3.00 for parts or display in 2020. |
 | Argus: Argus Instant Load 374 | 1968 | 2016 | 3.50 | This camera was introduced in 1968 and made by the Balda-Werke Company. The body is the same as the Instant Load 164, Instant Load 364, and the Argus Lady Carefree. This is the only one with a fake walnut finish surrounding the lens. The camera production ended in 1969 after Sylvania was sold and camera production was suspended. Sylvania owned Argus 10 years at that time. It takes 126 Cartridge film and uses flash cubes that advance with the frame wheel. The flash cube mount plus electric eye is powered by two PX825 batteries that are housed in the film compartment. The PX825 battery is no longer available but replacements do exist. It is worth noting that this camera like others using mercury batteries do not have voltage regulators because the mercury battery discharge was so accurate. Results with the replacement batteries may be sketchy. Frames are advanced with a right thumb wheel that also loads the shutter. The camera also has a ¼” 20 thread tripod mount, optical viewfinder, film view window that shows the frame number, and has a handy carry strap. The Instant Load in the name denotes the ease of film change with 126 cartridge film. The camera pictured here is in good condition and worth $5.00 in 2016. | |
 | Argus: Argus Seventy-Five | 1953-1958 | c | 2017 | 2.00 | The Argus Seventy-five has a twin lens reflex design with a fixed-focus lens and everything between 6 feet and infinity will be sharp. For close up shots Argus manufactured lenses that could be fitted. The Argus Seventy-five produces 6x6 images and takes 620 film no longer available. Respooling a role of 120 film to fit the camera isn't hard. You'll need a dark room and two 620 spools if your camera hasn't got an integrated take up spool. This allows you to use the first to spool the 120 film on the first 620 spool, and then roll it onto the second spool. This way it's hardly ever necessary to adjust the tape that connects the film to the paper back. The Argus Seventy-five was manufactured from 1953 to 1958. Virtually indestructible this camera is constructed from thick Bakelite, glass lenses, and Aluminum. The predecessor of this camera was the Argoflex Seventy-five, which was manufactured from 1949 to 1953. The name of the Argoflex Seventy-five was changed to Argus Seventy-five in 1953, which is the same year the name of the Argoflex 40 was changed to Argus 40. This was a marketing campaign for reintroduction of both cameras. The Argus Seventy-five was followed by the Argus 75 (numbers not script), which was manufactured between 1958 and 1964 in a lighter brown color but the same exact camera. To recap the “Argoflex Seventy Five”, the “Argus Seventy Five”, and the “Argus 75” have interchangeable parts but the paint design plus name was changed on the aluminum. In essence Argus was able to manufacture the same camera for 15 years from 1949 to 1964. The camera pictured here is in good condition and worth about $8.00 in 2017. |
 | Argus: Argus Super Seventy-five | 1954-1958 | 2015 | 20.00 | 1954-1958 fine condition worth $25.00 with the flash in 2015 | |
 | Argus: Autronic 35 | 1960-1962 | 1994 | 20.00 | 1960-1962 Good condition worth $25.00 in 2014 | |
 | Argus: Autronic II | 1962-1965 | 2015 | 8.00 | 1962-1965 Good condition worth $20.00 with the flash unit in 2015 | |
 | Argus: DC1510 | 2002 | 2009 | 20.00 | 2003 New condition worth $10.00 in 2014 (0.1MP) | |
 | Argus: DC2200 | 2003 | 2009 | 5.00 | 2000 poor condition worth $5.00 in 2014 (0.3MP) | |
 | Argus: DC3200 | 2003 | 2010 | 10.00 | 2003 Good condition worth $15.00 in 2014 (1.3MP) | |
 | Argus: M410 | 1998 | 2015 | 5.00 | 1998 Good condition worth $10.00 in 2015 | |
 | Argus: M450 | c2004 | 2017 | 2.00 | The Argus M450 uses 35mm film and is a Point and Shoot rangefinder type film camera. It has a manually adjusted 35mm to 55mm aspherical zoom lens and the camera measures 5.25 inch wide, 3.5 inch high plus 2.62 inch deep. The M450 uses two x AA alkaline batteries to power its features. It also has Red Eye Reduction, auto built in flash, flash ready LED, optical viewfinder, ¼ inch 20 thread tripod mount, auto film load, auto frame advance, auto rewind, mid roll rewind via slid switch under the viewfinder eye piece, frame counter, and a handy carry strap. On the back of the camera is a decal with four easy steps to take when reloading film. The original package came with a roll of film, two alkaline batteries, instruction pamphlet, carry strap, and camera. The camera was made in China and was introduced in 2004. | |
 | Argus: M5700D | c2001 | 2017 | 2.00 | This fully automatic 2001 camera has a built-in 3.6x or 38-135mm Japan made lens. All the controls for this camera are in the back cover including the power button. From left to right while looking at the back the buttons are Rewind, Mode, Timer, Date, power, and the zoom control. The mode button selects no flash, Red eye reduction, portrait, landscape, and night. On the top of the camera is the shutter button, the name of the camera (Argus M5700D), and printed in the center is “AUTO FOCUS/PROGRAMED EXPOSURE”. The view finder adjusts with the lens and a LED next to the eye piece indicates flash ready. On the bottom of the camera is the battery compartment that houses one CR123 3 volt lithium battery, the serial number, ¼ inch 20 thread tripod mount, and the words ”MADE IN CHINA” PRINTED IN THE CENTER. The camera also has auto film load, auto film advance, auto rewind, mid roll rewind, built in lens cover, built in flash, film view window, and a strap attach point. It is unclear if the camera was made by Argus or rebadged by Argus and the history of the Argus Company is vague during this period. The lens could be Canon, Minolta, or any number of Japanese companies. The Argus brand has been reestablished and is used on a variety of inexpensive digital cameras made by Argus Camera Company, LLC, located in Inverness, Illinois. But, the first cameras were made in 2009 and before that 1967. The camera pictured here is in fine condition and worth $10.00 in 2017. | |
 | Asahi: Honeywell Pentax Spotmatic (SP) | 1964 | c | 2017 | 20.00 | The Pentax Spotmatic refers to a family of 35mm single-lens reflex cameras manufactured by the Asahi Optical Co. Ltd., later known as Pentax Corporation, between 1964 and 1976. The camera was also released as the Asahi Pentax Spotmatic about the same time. All Pentax Spotmatics used the M42 screw-thread lens mount which was developed before WW2 by Zeiss and Praktica. The cameras allowed the user to focus the lens at maximum aperture to give a bright viewfinder image, then a switch at the side stops the lens down and switches on the metering which can be determined by a needle located on the side of the viewfinder. The use of stop-down light metering was at the time revolutionary, however it limited the capability of the light meter especially on low light situations. Honeywell was the U.S. importer of the Spotmatic. Cameras officially imported by Honeywell were labeled Honeywell Pentax, instead of Asahi Pentax. The original 1964 Spotmatic was one of the first SLRs on the market to offer a through-the-lens (TTL) exposure metering system. The camera was presented as a prototype at the Photokina trade fair in 1960, and was originally designed to use spot metering. Shortly before production Asahi decided that spot metering would be too difficult to use, and so the metering system was altered to use center-weighted average metering. The change took place too close to production to change the name, and so Spotmatic stuck. The camera has a mechanical shutter with speed range from 1/1000 of a second to 1 second and Bulb. The lightmeter is activated by a lever on the side of the camera, which also stopped down the lens. A Mercury battery (1.35 V Mallory RM640) was used to power the light metering system; however due to the way the circuit is designed, silver oxide batteries can be used instead. The camera pictured here is in poor condition due to a corroded battery compartment for the light meter. The 55mm Mamiya lens is worth $15.00 and the camera body $10.00 in 2017. |
 | Asahi: Pentax Auto 110 | 1979-1983 | c | 2017 | 12.00 | The Pentax Auto 110 is a single-lens reflex camera made by Asahi Pentax that use Kodak's 110 film cartridge. The Auto 110 was introduced with three interchangeable lenses in 1978. Three more lenses were introduced in 1981, and then the Super model was released in 1982. The camera system was sold until 1985. The complete system is sometimes known as the Pentax System 10, apparently for its official Pentax name, although most Pentax advertising only uses the camera name or Pentax-110. This model represented the only complete ultraminiature SLR system manufactured for the 110 film format, although several fixed-lens 110 SLRs were sold. The camera system also claims to be the smallest interchangeable-lens SLR system ever created. The cameras and lenses were very small (the camera fits in the palm of a hand easily) and were made to professional SLR standards of quality. The camera was offered in a special edition "Safari" model, identical to the Auto 110 except for the brown-and-tan color scheme. The Pentax Auto 110 featured fully automatic exposure, with no user-settable exposure compensation or adjustments. Metering was TTL (through-the-lens) and center-weighted. Unlike 35 mm SLRs, the system's lenses did not have a built-in iris to control the aperture. Instead, an iris was mounted inside the camera body, and functioned as both an aperture control and a shutter. This mechanism was capable of programmed exposures between 1/750 of a second at f/13.5; and 1 second at F/2.8. Information found on Wikipedia. The camera pictured here in in Fine condition and worth $20.00 in 2017. |
 | Asahi: Pentax Espio 115G | 1996 | c | 2017 | 5.00 | The Pentax Espio 115G QD point-and-shoot film camera was introduced in 1996. With an aperture range of f/10.5 to f/3.9, this Pentax camera lets you capture brilliant photos even in low lighting conditions. What’s more, the autofocus system in the Pentax Espio 115G QD film camera helps deliver perfectly focused photographs, with great ease and with auto-exposure, this Pentax camera lets you shoot photos under varying light conditions. The self-timer function in this point-and-shoot film camera lets you capture blur-free self-portraits and also allows you to be part of a group photograph. The camera also has a 38 to 115mm zoom lens and uses DX coded film only. The camera also has two bulb mode settings. The regular bulb setting that will expose for up to 5 minutes, as long as you hold the shutter release down that long and In addition, the 115G has something called “Bulb Sync” mode, which adds a flash burst to the beginning of the exposure. Like a lot of cameras from this era (the 1990s) the 115G has a panoramic mimic mode that crops the 35mm film and is processed to produce a panoramic print. The camera uses one CR-2 size battery and it is good for about 8 rolls of film. The cameras other features are the auto frame advance, auto rewind plus mid roll rewind, ¼”x1 ¼” LCD data display, red eye reduction, date imprinting, flash ready LED, optical viewfinder with focus adjuster, built in automatic lens cover, and a handy carry strap. The camera pictured here (with original box plus instructions) is in Fine condition and worth $20.00 in 2017. |
 | Asahi: Pentax IQ-Zoom 115G | 1996 | 2006 | 10.00 | 1996 Fine condition worth $20.00 in 2014 | |
 | Asahi: Pentax IQ-Zoom 115M | 1996 | 2012 | 5.00 | 1996 fine condition worth $15.00 in 2014 | |
 | Asahi: Pentax IQ-Zoom 115M | 1996 | 2005 | 5.00 | 1996 Good condition worth $10.00 in 2014 | |
 | Asahi: Pentax IQ-Zoom 120 | 1994 | 2016 | 7.50 | 1994 Poor condition and does not always turn on or work. For this reason the camera is worth $0.50 in parts in 2016. | |
 | Asahi: Pentax IQ-Zoom 170SL | 2001 | c | 2016 | 8.00 | The camera has an SMC Pentax power zoom 38mm to 170mm f/5.6 - f/12.8 lens with 8 elements in 6 groups. The focusing system uses phase-matching passive five-point autofocus system and Infinity landscape/Spot AF mode is available. The autofocusing Range is 2.45 ft. (0.75m) to infinity at 38mm and 3.9 ft. (1.2m) to infinity at 170mm. Exposure control is achieved with programmed auto exposure control and multi-segment metering. The metering range (1) Auto mode: (EV10 - EV17 (38mm at ISO400), EV14 – EV19 (170mm at ISO400)), and (2) Slow shutter Speed: (EV6 - EV17 (38mm at ISO400) EV6.5 – EV19 (170mm at ISO400)). The shutter is a programmed AE electronic lens shutter with shutter speeds of approximately 1/250 second to 2 seconds with 1/2 second to 1 minute in Bulb mode. The viewfinder is a standard/panorama switchable actual-image zoom viewfinder with slide lever diopter adjustment (approx. -3.0m-1 to +1.0m-1). The external LCD has exposure count, battery exhaustion warning, Infinity-landscape, Spot AF, red-eye reduction, flash-on, flash-off, slow-speed shutter, Bulb, self-timer and remote control. Film advance and film rewinding is automatic at the end of roll with automatic stop upon rewind completion, and it has mid-roll rewinding. Film-speed setting is automatic with DX-coded film from ISO25 to ISO3200. The camera also has a 10-second delay electronic self-timer, built-in auto zoom flash, automatic discharge in low light plus backlight conditions in auto mode, Flash-on/off modes, and dual discharge in red-eye reduction mode. Also optional infrared wireless remote control, 3-second delay release provided, automatic cut-off after approximately 3 minutes of non-use In remote control shooting mode, and automatic cut-off after approximately 5 minutes of non-use. The camera is powered by one 3V lithium battery (CR2 type) and the dimensions & Weight: 4.4 (W) × 2.4 (H) × 1.9 (D) inches (111.5 × 60.0 × 47.5mm). 7.1 oz. (200g)* without battery. The flash recycling time is approximately 5 seconds with fresh lithium battery. This camera was introduced in 2001 and the one pictured here is in Fine condition worth $20.00 in 2016. |
 | Asahi: Pentax IQ-Zoom 60-X | 1987 | 1995 | 10.00 | 1987 Good condition worth 10.00 in 2014 | |
 | Asahi: Pentax IQ-Zoom 60R | 1991 | 2003 | 10.00 | 1987 Good condition worth $10.00 in 2014 | |
 | Asahi: Pentax IQ-Zoom 70 | 1987 | 2009 | 10.00 | 1988-1991 Good condition worth $10.00 in 2014 | |
 | Asahi: Pentax IQ-Zoom 70 XL | 1994 | 2015 | 10.00 | 1994 Good condition worth $10.00 in 2015 | |
 | Asahi: Pentax IQ-Zoom 90WR | 1991 | 2009 | 5.00 | 1992-1993 good condition worth $8.00 in 2014 | |
 | Asahi: Pentax IQ-Zoom EZY | 1995 | 2009 | 10.00 | 1995-1998 Fine condition worth $15.00 in 2014 | |
 | Asahi: Pentax IQ-Zoom EZY | 1995 | 2015 | 5.00 | 1995-1998 Fine condition worth $15.00 in 2015 | |
 | Asahi: Pentax IQ-Zoom EZY | 1995 | c | 2015 | 0.00 | 1995-1998 Fine condition worth $15.00 in 2015 |
 | Asahi: Pentax IQ-Zoom EZY | 1995 | c | 2019 | 5.00 | This camera was introduced in 1995 and discontinued three years later in 1998. The original list price was $175.00 and the country of origin is Japan. The EZY features autofocus, 10 second self-timer, DX-coded film speed sensing from 25 to 1600 ASA, automatic film advance, mid-roll rewind, automatic end-of-roll rewind, red-eye reduction, low battery indicator, parallax correction marks in the finder, Shutter speeds of 1/3 of a second to 1/320 of a second plus Bulb, a 38 to 70mm zoom lens, built-in flash unit, on/off flash button, 5/8 inch by ¾ inch LCD screen, coupled optical viewfinder, right thumb zoom control rocker switch, auto film advance, film observation window in the back cover, built-in auto lens cover that opens when the camera is on, ¼ inch 20 thread tripod socket, and a handy carry strap. The camera is powered by one 3V A123 Lithium battery. The camera pictured here is in fine condition and worth $15.00 in 2019. |
 | Asahi: Pentax IQ-Zoom EZY-80 | 1996 | 2010 | 10.00 | 2002 Good condition worth $10.00 in 2014 | |
 | Asahi: Pentax IQ-Zoom EZY-R | 1998 | 2009 | 10.00 | 2003 Fine condition worth $10.00 in 2014 | |
 | Asahi: Pentax K1000 | 1976-1997 | 2001 | 25.00 | 1976-1997 Fine condition worth $250.00 in 2014 | |
 | Asahi: Pentax K1000 | 1976-1997 | 2001 | 15.00 | 1976-1997 good condition worth $70.00 in 2014 | |
 | Asahi: Pentax K1000 | 1976-1997 | 2010 | 20.00 | 1976-1997 good condition worth $100.00 in 2014 | |
 | Asahi: Pentax K1000 | 1976-1997 | 2015 | 15.00 | 1976-1997 good condition worth $100.00 in 2014 | |
 | Asahi: Pentax K1000 | 1976-1997 | 2015 | 25.00 | 1976-1997 Good condition worth $150.00 in 2014 | |
 | Asahi: Pentax K1000 | 1976-1997 | 2015 | 15.00 | 1976-1997 good condition worth $100.00 in 2014 | |
 | Asahi: Pentax ME | 1976-1981 | 2005 | 35.00 | 1976-1990 Fine condition worth $100.00 in 2014 | |
 | Asahi: Pentax ME SE | 1976-1981 | c | 2015 | 20.00 | 1976 Good condition worth $35.00 in 2015 |
 | Asahi: Pentax ME SE | 1976-1981 | 2015 | 20.00 | 1976 good condition worth $20.00 in 2015 | |
 | Asahi: Pentax MZ-30 | c2000s | c | 2017 | 20.00 | The ZX-30 (also known as the MZ-30) is a 35mm SLR with autofocus, and was introduced by Pentax in 2000. It utilized KAF lenses and Date back versions are also available. The camera uses an electronic vertical travelling metal focal plane shutter with speeds from 30 to 1/2000 of a second plus a B mode. The self-timer is electronic with a delay of approximately 12 seconds. Exposure modes include P with (action, landscape, close-up, portrait, and night scenes), Av, TV, and M modes. The camera is only compatible with newer F, A, FA type lenses in A mode. The meter has a range of 0 to 21 EV at (ASA 100), and can be set for DX-coded film speeds from 25 to 5000 ISO and manual speeds of 6 to 6400. Exposure compensation can be adjusted ± 3 EV at ½ steps. Measurements are made using a silicon photo cell. The built in flash has a GN of 11. The motorized film transport is able to travel at up to 2 frames per second. It is powered by two CR2 battery. This camera comes with a Quantaray 28-90mm, 3.5-5.6, Multi-Coated, AF Pentax lens worth $25.00. The camera pictured here with lens is in Fine condition and worth $50.00 in 2017. |
 | Asahi: Pentax PC 303 | 1989 | c | 2018 | 3.00 | The Pentax PC-303 is a light plastic 35mm compact point-and-shoot camera with autofocus, auto exposure and motor drive, made in Japan in 1989 by the Asahi Optical Company in Hong Kong. It was part of their low-end "PC" range and it has a manual sliding lens cover doubling as an on/off switch plus shutter release lock. The camera also has a leaf shutter, with 1/125 of a second speed, a Pentax 35mm f4.5, 3 elements lens, Infra-red autofocus, 1.2m to infinity focus, and can accommodate film speeds of ISO 100/200 or 400, set by a switch on the bottom of the camera. The camera is powered by two AA batteries and weighs 185g without the batteries. Other features are a frame counter, built-in flash, flash on/off switch, flash ready LED, optical viewfinder, rewind slide switch, film view window in the film compartment door, a right index finger shutter release button, and a handy carry strap. The camera pictured here is in Fine condition and worth $15.00 in 2018. |
 | Asahi: Pentax PC 333 | 1986 | 2008 | 5.00 | 1986 good condition worth $5.00 in 2014 | |
 | Asahi: Pentax PC 35 AF | 1983 | 2010 | 10.00 | 1982 poor condition worth $2.00 in 2014 (decaying foam seals) | |
 | Asahi: Pentax PC 35 AF | 1983 | 2009 | 5.00 | 1982 good condition worth $20.00 with film winder in 2014 | |
 | Asahi: Pentax PC 550 | 1999 | 2009 | 10.00 | 1990 Good condition worth $15.00 in 2014 | |
 | Asahi: Pentax PC 550 Date | 1999 | 2014 | 10.00 | 1990 New condition worth $20.00 in 2014 | |
 | Asahi: Pentax S3 | 1961 | 2016 | 17.00 | 1960 Good condition worth $50.00 in 2016 | |
 | Asahi: Pentax Sport 35 Motor | 1985 | 2009 | 5.00 | 1982 good condition worth $500 in 2014 | |
 | Asahi: Pentax Super Program | 1983 | 2003 | 25.00 | 1983 Fine condition worth $100.00 in 2014 | |
 | Asahi: Pentax Super Program | 1983 | 2016 | 22.00 | 1983 fine condition worth $70.00 with the lens in 2016 | |
 | Asahi: Pentax Zoom 60 X | 1990 | 2013 | 10.00 | 1990 fine condition worth $15.00 in 2014 | |
 | Asahi: Pentax Zoom 70 R | c1991 | 2016 | 3.00 | 1991 fine condition worth $15.00 in 2016 | |
 | Asahi: Pentax Zoom 90 WR | 1991 | 2013 | 10.00 | 1991 Fine condition worth $20.00 in 2014 | |
 | Asahi: Pentax Zoom 90 WR | 1991 | 2010 | 10.00 | 1991 Fine condition worth $20.00 in 2014 | |
 | Asahi: Pentax ZX 10 (silver) | 1996-2000 | 2016 | 12.00 | 1996 fine condition worth $55.00 with a Sigma 28 to 200mm zoom lens in 2016 | |
 | Asahi: Pentax ZX 50 | 1997-2000 | 2014 | 5.00 | 1997 Poor condition worth $2.00 for parts in 2014 | |
 | Asanuma Trading: Torel 110 'National' | c1985 | 2016 | 12.00 | This camera was manufactured by Asanuma Trading & Co Ltd from Japan and introduced in 1985. It was an all plastic (other than screws and shutter assembly) gimmick type camera that had representations of almost every countries flag printed on its face. The size of it is 68x34x32mm and it weighs 30g without film. The camera is shorter than the 110 film it holds because half the film cartridge is exposed. It has an f/8 aperture and 1/80 of a second shutter speed. The viewfinder is a plastic fold down rectangle with a pointer at the top center. The shutter button is in the back of the camera and is pressed with the right thumb. The film advance wheel is accessed at the front right side and is used with the right hand index finger. The camera also has a cutout in the back that is used to keep track of frame numbers on the back of the film. The camera has no flash or any way of attaching one. This is a strictly outdoor camera. The camera pictured here is in Fine condition and worth $15.00 in 2016. | |
 | Balda: Baldax | 1936-1940s | 2015 | 5.00 | 1936-1940 poor condition worth $10.00 in 2015 | |
 | Balda: Baldessa Ib | 1958 | 2001 | 10.00 | 1953 good condition worth $65.00 in 2014 | |
 | Balda: Hansa 35 | c1951 | c | 2018 | 10.00 | The Balda Hansa 35 is a 35mm folding billows pocket camera less than 5 inches long, 3 ¼ inch wide, and 1 1/2 inch deep when closed. It has a very small optical view finder and the Prontor-S shutter is loaded manually and set is a Westar 3.5 50mm lens. The shutter speeds are B to 1/300 of a second. The shutter lens assemble has a flash port and an accessory mount is on the top of the camera. The left handed shutter release has provisions for a plunger. The film advance knob is on the bottom right with the film release button and the thinner rewind knob is top left. The camera also has a frame counter, ¼ inch 20 thread tripod mount, flip down foot for table top placement, 3 foot to infinity focus, and a depth of focus chart on the back film compartment door for the 50mm lens. As mentioned on Collectiblend, the camera is circa 1951 and sold under other names such as "Baldini" (1951), "Central 35", "Rival 35", "Tenda 35", "Studiophot" and "Pinette". The camera pictured here is in fine condition and worth $30.00 in 2018. |
 | Beier: Beirette (1965) | 1965 | 2016 | 15.00 | 1958 Poor condition worth $3.00 in 2016 | |
 | Bell & Howell: 250 | c1989 | c | 2013 | 2.00 | 1989 Good condition worth $5.00 in 2014 |
 | Bell & Howell: 250 | c1989 | c | 2018 | 2.50 | Made in China about 1989 this all manual mostly plastic 35mm camera had some good features. It uses one AA battery for the built in flash unit and has a switch on the top to block the film to simulate a panorama type picture. This classic to panorama switch also blocked out the viewfinder for locating your subject in the frame. The camera also has a frame counter, rewind release button, and fold away rewind crank lever located on the bottom of the camera. Other features are a built in lens cover that also locks the shutter button, left hand thumb film advance wheel, flash ready LED near the viewfinder, 27mm optical lens, manual easy film load system, and comes with a handy carry strap. The camera pictured is in fine condition and worth $10.00 in 2018. |
 | Bell & Howell: 985D | c2000 | 2013 | 5.00 | 2000 fine condition worth $10.00 in 2014 | |
 | Bell & Howell: 985D | c2000 | 2015 | 5.00 | 2000 fine condition worth $10.00 in 2014 | |
 | Bell & Howell: Auto 35 Reflex | 1969-1973 | c | 2022 | gift | The Bell & Howell Auto 35 Reflex is a 35 mm SLR camera made by Canon, relabeled by Bell & Howell, and sold from 1969 until 1973. Canon released the camera as the Canon EX-EE that same year 1969. Its most characteristic feature is a rear lens-group (three elements in two groups) fixed on the camera and incorporating the helical focusing mechanism, to which any of a small selection of front groups can be attached by a simple screw fitting. The Auto 35 Reflex offers through-the-lens metering and shutter-priority AE. It has a focal plane shutter with cloth blinds, travelling horizontally. It offers shutter speeds from 1/8 to 1/500 second plus \'B\', and has a self-timer lever on the front of the body (approximately 10s max). Other features are a cold shoe, fold down rewind crank handle, plus a rewind release button on the bottom, a ¼ inch 20 thread tripod mount, a right thumb single action film advance lever, and a PC socket next to the left-hand strap lug (X-synchronization for flash is at 1/60 second). The aperture is set on a dial around the rewind crank, between f/1.8 and f/16; there are also \'EE\' (i.e. auto-exposure) and \'Off\' positions. The aperture set is displayed in the viewfinder on a scale with a needle. The CdS meter reads between EV 4.75 and EV 17 and it requires a 1.3V mercury battery or modern substitute. However, the shutter speeds are timed mechanically, so the camera functions without a battery (without metering). Some of the Zinc based replacement batteries are the WeinCell MRB625 and Exell MRB625. This camera also has Canon’s QL feature meaning quick load. The film leader is simply pulled across the film compartment to a mark, and the back closed, and the uptake mechanism then captures the leader when the advance is wound. The Canon EXEE sold for 33,000 yen (about $290) in Japan in 1969 and the Bell & Howell Auto 35 Reflex sold for about $160.00 in the United States in 1969. |
 | Bell & Howell: BF 35 | c2000 | c | 2017 | 4.50 | The Bell + Howell BF35 is a simple fixed-focus 35mm viewfinder camera, released by Bell and Howell, early 2000’s. It has a 35mm f/7.7 lens, and a fixed shutter speed of 1/100 second. It has an old style two contact hot shoe and a built-in sliding lens cover that locks the shutter button when closed. It also comes with a frame counter, fold down rewind crank handle, rewind release button on the bottom of the camera, film view window in the back cover, large viewfinder, focus range of 4 foot to infinity, right thumb film advance wheel, and when new comes with an instruction pamphlet, warranty card, plus handy wrist strap. On the original box you will find “Made in China” and a SKU # L758. The camera works best with ISO 200 to 400 film but can use whatever you put in it with varying results. The camera pictured here is in new condition and worth $10.00 in 2017. |
 | Bell & Howell: BF 35 | c2000 | c | 2020 | 3.00 | The Bell & Howell BF35 is a simple fixed-focus 35mm viewfinder camera, released by Bell and Howell, early 2000s. It has a 35mm f/7.7 lens, and a fixed shutter speed of 1/100 second. It has an old style two contact hot shoe and a built-in sliding lens cover that locks the shutter button when closed. It also comes with a frame counter, fold down rewind crank handle, rewind release button on the bottom of the camera, film view window in the back cover, large viewfinder, focus range of 4 foot to infinity, right thumb film advance wheel, and when new comes with an instruction pamphlet, warranty card, plus handy wrist strap. On the original box you will find “Made in China” and a SKU # L758. The camera works best with ISO 200 to 400 film but can use whatever you put in it with varying results. The camera pictured here is in new condition and worth $10.00 in 2020. |
 | Bell & Howell: BF 608 | 1993 | 2015 | 3.00 | 1993 fine condition worth $10.00 in 2015 | |
 | Bell & Howell: BF 905 | 1998 | 2008 | 4.00 | 1998 Good condition worth $15.00 in 2014 | |
 | Bell & Howell: BH23 | 2003 | 2014 | 0.00 | 2003 good condition worth $2.00 in 2014 (640 X 480 Digital) | |
 | Bell & Howell: BV 906 SVD | 1998 | 2005 | 5.00 | 1998 Good condition worth $15.00 in 2014 | |
 | Bell & Howell: EZ 35 Autofocus | c1980 | 2017 | 4.00 | This is the later Bell and Howell EZ35 which was auto focus. They were both produced by Haking and made in Hong Kong, plus they have similarities with other cameras from that company in that period. The 38mm f3.8 lens is slightly wide angle for that format (normal 43.5mm). The thumb wheel advance and built in flash on the older camera suggest it was made around 1980 whereas the autofocus model is fully automatic and released about 1982. The camera has settings to accommodate ASA 50, 100, 200, and ASA 400 film. The older model has a fixed flash unit and the newer model is pop-up with an on/off switch in the front under the flash unit. Both cameras work with two alkaline AA batteries. The automatic model uses the flash before the shutter to indicate the frame is in focus and a red light in the viewfinder to indicate a need for the pop-up flash or low light condition. The camera has the EAF (Easy Automatic Focus) System, an optical viewfinder, frame counter, and a ¼” 20 thread tripod mount. It does not have mid-roll rewind nor any adjustments other than ASA settings. The camera pictured here is in Fine condition and worth $10.00 in 2017. | |
 | Bell & Howell: F3-5 | 1997 | 2002 | 3.00 | 1997 fine condition worth $10.00 in 2014 | |
 | Bell & Howell: Focus Free | c2000 | 2013 | 1.00 | 1985 Good condition worth $5.00 in 2014 (1 of 2) | |
 | Bell & Howell: Focus Free | c2000 | 2015 | 2.00 | 1985 Good condition worth $5.00 in 2015 | |
 | Bell & Howell: Power Zoom 1000 | 1995 | 2016 | 4.00 | 1995 fine condition worth $10.00 in 2016 | |
 | Bell & Howell: PZ1050 | 1995 | 1999 | 8.00 | 1995 fine condition worth $20.00 in 2014 | |
 | Bell & Howell: PZ2000 | 1999 | 2009 | 10.00 | 1999 fine condition worth $20.00 in 2014 | |
 | Bell & Howell: PZ3000 | 1999 | 2018 | 4.25 | The PZ3000 was introduced in the mid-1990’s and was made in China. A number of cheaper cameras exist from the 1990s with the B&H brand. The PZ camera line were all made in China and a moderate price alternative to more expensive brands. The Pz3000 runs on a single Type 3V Lithium Battery (CR123A). It is a point & Shoot, auto focus camera with a focal Length of 38mm-90mm. It also comes with Red-Eye Reduction mode, full auto mode, slow mode, flash/no flash mode, landscape mode, +15 mode (portrait), and night mode with red eye reduction. Additional Features are a self-timer with up to three 15 second settings for a maximum of 45 seconds, optical zoom viewfinder, auto film load, auto film advance, DX coded film sensing, auto rewind, auto focus, flash ready LED by the viewfinder, ¼” by 20 thread tripod mount, 5/16” by 13/16” LCD info screen (MODE/BATTERY LEVEL/TIMER SETTING), Timer flash red LED in the front of the camera that count the seconds till shutter release, 2 second flash recovery, built-in auto lens cover, and a film view window in the back cover. The camera pictured her is in Fine condition and worth $15.00 in 2018. | |
 | Bell & Howell: PZ3300 | 1999 | 2018 | 5.00 | The PZ3000 was introduced in 1999 and was made in China. A number of cheaper cameras exist from the 1990s with the B&H brand. The PZ camera line were all made in China and a moderate price alternative to more expensive brands. The Pz3300 runs on a single Type 3V Lithium Battery (CR123A). It is a point & Shoot, auto focus camera with a focal Length of 38mm-120mm. It also comes with Red-Eye Reduction mode, flash/no flash mode, landscape mode, and portrait mode. Additional Features are a self-timer with up to three 15 second settings for a maximum of 45 seconds, optical zoom viewfinder, auto film load, auto film advance, DX coded film sensing, auto rewind, auto focus, flash ready LED by the viewfinder, ¼” by 20 thread tripod mount, 5/8” by 5/8” LCD info screen (MODE/BATTERY LEVEL/TIMER SETTING), Timer flash red LED in the front of the camera that count the seconds till shutter release, 2 second flash recovery, built-in auto lens cover, and a film view window in the back cover. The camera pictured her is in Fine condition and worth $15.00 in 2018. | |
 | Belomo Minsk: Vilia | c1974 | 2015 | 5.00 | 1973-1986 good condition worth $5.00 in 2015 | |
 | Bencini: Comet S | c1950 | c | 2018 | 10.00 | The original Bencini Comet cameras are viewfinder cameras for either 3x4 or 4x4 cm pictures on 127 film, made in Italy by CMF Bencini from 1948 into the 1950s. They are smaller versions of the 120 film Bencini Koroll range, solidly built from metal castings with a sheet metal back. Their controls are limited to instantaneous (1/50 second) or 'B' shutter and (in most models) a focusing lens. The focus range of the Comet S is 3.3 feet (1M) to infinity and it has a simple leaf shutter. The camera also has PC flash connector with M synch. The Bencini Comet S is a small and light camera. It is made from an aluminum alloy which was polished. It is a half frame camera using 127 film. The negative size is 3 x 4 cm which is approximately twice the size of 35mm. You get 16 negatives on a roll of 127 film. The viewfinder is very small and the eye piece only measures three millimeters across. You need to look at the two round red windows on the back when winding to the next frame. As this is a half-frame camera, each number is used twice - first in the left hand window and then in the right hand one. The Bencini Comet S was introduced in 1950 and made in Milano. The camera pictured here is in Good condition and worth $20.00 in 2018. |
 | Bilora (Kürbi & Niggeloh): Bella 55 | c1955 | 2015 | 8.00 | 1955 good condition worth $15.00 in 2015 | |
 | Bilora (Kürbi & Niggeloh): Stahl-Box (1952) | c1952 | c | 2017 | 6.00 | Cameras were produced from 1935 in Radevormwald. From the first "Box" to the "Bilomatic" line and the fabrication stopped in 1975. Imagine, in 21 years there were more than one million cameras produced. In later years, the Bilora brand was used for camera accessories, particularly tripods. The Bilora Stahl-Box camera was manufactured by the Kurbi & Niggeloh Company of Radevormwald/RHLD, Germany in circa 1952. This box camera is constructed of metal with an art deco etched face plate. It is capable of capturing 6 X 9 cm exposures on no. 120 roll film. It was fitted with a fixed focus Meniscus lens and a simple B & M shutter with two settings of I for instant plus B for bulb. It also has two brilliant viewfinders for portrait and landscape. A flash attachment could be fitted using the double hole receptacle on the top. The camera measures 4 1/2 x 3 /18 x 4 1/2 inches. The Stahl Box camera is also known by the name Wardette made by Bilora for Montgomery Ward. The camera pictured here is in Good condition and worth $10.00 in 2017. |
 | Bolsey: Bolsey B2 | c1949-1956 | 2015 | 10.00 | 1949-1956 Good condition worth $20.00 in 2015 | |
 | Braun Carl: Handy BF | c1980s | c | 2015 | 8.00 | 1997 fine condition worth $15.00 in 2015 |
 | Braun Carl: Mastermatic 330 | c1970s | c | 2019 | 7.00 | The Mastermatic 330 was a fixed focus camera manufactured in Allemagne Germany in the 1970s and used 126 sealed film cartridges. It has a Steinheil-Cassarit Color-objektiv 45mm lens and a selenium meter that adjusts the aperture accordingly. It also features a Flash Cube socket that does a ¼ turn to the next flashbulb, a film view window in the back cover for frame counting, optical viewfinder, a battery compartment for two AAA batteries in the bottom of the camera, a right thumb film advance wheel, and a large shutter release button on the side of the lens assembly. Interesting fact: 126 film cartridges were made by other companies besides Kodak. One of them was Triple-Print film labs from Philadelphia, Pennsylvania in the 1970s and they sold Triple color print film with photofinishing. For each negative, the user received a large photo and two mini photos. The “triple print” was a promotion to mail your film and get 3 prints per negative mailed back to you for a nominal fee. Another finisher with the same deal was Jet Age Service, also from Philadelphia, Pennsylvania but at a different address. The camera pictured here is in poor condition and worth $2.00 for parts in 2019. |
 | Busch Corp.: Pressman (2x3) | c1960s | c | 2019 | 95.00 | Busch Pressman type C 2¼x3¼" (6x9 cm) exposures plate camera was sold with a Rapax shutter, Raptar 101 mm F4.5 lens and a Kalart rangefinder. Often times the lens was either changed or the camera was fitted by the owner with a Kodak Ektar f4.7 127mm, Kodak Ektar f4.5 101mm, or a Wollensak f4.5 101mm lens. The Busch Pressman cameras were produced by Busch Precision Camera of Chicago, Illinois, in the 1960s. It is an original press camera. This little press camera with double extension is very compact. Closed, it measures only 8 x 12 x 8 cm. The camera allows swings and shifts like a large view camera and a roll holder that accepts 120 films are available. Some versions have a viewfinder with parallax correction, a Kalart rangefinder, a wire frame finder viewfinder, and a ground glass rear viewfinder. In 1960 the Model C was sold for $US 73.40 without a lens. Busch Pressman cameras are relatively common in the United States. Two sizes (2x3, Model C; 4x5, Model D) of Busch Pressman were sold by Busch and by Sears & Roebuck, a large and then very important catalog department store, as Tower Press cameras. Note: There are two ways to use roll film with a 2x3 Pressman. Use 120 film in an Adapt-A-Roll 620 holder, which will feed on a 120 spool but must take up on a 620 spool or replace the Busch spring back with a Graflok back taken from a 2x3 Graphic, and then use any of the roll holders that can be attached to a 2x3 Graflok. The camera pictured here is in Fine condition and worth $150.00 in 2019. |
 | Bushnell: Imageview (1.3) | 2003 | 2007 | 15.00 | 2003 fine condition worth $15.00 in 2014 (1.3MP) Binocular camera | |
 | Bushnell: Imageview (1.3) | 2003 | 2015 | 5.00 | 2003 fine condition worth $15.00 in 2014 (1.3MP) Binocular camera | |
 | Canon: Aqua Snappy (AS-6 / Acty) | 1986 | 2016 | 0.10 | Although the AS-6 was part of Canon's low-cost Snappy series, it has retained cult appeal due to it being capable of shooting up to 10m (32.8 feet) underwater. This 35mm model has a fixed focus 35mm f/4.5 lens, program auto exposure, and motorized film transport. It has DX coding for ISO 100 or 400 film and uses 2 AAA batteries. The camera came with a cowing that surrounded the flash, viewfinder, and lens with a spot for mounting a large underwater viewfinder and a ¼” 20 thread tripod mount. It also has a shutter lock slide switch, frame counter, flash on/off switch, flash ready light near the optical viewfinder, and a handy carry strap with the lens cap attached. The camera was introduced by Canon in 1986 and at the time of this blurb Amazon still sold it used for $59.99. The camera pictured here must have went 11 meters under water because it is full of salt. For this reason it is listed in POOR condition and worth $.50 for parts in 2016. | |
 | Canon: Canon AE-1 | 1976-1984 | c | 2012 | 25.00 | 1976-1984 poor condition worth $25.00 in 2014 |
 | Canon: Canon AE-1 | 1976-1984 | c | 2014 | 10.00 | 1976-1984 Poor condition worth $15.00 for parts in 2014 |
 | Canon: Canon AE-1 | 1976-1984 | c | 2014 | 70.00 | 1976-1984 fine condition worth $150.00 in 2014 |
 | Canon: Canon AE-1 | 1976-1984 | c | 2015 | 50.00 | 1976-1984 Good condition worth $50.00 in 2015 |
 | Canon: Canon AE-1 | 1976-1984 | c | 2015 | 20.00 | 1976-1984 good condition worth $35.00 in 2015 |
 | Canon: Canon AE-1 | 1976-1984 | c | 2019 | 20.00 | The Canon AE-1 is a 35 mm single-lens reflex (SLR) film camera for use with interchangeable lenses. It was manufactured by Canon Camera K. K. (today Canon Incorporated) in Japan from April 1976 to 1984. It uses an electronically controlled, electromagnet horizontal cloth focal plane shutter, with a speed range of 2 to 1/1000 second plus Bulb and flash X-sync of 1/60th second. The camera body is 87 mm tall, 14mm wide, and 48 mm deep; it weighs 590 g. Most are black with chrome trim, but some are all black. The AE-1 is a historically significant SLR, both because it was the first microprocessor-equipped SLR and because of its sales. Backed by a major advertising campaign, the AE-1 sold over one million units, which made it an unprecedented success in the SLR market. The AE-1 has a Canon FD breech-lock lens mount and accepts any FD or New FD (FDn) lens. It is not compatible with Canon's later Canon EF lens mount, though adapters made by independent manufacturers can be found. Original FD lenses, introduced in 1971, did not rotate in the mounting process; instead, a locking ring at the base was turned to attach the lens. This was often criticized as being slower than the bayonet mounts of competing cameras. The counter argument, though, was that as the lens/body mating surfaces did not rotate, there was no wear that could affect the critical distance from lens to film plane. In 1979, Canon introduced the New FD series of lenses that rotate the whole outer lens barrel to lock. The inner lens barrel remained stationary, and thus the signal levers and pins still did not rotate. During the late 1970s, there were over 50 Canon FD lenses available for purchase. They ranged from a Fisheye FD 15 mm f/2.8 SSC to a FD 800 mm f/5.6 SSC, plus special purpose lenses like a 7.5mm circular fisheye, and a 35mm Tilt & Shift lens. The AE-1 pictured above is in good working condition and the camera, flash unit, plus lens is worth $45.00 in 2019. |
 | Canon: Canon AE-1 program | c1981 | 2004 | 30.00 | 1981-1984 Good condition worth $100.00 in 2014 | |
 | Canon: Canon AE-1 program | c1981 | 1985 | 250.00 | 1981-1984 Good condition worth $100.00 in 2014 | |
 | Canon: Canon AE-1 program | c1981 | 2015 | 2015 | 15.00 | 1981-1984 Poor condition worth $10.00 for parts in 2014 |
 | Canon: Canon AE-1 program | c1981 | 2015 | 22.00 | 1981-1984 Fine condition worth $150.00 in 2014 ( Power winder A2)( Data Back A) | |
 | Canon: Canon AE-1 program | c1981 | 2016 | 20.00 | 1981-1984 Good condition worth $100.00 in 2014 | |
 | Canon: Canon AE-1 program | c1981 | 2018 | 25.00 | The Canon AE-1 is a 35 mm single-lens reflex (SLR) film camera for use with interchangeable lenses. It was manufactured by Canon Camera K. K. (today Canon Incorporated) in Japan from April 1976 to 1984. It uses an electronically controlled, electromagnet horizontal cloth focal plane shutter, with a speed range of 2 to 1/1000 second plus Bulb and flash X-sync of 1/60th second. The camera body is 87 mm tall, 14mm wide, and 48 mm deep; it weighs 590 g. Most are black with chrome trim, but some are all black. The AE-1 is a historically significant SLR, both because it was the first microprocessor-equipped SLR and because of its sales. Backed by a major advertising campaign, the AE-1 sold over one million units, which made it an unprecedented success in the SLR market. The AE-1 has a Canon FD breech-lock lens mount and accepts any FD or New FD (FDn) lens. It is not compatible with Canon's later Canon EF lens mount, though adapters made by independent manufacturers can be found. Original FD lenses, introduced in 1971, did not rotate in the mounting process; instead, a locking ring at the base was turned to attach the lens. This was often criticized as being slower than the bayonet mounts of competing cameras. The counter argument, though, was that as the lens/body mating surfaces did not rotate, there was no wear that could affect the critical distance from lens to film plane. In 1979, Canon introduced the New FD series of lenses that rotate the whole outer lens barrel to lock. The inner lens barrel remained stationary, and thus the signal levers and pins still did not rotate. During the late 1970s, there were over 50 Canon FD lenses available for purchase. They ranged from a Fisheye FD 15 mm f/2.8 SSC to a FD 800 mm f/5.6 SSC, plus special purpose lenses like a 7.5mm circular fisheye, and a 35mm Tilt & Shift lens. The AE-1 pictured above is in fine condition and worth $70.00 with the lens in 2018. | |
 | Canon: Canon AV-1 | 1979 | 2016 | 35.00 | 1979 fine condition worth $40.00 in 2016 | |
 | Canon: Canon FT QL | 1966-1972 | 2016 | 8.00 | 1966 Poor condition but worth $40.00 with the lens in 2016 | |
 | Canon: Canon T50 (Canon T5) | 1983 | c | 2010 | 30.00 | 1983-1989 Fine condition worth $25.00 in 2014 |
 | Canon: Canon T50 (Canon T5) | 1983 | c | 1995 | 45.00 | 1983-1989 Fine condition worth $25.00 in 2014 |
 | Canon: Canon T50 (Canon T5) | 1983 | c | 2015 | 15.00 | 1983-1989 Fine condition worth $25.00 in 2015 |
 | Canon: Canon T50 (Canon T5) | 1983 | c | 2018 | 15.00 | In the early 1980s, the SLR still dominated and metering systems diversified as camera makers competed fiercely to offer the better camera. The confusion may have turned off buyers as more people began to avoid SLRs. In 1981, 35mm SLR production peaked at 7.67 million units. Two years later, this amount shrank by more than 30 percent to 5.37 million units. Amid such market conditions, the Canon T50 was introduced as a wave-of-the-future 35mm SLR camera. It was the first T-series camera. The camera was designed to respond to the user automatically. It was easy to use and anybody could take pictures with it. It had a power winder giving a continuous shooting rate of 1.4 frames per second, as well as an advanced auto-exposure mode and TTL program AE. In 1983 when it was introduced, the T50 won the Good Design Award from the Ministry of International Trade and Industry. The T50 did not have power rewind, relying on a manual crank. The camera's electric systems were powered by two AA batteries in the grip, which gave enough power to shoot 75 24-exposure rolls, or 50 36-exposure rolls. The T50 (and subsequent T series models) used a vertically travelling metal blade shutter which allowed for faster shutter speeds and higher flash X-sync speeds. The camera came with a FD 50mm f/1.8 lens and Canon made many lenses available to fit the Canon FD lens mount. The camera pictured above is in Poor condition and worth $3.00 for parts but has a $30.00 lens in 2018. |
 | Canon: Canon T70 | 1984 | 2016 | 5.00 | The Canon T70 was a 35mm FD-mount single-lens reflex camera introduced in April 1984 as the second in Canon's T series. The T70 started with the concepts explored in 1983's T50, took them further, and applied them to a more sophisticated camera. While the Program AE-only T50 was intended as a beginner's camera, the T70 gave the photographer a lot more control over the camera's operation while keeping the T-series philosophy of simplicity in control and operation intact. All film transport on the T70 was powered—loading, advance and rewind. The continuous shooting rate, at 0.7 frames per second, was slower than rival motor drives, but the drive was nonetheless faster than most people could manually wind. To load the camera, the photographer simply had to pull the film leader out to an orange mark and close the back—the camera did the rest, loading the leader onto the spool, and advancing to the first frame automatically. All powered camera functions drew on two AA batteries in the grip. A built-in lithium battery (BR-1225 or CR-1220) was used to store user settings; the batteries lasted for about five years, and had to be replaced by a technician, since replacing them required partial dismantling of the camera body. The T70 used an LCD mounted on the top of the right-hand side of the camera as a major component of its user interface. Two buttons above the display labelled 'UP' and 'DOWN' adjusted the selected parameter and the results were shown on the LCD. Buttons on the left-hand top of the camera selected the parameter to be modified. The T70 included two different through-the-lens metering methods; both used a silicon photocell housed above the viewfinder eyepiece. Center-weighted average metering was the standard metering method, averaging over the whole frame with a slight preference towards the center of the frame, where the main subject is most likely to be. With strongly backlit scenes, or ones where the subject is spotlit against a dark background, center-weighted averaging produces underexposure or overexposure, respectively. For such situations, the T70 also supported selective area metering, which metered only the center 11% of the frame. The metering mode was selected by a sliding switch on the top left-hand side of the camera (from the photographer's perspective). This switch also selected self-timer mode and had a Lock position. The camera pictured here is in fine condition and worth $25.00 in 2016. It has a Canon FD 28-55mm f3.5-4.5 lens worth $35.00 for a total of $60.00. (Info from Wikipedia) | |
 | Canon: Canon T70 | 1984 | 2016 | 5.00 | The Canon T70 was a 35mm FD-mount single-lens reflex camera introduced in April 1984 as the second in Canon's T series. The T70 started with the concepts explored in 1983's T50, took them further, and applied them to a more sophisticated camera. While the Program AE-only T50 was intended as a beginner's camera, the T70 gave the photographer a lot more control over the camera's operation while keeping the T-series philosophy of simplicity in control and operation intact. All film transport on the T70 was powered—loading, advance and rewind. The continuous shooting rate, at 0.7 frames per second, was slower than rival motor drives, but the drive was nonetheless faster than most people could manually wind. To load the camera, the photographer simply had to pull the film leader out to an orange mark and close the back—the camera did the rest, loading the leader onto the spool, and advancing to the first frame automatically. All powered camera functions drew on two AA batteries in the grip. A built-in lithium battery (BR-1225 or CR-1220) was used to store user settings; the batteries lasted for about five years, and had to be replaced by a technician, since replacing them required partial dismantling of the camera body. The T70 used an LCD mounted on the top of the right-hand side of the camera as a major component of its user interface. Two buttons above the display labelled 'UP' and 'DOWN' adjusted the selected parameter and the results were shown on the LCD. Buttons on the left-hand top of the camera selected the parameter to be modified. The T70 included two different through-the-lens metering methods; both used a silicon photocell housed above the viewfinder eyepiece. Center-weighted average metering was the standard metering method, averaging over the whole frame with a slight preference towards the center of the frame, where the main subject is most likely to be. With strongly backlit scenes, or ones where the subject is spotlit against a dark background, center-weighted averaging produces underexposure or overexposure, respectively. For such situations, the T70 also supported selective area metering, which metered only the center 11% of the frame. The metering mode was selected by a sliding switch on the top left-hand side of the camera (from the photographer's perspective). This switch also selected self-timer mode and had a Lock position. The camera pictured here is Poor condition due to missing parts in the battery compartment. For this reason this camera is worth $5.00 for parts in 2016. (Most of the Info above is from Wikipedia) | |
 | Canon: Canon TLb | 1974-1976 | c | 2017 | 22.00 | The Canon TLb is a 35 mm single-lens reflex camera introduced in the Americas by Canon in September 1974 and discontinued in 1976. It features a Canon FD lens mount, and is also compatible with Canon's earlier FL-mount lenses in stop-down metering mode. The TLb was a cheaper version of the Canon FTb for the export market, as was the slightly later TX. Compared to the TX, the hot shoe was omitted, although the camera included a PC terminal for flash sync and with a maximum shutter speed of 1/500s in place of the FTb's 1/1000s. It has TTL metering using a CdS cell, powered by a 1.35V HD mercury battery. The TLb was later (April 1976) sold in Japan. The shutter is a two-axis, horizontal-travel focal-plane shutter with cloth curtains. The speeds are X, B, 1, 1/2, 1/4, 1/8, 1/15, 1/30, 1/60, 1/125, 1/250, 1/500 of a second with no self-timer. The film speed range is ISO 25 to 2000 and film frame counter ends at 40. The camera was known as the Canon TLb in America, Japan, Europe, Asia, and Oceania. The camera also has a fold down rewind crank handle that when pulled up releases the back cover, thumb lever single action film advance, fixed eye-level pentaprism viewfinder, rewind release button, and two hard points for a strap. This camera has a Kiron Macro 70-210mm f/4.5 manual focus lens with a minimum aperture of f/32 with 6 blades. This zoom lens was produced for all major SLR camera brands and in fine condition worth $25.00. The camera pictured here is in Good condition and worth $45.00 for a total of $70.00 in 2017. |
 | Canon: Canon TX | 1975-1979 | c | 2011 | 15.00 | The Canon TX is a manual focus SLR produced by Canon, Inc. between 1975 and 1979. It was an export only model (i.e., not sold in Japan) and was basically a stripped down Canon FTb. It had no self-timer (the lever that looks like a self-timer is the depth-of-field preview lever). It also had center-weighted metering instead of partial, and shutter speeds of bulb plus 1 second to 1/500 of a second with a horizontal travel cloth focal plane shutter. It features a Canon FD lens mount and is also compatible with Canon's earlier FL-mount lenses in stop-down metering mode. The TX has a hot shoe for flash and a socket for accessories in the front. The match-needle metering is precise and powered by a V625u Alkaline battery or equivalent (625A, Px-625A, Px13, A625, Lr9). Because it is all-manual, it makes a perfect camera for a budding photographer. The match-needle helps you choose the correct aperture and shutter speed. The canon TX was also sold in the US as the Bell & Howell FD35. The camera pictured above is in fine condition and worth $25.00 in 2019. |
 | Canon: Canon TX | 1975-1979 | c | 2019 | 12.00 | The Canon TX is a manual focus SLR produced by Canon, Inc. between 1975 and 1979. It was an export only model (i.e., not sold in Japan) and was basically a stripped down Canon FTb. It had no self-timer (the lever that looks like a self-timer is the depth-of-field preview lever). It also had center-weighted metering instead of partial, and shutter speeds of bulb plus 1 second to 1/500 of a second with a horizontal travel cloth focal plane shutter. It features a Canon FD lens mount and is also compatible with Canon's earlier FL-mount lenses in stop-down metering mode. The TX has a hot shoe for flash and a socket for accessories in the front. The match-needle metering is precise and powered by a V625u Alkaline battery or equivalent (625A, Px-625A, Px13, A625, Lr9). Because it is all-manual, it makes a perfect camera for a budding photographer. The match-needle helps you choose the correct aperture and shutter speed. The canon TX was also sold in the US as the Bell & Howell FD35. The camera pictured above is in good condition and worth $15.00 in 2019. |
 | Canon: Canonet 19 Bell & Howell | 1961-1965 | 1990 | 10.00 | 1961-1965 poor working condition worth $10.00 in 2014 | |
 | Canon: Canonet 28 (1971) | 1971 | 2001 | 20.00 | 1971-1976 Good condition worth $20.00 in 2014 | |
 | Canon: Canonet 28 Bell & Howell | 1968 | 2016 | 10.00 | The original Canon Canonet 28 viewfinder camera was launched in 1968. The lens is a fixed 40mm f/2.8 Canon lens. It has fully programmed auto exposure with shutter speeds from 1/30 to 1/600 (shown by the meter's needle in the viewfinder), and manual control of f-stops for flash (f2.8-f16). The film speed range for auto exposure is from 25 to 400 ASA. It uses a Copal leaf shutter and has a coupled rangefinder. It was made in Taiwan. The Bell & Howell Canonet 28 is more like the original Canonet launched in 1961. It has a flash socket but no hot shoe but has a right thumb film advance lever like the later models. This camera was made in Japan by Canon and has a Seikosha-L shutter. It was capable of using film from 10 to 200 ASA and it too used a Canon SE 40mm f2.8 lens. The year made was somewhere between 1961 and 1962. It also has a ¼” 20 thread tripod mount, 1/30 to 1/250 of a second shutter, 3 feet to infinity focus range, easy load film method, rewind slid switch, fold down rewind crank that releases the film when pulled up, pull down back cover release, optical viewfinder with meter readings inside, and a hard point for a carry strap. The camera pictured here is in Poor condition with a bad shutter. For this reason it is worth $5.00 in parts in 2016. | |
 | Canon: Canonet G III QL17 | 1972 | 2015 | 25.00 | 1972 fine condition worth $75.00 in 2015 | |
 | Canon: Canonet Junior | 1963 | c | 2019 | 3.00 | The Canonet Junior is a 35mm viewfinder camera with programmed automatic exposure controlling the shutter and aperture. It was made in Japan by Canon and introduced in 1963. A sibling of the Canonet, this camera was conceived for compactness and operation ease. The shutter speed and aperture were set automatically, making it easy to use by anybody. The zone focusing system divided subject distances into close, medium, and far with icons. Exposure was set automatically by the EE (Electric Eye) program. The film advance used a sprocket less spool. This made the camera 10 mm less wide and 60 g lighter than the Canonet. The lens is a Canon SE 40mm/f2.8 (4 elements, 3 groups). The shutter is a Seikosha-L programmed with speeds of 1/30 to 1/250 of a second and B. The camera has X-sync flash with a PC socket and metering by a Selenium cell; EV 7-17 (100ASA). The film speed range is ISO 10 to 200 and the original price in 1963 was about $108.00 (11800 yen). The camera also has a single action frame advance, cold shoe, flash socket in the front, rewind pop-up lever plus release button, plunger socket on the top of the shutter release, and a ¼ inch 20 thread tripod socket on the bottom. The camera pictured here is in Poor condition and worth $2.00 for parts in 2019. |
 | Canon: Canonet QL 19 | 1965 | 1995 | 10.00 | 1965 Poor working condition worth $5.00 in 2014 | |
 | Canon: Dial 35 | 1963-1967 | 2002 | 10.00 | 1965 Poor working condition worth $20.00 in 2014 | |
 | Canon: Dial 35 II | 1968-1971 | c | 2017 | 15.00 | The eye-catching Dial 35 (1963 to 1967) and Dial 35-2 (1968 to 1971) had unique user-appeal and makes a good conversation piece. Half-frame cameras were in vogue in the early-to-mid 1960’s and were then predicted to supersede full-frame 35mm. Canon’s imaginative design offered motorized film transport and landscape format orientation as well as automatic exposure. But the Dial 35’s landmark features were more for show than go. The telephone-style ‘dial’ rotated when either the shutter speed (1/30 of a second to 1/250 of a second) or the film speed was set by the user, positioning one or other dial ‘lens’ (each had a different internal aperture) over the CDS cell. These adjustments were in full-stop increments only, intermediate film speed settings could not be made. Although the dial looked intriguing it was impractical. The ASA markings were too vague and obscure. Films between ‘ranges’ - 40, 100, 180 or 320 ASA – would have to have been half a stop over- or under-exposed throughout. The 49mm filter mount allowed filters to cover the whole dial and meter cell. Aperture setting was automatic, f-stops shown in the bright-frame viewfinder, with a manual override facility. The 28mm, 5-element f2.8 lens gave a useful field of view equivalent to 40mm on full-frame. Depth of field was thought sufficient for zone-focusing only, which was effected with a lever above the lens barrel, the zone being indicated in the viewfinder. The clockwork motor, which also rewound the film, was wound up by turning the cylindrical handle, grip provided by a ribbed rubber surround. An accessory shoe was inset at the side of the body. A tripod and cable-release sockets were provided, but no “B” shutter setting. The Dial 35, with its quality lens and reliable automatic exposure produced good results. The film transport mechanism is a weak point, and examples still in working order are unusual. The necessity of motor wind in a snapshot camera is debatable, it did lead to more shots being taken, an indirect benefit perhaps with half-frame, which needed up to 75 exposures to finish up a roll of film. The Dial 35-2 camera had an improved clockwork motor and a hot-shoe and was marketed in the USA as a Bell and Howell Dial 35 (1967 to 1972). The camera pictured here is in Poor condition because the shutter does not work. For this reason it is worth $3.00 for parts in 2017. |
 | Canon: ELPH LT (Ixus M-1 / IXY 210) | 1998 | 2020 | 5.00 | Equipped with a 23mm f/4.8 focal length lens that features a triplet lens design of 3 lenses in 3 groups (equivalent to 29mm on 35mm-format cameras). The ELPH LT's active autofocus system is fast and accurate, providing an effective focusing range as close as 2 feet (.6 meter) to infinity (3.3 feet (1 Meter) to infinity when the flash is set to OFF). In addition to auto and manual ON/OFF settings, the built-in flash offers Slow Synchro and Red-eye Reduction modes to improve picture quality. The ELPH LT incorporates many benefits of APS technology like easy drop-in film loading; auto film advance and rewind; three shooting formats including Classic (C), Wide Angle (H) and Panoramic (P); plus built-in date, time and title functions. The Magnetic Information Exchange (IX) feature enables the ELPH LT to record detailed shooting condition data for every exposure. This information is saved and shared during the photofinishing process, enabling the developer to make appropriate adjustments to produce the best possible prints. The camera also has a convenient titling function provides the ability to print one of five titles in six languages on the back of every picture. Introduced in 1998 this camera was known as "Elph LT" in America, "Ixus M-1" in Europe, and "IXY 210" in Japan. The camera pictured here is in fine condition and worth $10.00 in 2020. | |
 | Canon: ELPH LT260 (Ixus Z50 / IXY 220) | 2000 | 1999 | 18.00 | 1996-2000 Good condition worth $35.00 in 2014 | |
 | Canon: ELPH LT260 (Ixus Z50 / IXY 220) | 2000 | 2005 | 10.00 | 1996-2000 good condition worth $15.00 in 2014 | |
 | Canon: ELPH LT260 (Ixus Z50 / IXY 220) | 2000 | 2006 | 10.00 | 1996-2000 poor condition worth $5.00 in 2014 (missing battery cover) | |
 | Canon: ELPH LT260 (Ixus Z50 / IXY 220) | 2000 | 2016 | 7.00 | 2000 fine condition worth $15.00 in 2016 | |
 | Canon: ELPH Sport (Ixus X-1 / IXY D5) | 1999 | 2010 | 10.00 | 2000 fine condition worth $20.00 in 2014 | |
 | Canon: ELPH Z3 (Ixus III / IXY i) | 2002 | 2000 | 12.00 | 1997-2002 fine condition worth $20.00 in 2014 | |
 | Canon: ELPH Z3 (Ixus III / IXY i) | 2002 | 2008 | 15.00 | 1997-2002 Good condition worth $15.00 in 2014 | |
 | Canon: EOS 100 (EOS 100 QD / EOS ELAN) | 1991 | c | 2018 | 10.00 | In August of 1991, this was the world’s first AF SLR camera which incorporated the concept of silent operation. The newly-developed silent mechanisms reduced film advance noise and rewind noise by one-eighth to one-half the level of previous models. The built-in flash’s coverage adjusts automatically (auto zoom) to suit the lens focal length. Red-eye reduction, second-curtain sync, and flash exposure compensation were other flash features. The Quick Control Dial on the camera back also enables real-time exposure compensation adjustment while you looked through the viewfinder. It was a feature-laden, mid-class multi-mode 35mm AF SLR. The camera was released in Europe as the EOS 100 and in Japan as the EOS 100 QDE. The EOS 100 Panorama was released in 1993 for the Japanese market only. The original price was a hefty $1,000.00 or more dollars with a 28 to 80mm f/3.5 to 5.6 lens. The body alone sold for about $675.00. Some of the other features are the self-timer, 13/16 by 1 3/8 inch LCD display, external 5 connector flash mount, ¼” 20 thread tripod mount, auto focus mode, Canon EF lens mount, 3 frames per second, shutter speeds up to 1/4000 of a second, and much more. The operation of the camera depends on a 6V 2CR5 battery. The camera pictured here is in Fine condition and worth $25.00 in 2018. |
 | Canon: EOS 1000 (EOS Rebel) | 1990 | c | 2015 | 20.00 | 1993 Fine condition worth $30.00 in 2015 |
 | Canon: EOS 1000 (EOS Rebel) | 1990 | c | 2019 | The EOS Rebel (EOS 1000 outside the US) is an entry level EOS camera. The camera has manual metering, aperture and shutter priority AE, program AE (Intelligent program), flash AE (TTL and A-TTL with Speedlite 430EZ, 300EZ), and Green Zone Full Auto mode. PIC (Programmed Image Control) modes are Sports, Close-up, Portrait and Landscape. Metering patterns are 3 zone evaluative, center weighted averaging (manual mode only) and 9.5% partial of the central image area. Shutter speed range is 30 seconds to 1/1000 of a second plus B, flash sync at 1/90 of a second, and self-timer. The auto DX ISO range is 25 to 5000 with manual override (manual ISO range 6-6400). The camera has a Built-in motor drive that provides auto film advance (pre-wind system) and rewind with multi exposure capability. The camera uses an EF mount for lenses and has five connector hot shoe. The viewfinder allows 90% view of the finished picture and all the electronics are powered by one 2CR5 battery. The camera was introduced in 1993 and was meant for the amateur plus to compete with the non TTL automatic cameras of the time. It does have all the tools to utilize the EOS EF mount lenses of today. The camera pictured here is in Fine condition and worth $30.00 in 2019, $70.00 with the lens you see in the picture worth $25.00 and a Canon Speedlite 300EZ flash unit worth $15.00. | |
 | Canon: EOS 1000D (EOS Rebel XS / Kiss F Digital) | 2008 | 2016 | 5.00 | The Canon EOS Rebel XS is a full featured, lightweight and easy to use autofocus SLR with a built-in pop-up flash. When introduced it set new standards for a full-featured yet compact and light autofocus SLR. Time has proven the Rebel XS to be a very reliable camera as well. The Rebel XS is compatible with the full line of Canon EF lenses. Introduced in 1993 it had 11 shooting modes full auto, 5 picture modes plus 5 creative control modes and delivers exceptional results in any situation. Choose from auto or manual focus depending on the composition. It also has E-TTL auto flash, large ¾” by 1 ½” LCD operations display and fully digital viewfinder display. The camera uses two CR123A batteries to power up the features and auto focus lenses. The camera pictured above is in fine condition and worth $25.00 in 2016. | |
 | Canon: EOS 1000F (EOS Rebel S) | 1990 | 2001 | 12.00 | 1992 fine condition worth $120.00 in 2014 | |
 | Canon: EOS 1000FN (EOS 1000 S / EOS Rebel SII) QD | 1992 | 2009 | 15.00 | 1992 fine condition worth $10.00 in 2014 | |
 | Canon: EOS 1000N (EOS Rebel II) | 1992 | c | 2018 | 10.00 | The Canon Rebel II (Canon 1000N) 35 mm camera has an attractive, functional body with an array of features and many shooting modes for increased versatility. Light, small, and stylish, this Canon EOS Rebel II Camera Body supports advanced flash metering with FE lock, E-TTL, and high-speed sync modes used with EX-series Speedlite flash units. Photographers, both professional and amateur, will be impressed with the creative options and control this SLR film camera provides, with its seven-point autofocus selections and AE monitoring for 35 zones. The Canon 35 mm camera features 11 shooting modes such as landscape, night scenes, and sports, multiple exposure, retractable flash, and depth-of-field previews for more accurate shots. This Canon EOS Rebel II Camera Body 35 mm AF SLR lens is completely automatic if desired, and can also be managed manually. This SLR film camera is compatible with other lenses and Speedlite’s, and particularly with Canons EX camera series. The Canon 35 mm camera is a sturdy, reliable choice for photographers wanting a basic, well-rounded camera for clean, creative pictures. The Canon Rebel II (Canon 1000N) was introduced in 1992. The camera pictured here is in good condition with a 75mm lens and a Canon Speedlite 200E flash unit. The camera is worth $10.00, the flash worth $15.00 and the lens $20.00 for a total of $45.00 in 2018. |
 | Canon: EOS 300 (EOS Rebel 2000 / EOS Kiss III) | 1999 | 2012 | 15.00 | 1999-2002 fine condition worth $25.00 in 2014 | |
 | Canon: EOS 300 (EOS Rebel 2000 / EOS Kiss III) | 1999 | 2009 | 20.00 | 1999-2002 fine condition worth $25.00 in 2014 | |
 | Canon: EOS 300 (EOS Rebel 2000 / EOS Kiss III) | 1999 | 2016 | 15.00 | The Canon EOS 300 (EOS Kiss III in Japan, EOS Rebel 2000 in North America) is a consumer-level 35mm single-lens reflex camera, produced by Canon of Japan from April 1999 until September 2002 as part of their EOS system. Designed under the supervision of Yasuhiro Morishita, the camera was intended as a replacement for the Canon EOS 500N. The camera was a success for Canon, selling exceedingly well and dominating its market sector until it was replaced by the EOS 300V (Rebel Ti, Kiss 5). Canon EOS 300 won European Imaging and Sound Association Award 1999-2000. Like other low-priced SLRs of the time, the EOS 300 used a Penta mirror viewfinder instead of a pentaprism, and had a polycarbonate body. The autofocus capabilities of this camera were identical to Canon's much more expensive Elan 7 with six single-line CMOS sensors surrounding a central cross-type sensor. The EOS 300 should not be confused with the later Canon EOS 300D (EOS Digital Rebel in the US and EOS Kiss Digital in Japan), a popular entry-level digital SLR from 2003. This camera has a 35-80mm Canon EF Zoom lens fitted to it worth $35.00 in 2016. The camera pictured here is in Fine condition and worth $35.00 in 2016 for a total of $70.00. | |
 | Canon: EOS 3000V (EOS Rebel K2 / EOS Kiss Lite) | 2003 | c | 2010 | 25.00 | 2003 Fine condition worth $40.00 in 2014 |
 | Canon: EOS 3000V (EOS Rebel K2 / EOS Kiss Lite) | 2003 | c | 2003 | 400.00 | 2003 Fine condition worth $80.00 with lens in 2014 |
 | Canon: EOS 3000V (EOS Rebel K2 / EOS Kiss Lite) | 2003 | c | 2018 | 5.00 | The EOS Rebel K2 has a 35mm film size, so you can make dramatic image enlargements with crisp details. In addition, its SLR mechanism helps you choose from a variety of lenses. Shoot blurry free pics of subjects in motion thanks to the EOS Rebel K2's 1/2000 sec maximum shutter speed. The camera is a versatile, reliable camera for the film photographer and designed with high-quality Canon optics. This Innovative SLR camera design allows for convenient single-handed operation with an advanced, lightweight, ergonomic body. This Canon has a 35-80mm Canon zoom lens and with a 7-point high-speed autofocus system plus the 35-zone metering system linked to 7-point autofocus, your photos will always be great. The Programmed Image Control has 12 shooting modes included and 7 PIC modes. The camera also has an advanced E-TTL flash metering system, Futuristic, innovative control layout, large LCD panel, and Compatible with 50+ EF lenses. The camera was also known by the names Canon EOS 3000V and Canon Kiss Lite. Introduced in 2003 this made in Japan Canon has the pedigree of all the EOS Rebel cameras before it and those that come after. The camera pictured above is in Poor condition and worth $5.00 for parts in 2018. |
 | Canon: EOS 300V (EOS Rebel Ti / EOS Kiss 5) | 2002 | c | 2020 | The Canon Canon EOS Rebel Ti (EOS Kiss 5/EOS 300V) 35mm Focal-Plane Shutter SLR film Camera is an addition to the company’s best-selling EOS Rebel/Kiss series of affordable AF SLR cameras and featuring a high-speed-processing microcomputer plus new algorithms in 2002. When new the camera achieved not only the fastest AF speed in its class, but also vastly improved predictive AF performance when shooting moving objects. Innovatively designed, the Canon EOS Rebel Ti (EOS Kiss 5/EOS 300V) redefined the image of SLR cameras with an elegant incandescent-silver and metallic-gray exterior finish, and a compact ((5.1 x 3.5 x 2.5 inch)(130 x 88 x 64mm)), lightweight ((12.9oz)(365g)) body featuring an ergonomic handgrip for maximum user comfort and functional ease. Enhancing utility, the rear panel of the model incorporates a large-size ((1.18 inch by 1.18 inch)(30 x 30mm)) LCD panel with backlight, enabling camera settings to be seen clearly even in dark conditions. Moreover, all main operating controls are grouped together on the right side of the camera to enable the operation of most functions with one hand. Some of the features are compatible canon EF lenses, optical viewfinder, auto focus, auto film advance, auto rewind, built in pop-up flash, auto flash, vertical-travel focal plane shutter with all speeds electronically controlled, Auto DX code, ISO from 25 to 5000, manual ISO settings from 6 to 6400, single plus continuous frame at approximately 2.5 fps, Auto light metering, auto Exposure Control Methods, Exposure Compensation, Manual modes for all settings, Red-Eye Reduction, Date/Time Imprint, and battery check indicator on the LCD panel. The camera also has Shooting Modes of: Full Auto, Program, Manual, Stitch Assist, and Movie plus Photo Effect (Vivid Color, Neutral Color, Low Sharpening, Sepia, and Black & White). The camera was sold as the EOS Rebel Ti in the America’s, EOS Kiss 5 in Japan, and the EOS 300V in Europe for $299.00 (229 pounds/274 Euro/32,933 yen). The camera pictured here has a small crack in the LCD screen but works as designed. The camera body is worth $20.00 and the 35 to 80mm Canon lens is also worth $20.00 in 2020. | |
 | Canon: EOS 500 (EOS Rebel XS / EOS Kiss) | 1993 | c | 2016 | 10.00 | The Canon EOS Rebel XS is a full-featured, lightweight and easy to use autofocus SLR with a built-in pop-up flash. At the time of its introduction, this camera was the smallest 35mm SLR on the market. Known as the "EOS Rebel XS" in America, "EOS 500v in Europe, and "EOS Kiss" in Japan. When introduced it set new standards for a full-featured yet compact and light autofocus SLR. Time has proven the Rebel XS to be a very reliable camera as well. The Rebel XS is compatible with the full line of Canon EF lenses. Introduced in 1993 it had 11 shooting modes full auto, 5 picture modes plus 5 creative control modes and delivers exceptional results in any situation. Choose from auto or manual focus depending on the composition. It also has E-TTL auto flash, large ¾” by 1 ½” LCD operations display and fully digital viewfinder display. The camera uses two CR123A batteries to power up the features and autofocus lenses. 1993 fine condition worth $25.00 in 2016 |
 | Canon: EOS 500 (EOS Rebel XS / EOS Kiss) | 1993 | c | 2019 | 12.00 | The Canon EOS Rebel XS is a full-featured, lightweight and easy to use autofocus SLR with a built-in pop-up flash. At the time of its introduction, this camera was the smallest 35mm SLR on the market. Known as the "EOS Rebel XS" in America, "EOS 500v in Europe, and "EOS Kiss" in Japan. When introduced it set new standards for a full-featured yet compact and light autofocus SLR. Time has proven the Rebel XS to be a very reliable camera as well. The Rebel XS is compatible with the full line of Canon EF lenses. Introduced in 1993 it had 11 shooting modes full auto, 5 picture modes plus 5 creative control modes and delivers exceptional results in any situation. Choose from auto or manual focus depending on the composition. It also has E-TTL auto flash, large ¾” by 1 ½” LCD operations display and fully digital viewfinder display. The camera uses two CR123A batteries to power up the features and autofocus lenses. The camera pictured above is in Fine condition and worth $25.00 in 2019. |
 | Canon: EOS 500 N (EOS Rebel G / EOS New Kiss) | 1996 | 2012 | 20.00 | 1996 Fine condition worth $50.00 in 2014 | |
 | Canon: EOS 500D (EOS Rebel T1i / EOS Kiss X3) | 2009 | 2008 | 649.00 | 2008 Fine condition worth $240.00 in 2015 (Body only)(15.1MP) | |
 | Canon: EOS 620 | 1987 | 2016 | 5.00 | The EOS 620, marketed in May, 1987 - was introduced barely a few months after the debut of the Canon EOS 650 in March, 1987. Unlike the 650, the 620 was promoted as a camera with a higher technical specification; its shutter was designed to meet the needs of the mid- to top-level amateur, with the camera primarily aimed to assist both levels of photographers. Basically, it carries more technical specifications than the entry level EOS650. Its sales targets were mid-level and advanced amateur photographers but Canon did use the EOS 620 as a promotional tool to entice professional photographers at major sporting events in trying out the EOS System, an effort that went well until the 1988 Summer Olympics Games in Seoul. The EOS 620 was replaced two years after introduction in 1989 with the EOS 630 camera. Despite its relatively short appearance (for an analog SLR), the EOS 620 does have followers in the used market for a while as it has a higher sync speed of 1/250 second, a stop faster than what the EOS 630 has! Incidentally, the Canon EOS 620 was also the first EOS camera model that employed the Programmed Shift Function and an integrated Auto-Bracketing Control. The camera pictured here is in fine condition and worth $25.00 in 2016. | |
 | Canon: EOS 750 | 1988 | 2016 | 5.00 | The EOS 750 and EOS 750QD are autofocus SLRs for 35mm film introduced by Canon in 1988 and discontinued in 1990. The QD version is able to imprint dates through 2019 onto the film. Both 750's were a very simplified EOS models, primarily meant to use programmed auto exposure, with no manual alternative. Film handling is motorized, and the camera requires a 6-volt lithium 2CR5 battery to operate. (The date back requires its own separate CR2025 "coin" type battery.) A special "depth of field" metering mode is coupled with the (single) autofocus sensor: By half-pressing on the shutter release, the photographer selects two areas of the scene which are both meant to be in focus. The camera then determines the optimum focus distance, and stops down the lens to a sufficiently small aperture to achieve this. There's an elegant simplicity to the operation of this entry EOS model; the photographer simply sets the selector dial and presses the shutter release. The smooth EOS contours fit the camera snugly in the hand, with the selector dial and shutter release right at the fingertips for responsive operation. Along with the EOS 850, both series has an innovative pre-wind film advance mode in which all of the film was wound forward when the camera was loaded and then rewound back into the cassette one frame at a time as the photos are taken. The camera was replaced with Canon EOS 700 in 1990. The camera pictured here is in fine condition and worth $35.00 in 2016. | |
 | Canon: EOS Rebel X | 1993 | 2010 | 11.00 | 1993 fine condition worth $25.00 in 2014 | |
 | Canon: New Sure Shot (AF35M II / Autoboy 2) | 1984 | c | 2014 | 5.00 | 1983 fine condition worth $20.00 in 2014 |
 | Canon: New Sure Shot (AF35M II / Autoboy 2) | 1984 | c | 2013 | 10.00 | 1983 fine condition worth $20.00 in 2014 |
 | Canon: New Sure Shot (AF35M II / Autoboy 2) | 1984 | c | 1994 | 15.00 | 1983 fine condition worth $20.00 in 2014 |
 | Canon: New Sure Shot (AF35M II / Autoboy 2) | 1984 | c | 2015 | 8.00 | 1983 Good condition worth $15.00 in 2015 |
 | Canon: New Sure Shot (AF35M II / Autoboy 2) | 1984 | c | 2015 | 5.00 | 1983 Poor condition worth $1.00 for parts in 2015 (no response) |
 | Canon: New Sure Shot (AF35M II / Autoboy 2) | 1984 | c | 2016 | 3.50 | 1990 fine condition worth $15.00 in 2016 |
 | Canon: New Sure Shot (AF35M II / Autoboy 2) | 1984 | c | 2018 | 3.00 | Canon (New) Sure Shot, Canon Camera Museum states that it was marketed April 1983 as an improved version of the original Sure Shot which came out in November 1979 not to be confused with the 1990 Sure Shot that is also labeled New. The 1983 Sure Shot has a four element 38mm f2.8 lens. ISO from 25 to 400 set by switch at bottom of lens and seen in a window on top of the lens near the infra-red triangulation system for autofocusing. The camera uses two AA batteries, has a quick loading feature, self-timer, ¼” tripod socket, built in electronic flash turned on by switch on back, and the camera was made in Japan. It is in good working and cosmetic condition. Purchased for $5 at a yard sale on 4/26/14 in Cape May New Jersey area. The price in 1984-85 in the Sears Camera Catalog was $149.99, or equivalent to $300 in 2014 money. There were 5 other camera names for this same camera AF35M II, AF35M II Quartz Date, Sure Shot Quartz Date, Autoboy 2, and the Autoboy 2 Quartz Date. All these cameras used the same instruction booklet published in 1982. The camera pictured above is in Poor condition and worth $1.00 in 2018. |
 | Canon: New Sure Shot (AF35M II / Autoboy 2) | 1984 | c | 2018 | 3.00 | Canon (New) Sure Shot, Canon Camera Museum states that it was marketed April 1983 as an improved version of the original Sure Shot which came out in November 1979 not to be confused with the 1990 Sure Shot that is also labeled New. The 1983 Sure Shot has a four element 38mm f2.8 lens. ISO from 25 to 400 set by switch at bottom of lens and seen in a window on top of the lens near the infra-red triangulation system for autofocusing. The camera uses two AA batteries, has a quick loading feature, self-timer, ¼” tripod socket, built in electronic flash turned on by switch on back, and the camera was made in Japan. It is in good working and cosmetic condition. Purchased for $5 at a yard sale on 4/26/14 in Cape May New Jersey area. The price in 1984-85 in the Sears Camera Catalog was $149.99, or equivalent to $300 in 2014 money. There were 5 other camera names for this same camera AF35M II, AF35M II Quartz Date, Sure Shot Quartz Date, Autoboy 2, and the Autoboy 2 Quartz Date. All these cameras used the same instruction booklet published in 1982. The camera pictured above is in fine condition and worth $15.00 plus the telephoto clip on lens worth $5.00 in 2018. |
 | Canon: New Sure Shot (Prima Twin / Autoboy WT28) | 1990 | 1998 | 8.00 | 1990 fine condition worth $15.00 in 2014 | |
 | Canon: Pellix QL | 1966-1970 | c | 2021 | 7.00 | The Canon Pellix is an unusual 35 mm SLR camera. Introduced in 1965, it was Canon\'s first 35 mm focal-plane shutter SLR camera with through-the-lens metering. The moving mirror normally used in an SLR camera is replaced with a fixed, semitransparent pellicle mirror. This divides the light from the lens, about two-thirds passing through the pellicle to reach the film, and the rest being reflected to the viewfinder. This arrangement has several advantages in comparison to a conventional SLR camera: A simpler mechanism, quieter operation (without the sound of the mirror mechanism), less inertial motion of the camera when the shutter is released, the viewfinder does not black out during exposure and the stationary mirror allows the use of a lens whose rear elements protrude further into the camera body. Canon made the compact Tessar-type FLP 38 mm f/2.8 lens exclusively for use on the Pellix camera. The mirror in the Pellix, being permanently in place, reduces the amount of light available to make the image on the film. To compensate for this, another standard lens for the Pellix is the fast Canon FL 58 mm f/1.2 with automatic aperture diaphragm operation; the camera was also available with the 50 mm f/1.4 (again, an FL lens, not the FD lens). The shutter gives a normal range of speeds from 1 second to 1/1000 of a second, plus \'B\'. A year after its introduction, the camera was equipped with the QL (Quick Load) feature, making film loading much easier, announced by a small QL badge on the front of the body (The Canon Camera Museum and Collectibled lists this as a separate model, the Pellix QL released in 1966); in addition to the QL feature, the updated model also has a lock on the stop-down lever, and could accept a meter booster device for use in low light. Other features are a flash port, utility mounting point, timer, side opening battery compartment, ASA from 25 to 1600, and a ¼ inch 20 thread tripod mount. In 1966 the Pellix QL camera body with the FL 50mm f/1.2 cost 72,800 yen or about $690.00 and with the FL 50mm f/1.4 II cost 60,800 yen or about $575.00. The all black camera body cost 1000 Yen or about $10.00 more for the Pellix and Pellix QL. The Pellix type camera is considered collectible because of its unusual features, and examples are sold even when unusable. Most of this information was gleaned from Camera-wiki.org, Collectiblend, and the Canon Camera Museum on line. The camera pictured here is in good condition with worn esthetics and is worth about $20.00 in 2021. |
 | Canon: PowerShot A300 | 2003 | 2015 | 5.00 | 2003 Poor condition worth $0.50 for parts in 2015 (3.2MP) | |
 | Canon: PowerShot A3100 IS | 2010 | c | 2020 | 8.00 | Powerful A-Series camera with 12.1 megapixels, 4x optical zoom with Optical Image Stabilizer and DIGIC III Image Processor. With the PowerShot A3100 IS point and click pictures are easier to shoot and share. This 12.1-megapixel camera lets you create impressive large photos wit the high-resolution 4000 x 3000-pixel. Images taken by the PowerShot A3100 IS can be enlarged up to 13 x 19 inches with no pixilation. The camera is equipped with Canon\'s acclaimed Optical Image Stabilizer Technology that automatically detects and corrects camera shake. The battery is a 3.7V 1000mAh Li-ion for the NB-8L connection. The charger is the Canon CB-2LA and is a self-contained unit with a swing out 110V set of prongs. The view screen is a 2.7-inch LCD that gives you the big picture, whether you\'re shooting, reviewing or showing your images. The camera is equipped with 18 shooting modes for any condition or artistic endeavor. The Canon PowerShot A3100is has an ISO equivalent of 400-3200 and with the low light mode you can keep the feel of the scene intact without adding additional light. The shutter speeds are from 15 seconds to 1/1600 of a second with maximum apertures of f/2.0(W) – f/5.6(T). You also have a built in flash with a recycling time of about 10 seconds. The camera was first available January 5 of 2010 and originally priced at $179.99. The camera pictured here is in fine condition and worth $30.00 in 2020. |
 | Canon: PowerShot A410 | 2005 | 2015 | 5.00 | 2007 Fine condition worth $20.00 in 2015 (3.2MP) | |
 | Canon: PowerShot A470 | 2008 | c | 2019 | 5.00 | The PowerShot A470 was introduced in 2008 and came with 2 Alkaline AA batteries, 32 MB SD memory card, USB cable, AV cable, Canon digital camera solution CD, Users Guide, Warranty card, and wrist strap. The camera has a 7.1 Megapixel sensor (1/2.5-inch type Charge Coupled Device (CCD)), a focal length of 6.3 to 21.6mm f/3.0 to 5.8 (35mm film equivalent: 38-132mm), 4x Digital Zoom, normal focus range of 1.5 feet (47cm) to infinity, macro focus range of 2.0 inches to 1.5 feet (5-47cm) (W) plus 9.8 inches to 1.5 feet (25 to 47cm) (T), Super macro focus range of 0.39 to 3.9 inches (1 to 10cm), TTL Autofocus, 2.5-inch low-temperature polycrystalline silicon TFT color LCD display, Maximum Aperture of f/3.0 (W) to f/5.8 (T), shutter speeds of 15 seconds to 1/2000 of a second, ISO Sensitivity of ISO 80/100/200/400/800/1600 equivalent, light metering, Recycling Time 10 seconds or less, Shooting Modes (Auto, Camera M, Special Scene (Portrait, Foliage, Snow, Beach, Sunset, Fireworks, Aquarium, Indoor, Kids & Pets, Night Snapshot), Super Macro, Movie), In Camera Photo Effects (Vivid, Neutral, Sepia, Black & White, Custom), 10-second delay self-timer, Continuous Shooting is approximately 1.9 fps, Storage types (SD/SDHC Memory Card, MultiMediaCard, MMC Plus Card, HC MMC Plus Card), image compression (Still Image: Exif 2.2 (JPEG)) (Movie: AVI (Image: Motion JPEG), Audio format (WAVE (Monaural)), USB 2.0 Hi-Speed (mini-B jack), audio out socket, and a ¼ inch 20 thread tripod socket. The camera is powered by two AA batteries that can be Alkaline or rechargeable Ni-MH batteries. The camera pictured here is in fine condition and worth $15.00 in 2019. |
 | Canon: PowerShot A530 | 2006 | c | 2020 | 10.00 | The 2006 Canon Powershot A530 is a Compact digital still camera with built-in flash, 4x Optical zoom, 4x Digital zoom that adds up to 16x Combined Zoom (35mm film equivalent: 35-140mm). The camera uses a 5.0 Megapixel, 1/2.5 inch type Charge Coupled Device (CCD) with Approximately 5.3 Megapixels effective pixels. The focusing range of the A530 is 1.5 foot (45cm) to infinity and 2 inches (5cm) to 1.5 feet (45cm) in Macro mode. Some features are TTL Autofocus, Real-image optical zoom viewfinder, 1.8 inch low-temperature polycrystalline silicon TFT color LCD monitor with approximately 77,000 pixels plus 100% LCD Coverage, maximum aperture of f/2.6 (W) - f/5.5 (T), shutter speeds of 15 seconds to 1/2000 of a second (settable in M), auto ISO 80/100/200/400/800 equivalent, auto exposure control, auto White Balance Control Preset (Daylight, Cloudy, Tungsten, Fluorescent, Fluorescent H), Auto Built-in Flash with Red-Eye Reduction (Flash On, Flash On w/ Red-Eye Reduction, Flash Off), flash Recycling Time is 10 seconds or less (battery voltage=3.0V), Self-Timer activates shutter after an approximately 2 seconds to 10 seconds delay, Continuous Shooting of approximately 2.1 fps, SD Memory Card slot in the battery compartment, JPEG still image format, Movie format AVI (Image: Motion JPEG; Audio: WAVE (Monaural)) JPEG Compression Mode, 23 languages capable, and many image settings plus modes. Still Image: 640 x 480 (Small), 1,600 x 1,200 (Medium 2), 2,048 x 1,536 (Medium 1), 2,592 x 1,944 (Large), 2,592 x 1,456 (Widescreen) and Movie: 640 x 480 (10 fps) / 320 x 240 (20 fps) available up to 1GB or 1 hour for each file size, 160 x 120 (3 min. at 15 fps). Shooting Modes are Auto; Creative: P, M; Image: Portrait, Landscape, Night Scene, Special Scene (Foliage, Snow, Beach, Fireworks, Indoor, Kids & Pets, Night Snapshot, Color Accent, Color Swap), My Colors, Stitch Assist, and Movie. Photo Effects are Vivid, Neutral, Sepia, Black & White, Positive Film, Lighter Skin Tone, Darker Skin Tone, and Custom Color. The camera can also playback movies or review images and erase movies or images. Other features are USB 2.0 Hi-Speed (mini-B jack), Video Out, Audio Out, and is powered by two AA batteries (Rechargeable AA-size Ni-MH/AA-size Alkaline) or AC Adapter Kit ACK800. The camera pictured here is in fine condition and worth $15.00 in 2020. |
 | Canon: PowerShot A540 | 2006 | c | 2016 | 15.00 | 2006 Fine condition worth $25.00 in 2016 (6.0MP) |
 | Canon: PowerShot A540 | 2006 | c | 2020 | 10.00 | The 2006 Canon Powershot A530 is a Compact digital still camera with built-in flash, 4x Optical zoom, 4x Digital zoom that adds up to 16x Combined Zoom (35mm film equivalent: 35-140mm). The camera uses a 5.0 Megapixel, 1/2.5 inch type Charge Coupled Device (CCD) with Approximately 6.2 Megapixels effective pixels. The focusing range of the A530 is 1.5 foot (45cm) to infinity and 2 inches (5cm) to 1.5 feet (45cm) in Macro mode. Some features are TTL Autofocus, Real-image optical zoom viewfinder, 1.8 inch low-temperature polycrystalline silicon TFT color LCD monitor with approximately 85,000 pixels plus 100% LCD Coverage, maximum aperture of f/2.6 (W) - f/5.5 (T), shutter speeds of 15 seconds to 1/2000 of a second (settable in Tv or M), auto ISO 80/100/200/400/800 equivalent, auto exposure control, auto White Balance Control Preset (Daylight, Cloudy, Tungsten, Fluorescent, Fluorescent H), Auto Built-in Flash with Red-Eye Reduction (Flash On, Flash On w/ Red-Eye Reduction, Flash Off), flash Recycling Time is 10 seconds or less (battery voltage=3.0V), Self-Timer activates shutter after an approximately 2 seconds to 10 seconds delay, Continuous Shooting of approximately 2.1 fps, SD Memory Card slot in the battery compartment, JPEG still image format, Movie format AVI (Image: Motion JPEG; Audio: WAVE (Monaural)) JPEG Compression Mode, 23 languages capable, and many image settings plus modes. Still Image: 640 x 480 (Small), 1,600 x 1,200 (Medium 2), 2,272 x 1,704 (Medium 1), 2,816 x 2,112 (Large), 2,816 x 1,584 (Widescreen) and Movie: 640 x 480 / 320 x 240 (30 fps/15 fps) available up to 1GB or 1 hour for each file size, 320 x 240 (1 min. at 60 fps), 160 x 120 (3 min. at 15 fps). Shooting Modes are Auto; Creative: P, M; Image: Portrait, Landscape, Night Scene, Special Scene (Foliage, Snow, Beach, Fireworks, Indoor, Kids & Pets, Night Snapshot, Color Accent, Color Swap), My Colors, Stitch Assist, and Movie. Photo Effects are Vivid, Neutral, Sepia, Black & White, Positive Film, Lighter Skin Tone, Darker Skin Tone, and Custom Color. The camera can also playback movies or review images and erase movies or images. Other features are USB 2.0 Hi-Speed (mini-B jack), Video Out, Audio Out, and is powered by two AA batteries (Rechargeable AA-size Ni-MH/AA-size Alkaline) or AC Adapter Kit ACK800. The camera pictured here is in fine condition and worth $15.00 in 2020. |
 | Canon: PowerShot A560 | 2007 | c | 2019 | 5.00 | The Canon A560 breaks the $300 mark with a 7.1-megapixel sensor, a 4x optical zoom lens, a broadcast quality Movie mode, and full manual control. It's an impressive offering for such a low price. One up from the low end of the camera models announced by Canon prior to the spring 2007 PMA show, the PowerShot A560 comes in just above the A540 model of 2006. The extra money you'll spend on the Canon A560 over its lower-end sibling will likely be well-spent though. While keeping the same 4x optical zoom lens (35-140mm equivalent) used across much of the PowerShot A-series, the Canon A560 boosts resolution to 7.1 megapixels and increases the maximum movie frame rate to a full 30 frames/second, even at 640x480 resolution. The Canon A560 also boosts performance in some other areas as well, sporting a huge 2.5" rear-panel amorphous silicon TFT LCD in addition to its real-image optical viewfinder, and adding aperture-priority and shutter-priority exposure modes, welcome options for more sophisticated users. The camera has ISO light-sensitivity ranges from 80 to 1600 with shutter speeds of 15 seconds to 1/2000 of a second. Other exposure modes include fully automatic and fully manual, plus a wide range of scene modes in between, and a "My Colors" menu that offers special effects such as Vivid and Neutral, Light or Dark skin, and Custom color adjustments. An Underwater scene mode even adjusts color balance and exposure for use with an optional underwater housing. The camera pictured here is in fine condition and worth $15.00 in 2019. |
 | Canon: PowerShot S400 (Digital IXUS 400) | 2003 | c | 2020 | 5.00 | The 4.0 Digital Elph in the Canon's PowerShot line, the compact S400 was the successor to the popular S200, S230, and S330 models. It has a 4-megapixel sensor, 3x optical zoom, an improved 3.6x digital zoom, and movie mode for videos of up to three minutes. A stainless steel shell protects the camera, while a new finish mixes metals and ceramics to produce a tough cool-toned exterior. Featuring a 4.0 megapixel CCD sensor, the PowerShot S400 delivers a wide range of detail and color (with images up to 2,272 x 1,704 pixels) and prints beyond 11 by 14 inches. Canon's high-quality 3x optical zoom lens (36-108mm, f/2.8-4.9) and the 3.6x digital zoom allows for a combined 10.8x zoom. The PowerShot S400 also features Canon's nine-point AiAF (Artificial intelligence Auto Focus) system for focusing accuracy, shutter speeds of 15 to 1/2,000 of a second, and fast sequence shooting at a rate of 2.5 frames per second (fps). With the movie mode you can shoot up to three minutes of MPEG video at resolutions up to 320 x 240 pixels with sound, editing controls, and VCR-like playback. The camera can also attach voice memos or sound files of up to 60 seconds to each image. Some features are you can select from evaluative, center-weighted, plus spot-metering modes depending on the subject matter, and can even choose to set shutter speeds and apertures manually. An ISO range of 50 to 400 ensures practical shutter speeds in a wide variety of lighting situations, while a multifunctional, built-in flash offers a maximum reach of 3.5 meters in Auto ISO mode. Other features are a 1.5-inch TFT (trans reflective) LCD monitor, built-in flash (with auto, on, off, manual, slow-synch, plus red-eye reduction modes), shot modes (manual, auto, plus stitch assist), white balance (daylight, cloudy, tungsten, fluorescent, plus more), histogram display for checking exposure plus contrast levels in images stored on the memory card, Built-in orientation sensor automatically rotates portrait pictures (these images remain rotated when downloaded), CompactFlash memory card slot (Type I only), USB connectivity, and a ¼ inch 20 thread per inch tripod socket. The camera is powered by a rechargeable lithium-ion battery NB-1LH and the price when new in 2003 was $150.00. The camera pictured here is untested and worth $2.00 in 2020. |
 | Canon: PowerShot S70 | 2004 | c | 2019 | 5.00 | The PowerShot S70 features the 1/1.8″ 7.1-megapixel CCD sensor to enable highly detailed images of up to 3,072 x 2,304 pixels. The S70 was released in June of 2004 and the name remained the same in all three markets (Japan, Europe, and America). The S70 incorporates a 3.6x wide-angle optical zoom lens, realizing a zoom range equivalent to 28-100mm in the 35mm format. Featuring a glass-molded Ultra-high refractive index Aspherical (UA) lens, the lens unit realizes a slim, more compact design and a corresponding reduction in the thickness and weight of the camera. Advanced shooting features include macro photography as close as 4 cm, a top shutter speed of 1/2000 of a second, an “Underwater” white balance preset, VGA (640 x 480 pixels) movie-clip recording and, when shooting in the RAW format, the ability to select the resolution of the JPEG preview image that is simultaneously saved with the RAW file. Moreover, a camera start-up time of just 2.3 seconds and a large-capacity battery (NB-2LH). The camera’s functionality is further extended by a full range of optional accessories, which includes a Tele Converter and a Waterproof Case that enables underwater photography at depths up to 40 meters. Constructed of aluminum-magnesium alloy, the PowerShot S70 features dark-gray and black two-tone color scheme. The model’s functional design also features a large zoom lever on the rear of the camera and round control pad with the “SET” button located in the center for effortless control. The camera pictured here is in fine condition and worth $20.00 in 2019. |
 | Canon: PowerShot SD750 (Digital IXUS 75 / IXY Digital 90) | 2007 | c | 2019 | 5.00 | This camera was introduced in 2007 with a body type classified as an Ultra compact. The camera has a maximum resolution 3072 x 2304, effective pixels are 7 megapixels, a CCD Sensor size 1/2.5" (5.744 x 4.308 mm), ISO settings of (80/ 100/ 200/ 400/ 800/ 1600 plus Auto), 3X optical zoom Focal length (35–105 mm equivalent) with a 4X digital zoom, a maximum aperture of F2.8–4.9, display screen size of 3 inches, screen dots 230,000, USB 2.0 (480 Mbit/sec) port, Focusing Range Normal: 1.0 foot /30cm-infinity, Macro: 1.2 inch-1.6 feet /3-50cm (WIDE), 1.0-1.6 feet /30-50cm (TELE), Digital Macro: 1.2-3.9 inch /3-10cm (WIDE), Shutter speeds of 15 seconds to 1/1500 of a second, maximum aperture of f/2.8 (W) - f/4.9 (T), White Balance Control (Auto, Preset (Daylight, Cloudy, Tungsten, Fluorescent, Fluorescent H), Custom), Recycling Time of 10 seconds or less, Shooting Modes (Auto/ Camera M/ Special Scene (Portrait/ Foliage/ Snow/ Beach/ Fireworks/ Aquarium/ Underwater/ Indoor/ Kids & Pets/ Night Snapshot)/ Color Accent/ Color Swap/ Digital Macro/ Stitch Assist/ Movie), Storage Media (SD Memory Card/ SDHC Memory Card/ MultiMediaCard), built-in flash, Power Source is a Rechargeable Lithium Battery NB-4L, and it has a ¼ inch 20 thread tripod socket. The weight is (including batteries) 170 g (0.37 pounds / 6.00 ounces) and the dimensions are 92 x 57 x 20 mm (3.62 x 2.24 x 0.79″). The camera pictured here is in fine condition and worth $10.00 in 2019. |
 | Canon: PowerShot SD900 (Digital IXUS 900 Ti) | 2006 | c | 2019 | 5.00 | The Power Shot SD900 (Digital IXUS 900 TI/in other regions) was introduced in 2007 in the US and is a Compact digital still camera with built-in flash, 3x Optical/4x Digital/12x Combined Zoom. It has a 10.0 Megapixel, 1/1.8 inch type Charge Coupled Device (CCD) and a 7.7-23.1mm f/2.8-4.9 (35mm film equivalent: 37-111mm) focal length. The normal focus range is 1.6 feet (50cm) to infinity, Macro: 2.0 inches to 1.6 feet (5 to 50cm) (WIDE) plus 1 to 1.6 feet (30 to 50cm) (TELE). The camera also has a real-image optical zoom viewfinder, 2.5 inch low-temperature polycrystalline silicon TFT color LCD with 15 levels of brightness adjustment, Shutter speeds of 15 seconds to 1/2000 of a second, ISO of 80/100/200/400/800/1600, Built-in flash with flash on/off plus Red-Eye Reduction, shooting modes of (Portrait, Foliage, Snow, Beach, Fireworks, Aquarium, Underwater, Indoor shooting modes of Kids & Pets, Night Snapshot) plus (Color Accent, Color Swap, Digital Macro, Stitch Assist, Movie), in camera photo effects of (Vivid, Vivid Blue, Vivid Green, Vivid Red, Neutral, Sepia, Black & White, Positive Film, Lighter Skin Tone, Darker Skin Tone, Custom Color), 10 second Self-timer, continuous shooting at approximately 2.1 fps, memory card slot (SD Memory Card, SDHC Memory Card, MultiMediaCard), USB 2.0 Hi-Speed (mini-B jack), audio/video out socket, and a ¼ inch 20 thread tripod socket. New, in the box was a Lithium Battery Pack NB-5L, Battery Charger CB-2LX, SD Memory Card SDC-32M, Digital Camera Solution CD-ROM, USB Interface Cable IFC-400PCU, AV Cable AVC-DC300, and a wrist strap WS-700. The camera pictured here is in Good condition and worth $20.00 in 2019. |
 | Canon: PowerShot SX160 IS | 2012 | 2015 | 20.00 | 2012 fine condition worth $100.00 in 2015 (16.0MP) | |
 | Canon: Snappy 20 (S-20FF) | 1982 | 2015 | 5.00 | 1982 Poor working condition worth $0.50 in 2015 | |
 | Canon: Snappy 50 | 1982 | 2016 | 5.00 | 1982 fine condition worth $15.00 in 2016 | |
 | Canon: Snappy AF | 1989 | 2016 | 5.00 | Based on the Canon Autoboy Lite 2, this is a fully automatic camera which uses a near-infrared beam for autofocus. It was developed for overseas markets and only released in the America’s in October of 1989. Canon produced this camera for export only and did not release this camera anywhere else. The camera features a 35mm f/4.5 lens, SPC for full auto program EE, and a built-in flash. The electronically-controlled flash fires automatically in low light. The camera has a 35mm f/4.5 (3 elements in 3 groups) lens, electronic programmed shutter plus aperture, Built-in electronic self-timer, built in lens cover, reversed Galilean viewfinder with image-area frame, 0.42x magnification with 85% coverage, EV 10 (f/4.5 at 1/40 sec.) - EV 17 (f/32 at 1/125 sec.) metering, ISO 50 - 1600 (with DX code) film speed range, fixed built-in flash that fires automatically in low-light conditions, and is powered by one 6V 2CR5 lithium battery. The camera also has automatic film advance (0.6 sec. per frame) plus rewind. The dimensions are 139mm x 72mm x 46mm and it weighs 275 grams. The camera pictured here is in Fine condition and worth $15.00 in 2016. | |
 | Canon: Snappy K | 1988 | 2012 | 2.00 | 1988 fine condition worth $10.00 in 2014 | |
 | Canon: Snappy LX (Prima BF / BF35) | 1992 | c | 2016 | 5.00 | 1994 Fine condition worth $15.00 in 2016 |
 | Canon: Snappy LX (Prima BF / BF35) | 1992 | c | 2016 | 10.00 | The Canon Snappy LX (Prima BF in Europe, BF 35 in Japan) of March 1992 was a 35mm compact camera for budget-conscious photographers, and was part of the Canon Snappy series. It was the first fixed focus compact to have a red-eye reduction feature. An auto date model was issued in 1994 that was named the Snappy LX/Date (America), BF35 QDN (Japan), and Prima BF-7/Date (Europe). The Snappy is a fully automatic compact camera with a large viewfinder, built-in flash, and a single focal length lens. The two-shot self-timer also lets you take two consecutive shots with a single self-timer operation. It has a 35mm, f/4.5 (3 elements in 3 groups) lens, three automatic shutter speeds: 1/45s, 1/60s, 1/250s, Integrated auto-flash (10m at ISO 100), DX-decoding of ISO film speeds 100-200/400, and a motor drive with auto advance and rewind. The camera is powered by two 1.5V AA alkaline batteries and sold for a suggested retail price of about $169.00 in the US. Other features were a built in flash, ¼’ 20 thread tripod mount, built in lens cover, and a handy carry strap. The series started in 1982 with the Snappy 20 and Snappy 50. Then came the Snappy S (1985), Aqua Snappy (1986), Snappy EZ (1988), Snappy K (1988), Snappy V (1989), Snappy AF (1989), Snappy Q (1989), Snappy EL (1992), Snappy LX (1992), Snappy CX (1993), Snappy LX/Date (1994), New Snappy EL (1995), Snappy QT/Date (1997), and lastly the Snappy LXII/Date (1998). Note that these all had different names in Europe and Japan. The camera pictured here is in Fine condition and worth $18.00 in 2016. |
 | Canon: Snappy LX (Prima BF / BF35) | 1992 | c | 2017 | 3.00 | The Canon Snappy LX (Prima BF in Europe, BF 35 in Japan) of March 1992 was a 35mm compact camera for budget-conscious photographers, and was part of the Canon Snappy series. It was the first fixed focus compact to have a red-eye reduction feature. An auto date model was issued in 1994 that was named the Snappy LX/Date (America), BF35 QDN (Japan), and Prima BF-7/Date (Europe). The Snappy is a fully automatic compact camera with a large viewfinder, built-in flash, and a single focal length lens. The two-shot self-timer also lets you take two consecutive shots with a single self-timer operation. It has a 35mm, f/4.5 (3 elements in 3 groups) lens, three automatic shutter speeds: 1/45s, 1/60s, 1/250s, Integrated auto-flash (10m at ISO 100), DX-decoding of ISO film speeds 100-200/400, and a motor drive with auto advance and rewind. The camera is powered by two 1.5V AA alkaline batteries and sold for a suggested retail price of about $169.00 in the US. Other features were a built in flash, ¼’ 20 thread tripod mount, built in lens cover, and a handy carry strap. The series started in 1982 with the Snappy 20 and Snappy 50. Then came the Snappy S (1985), Aqua Snappy (1986), Snappy EZ (1988), Snappy K (1988), Snappy V (1989), Snappy AF (1989), Snappy Q (1989), Snappy EL (1992), Snappy LX (1992), Snappy CX (1993), Snappy LX/Date (1994), New Snappy EL (1995), Snappy QT/Date (1997), and lastly the Snappy LXII/Date (1998). Note that these all had different names in Europe and Japan. The camera pictured here is in Fine condition and worth $15.00 in 2017. |
 | Canon: Snappy LX II (Prima BF-8 / BF35D) Date | 1998 | c | 2017 | 4.00 | "BF" stands for "Big Finder". Known as the "Snappy LX II Date" in America, the "Prima BF-8 Date" in Europe and as "BF35D" in Japan. They are a 35mm single focal length compact camera featuring an extra-large, easy-to-see viewfinder and introduced in 1998. The model’s large viewfinder offers three times the viewing area found in conventional compact cameras, allowing subjects to be seen with greater ease and clarity. The feature even enables users to take pictures while wearing eyeglasses as the entire image area can be viewed up to a distance of two centimeters from the viewfinder. A Mode Dial, located on the face of the camera, consolidates all of the operation functions at the user’s fingertips. The camera has a stylishly designed sleek black body and features the Canon logo in raised silver letters. This is the sixth model of the Canon BF (Big Finder) series, the first of which was launched in 1991. Cumulative production of the BF series has already surpassed the 10-million unit mark in July, 1998. The camera produces a picture Size of 24 x 36mm and has a 35mm f/4.5 lens, 3 elements in 3 groups. It also has a Program-type electromagnetic shutter with aperture, electronically controlled, 10-second time delay self-timer, reverse Galileo type viewfinder, OK-to-shoot green LED indicator (located on right side of viewfinder), program AE using CdS light receptor element, metering range EV10 to EV16, ISO 100/200, 400 (Set automatically with DX-coded film) film speed range, Built-in Flash, Red-Eye Reduction feature, Flash ON mode, Flash OFF mode, auto film advance, auto rewind, mid-roll rewind, frame counter, and a ¼” 20 thread per inch tripod socket. The camera is powered by two AA-size Alkaline batteries (enables shooting approximate 50 rolls of 24-exposure film with 50% flash use) (Not compatible with Ni-Cd or lithium batteries). The camera pictured here is in Fine condition and worth $15.00 in 2017. |
 | Canon: Snappy S (S-30FF) | 1985 | 2001 | 2.00 | 1985 Good condition worth $10.00 in 2014 | |
 | Canon: Sprint (AF35J / Autoboy Lite) | 1985 | c | 2017 | 10.00 | The fourth model in Canon's Sure Shot series, released in July 1985, this autofocus compact camera was variously known as the Sprint in the US, AF35J (Jet) In Europe and Autoboy LITE in Japan. It was available in cranberry red or black. The lens is a 35mm, f/3.5. (3 elements in 3 groups). It also has an auto-exposure shutter with speeds from 1/40 of a second to 1/250 of a second and apertures from f/3.5 to f/11. The camera is capable of shooting film speeds of ISO 100 or 400 via DX coding. It also has features like integrated flash with manual controls, flash ready light, auto motorized film advance plus rewind, built in lens cover that seconds as an on/off switch, frame counter, and is powered two 1.5V AAA batteries. The size and weight is 123x68x45mm and 250g (with batteries). Printed on the bottom of the camera is “Canon Made in Taiwan R.O.C. (Republic of China)”. The camera pictured here is in Fine condition and worth $15.00 in 2017. |
 | Canon: Super Sure Shot (AF35ML / Autoboy Super) | 1981 | 1990 | 1990 | 10.00 | 1979 Good condition worth $25.00 in 2014 |
 | Canon: Super Sure Shot (AF35ML / Autoboy Super) | 1981 | 2017 | 7.00 | The camera was known as AF35ML (Autoboy Super) in Japan, AF35ML in Europe and the US and also the Super Sure Shot in the Americas. They released the Quartz Date versions at the same time and added the QD at the end of the name but in the Americas they renamed it the Super Sure Shot. The camera was marketed in July of 1981 for an original price of $425 (47,800 yen). This fully automatic camera’s AF system uses a linear CCD array for triangulation. Nicknamed “Autoboy Super,” the camera has a fast 40mm f/1.9 (5 elements in 5 groups) lens. The electronic shutter was made by Canon and program-controlled. The reverse Galilean viewfinder features projected frame lines with automatic parallax correction. An LED lights when focus is achieved. Pictographs for near-, medium-, and far-distance subjects are also provided. An electronic beeper sounds for camera-shake warning, self-timer operation, and end-of-film alert. The beeper tone is different for each type of audio alert. AF35ML Quartz Date (released in September 1983) was a Canon AF35ML with a date imprinting feature on the camera back. It also cost $45 (5,000 yen) more. It also has a built in manual pop-up flash, power film advance, power rewind, self-timer, continuous shooting at 1 fps, and it is powered by two AA 1.5V batteries. Information from Canon Camera Museum. The camera pictured here is in Fine condition and worth $20.00 in 2017. | |
 | Canon: Sure Shot (AF35M / Autoboy) | 1979 | 2015 | 5.00 | 1979 fine condition worth $ 25.00 in 2015 | |
 | Canon: Sure Shot (AF35M / Autoboy) | 1979 | 2015 | 10.00 | 1979 fine condition worth $25.00 in 2015 | |
 | Canon: Sure Shot 105 Zoom (Prima Super 105 / Autoboy Luna 105) | 1997 | 2014 | 5.00 | 1997 Fine condition worth $20.00 in 2014 | |
 | Canon: Sure Shot 150u (Prima Super 150u / Autoboy N150) | 2004 | 2017 | 3.50 | The Sure Shot 150u was marketed in 2004 plus it is known as the Autoboy N150 in Japan and the Prima Super 150u in Europe. The camera has a 38 to 150mm, f5.6 to f11 Canon zoom lens with 4x zoom range. The Smart Autofocus measures the distance to a subject and let you take sharp, precisely focused images. The powerful zoom lens incorporates two aspherical lens elements, which effectively correct for spherical aberration to ensure exceptional imaging performance throughout the zoom range. The camera uses Passive Autofocus, selects 3 points from 7 focusing points as lens is zoomed. The focusing range is 0.6m / 2 foot to infinity (Wide-angle), 1.0m / 3.3 ft. to infinity (Telephoto). Program Auto Exposure modes including Night and Action modes using the AE Exposure Control Program. The built in flash has a flash ready indicator and a recycling Time of Approximately 7 seconds with new batteries. The camera operates at ISO 100 in flash mode but has an ISO range of 25 to 3200 ISO automatically set in full-stop increments by DX code. The settable modes are Auto, Action, Night-scene, Portrait, Close-up, real-time Release. The camera also has auto film loading, auto film advance, auto rewind, mid-roll rewind, continuous shooting, electronically controlled self-timer (10 second delay), and shutter speeds of 2 seconds to 1/440 of a second. The camera operates on two CR2 3 volt lithium batteries with capacity to last through approximately fourteen 24 exposure rolls at 50 % Flash use. The dimensions are (W x H x D) 4.2 x 2.3 x 2in (107 x 58.7 x 51.5mm). This camera pictured here is in Fine condition and worth $20.00 in 2017. | |
 | Canon: Sure Shot 150u (Prima Super 150u / Autoboy N150) | 2004 | 2017 | 11.00 | Released in 2004 Canon’s advanced new Canon Sure Shot 150u (Autoboy N150/Prima Super 150u), featuring a high-quality 38 to 150mm, f/5.6-11.3, 9 elements in 7 groups, 4x zoom lens, joins the popular Autoboy camera lineup one rank above the Autoboy N130 core model, released in August 2002. The zoom lens incorporates two aspherical lens elements, which effectively correct for spherical aberration to ensure exceptional imaging. The camera incorporates a combined AF/AE (Auto-Focus/Auto-Exposure) CMOS sensor in its passive 3-point AiAF (Artificial intelligence Automatic Focusing) system. Other advanced features include a selection of six “Best Shot Modes,” including Auto, Action and Night Portrait, to cater to a wide range of shooting conditions; and five settable Custom Functions to suit almost any shooting objective. Custom Functions include a continuous-shooting setting that enables a shooting speed of 0.7 frames per second, and Real-Time Release. It also has features such as manual exposure compensation of +/-1.5EV and dioptric adjustment from +0.5 to -2.5 diopter. The camera film speed setting can be ISO 25 to 3200 and is automatically set in full-stop increments by DX code. Some of the other features are mid-roll rewind, auto flash, red eye reduction, 10 second self-timer, auto focus, LED warning, and real-image zoom viewfinder. The camera pictured here is in fine condition and worth $15.00 in 2017. | |
 | Canon: Sure Shot 80 Tele (Prima BF Twin / Autoboy BF 80) | 1995 | 2000 | 10.00 | 1995 Good condition worth $15.00 in 2014 | |
 | Canon: Sure Shot 80 Tele (Prima BF Twin / Autoboy BF 80) | 1995 | 2015 | 5.00 | 1995 fine condition worth $10.00 in 2015 | |
 | Canon: Sure Shot 80 Tele (Prima BF Twin / Autoboy BF 80) | 1995 | 2016 | 5.00 | The Canon Sure Shot 80 Tele SAF 35mm Film Camera comes with a Canon 38/80mm 1:3.7/7.3 zoom Lens and a built in flash. It uses a CR123A 3V battery to power all its features. The camera was also known as the Prima BF Twin in Europe plus other areas, and the Autoboy BF80 in Japan. The camera is a fully automatic autofocus camera with a button on the front to instantly switch between the 38mm focal length (for snapshots and landscapes) and 80mm focal length (for portraits). The direct zoom viewfinder gives a clear image area. Camera operation is simple with a mode dial on the camera back. With Ai-AF autofocusing, the camera focuses at three points in the image area and then selects the main subject to be focused. The Autoboy BF80 also has a panorama mode (13x36mm) prefocus enabled. There is also an electromagnetic programmed shutter and aperture, date imprinting in all modes, auto film advance, auto rewind, frame counter, film ISO plus exposure view window, ¼”x ½” LCD mode screen, direct zoom viewfinder. 0.4x - 0.85x magnification with 84% coverage, flash ready LED in the viewfinder, built in lens cover, and a handy carry strap. Within the viewfinder is an image-area frame, AF frame, close-up frame, and panorama frame. It also has an OK-to-Shoot LED (green) that lights when focus is achieved, blinks for close-up warning, has a camera-shake warning, and turns off during flash recycling. The camera was introduced in 1995 for an original price of $310.00. This is 24,800 yen and yen was worth approximately 80 yen per dollar in 1995. Today 24,800 yen would come to $205.00 with it taking 121.09 yen to make a dollar. The camera pictured here is in good condition but missing the flash lens cover and worth $5.00 in 2016. | |
 | Canon: Sure Shot 80u (Prima Zoom 80u / Autoboy N80) | c2003 | 2017 | 10.00 | One of Canon's last 35 mm compact cameras, the 2003 Sure Shot 80u in America (Prima Zoom 80u in Europe, Autoboy N80 in Japan) from 2003 integrates a 2x zoom in a compact silver case. The lens is a 38–80 mm f/4.7–9.4 (6 elements in 6 groups, including an aspherical lens element) with a focusing range of 0.6 m to infinity (close-up mode: 0.45 m). It also has shutter speeds of 1/480 of a second to 2 seconds and capable of using 25 to 3200 ISO DX coded film. The AF system has a passive 3-point dual AiAF, with spot AF and continuous AF modes. The camera has a built in flash with auto adjust and automatic fill flash, separate lamp for red eye reduction. The shooting modes are Auto, action, night portrait, portrait, close-up, and real-time release. The 80u also has automatic film rewind setting, centre-point AF, continuous shooting (1 frame/sec), Zooming viewfinder with 0.37x–0.88x magnification, built in lens cover, ¼” 20 thread tripod socket, mid-roll rewind, flash ready LED, 5/8” by 1” LCD menu screen, self-timer button, red eye reduction button, mode button, and a handy carry strap. The dimensions and weight are 107.2 x 58.7 x 42.8 mm, 185 g without the 3V CR2 Lithium battery. Everything about the u series cameras was designed to make picture taking stress-free. The placement of the cameras operation button is so intuitive and natural that you will feel at ease shooting with just one hand. The camera pictured here is in Fine condition and worth $20.00 in 2017. | |
 | Canon: Sure Shot 90u (Prima Zoom 90u) | c2001-2003 | 2005 | 12.00 | 2001-2003 Good condition worth $10.00 in 2014 | |
 | Canon: Sure Shot Ace (Prima Shot / Autoboy Prisma) Date | 1988 | 2007 | 4.50 | 1995 good condition worth $10.00 in 2014 | |
 | Canon: Sure Shot Classic 120 (Prima Super 120 / Autoboy 120) | 1999 | 2009 | 7.00 | 1999 Fine condition worth $35.00 in 2014 | |
 | Canon: Sure Shot K | 1995 | 2000 | 5.00 | 1995 good condition worth $10.00 in 2014 | |
 | Canon: Sure Shot Max (Prima 5 / Autoboy Mini) | 1991 | 2015 | 6.00 | 1991 fine condition worth $15.00 in 2015 | |
 | Canon: Sure Shot Max (Prima 5 / Autoboy Mini) Date | 1991 | 2015 | 5.00 | 1991 Fine condition worth $15.00 in 2015 | |
 | Canon: Sure Shot Mega Zoom 76 (Prima Zoom 76 / Autoboy Zoom 76) | 1991 | 2005 | 10.00 | 2000 fine condition worth $25.00 in box with instruction book in 2014 | |
 | Canon: Sure Shot Mega Zoom 76 (Prima Zoom 76 / Autoboy Zoom 76) | 1991 | 2015 | 5.00 | 1991 good condition worth $15.00 in 2015 | |
 | Canon: Sure Shot Owl (Prima AF-7) | 1994 | 2015 | 10.00 | 1994 fine condition worth $15.00 in 2015 | |
 | Canon: Sure Shot Owl (Prima AF-8) Date | 1997 | 2012 | 5.00 | 1997 Fine condition worth $15.00 in 2015 | |
 | Canon: Sure Shot Owl (Prima AF-8) Date | 1997 | 2002 | 5.00 | 1997 fine condition worth $15.00 in 2015 | |
-Date.jpg) | Canon: Sure Shot Owl (Prima AF-8) Date | 1997 | 1999 | 15.00 | 1997 poor condition worth $1.00 in 2015 | |
 | Canon: Sure Shot Supreme (Top Shot / Autoboy 3) | 1986 | 2016 | 5.00 | 1986 fine condition worth $15.00 in 2016 | |
 | Canon: Sure Shot Tele (Top Twin / Autoboy Tele) | 1986 | c | 2018 | 10.00 | The Canon Top Twin, known as Sure Shot Tele in America and Autoboy Tele in Japan, is an enthusiast's autofocus compact camera from 1986. A switch on the back selects between the two focal lengths: a 40 mm f/2.8, 4 elements, 3 groups moderate wide angle configuration and a 70 mm telephoto f/4.9, 7 elements, 6 groups lens. The lens switches to the 70mm configuration by extending 1 ¼”. The lens also has a 40.5 mm thread for various filter application. The built-in lens cover switch on the side of the lens barrel opens the lens barrier and also serves to turn on a built-in soft filter for portraits. Furthermore, it has a backlight compensation mode and a button for multiple exposures. The multiple exposure mode can be used with an additional trick filter to make composite exposures. The camera also features autofocus from 0.96 m to infinity, focus confirmation plus proximity warning in finder, auto-exposure from EV 6–18, shutter speeds for 40mm 1/8 of a second at ƒ/2.8 plus 1/500 of a second at ƒ/22; tele is 1/3 of a second at ƒ/4.9 plus 1/350 of a second at ƒ/27, built in flash with flash ready LED in the viewfinder, DX coding at ISO 100, built-in timer, ¼” x ¾” LCD mode screen, and auto film advance plus rewind. The camera is powered by one 6V 2CR5 lithium battery but requires a small Philips head screwdriver to replace. The dimensions are 134 x 78.7 x 61.8 mm and the weight is 400 g without the battery. The camera pictured here is in fine condition and worth $20.00 in 2018. |
 | Canon: Sure Shot Tele Max (Prima Twin S / Autoboy Mini T) | 1991 | 2015 | 10.00 | 1991 fine condition worth $15.00 in 2015 (Sure Shot Telemax Date/Prima Twin S Date/Autoboy Mini T Date) | |
 | Canon: Sure Shot Tele Max (Prima Twin S / Autoboy Mini T) | 1991 | 2016 | 5.00 | 1991 Good condition worth $15.00 in 2016 | |
 | Canon: Sure Shot WP-1 | 1993 | c | 2002 | 5.00 | 1994 Fine condition worth $20.00 in 2014 |
 | Canon: Sure Shot WP-1 | 1993 | c | 2002 | 10.00 | 1994 Fine condition worth $20.00 in 2014 |
 | Canon: Sure Shot WP-1 | 1993 | c | 2002 | 10.00 | 1994 Fine condition worth $20.00 in 2014 |
 | Canon: Sure Shot WP-1 | 1993 | c | 2017 | 3.00 | This camera is a high-performance, high-quality waterproof compact camera with fully automatic operation guaranteed to depths of 16.4 feet underwater or on land. It has precise 3-point Active Smart AF with 415 focusing steps from 1.5feet to infinity plus built-in automatic flash with Red-Eye Reduction feature and Flash On/Off capability. It also has an extra-large, high-eye point viewfinder ideal for shooting pictures wearing a mask or goggles, sharp close-ups to 1.5feet underwater or above, water resistant case, and a handy carry strap. The camera also has a 32mm f/3.5 lens, 3-point Active Autofocus (on-land), Macro mode (1.1 to 2.5 feet underwater), programed AE exposure control, built in flash with 4 second flash recycle time, automatic film speed setting for ISO 25 to 3000, auto film load, auto film advance, auto rewind, mid-roll rewind, program-type electromagnetically driven shutter (also serves as aperture diaphragm) with speeds of 2 seconds to 1/250 of a second, and an electronically controlled 10-second delay self-timer. This all runs on one 3V CR123A lithium battery and could power the camera for approximately 18 rolls (24-exposure film), with 50% flash use. This camera has the same features as the Canon Sure Shot A-1 (Prima AS-1 / Autoboy D5 (Date)) and has the same 1994 product launch date. The camera pictured here is in good condition and worth $10.00 in 2017. |
 | Canon: Sure Shot WP-1 | 1993 | 2017 | 4.00 | This camera is a high-performance, high-quality waterproof compact camera with fully automatic operation guaranteed to depths of 16.4 feet underwater or on land. It has precise 3-point Active Smart AF with 415 focusing steps from 1.5feet to infinity plus built-in automatic flash with Red-Eye Reduction feature and Flash On/Off capability. It also has an extra-large, high-eye point viewfinder ideal for shooting pictures wearing a mask or goggles, sharp close-ups to 1.5feet underwater or above, water resistant case, and a handy carry strap. The camera also has a 32mm f/3.5 lens, 3-point Active Autofocus (on-land), Macro mode (1.1 to 2.5 feet underwater), programed AE exposure control, built in flash with 4 second flash recycle time, automatic film speed setting for ISO 25 to 3000, auto film load, auto film advance, auto rewind, mid-roll rewind, program-type electromagnetically driven shutter (also serves as aperture diaphragm) with speeds of 2 seconds to 1/250 of a second, and an electronically controlled 10-second delay self-timer. This all runs on one 3V CR123A lithium battery and could power the camera for approximately 18 rolls (24-exposure film), with 50% flash use. This camera has the same features as the Canon Sure Shot A-1 (Prima AS-1 / Autoboy D5 (Date)) and has the same 1994 product launch date. The camera pictured here is in good condition and worth $10.00 in 2017. | |
 | Canon: Sure Shot Z115 (Prima Super 115 / Autoboy S) | 1993 | 2010 | 12.00 | 2002 fine condition worth $25.00 in 2014 | |
 | Canon: Sure Shot Z115 (Prima Super 115 / Autoboy S) | 1993 | c | 2020 | 3.00 | A September 1993 model from Canon's phenomenally successful Sure Shot range, this compact 35mm film camera - known variously as the 'Sure Shot Z115', 'Prima Super 115' and 'Autoboy S (Super)' was a top of the range compact zoom. It has a 38-105mm zoom, f/3.6-8.5 (10 elements in 9 groups, including an aspherical element for excellent sharpness.) lens, three-point AI active auto-focus from 0.6m (23.5 inch) to infinity (0.4m (16 inch) close range in macro mode), direct zoom viewfinder, 0.47x-1.22x magnification, 84% coverage, with focal length markings, LED ready plus low-light warning, auto-loading, auto advancing, auto rewinding of DX-coded 35mm (25-3200 ISO), continuous shooting at 1 fps, auto-exposure with 3-zone metering, LCD with frame counter plus mode icons, shutter-speed from 2-1/1200s depending on mode and focal length, auto-flash, with red-eye reduction, Guide No. 14 (at ISO 100 in meters), real-time (RT) mode with shutter lag of just 0.03 seconds, self-timer, ¼ inch 20 thread tripod socket, powered by 2 x CR123A lithium batteries, and the dimensions are 130x70x60mm with a weight of 350g. The camera pictured here is in Good condition and is worth $10.00 in 2020. |
 | Canon: Sure Shot Z155 (Prima Super 155 / Autoboy 155) | 2002 | 2010 | 10.00 | 2002 Good condition worth $15.00 in 2014 | |
 | Canon: Sure Shot Zoom 76 (Prima Zoom 76 / Autoboy Juno 76) Date | c2000 | 2008 | 5.00 | 2000 Good condition worth $12.00 in 2014 | |
 | Canon: Sure Shot Zoom 76 (Prima Zoom 76 / Autoboy Juno 76) Date | c2000 | 2015 | 6.00 | 2000 fine condition worth $15.00 in 2015 | |
 | Canon: Sure Shot Zoom 85 (Prima Zoom 85 / Autoboy Luna 85) Date | 1998 | 2016 | 5.00 | 1998 Fine condition worth $20.00 in 2016 | |
 | Canon: Sure Shot Zoom S (Prima Auto Zoom) | 1988 | 2002 | 5.00 | 1988 Good condition worth $10.00 in 2014 | |
 | Canon: Sure Shot Zoom XL (Prima Zoom F / Autoboy Zoom Super) | 1989 | c | 2017 | 9.00 | The Canon Sure Shot Zoom XL was released as the Autoboy Zoom Super in Japan and the Prima Zoom F in Europe for about $500 in 1989. The camera is a fully automatic zoom compact using an SPC (silicon photocell) for a triangulation AF system. The near-infrared beam for autofocusing is also used for AF assist in low light. Pre-focusing is possible. The 39-85mm f/3.6-7.3 lens has 9 elements in 8 groups and power zooming. The optical quality is comparable to Canon FD interchangeable lenses. A convenient, fixed-magnification mode is provided. The direct zoom viewfinder gives a clear image area. The built-in flash’s Guide Number is 11.8 to 14.4 (at ISO 100 in m). It zooms automatically to match the focal length. The shutter speeds range from 1/40 to 1/250 of a second and the zoom ranges from .42x to .81x magnification. The camera also has auto film advance, auto rewind, mid roll rewind, frame counter, LCD menu plus info screen, flash on/off button, auto flash in low light, 1/4” 20 thread tripod socket, and takes ISO 50 to 3200 DX coded film. The camera is powered with one 6 V 2CR5 lithium battery. The camera pictured here is in Fine condition and worth $20.00 in 2017. |
 | Casio: Exilim EX-Z60 | 2006 | c | 2020 | 4.00 | In 2006 the Casio Exilim EX-Z60 was the latest lithium-ion battery powered camera in Casio's pursuit that is both high tech and hassle-free. The EX-Z60 offers 6.0-megapixel images and a 3x optical zoom (38-114mm lens (35mm equivalent)) packed into a slim body. The camera features a large, 2.5-inch LCD monitor as well as the Anti Shake DSP, which along with the Auto Macro and Quick Shutter functions, considerably reduces the incidence of blurred images due to moving subjects or shaky hands, ensuring that images can be created and enjoyed by anyone. The EX-Z60 comes with many other convenient and user-friendly features, including Easy Mode, a simplified camera menu that facilitates effortless picture taking. A noteworthy EX-Z60 function includes Revive Shot, which refreshes faded colors of old photos by bringing them back to life in digital format, automatically adjusting for obliquity even when photos are shot while still in the album. The Rapid Flash function enables three consecutive, high-speed flash photos in only one second, ensuring that no special moments are missed. The Easy Mode setting provides a simplified, easy-to-understand, and convenient version of the settings menu and camera interface, designed especially for first-time users but also helpful to those who prefer a basic camera settings interface as well. The BEST SHOT button enables convenient, one-touch access to 33 scenarios chosen from an image menu and providing the user with a wide range of camera settings for taking hassle-free photos every time. Other features are “Soft Flash” That prevents overexposure when taking shots in Macro, stores images on SD memory cards (includes 8.3 MB internal memory), minimal shutter lag of approximately 0.002 seconds, auto lens shield, and a ¼ inch 20 thread tripod socket. The camera pictured here is not tested and worth $2.00 in 2020. |
 | Casio: Exilim EX-Z75 | 2007 | c | 2019 | 5.00 | The EX-Z75 was introduced in 2005 an has an CCD Sensor Type, 3x optical f/3.1 to f/5.9 (38mm-to-114mm-equivalent) aspherical zoom lens, 4x Digital Zoom, AVI Digital Video Format, JPEG Image Recording Format, single-shot mode cycle time is 1.7 seconds, video mode at 640 x 480 resolution with 30fps, Exposure & White Balance, White Balance Presets (fluorescent light (daylight), overcast), Light Sensitivity ISO 50 to 400, Lens Construction is 5 groups / 6 elements, Macro Focus Range is 4 inches - 19.7 inches, SD Memory Card slot, 8 MB Included Memory Card, Anti-Shake DSP, built-in speaker, cropping an image, date/time stamp, digital image rotation, histogram display, resizing an image, saturation control, sharpness control, 1 Casio NP-20 Li-ion rechargeable battery - 700 mAh (included), Video Input, built-in flash, built in lens cover that opens when the camera is turned on, USB 2.0 port, 2.6 inch wide LCD display screen, 10 second self-timer, color filters (B&W, sepia, red, green, blue, yellow, pink, or purple), and a ¼ inch 20 thread tripod socket. The camera pictured here is in fine condition and worth $10.00 in 2019. |
 | Casio: QV-100 | 1996 | 2019 | 3.00 | Casio’s entire QV series of 15 cameras was introduced in eight years from 1996 till 2004. The Casio QV-100 was introduced in 7/25/1996 and was the first of the series to have 4MB of internal memory and VGA resolution. It also had a higher ISO value, bigger sensor, improved battery life, higher resolution, and a fast forward mode for reviewing images. Images were 0.36MP (640x480) from a ¼ inch CCD. It also has a 6V DC in socket, a video out socket, a digital socket for camera to camera transfer, 10 second self-timer, 1.8 inch LCD screen with brightness adjuster, swivel lens, shutter speeds of 1/8 second to 1/4000 of a second, auto power off after two minutes of inactivity, low battery indicator, Normal/Macro switch, f2.8/f8 aperture switch, self-time/protect button, effect button, Display button, and Mode button. The macro setting allows you to be from 6 inches to 10.5 inches with f8 aperture and 5.5 inches to 7 inches with 2.8 aperture setting. In the Normal setting it is 19.5 inches to infinity at f2.8 aperture and 11.8 inches to infinity at f8 aperture. The camera pictured here is in fine condition and worth $10.00 in 2019. | |
 | Casio: QV-700 | 1997 | 2017 | 3.50 | The Casio QV-700 was announced 1997 and the tenth digital camera in the QV-series finally had a built-in strobe! For the first time Casio's digital cameras matured into a serious digital camera unit. It featured continuous, time shot, panorama and interval shooting, a variety of image editing functions, a jog dial and for the first time removable memory. Continuous shooting was done by holding the shutter button down, the camera would shoot at one second intervals. The swivel lens with its built-in strobe to shoot darker scenes or at night and the new high-performance CPU allowed recording and playback of images within one second. A new color filter allowed for improved color reproduction and a quartz date function allowed for imprinting time and date on each image. When new the MSRP was $599. The camera has a 0.35MP 1/4" CCD, 640x480 resolution, Compact Flash external storage, f3.94mm /F2 lens, 1/8 of a second to 1/4,000 of a second shutter speeds, built in flash, f2 aperture range, 2.5 inch LCD screen and was 147 x 69 x 50mm in size plus weighed 290 grams. The camera uses two AA alkaline batteries for all functions. The camera pictured here is in Poor condition and worth $1.00 in 2017 | |
 | Chadwick-Miller: Fun-Face | c1979 | c | 2015 | 10.00 | This camera is all plastic and listed as a toy camera that happens to take pictures. It uses 126 cartridge film and recommends Kodak on the box it comes in. The camera is distributed by Chadwick Miller, Ink. Out of Canton Mass. 02021 and made in Hong Kong around 1979. The film is advanced by a small ridged wheel mounted at the top of the camera and a window on the back allows you to keep track of the 20 frames. The 126 cartridge was introduced by Kodak in 1963, and is associated mainly with low-end point-and-shoot cameras, particularly Kodak's own Instamatic series of cameras. Although 126 was once very popular, as of 2008 it is no longer manufactured, and few photofinishers will process it. It is available online but one cartridge can run you $10.00 or more. This camera has no double exposure protection nor does it have any flash capability. The molded plus painted face on the camera is mischievous at best and possibly scary to children at worst. The retail cost of the camera is unknown but around $1.00 or $2.00 could be the most. The camera pictured here is in Fine condition with the original box and worth $10.00 in 2015. |
 | Chinon: Chinon 35 FX-III | 1989 | 2009 | 2.00 | 1989 good condition worth $5.00 in 2014 | |
 | Chinon: Chinon 35 FX-TM | 1989 | 2015 | 2.00 | 1989 poor condition worth $5.00 for parts in 2015 (battery door missing) | |
 | Chinon: Chinon CM-4S | 1982 | 1990 | 40.00 | 1980-1982 good condition worth $35.00 in 2014 | |
 | Chinon: Chinon CM-4S | 1982 | 1994 | 20.00 | 1980-1982 good condition worth $35.00 in 2014 | |
 | Chinon: Chinon CM-4S | 1982 | 1990 | 20.00 | 1980-1982 good condition worth $35.00 in 2014 | |
 | Chinon: Chinon CM-5 | 1982 | c | 1995 | 35.00 | 1981 Good condition worth $60.00 in 2014 |
 | Chinon: Chinon CM-5 | 1982 | c | 2018 | 7.00 | The Chinon CM-5 is a very capable camera. This made in Japan SLR, utilizing the Pentax K mount, and makes a superior back-up camera, or a great starter or student camera. Its manual shutter needs no batteries, and the meter is powered by common 1.5 volt cells (two MS-76). It has Chinon’s variant of the Copal square shutter, and as such it has flash sync. @ 1/60 sec. It also has a full range of shutter speeds from 1 sec. to 1/1000 and an ASA range of 25 to 1600. The meter display consists of 3 LED’s at the viewfinder, indicating over, under, and correct exposure. The body will accept a power winder (Chinon PW530 or 600). The action grip on the front is removable and will also hold 2 spare batteries underneath. The self-timer is tripped by the same lever used to set it, not the shutter button. The viewfinder is exceptionally bright and has a large eye view area. In this respect and others, it easily has more functionality than a K-1000. You can use all your Pentax 49mm filters on the 50mm f/1.9 lens, a fine performer if not exactly a Pentax SMC! This camera pictured above is in Fine working condition and is worth $35.00 in 2018. |
 | Chinon: Chinon CS-4 | 1980 | 2003 | 15.00 | 1978 good condition worth $45.00 in 2015 | |
 | Chinon: Chinon Genesis | 1988 | 1991 | 52.00 | 1988 Good condition worth $35.00 in 2014 | |
 | Chinon: Chinon Genesis | 1988 | 1996 | 15.00 | 1988 good condition worth $15.00 in 2014 (missing face plate) | |
 | Chinon: Chinon Genesis III | 1990 | 2013 | 20.00 | 1989 Fine condition worth $25.00 in 2014 | |
 | Chinon: Handyzoom 5001 AF | 1990 | c | 2010 | 20.00 | 1989 Fine condition worth $35.00 in 2015 |
 | Cinex: Cinex Candid | c1930-1936 | 1990 | 5.00 | 1930-1936 good condition worth $10.00 in 2014 | |
 | Cinex: Cinex Deluxe | c1950 | c | 2018 | 2.00 | The Deluxe Cinex camera was manufactured in Chicago and is believed to be sold by Spartus Camera Corporation in circa 1950 but has a label on the original box that reads “Utility Plastic Products Co. Chicago Illinois”. A point and shoot camera with the body constructed of black Bakelite, the lens is plastic, grey plastic back cover, and plastic lens housing. There are metal parts like the wind knobs, shutter assembly, back cover clips, screws, and spring film spool holders inside. The name was used for several models by a few Chicago based camera companies and on the lens housing is printed Chicago, Ill, and USA. It uses 127 roll film that produces 4 x 4cm exposures. Some Deluxe Cinex cameras came with a white printed lens ring and others were black. The view finder is a tunnel frame with no optics. The shutter has two settings of time and instant and the speed of the shutter is of 1/50 of a second. It also has two round red view windows for lining up the frame by using the frame numbers on the film backing. These windows are numbered 1 and 2. When you have the same number in both windows, you are at the next frame. The camera pictured here is in Poor working condition due to a missing one turn shutter spring but can be repaired. Esthetically it is in fine condition and worth $5.00 with the original box in 2017. |
 | Ciro Cameras: Ciroflex D | c1947-1950 | 1961 | 0.00 | 1946 Poor condition worth $10.00 in parts in 2015 (In 1962 we had a bad storm in New Jersey and our house was flooded. The water did not get to the camera but the moisture did.) | |
 | Clarus Camera: Clarus MS-35 | c1946-1952 | 2012 | 20.00 | 1946-1952 poor condition worth $40.00 for parts(A mint example would fetch $400.00 on today’s market) | |
 | Concord Cameras: Concord 110 EF | c1987-1990s | 2015 | 2.00 | 1987 Good condition worth $5.00 in 2015 | |
 | Concord Cameras: Concord 110 EF | c1987-1990s | c | 2017 | 11.00 | Made in China, and branded Concord, this 110 film camera has a built-in electronic flash with on off switch and ready LED light. Requires two AAA batteries for the flash only and has a 2 second refresh rate depending on batteries. The camera was produced from 1987 to 1990 and was listed as a pocket camera. The camera also has film view window in the back, 38mm plastic lens, viewfinder, thumb slide film advance, and a handy wrist style carry strap. This camera was also given the name “Neon Lites 110EF” and produced in bright pink amongst other colors like bright green, powder blue, orange and yellow. The pink Neon Lites camera pictured here is in Fine condition and worth $20.00 in 2017. |
 | Concord Cameras: Concord 118 | c1987-1990s | 2007 | 0.00 | 1978 fine condition worth $10.00 in 2015 | |
 | Concord Cameras: Concord 118 | c1987-1990s | 2016 | 9.00 | 1978 New condition worth $20.00 in 2016 | |
 | Concord Cameras: Concord 806 | c1987-1990s | 2000 | 5.00 | 1985 good condition worth $5.00 in 2015 | |
 | Concord Cameras: Concord 806 | c1987-1990s | 2016 | 1.00 | 1985 poor condition worth $2.00 in 2016 (esthetics bad but works) | |
 | Concord Cameras: Concord AW 905 | c1987-1990s | 2001 | 2.00 | 1986 good condition worth $10.00 in 2014 | |
 | Concord Cameras: Concord EyeQ Mini | 2002 | 2016 | 2.00 | This 2002 camera has a lens aperture is f/2.8, minimum focal length 6.3 mm (focal length equivalent to 35mm Camera 24m), minimum focus distance 2 feet, 8 MB internal Memory, Video Capture AVI 320 x 240 for 32 sec with the 8MB built-in memory, real-image optical viewfinder, status LCD information display, frame counter, auto power save, USB connector, and it all operates with two AAA alkaline batteries. The image recording format is JPEG with a CMOS sensor resolution of 0.3 mega pixels. The camera is 3.1” wide, 2.1’ high, and ¾’ deep with a weight of 1.59 ounces. The camera pictured here is in Good condition and worth $5.00 in 2016. | |
 | Concord Cameras: Crayola 110 Flash | c1998 | 2015 | 4.50 | 1985 fine condition worth $10.00 in 2015 | |
 | Concord Cameras: Le Clic | 1985 | 2015 | 1.00 | 1985 good condition worth $5.00 in 2015 | |
 | Concord Cameras: Le Clic 108 | 2020 | 2.00 | The Le Clic is a model 108 made in the China for Concord in 1985 unlike the model 106 with flash made in the US. This camera measures 5" (12.7cm) by 2.5" (6.35cm) by 1" (2.54cm). This camera uses the 110 film cartridge. It has about a 38mm lens and is a point and shoot. The film advance is a thumb slid bar on the bottom for the right hand. The model 108 camera came in black, blue, green, and a vivid pink. The 110 cartridge was introduced by Kodak in 1972 with Kodak Pocket Instamatic cameras. The new pocket-sized cameras became immediately popular, and soon displaced competing subminiature cameras, such as the Minolta 16 series, from the market. The 110 film width is 16 mm and a four frame strip measures 111 mm. Kodak stopped 110 production in 1994 and Fujifilm stopped manufacturing 110 in September 2009. Lomography re-commenced 110 film production in 2011 and still produces the film today. The camera pictured above is in fine condition and is worth $5.00 in 2020. | ||
 | Concord Cameras: Le Clic 108 | 2020 | 2.00 | The Le Clic is a model 108 made in the China for Concord in 1985 unlike the model 106 with flash made in the US. This camera measures 5" (12.7cm) by 2.5" (6.35cm) by 1" (2.54cm). This camera uses the 110 film cartridge. It has about a 38mm lens and is a point and shoot. The film advance is a thumb slid bar on the bottom for the right hand. The model 108 camera came in black, blue, green, and a vivid pink. The 110 cartridge was introduced by Kodak in 1972 with Kodak Pocket Instamatic cameras. The new pocket-sized cameras became immediately popular, and soon displaced competing subminiature cameras, such as the Minolta 16 series, from the market. The 110 film width is 16 mm and a four frame strip measures 111 mm. Kodak stopped 110 production in 1994 and Fujifilm stopped manufacturing 110 in September 2009. Lomography re-commenced 110 film production in 2011 and still produces the film today. The camera pictured above is in fine condition and is worth $5.00 in 2020. | ||
 | Conley: Kewpie (No. 2A) | c1917-1922 | 2015 | 18.00 | 1917-1922 fine condition worth $25.00 in 2015 | |
 | Continental: EF135 | c1970s | 2016 | 8.00 | The camera was produced during the 1970’s. It uses a Conar f4 38mm lens with two ASA settings of 100 and 400 that change the aperture from f11 to f22. The camera comes with a built in flash, flash on/off switch, a flash ready lamp, a flash off LED next to the optical viewfinder, frame counter, rewind release button, fold down rewind crank that opens the film compartment when pull up completely, a right thumb film advance wheel, and a ¼” 20 thread tripod mount. The camera uses two AA batteries to power the flash and will work without batteries. It is a mostly plastic 35mm camera that feels good in your hands due to the weights added and also looks the part from 3 feet away. The camera pictured here is in fine condition and worth $15.00 in 2016. | |
 | Continental: Electroflash 555 S | c1970-1975 | 2017 | 2.00 | The Continental Electroflash 555-S is a 110 film cartridge pocket camera. As the name suggests, it has a built-in flash and the S after 555 stands for sensor. There is an Electroflash 555, which lacks the sensor and a slide switch selector on the top depicting a clouded sun plus just the sun as a second choice with numbers (80/125 plus 400) on the switch itself. This is for selecting the ASA, either 80 to 100 ASA or 400 ASA. A red LED in the viewfinder lets you know if you have enough light, or to turn on the flash and this LED is controlled via the sensor. Both cameras require two "AA" Alkaline Batteries plus on both the shutter is cocked by the perforations in the film, so the camera will not accept non-perforated reloads. Both cameras also have an on/off switch on top for the flash, a flash ready light, film observation window in the back that also is used as the frame counter, optical viewfinder, ¼” twenty thread tripod mount on the bottom of the camera, right thumb film advance slide lever, and a handy carry strap attach point. The sensor opening is between the lens and viewfinder on the 555-S model and “SENSOR” is printed directly under it. On the 555, in the same spot, is printed “OPTICAL LENS 1:8”. The shutter on both is a strange configuration consisting of a flapping door between the lens and the film. The lens is a single element meniscus so don't expect great results. This camera is not a very sophisticated imaging machine, however, it is adaptable to a pretty wide variety of photographic situations. A step up from a simple point and shoot but not a very big step. The 555 version was released early in 1970 then came the 555-S later that same year and Continental discontinued manufacturing both in 1975. | |
 | Coronet Camera: 3-D | c1953 | 2016 | 22.00 | The Coronet 3D camera was manufactured by the Coronet Camera Company in circa 1954. A uniquely designed 3D camera advertised as two cameras in one, able to take stereoscopic pics or ordinary snap shot prints on standard number 127 roll film. It was constructed of plastic Bakelite with a built-in binocular viewer. The camera was made without and with a synchronized flash feature. A few variations in the body style was also made, including an early ribbed black body, a smooth black body and a speckled color body. This camera would take 4 stereo pair exposures, or a lever on the side allowed for blocking out the no. 1 lens and taking 8 single non-stereo exposures. The non-flash model was priced at $5.40 and the Synchronized flash model was priced at $5.80. The camera has two, meniscus fixed focus lenses, Single-blade guillotine shutter (spring powered) with a capping blade for the number one lens, and the format is 4, 42 x 50 mm exposures on 127 roll-film in consecutive stereo pairs. Film advance indicated by a round red window on the back cover. When taking stereo pairs the film is advanced until an odd number shows in the red window (1, 3, 5, and 7). When taking eight single exposures on a roll of film you would adjust the blanking plate over the number 1 lens. The film is advanced to show even and odd numbers in the red window starting with 1 and ending with 8. The camera pictured above is in fine condition and worth $60.00 in 2016. | |
 | Cosina Co: Cosina CT-1A | c1980 | 2004 | 20.00 | 1980 good condition worth $20.00 in 2015 | |
 | Craftex Products: Hollywood Reflex Sportsman | c1947 | 2016 | 16.00 | Manufactured in USA from 1947 until 1950. It is a tall, unadorned metal box twin lens reflex camera. It takes 620 film and inside the camera it suggests Ansco Plenachrome PB-20 or Eastman Verichrome 620 for best results. This same camera had other variants like the Hollywood Reflex A, B, C, D, and E plus the Sightseer and Sportsman. These cameras were pseudo TLR with no connection or gearing between the lens focus mechanics and the viewfinder lens. You have to guess at the distance and set the focus range to what seemed correct. Only the Hollywood Reflex Model E was a true TLR with the gearing required and is the standout. The sportsman II has three shutter settings of 1/50 of a second, 1/150 of a second, and Time. The camera also has two aperture settings of f8 plus f16, a 80mm Achromat main lens, plunger shutter attach point, flash two conductor attach point, red window frame observation window in the back cover, ¼” 20 thread tripod mount, large brilliant viewfinder under a fold down cage on top, line of sight viewfinder within the fold down cage, and a right hand film advance wheel. The serial number for this camera is 804195. The camera pictured above is in good condition and worth $20.00 in 2016. | |
 | D-Link: DSC-350 | 1999 | 2005 | 2.00 | 1998 fine condition worth $5.00 in 2014 (640 x 480 Digital) | |
 | D-Link: DSC-350 | 1999 | 2015 | 5.00 | 2000 Fine condition worth $10.00 in 2015 (1024MP x 768MP) | |
 | Dacora Dangelmaier: Digna | 1954 | 2017 | 12.00 | The Dacora Digna is a medium format 120 film fixed-lens viewfinder camera introduced by Dacora-Kamerawerk in 1954 to 1959. There are several variants of the Digna with different lenses ranging from the relatively high end Enna Correlar 80mm f/2.9 to more basic offerings like my example’s Dacora 80mm f/7.7 Achromat. The Digna was also sold as the Ilford Sporti in the British market. The Digna employs a spring-loaded telescoping lens which can be extended by rotating the lens barrel counterclockwise. Once released, the lens’ focus can be adjusted by rotating the ring immediately surrounding the front element. Two toggles on either side of the front element choose between two shutter speeds (B for Bulb and I for instant) and two apertures (f/8 and f/11). A flash sync socket is located at six o’clock on the front of the lens barrel. The camera pictured here is in fine condition and worth $20.00 in 2017. | |
 | Dacora Dangelmaier: Super Dignette | 1956-1962 | 2015 | 8.00 | 1962 Poor condition worth $10.00 for parts in 2015 (stuck shutter) | |
 | Daiichi Kogaku: Zenobia | c1949 | 2016 | 27.00 | The Zenobia (ゼノビア) is a series of Japanese 4.5×6 folders, successors to the Waltax. They were made from 1952 to 1957 by Daiichi Kōgaku, later Zenobia Kōgaku; and they were distributed by Hattori Tokei-ten at least until 1955. All the Zenobia models have a body copied from the Ikonta A and inherited from the Waltax. Two companies sold modified and rebadged Zenobia cameras: Union Kōgaku offered the Union Semi, also called Union C-II, in 1953–4 and Walz the Walcon or Walcon Semi in 1954–5. In both cases the lens and shutter are different and there are other minor changes. The Zenobia C and Zenobia P are continuations of the Waltax Senior, without double-exposure prevention. According to Kokusan kamera no rekishi, both appear in the Japanese camera announcements column of the January 1952 issue of Asahi Camera. The C has a synchronized D.O.C.–Rapid shutter with B, 1–500 speeds, the P I has a synchronized NKS shutter with B, 1–200 speeds and the P II is the same as the P I with a self-timer. The D.O.C.-Rapid is a copy of the Compur and the NKS is a copy of the Prontor, so it is possible that "C" stands for Compur and "P" for Prontor, but this is only a guess. It is the only appearance of the Zenobia P mentioned by Kokusan kamera no rekishi. A Zenobia with NKK shutter to 1/200 has been reported to exist, but no picture has been observed yet. Shortly afterwards in 1952, the Zenobia C I and C II were advertised together. They are explicitly mentioned as an improvement of the Waltax. The lens is a four-element Tessar-type coated Hesper 75mm f/3.5. (Many people seem to believe that the Hesper has three elements and the later Neo-Hesper four, but the advertisements clearly state otherwise.) The C I is the new name of the C and it is offered for ¥14,000[3] with a D.O.C.-Rapid B, 1–500 shutter (advertised as a Compur-Rapid copy), synchronized with an ASA bayonet connector. The C II is offered for ¥15,000 with a Seikosha-Rapid shutter having similar specifications. The camera pictured here is in fine condition and worth $50.00 in 2016. | |
 | DIANA: Diana F | c1960-1970s | 2016 | 3.00 | 1960 good condition worth $10.00 in 2016 | |
 | DIANA: Valiant Flash | c1960s | 2016 | 5.00 | The Valiant Flash camera is a so-called "toy camera" that originated in the 1960s produced by the Great Wall Plastic Co. in China. This is a pure Diana-F "re-badged" for the name Valiant. Uses 120 roll and this camera is in the original box, with the original manual. The Diana F clone, was produced under many names for different markets. Some were sold as promotional items (there is a Readers Digest version, for example). Most all Diana’s use 120 film but some versions of the camera take 127 or 620 film. The lens is plastic with some anomalies that show up in photographs. A roll of 120 film will give you 16 frames. Focusing is done by twisting the lens to 3 zones, 4-6ft, 6-12ft, or 12ft to infinity. There are several variations in top-plate and lens-barrel style; some have fake light-meter windows and a few have flash sync. Diana’s have recently (in c.2007) become very popular for the effects their poor lens and build quality can impart to a photograph - so popular that it is now again possible to buy them new, and also possible to pay as much for a Diana as for a cheap -or even a mid-range - digital camera! Some popular Diana clone names: Acme, Anny, Altic, Arrow, Arrow Flash, Asiana, Avis, Banier, Banner, Barri-Shelli, Bergère- de France, Binaflex, Black Bird, Candy, Chase, Clicker, Codeg, Colorflash Deluxe, Debonair, Debro, Debutante, Diana, Diana+ / Diana Plus, Diana Deluxe, Diana F, Diana F+, Diana Mini, Dionne F2, Dories, Eikow, Flocon RF 222, Future Scientist Flash, Gray Line, Harrow, Hi-Flash, Hong Meow, Justen, Lina, Lina S, Mark L, MegoMatic, Merit, Mirage, Panax, Photon 120, Pioneer, Pokey, Raleigh, Rand, Reader's Digest, Reliance, Rosko, Rover, Samtoy, See, Shakey's, Sinomax, Stellar, Stellar Flash, Tina, Traceflex, Tru-View, Valiant, Windsor, Zip, and Zodiac. This Information was acquired from CGcollectibles. The camera pictured here is in Fine condition and worth $25.00 with the box and instructions in 2016. | |
 | Discovery Kids: Digital Camera | 2009 | 2014 | 2.00 | 2009 fine condition worth $15.00 in 2014 (640 x 480) | |
 | DS-Max: HC 2000 | c1991 | 2008 | 5.00 | 1991 fine condition worth $15.00 in 2014 | |
 | DS-Max: PN338 | c1995 | 2012 | 5.00 | 1995 fine condition worth $10.00 in 2014 | |
 | Earl Products: Scenex | c1950 | c | 2018 | 5.00 | The Scenex camera is the same as Cub and the Snappy. They measure 3 1/8 inches wide, 2 inches deep, and 2 inches high. They are little miniature or subminiature novelty cameras. The Scenex candid camera was marketed in 1950 by Earl Products Co, for 25x25mm exposures on 828 film. A small metal mask supports the film frame in the exposure compartment in an arched position. This mask is usually missing, and the camera would appear to take a larger image, but the film would not travel properly or be in focus. The camera was formally marketed in the 1940’s under the Cub name by American Advertising and Research Co. and both Cub plus the Scenex were used for premiums by various companies. The Scenex was sold for 15 Cent to customers who also bought a carton of any Pepsodent product. The Snappy is the same camera as the Cub and Scenex, but made in England and uses standard S882 film. The Scenex had a white winding knob or a metal winder knob. The Snappy pocket size camera also has a white winding knob but the Cub’s knob was light red. A paper that came with the Scenex Candid camera reads: (Use Kodak 828 film / Note if your dealer does not stock 828 Film, advise us. Earl Products Co. 701 N. Sangamon ST. Chicago 22, ILL. / A SUGGESTION When / you have film developed ask for OVERSIZE PRINTS). The camera pictured here is missing the metal frame mask, has a bent rear cover with a large gap, and the shutter lever is very hard to activate but the shutter does work as intended. For this reason the camera is listed in Poor condition and worth $2.00 in 2018. |
 | Emerson: 10x25 Digital Camera | c2010 | 2014 | 20.00 | 2010 New condition worth $20.00 in 2014 (0.3MP) | |
 | Encore: Hollywood Camera | c1950s | c | 2018 | 12.00 | The Encore Camera Company introduced the Hollywood cardboard camera in the 1950s. It is a disposable camera with a press type viewfinder with a metal tongue that has a ¼” hole in it for your eye and a metal wire frame for the front of the camera. You press both parts of the viewfinder into the box camera when not in use. After taking all 12 pictures, you insert $1.25 in a slot provided at the bottom of the camera and then wright in your return address where indicated, also on the bottom of the camera. The instructions prompt you to use a coin or blunt instrument along the dotted line to get the opening started. You are then instructed to drop the whole camera into the mailbox after you place a (1950s) 9 cent stamp on it. The box is addressed to Encore Camera CO., P.O. Box 222, Delano, California. Printed on the side is “Credit coupons for unprintable exposures are issued pro-rata and in the event of error or loss we are responsible only for the money enclosed”. Although they are disposable and made of Cardboard, they do not command a rarity badge at this time. The camera pictured here is in Fine condition and worth $15.00 in 2018. |
 | eVision: MEGApro | c2003 | 2008 | 5.00 | 2000 good condition worth $8.00 in 2014 (2.0MP) | |
 | FED: FED 3 (Type b) (Revue 3) | 1966-1976 | 2015 | 30.00 | 1963-1980 fine condition worth $35.00 in 2015 | |
 | FED: FED 3 (Type b) (Revue 3) | 1966-1976 | 2016 | 18.00 | The FED 3 is a Ukrainian rangefinder camera inspired by classic Leicas. Over two million were produced from 1961 to 1979. It takes 35mm film. The FED 3 is an evolution of the FED 2 and the dimensions of the two bodies are identical. The top deck is modified because the FED 3 has to have a shorter rangefinder base to make room for the slow-speed mechanism. Shutter speeds are 1 sec, 1/2, 1/4, 1/8, 1/15, 1/30, 1/60, 1/125, 1/250, 1/500s and "B". In common with many Soviet-era cameras, the shutter must be cocked before the speed is altered. There are four definable models in the FED 3 series. FED 3a was introduced in 1961. It retained most of the FED 2 features, including the mushroom-shaped advance knob. The rewind knob is larger. The diopter is no longer adjusted by a lever but is adjusted by the ring over the viewfinder. FED 3b was introduced in 1963. It has a film advance lever and a flat top deck. It had no strap lugs, but an ever-ready case was originally available. The FED 3b is usually fitted with an Industar 26M or Industar 61 lens. These are interchangeable with other lenses with an M39 mount, but are not 100% compatible with the Leica standard. The camera pictured here is in fine condition with the Industar 31mm lens and worth $35.00 in 2016. FED 3L was introduced along with the 3b in 1963, and has a body like the 3a but a different shutter speed knob. The knob on a 3L resembles the ones on the FED 3b; the speeds are engraved on a plate beneath the knob instead of on the knob itself. The shutter speed plate is clipped where the top deck steps down. Usually fitted with an Industar 61 lens. FED 3L/D is a FED 3L with a multi-coated Industar 61 L/D containing Lanthane. | |
 | Federal: Fed-Flash | c1947 | c | 2019 | 10.00 | This Bakelite camera was introduced circa 1947 and uses 127 roll films with eight 4x6.5cm exposures. The camera originally cost $9.95, case $3.95, and flash unit sold for $4.51. At the end of production in 1956 the entire outfit sold for $4.95. The camera was made by the Federal Manufacturing & Engineering Corporation of Brooklyn, New York, USA. It features a large detachable flash unit that accepted No. 5 bayonet base flash-bulbs, a two connector hot shoe, a red round window in the back cover for frame count, a built-in view optical finder, film advance knob, larg shutter release button, and a permanent fixed carry strap. It is fitted with a dual-element meniscus fixed focus, 64 mm Ultrafed lens, and a single speed Type A Flash-Matic 1/30 of a second Shutter for both daylight and flash photographs. The camera pictured here is in fine condition and worth $15.00 in 2019. |
 | Fisher-Price: Fisher Price (J8209) | 2006 | 2012 | 5.00 | 2006 Fine condition worth $15.00 in 2014 (640 x 480 Digital) | |
 | Fisher-Price: Fisher Price (J8209) | 2006 | 2012 | 5.00 | 2006 Fine condition worth $15.00 in 2014 (640 x 480 Digital) | |
 | Fisher-Price: Fisher Price (L8341) | 2007 | 2014 | 2.00 | 2007 Fine condition worth $15.00 in 2014 (640 x 480 Digital) | |
 | Fisher-Price: Fisher Price (L8341) | 2007 | 2003 | 5.00 | 2007 Fine condition worth $15.00 in 2014 (640 x 480 Digital) | |
 | Fisher-Price: Fisher Price (L8341) | 2007 | 2015 | 2.00 | 2006 Fine condition worth $15.00 in 2014 (640 x 480 Digital) | |
 | Fisher-Price: Fisher Price (L8341) | 2007 | 2015 | 2.00 | 2007 Fine condition worth $15.00 in 2014 (640 x 480 Digital) | |
 | Fisher-Price: Fisher Price (L8341) | 2007 | 2015 | 5.00 | 2007 Fine condition worth $15.00 in 2015 | |
 | Fisher-Price: Fisher Price (V2751) | 2010-2011 | 2013 | 6.00 | 2010-2011 fine condition worth $15.00 in 2014 (0.3MP) | |
 | Fisher-Price: Fisher Price (V2751) | 2010-2011 | 2016 | 2.00 | 2010-2011 fine condition worth $15.00 in 2016 (0.3MP) | |
 | Fisher-Price: Fisher-Price Perfect Shot | 1994-1997 | c | 2007 | 0.00 | 1994-1997 good condition worth $10.00 in 2014 |
 | Fisher-Price: Fisher-Price Perfect Shot | 1994-1997 | c | 2019 | 3.00 | Fisher Price tends to make some of the best all-around cameras for kids. These cameras are made to withstand the abuse only a five-year-old can render. They're sturdy, they've got a built-in flash and, the more modern variety has film compartments that are extremely unlikely to unexpectedly pop open. They're easy to use. Both Perfect Shot cameras have a good sized handle on both sides. This, coupled with the fact that the camera has some slight heft to it, make it unlikely there will be blur due to "camera shake". The straps on these cameras are quite durable and well attached. With the 110 camera, the five-year-old must remember to turn the flash on and off. In the case of the 35mm Fisher-Price Perfect Shot camera, the five-year-old must only remember to turn the flash on. This camera automatically turns the flash off after a certain period of inactivity. The blue with yellow trim camera uses 110 film cartridges. The red, black, plus yellow lens ring and shutter button camera is a 35mm camera. The 35mm also came in Yellow, blue, and red lens ring plus shutter button. Other differences were the film advance push bar on the 110 cartridge version and a right thumb wheel advance on the 35mm. The 35mm came with a plastic key called “Parent Key” for the film compartment and a rewind crank on the bottom. Both cameras used two AA batteries to power the flash unit. The 110 version was released in 1994 and discontinued in 1997. The 35mm version was released in 2000 and discontinued in 2006. Fisher Price still releases kids cameras that are sturdy, easy to use, and hold but today they are digital. The camera pictured here is a Perfect Shot 110 plus in Good condition and worth $15.00 in 2019. |
 | Focal: Focal Flip 11 | 1975-1978 | c | 2015 | 2.00 | 1975 Good condition worth $4.00 in 2015 (could be a Ansco GAF or 3M Ferrania ) |
 | Focal: Focal Flip 11 | 1975-1978 | c | 2015 | 5.00 | Kmart is a chain of discount stores based in the United States and founded in 1962. They are known to use the brand name Focal for their photographic products. The cameras and accessories are typically rebranded products from major manufactures like Haking and Cosina. There was also a house brand Focal and cine films, which was early on and often manufactured by Ansco GAF but later changed to 3M Ferrania films. The Focal branding slowly disappeared in the 1990's, it was last seen on 35mm film. The Sears Holdings Corporation now owns the Kmart chain as of 2005 and have over 249,000 employees. The focal flip II was introduced in 1975 when the 110 cartridge format had 3 years under its belt. The frame size is 13 mm × 17 mm (0.51 in × 0.67 in), with one registration hole. The film is fully housed in a plastic cartridge, which also registers the image when the film is advanced. There is a continuous backing paper, and the frame number and film type are visible through a window at the rear of the cartridge. The flip 11 also has a window that takes advantage of that film cartridge window. Kodak introduced 110 film cartridges in 1972 and Kodak also produced Kodachrome 110 slide film until 1982 the same year they discontinued the film. In 2012 Lomography re-introduced slide film for 110 and Black and White Orca film at 100 ISO speed. The slide film however, is ASA 200 so a ND filter has to be used over the lens or the exposure compensation dial has to be used where available. The Focal flip II is one of the smallest fully enclosed 110 cameras ever made and was named for the Flip Flash Bar that it employed. These also are still available. The camera pictured here is in fine condition and worth $10.00 in 2015. |
 | Focal: PC620 | 1985 | c | 2009 | 1.00 | The Focal PC620 is a focus free fully automatic camera introduced in 1985. It has auto load, auto rewind, built in flash, flash ready LED, built in lens cover, frame counter, and a handy carry strap. The camera was assembled in China and the parts were made in Taiwan. The camera pictured above unfortunately had the batteries left in much to long and they destroyed the battery compartment contacts. This camera is for parts only and worth about $1.00 in 2016. |
 | Focal: Tele Focal | 1977 | 2016 | 5.00 | The Focal Tele Focal uses 110 cartridge film plus for indoor photography it used disposable flip-flash and had a suggested retail price of $23.88. It was made in Japan, distributed by Kmart in the US, and introduced in 1977. The tele Focal included both "normal" and "tele" modes with an f11 42 or 25mm lenses. A selector slide switch slid a lens in front of the 25mm lens to combine for 42mm. The slide switch also cropped the viewfinder but did not change its optics. The camera also has a view window in the back for frame count, ¼” 20 thread tripod mount, right thumb slide film advance, 1/60 of a second fixed shutter, flipflash socket, and a handy carry strap. The camera pictured here is in fine condition and worth $10.00 in 2016. Kmart is a chain of discount stores based in the United States and founded in 1962. They are known to use the brand name Focal for their photographic products. The cameras and accessories are typically rebranded products from major manufactures like Haking and Cosina. There was also a house brand Focal and cine films, which early on was usually manufactured by Ansco GAF but later changed to 3M Ferrania films. The Focal branding slowly disappeared in the 1990's, it was last seen on 35mm film. The chain acquired Sears in 2005 and both still sell products today. | |
 | Focal: Tele Lectro Flash 110 | 1985 | 2013 | 1.00 | 1985 Good condition worth $7.00 in 2014 | |
  | Foto-Flex: Foto-Flex | c1970 | c | 2020 | 7.00 | The Foto-Flex camera was manufactured by Hadd's Mfg. Co. for Foto-Flex Corp. of Chicago, Illinois in the 1950s. There were two versions made. One was constructed of metal and the other of Bakelite with a metal faceplate. The Bakelite version has leatherette handle on one side of the camera but both versions use the Bakelite lens surround and lenses. The camera has an unusual twin-lens reflex design where the lens for viewing and the lens for taking the photo are located in a round disc on the front to give the illusion of a single lens. The Foto-Flex takes twelve 4 x 4 cm square images on no. 127 roll film. The camera has two shutter settings of Instant and Time. The shutter speed is about 1/50 of a second with the focus range being 4 feet to infinity. The waist high viewfinder has a ground-glass screen mounted in a metal frame over a mirror to reflect what the lens gathers. To change film the back cover is removed using the stays on either side. The camera also has a frame counting red window in the back cover. If you remove the back cover you find a sticker that reads “USE FILM 127 – A8 – G27 Made in USA by Hadds MFG. Co. Chicago, ILL.”. The camera pictured here is in Fine condition and worth $20.00 in 2020. |
 | Foto-Quelle: Revue ML | 1984 | 1996 | 10.00 | 1978-1984 fine condition worth $20.00 in 2014 | |
 | Franka Werke: Rolfix (1931) | c1931-1937 | 1999 | 20.00 | 1931 Good condition worth $35.00 in 2014 | |
 | Fuji Optical: Clear Shot | 1994 | 2014 | 5.00 | 2004 Good condition worth $10.00 in 2014 | |
 | Fuji Optical: Endeavor 350ix | c1999 | 2008 | 10.00 | 2000 fine condition worth $15.00 in 2014 (4.0MP) | |
 | Fuji Optical: FinePix 2400 Zoom | 2000 | 2015 | 17.50 | 1999 Fine condition worth $20.00 in 2015 (2.1 MP) | |
 | Fuji Optical: FinePix A205 Zoom (FinePix A205s) | 2003 | 2013 | 5.00 | 2003 fine condition worth $15.00 in 2014 (2.0MP) | |
 | Fuji Optical: FinePix A210 Zoom | 2003 | 2009 | 8.00 | 2003 Good condition worth $15.00 in 2014 (3.2MP) | |
 | Fuji Optical: FinePix A310 Zoom | 2003 | c | 2019 | 2.00 | March 12, 2003 Fujifilm introduced the FinePix A310 Zoom, the second camera to be based on Fujifilm's fourth generation SuperCCD HR (High Resolution) sensor. The A310 has a three million pixel sensor which produces a six million pixel image. The A310 also supports high sensitivity (up to ISO 800 at 1280 x 960; ISO 400 otherwise), stores images on xD-Picture card (16 MB supplied) and is powered by two AA type batteries. The optional PictureCradle docking station provides USB and video out as well as charging AA NiMH batteries in the camera. The FinePix A310 Zoom has a high-quality 1.5" TFT LCD preview screen and optical viewfinder. The camera is capable of recording movies and can also be used as a handy webcam, ideal for Internet enthusiasts. The FinePix A310 also has Fujinon 3x optical zoom lens equivalent to 35-114mm on a 35mm camera, xD-Picture Card™ providing large storage capacity and low power consumption, Movie recording capabilities up to 10 frames per second (fps). Records movies up to 98 seconds (320 x 240 pixels) and up to 5.6 minutes (160 x 120 pixels), two AA battery compartment, and a ¼ inch 20 thread tripod socket. The camera pictured here is in Good condition and worth $10.00 in 2019. |
 | Fuji Optical: FinePix A340 | 2004 | 2010 | 5.00 | 2004 Poor condition worth $0.50 for parts in 2014 (4.0MP) | |
 | Fuji Optical: FinePix A345 Zoom | 2005 | 2010 | 10.00 | 2005 Good condition worth $20.00 in 2014 (4.1MP)(1 of 2) | |
 | Fuji Optical: FinePix E550 Zoom | 2004 | c | 2019 | 5.00 | The FinePix E550 Zoom was announced at the end of July 2004 at a retail cost of $350.00. The E550 uses two AA batteries and has a USB 1.0 interface socket. The E550's sensor is the fourth generation of the then well-established Super CCD technology, offering 6 MP output from 6.3 million effective pixels. The camera offers a 4x optical zoom (32.5-130mm equiv.), fast operation and a fairly comprehensive array of manual controls in a compact, traditionally-styled body. The camera also has a maximum resolution of 4048 x 3040, a CCD sensor size of 1/1.7" (7.44 x 5.58 mm), wide ISO range (80, 100, 200, 400, and 800), Focal length equivalent of 32.5 to 130 mm, a 2 inch LCD display screen, maximum aperture of F2.8–5.6, shutter speeds up to 1/2000 of a second, xD storage card slot, VGA movie recording at 30 fps with sound, RAW file format, and a ¼ inch 20 thread tripod socket. The camera weighs 260 g with batteries (9.17 ounces) and the dimensions are 105 x 63 x 34 mm (4.13 x 2.48 x 1.34 inches). The camera pictured here is in fine condition and worth $15.00 in 2019. |
 | Fuji Optical: FinePix F450 Zoom | 2004 | 2008 | 3.00 | 2004 poor condition worth $5.00 in 2014 (3.0MP) | |
 | Fuji Optical: FinePix F700 | 2003 | 2015 | 5.00 | 2003 Poor condition worth $1.00 for parts in 2015 (3.1 MP) | |
 | Fuji Optical: Fotonex 10 (Endeavor 10 / EPION 10) | c1996 | 2004 | 10.00 | 2000 Good condition worth $10.00 in 2014 | |
 | Fuji Optical: Fotonex 3000ix Zoom (Endeavor 3000ix / EPION 3000) MRC | 1999 | 2016 | 10.00 | The 1999 Fujifilm Endeavor 3000ix is an APS point-and-shoot film camera that captures brilliant, richly colored photographs at the click of a button. The built-in flash in this Fujifilm film camera fires a high-intensity burst of light – useful when shooting in low-light conditions. The Fujifilm film camera features an autofocus system with focus lock, which helps you accurately focus on any fast-moving object. Moreover, the red-eye reduction feature of this point-and-shoot film camera effectively reduces the red-eye effect caused by using a flash. What’s more, take blur-free self-photographs with the Fujifilm Endeavor 3000ix that boasts a self-timer function. The camera has a 30-90mm zoom f/4-f/10.5 8 elements in 6 group’s lens, APS (IX240 cartridge) film format, Mid-roll rewind, Auto rewind, Auto film advance, Macro focus, Active type auto focus with focus lock, Programmed exposure modes, Fill flash (forced flash), Flash-off mode, Night portrait (flash synch) mode, Panorama mode, and a self-timer. New the camera came with a remote control, one roll of film, instruction booklet, $12.00 worth of Fuji film coupons, and a warranty registration card. The camera pictured here has the original boxes, film, remote, and paperwork. It is worth $25.00 in 2016. | |
 | Fuji Optical: Fotonex 300ix Zoom (Endeavor 300ix) | c1996 | 2010 | 3.00 | 2000 Fine condition worth $15.00 in 2014 | |
 | Fuji Optical: Fuji Discovery 60 | c1990 | 2016 | 5.00 | 1990 Good condition worth $10.00 in 2016 | |
 | Fuji Optical: Fuji DL 300 (Fuji Cardia Hite) | 1986 | 2016 | 5.00 | 1986 good condition worth $10.00 in 2016 | |
 | Fuji Optical: Fuji DL 320 Zoom (Discovery 320 Zoom / Zoom Cardia Super 320) | 1998 | 2012 | 5.00 | 1999 Good condition worth $10.00 in 2014 | |
 | Fuji Optical: Fuji DL 800 Zoom | 1989 | 2012 | 5.00 | 1987 Poor condition worth $0.50 for parts in 2014 | |
 | Fuji Optical: Fuji FZ 1000 Zoom (Discovery 1000 Zoom / Promaster 1000 Zoom / Zoom Cardia Multi 800) | 1992-1993 | 2013 | 5.00 | 1992-1993 good condition worth $5.00 in 2014 | |
 | Fuji Optical: Fuji FZ 5 (Fuji Bene) | 1989 | c | 2019 | 7.00 | This is a fixed-focus compact camera from Fuji, the FZ-5 was introduced in 1989 after being exhibited at Photokina the previous year. It was available in bright red or black. In Japan it was also known as the Fuji Bene. A “Hi! Mickey Mouse” version was also produced. The camera is a 35mm point and shoot with a 35mm, f/9.5 Fujinon plastic lens, with fixed focus. It also has a fixed shutter speed of 1/100 of a second, built-in flash that can be disabled with a slid switch under the flash unit, a flash ready LED, frame counter, fold down rewind crank handle, optical view finder, a film ISO view window in the back cover, a built-in lens cover that locks the shutter button when closed, a right thumb film advance wheel, and a built-in carry strap. The camera flash is powered by two AA batteries and the cameras dimensions are 130×74×44mm. The camera pictured here is New condition and worth $10.00 in 2019 |
 | Fuji Optical: Fuji FZ 950 Zoom (Discovery 900 Zoom Plus / Discovery 875 Zoom Plus / Zoom Cardia 950) | 1991 | 2017 | 5.00 | The Discovery 900 Zoom Date Plus is a fully automatic 35mm powered zoom camera introduced by Fuji in 1991. It was also released as the FZ-950 Zoom Date and in Japan as the Zoom Cardia 950 Date. Non date version were also sold as Discovery 900 Zoom Plus, and FZ-950 Zoom. It was sold in Kmart stores as the Discovery 875 Zoom Plus. The camera uses a Fujinon branded 38 to 85mm f/3.8 to 8.2 auto focus zoom lens. Zooming the lens requires pressing either the two tree buttons on the camera shoulder. There is also a dedicated mountain infinity focus and an AF lock button. The electronic shutter has speeds from 1/8 to 1/250 of a second. The flash system uses Fuji's HG cards that slide onto the top of the camera. Cards include macro flash, night pre-flash and an auto daylight card. The film transport is based on a pre-wind loading system as well as drop-in film loading. It is able to use DX coded film with speeds of 50 to 1600 ISO. The camera also features a motorized built in lens cover, built in flash, flash ready LED, red eye reduction, auto film advance, auto rewind, mid-roll rewind, zoom in button, zoom out button, ½’ by 1” LCD mode screen, ¼” 20 thread per inch tripod socket, and a handy carry strap. The camera is powered by one 223A 6V lithium battery. The camera pictured here is in Good condition and worth $10.00 in 2017. | |
 | Fuji Optical: Fuji FZ 950 Zoom (Discovery 900 Zoom Plus / Discovery 875 Zoom Plus / Zoom Cardia 950) | 1991 | c | 2019 | 5.00 | The Discovery 900 Zoom Date Plus is a fully automatic 35mm powered zoom camera introduced by Fuji in 1991. It was also released as the FZ-950 Zoom Date and in Japan as the Zoom Cardia 950 Date. Non date version were also sold as Discovery 900 Zoom Plus, and FZ-950 Zoom. It was sold in Kmart stores as the Discovery 875 Zoom Plus. The camera uses a Fujinon branded 38 to 85mm f/3.8 to 8.2 auto focus zoom lens. Zooming the lens requires pressing either the two tree buttons on the camera shoulder. There is also a dedicated mountain infinity focus and an AF lock button. The electronic shutter has speeds from 1/8 to 1/250 of a second. The flash system uses Fuji's HG cards that slide onto the top of the camera. Cards include macro flash, night pre-flash and an auto daylight card. The film transport is based on a pre-wind loading system as well as drop-in film loading. It is able to use DX coded film with speeds of 50 to 1600 ISO. The camera also features a motorized built in lens cover, built in flash, flash ready LED, red eye reduction, auto film advance, auto rewind, mid-roll rewind, zoom in button, zoom out button, ½’ by 1” LCD mode screen, ¼” 20 thread per inch tripod socket, and a handy carry strap. The camera is powered by one 223A 6V lithium battery. The camera pictured here is in Good condition and worth $10.00 in 2019. |
 | Fuji Optical: Fuji STX-2 | c1985 | 2016 | 10.00 | The Fuji STX-2 was introduced by Fuji in 1985 and was a basic manual SLR using 35mm film. It has TTL metering and 3 LEDs in the viewfinder to indicate exposure. The design of the body means it's easier to set the shutter speed and then alter the aperture of the lens to gain correct exposure, which tends to go against those who prefer to be creative with depth of field effects, but where time allows, the process can be done the other way round. The camera is a fully manual SLR camera utilizing Fujinon X-mount lenses and when new it came with a 50mm, f/1.9-16 (5 elements) with close focus at 0.6m lens. The shutter speeds are 1/1000 of a second to ½ second and Bulb. The camera has ISO settings from 25 to 3200. The viewfinder has 92% coverage, chosen shutter speed, and +ve and -ve LEDs for exposure warnings. The film is manual loaded, manual film advance and rewinding. It also has frame counter, Shutter release lock (also conserves batteries), hot shoe (flash sync speed 1/60s), ¼” 20 thread tripod socket, and self-timer. The exposure meter requires two LR44 watch batteries and the camera weighs 625g with lens mounted, 480g body only. The camera pictured here is in Poor condition due to the ASA selector. For this reason it is worth $20.00 for parts in 2016. | |
 | Fuji Optical: Fuji TW-300 (Tandem) | c1985 | c | 2018 | 5.00 | The TW-300 (Tele & Wide 300) (or Fuji Tandem in Japan) is a 1985 twin focal length autofocus camera from Fuji. A switch on the front changes between the wide angle (38 mm) and tele (65 mm) modes. It is one of the first cameras to employ Fuji's "drop-in loading" system, with pre-winding. When a film cartridge is inserted, the entire film is loaded into the camera and then wound backwards into the cartridge to protect exposed frames in case the camera back is opened by accident. Early models had to have their batteries replaced at a camera shop, this is abated in the TW-300 II model released in 1986. The cameras wide angle lens is a 38 mm f/3.5 (3 elements, 3 groups) and the tele lenses amount to a 65 mm f/6 (6 elements, 6 groups). When in the 38mm position a lens is slid in front of the viewfinder and the 65mm position has a lens slide in front of the film inside plus the lens slides away from the viewfinder. The exposure range is EV 6—17 (wide angle) and EV 7.5—18.5 (tele) at ISO 100. The camera can focus up to 1 meter and has shutter speeds of 1/6 of a second to 1/500 of a second. Other features are a built-in lens cover that is also the on/off switch, a built-in pop-up flash (flashmatic) that can be used as daylight fill flash, a flash range of 1 to 5 m with wide angle at ISO 100, reads DX-coded film at speeds from 50 to 1600 ISO (Non-DX film is exposed as ISO 100), a ¼” 20 thread tripod mount, Flash ready light, 5/16” by ¾” LCD screen, self-timer, film view window in the back cover, and a handy carry strap. The camera is powered by one 6V CR-P2/BR-P2/DL-223 lithium battery and the dimensions plus weight are 136x71x54 mm, 400 g. The camera pictured here is in Good condition and worth $15.00 in 2018. |
 | Fuji Optical: Fujica 35 Auto M | c1962 | 1990 | 10.00 | 1962 poor condition worth $2.00 for parts in 2014 | |
 | Fuji Optical: Fujica Compact S | 1966 | 1997 | 5.00 | 1970 Poor condition worth $1.00 for parts in 2014 | |
 | Fuji Optical: Fujica ST 701 | c1971 | 2015 | 20.00 | 1971 fine condition worth $25.00 in 2015 | |
 | Fuji Optical: Fujica STX-1 | c1979 | 1995 | 10.00 | 1982 fine condition worth $25.00 in 2014 | |
 | Fuji Optical: Fujifilm Discovery S1450 (Zoom 145/Super 145AZ) | 2001 | 2016 | 10.00 | 2001 fine condition worth $20.00 in 2016 | |
 | Fuji Optical: Fujifilm Discovery S700 Zoom (Discovery S770 Zoom) | 2003 | 2015 | 5.00 | 2003 Fine condition worth $15.00 in 2015 | |
 | Fuji Optical: Fujifilm DX-10 | 1999 | 2006 | 2.00 | 1999 good condition worth $8.00 in 2014 (0.8MP) | |
 | Fuji Optical: Fujifilm Zoom 100 | 2002 | 2013 | 10.00 | 2001 Fine condition worth $20.00 in 2014 | |
 | Fuji Optical: Instax Mini 8 | 2012 | 2017 | 25.00 | The Instax mini 8 automatically determines the best brightness for taking a picture, and informs you of the suitable setting by lighting the corresponding lamp. Turn the brightness adjustment dial to the position (mark) of the lit lamp. The camera came in seven colors, white, yellow, pink, raspberry, grape, blue, and black. Raspberry and grape came later in production. The camera is a focus free, auto built in flash, instant camera that uses the Fujifilm Instax® Mini Instant color film (5.3cm x 8.4cm). The unique credit-card sized film is easy to carry in your purse or wallet and has that distinct white frame that you can leave blank or write personalized fun messages. The camera has a built in electronic lens cover and a colorful case can be purchased. You can also purchase a self-portrait attachment in the shape of a rabbit with a ribbon. The camera runs on two AA batteries and was released November of 2012. The camera pictured here is in Fine condition and worth $80.00 with the close-up attachment in 2017. | |
 | Fuji Optical: Nexia Q1 | c2001 | c | 2015 | 2.00 | 2001 Good condition worth $10.00 in 2015 |
 | Fuji Optical: Nexia Q1 | c2001 | c | 2016 | 5.00 | The 2001 Fujifilm Nexia Q1 is a fixed lens APS film camera made in China for Fujifilm (Japan). This simple fancy camera offers the three picture formats and the film reload option of the APS film system. It was available in a range of colors all shiny including silver, orange, pink, purple to name a few. Fuji also released digital versions of the Q1, called the Digital Q1 and Digital Q1 3M. The camera uses APS films with 100 to 800 ASA film speed. It has a f1.8 22mm lens, electronically controlled shutter with just one speed of 1/100 of a second, Active Autofocus, magnification 0.34x viewfinder, auto film advance plus rewind, mid-roll rewind button, and guide number 6.6 flash with red eye reduction by a red LED fired automatically under low light. The dimensions are 3.78 x 2.95 x 1.34 inches and the weight is 3.9 ounces. The camera runs on one CR2 3V lithium battery. The camera pictured here is in Fine condition worth $15.00 in 2016. |
 | Fuji Optical: Quicksnap Waterproof | 2003 | c | 2012 | 5.00 | 2003 New condition worth $6.00 in 2014 |
 | Fuji Optical: Quicksnap Waterproof | 2003 | c | 2020 | 0.00 | This is a one use 35mm camera and you then return it to Fujifilm Company rep and they develop the film inside. The camera is good up to 35 feet depth but they recommend no more than 17 feet due to lighting. It has no flash but does use 800 ASA film and is a point and shoot type camera. Theo marketed by Fuji it was assembled in United States from parts made in the USA and some imported. The outer waterproof case was made in Mexico from a see through plastic. It can take a picture from 3.3 feet to 10 feet under water and from 3.3 feet to infinity above water. This particular camera was made in 2003 and comes with a film advance wheel plus a shutter lever with 27 exposures. The film was Fujicolor Superia X-TRA 800 with a 4th color layer for better pictures. The expiration date on the box is January 2009 and the lot number is 1A7M0601 but the box is in a crumpled state. The camera pictured above is in Good condition and worth $3.00 in 2020. |
 | Fuji Optical: Smart Shot Deluxe | 2000 | 2009 | 5.00 | 1997 Good condition worth $10.00 in 2014 (1 of 2) | |
 | Fuji Optical: Smart Shot Plus | 2002 | 2012 | 5.00 | 2002 Good condition worth $10.00 in 2014 | |
 | Fuji Optical: Smart Shot Plus | 2002 | 2013 | 5.00 | 2002 good condition worth $5.00 in 2014 | |
 | GAF: Anscomatic 126 | c1967 | 2016 | 13.00 | After 1967, the Binghamton, New York camera-maker formerly known as Ansco began using the trademark GAF. The Anscomatic 126 is a response to the runaway success of the Kodak Instamatic series. It is a simple fixed focus snapshot camera using drop-in 126 film cassettes. The top of the camera has a socket for flashcubes that came in many varieties and intensities depending on distance needed for the photo. The camera also has a flash release button on the front just over the lens assembly, automatic flashcube rotation, a large optical viewfinder, a frame counter on the top, double exposure protection, two speed shutter, lever film advance, shutter button, and a handy carry strap. In 1967 you could buy the camera for $15.00 or for three more dollars you had the complete outfit and it came with a one year unconditional guarantee. It is a good looking, reliable, inexpensive camera that is easy to use. The camera pictured here is in fine condition and worth $23.00 in 2016. | |
 | GAF: Anscomatic 436 | c1960s | 2003 | 5.00 | 1970 Good condition worth $10.00 in 2014 | |
 | GAF: Anscomatic 626 | c1967 | c | 2017 | 9.00 | The Anscomatic 626 is a camera for 126 film cartridges made in Japan by Petri and offered by GAF in the late 1960s. Ansco did not adopt the parent company name of GAF till 1967 and most of the other Anscomatic 126 film cameras were introduced in 1967. The Petri 607 was introduced in 1968 and is the Anscomatic 626 rebranded by GAF. This tells us that the year of introduction of the GAF Anscomatic 626 almost certainly was 1968. The 626 featured auto exposure controlled by a CdS photocell. This was one of a series of 126 models offered by GAF in response to the success of the Kodak Instamatic line. The camera has a 34mm f2.8 lens with three adjustments of 1m, 2.5m, and infinity marked on the outer lens rim plus depicted in the viewfinder with icons. The icons are a person from the chest up, people, and mountains. Also in the viewfinder is a battery meter that activated when the countersunk red battery check button on the right side of the camera was pressed. The ring around the battery test button reads “TEST BATTERY WITHOUT FILM IN CAMERA”. The aperture was controlled by the camera powered by two AAA batteries. The camera used flash cubes and has a release button to the right of the flash cube socket. The camera also has a very convenient, single action, and single through thumb lever film advance. Other features are ¼” 20 thread tripod mount, large shutter lever on the front of the camera, and two hard points, one on either side for mounting a carry strap. The camera pictured here is in fine condition and worth $20.00 in 2017. |
 | GAF: Anscomatic Cadet Flash | 1966-1967 | 2009 | 10.00 | 1967 poor condition worth $3.00 in 2014 | |
 | GAF: GAF L-CM | 1975 | 2003 | 20.00 | 1975 good condition worth $40.00 in 2014 | |
 | GAF: GAF Pocket 200 | c1970 | 2005 | 3.00 | 1970 poor condition worth $0.50 in 2014 | |
 | GAF: GAF Pocket 220 | 1973 | c | 2012 | 5.00 | 1973 made by Chinon Fine condition worth $15.00 in 2014 |
 | GAF: GAF Pocket 220 | 1973 | c | 2017 | 3.00 | GAF (General Aniline & Film) traces its company roots back to 1886, but in the photographic industry it only became known in 1939. In that year, the AGFA-Ansco company changed its name to GAF as a result of a change in ownership in the American IG company, which is the parent company of GAF. Cameras under the GAF name - mostly made by Chinon - appeared later, in 1967, when the Ansco brand name was dropped. GAF photographic business shut down operations in the early 1990s, although the company itself is still active. This camera pictured above was produced in 1973, is in Fine condition, and used 110 film. It comes with the original box, Magicube extender, Magicube extender instructions, carry strap, and one unused Magicube. The camera and all the extras are worth $15.00 in 2013. |
 | Gateway: DC-M50 | 2003 | 2015 | 10.00 | 2003 Fine condition worth $25.00 in 2015 (5.0 MP) | |
 | GE: T123 | 2011 | 2011 | 59.00 | 2011 Fine condition worth $25.00 in 2014 (12MP) | |
 | GE: T123 | 2011 | 2011 | 59.00 | 2011 Poor condition for parts only worth $0.00 in 2014 (12MP) | |
 | Genos: Genos Rapid | c1950 | 2001 | 5.00 | 1950 Poor condition for parts worth $3.00 in 2014 | |
 | Ginfax: Coca Cola Can | c1998 | c | 2019 | 15.00 | Manufactured about 1998 by Ginfax Development Ltd. of Hong Kong. Collapsed, it looks like a can of Coca Cola. Opened up, it’s a 35mm point-n-shoot camera! It has a built in flash that runs from a single AA battery kept in a compartment in the bottom of the can camera. The top of the can is used to wind and rewind the film—the rewind latch is the pull top and releases the film to be rewound. The camera was originally packaged with a 24 exposure roll of Kodak 400 Max film. Item # 861274 Coca Cola Can Camera new sold for $19.99 and came with an Ansco 3 Year limited warranty. Hong Kong business bought the rights to the Ansco name in the 1990s and this accounts for the use of the name in the 3 year warranty information on the back of the packaging for the cameras. Ginfax Development Ltd. is a producer of electronic gadgets and optical goods including novelty toy cameras, single-use cameras, and even simple digicams. It was founded in 1990 in Hong Kong and has factories in Dong Guan and Kai Ping, China. Items from Ginfax seem to have been marketed under the British brand Zeon Tech for electronic gifts. Among the items produced were 35mm film cameras in the shape of beer cans with logos for Kirin, Carlsberg, Heineken, Budweiser, Baltika (USSR). Also Cigarette box camera, lighter camera, juice box camera, plus soccer ball camera, and soda can cameras including Fanta, Pepsi, 7up, Mello Yello, plus Coca Cola. The camera pictured here is in Fine condition and worth $25.00 in 2020. |
 | GOMZ: Lubitel | c1949-1956 | c | 2015 | 30.00 | The Lubitel was produced by the Gomz factory (GOMZ stands for Gosularstvennyi Optiko-Mekhanicheskii Zavod (State Optical-Mechanical Factory). Founded in 1932 near Leningrad (now St. Petersburg)) from 1949 to 1956 and Over one million units were constructed. The shutter speeds range from B, 1/19, 1/25, 1/50, 1/100, 1/200 and no self-timer. The main lens is a 75/4.5 (coated) and the viewfinder lens is a 60/2.8. For taking pictures at eye level (shots have then more natural perspective) the frame viewfinder is used. This is more convenient when there is experience in estimating distances by eye and in correct focusing according to distance scale. This camera is the successor to the Komsomolets (1946-1950) with one major innovation that was inspired by the 1938 Voightlander Brilliant it copied, a coupled gearing system to connect the main lens and viewfinder lens, allowing each to be focused in sync. The main lens and viewing lens both opened up to a nice 'n' bright f/2.8 with a wider angle of view. The name 'Lubitel' roughly translates to a combination of ‘Hobbyist and Amateur.’ Like the Komsomolets, it was produced in Bakelite and a Chinese copy of this original Lubitel emerged in 1961 under the mysteriously hilarious name, 'Changle.' To be clear the Lubitel is a copy of the Voightlander Brilliant and the Changle is a copy of the Lubitel. The camera pictured here is in fine condition and worth $30.00 in 2015. |
 | GOMZ: Lubitel 166 B (V) | c1980s | c | 2020 | 35.00 | Gomz (1932-1965) (Gosularstvennyi Optiko-Mekhanicheskii Zavod - State Optical-Mechanical Factory) (LOMO (1965- today) Leningradskoe Optiko Mekhanichesko Obedinenie – Leningrad Optical-Mechanical Union) made this plastic-bodied Twin lens reflex medium format camera beginning circa 1980. It was a small revision to the 1976 Lubitel 166, adding a self-timer. Of its two lenses, the lower one, with the shutter, exposes the film, while the other serves as the viewfinder. The two lenses both screw in and out for focusing (rather than being mounted in a racking front-plate as in many TLR cameras); each lens has gear-teeth around the edge, and the two are meshed to couple their focus. There is a focus scale on the viewing lens that is marked 1.4m to infinity. Like the earlier Lubitel models, the 166B's viewfinder has a condenser lens rather than a ground-glass screen, with only a small central spot ground with a flip up lens for focusing using that spot. This (it is a design copied from the focusing model of the Voigtländer Brillant) requires some care in focusing, but gives a much brighter view for framing than would a full-frame ground-glass screen. The Lubitel 166B uses 120 roll film and exposes 6x6cm square images. Shutter speeds are from 1/15 to 1/250 of a second and a bulb setting; the manually loaded shutter is synchronized for flash, with a PC socket on the lens barrel, and a cold shoe on the left side of the camera. The lens is a coated 75 mm f/4.5 T-22 triplet lens, with aperture down to f/22, and the close-focus limit is at just over a meter. This accepts 40.5 mm threaded hood and filters. The camera was sold with a synthetic leather strap, a vinyl case, a push-fit lens cap and a cable release. Other features are an eye level viewfinder frame, a frame count red view window in the back cover with an internal cover that operated by a knob on the outside of the back cover, ASA/DIN dial on the side of the camera (not connected to any operation), and a ¼ inch 20 thread tripod socket. The camera pictured here is in Fine condition and worth $55.00 in 2020. |
 | Graflex: Century 35 A | 1959 | c | 2018 | 15.00 | The 35A was built by Kowa Optical Works in Nagoya, Japan c1959. It's a range focusing camera with a top shutter speed of 1/300 of a second. The lever on the front requires two strokes to advance the film to the next frame and stops when in position. The camera usually uses a Prominar lens by Kowa and a Ceres Shutter. It has a very large size bright line viewfinder for its time, which has good back distance allowance for glasses users, and appears 100% match for the 45mm f/3.5 standard Prominar lens. The Century 35A also has the odd self-ejecting back with no hinge that lets the back be removed completely. It also has a frame counter that is manually set and counts down to zero, a ¼” 20 thread tripod mount, an accessory mount but no synchronized flash port, a rewind release button, a rewind knob that pulls up to release the film cartridge, and double exposure protection by locking the shutter release after exposing a frame. The camera was focused by guessing the distance from 3 foot to infinity because it had no rangefinder is fitted. The camera pictured here is in Fine condition and worth $25.00 in 2018. |
 | Graflex: Century Graphic | 1949-1970 | 2014 | 350.00 | 1949-1970 Fine condition worth $425.00 in 2014 | |
 | Graflex: Ciro 35 | 1950s | c | 2015 | 15.00 | In 1949, Ciro Cameras purchased designs for the Cee-ay 35 camera. This 35 mm camera was produced by the Candid Camera Corporation of America. Though highly influential, the Cee-ay 35 was only in production for a matter of months before Ciro-flex purchased the design and remarketed it as the Ciro-35. Ciro Cameras and all of its models were sold on October 1, 1951 to Graflex Inc. The Ciro-35 and Ciro-flex models were continued for several years under the same name but identified as Graflex products. Eventually, Graflex rebranded the models to the Graflex 22, Ciro-flex, and the Graphic 35, Ciro-35. Therefore the years of production for the Graflex Ciro 35 are 1951-1953 though the Ciro 35 was produced from 1949-1953. This information was found on “The Ohio Historical Society” site and written by E. Higgins https://ohiohistory.wordpress.com/2010/01/07/ohios-camera/ This rangefinder camera had a unique sliding focus lever that had a pointer on one side of the lens and the lever on the other. The pointer scale was graduated from 3 foot to infinity and the mechanism was integrated with the rangefinder. The shutter was mad by Wllensak for Graflex and the camera has an f/3.5 50mm Rodenstock lens marked as a Graflex Graftar lens. Another interesting feature is the locking method for the film chamber. It is a large bar that turns from LOCK to OPEN and is easy to operate. On the inside cover of this Ciro 35 is the words “Ciro Cameras Inc, Delaware, Ohio”, to lend credence to the above paragraph. This camera pictured here is missing the mounting part of the hot shoe but I list the camera as good. The camera is worth $20.00 in 2015. |
 | Graflex: Ciro 35 | 1950s | c | 2016 | 21.00 | 1949 fine condition worth $50.00 in 2016 |
 | Graflex: Ciro 35 | 1950s | c | 2019 | 12.00 | In 1949, Ciro Cameras purchased designs for the Cee-ay 35 camera. This 35 mm camera was produced by the Candid Camera Corporation of America. Though highly influential, the Cee-ay 35 was only in production for a matter of months before Ciro-flex purchased the design and after some subtle changes remarketed it as the Ciro-35. Ciro Cameras and all of its models were sold on October 1, 1951 to Graflex Inc. The Ciro-35 and Ciro-flex models were continued for several years under the same name but identified as Graflex products. Eventually, Graflex rebranded the models to the Graflex 22, Ciro-flex, and the Graphic 35, Ciro-35. Therefore the years of production for the Graflex Ciro 35 are 1951-1953 though the Ciro 35 was produced from 1949-1953. This information was found on “The Ohio Historical Society” site and written by E. Higgins. https://ohiohistory.wordpress.com/2010/01/07/ohios-camera/ This rangefinder camera has a unique sliding focus lever that has a pointer on one side of the lens and the lever on the other. The pointer scale is graduated from 3 foot to infinity and the mechanism was integrated with the rangefinder. The shutter was mad by Wllensak for Graflex and the camera has an f/3.5 50mm Rodenstock lens marked as a Graflex Graftar lens. Another interesting feature is the locking method for the film chamber. It is a large bar that turns from LOCK to OPEN and is easy to operate. On the inside cover of this Ciro 35 is the words “Ciro Cameras Inc, Delaware, Ohio”, to lend credence to the above paragraph. This camera pictured above is in good condition and worth $20.00 in 2016. |
 | Graflex: Graphic 35 | 1955-1957 | 2015 | 23.00 | 1955-1957 fine condition worth $40.00 in 2015 | |
 | Graflex: Graphic 35 | 1955-1957 | 2015 | 28.00 | 1955-1957 Good condition worth $30.00 in 2015 | |
 | Graflex: Speed Graphic | 1912-1941 | 2013 | 180.00 | 1935-1939 good condition worth $250.00 in 2014 | |
 | Gundlach: Korona (folding) | c1920s | 2009 | 210.00 | The Korona Series III camera was manufactured by the Gundlach Optical Company in circa 1900. Designed as an improvement over the earlier models (except for the extended bellows) but with a reversible patent swing-back. It also can accommodate a special bed for use with wide angle lens which could be purchased separately and attached to this camera as an option. The camera was constructed of wood with a seal grain cover. It has Rack and pinion focus with a rising and falling wood front. The hardware is nickel plated and highly polished. Spring actuated ground glass focusing screen to accept Korona plate holders. A reversible brilliant finder and two tripod sockets. This one had a fold down cross hair view finder as you can see on top. In its original configuration it was fitted with an instantaneous symmetrical lens or a Turner-Reich lens housed in a model F automatic shutter. The camera was available in two sizes to take either 4 x 5 or 5 x 7. Price in 1902 was $22 and $27 respectively. The company roots can be traced to 1879, when Ernst Gundlach and Lewis R. Sexton started working on optical goods manufacturing and trading. The Gundlach Optical Company name was registered in 1884 after Lewis died. In 1895 Ernst left the company, but it continued to bore his name. In 1896 Gundlach Optical acquired the Milburn Korona Company (founded in 1894). Later, in 1902, the company acquired another business - Manhattan Optical Company and the combined establishment was renamed to Gundlach-Manhattan Optical Company. The name was changed again several times: first to Gundlach Manufacturing Corporation, then to Seebold Invisible Camera Company, and finally to Dynamic Optics Inc., which closed its doors in 1972. The camera pictured above has had the lens changed to a Kodak Kodamatic 170mm anasticmate lens with a serial number of 53635. The lens is younger than the body by about 14 years and is found on the Kodak Photographic Deluxe from 1916. The Korona series 3, 4x5 camera, has a value of $150-$225 if it were to still have the original lens/shutter. Funny, but most of the time when a change is made to a camera it tends to decrease the value. However in this case the fact that the original lens/shutter has been exchanged is a good thing. According to McKeown's Camera Price Guide the original lenses were inferior and many photographers changed-out the lens for a better one. This has helped the value of these cameras, doubling the value. So the camera has a value of $300-$450 in 2014. | |
 | Haking: APSilon 30 AF | 1996 | 2015 | 5.00 | 1996 good condition worth $5.00 in 2015 | |
 | Haking: Halina 35 | c1982 | 2015 | 5.00 | 1984 Good condition worth $10.00 in 2015 (Ansco memo 35) | |
 | Haking: Halina Ansco Pixflash | c1987 | 2015 | 1.00 | 1987 good condition worth $3.00 in 2015 | |
 | Haking: Halina Ansco Silhouette Zoom | 1990s | 2012 | 15.00 | 1990 Good condition worth $15.00 in 2014 | |
 | Haking: Halina Disc 100 (Disc 01-H) | c1980s | c | 2020 | 5.00 | Ansco Cadet Disc 100, Asaflex Discolor, Haking Disc 01-H and Halina Disc 100 were the identical camera and some sported adverts on the front as well as came in an assortment of colors. The Halina came in red, blue, orange, plus grey/silver and all had black front lens surrounds plus film compartment covers. The Haking Disc 01-H, Ansco Cadet Disc 100, and Asaflex Discolor came in all black with a red shutter release button, red, blue, and yellow, all with a black front lens surrounds plus film compartment covers. All four cameras have a fixed f/4 optical lens, a single aperture, and 2 conductor Hot Shoe. The cameras could use any 2 conductor flash unit but the Ansco kit came with an Ansco-Lite F20. These cameras need no batteries and have a mechanical shutter, film advance, and shutter loading system. Some of the advertising on the front of the cameras was Swanson Pot Pies, Piedmont, Beefeater Gin, Budweiser, plus Coke or Coca Cola and some just had things like “Makin’ Magic”. The Haking Disc 01-H and Asaflex Discolor cameras were sold plus distributed by Haking Enterprises Limited based in Hong Kong and all four cameras were made in Taiwan. The Halina and Ansco branded cameras were distributed in the UK, Ireland, the Middle East and Africa by a company called Halina Imaging, part of the British photographic distribution company SPS Logistics. The camera with company emblems were a giveaway like other certain select advertising models. The film for the cameras forms a flat disc, and is fully housed within a plastic cartridge. Each disc holds fifteen 10 × 8 mm exposures, arranged around the outside of the disc, with the disc being rotated 24° between each image. It was introduced by Kodak in 1982 and last manufactured in 1999, though the cameras had disappeared from the market long before then. The camera pictured here is in fine condition and worth $8.00 in 2020. |
 | Hanimex: Amphibian 110 MF | c1983 | c | 2020 | 15.00 | The Hanimex Amphibian 110 MF was made in Japan and introduced in 1983 as an underwater camera suitable for serious divers. It is shaped more like a pocket 35mm than the standard 110 camera and uses two AA batteries to power the built-in flash unit and motor drive. The camera has a 20mm (f4.0), fixed-focus lens, Single shutter speed of 1/125 of a second, two aperture settings with icons for sunny/cloudy/flash, shutter release lock, over-sized knobs in a bright yellow covering, and waterproof to 45 meters (150 feet). When you open the camera you are reminded to “Check O-ring surface for scratches, dust, etc. and grease before closing”. The 35mm Hanimex Amphibian (1983) uses a very similar body and it is a rebranded Sea & Sea Motormarine 35 SE (1981) and the Hanimex Amphibian 110 MF (1983) is a rebranded Sea & Sea Pocketmarine 110 (1981). The original price of the camera was $150.00 in 1985 according to the bill of sale that came in the box for the camera. The camera picture here is in Poor condition and worth $5.00 for parts and display in 2020. |
 | Hanimex: Praktica LLC | c1969-1975 | c | 2018 | 10.00 | Same as Praktica LLC by VEB Pentacon AG. The Praktica LLC was made from December 1969 to December 1975 by Pentacon, the East German super "combinate" which had gathered most of former East Germany's camera production in one company. It was the first SLR for interchangeable lenses with electrical transfer of the lens's aperture value to the camera body. Therefore it had three contact plates in the lens mount. Thus it was possible to use TTL-metering by means of a match-needle meter instrument visible thru the finder at maximum lens aperture. The camera uses 35mm film with speeds 12 to 1600 ASA. It has a focal plane shutter made of steel lamellae, with speeds B, 1/1, 1/2, 1/4, 1/8, 1/15 1/30, 1/60, 1/125, 1/250,1/500, 1/1000 of a second. It also has an M42 lens screw mount with aperture release shifter and electrical contacts for aperture value transmission, a coupled TTL meter that helps with its match-needle "scale" in the viewfinder to adjust shutter speed and aperture, and a Pentaprism finder, fresnel lens focus screen, in the middle a microprism area, and a triangle that appears when the camera is not cocked for the next shot. Other features are the single stroke rapid lever film advance with exposure counter, fast film load system, shutter flash synchronized up to speed 1/125 second, bulb flashguns for speed 1/30 second, and a hot shoe. 176,697 Praktica LLC’s were made in the 6 years of production. The battery was a VARTA V21 PX made with mercury the replacement is a standard CR 123 A 3,0 V battery with a special adapter which you can get through PRAKTICA (www.praktica.de,) Pentacon GmbH, Praktica-Service, Foto- und Feinwerktechnik, Enderstr. 94, 01277 Dresden, Tel.: 0351/2589230). The camera pictured here is in Good condition and worth $40.00 in 2018. |
 | Hanimex: Praktica Super TL | c1969 | c | 2020 | 18.00 | The Praktica super TL is a 35mm SLR camera manufactured by VEB Pentacon in Dresden (DDR, former East Germany). It features an M42 lens mount and stop-down TTL metering plus a cloth focal plane shutter. The camera was introduced in 1969 and manufacturing was stopped in 1976. The shutter speeds are 1 second, 1/2, 1/4, 1/8, 1/15 1/30, 1/60, 1/125, 1/250, 1/500 of a second plus B. This camera was also available with a black top cover and silver. A special version of the Praktica Super TL was sold in the Netherlands as the Pentor Super TL. It was also sold by Hanimex as the Hanimex Praktica super TL, Hanimex Super TL, and Hanimex Pro TL. Porst in Germany sold it as the Porst Reflex FX6 while Foto-Quelle sold it as the Revueflex SL. In the United States it was sold as the Cavalier STL-I. The picture size is 24 x 36mm and the camera has two PC sync of X, and F – but no shoe. The preview button and CDS meter used a PX675 mercury battery but replacements are available today. Other features are a fold out pull up rewind crank handle. Rewind film release button, a lockable shutter release button capable of receiving a cable plunger, light metering button on the front, and a 1’4 inch 20 thread tripod socket. The camera pictured here is in fine condition and worth $30.00 in 2020. |
 | Hanna Barbera: Fred Flintstone (126) | c1978 | c | 2017 | 2.00 | The Fred Flintstone camera was introduced in 1978 to coincide with a compilation series “Fred Flintstone and Friends” (1977-1978). The original show ran from September 1960 to April 1966 and has aired in reruns plus other forms to this date. The camera is listed as a 126 film cartridge toy camera. The camera instructions on the back of the original packing direct you to load 126 Kodacolor film or Kodak Verichrome for black and white prints and Kodachrome-X or Ektachrome-X for color transparencies. The focus range is 4 feet to infinity and a window in the back of the camera shows the number of exposures and film type. The camera labeling on the original package recommends for use by children ages 3 and up and made in Hong Kong also can be found. The made in Hong Kong label in reinforced by the embossed lettering on the frame of the film view window on the back of the camera and some packaging has the IMCO logo that stands for IMCO Toy LTD now known as HKTDC (exporter from Hong Kong). The viewfinder is a frame type with no optics, just clear plastic. The camera also has a film advance knob on the top, shutter release by Fred’s nose, and comes with a handy carry strap. The camera in this picture is in Poor condition and worth 50 cents in 2017. |
 | Hanna Barbera: Fred Flintstone (126) | c1978 | c | 2017 | 18.00 | The Fred Flintstone camera was introduced in 1978 to coincide with a compilation series “Fred Flintstone and Friends” (1977-1978). The original show ran from September 1960 to April 1966 and has aired in reruns plus other forms to this date. The camera is listed as a 126 film cartridge toy camera. The camera instructions on the back of the original packing direct you to load 126 Kodacolor film or Kodak Verichrome for black and white prints and Kodachrome-X or Ektachrome-X for color transparencies. The focus range is 4 feet to infinity and a window in the back of the camera shows the number of exposures and film type. The camera labeling on the original package recommends for use by children ages 3 and up and made in Hong Kong also can be found. The made in Hong Kong label in reinforced by the embossed lettering on the frame of the film view window on the back of the camera and some packaging has the IMCO logo that stands for IMCO Toy LTD now known as HKTDC (exporter from Hong Kong). The viewfinder is a frame type with no optics, just clear plastic. The camera also has a film advance knob on the top, shutter release by Fred’s nose, and comes with a handy carry strap. The camera pictured in here is in New condition and worth $25.00 in 2017. |
 | Helm Toy: Bugs Bunny | c1978 | c | 2019 | 5.00 | The Bugs Bunny camera for 126 film was manufactured in Hong Kong for the Helm Toy Company, and features the grinning cartoon rabbit across its front. Warner Bros Inc. studio licensed the use of this character in 1976 and the cameras were released in 1978. The camera represents a field of grass molded in green plastic, with a painted Bugs twisted rather awkwardly around the fixed focus lens, viewfinder, and front shutter release. His head and ears are 1 ½ inch above the camera top and a sign on the front reads “EH DOC SMILE!”. The camera has a socket for use of a Magicube to allow exposures indoors. The Magicube negates the need for batteries and has four flashes per cube. The camera pictured here is in Poor condition and is for display only. This camera is worth $10.00 in 2019. |
 | Herbert George: Donald Duck Camera | c1946 | c | 2015 | 20.00 | 1946 fine condition worth $25.00 in 2015 |
 | Herbert George: Herco Imperial (620 Snap Shot) | 1950s | 2015 | 10.00 | 1951 fine condition worth $15.00 in 2015 | |
 | Herbert George: Official Boy Scouts of America (3-way) | c1950s | c | 2017 | 10.00 | The Official 3-Way Boy Scouts Camera was originally manufactured by the Herbert George Company of Chicago Illinois in the 1950s. This was the same camera as the Mark 27, except it carry different styling and the Boys Scout logo on the flip up flash cover. It was an innovative design as it incorporated the view finder and flash unit as part of the camera, and also provided a decorative cover for the flash unit when not in use. The camera was simple, compact and inexpensive and entirely made of plastic. It featured a simple fixed focus meniscus lens, and a switch to adjust the aperture for color or black and white film. It was capable of capturing 2 X 2 inch color slides, kodacolor or B&W pictures on number 127 roll film. It used the small number AG-1 flash bulbs sometimes called "jelly bean" bulbs. This camera sold for $5.95, which was more than the Boy Scout Mark XII. The camera pictured here is in good condition and worth $10.00 in 2017. |
 | Herbert George: Official Boy Scouts of America (3-way) | c1950s | c | 2020 | 5.00 | The Official 3-Way Boy Scouts Camera was originally manufactured by the Herbert George Company of Chicago Illinois in the 1950s. This was the same camera as the Mark 27, except it carry different styling and the Boys Scout logo on the flip up flash cover. It was an innovative design as it incorporated the view finder and flash unit as part of the camera, and also provided a decorative cover for the flash unit when not in use. The camera was simple, compact and inexpensive and entirely made of plastic. It featured a simple fixed focus meniscus lens, and a switch to adjust the aperture for color or black and white film. It was capable of capturing 2 X 2 inch color slides, kodacolor or B&W pictures on number 127 roll film. It used the small number AG-1 flash bulbs sometimes called "jelly bean" bulbs. This camera sold for $5.95, which was more than the Boy Scout Mark XII. The camera pictured here is in good condition and worth $5.00 to $10.00 in 2020. |
 | Herbert George: Official Cub Scout (Imperial Debonair) | c1950s | 2017 | 14.00 | This is a c1950s that uses rollfilm and a box-styled camera. The Herbert George Company was founded in Chicago, Illinois by Herbert Weil and George Israel in 1945. The Imperial and Herco brand names proved to be popular. The Herbert George Company pioneered the introduction of the all in one camera featuring built-in flash and view finders, and was one of the first to offer multiple colored camera. In 1961 with a change of ownership, the company was renamed to the Imperial Camera Corp. This camera was constructed of a sturdy shock-resistant Bakelite plastic featuring a built-in view finder, synchronized flash sockets, fixed focus lens and simple snap shot shutter for quick shots. A Cub Scout version was also made with the only change being the logo on the metal face plate in the front. The camera is capable of capturing twelve exposures, 3 1/4 x 1 1/2 inch in size, on number 620 color or black and white roll film. The frames were counted using the numbers on the paper backing of the film and a small oval red window in the back of the camera. It is flash capable and used number 8 bulbs in the flash attachment that plugged in the top next to the viewfinder. It was made in various colors including, brown, olive, maroon and black. The camera pictured here is in Good condition and worth $15.00 in 2017. | |
 | Herbert George: Official Girl Scout (Savoy Mark II) | c1950s | c | 2019 | 15.00 | In the 1950s, the Herbert George Company (Imperial Camera Co. in 1961) of Chicago, Illinois produced an official Girl Scout camera (light green and dark brown). Many Boy Scout cameras were produced throughout the mid-1900s, but few models were made for the female scouts. This easy-use 620 box style camera used an eye-level viewfinder and featured the Girl Scout logo on its faceplate. The camera produced 2¼×2¼ exposures on type No. 620 film rolls. It was the typical Herbert George box camera design, with an optical viewfinder on top. A big bulb flash was attachable on the camera top using the two plug-in flash sockets on either side of the viewfinder. The camera has a fixed-focus (approximately 24mm) lens that’s locked in at an aperture of f/11. The shutter is fixed at 1/60 seconds. This camera was also released as the Official Cub Scout Camera, Official Girl Scout Camera for Brownie Scouts (with red winder knob plus shutter button top), Herco Imperial (620 Snap Shot), Savoy Mark II (in light green plastic only) and the Roy Rogers and Trigger (620 Snap Shot Camera). The Herbert George Co. rarely missed a chance to appeal to a new market and by changing the faceplate, knob color, or body color they achieve just that. All aforementioned cameras were the same aside from the color variations and interchangeable faceplates. The camera pictured here is in Good condition and worth $20.00 in 2019. |
 | Herbert George: Roy Rogers & Trigger | c1950s | c | 2019 | 12.00 | The Roy Rogers and trigger 620 snap Shot Camera was made by the Herbert George Company of Chicago Illinois in circa 1950. It was a simple box camera made of plastic Bakelite with a decorative metal faceplate depicting the famous television personality Roy Rogers and his trusted horse Trigger. It featured a built-in eye-level view finder, a removable synchronized flash unit, a fixed focus meniscus lens and a single speed snap shot shutter. It was capable of capturing twelve exposures, 2 1/4 x 2 ¼ (6x6cm) inch in size, on number 620 color or black and white roll films. The Herbert George Savoy Mark II, Adventurer 620, 620 Official Cub Scout, Official Girl Scout 620, Herco Imperial, and Imperial Six-Twenty used the same camera body and lens. The Herbert George Company main camera brand is the Imperial plus Herco but ownership changed and the company was officially renamed Imperial Camera Company in 1961. The camera pictured here is in fine condition and worth $40.00 with the flash unit. |
 | Herold: Flash Master | c1950s | c | 2019 | 15.00 | The Herold Flash Master Bakelite viewfinder camera was just one of the cameras in the manufacturing debacle created by the sale of the Utility Manufacturing Company’s Falcon brand. The buyer then moved it and its product to 711/715 West Lake Street, Chicago, home of the Monarck manufacturing Company and Spartus Corporation. This started the complicated Company naming game. Some of the branding names were Falcon, Monarck, Seymour, Herold, Spartus, Galter, and Spencer, Cinex, Photo Master, plus more. This business model was repeated in Taiwan years later and continues today throughout the globe (cheap product with many names and brand names). The Flash Master camera was marketed by the Herold Products Company in 1942. Designed as a simple candid camera that was capable of shooting under any lighting condition. The photoflash unit had a 3 3/16 inch diameter plated reflector, used two penlight batteries (AA), was electronically operated (synchronized), plus was labeled Spartus on the battery cover and could be used on the Spartus Box 120, Spartus 35, Spartus 35 F, Pho-tac Macy, Pho-tac Scout 120 Flash, and the Pho-tac Spectator Flash. The Herold camera was constructed of Bakelite with a built-in open viewfinder with no optics. It was fitted with a genuine Graf meniscus 50mm lens and flash-synchronized time and instantaneous 1/25 of a second shutter. The shutter lens combination was used on many cameras and if you remove the metal lens plate you will find the words Photo Master embossed on the plastic in all capital letters. The Herold Flash Master is a half frame camera with two red windows in the back cover for frame counting and for capturing sixteen exposures on no. 127 or A8 roll films. The exact camera (Flash Master) can be found with the Seymour Products Company Inc. name. The Photo Master Company’s Photo Master Camera with the Bakelite face is the same camera without the two flash posts but used the same molds. Spartus used the shutter assembly with an upgrade on the Spartus Miniature. The Miniature lens is a Graf Achromat 50mm F7.7 single element and it has two apertures of F7.7 and F16. The camera pictured here is in Good condition and worth $25.00 with the flash unit in 2019. |
 | Hi-Lite Industrial: Caprice Pocketpak 330 | 2020 | 10.00 | The Caprice Pocket 330 is a 110 film cartridge camera made by the Hi-Lite Industrial Company in Singapore in the 1970s. The camera used the popular 1970s Flipflash plug-in cartridge. The “flip flash” cartridge held 8 or 10 flash bulbs with individual reflectors, they were ganged up so that you could take one photo after another without pausing to swap bulbs. The camera also uses 12 to 20 exposure 110 film cartridges. The film could be Black & White, Color, or slid producing 110 film. The camera has an optical viewfinder, about a 45mm focus free lens with a minimum range of 1.25m (4 feet), right index finger or thumb push bar frame advance, FlipFlash socket, large shutter release button, film observation plus frame count window in the back cover, and a hard point to connect a wrist carry strap. The camera also has one shutter speed of 1/50 of a second and a fixed medium aperture of f8. The camera came in a hard plastic clam shell case that slid into a cardboard sleeve that showed the camera with a FlipFlash attached. The unattached wrist strap and a user’s pamphlet were in the box with the camera. The camera pictured here is in new condition and worth $8.00 to $10.00 in 2020. | ||
 | Holga: Holga 120 CFN | c1990s | c | 2019 | 4.00 | The Holga camera was initially introduced to the Chinese public in 1982 as an inexpensive camera for everyday use. Shortly after its introduction, it became an underground artistic phenomenon. Using the Holga is an exercise in breaking free from dependence on technology, precision, and controllability. The slight softness of the images, vignetting and random light leaks produce dream-like, one-of-a-kind images. The Holga 120CFN (Model: 146120) is modeled after the original Holga 120N but includes a built-in flash with a spinning color wheel for your choice of red, yellow, blue or standard white flash. The camera uses 2 AA batteries for flash operation only, and 120 medium format film. This camera has 2 film masks for either 12- 6x6 cm images or 16- 6x4.5cm images. There are two shutter settings of 1/100 of a second and bulb. Also 2 aperture settings of f/11 for sunny and f/8 for cloudy. Other features are a hot shoe adapter, ¼ inch 20 thread tripod socket, Lens cap, and strap. The camera uses a fixed focus f8 60mm lens with a focus distance of 0.9m to infinity. The CFN came in a variety of colors including green, orange, yellow, white, blue, pink, purple, red, camo, and color combination of the parts of the cameras. The cameras are selling used between $10.00 to $80.00 depending on condition, model, and colors. Sealed in the box, the cameras can fetch close to $100.00. The camera pictured here is in working condition but listed as poor. It is missing the film advance wheel but can be used and it is worth $5.00 in 2019. |
 | Houghton: Ensign 2 1/4 B (box) | c1912-1920s | c | 2019 | 10.00 | The Box Ensign 2¼B was made by Houghton-Butcher in the UK from 1912 into the 1920s. The camera was changed in 1923 by adding a wire frame viewfinder to the front and loading film from the back. It took 2¼×3¼ (6×9cm) negatives on 120 films (Ensign 2¼B film). It has a simple rotary 1/50 of a second Instant/Timed shutter. There was also a 2¼A model, for 2¼ square images. There are at least three models of the 2 ¼ B, one with a meniscus lens, and another with a Rapid Rectilinear (RR) lens. The camera has three (unlabeled but about 5.6, 8, and 16) apertures that are selected by a slider above the shutter release. Some versions have a plug-type lens cap that was made of leatherette-covered cardboard and attached by a string to the lens surround. The third model was manufactured under license for Australia and New Zealand under the "HR Ton" trademark. This model did not include the wire viewfinder and the Ensign model details were only included on a sticker on the inside. Besides the wire frame viewfinder (sports finder) the camera had two waist-level (Watson-type) finders for landscape and portrait. The Ensign 2¼B was available in black, red, or a leather-grain effect brown. The camera pictured above is in fine condition and worth $20.00 in 2019. |
 | Houghton: Ensignette No.1 | c1909-1920s | c | 2019 | 32.00 | This Ensignette was patented in 1907 and started production release in 1909. The patent number is 28484 and continued production until 1920. The body of the camera is made entirely from brass sheet and painted flat black inside and has a gloss black exterior. The brass nickel plated bits and screws make up the rest of the metal parts. The front of the camera faceplate is etched with ENSIGNETTE in an arc over the lens escutcheon and etched at the bottom is MADE BY HOUGHTON LTD LONDON in a very small font. Also on the faceplate of later models is two round embossed emblems. One has PATENT 28484 1907 and the other round embossed emblem has a flag with ENSIGN on it and a small British flag at the top within the flag plus the word BRITISH MADE below the flag. The camera is one of the smallest billows cameras ever made. The Ensignette measures 98 x 48 x 20mm (3 7/8 x 2 x 3/4 inches) when closed and 80 mm (3 1/4 inches) when open. It weighs 220 g (7 3/4 ounces) without film. The camera also has 3 apertures of f/11, f/16 and f/22, a fold-out table top leg for landscape pictures, two shutter setting of Timed plus Instant, 1/30 of a second leaf shutter, frame number red view window in the camera back with a slid cover, right thumb shutter release arm, a fold-down paddle film advance winder, and one Brilliant type viewfinder. The camera used Ensign E1 roll film (128 roll film) that produced a 57 x 38mm (2 ¼ x 1 ½ inches) picture but the film was discontinued in 1941. The camera pictured here is in Fine working condition plus fine esthetic condition and worth $70.00 in 2019. |
 | HP: Photosmart 215 | 2001 | 2017 | 5.00 | The HP PhotoSmart 215 is designed for those consumers who want an easy-to-use, point-and-shoot digital camera, without having to fuss over exposure controls. The 215's simplified user interface and automatic exposure controls give consumers just that -- straightforward digital photography with no hassles. The Camera's simple design features very few external controls and an uncomplicated LCD-based menu system. The 1.3-megapixel CCD produces images as large as 1,280 x 960 pixels, with three JPEG quality settings available. On the back panel is a small status display screen directly over the 1.8-inch color 61,600 pixels LCD monitor. The status display reports camera settings and enables you to operate the camera with the LCD monitor switched off, thus conserving battery power. The camera also has 2x digital 6.68mm (43.4mm equivalent) lens zoom lens with autofocus, auto focus, auto flash, red eye reduction, auto exposure, apertures ranging from f/2.8 to f/8.0, Shutter speeds from 1/750 to 1/3 of a second, Sensitivity equivalent to ISO 100, built-in flash with four operating modes, and operates using four AA batteries. The camera connects to PCs via USB port and images are saved as JPEGs on Type I CompactFlash memory cards. The camera originally came with a USB cable for quick connection to a PC, software CD containing ArcSoft PhotoImpression, PhotoMontage, and camera drivers (for Windows only). You could purchase an AC adapter in 2001 when the camera was new. The camera pictured here is in fine condition and worth $10.00 in 2017. | |
 | HP: Photosmart 320 | 2002 | 2014 | 2.00 | 2002 Good condition worth $5.00 in 2014 (2.1MP) | |
 | HP: Photosmart 435 | 2003 | 2013 | 10.00 | 2003 fine condition worth $15.00 in 2014 (3.1MP) | |
 | HP: Photosmart 435 | 2003 | 2013 | 10.00 | 2003 fine condition worth $15.00 in 2014 (3.1MP) | |
 | HP: Photosmart 620 | 2002 | 2016 | 10.00 | The 2002 Photosmart 620 has a maximum resolution of 1632 x 1232 or effective 2.1 megapixels. It also has a 36-102mm lens (35mm equivalent), 1/3" (4.8 x 3.6 mm) CCD sensor, f/2.8 to f/5.6 aperture, 1.5” screen, built in flash, automatic white-balance system, and image preview. The HP Photosmart 620 is large for a 2-megapixel camera, with much of the bulk coming from its four AA batteries, which provide very good battery life. Operation is kept simple with dedicated buttons that control image quality, flash mode, self-timer, 4X digital plus 3X optical zoom (12X total), maximum shutter speed 1/1000 of a second, minimum shutter speed 1/3 of a second, 8MB flash internal storage, SD card slot, and image preview, all without the hassle of using menus. The camera also has dual shutter-release buttons (The large one for stills, the other for video) and they are located on top of the camera. The format for images is JPEG and the digital video format AVI. The camera pictured here is in poor condition due to the broken battery door caches. The camera does work but only with a taped battery door. This camera is worth $1.00 in 2016. | |
 | HP: Photosmart 720 | 2002 | 2012 | 5.00 | 2002 fine condition worth $10.00 in 2014 | |
 | HP: Photosmart C30 | 1998 | 2012 | 2.00 | 1998 fine condition worth $15.00 in 2014 (1.0MP) | |
 | HP: Photosmart M407 | 2004 | 2012 | 10.00 | 2004 Fine condition worth $35.00 in 2014 (4.1MP) | |
 | HP: Photosmart M425 | 2006 | c | 2019 | 4.00 | Introduced in 2006, this 5 megapixel camera features a 3x optical zoom and utilizes the on-camera HP Photosmart Express button to enable ordering of prints and sharing of photos. With the HP Photosmart M425 Digital Camera, users can effortlessly snap and edit photos on the 1.7-inch image display, and order prints plus share photos using the on-camera HP Photosmart Express button. The camera includes the (new at the time) HP Design Gallery. It also has 16 MB internal memory, fast shot mode with minimal shutter lag, SD card slot, HP Design Gallery adds artistic effects and borders right in the camera—no PC or software required, red-eye removal, camera socket for a docking port, USB port, AV out port, Digital video in MPEG-1 format with 320x240 resolution at 20 fps, 1.7 inch LCD display, Built-in flash unit, 10 second self-timer delay, microphone, and pictures in JPEG format. The power is provided by two AA alkaline batteries and the camera has a ¼ inch 20 thread tripod socket on its base. The camera pictured here does not work and is in Poor condition. It is worth $.50 for parts in 2019. |
 | HP: Photosmart R607 | 2004 | 2017 | 3.50 | This digital camera is a 4.1 MP CCD that captures enough detail for photo-quality 12 x 15-inch prints. It has a 3x Pentax optical zoom lens plus 7x digital zoom ((approximately 35 to 105 mm (35 mm equivalent)) and a 1.5-inch LCD display. It also has MPEG-1 video capture with sound, with length limited only by memory stored on SD/MMC cards. It is powered by HP Photosmart R07 rechargeable Lithium-ion battery. The camera also has an optical viewfinder, 4 frames per second shooting speed, built in flash, auto focus mode, 6 cm macro focus range, f2.6 to f4.8 aperture range, 1/2000 of a second maximum shutter speed, 16 seconds minimum shutter speed, 10 second self-timer, video capture mode (24 fps) 640 x 480 VGA, 2320 x 1744 effective sensor pixels, 32 MB internal memory, TTL metering, JPEG still images, HP In-Camera Red-Eye removal, plus ISO Speeds of 100, 200, and 400. The camera was introduced by HP in 2004 with selling points of 21x zoom and 4.1 MP. It sold with software (CD with HP Image Zone) for Windows (up to XP (Professional and Home Editions)) and Macintosh (up to OS 10.2 and higher) based systems. The software has HP In-Camera Panorama Preview that recreates the expanse of wide landscapes from a series of smaller images. Up to five images can be merged in the camera into a seamless preview, allowing you to scroll the entire panorama. When the images are uploaded to a PC, the included software automatically stitches the sequences together. The camera pictured here is in Poor condition and worth $1.00 in 2017. | |
 | ICA: Icarette (6x6) | c1912-1920s | c | 2019 | 22.00 | The Ica Icarette 6x6 roll film "No.495" camera was introduced in 1912 and discontinued in 1926 when Ica merged with Goerz, Ernemann and Contessa-Nettel in 1926 to form Zeiss Ikon. The camera uses 120 films (some early versions for 117 roll film) for 6x6cm exposures (and 4.5x6cm on plates). It is a horizontal style folding billows camera also known as "Model A", "Icarette B", "Icarette", "Icarette I", "No.493" (roll film only), "No.495" (roll film only), and "No.496" (roll film + plates). The Icarette series of cameras are non-self-erecting. After the incorporation of ICA into Zeiss Ikon, the camera series was continued under the Zeiss Ikon name but keeping the former ICA product codes. In 1930 the cameras were given new Zeiss Ikon product numbers. They were discontinued around 1934. The camera has a Novar Anastigmat 1:6.8 F=7,5cm lens, Collapsible brilliant finder, some versions have Iconometer (wire finder), focusing Lever on the bed, 3/8 inch 16 thread tripod socket, and a screw in shutter release plunger socket. The years produced were Icarette I (495), Icarette A (US catalogs), or Ica Icarette I (495) (1912-1925), Zeiss Ikon Icarette 493 (1928-1929), and the Zeiss Ikon Icarette 509/16 (1930-c.1934). The camera also has a pull-out tab in the back cover. In one tab position, the red window is uncovered for checking film advance, in another position the tab served as eyesight for the wire finder. The back of the Icarette is easily removed by pressing two little buttons at once on the top and bottom of the one side. When retracting the lens assembly and closing the bed, the brilliant finder collapses automatically to fit in the closed body. The camera has a sturdy metal construction, covered with fine-grained leatherette. Many lenses were fitted to the camera including the one mentioned above was the Baldour 75mm ƒ/8, Helios 75mm ƒ/8, Hekla 75mm ƒ/6.8, Maximar 75mm ƒ/6.8, Icar 75mm ƒ/6.3, Dominar 75mm ƒ/4.5, and the Tessar 75mm ƒ/6.3 or ƒ/4.5. Along with the lenses were a few shutters like the Ica Automat mod. X (1/25-1/100), Derval (1/25-1/100), Compound (1 second -1/250), and the Compur (1 second -1/250) When Zeiss Ikon was formed (1926). The camera pictured here is in good condition and worth $35.00 in 2019. |
  | Ihagee: Auto-Ultrix (2860, Double-format) | 1931-c1940 | c | 2020 | 22.00 | This 1931 to 1940 120 film folding camera initially only offered a 6x9 format but starting in 1933 it was able to take 6x9 and 4.5x6 exposures. The camera has an Ihagee Sol Anastigmat f4.5 105mm lens in a Prontor manual load shutter with speeds of 1/25 to 1/125 of a second and Time plus Bulb. The focus range is 2.5 feet to infinity and the apertures are 4.5 to 22. The camera also has a waist high brilliant and an eye level fold out frame viewfinder that came on the later models. The cameras came with a number of lenses and shutter combinations. 2860 refers to the catalog designation of the camera. Ihagee put a small catalog out every year other than the war years. The camera was manufactured by Ihagee Kamerawerk, Steenbergen & Co., Dresden, Germany. It produced a broad range of folding cameras with the name Ultrix before WW2. All Ultrix series were produced from 1922 to 1940. Before the camera will fold you have to set the focus range to infinity or you will bind up and risk damaging the struts. Other features of the camera are two 3/8 inch tripod sockets, delayed shutter timer, shutter plunger socket, closable red frame count window in the back cover, carry handle, and a removable front lens for cleaning only. The camera pictured here is in fine condition and worth $50.00 in 2020. |
 | Ihagee: Exa | 1951-1962 | 2013 | 60.00 | 1951-1952 Good condition worth $85.00 in 2014 | |
 | Ihagee: Exakta VX IIa (Exakta Varex IIa) | 1957-1961 | 2019 | 22.00 | This is an Exakta VXIIa with a black and white “EXAKTA” name plate introduced in 1961. Ihagee never made lenses of its own brand for the Exakta cameras. Many of the major optical firms produced lenses for them, including Meyer, Carl Zeiss Jena, Schneider-Kreuznach, E.Ludwig, and many others. Exakta’s were rather expensive cameras, used by professionals and serious amateurs beginning with the Exakta Varex. The lenses, eye-level pentaprism, and waist-level viewfinders are interchangeable within all versions. This version has flash three PC sockets, M, F, X, synchronized (separate on the fast speeds knob). The back cover to the film compartment is hinged and detachable. The camera has a shutter locking cap, frame counter, shutter speeds of 1/25 to 1/1000 of a second plus B/T, self-timer, left handed shutter release with plunger socket, and an optical viewfinder. The camera pictured here has a Meyer-Optik Görlitz Domiplan 50mm 2.8 Versions for an EXA / Exakta mount worth about $35.00 and the camera body is in Fine condition worth $65.00 in 2019. | |
 | Ihagee: Exakta VX IIb (Varex IIb) | 1963-1967 | c | 2017 | 20.00 | Early Kine Exakta’s had a fixed waist-level viewfinder, but later models, starting with the Exakta Varex, had an interchangeable waist- or eye-level finder. Examat and Travemat Through-the-lens metering prisms were introduced in the mid-1960s. Most controls—including the shutter release and the film wind lever—are on the left-hand side, unlike most other cameras. The film is transported in the opposite direction to other 35mm SLRs. In classic Exakta’s—made between 1936 and 1969—two film canisters can be used, one containing unexposed film and a second into which is wound the exposed film. A sliding knife built into the bottom of the camera can be used to slice the film so that the canister containing the exposed film can be removed while preserving the unexposed film in the main canister. The knife was omitted in the Exakta VX500, one of the last "official" Exakta cameras. The shutter release on classic Exakta’s is on the front of the camera, rather than the top. It is pressed with the left forefinger. This is quite similar to the Praktina design (which adapted it from Ihagee's product), the shutter-release of which was located on the right-hand side of the camera-body front. Later lenses produced for Exakata’s (Ihagee did not produce their own lenses), known either as "automatic" or "semi-automatic" lenses, included a button in an extension that would align over the camera body's shutter release when the lens was mounted. The diaphragm of these lenses remained fully open, providing a bright viewfinder image, until the button was depressed halfway, when the iris would be stopped down to the shooting aperture; pressed farther, the lens button engaged the camera's shutter release button, tripping the shutter. There was a full line of specialized equipment available for these system cameras that included microscope adaptor, extension bellows, stereo attachments, medical attachments and various specialized finder screens. Equipment is fully compatible between all models manufactured between 1936 and 1969. The spelling found on cameras has traditionally been Exakta, but some early Kine-Exakta’s were marked Exacta specifically for marketing in France, Portugal and the U.S., perhaps for copyright reasons; and certainly a great number of American collectors refer to the whole range as the "Exacta." A related line of smaller, simpler cameras was the "Exa" line; these, too, existed in several variations. The Beseler Topcon line of 35mm cameras used the same lens mount as the Exakta. In the early 1970s the Exakta "RTL 1000" was introduced; it accepted the older models' lenses but had its own range of viewfinders, which included a model with through-the-lens light metering. M42 lens mount variants of the RTL line of cameras also appeared under the Practica name. After an economic collapse following Germany's reunification, the successor of the firm (Pentacon, which subsumed Ihagee) is now back in business. This company is not related to the Dutchman Johan Steenbergen, the founder of Ihagee, or with the Exakta, which was discontinued in the 1970s. The camera pictured here is in fine condition and worth $40.00 in 2017. |
 | Ihagee: Exakta VX IIb (Varex IIb) | 1963-1967 | c | 2017 | 17.00 | Early Kine Exakta’s had a fixed waist-level viewfinder, but later models, starting with the Exakta Varex, had an interchangeable waist- or eye-level finder. Examat and Travemat Through-the-lens metering prisms were introduced in the mid-1960s. Most controls—including the shutter release and the film wind lever—are on the left-hand side, unlike most other cameras. The film is transported in the opposite direction to other 35mm SLRs. In classic Exakta’s—made between 1936 and 1969—two film canisters can be used, one containing unexposed film and a second into which is wound the exposed film. A sliding knife built into the bottom of the camera can be used to slice the film so that the canister containing the exposed film can be removed while preserving the unexposed film in the main canister. The knife was omitted in the Exakta VX500, one of the last "official" Exakta cameras. The shutter release on classic Exakta’s is on the front of the camera, rather than the top. It is pressed with the left forefinger. This is quite similar to the Praktina design (which adapted it from Ihagee's product), the shutter-release of which was located on the right-hand side of the camera-body front. Later lenses produced for Exakata’s (Ihagee did not produce their own lenses), known either as "automatic" or "semi-automatic" lenses, included a button in an extension that would align over the camera body's shutter release when the lens was mounted. The diaphragm of these lenses remained fully open, providing a bright viewfinder image, until the button was depressed halfway, when the iris would be stopped down to the shooting aperture; pressed farther, the lens button engaged the camera's shutter release button, tripping the shutter. There was a full line of specialized equipment available for these system cameras that included microscope adaptor, extension bellows, stereo attachments, medical attachments and various specialized finder screens. Equipment is fully compatible between all models manufactured between 1936 and 1969. The spelling found on cameras has traditionally been Exakta, but some early Kine-Exakta’s were marked Exacta specifically for marketing in France, Portugal and the U.S., perhaps for copyright reasons; and certainly a great number of American collectors refer to the whole range as the "Exacta." A related line of smaller, simpler cameras was the "Exa" line; these, too, existed in several variations. The Beseler Topcon line of 35mm cameras used the same lens mount as the Exakta. In the early 1970s the Exakta "RTL 1000" was introduced; it accepted the older models' lenses but had its own range of viewfinders, which included a model with through-the-lens light metering. M42 lens mount variants of the RTL line of cameras also appeared under the Practica name. After an economic collapse following Germany's reunification, the successor of the firm (Pentacon, which subsumed Ihagee) is now back in business. This company is not related to the Dutchman Johan Steenbergen, the founder of Ihagee, or with the Exakta, which was discontinued in the 1970s. The camera pictured here is in fine condition and worth $40.00 in 2017. |
 | Imperial Camera: Boy Scout Camera | c1964 | c | 2017 | 7.00 | The Boy Scouts of America Camera was manufactured by the Imperial Camera Corporation of Chicago Illinois in circa 1961. This snap shot camera was constructed of plastic with a molded in eye level view finder and an integrated flash unit. It featured a fixed focus lens, a simple instantaneous shutter, plus two aperture settings to accommodate color or black and white film, and a carrying strap. It used number 127 roll film and AG-1 flash bulbs, sometimes called "jelly bean" bulbs. The flash unit was powered by two AA batteries stored in the camera behind the reflector and accessed with a “common” screw driver. This same design was also sold as the Imperial Lark 127, Rambler Flash camera, and the Tower Pixie 127 by Sears. The only change was the face plate surrounding the lens and film selector. The camera pictured here is in Good condition and worth $15.00 in 2017. |
 | Imperial Camera: Cubex IV | c1964 | c | 2019 | 8.00 | The Imperial Cubex IV was distributed in c1964. It used 127 roll film that produced 4x4cm exposures. It is a plastic camera that was manufactured in the USA by Herbert George Camera under the Imperial name. It is a simple and inexpensive square shaped snapshot camera made of plastic. As the name suggests it was specially made to accommodate the square Flashcube flashbulbs of the time. A Boy Scout Cubex IV version was also made displaying the Boy Scout logo on the front. It featured a built-in viewfinder, a fixed focus IMPAR 47mm lens, and a front snapshot lever. The back of the camera prompts you to advance both the flashcube plus film after each exposure and a separate wheel is supplied for both. The Flashcube work best at 4 to 9 feet (1.25 to 2.7m) with color film and 4 to 15 feet (1.25 to 4.5m) with B&W. When new the camera came with a wrist strap enclosed inside the camera, instruction booklet, and a warranty registration postcard you filled out and sent in (stamp not included). The Cubex IV used two AAA batteries for the flash that are stored in a compartment on the top middle of the camera with a pull-up battery holder separate from the lid or top. It also has an eject lever for the flashcube, a frame view window in the back cover, and an optical viewfinder. The camera pictured here is in Good condition and worth $15.00 in 2019. |
 | Imperial Camera: Debonnair | c1964 | c | 2010 | 12.00 | The Imperial Debonair is an idiosyncratically-styled plastic camera for 620 film made by Herbert George Co., in Chicago Illinoi around 1964. Bodies were molded in black or brown plastic. The same camera was also marketed as the Official Cub Scout/Boy Scout/Girl Scout Camera. It takes twelve images and image area is slightly larger than 2 1/4″ square. The single shutter speed is about 1/90 of a second. Some of the other features are an optical viewfinder, large film advance knob, flash attachment capability, an aluminum sun visor over the lens, large shutter release button, and an attached wrist strap or handle. This camera is in the original box and unlike most of its type it still has the winder knob cover so the camera pictured here is in Fine condition and worth $20.00 in 2020. Imperial was the main camera brand of Herbert George Co., a Chicago, Illinois, company founded by Herbert Weil and George Israel around 1945. Herco appeared on some models, such as the Herco Imperial; then Imperial won out as the preferred name. In 1961, company ownership changed and the whole company was renamed to Imperial Camera Corporation. It made mostly cheaper Bakelite and plastic cameras with eye-catching colors and styles to spur sales of what were otherwise very basic designs. |
 | Imperial Camera: Delta | c1964 | c | 1999 | 7.00 | The Imperial Delta is a plastic camera made in Chicago by Imperial Camera and introduced in 1964. The Delta takes 4x4cm (1.57x1.57 inches) images on 127 film. The dark grey camera is almost similar to the Official Girl Scout Camera for Brownie Scouts which is beige with brown controls. It is also the older brother to the Imperial Deltex camera that employs the flash-cube instead of the two post flash unit. Both cameras have a simple single speed ever-ready shutter. The Delta has an option of a bulb flash unit that attaches on the camera top. The Imperial Delta was delivered in a modern camera kit package with a flash unit, the camera version for Brownie Girl Scouts was sold in a shoebox-like package also with a flash unit (Imperial Flash II) in brown color. The camera pictured here has its original box with the manual and in fine condition worth $10.00 in 2020. |
 | Imperial Camera: Impakta X700 | 1971 | 2008 | 1.00 | 1971 fine condition worth $5.00 in 2014 | |
 | Imperial Camera: Insta-Cube 126 | c1965 | c | 2005 | 2.00 | 1969 Good condition worth $10.00 in 2014 |
 | Imperial Camera: Insta-Flash 126 | c1965 | c | 2017 | 6.00 | The camera was introduced c1965 and uses the 126 film cartridges. It is a simple, plastic camera with a folding flash cover. This camera came in a kit that came complete with original camera, 126 film cartridge, AG 1 flash bulbs, Instruction pamphlet, and two AAA batteries. The back of the camera has an “Indoor Exposure Guide” that mentions Film types, corresponding flash bulbs, feet from object, and meters from object. Also on the back is a film view window for counting frames using the film numbered paper backing. Printed clearly under the film view window is “MFG. UNDER EASTMAN KODAK PATENTS BY IMPERIAL CAMERA CORPORATION” and under that is “Chicago, Ill 60612” plus “Msde in USA”. The batteries for the Insta-Flash 126 are located in front of the flash holder and have a difficult top to remove and replace. It has a rotary shutter with only one speed of 1/50 of a second. The camera has no double exposure protection and the lens is close to 35mm. The camera also has an optical view finder, right thumb film advance, and a handy carry strap. The camera pictured here is in poor condition with a sticky shutter and is worth $5.00 in 2017. |
 | Imperial Camera: Instant Load 900 | c1965 | c | 2004 | 10.00 | 1963-1970 Good condition in the box worth $20.00 in 2014 |
 | Imperial Camera: Instant Load 900 | c1965 | c | 2020 | 8.00 | The Imperial Instant Load 900 is a camera for type No. 126 film cartridges. It was made by Imperial Corporation Chicago, Illinois. It is a simple viewfinder camera, with a fixed-focus lens, fixed aperture, and a shutter with fixed speed (1/80 sec.). The shutter is synced to a flashcube socket, which has to be turned manually before the next flash exposure and inserting a flash cube does not change the shutter speed. Film advance is by thumbwheel on the top of the unit. It is the exact same camera as the Imperial Princess but using black plastic with white trim instead of all white plastic like the Princess. Other features of the 900 are an optical viewfinder, double exposure protection in the film advance mechanism, film frame count window in the back cover, and a handy carry wrist strap. The flash cube socket is powered by two AAA batteries held in the film compartment. The camera was manufactured under Eastman Kodak Patents by Imperial and introduced in 1965. It is 4.09" wide, 2.57" high (3.73" with flash cube), and 2.27" deep. The weight empty is 150 grams, with batteries, film & flashcube it is 208 grams. There are directions on a metal plate in the back for using the camera. That metal plate also has a square hole for the viewfinder. The original camera set came with two flash cubs, two AAA batteries, a 126 film cartridge, warranty registration card, 8”x 5 1/4” advertising poster, plus sold for $9.95 and was available with the official Boy Scout emblem. The camera pictured here is in poor esthetic condition but works and is worth $3.00 in 2020. |
 | Imperial Camera: Magimatic 218 | c1970s | 1998 | 1.00 | 1998 Poor condition worth $.050 in 2015 (Shutter) | |
 | Imperial Camera: Magimatic X50 | 1975 | 2015 | 5.00 | 1975 Good condition worth $15.00 with the box in 2015 | |
 | Imperial Camera: Magimatic X50 | 1975 | 2016 | 5.00 | The Magimatic X50 126 Magicube Camera is a simple viewfinder camera for Kodapak film cartridges. It was made by Imperial in the U.S.A. and used Magicubes for flash photography instead of flashcubes or bulbs like earlier Imperial 126 cameras such as the Imperial Instant Load 900, hence its name. The Magicube let cameras such as these have flash capability without needing batteries. The Magimatic X50 has a large thumb wheel film advance, auto flash cub advance, frame view window on the back of the camera, and a handy carry strap. The shutter is approximately 1/100 of a second and the aperture is about 5.6. The camera was introduced in 1975 as a semi copy of the Kodak line of instamatics. The X in the X50 was intended to remind you that you use only the X-type Magicubes. The camera pictured here is in Good condition and worth with the box $10.00 in 2016. | |
 | Imperial Camera: Mark 27 | c1964 | 2018 | 15.00 | The layout is vaguely related to some of the Kodak Star series, with the film advance winder in the base, an aperture selector (marked COLOR/B&W) below the lens and horizontal lined styling on the back. This camera appeared under other nameplates, including Cinex, and the Boy Scouts' 3-Way Camera; it was also resold by Sears & Roebuck under the name Tower Hide Away. The flash uses M-2 flash bulbs and is powered by two AA batteries. The Imperial Mark 27 camera was originally manufactured by the Herbert George Company of Chicago Illinois in the 1950s. It was an innovative design as it incorporated the view finder and flash unit as part of the camera, and also provided a decorative cover for the flash unit when not in use. The camera was simple, compact and inexpensive and almost entirely made of plastic. It featured a simple fixed focus meniscus lens. It was capable of capturing 2 X 2 inch color slides, kodacolor or B&W pictures on number 127 roll film. The camera came in two colors of green with a red shutter release lever plus film selector switch and grey with a black shutter release lever and grey film selector switch. The grey model had two versions, one with a solid flash compartment cover and the other with a diffuser door that was meant to be closed when taking a flash image. The camera was reintroduced by the Imperial camera Company in 1964 3 years after the Herbert George Company changed ownership and adopted the Imperial name. The camera pictured here is in Poor condition and worth $3.00 for parts or display in 2018. | |
 | Imperial Camera: Mark XII Flash | c1964 | c | 2013 | 10.00 | 1950 Good condition worth $15.00 in 2014 |
 | Imperial Camera: Mercury Satellite 127 | c1964 | c | 2016 | 8.00 | This is a variation on the Imperial Satellite 127 from Herbert George, but lacking that model's Color/B&W aperture selector. The Mercury Satellite 127 camera was introduced by Imperial Camera Corporation in 1964. They made cameras under several corporate-tie-in brand names. Many product names of that time were geared toward space related names. This one tied in the Mercury rocket used by United States at that time to launce astronauts and satellites. The camera was also given away in the late 60’s by a select few dealerships to buyers of the Mercury Comet automobile that was produced by Mercury from 1960–1969 and again from 1971-1977. The Mercury Satellite 127 was a box type camera with an optical viewfinder and flash capability. The Imperial Satellite 127 and the Mercury Satellite 127 use the same flash unit. The Mercury also has a plastic lens and a 1/50 of a second shutter. The camera has a right handed shutter release, film winding knob on the bottom back, and a 6 foot to infinity focus range. The flash unit was only available from Imperial through a mail-in form accompanied by a $2.00 check. Imperial would then send you flash attachment, 2 Ray-O-Vac long life batteries, and four M2 flash bulbs. These items were pictured on the form card and the mailing address was “Imperial Camera, P. O. Box 90 Madison Square Station New York 10, N.Y.”. The camera when sold went for about $8.00 in 1964. The camera pictured here is in fine condition and worth $10.00 to $15.00 in 2016. |
 | Imperial Camera: Reflex | c1964 | c | 2013 | 11.00 | 1950 fine condition worth $25.00 in 2014 |
 | Imperial Camera: Reflex | c1964 | c | 2019 | 7.00 | The Imperial 620 Snap Shot Camera was made by the Herbert George Company of Chicago Illinois in circa 1961. It was a simple twin-lens reflex style vertical camera constructed of Bakelite plastic. It featured a full sized built-in view finder, removable synchronized flash unit, fixed focus lens and simple snap shot shutter. It was capable of capturing twelve exposures, 3 1/2 x 3 1/2 inch in size, on number 620 color or black and white roll film. It was made in various colors including black or grey with a cream front. The camera pictured above is in poor condition and worth $3.00 in 2019. |
 | Imperial Camera: Reflex | c1964 | c | 2021 | 3.00 | The Imperial Reflex 620 snap shot Camera was made by the Herbert George Company of Chicago Illinois in circa 1961. It was a simple twin-lens reflex style vertical camera constructed of mostly Bakelite plastic. It featured a full sized built-in \"Watson\" ground-glass plate with hood waist-level brilliant finder, removable synchronized flash unit, fixed focus lenses (not a TLR) and simple single speed rotary shutter of 1/50 of a second. It was capable of capturing twelve exposures, 3 1/2 x 3 1/2 inch in size, on number 620 color or black and white roll film. It was made in various colors including black or grey with a cream front, dark brown with light brown front and a few other combinations with red, grey, and cream colored film advance knobs. There was also version of this camera marked \"OFFICIAL CAMERA, Boy Scouts of America.\" The camera uses 620 film or trimmed 120 spools. The Imperial Reflex 620 is the camera used by Lee Harvey Oswald\'s wife to take the famous picture of him with the rifle before he assassinated John F. Kennedy. The camera pictured here is in god condition and worth $10.00 in 2021. |
 | Imperial Camera: Satellite II | c1964 | c | 2015 | 10.00 | 1963 Good condition worth $15.00 with flash unit in 2015 |
 | Imperial Camera: Savoy | c1964 | c | 2018 | 10.00 | The Imperial Savoy was one of the most widely-sold models from Imperial of Chicago, Illinois between 1956 and 1965. This simple box camera uses 620 film, giving twelve images 2½" square per roll. The lens is fixed focus and there are no exposure adjustments. Numerous color variants are known, including black, beige, mint green, gray, and light blue. The Imperial Camera Corp was previously called the Herbert George Camera Co, founded by Herbert Well and George Israel in 1945, they changed their name to Imperial Camera Corp in 1961, and the Imperial Savoy was one of the first 6×6 cameras they produced under the new name. 620 film is pretty much identical to 120 film with the exception that the spool it’s wound around has thinner ends, making the roll of film shorter. It’s possible to re-spool 120 film onto a 620 spool and it’ll fit the camera. The camera pictured here is in Fine condition and worth $25.00 in 2018. |
 | Imperial Camera: Six-Twenty | c1964 | c | 2017 | 9.00 | The Imperial Six-Twenty snapshot camera was made in the USA. It’s completely plastic, right down to its little plastic handle. The camera is 2 3/4" wide 3 1/8" deep and 3 3/8" tall (not including the optical viewfinder). There are absolutely no settings to have to fiddle with on this camera. No "b" setting, no sunny / cloudy...nothing. There are two little clips on the sides of the camera that swing aside and the back comes off to expose the film compartment. It takes 12 square 2 ¼ x 2 ¼ inch images of on six-twenty film with about a 28mm lens. The leaf shutter is about 1/50 of a second and a round red window in the back is the frame counter using the numbers on the paper backed film. The camera came in three colors of mint green with green film advance wined knob plus shutter release and handle, white with light grey film advance wined knob plus shutter release and handle, and black with red film advance wined knob plus shutter release and handle. The camera pictured here is in Good condition and worth $15.00 in 2017. |
 | Imperial Camera: Six-Twenty Flash | 2019 | free | The 1964 Imperial Six-Twenty Flash camera was made in the USA. It’s completely plastic, right down to its little plastic handle. The camera is 2 3/4" wide 3 1/8" deep and 3 3/8" tall (not including the optical viewfinder). There are absolutely no settings to have to fiddle with on this camera. No "b" setting, no sunny / cloudy...nothing. There are two little clips on the sides of the camera that swing aside and the back comes off to expose the film compartment. It takes 12 square 2 ¼ x 2 ¼ inch images of on six-twenty film with about a 28mm lens. The leaf shutter is about 1/50 of a second and a round red window in the back is the frame counter using the numbers on the paper backed film. The camera came in three colors of mint green with green film advance wined knob plus shutter release and handle, white with light grey film advance wined knob plus shutter release and handle, and black with red film advance wined knob plus shutter release and black handle. The Six-Twenty Flash was the twin of the Six-Twenty Snap Shot but had two contacts that aloud you to attach a flash unit. The camera pictured here is in poor esthetic condition and worth $1.00 in 2019. | ||
 | Imperial Camera: Ultra Flash 110 | c1980s | c | 2015 | 1.00 | This camera was introduced in 1980 toward the middle of the 110 film popularity. It has a built in flash unit powered by two AA batteries stored in the side of the camera. There is a flash ready light with a on and off switch just under it on the top of the camera. It has a single speed shutter and a 23mm lens. It also has a film view window, (like most 110 film cameras), in the back to count the frames on the film cartridge. The camera is about 97% plastic and it has a cheap look about it. The Ultra Flash 110 is all black with white graphics and lettering. The only other amenities are an optical viewfinder, shutter release button, and a handy carry strap. The camera pictured here is in poor condition due to the damaged battery compartment door and is worth $1.00 for parts in 2015. |
 | Innovage: Mini Digital | c2006 | c | 2010 | 2.00 | One of the most compact digital cameras ever, the Innovage Mini Digital Camera is smaller than a credit card yet still captures pictures and even several seconds of live action. It is a Keychain digital camera with pictures less than one megapixel and 3-in-1 functionality (still camera, video camera, web cam) with 16MB of built in memory. It can store up to 246 photos, capture several seconds of action, and connects to a PC for downloading. Available in white, teal, silver or pink color options. When new the box include are software CD, carrying case, instructions, and USB cable. The minimum System Requirements are Microsoft Windows 98/ME/2000/XP, Pentium Processor, 64MB RAM, 50MB free hard disk space, available USB port, and CD drive. 2006 fine condition worth $5.00 in 2014 (640 x 480P) |
 | Jam Cam: Jam Cam 2 | c1999 | 1999 | 39.00 | 1999 good condition worth $15.00 in 2014 (640 x 480 ) | |
 | Jeva: 35 Zoom Ultra | c1989 | c | 1993 | 5.00 | The Jeva 35 Zoom Ultra has a manual twist zoom that operates the view finder and the 30-50mm lens. It has auto flash intensity with a separate flash on plus flash off button, auto film advance, auto rewind, Self-Timer, camera on off switch, flash ready LED, ¼ inch 20 thread tripod mount, and a handy carry strap. The camera was introduced in 1998 and it operates on two AA batteries. The one pictured above has some scratches but works great and is worth $3.00 in 2020. |
 | Kalimar: Kalimar A | c1955-1964 | c | 2015 | 9.00 | Kalimar was an American distributor that sold rebadged cameras from a variety of foreign manufacturers plus countries, including Russia and Japan. The company operated from 1952 to 1999 until it was acquired by Tiffen. It is a very simple unit with 4 shutter speeds plus B (1/25s-1/200s) and aperture range of 3.5-16. The chrome is nicely finished even though the decorative chrome plate on the front seems a little out of place. The lens is a coated 45mm Terionon with a max aperture of F/3.5 and the focusing is done by rotating its front cell. Two nicely finished milled knobs on top of the camera housing advance and rewind film as needed. It also has a film counter and does have a very useful PC flash sync post on the shutter housing. It also has a hinged back that is released with a small lever on the side. It was manufactured by Taisei Koki who was responsible for mass producing budget rangefinders, folders and TLR cameras in the 50\'s which were usually re-badged for their importers, and in this case for Kalimar. The Kalimar A looks just like the Taisei Koki Westomat 35 down to the lens back plate. 1955-1964 Good condition worth $20.00 in 2015 |
 | Kalimar: Kalimar AW-10 | c1970s | c | 2017 | 10.00 | "The Kalimar AW-10 All Weather Camera is a fixed-focus viewfinder camera for use with type No. 110 cartridge 16mm film. It has a built-in flash using two AA batteries. It looks like a waterproof camera but it's actually just an "all weather" splash proof camera and cannot take water pressure of any depth. It was made for Kalimar in the 1970s. The camera has an elaborate way of opening. A knob on either side has a label that reads,” IMPORTANT: Before using read opening instructions on back of camera”. On the top of the camera is a two position switch with ON, OFF, and FLASH. On the back of the camera is instructions reading “IMPORTANT: TO LOAD FILM AND BATTERIES – LIFT SAFETY LOCKS ON SIDE KNOBS AND TWIST SIDE KNOBS UNTIL ARROWS MATCH OPEN POSITION. – SLIGHTLY PULL OUT BACK COVER APPROXIMATELY ¼ INCH UNTIL YOU HEAR CLICK SOUND.—SWING BACK COVER DOWNWARDS. – DO NOT PULL BACK COVER OFF OF CAMERA OR REMOVE CAMERA FROM HOUSING”. The also has a film view window in the back cover, lever film advance, and a carry strap. The camera workings were made in Taiwan and the housing was made in Hong Kong. The 110 cartridge camera uses 100 to 400 ASA film and instructions on the bottom caution you to clean and dry the camera before opening. The camera pictured here has had the batteries left in it and is worth $2.00 for parts in 2017. |
 | Kalimar: Kalimar FF-10 | c1980s | c | 2016 | 3.50 | 1985 Poor condition worth $0.50 in 2016 |
 | Kalimar: Kalimar FF-10 | c1980s | c | 2016 | 6.00 | 1985 Good condition worth $5.00 in 2016 |
  | Kalimar: Kalimar FF-10 | c1980s | c | 2020 | 2.00 | Kalimar Inc. was an American distributor founded by Bob Lipsitz in 1952. It started importing Aires 35 cameras from Japan to the U.S.A. It distributed a number of rebadged cameras from Japan, Hong Kong, Taiwan, Germany and the Soviet Union and also distributed the Barbie camera in 1993. It was acquired by Tiffen in 1999. The Kalimar FF10 Tidy Cat3, unlike the Taiwan version FF-10, was made in the Philippines and introduced about 1985. It is a 110 camera with a built in flash that has a flash ready light and an on/off switch. The 110 film camera also has a 28mm focus free lens, thumb push lever film advance, frame count view window on the back, appropriate good sized viewfinder, and a handy carry strap. The flash unit is powered by two AA batteries and has about a ten second turnover time. This FF-10 is the TIDY CAT3 edition and was a promotional camera. The camera pictured here is in poor condition because the flash does not work and for that reason is worth $0.50 in 2020. |
 | Kalimar: Kalimar LX-9 | c1980s | c | 2016 | 3.00 | The camera has a focus-free 35mm plastic lens and a single fixed aperture f8. It lacks multiple exposure capability and the shutter works only with the lens cover opened. The LX-9 is considered a focus free point and shoot from the 80’s and in some corners it is listed as a toy camera. Some of the colors it came in are yellow, pink, and blue. The camera also has a two conductor hot shoe, frame counter, fold down rewind crank, rewind release button on the bottom of the camera body, built in lens cover, right thumb film advance wheel, optical viewfinder, and a handy carry strap. The camera when new came with a flash unit to match, instruction book, one year guarantee, and a case. Inside the film compartment a label tells you “for best results use ISO 200”. This camera does have a small following like the Diana due to the anomalies found after developing film shot in it. The camera pictured here is in Fine condition and worth $10.00 in 2016. |
 | Kalimar: Kalimar Precision Zoom | c1990s | c | 2016 | 5.00 | Kalimar got its start in the 1950\'s importing rebaged 35 cameras from Japan for sale in the US. Eventually Kalimar would be a distributor for cameras and accessories from most of the camera making world, until it was bought out by Tiffen in 1999. At some point Kalimar put its name on the 35mm Kalimar Precision Zoom. The Kalimar Precision Zoom is unusual in that it is the only cheap plastic camera that I have seen with a zoom lens. I would guess it was made in the 1990\'s since that is when a zoom lens became the standard lens for many cameras. Other than its zoom lens the Kalimar Precision Zoom could be considered a standard toy camera. It has one shutter speed (about 1/50 of a second) and one aperture around f11. It doesn\'t need a battery (one AA Alkaline) if you want to use the flash. The Precision Zoom (35 to 55mm) does seem to be more solidly built than most toy cameras. Other features are a flash ready LED, flash on/off switch, thumb film advance wheel, fold-up film rewind crank lever, and came with a handy carry strap. When new the kit came with a Kodak Photolife Alkaline AA battery, Kodak MAX 35mm 400 speed 12 exposure film roll, free guide to better picture book, and the camera. 1990\'s New condition worth $20.00 in 2016 |
 | Kalimar: Kalimar Precision Zoom | c1990s | c | 2016 | 3.50 | Kalimar got its start in the 1950's importing Aires 35 cameras from Japan for sale in the US. Eventually Kalimar would be a distributor for cameras and accessories from most of the camera making world, until it was bought out by Tiffen in 1999. At some point Kalimar put its name on the 35mm Kalimar Precision Zoom. The Kalimar Precision Zoom is unusual in that it is the only cheap plastic camera that I have seen with a zoom lens. I would guess it was made in the 1990's since that is when a zoom lens became the standard lens for many cameras. Other than its zoom lens the Kalimar Precision Zoom is a standard toy camera. It has one shutter speed (about 1/50 of a second) and one aperture around f11. It doesn't need a battery (one AA Alkaline) unless you want to use the flash. The Precision Zoom (35 to 55mm) does seem to be more solidly built than most toy cameras. It also has a flash ready LED, flash on/off switch, thumb film advance wheel, fold-up film rewind crank lever, and came with a handy carry strap. The kit came with a Kodak Photolife Alkaline AA battery, Kodak MAX 35mm 400 speed 12 exposure film roll, free guide to better picture book, and the camera. The one pictured here is Good condition and worth $8.00 in 2016. |
 | Kalimar: Kalimar Spirit 35 | 2020 | 6.00 | Kalimar Inc. was a US distributor founded by Bob Lipsitz in 1952. It started importing Aires 35 cameras from Japan. It distributed a number of rebadged cameras from Japan, Hong Kong, Taiwan, Germany and the Soviet Union. It was acquired by Tiffen in 1999. The Kalimar Spirit 35 is a point and shoot fixed focus 35mm camera that takes standard 35mm canisters. The camera was made in China, distributed in the US by Kalimar, and introduced in the early 1990s. It is mostly plastic including the lenses. Some of the features are the built in flash with an on/off slid switch, flash ready LED next to the eye piece of the optical viewfinder, a pull right hand thumb wheel frame advance that loaded the shutter, frame counter in the top right of the camera, a fold down rewind crank handle, rewind film release button on the bottom of the camera, film view window in the back cover, built-in slide lens cover, pull-up rewind crank to release plus load 35mm film, 35mm Kali lens, and a fixed f11 aperture. The camera flash is powered by two AA batteries that have a compartment accessed from the bottom directly under the flash unit. The last feature it has is a place to attach a handy wrist carry strap of matching color to the front of the camera. The camera pictured here is in fine condition and worth $15.00 in 2020. | ||
 | Kalimar: Kalimar Spirit SP | c1990s | c | 2015 | 2.00 | This is a 35mm plastic camera of the cheapest type. The same body was used for other cameras and even one version with a built in flash. This body has evidence of a battery compartment that is covered over, the flash area is covered, and the flash ready LED is missing but the hole is present. This is an upgrade for the Spirit P, a full-time panoramic camera with a different body but just as cheap. The camera has a slide selector in the front to switch it from Panoramic to Normal. The switch changes the viewfinder only and you need to remove the mask from the inside of the camera manually to switch to Normal or put it in to panoramic mode. Once you start a roll you are committed to that format. The camera also has a built in lens cover that also locks the shutter when closed. It is a fully manual operated (no batteries required) and Focus free. The camera was made in China the 1990’s and Kalimar was so proud of this model they failed to put their name on it. They do suggest you use ISO 200 film for best results. The shutter speed is around 1/90th of a second and an aperture of around f16. Other features are a rewind release button, rewind fold up crank lever, thumbwheel film advance, frame counter, film observation window in the back cover, and a handy carry strap. The camera pictured here is in good condition and worth $5.00 in 2015. |
 | Kalimar: Kalimar SR200 | c1973 | c | 2018 | 0.00 | The Zenit E was a Russian-built SLR camera body for M42 screw lenses, made from 1965-1968. The Zenit range was quite popular since it was priced moderately; furthermore it was offered under several other brands: (Kalimar SR200 1973, Foto-Quelle Revueflex E 1967, and Wirgin Prinzflex E 1967 to 1970. The camera offered only shutter speeds of 1/30, 1/60, 1/125, 1/250 and 1/500, plus 'B' for longer exposures. The distance scale was drawn against the calculator scale, showing the acceptable tolerance, depending on aperture. The minimal focusing distance was about 0.65m with the Industar 50 (50mm f3.5) objective (and 0.46m with the Helios-44 58mm f2) but a set of extension rings was manufactured for this camera, allowing close distance macro pictures. The Kalimar SR200 requires the user to manually stop down the diaphragm before exposure; the lens has an extra ring for this purpose. It has a selenium meter. The meter's photo cell was placed above the lens mount behind a protecting window, and its instrument was placed beside a two-slice analog exposure calculator. A ring in the meter was coupled to that calculator on which the film speed had to be preselected, and when the meter's needle matched the ring the calculator showed the correct shutter-speed/aperture combinations. This device was not connected to the actual speed/aperture controls. The camera has a self-timer release button in the front with a timer lever below it, a flash unit port front right, an accessory mount on the top, a ¼” 20 thread tripod mount, and a single action film advance lever. The Kalimar SR200 was produced in both black and silver; and there were commemorative versions for the upcoming 1980 Moscow Olympic Games with the five Olympic rings on it. There were two styles of markings, a Kalimar SR200 badge and Kalimar embossed in black on one side and SR200 on the other. The Kalimar SR200 like the Zenit E comes in all black or clad in black leatherette with a silver top and bottom. The camera pictured here is the Olympic version and in good condition. It is worth $20.00 in 2018 |
 | Kalimar: Kalimar SR300 | c1974-1980 | c | 2015 | 15.00 | Kalimar Inc. was an American distributor founded by Bob Lipsitz in 1952. It started importing Aires 35 cameras from Japan to the U.S.A… It distributed a number of rebadged cameras from Japan, Hong Kong, Taiwan, Germany and the Soviet Union. It was acquired by Tiffen in 1999. The Russian Zenit EM 35mm SLR was part of a long running series of Zenit cameras and was an upgraded version of the Zenit E, adding automatic diaphragm stop-down with appropriate M42 lenses and a shutter release separated from the winding lever and film counter. The KMZ Zenit EM was produced from 1972 to 1984 and sold by Kalimar during those years as the SR300, and was also badged by KMZ as the Cosmorex SE. They were available in both black and chrome finish. The cameras usually came with a Helios-44M 2/58 and had shutter speeds of 1/30 of a second to 1/500 of a second plus B. Units produced of the Зенит-EM are reported to be 979,140 just short of a million. The camera pictured here has a problem with the shutter locking gear. When you advance the film the shutter is loaded but the viewfinder mirror closes from a slight springing back of the film advance lever. For this reason the camera is listed in Poor condition and worth $10.00 for parts in 2015. |
 | Kalimar: Kalimar Superview 35 | 2004 | c | 2017 | 5.00 | The Kalimar SuperView 35 camera takes quick & easy pictures. This focus-free point & shoot camera features a 200% oversized, extra bright viewfinder and a 28mm multi-element lens. The camera has an auto sensor & fill flash with red-eye reduction. The camera is powered by one AA battery, and the built-in lens cover is also power off when closed. It comes with a convenient wrist strap and was introduced in 2004. The cameras built in lens cover 3 position slide switch opens the cover and turns on the flash when placed in the far position. Other features are a flash ready light near the viewfinder, right thumb film advance, frame counter on the top of the camera, fold down rewind crank handle plus rewind release button, and a ¼” 20 thread tripod socket. The Tiffen Company LLC based in Chesterfield Missouri bought Kalimar in 1999 and this camera was made in China. The camera was sold alone and in a kit. The kit had a roll of Kodak film, plus one Kodak AA Battery, $10.00 worth of Kodak coupons, camera instructions, and the Superview 35 sold for $49.00. They also released a Kalimar SuperView Automatic 35 with the same body but motorized and introduced in 2004. The camera pictured here is in fine condition and worth $10.00 in 2017. |
 | Kalimar: Kalimar TW-77 | c1992 | c | 2003 | 10.00 | This 35mm camera has one odd feature that makes it stand out from the others. The lenses on the front of the camera changes by turning it back and forth from TELE and WIDE. The viewfinder does not change however and looks to be set about 28mm on the wide setting and about 60mm on Tele. The camera has a built in flash unit that runs off two AA batteries with an on/off switch on the front of the camera and two LED indicators labeled OK and NO on the back. There is a thumb wheel film advance, a release button for the manual rewind crank, a film counter view port, a 100-200-400 ASA select lever, and a handy carry strap. The camera was introduced in 1992 and is the Same as Hanimex 35 DL and Asaflex TW 200. The camera pictured here is in Fine condition and worth $10.00 in 2020. |
 | Kellogg: Corn Flakes | c1990 | c | 2/12/2000 | 7.95 | This advertising camera is an actual working 110 cartridge film miniature Camera plus Key Chain, left over from a 1989-90 promotion. It comes in a colorful small box ornamented with the distinctive Kellogg’s Corn Flakes Rooster. You could get one in 1990 for $4.95 and 2 box tops from a Kellogg’s product. For the same price plus shipping you can buy it on Amazon in 2016. It has the instruction sheet, the rooster box, the camera plus keychain, roll of 110 film, and it all comes packed in its original shipping tube. Yes it’s a complete 110 Camera Outfit Retro Style. The only feature it has is the fold down view finder frame on the top. The shutter is about 1/60 of a second and the lens somewhere around 40mm. The camera was meant for kids and had light leaks as all these types of minimalist cameras do. 110 Kellogg\'s key-chain camera from 1990 Fine condition worth $10.00 in 2014 |
 | Kellogg: Corn Flakes | c1990 | c | 2013 | 8.00 | This advertising camera is an actual working 110 cartridge film miniature Camera plus Key Chain, left over from a 1989-90 promotion. It comes in a colorful small box ornamented with the distinctive Kellogg’s Corn Flakes Rooster. You could get one in 1990 for $4.95 and 2 box tops from a Kellogg’s product. For the same price plus shipping you can buy it on Amazon in 2016. It has the instruction sheet, the rooster box, the camera plus keychain, roll of 110 film, and it all comes packed in its original shipping tube. Yes it’s a complete 110 Camera Outfit Retro Style. The only feature it has is the fold down view finder frame on the top. The shutter is about 1/60 of a second and the lens somewhere around 40mm. The camera was meant for kids and had light leaks as all these types of minimalist cameras do. The camera pictured here is in Fine condition and worth $5.00 in 2016. |
 | Keystone: 750 Rapid Shot | c1970s | c | 2018 | 15.00 | The Keystone 750 Rapid Shot camera was designed and manufactured by Berkey Keystone International in Antwerp Belgium and also here in the USA circa 1970s. It was made to use three types of Polaroid pack film, 108, 107 and 88. It has automatic flash control with an electric eye sensor that only uses flash when needed and also an on/off switch in the front face. Flash is provided by a flash bar and the camera red warning light on the back of the camera will light after each fifth shot telling you to rotate or replace the flash bar. The shutter has to be manually set but is electronic at the same time and has speeds of 10 seconds to 1/500 of a second. The flash, shutter, and the rest of the electronics need four AAA batteries to function. The 750 has an f/8.8 40mm color corrected three element glass lens and you turn the lens escutcheon to the footage you think the subject is from the camera. The lens focus markings are 3.5, 4, 5, 6, 8, 10, 15, 30, and infinity. Like the Polaroids, the 750 uses the lighten/darken exposure control knob and it’s located on the front faceplate. The camera provides a timer on the side to know when to pull the picture from the negative and stop the developing. After you take a picture you pull the white tab and the yellow tab, set the timer for color or black & white. The timer will buzz until the picture has developed for the set time. Once the timer has stopped you peel off the picture with the yellow tab. The timing all depends on temperature and the film packet instructions should be followed. The instruction book for the 750 walks you through the removal and cleaning of the spreader bar assembly that was made quite easy by Berkey keystone. The camera pictured here is in fine condition and worth $35.00 in 2018 |
 | Keystone: Auto-Instant 115 X | c1975 | c | 2008 | 2.00 | This is a 126 film cartridge camera introduced in 1975 that used the self contained flashcube so it needed no batteries. It has a thumb lever film advance that would turn the flashcube to the next side. Once you used all four sides you had to remember to replace the flashcube with a new one. The camera is in fine condition and worth $10.00 in 2016. The flashcube was called Magicube (or X-Cube) and was superficially similar to the original Flashcube. However, the Magicube did not require electrical power- each bulb was set off by a plastic pin in the cube mount that released a cocked spring wire within the cube. This wire, in turn, struck a primer tube, at the base of the bulb, which contained a fulminate. The fulminate ignited shredded zirconium foil in the flash and, thus, a battery was not required. |
 | Keystone: Auto-Instant 115 X | c1975 | c | 2016 | 5.00 | This is a 126 film cartridge camera introduced in 1975 that used the self contained flashcube so it needed no batteries. It has a thumb lever film advance that would turn the flashcube to the next side. Once you used all four sides you had to remember to replace the flashcube with a new one. The camera is in fine condition and worth $10.00 in 2016. The flashcube was called Magicube (or X-Cube) and was superficially similar to the original Flashcube. However, the Magicube did not require electrical power- each bulb was set off by a plastic pin in the cube mount that released a cocked spring wire within the cube. This wire, in turn, struck a primer tube, at the base of the bulb, which contained a fulminate. The fulminate ignited shredded zirconium foil in the flash and, thus, a battery was not required. |
 | Keystone: Easy Shot | c1990s | c | 2020 | 2.00 | This is a focus free 35mm film camera made in China with a Regency 3-element f5.6 38mm lens. The right thumb film advance wheel mechanism is small for the thumb and needs to be pulled toward the hand not pushed to advance a frame and load the shutter. The camera has a frame counter on the back film compartment cover and a view window in the back to tell what ASA/ISO you are using. The built-in flash unit has an on/off switch and flash ready LED nestled together on the back, top, left hand corner. The camera also has an optical viewfinder, fold down rewind crank, and a handy built-in carry strap. Two AA batteries are needed to power the flash unit assembly. For the best results it is recommended to use 400 ASA film. Note that the Keystone Easy Shot 400x is the same camera in all respects other than different labeling. The Easy Shot was introduced sometime after 1991 when Keystone was purchased by Concord Camera Company for $6.6 million after filed for chapter 11 protection in January 1991. Camera production did continue but switched gears into producing more one use cameras. The camera pictured here is in poor condition due to a missing battery door and worth $0.50 in 2020. |
 | Keystone: Easy Shot 1 | c1980s | c | 2016 | 4.50 | This 1980s Keystone Regency camera was made in USA. It has all the bells and whistles of a camera of that era. The camera has a two position selector switch for ASA setting for 100 to 200 ASA and 400 to 1000 ASA. It also has a built in lens cover that seconds for an on/off switch, built in flash that slides out to turn it on, a flash ready LED, optical viewfinder, frame counter, Regency 38mm lens, a right thumb film advance wheel, film view window in the back, film fold down rewind crank in the bottom of the camera, a battery compartment that takes two AA batteries, shutter release button, and a handy carry string strap. The camera is primarily made of plastic and labeled as a focus free camera. The Keystone brand or Berkey Keystone is a division of Berkey Photo Inc. of White Plains, New York, USA. There was also a Keystone range of cine cameras. During World War II, Keystone also manufactured aerial cameras for the military. The camera pictured here is in poor condition due to a non-working flash and for this reason it is worth $3.00 in 2016. |
 | Keystone: Easy Shot 2 | c1980s | c | 2016 | 2.00 | This camera is a 1980’s point and shoot 35mm with a built in flash. It has a 38mm Regency fixed focus lens with a built in lens cover that has a slide switch under the lens in the front. The camera is easy to load with film with its motor drive film advance. The flash unit has a slid on/off switch located on the top of the camera over the flash and a flash ready LED on the back to the left of the view finder. It also has a film ASA view window and a frame counter window on the back cover. The shutter button is connected to the lens cover and will not engage when the cover is closed. The camera operates on two AA alkaline batteries stored in the bottom of the camera. The last thing this camera has is a permanently imbedded carry strap with an adjustable slid stop. The camera pictured here is in good condition but has a broken lens cover that it works quite well with. This camera is worth $4.00 in 2016. |
 | Keystone: Easy Shot 400X | 2020 | 2.00 | This is a focus free 35mm film camera made in China with a Regency 3-element f5.6 38mm lens. The 400x shutter release is on the top right side of the camera and easy to engage. The right thumb film advance wheel mechanism is small for the thumb and needs to be pulled toward the hand not pushed to advance a frame and load the shutter. The camera has a frame counter on the back film compartment cover and a view window in the back to tell what ASA you are using. The built-in flash unit has an on/off switch and flash ready LED nestled together on the back, top, left hand corner. The camera also has an optical viewfinder, fold down rewind crank, and a handy built-in carry strap. Two AA batteries are needed to power the flash unit assembly. For the best results it is recommended to use 400 ASA film. The Easy Shot 400x was introduced sometime after 1991 when Keystone was purchased by Concord Camera Company for $6.6 million after filed for chapter 11 protection in January 1991. Camera production did continue but switched gears into producing more one use cameras. The camera pictured here is in poor condition and worth $0.50 in 2020. | ||
 | Keystone: Easy Shot 450 | c1990s | c | 2018 | 4.00 | This is a 1990’s 35mm film camera made in China with a 28mm Japanizes plastic lens. The 450 has a built-in lens cover that locks the shutter release when closed. The shutter release is on the top right side of the camera and easy to engage. The right thumb film advance slide mechanism is small for the thumb and needs to be pushed twice to advance a frame and load the shutter. The camera has a frame counter on the top and a view window in the back to tell what ASA you are using. The built-in flash unit has an on/off switch and flash ready LED nestled together on the back, top, left hand corner. The camera also has an optical viewfinder, fold down rewind crank, and a handy built-in carry strap. Two AA batteries are needed to power the flash unit assembly. The camera pictured here is in fine condition and worth $8.00 in 2018. |
 | Keystone: Easy Shot 455 PN | c1990s | c | 2020 | 8.00 | The Keystone Easy Shot 455PN is a camera for 35mm film. It has a built-in flash, a built-in sliding lens cover with shutter lock, and a fixed-focus lens. It comes with a "panoramic adaptor" that masked the film gate and you would request panoramic photo processing. Note that this is not true panoramic exposures but cropped 35mm frames losing close to 25% of the exposures height but resulting in a 70% increase in width over a normal frame after processing. This 1990s camera was a product of Keystone a registered trademark of Concord Camera Corporation located at 35 Mileed Way, Avenel, New Jersey 07001-2403 USA. The Keystone Easy Shot 455PN was made in China and distributed from Hong Kong (capitalism China starting in 7/1/1997). Other features are an on/off switch for the flash, flash ready LED, optical viewfinder, Push twice slide film advance, fold down rewind crank, film cartridge view window in the back cover, frame counter, bradded string type carrier, and a two AA battery compartment to power the flash unit. The camera pictured here is brand new in the package and worth $15.00 in 2020. |
 | Keystone: Easy Shot 500X | 2020 | 6.00 | The Keystone Easy Shot 500X is a camera for 35mm film from the 1990s. It has motor-driven film advance, Auto rewind, mid roll rewind, a built-in flash, flash ready LED to the left of the viewfinder, a flash on/off slid switch, a built-in sliding lens cover, optical viewfinder, DX sensing, film observation window in the back cover, a frame counter in the back cover, a spot for a handy carry strap to be attached, and a fixed-focus 3-element f5.6 38mm lens. It required two AA batteries to operate. The camera was made in Hong Kong China for Keystone/Concord out of New Jersey and had a catalog number of 1258220. The camera new was originally packed in a clear plastic clam shell with a carry strap, warranty information (came with one year warranty), and instruction pamphlet in four languages. The camera pictured here is in Poor condition and worth $.50 in 2020. | ||
 | Keystone: Easy Shot 600 | c1985 | c | 2009 | 2.50 | This camera was introduced in 1985 and has an interesting two lens system that is operated by a turn stile to the sides of the lens compartment. The top lens is a 35mm and when you turn the switch you get a 20mm lens on the bottom. The switch also changes the viewfinder to the appropriate lenses and when turned to the middle it is a lens cover for both lenses. The camera uses 35mm film and has a thumb wheel film advance. It also has a built in flash, flash on off switch, flash LED indicator light, film frame counter, film rewind crank, and operates on two AA batteries. 1985 good condition worth $10.00 in 2014 |
 | Keystone: EverFlash 10 | c1971 | c | 2015 | 1.00 | 1971 poor esthetic condition but works and worth $1.00 in 2015 |
 | Keystone: EverFlash 10 | c1971 | c | 2016 | 5.00 | This 1971 camera was promoted as “the amazing camera that never needs flash cubes. Makes its own flashes!” and that is the reason for Everflash in this series of cameras name. The camera uses two AA preferably alkaline batteries to power the built in flash unit. The camera takes 126 cartridge film, it has a 40mm f8 Keytar Color Corrected lens, an Indoor/Outdoor aperture switch, an On/Off flash switch, flash ready indicator light, a right thumb film advance wheel, optical viewfinder, a film count view window, a selector switch for apertures of f8 for indoor flash photos plus f11 for daytime outdoor photos, automatic film stop with double exposure interlock, and a handy carry strap. The camera come in a brightly colored box loaded with advertisement and inside you found the four page manual with a fold out page plus a small light green card with dealer instructions. The dealer instructions prompted them to “REMOVE THIS CARD BEFORE LOADING CAMERA WITH FILM”, and has a step by step procedure for demonstrating properly. The camera pictured here is in fine condition and worth $15.00 in 2016. |
 | Keystone: EverFlash 1030 | 1992-1995 | c | 2020 | 1.00 | The Keystone Everflash 1030 was one of Keystone\'s Disc film viewfinder cameras without motor-driven film advance. It had a thumb cocking-slider like a cheap 110 pocket camera. But it had an automatic built-in electronic flash and its focusing could be switched from portrait to landscape and vice versa by sliding a close-up lens in front of the landscape lens. The camera was introduced in 1992 and discontinued 1995. Other features are a flash on/off switch, flash ready LED, an optical viewfinder that is cropped when in close-up mode, film type view window plus frame counter port on the back cover, and a built-in adjustable carry strap. The camera is powered by two AA batteries that are accessed at the bottom of the camera. Because the camera was manual frame advance that loaded the shutter the 1030 could be used without batteries for daytime outside pictures. The film was introduced by Kodak in 1982 and officially discontinued by the last manufacturer, Kodak, on December 31, 1999, though the cameras had disappeared from the market long before then. In 2012, Hèrm Hofmeyer in The Netherlands and Film Rescue International in Canada cooperatively developed a method to produce fresh disc films, and about 30 fresh B&W and color discs were made. A detailed protocol on how to manufacture such discs at home was released in 2020. Some of this information was gleaned from Wikipedia. The camera pictured here is in fine condition and worth $8.00 in 2020. |
 | Keystone: EverFlash 1040 | 1992-1995 | c | 2005 | 3.50 | The Keystone Everflash 1040 takes disc film popular in the 1980\'s and gone by the late 1990\'s. This camera had an extra feature with a slid bar that changed the lens and viewfinder from 28mm to 50mm labeled Normal and Telephoto. It also had a built in flash with an on/off button, thumb film advance, big green shutter button, and a handy carry strap. The flash was powered with two AA batteries and had a green flash ready indicator LED next to the on off switch. The camera is mostly plastic and was produced 1992 to 1995. This camera was tested and the flash unit charged but did not work and worth $0.50 in 2020. |
 | Keystone: EverFlash 1040 | 1992-1995 | c | 2003 | 5.00 | 1987 Good condition worth $10.00 in 2014 |
 | Keystone: EverFlash 1070 | c1987 | 2015 | 0.50 | 1987 Poor condition worth $0.50 in 2015 (batteries leaked) | |
 | Keystone: EverFlash 20 | c1971 | c | 2020 | 2.00 | The Keystone Everflash 20 is an instant loading 126 film cartridge camera. It has a built in electronic flash that is powered by two AA batteries. The battery compartment is inside the camera near the film loading area. The batteries also power the electronic eye that meters the light and helps get the correct exposure. It was manufactured and sold in 1971 by Keystone a Division of Berkley Photo, Inc. The Keystone division of Berkley was located in Paramus, NJ on Keystone Place in the US. The camera has a 40mm KEYTAR Optical Color Corrected lens with an f stop of 5.6. Other features are a flash ready light on the top with a flash test button, an on/off flash switch, a right thumb wheel film advance, optical viewfinder, a view window in the back cover to observe the frame count on the back of the film cartridge, and a handy carry strap. The camera pictured here is in poor esthetic condition and worth $1.00 in 2020. |
 | Keystone: EverFlash Fun shooter 80 | c1980s | 2009 | 3.00 | 1990 Fine condition worth $15.00 in 2014 | |
 | Keystone: EverFlash XR 108 | c1970s | c | 1998 | 2.00 | 1985 Good condition worth $10.00 in 2014 |
 | Keystone: EverFlash XR 308 | c1970s | c | 2004 | 5.00 | 1988 Fine condition worth $12.00 in 2014 |
 | Keystone: EverFlash XR 308 | c1970s | c | 2016 | 2.00 | Keystone was quite a competitor for Vivitar, Fujica, and many other 110 camera manufacturers. They copied many of the features of other cameras, and marketed their own version at very attractive prices. The XR308 Tele-Everflash is a good example. In size, features, and performance it is similar to several other 110 models, such as the Vivitar 815. Like the Vivitar, it came with a normal and a tele lens and a built-in flash. It accepts 100, 200, plus 400 speed film and uses two AA batteries. It has a flash-ready button and several other convenient features. This camera was first introduced in 1995 and sold for about $35 but now worth $15 in original box with instruction manual. The camera pictured here is in Poor condition and worth $.25 for parts in 2016. |
 | Keystone: EverFlash XR 308 | c1970s | c | 2017 | 3.50 | Keystone was quite a competitor for Vivitar, Fujica, and many other 110 camera manufacturers. They copied many of the features of these other cameras, and marketed their own version at very attractive prices. The XR308 Tele-Everflash is a good example. In size, features, and performance it is similar to several other 110 models, such as the Vivitar 815. Like the Vivitar, it came with a normal and a tele lens and a built-in flash. It accepts 100 and 400 ASA film and uses two AA batteries. It has a flash-ready light and several other convenience features. This camera was first introduced in 1995 and sold for about $35.00. The XR308 came with two different label designs on the top. One with an understated markings and the other with XR308 in very large lettering. Both cameras are identical in every other way. The camera pictured here is in Fine condition and worth $12.00 in 2017. |
 | Keystone: Pocket-Matic 101 | c1974 | c | 2014 | 2.00 | 1977 fine condition worth $12.00 in 2014 |
 | Keystone: Wizard XF 1000 | c1977 | 2005 | 3.50 | 1976 Poor condition worth $1.00 in 2014 | |
 | Keystone: Wizard XF 1500 | c1977 | 2012 | 1.00 | 1975 Good condition worth $15.00 in 2014 | |
 | King: Regula (1951) | 1951-1953 | c | 2017 | 29.00 | This optical viewfinder 35mm film camera was produced from 1951 to 1953. It has a lever wind film advance (also known as rapid winder or Schnell-Transport (ST)), camera. The model name is marked inside the camera and all King Regula I series models had identical bodies but models differ by the shutter and lens combination. The models are the Regula I-A, Regula I-B, Regula I-C, Regula I-Ca, Regula I-D, Regula I-E, Regula I-F, Regula I-P, Regula I-Po, and the Regula II. The I-F model has a 50mm 4.5 Regulon lens with a Vario shutter with speeds of 25, 75, 200 plus B. The frame counter uses the film pin wheel inside the film track to advance. The model I-F with its Regulon lens and Vario shutter was the least expensive of this line selling for $39.50 in 1955. The camera has a cold accessory shoe with a flash socket above the lens. The focusing range is 3 feet to infinity and is used by turning the front lens ring assembly. The covering is the herring bone pattern leatherette typical of all King Regula I models. They also have a manually cocked shutter and a wind knob for rewind with a release lever. This particular camera has a design feature that a few of the cameras lacked and that is an angled viewfinder casing to hide plus meet with the accessory shoe. It also has the King KG logo embossed on it. As well as the model designation inside the camera you will also find the six digit serial number stamped and easy to read. The camera pictured here is in fine condition and worth $40.00 in 2017. |
 | Kodak Eastman: Advantix 1600 | 1997-1999 | 2009 | 5.00 | 1997-1999 good condition worth $5.00 in 2014 | |
 | Kodak Eastman: Advantix 2000 | 1996-1998 | 1999 | 60.00 | 1996-1998 Good condition worth 7.00 in 2014 | |
 | Kodak Eastman: Advantix 3100AF | 1997 | c | 2018 | 2.50 | The Kodak Advantix 3100AF is a camera for the APS film format. It features autofocus, a tripod socket, and a self-timer. It was made in Mexico and introduced in 1997. This camera uses a 3-volt lithium KODAK KCR 2 (or equivalent) battery that supplies power for all camera operations. The camera automatically turns off after 4 minutes. The battery symbol is always present when the camera is turned on and when it "blinks," you will need to replace the battery soon. When the battery symbol is solid (non-blinking) and the shutter button does not operate, replace the battery immediately. You can take Classic (C), HDTV (H), and Panoramic (P) pictures on the same film cassette and the viewfinder adjusted depending on setting. The camera uses KODAK ADVANTIX Film and the film-speed Range was DXIX (ISO) 100, 200, 400, and 800 for color prints. The lens is a 25 mm, f /4.6 Kodak Ektanar and the camera had active autofocus with zone crossover at 5 feet (1.5 m). The programmed electronic shutter has speeds of 1/100 to 1/160 of a second. The dimensions are approximately 1.5 x 2.5 x 4.7 in (38 x 63 x 119 mm) and its weight is approximately 7 ounces (195 g) with battery and film. The camera also has Red-Eye-Reduction, a Self-Timer, Off-Flash setting, Mode Button, Rewind Button, optical viewfinder, flash-warning/Self-Timer lamp, a ¼” 20 thread tripod socket, ½” x 5/16” LCD screen (12.7 x 7.94mm), frame counter, and a film-present indicator. The camera pictured here is in Poor condition and worth $0.25 in 2018. |
 | Kodak Eastman: Advantix 3200AF | 1996-1999 | 2016 | 5.00 | 1996-1999 Fine condition worth $15.00 in 2016 | |
 | Kodak Eastman: Advantix 4100ix | c1995 | 2011 | 5.00 | 1995 Good condition worth $15.00 in 2014 | |
 | Kodak Eastman: Advantix 4100ix | c1995 | 2002 | 10.00 | 1995 Good condition worth $15.00 in 2014 | |
 | Kodak Eastman: Advantix 4100ix | c1995 | 2014 | 5.00 | 1995 Poor condition worth $0.50 for parts in 2014 | |
 | Kodak Eastman: Advantix 4100ix | c1995 | c | 2017 | 5.00 | This is categorized as a pocket-sized point and shoot camera. It's approximately 5” long, 3” wide, and 1 ¼” deep. It has a handy strap handle that you slip over your wrist. The on/off switch is located on the back of the camera and clicks either clockwise or counterclockwise, and it's appropriately labeled. There's a C/H/P slide button. By sliding this from C to H to P, you can chose the size of your picture. "C" pictures are the normal sized pictures, "H" are about 7 inches long and "P" takes a panorama mimic shot that crops the APS DX coded film top and bottom. You can widen or tighten the shot, simply by holding down the W/T button and it adjusts the viewfinder also. Other features are the auto film advance, auto rewind, mid roll rewind, auto built in lens cover, built in auto flash, flash ready LED, flash on/off switch, LCD data screen, f/4.5 to f/8.5 30 to 60mm lens, shutter speed from 1/50 to 1/1600 of a second, active infrared autofocus, and it all runs on one CR123 3 volt battery. The camera pictured here is in fine condition and worth $10.00 in 2017. |
 | Kodak Eastman: Advantix C400 | c2000 | c | 2014 | 5.00 | 2000 fine condition worth $15.00 in 2014 |
 | Kodak Eastman: Advantix C400 | c2000 | c | 2005 | 0.00 | 2000 Poor condition worth $0.50 for parts in 2014 (Battery compartment don't close) |
 | Kodak Eastman: Advantix C400 | c2000 | c | 2007 | 10.00 | 2000 Good condition worth $10.00 in 2014 |
 | Kodak Eastman: Advantix C400 | c2000 | 2015 | 2.00 | 2000 poor condition worth $1.00 in 2015 (heavy scratches on lens cover) | |
 | Kodak Eastman: Advantix C700 | 2001 | 2005 | 10.00 | 2001 fine condition worth $20.00 in 2014 | |
 | Kodak Eastman: Advantix F300 | c2001 | 2008 | 5.00 | 2001 Fine condition worth $15.00 in 2014 | |
 | Kodak Eastman: Advantix F300 | c2001 | 2009 | 10.00 | 2001 Fine condition worth $15.00 in 2014 | |
 | Kodak Eastman: Advantix F600 | c2001 | 2015 | 6.00 | 2001 Fine condition worth $25.00 with the original box and manual in 2015 | |
 | Kodak Eastman: Advantix F600 | c2001 | 2016 | 5.00 | 2001 Fine condition worth $25.00 with the original box and manual in 2015 | |
 | Kodak Eastman: Advantix T60 | 2003 | c | 2020 | 4.00 | Advantix is Kodak's brand name for its APS (Advanced Photo System) cameras and film, including some disposable cameras. The cameras ranged from very simple fixed-length, fixed-focus lens snapshot cameras, through autofocus point-and-shoot to quite sophisticated zoom-lens machines with full APS features. The Advantix T60 was introduced in 2003 for an affordable price in comparison to other cameras with similar features and of the time. The camera's 2-zone autofocus lens focuses on objects as close as 2.6 feet, while the flash can light up to 13 feet away. The flip-up flash can be set to fill, off, and special night mode. Shutter speeds range from 1/90 to 1/250 of a second to accommodate a wide range of subjects and lighting situations. The flash lens cover combination is also the on/off switch and has to be in the up position to activate the camera. The ¾ inch by 1 inch LCD panel displays information about your current shooting mode. The camera also has a self-timer and is compatible with film speeds from 50 to 800 ISO. Other features are its 25mm all-glass lens, ease of film loading, auto film advance, auto rewind, optical viewfinder, and comes with a handy wrist strap. The Advantix T60 weighs 6 ounces and uses two AAA batteries to power it all. The camera also has three settings using the slide switch provided on the top. The settings are C for Classic (3.5 x 5 inch or 4 x 6 inch or (88.9 x 127 mm or 102 x 152 mm)), H for Group (HDTV) (3.5 x 6 or 4 x 7 inch (88.9 x 152 mm or 102 x 178 mm), and P for Panoramic (3.5 x 8.5 in. to 4 x 11.5 inch (88.9 x 216 mm to 102 x 292.7 mm). NOTE: Your photofinisher generally provides 4 x 6 inch, 4 x 7inch, and 4 x 11.5 inch (102 x 152, 102 x 178 and 102 x 292.7 mm) sizes. Some printers may offer 3.5 x 5, 3.5 x 6, and 3.5 x 8.5 in. (88.9 x 127, 88.9 x 152 and 88.9 x 216 mm) sizes. The camera pictured here is in fine condition and worth $10.00 in 2020. |
 | Kodak Eastman: Autographic Junior No.2C | 1916-1927 | c | 2017 | 15.00 | The No. 2C Autographic Kodak camera was manufactured by the Eastman Kodak Company from 1914 to 1924. Capable of taking ten exposures 2 7/8 x 4 7/8 inches, on No. A130 autographic film cartridge if you were to take advantage of the autographic portion of the camera. A130 autographic film no longer is manufactured but you can re-spool 120 film with an adapter but without the carbon backed film there is no way to write on any film. The No. 2C body was constructed of aluminum and covered in fine seal grain leather. The metal parts were finished in nickel or black enamel. Features included a folding black bellows design, adjustable focus with automatic focusing lock, reversible finder and two tripod sockets. The camera was fitted with a meniscus achromatic lens and Kodak ball bearing shutter. However, other optional lens and shutter combinations were available, including Rapid Rectilinear lens with a Kodak ball bearing shutter, Kodak Anastigmat lens with a Kodak ball bearing shutter, and a Kodak Anastigmat lens with an Ilex Universal shutter. The No. 2C Autographic Kodak camera measures 1 3/4 x 4 3/8 x 8 3/4 inches when closed and weighs 34 ounces. Originally priced at $27.00 the pricing in later years ranged from $16.00 to $27.00 depending on the lens shutter combination. Most of this information was gleaned from historiccamera.com. The camera pictured here is in good condition and worth $20.00 in 2017. |
 | Kodak Eastman: Autographic Junior No.3A | 1918-1927 | c | 2012 | $20.00 | 1918-1927 is a large format folding bed camera for A 122 autographic rollfilm cartridge good condition worth $25.00 in 2014 |
 | Kodak Eastman: Automatic 35 | 1959-1964 | c | 1992 | 8.00 | 1959-1964 Good condition worth $20.00 in 2014 |
 | Kodak Eastman: Automatic 35 | 1959-1964 | c | 2020 | 12.00 | Based largely on the Kodak Signet 50, the Kodak Automatic 35 utilized that camera’s basic body, film transport, and lens. The lens was a 44mm f/2.8 Kodak Ektanar (Lumenized), a 4-element Tessar design with front element focusing. Like many of Kodak's better lenses of this period, the lenses are somewhat radioactive but nothing to be concerned about. The camera had a drum take up spool and bottom mounted advance lever. The camera was introduced in 1959 and the last one made was in 1964. It had a list price of $84.50 and uses 35mm film. The shutter is a Synchro 80 and the camera has provisions for a screw mount flash unit on its left side. The lens produce's a decent picture when in focus. This camera is light but uncomfortable to shoot, it does not offer an image to match for focusing, and instead you had to speculate the distant of your subject (2.5f - Infinity). The camera pictured above is in Good condition and is worth $20.00 in 2020. |
 | Kodak Eastman: Baby Brownie | 1934-1941 | c | 2012 | 9.00 | 1936-1952 good condition worth $15.00 in 2014 |
 | Kodak Eastman: Baby Brownie Special | 1939-1954 | c | 2010 | 10.00 | 1934-1941 US 1948-1952 UK Good condition worth $25.00 in 2014 |
 | Kodak Eastman: Baby Brownie Special | 1939-1954 | c | 2015 | 15.00 | 1934-1941 US 1948-1952 UK good condition worth $15.00 in 2014 |
 | Kodak Eastman: Baby Brownie Special | 1939-1954 | c | 2016 | 5.00 | The Baby Brownie Special was introduced in 1939 and discontinued in 1954. The camera has a molded Bakelite plastic body with a direct vision optical finder. The models for export had a button allowing brief time exposures. This camera was sold as an upgrade from the Baby Brownie. It also used the 127 roll film producing a 1 5/8 x 2 ½ inch negative. For only $0.25 more than Baby Brownie price of $1.00, one could have a direct optical view finder and an easy-to-use shutter release. Just a $1.25 for a working camera like the Baby Brownie Special, even in the 1940's and 1950's that is a good deal. No record of how many were produced here in the US but it had to be in the hundreds of thousands if not millions. The camera has a Meniscus lens and a rotary shutter. Most of the info in this blurb was obtained from The Brownie Camera Page. The camera pictured here is in Fine condition and worth $20.00 in 2016. |
 | Kodak Eastman: Baby Brownie Special | 1939-1954 | c | 2017 | 5.00 | The Baby Brownie Special was introduced in 1939 and discontinued in 1954. The camera has a molded Bakelite plastic body with a direct vision optical finder. The models for export had a button allowing brief time exposures. This camera was sold as an upgrade from the Baby Brownie. It also used the 127 roll film producing a 1 5/8 x 2 ½ inch negative. For only $0.25 more than Baby Brownie price of $1.00, one could have a direct optical view finder and an easy-to-use shutter release. Just a $1.25 for a working camera like the Baby Brownie Special, even in the 1940's and 1950's that is a good deal. No record of how many were produced here in the US but it had to be in the hundreds of thousands if not millions. The camera has a Meniscus lens and a rotary shutter. Most of the info in this blurb was obtained from The Brownie Camera Page. The camera pictured here is in Poor condition and worth $1.00 for parts in 2017. |
 | Kodak Eastman: Baby Brownie Special | 1939-1954 | c | 2018 | 4.50 | The Baby Brownie Special was introduced in 1939 and discontinued in 1954. The camera has a molded Bakelite plastic body with a direct vision optical finder. The models for export had a button allowing brief time exposures. This camera was sold as an upgrade from the Baby Brownie. It also used the 127 roll film producing a 1 5/8 x 2 ½ inch negative. For only $0.25 more than Baby Brownie price of $1.00, one could have a direct optical view finder and an easy-to-use shutter release. Just a $1.25 for a working camera like the Baby Brownie Special, even in the 1940's and 1950's that is a good deal. No record of how many were produced here in the US but it had to be in the hundreds of thousands if not millions. The camera has a Meniscus lens and a rotary shutter. Most of the info in this blurb was obtained from The Brownie Camera Page. The camera pictured here is in Fine condition and worth $15.00 for parts in 2018. |
 | Kodak Eastman: Bantam f4.5 | 1938-1948 | c | 2020 | 20.00 | Because 35mm film originated as a stock for movie cameras, a large fraction of its width is taken up with sprocket holes—not a requirement in a stills camera. Thus, Eastman Kodak introduced an alternative "miniature" format, 828 film, consisting of paper-backed rolls 35mm wide, but having only one registration hole per image. This permitted an image area of 28×40 mm, increasing the image area nearly 30% compared to standard 35mm. Kodak re-used some ideas from the 828 format (paper-backed film 35mm wide with only a single index hole per frame) in their wildly popular 126 cartridge, introduced in 1963 with Kodak Instamatic cameras. Camera-wiki.org The Bantam F4.5 camera was manufactured by Eastman Kodak Co. from 1938 to 1948. It was a popular camera due to its ease of operation and compact size. The camera was constructed with an aluminum body covered in black morocco-grained Kodadur material and is a pop-up strut folder with a billows. It was capable of capturing 28mm (1.1 inches) x 40mm (1.57 inches) exposures on type 828 "Bantam" film. It is fitted with a Special Kodak F4.5 coated Anastigmat lens with stops down to f16. The body and linkage released manual load shutter provide speeds of 1/25, 1/50, 1/100, 1/200 of a second, plus bulb and time. There was also a socket for a plunger shutter release that you had to remove a screw (in place for a light seal) to use. The camera measures 11.43cm (4 ½ inches) x 6.98cm (2 3/4inches) x 3.81am (1 1/2 inches) when folded and weighs 9 ounces. The Bantam F4.5 camera was priced around $40.40 with an optional leather case for $5.50. The top models in the Bantam series were outfitted with f/4.5 Kodak Anastigmat Special lenses. Some of this information was gleaned from camera-wiki.org and Historiccamera.com. The camera pictured here is in Fine condition and worth $30.00 in 2020. |
 | Kodak Eastman: Bantam f4.5 | 1938-1948 | c | 2020 | 12.00 | Because 35mm film originated as a stock for movie cameras, a large fraction of its width is taken up with sprocket holes—not a requirement in a stills camera. Thus, Eastman Kodak introduced an alternative "miniature" format, 828 film, consisting of paper-backed rolls 35mm wide, but having only one registration hole per image. This permitted an image area of 28×40 mm, increasing the image area nearly 30% compared to standard 35mm. Kodak re-used some ideas from the 828 format (paper-backed film 35mm wide with only a single index hole per frame) in their wildly popular 126 cartridge, introduced in 1963 with Kodak Instamatic cameras. Camera-wiki.org The Bantam F4.5 camera was manufactured by Eastman Kodak Co. from 1938 to 1948. It was a popular camera due to its ease of operation and compact size. The camera was constructed with an aluminum body covered in black morocco-grained Kodadur material and is a pop-up strut folder with a billows. It was capable of capturing 28mm (1.1 inches) x 40mm (1.57 inches) exposures on type 828 "Bantam" film. It is fitted with a Special Kodak F4.5 coated Anastigmat lens with stops down to f16. The body and linkage released manual load shutter provide speeds of 1/25, 1/50, 1/100, 1/200 of a second, plus bulb and time. There was also a socket for a plunger shutter release that you had to remove a screw (in place for a light seal) to use. The camera measures 11.43cm (4 ½ inches) x 6.98cm (2 3/4inches) x 3.81am (1 1/2 inches) when folded and weighs 9 ounces. The Bantam F4.5 camera was priced around $40.40 with an optional leather case for $5.50. The top models in the Bantam series were outfitted with f/4.5 Kodak Anastigmat Special lenses. Some of this information was gleaned from camera-wiki.org and Historiccamera.com. The camera pictured here is in poor condition due to a missing fold down viewfinder, no time shutter speed, no bulb shutter speed, and is worth $8.00 for parts in 2020. |
 | Kodak Eastman: Bantam f8 | 1938-1942 | c | 2015 | 35.00 | 1938 fine condition worth $65.00 in 2015 (has original box and instruction book) |
 | Kodak Eastman: Bantam Range Finder | 1953-1957 | c | 1994 | 10.00 | 1953 Good condition worth $25.00 in 2014 |
 | Kodak Eastman: Beau Brownie No 2 | 1930-1933 | c | 2015 | 62.00 | 1930-1933 Good condition worth $75.00 in 2015 |
 | Kodak Eastman: Beau Brownie No 2 | 1930-1933 | c | 2017 | 15.00 | Kodak's Beau Brownie exists in two models: N°2 Beau Brownie for 120 film and the slightly larger No2A Beau Brownie (for 116 film). The two models appeared in October 1930 and disappeared in 1933; although, the green and rose models were withdrawn in 1931. Their front faces are made of two-tone enamel. The geometrical figures are typical Art Deco and credited to Walter Dorwin Teague. The possible colors are black/brown, rose/pink, blue/light blue, green/green blue, tan/light tan and all black. The metal body is covered with imitation leather. The only adjustments were I & B shutter speeds and three choices of aperture, given by sliders on the top edge. It has a 1/50 of a second shutter, red frame count window in the back, leather handle, film advance winder that pulled out to release the internal film mechanism, two ¼” 20 thread tripod sockets, and two brilliant viewfinders for portrait plus landscape. The camera pictured here is in good condition and worth $45.00 in 2015. |
 | Kodak Eastman: Breeze (S100EF, 35 Legend, 35 Elysees) | 2020 | 3.00 | The Kodak Breeze, (S100EF, Euro-35 Elysees, or Euro-35 Legend) was a budget friendly camera that used bold color schemes and simplicity to attract customers, and probably sold by the millions at K-Mart and Walmart when released in 1988 till production stopped in 1993. There are more color combinations for this particular camera than you can imagine; white, black, blue, and red bodies, some with different colored buttons. Kodak also released 2 other models using the name “Élysées” with an elegant cursive font, and faux mother-of-pearl finish and the S100EF with more classic design features. The cameras were manufactured in Hong Kong plus Taiwan and the retail price was approximately $59.00. New in the box you received the Camera, ASA 200 24 exposures Kodacolor film, two Kodak ‘Supralife’ AA batteries, wrist strap, warranty card, and instruction manual in multiple languages. The camera had three aperture settings of F/4.5 with flash switch engaged, F/8 at ISO 100/200, and F/11 at ISO 400. These cameras have a focusing distance of 4′ (1.2m) to infinity with a reverse Galilean type viewfinder. The lens is a 35mm, F/4.5 focus free Kodak Ektanar glass three element and a fixed shutter speed of 1/125 of a second. The camera also has a built in lens cover (acts as on/off switch), built in flash that recharges in about 7 seconds with a range of about 13′ (3m) with ISO 100 speed film, and 18′ (5.5m) with ISO 400 film, and uses two AA batteries to power the flash only. The camera pictured here is in good condition and worth $5.00 in 2020. | ||
 | Kodak Eastman: Brownie Bullet | 1957-1964 | c | 2014 | 4.00 | 1957-1964 Good condition worth $10.00 in 2014 |
 | Kodak Eastman: Brownie Bullet | 1957-1964 | c | 1996 | 10.00 | 1957-1964 Good condition worth $10.00 in 2014 |
 | Kodak Eastman: Brownie Bullet II | 1961-1968 | c | 2010 | 2.00 | 1961-1968 good condition worth $5.00 in 2014 |
 | Kodak Eastman: Brownie Bulls-Eye | 1954-1960 | c | 1994 | 2.00 | 1954-1960 Fine condition worth $15.00 in 2014 |
 | Kodak Eastman: Brownie Bulls-Eye | 1954-1960 | c | 1990 | 5.00 | 1954-1960 good condition worth $5.00 in 2014 |
 | Kodak Eastman: Brownie Fiesta | 1962-1966 | c | 2015 | 15.00 | 1962-1966 fine condition worth $15.00 in 2015 |
 | Kodak Eastman: Brownie Fiesta | 1962-1966 | c | 2019 | 5.00 | The Brownie Fiesta has a molded plastic body with a clear plastic front, over the lens plate, and also has a direct vision viewfinder. This camera was made in many variations. In 1962 till October of 1965, the Brownie Fiesta was available in the familiar two-tone grey and silver model. Then in May of 1965 till June of 1966, a two-tone dark and light blue replaced the original model. There are models that were made with other color schemes that are not in any official information from Eastman Kodak or The Eastman House Museum. The two tone grey fiesta was a giveaway in the early 60’s as a promotion put on by Campbell Soup. You sent them about 15 soup labels and they would send you a camera. The camera uses 127 roll film and was manufactured in the US and Spain. It has a meniscus lens, f/11 aperture, a single shutter speed of 1/40th of a second, and originally sold for $5.95. The “Kodak Fiesta Camera Outfit” came with a flash unit, AG-1 flash bulbs, one roll of film, a carry strap in a little envelope, and two AA batteries. The flash unit has two contacts that slid into the back of the camera along with tracts on the camera and flash assembly that hold the unit on the top. The flash unit primarily used AG-1 flash bulbs with the Vertachrome Pan Black & White or the Kodacolor film but suggests AG-1B bulbs if using the color Ektachrome film. It is powered by two AA batteries that are placed in parallel and with both negative sides opposite the ejector tab. The camera produces a picture 3 ½” x 3 ½” and a 2” x 2” slide with a picture area of 1 ½” x 1 ½”. The camera pictured above and to the left is in good condition, comes with the original box, has the detachable flash unit, and is worth $10.00 in 2019. |
 | Kodak Eastman: Brownie Fiesta R4 | 1966-1969 | c | 2020 | 5.00 | The Brownie Fiesta R4 has a molded plastic body with an aluminum lens plate and a clear plastic escutcheon. This simple camera has a medium sized optical direct vision finder and a fixed focus meniscus f/11 lens. The Brownie Fiesta R4 had the addition of a flashcube socket which was considered an improvement over the single bulb flash attachment available with all of the other Fiesta models. Other features are the red window in the back for frame counting with use of the numbered paper backing of the film, 1/40 of a second shutter, a manual flash cube socket on the top, frame advance knob on the bottom of the camera, and uses 127 size roll film. It was made by the Eastman Kodak Company in Rochester, NY, USA and originally sold for $9.00. It is unclear how many were produced but it is safe to say the hundreds of thousands. The flash unit used two PX825 mercury batteries for power that were discontinued for obvious environmental reasons. There are a number of replacement batteries like the EPX825, S825PX, LR53, BLR53, and the KA825 Silver Oxide 1.55V Battery. The camera did not have any double exposure protection and was only produced from 1966 to 1969. The camera pictured here is in poor condition with a corroded battery compartment. It still works otherwise and is worth $4.00 in 2020. |
 | Kodak Eastman: Brownie Flash 20 | 1959-1962 | c | 2014 | 10.00 | The Brownie Flash 20 Camera has a molded blue plastic body featuring a direct vision optical viewfinder and a built-in flashgun for cap less flashbulbs. This fun camera offers more control than many "point and shoot" Brownie cameras. It offers 3 aperture settings for different lighting conditions, a simple focusing ring, and an effective built-in flash. With a big 2 ¼” x 2 ¼” (6cm X 6cm) image produced, these could be contact printed or enlarged quite a bit with excellent results. The camera was introduced in April of 1959 and discontinued October of 1962. The Rollfilm size was 620 and with a Meniscus f/11 three aperture lens this single shutter speed camera originally sold for $14.00. Kodak itself does not know how many were constructed or sold word wide. The camera was manufactured here in the USA but was assembled in the UK from 1960 to 1961. The camera pictured is in fine condition and worth $15.00 in 2014. |
 | Kodak Eastman: Brownie Flash 20 | 1959-1962 | c | 2020 | 6.00 | The Brownie Flash 20 Camera has a molded blue plastic body featuring a direct vision optical viewfinder and a built-in flash unit for cap less flashbulbs. The camera offers more control than many "point and shoot" Brownie cameras. It offers 3 aperture settings for different lighting conditions plus different types of film (one for color film and two for black & white), and a simple focusing ring with Close-Up (4 to 6 feet), Groups (6 to 12 feet), plus Scenes (12 feet to infinity). It also has double exposure protection with the shutter being loaded when the frame advance knob is turned. A red view window with a slid cover is provided on the back of the camera for frame count using the numbers on the film paper backing. The big 2 ¼” x 2 ¼” (6cm X 6cm) image produced can be contact printed or enlarged quite a bit with excellent results. The camera was introduced in April of 1959 and discontinued October of 1962. The rollfilm size is 620 and the camera had originally sold for $14.00. Kodak itself does not know how many were constructed or sold word wide but more than 100,000. The camera was manufactured and sold in the USA but some were assembled in the UK with parts supplied by Kodak USA and sold in the UK plus Europe from 1960 to 1961. The camera pictured above is in Good condition and worth $10.00 in 2020. |
 | Kodak Eastman: Brownie Flash IV | 1957-1959 | c | 2019 | 20.00 | The Brownie Flash IV is a deluxe version of the Brownie Flash III camera and is great for nighttime and long exposure work because of the tripod socket and shutter release lock. This metal body Brownie camera has a light brown leatherette covering and dark plus light brown gilt metalwork. It features two brilliant finders, a yellow cloud filter for black & white pictures that slides behind the main lens with a pull tab, a close up portrait lens that also slides behind the main lens with a pull tab, Shutter speed about 1/50 sec plus and B with a single blade, shutter release cable socket, pin plus screw flash contacts, Kodet f/14 Meniscus main lens, 2 1/4 X 3 ¼ inch picture size on 620 film, brass fittings (trim, rivets, escutcheons, lens mounts, catches, switches), and a ¼ inch 20 thread tripod socket. Made in England by Kodak Limited London, the camera was introduced in September of 1957 and discontinued 1959. The camera pictured here is in good condition and worth $15.00 in 2019. |
 | Kodak Eastman: Brownie Flash Six-20 | 1946-1955 | c | 1998 | 12.00 | The Brownie Flash Six-20 camera has a metal box body and has a rather strange shape. It features an optical direct vision finder, a built-in close-up lens, and time exposure capability. It accepts a cumbersome flashgun and was renamed from the Six-20 Flash Brownie Camera. The camera was quite a popular camera, in part because of its indestructability. Though it lacks multiple apertures it has features like a built-in portrait lens, multiple exposure guard, and tripod socket. It even has a little tab that when folded out acts to level this odd shaped camera. It used 620 roll film that produced a picture size of 2 ¼” x 3 ¼” and was manufactured in the US. It was introduced in July of 1946 and discontinued in January of 1955. The camera has a Meniscus lens, rotary shutter and sold for $6.00. This information was gleaned from THE BROWNIE CAMERA PAGE. The camera pictured here is in Good condition and worth $25.00 with the flash unit. |
 | Kodak Eastman: Brownie Flashmite 20 | 1960-1965 | 2015 | 10.00 | 1960 - 1965 good condition worth $10.00 in 2015 | |
 | Kodak Eastman: Brownie Hawkeye | 1949-1951 | c | 2000 | 4.00 | The Brownie Hawkeye is a Bakelite camera taking 2 1/3” x 2 1/3” (6x6cm) images on 620 film. It was made in the USA, Canada, and France by Kodak, from 1949 to1961. There were also examples labelled "Brownie Fiesta" and Kodak used this name in 1962 to label another camera. The original design did not have a flash facility, but the Flash model was added in 1950 and labeled Kodak Brownie Flash in France and Canadian. There were two lens attachments sold for the Hawkeye, one was the Kodak Close-Up No. 13 and the other was the Kodak Cloud Filter No. 13. The camera has an oversized brilliant viewfinder and is utilized by holding the camera at waist-level. The camera also has a Meniscus lens, rotary shutter, and an Iconic carry handle. The Hawkeye and Hawkeye Flash is touted as one of the most popular Brownie cameras made although that number is not known. The original suggested retail price was $5.50 and $7.00 for the flash type. This sturdy, reasonably priced, and beautiful camera was designed by Arthur H. Crapsey, the designer of many other popular Kodak cameras. This is in good condition worth $10.00 in 2014 |
 | Kodak Eastman: Brownie Hawkeye Flash Model | 1950-1961 | c | 2011 | 10.00 | The Kodak Brownie Hawkeye camera was very popular back in the 1950s, and sold like hot-cakes for over a decade. They were cheap, easy to use, and produced sharp 3 1/2” x 3 1/2” prints taken from about 10' to infinity with the non-focusing, internal lens. Baby Boomers and even younger people are getting acquainted with the camera their parents or grandparents used. The Kodak Brownie Hawkeye camera was made for 620 medium format film, which is no longer commercially available. 120 film is still available, and is exactly the same as 620 film, the only difference is in the size of the spools and the 120 film can be transferred to the 620 spool. The camera was introduced in 1950 for $7.00 and the last one was made in July of 1961. A non-synchronized model was produced from May 1949 to November of 1951 known as simply the Brownie Hawkeye and the camera was also produced in France with the name Brownie Flash Camera. It has a Meniscus lens, Rotary shutter, and accepts a wide range of Kodak pin and screw flash attachments. This beautiful camera was designed by Arthur H. Crapsey, the designer of many popular Kodak cameras of that era. The camera pictured above is worth $5 to $10 in 2015. |
 | Kodak Eastman: Brownie Hawkeye Flash Model | 1950-1961 | c | 1993 | 10.00 | The Kodak Brownie Hawkeye camera was very popular back in the 1950s, and sold like hot-cakes for over a decade. They were cheap, easy to use, and produced sharp 3 1/2” x 3 1/2” prints taken from about 10' to infinity with the non-focusing, internal lens. Baby Boomers and even younger people are getting acquainted with the camera their parents or grandparents used. The Kodak Brownie Hawkeye camera was made for 620 medium format film, which is no longer commercially available. 120 film is still available, and is exactly the same as 620 film, the only difference is in the size of the spools and the 120 film can be transferred to the 620 spool. The camera was introduced in 1950 for $7.00 and the last one was made in July of 1961. A non-synchronized model was produced from May 1949 to November of 1951 known as simply the Brownie Hawkeye and the camera was also produced in France with the name Brownie Flash Camera. It has a Meniscus lens, Rotary shutter, and accepts a wide range of Kodak pin and screw flash attachments. This beautiful camera was designed by Arthur H. Crapsey, the designer of many popular Kodak cameras of that era. The camera pictured above is worth $5 to $10 in 2015. |
 | Kodak Eastman: Brownie Hawkeye Flash Model | 1950-1961 | c | 2013 | 5.00 | The Kodak Brownie Hawkeye camera was very popular back in the 1950s, and sold like hot-cakes for over a decade. They were cheap, easy to use, and produced sharp 3 1/2” x 3 1/2” prints taken from about 10' to infinity with the non-focusing, internal lens. Baby Boomers and even younger people are getting acquainted with the camera their parents or grandparents used. The Kodak Brownie Hawkeye camera was made for 620 medium format film, which is no longer commercially available. 120 film is still available, and is exactly the same as 620 film, the only difference is in the size of the spools and the 120 film can be transferred to the 620 spool. The camera was introduced in 1950 for $7.00 and the last one was made in July of 1961. A non-synchronized model was produced from May 1949 to November of 1951 known as simply the Brownie Hawkeye and the camera was also produced in France with the name Brownie Flash Camera. It has a Meniscus lens, Rotary shutter, and accepts a wide range of Kodak pin and screw flash attachments. This beautiful camera was designed by Arthur H. Crapsey, the designer of many popular Kodak cameras of that era. The camera pictured above is worth $5 to $10 in 2015. |
 | Kodak Eastman: Brownie Hawkeye Flash Model | 1950-1961 | c | 2000 | 5.00 | The Kodak Brownie Hawkeye camera was very popular back in the 1950s, and sold like hot-cakes for over a decade. They were cheap, easy to use, and produced sharp 3 1/2” x 3 1/2” prints taken from about 10' to infinity with the non-focusing, internal lens. Baby Boomers and even younger people are getting acquainted with the camera their parents or grandparents used. The Kodak Brownie Hawkeye camera was made for 620 medium format film, which is no longer commercially available. 120 film is still available, and is exactly the same as 620 film, the only difference is in the size of the spools and the 120 film can be transferred to the 620 spool. The camera was introduced in 1950 for $7.00 and the last one was made in July of 1961. A non-synchronized model was produced from May 1949 to November of 1951 known as simply the Brownie Hawkeye and the camera was also produced in France with the name Brownie Flash Camera. It has a Meniscus lens, Rotary shutter, and accepts a wide range of Kodak pin and screw flash attachments. This beautiful camera was designed by Arthur H. Crapsey, the designer of many popular Kodak cameras of that era. The camera pictured above is worth $5 to $10 in 2015. |
 | Kodak Eastman: Brownie Hawkeye Flash Model | 1950-1961 | c | 2012 | 8.00 | The Kodak Brownie Hawkeye camera was very popular back in the 1950s, and sold like hot-cakes for over a decade. They were cheap, easy to use, and produced sharp 3 1/2” x 3 1/2” prints taken from about 10' to infinity with the non-focusing, internal lens. Baby Boomers and even younger people are getting acquainted with the camera their parents or grandparents used. The Kodak Brownie Hawkeye camera was made for 620 medium format film, which is no longer commercially available. 120 film is still available, and is exactly the same as 620 film, the only difference is in the size of the spools and the 120 film can be transferred to the 620 spool. The camera was introduced in 1950 for $7.00 and the last one was made in July of 1961. A non-synchronized model was produced from May 1949 to November of 1951 known as simply the Brownie Hawkeye and the camera was also produced in France with the name Brownie Flash Camera. It has a Meniscus lens, Rotary shutter, and accepts a wide range of Kodak pin and screw flash attachments. This beautiful camera was designed by Arthur H. Crapsey, the designer of many popular Kodak cameras of that era. The camera pictured above is worth $5 to $10 in 2015. |
 | Kodak Eastman: Brownie Hawkeye Flash Model | 1950-1961 | c | 2017 | 3.00 | The Kodak Brownie Hawkeye camera was very popular back in the 1950s, and sold like hot-cakes for over a decade. They were cheap, easy to use, and produced sharp 3 1/2” x 3 1/2” prints taken from about 10' to infinity with the non-focusing, internal lens. Baby Boomers and even younger people are getting acquainted with the camera their parents or grandparents used. The Kodak Brownie Hawkeye camera was made for 620 medium format film, which is no longer commercially available. 120 film is still available, and is exactly the same as 620 film, the only difference is in the size of the spools and the 120 film can be transferred to the 620 spool. The camera was introduced in 1950 for $7.00 and the last one was made in July of 1961. A non-synchronized model was produced from May 1949 to November of 1951 known as simply the Brownie Hawkeye and the camera was also produced in France with the name Brownie Flash Camera. It has a Meniscus lens, Rotary shutter, and accepts a wide range of Kodak pin and screw flash attachments. This beautiful camera was designed by Arthur H. Crapsey, the designer of many popular Kodak cameras of that era. The camera pictured above is worth $5 to $10 in 2017. |
 | Kodak Eastman: Brownie Hawkeye Flash Model | 1950-1961 | c | 2017 | The Kodak Brownie Hawkeye camera was very popular back in the 1950s, and sold like hot-cakes for over a decade. They were cheap, easy to use, and produced sharp 3 1/2” x 3 1/2” prints taken from about 10' to infinity with the non-focusing, internal lens. Baby Boomers and even younger people are getting acquainted with the camera their parents or grandparents used. The Kodak Brownie Hawkeye camera was made for 620 medium format film, which is no longer commercially available. 120 film is still available, and is exactly the same as 620 film, the only difference is in the size of the spools and the 120 film can be transferred to the 620 spool. The camera was introduced in 1950 for $7.00 and the last one was made in July of 1961. A non-synchronized model was produced from May 1949 to November of 1951 known as simply the Brownie Hawkeye and the camera was also produced in France with the name Brownie Flash Camera. It has a Meniscus lens, Rotary shutter, and accepts a wide range of Kodak pin and screw flash attachments. This beautiful camera was designed by Arthur H. Crapsey, the designer of many popular Kodak cameras of that era. The camera pictured above is in good condition and worth $8.00 in 2017. | |
 | Kodak Eastman: Brownie Hawkeye Flash Model | 1950-1961 | c | 2018 | 7.00 | The Kodak Brownie Hawkeye camera was very popular back in the 1950s, and sold like hot-cakes for over a decade. They were cheap, easy to use, and produced sharp 3 1/2” x 3 1/2” prints taken from about 10' to infinity with the non-focusing, internal lens. Baby Boomers and even younger people are getting acquainted with the camera their parents or grandparents used. The Kodak Brownie Hawkeye camera was made for 620 medium format film, which is no longer commercially available. 120 film is still available, and is exactly the same as 620 film, the only difference is in the size of the spools and the 120 film can be transferred to the 620 spool. The camera was introduced in 1950 for $7.00 and the last one was made in July of 1961. A non-synchronized model was produced from May 1949 to November of 1951 known as simply the Brownie Hawkeye and the camera was also produced in France with the name Brownie Flash Camera. It has a Meniscus lens, Rotary shutter, and accepts a wide range of Kodak pin and screw flash attachments. This beautiful camera was designed by Arthur H. Crapsey, the designer of many popular Kodak cameras of that era. The camera pictured above is in Good condition and worth $20.00 with the flash unit in 2018. |
 | Kodak Eastman: Brownie Hawkeye Flash Model | 1950-1961 | c | 2019 | 5.00 | The Kodak Brownie Hawkeye camera was very popular back in the 1950s, and sold like hot-cakes for over a decade. They were cheap, easy to use, and produced sharp 3 1/2” x 3 1/2” prints taken from about 10' to infinity with the non-focusing, internal lens. Baby Boomers and even younger people are getting acquainted with the camera their parents or grandparents used. The Kodak Brownie Hawkeye camera was made for 620 medium format film, which is no longer commercially available. 120 film is still available, and is exactly the same as 620 film, the only difference is in the size of the spools and the 120 film can be transferred to the 620 spool. The camera was introduced in 1950 for $7.00 and the last one was made in July of 1961. A non-synchronized model was produced from May 1949 to November of 1951 known as simply the Brownie Hawkeye and the camera was also produced in France with the name Brownie Flash Camera. It has a Meniscus lens, Rotary shutter, and accepts a wide range of Kodak pin and screw flash attachments. This beautiful camera was designed by Arthur H. Crapsey, the designer of many popular Kodak cameras of that era. The camera pictured above is in Good condition and worth $20.00 with the flash unit in 2019. |
 | Kodak Eastman: Brownie Holiday | 1953-1957 | c | 1999 | 5.00 | Designed and marketed for children, the Brownie was named after the characters created by Palmer Cox, a famous children's author. They were as well known in the 1880's as Mickey is today. Little did they know at Kodak that the Brownie camera would be so eagerly sought after? This very popular Brownie series has a molded brown and tan plastic body with an optical direct vision finder. The camera was produced between 1953 and 1957, uses 127 size film and originally sold for $5.00. There is no way of knowing of how many Kodak made but safe to say in the millions. The camera had a Kodet lens from 1953 to 1955 and a Dakon plastic lens from 1955 to 1962. This camera like many others was designed by Arthur H. Crapsey. The non-flash Brownie Holiday camera is the retail version of the Brownie Bullet, which was a promotional camera. Additionally the same model series was named the Camara Brownie Chiquita, Brownie Chiquita Camera and Camara Brownie Chiquita Flash which were manufactured for the Brazilian market. Much of this info was obtained from the Brownie camera page. This camera pictured is in X-Fine condition and comes with the original box and instruction booklet. It is worth $25.00 in 2015. |
 | Kodak Eastman: Brownie Holiday | 1953-1957 | 2016 | 5.00 | Designed and marketed for children, the Brownie was named after the characters created by Palmer Cox, a famous children's author. They were as well known in the 1880's as Mickey is today. Little did they know at Kodak that the Brownie camera would be so eagerly sought after? This very popular Brownie series has a molded brown and tan Bakelite body with an optical direct vision finder. The camera was produced between 1953 and 1957, uses 127 size film and originally sold for $5.00. There is no way of knowing of how many Kodak made but safe to say in the millions. The camera had a Kodet lens from 1953 to 1955 and a Dakon plastic lens from 1955 to 1962. This camera like many others was designed by Arthur H. Crapsey. The non-flash Brownie Holiday camera is the retail version of the Brownie Bullet, which was a promotional camera. Additionally the same model series was named the Camara Brownie Chiquita, Brownie Chiquita Camera and Camara Brownie Chiquita Flash which were manufactured for the Brazilian market. Much of this info was obtained from the Brownie camera page. This camera pictured above with a Dakon lens is in Fine condition and is worth $15.00 in 2016. | |
 | Kodak Eastman: Brownie Holiday Flash | 1954-1962 | c | 1993 | 12.00 | Designed and marketed for children, the Brownie was named after the characters created by Palmer Cox, a famous children's author. They were as well known in the 1880's as Mickey is today. Little did they know at Kodak that the Brownie camera would be so eagerly sought after? This very popular Brownie series has a molded brown and tan plastic body with an optical direct vision finder. The camera was produced between 1953 and 1957, uses 127 size film and originally sold for $5.00. There is no way of knowing of how many Kodak made but safe to say in the millions. The camera had a Kodet lens from 1953 to 1955 and a Dakon plastic lens from 1955 to 1962. This camera like many others was designed by Arthur H. Crapsey. The non-flash Brownie Holiday camera is the retail version of the Brownie Bullet, which was a promotional camera. Additionally the same model series was named the Camara Brownie Chiquita, Brownie Chiquita Camera and Camara Brownie Chiquita Flash which were manufactured for the Brazilian market. Much of this info was obtained from the Brownie camera page. . This camera pictured is in X-Fine condition and comes with the original box and instruction booklet. It is worth $25.00 in 2015. |
 | Kodak Eastman: Brownie Holiday Flash | 1954-1962 | c | 2020 | 4.00 | Designed and marketed for children, the Brownie was named after the characters created by Palmer Cox, a famous children's author. They were as well known in the 1880's as Mickey is today. Little did they know at Kodak that the Brownie camera would be so eagerly sought after? The camera was produced between 1953 and 1962, uses 127 size film and originally sold for $5.00 plus $2.25 for the flash unit. There is no way of knowing of how many Kodak made but safe to say in the millions. The camera had a Kodet lens from 1953 to 1955 and a Dakon plastic lens from 1955 to 1962. This camera like many others was designed by Arthur H. Crapsey. Additionally the same model series was named the Camara Brownie Chiquita, Brownie Chiquita Camera and Camara Brownie Chiquita Flash which were manufactured for the Brazilian market. The Brownie Holiday, Brownie Chiquita, and the Brownie Bullet are the same camera and only the Holiday and Chiquita came in a flash version. Much of this info was obtained from the Brownie camera page. This camera pictured above has an inoperable film advance knob and is worth $1.00 for parts in 2020. |
 | Kodak Eastman: Brownie Holiday Flash | 1954-1962 | c | 2020 | 2.00 | Designed and marketed for children, the Brownie was named after the characters created by Palmer Cox, a famous children\'s author. They were as well known in the 1880\'s as Mickey is today. Little did they know at Kodak that the Brownie camera would be so eagerly sought after? The camera was produced between 1953 and 1962, uses 127 size film and originally sold for $5.00 plus $2.25 for the flash unit. There is no way of knowing of how many Kodak made but safe to say in the millions. The camera had a Kodet lens from 1953 to 1955 and a Dakon plastic lens from 1955 to 1962. This camera like many others was designed by Arthur H. Crapsey. Additionally the same model series was named the Camara Brownie Chiquita, Brownie Chiquita Camera and Camara Brownie Chiquita Flash which were manufactured for the Brazilian market. The Brownie Holiday, Brownie Chiquita, and the Brownie Bullet are the same camera and only the Holiday and Chiquita came in a flash version. Much of this info was obtained from the Brownie camera page. This camera pictured above is in poor condition and is worth $1.00 in 2020. |
 | Kodak Eastman: Brownie No.0 Model A (US) | 1914-1935 | 1998 | 9.00 | 1914-1935 Fine condition worth $25.00 in 2014 | |
 | Kodak Eastman: Brownie No.2 Model D (US) | 1901-1933 | 2016 | 6.00 | This box camera had a long run and was introduced in 1901 then discontinued in 1935 with the Model D being released in 1914. The No 2 also was manufactured in the UK from 1928 till the end date of production. The number of cameras sold and produced is not known but over 2,500,000 before 1921. The camera uses 120 roll film to give you a 2 ¼” by 3 ¼” picture. The No.2 Brownie is significant in that it was the first camera to use 120 roll film. It started production being made of leatherette covered card and, from 1924, changed to a metal box. A very simple camera with a very dependable rotary shutter. It has two sliding mechanisms on the top, one for a bulb, or time setting, and the other for a choice of 3 apertures (about f8, f11, and f16) that sit in front of the Meniscus lens. It also has two small reflecting finders for vertical (portrait) or horizontal (Landscape) shots. The original price was $2.00 with the aluminum model F selling for $2.75 and the color models for $2.50. The 100 year old camera pictured here is in Good condition and worth $15.00 in 2016. Variations: (1901-early 1902) detachable winding keys similar to The Brownie camera (Early 1902) fixed pull-out winding key (Feb 1904) Model B; fine grain leatherette covering replaced by coarser grain; metal eyelets fitted to lens and finder windows (Apr 1907) Model C; spool centers fitted (Dec 1914 Model D) during the run of this model the sliding latch for hinged back was replaced by a spring catch; mask in back omitted (June 1917) Film tension springs bearing on spools ends instead of center (Dec 1917) metal name plate on back (Mar 1919) Model E; metal film carrier instead of wood, card outer casting (Mar 1920) Trigger guard fitted (Feb 1924) Model F; aluminum case replaced card; tripod sockets added; no trigger guard; finer grain leatherette covering (Apr 1929-1933) US models in five color finishes - Red, grey, green, blue, brown - as well as black (1929-1933) UK models in six color finishes - Red, grey, green, blue, brown, claret - as well as black (Nov 1930) UK model in special Modernist finish, black with slight relief, wax-like feel; made only in limited numbers for the Christmas season. (From 1931) knob replaced winding key; 1931 models had rectangular line decoration of earlier models; thereafter plain finish (1934-1935) UK models in two color finishes - grey or black. Silver model produced for Silver Jubilee of King George V in 1935. (Most of the information gleaned from “The Brownie Camera Page”) | |
 | Kodak Eastman: Brownie No.2 Model F (US) | 1901-1933 | c | 2019 | 5.00 | This Kodak Brownie No 2 camera had a long run and was introduced in 1901 then discontinued in 1933 with the Model F being released in February 1924. Model F has an aluminum case that replaced the cardboard and a tripod sockets added. The No 2 also was manufactured in the UK from 1928 till the end date of production. The number of cameras sold and produced is not known but over 2,500,000 before 1921. The camera uses 120 roll film to give you a 2 ¼” by 3 ¼” picture. The No.2 Brownie is significant in that it was the first camera to use 120 roll film. It is a very simple camera with a very dependable rotary shutter. It has two sliding mechanisms on the top, one for bulb, or timed, and the other for a choice of 3 apertures (about f8, f11, and f16) that sit in front of the Meniscus lens. It also has two small reflecting finders for vertical (portrait) or horizontal (Landscape) shots. The original price was $2.00 with the aluminum model F selling for $2.75 and the color models for $2.50. The camera pictured here is in good condition and worth $10.00 in 2019. |
 | Kodak Eastman: Brownie No.2A Model B (US) | 1911-1933 | c | 1999 | 2.50 | 1907-1924 good condition worth $8.00 in 2014 |
 | Kodak Eastman: Brownie No.2A Model B (US) | 1911-1933 | c | 2015 | 5.00 | 1907-1924 good condition worth $8.00 in 2015 |
 | Kodak Eastman: Brownie No.2A Model B (US) | 1911-1933 | c | 2017 | 5.00 | This Box Film camera was first introduced in April of 1907, discontinued in 1933, and the numbers made is in the millions but unknown. The progression of the camera went like this. From April 1907 to August 1909 all openings were just wrapped in leatherette. From August 1909 till October 1911 the front panel receives metal eyelets for the viewfinder lenses. From October 1911 till June 1917 the ground glass finders plus lenses have metal trim and the camera gets metal spring steel tension springs for the film spool ends. From January 1918 till June 1920 the camera receives round pivoted catches with milled edges and a manufacturer’s nameplate on back. From March 1920 till April 1924 the camera receives a metal trigger guard for the shutter release trigger. From April 1924 till the end of production in 1933 they produced the Model c with an internal Aluminum cage with the colored models arriving in 1929. The roll film size was 116 for all renditions and the Picture size was 2 ½” X 4 1/4". The cameras have a Meniscus lens and a Rotary shutter. The original price was $3.00, $3.75 for the Aluminum Model C, and the color models sold for $4.00. The camera was constructed with Leatherette covered cardboard case, wood to hold the lens plus shutter mechanism, and metal for the film cage, crank assembly, and various other parts. The camera has two reflecting finders, and the case was removed for loading by releasing two pivoted catches and pulling out the film winding key. It has three aperture settings and two shutter settings of B plus 1/30 second, both accessed from the top of the camera. The camera pictured here was made from 1911 to 1917 and is listed in good condition. It does have some issues as can be seen and is worth $8.00 in 2017. |
 | Kodak Eastman: Brownie No.2A Model B (US) | 1911-1933 | c | 2018 | 5.00 | This Box Film camera was first introduced in April of 1907, discontinued in 1933, and the numbers made is in the millions but unknown. The progression of the camera went like this. From April 1907 to August 1909 all openings were just wrapped in leatherette. From August 1909 till October 1911 the front panel receives metal eyelets for the viewfinder lenses. From October 1911 till June 1917 the ground glass finders plus lenses have metal trim and the camera gets metal spring steel tension springs for the film spool ends. From January 1918 till June 1920 the camera receives round pivoted catches with milled edges and a manufacturer’s nameplate on back. From March 1920 till April 1924 the camera receives a metal trigger guard for the shutter release trigger. From April 1924 till the end of production in 1933 they produced the Model c with an internal Aluminum cage with the colored models arriving in 1929. The roll film size was 116 for all renditions and the Picture size was 2 ½” X 4 1/4". The cameras have a Meniscus lens and a Rotary shutter. The original price was $3.00, $3.75 for the Aluminum Model C, and the color models sold for $4.00. The camera was constructed with Leatherette covered cardboard case, wood to hold the lens plus shutter mechanism, and metal for the film cage, crank assembly, and various other parts. The camera has two reflecting finders, and the case was removed for loading by releasing two pivoted catches and pulling out the film winding key. It has three aperture settings and two shutter settings of B plus 1/30 second, both accessed from the top of the camera. The camera pictured here was made from 1911 to 1917 and is listed in good condition. It does have some issues as can be seen and is worth $10.00 in 2017. |
 | Kodak Eastman: Brownie No.2A Model B (US) | 1911-1933 | c | 2019 | 5.00 | This Box Film camera was first introduced in April of 1907, discontinued in 1933, and the numbers made is in the millions but unknown. The progression of the camera went like this. From April 1907 to August 1909 all openings were just wrapped in leatherette. From August 1909 till October 1911 the front panel receives metal eyelets for the viewfinder lenses. From October 1911 till June 1917 the ground glass finders plus lenses have metal trim and the camera gets metal spring steel tension springs for the film spool ends. From January 1918 till June 1920 the camera receives round pivoted catches with milled edges and a manufacturer’s nameplate on back. From March 1920 till April 1924 the camera receives a metal trigger guard for the shutter release trigger. From April 1924 till the end of production in 1933 they produced the Model c with an internal Aluminum cage with the colored models arriving in 1929. The roll film size was 116 for all renditions and the Picture size was 2 ½” X 4 1/4". The cameras have a Meniscus lens and a Rotary shutter. The original price was $3.00, $3.75 for the Aluminum Model C, and the color models sold for $4.00. The camera was constructed with Leatherette covered cardboard case, wood to hold the lens plus shutter mechanism, and metal for the film cage, crank assembly, and various other parts. The camera has two reflecting finders, and the case was removed for loading by releasing two pivoted catches and pulling out the film winding key. It has three aperture settings and two shutter settings of B plus 1/30 second, both accessed from the top of the camera. The camera pictured here is in good condition and worth $10.00 in 2019. |
 | Kodak Eastman: Brownie No.2A Model C (US) | 1924-1933 | c | 2015 | 10.00 | 1924-1933 good condition worth $15.00 in 2015 |
 | Kodak Eastman: Brownie No.2A Model C (US) | 1924-1933 | c | 2017 | 12.00 | One of the interesting features for the 1907 Brownie 2A Model C is its two viewfinders – one for portrait mode and another one for landscape mode. Along with two viewfinders, in 1924 it was given two tripod ¼ inch 20 thread bushes so that you can mount the camera on a tripod in either portrait or landscape acclimation. The camera has two shutter settings of B and 1/50th of a second depending on the age and condition of the rotary shutter. The “B” mode is engaged with a slide tab on top of the camera that you pull out. When you lift the “B” tab, the shutter release will keep the shutter open until you switch it back to where you started in either direction. The shutter release also has no double exposure protection and it is possible to take multipole exposure on the same frame. The other pull tab next to the “B” tab is the aperture setting. It’s a metal slide plate with three holes in it and you can feel a stop at each location. The instructions just call the openings “Small”, “Medium”, and “Large”. The actual apertures are close to f/11, f/16, and f/22. The No. 2A Brownie was designed for 116 film that is no longer available, but you can use 120 film with some work. The focus range of the Meniscus lens is 2 meters (6 1/2 feet) to infinity but Kodak did sell a close up lens that could be fitted. The camera had a long production run, from 1907 to 1933 in the US, Canada, and from 1930 to 1933 it was manufactured in the UK. In Aug 1909-Eyelets were fitted to the lens opening and finder windows on the side and top. In 1920 the camera was available in five colors (brown, blue, claret, green, and black) produced at all three locations. The original retail price was $3.00 with Aluminum models from 1924 on selling for $3.75 and color models from 1920 on selling for $4.00. The numbers made are estimated to be 2.1 million before 1921 and at least that many more till the end of production. The one pictured here was made after 1924, is in Good condition, and worth $20.00 in 2017. |
 | Kodak Eastman: Brownie No.2A Model C (US) | 1924-1933 | c | 2017 | 10 | One of the interesting features for the 1907 Brownie 2A Model C is its two viewfinders – one for portrait mode and another one for landscape mode. Along with two viewfinders, in 1924 it was given two tripod ¼ inch 20 thread bushes so that you can mount the camera on a tripod in either portrait or landscape acclimation. The camera has two shutter settings of B and 1/50th of a second depending on the age and condition of the rotary shutter. The “B” mode is engaged with a slide tab on top of the camera that you pull out. When you lift the “B” tab, the shutter release will keep the shutter open until you switch it back to where you started in either direction. The shutter release also has no double exposure protection and it is possible to take multipole exposure on the same frame. The other pull tab next to the “B” tab is the aperture setting. It’s a metal slide plate with three holes in it and you can feel a stop at each location. The instructions just call the openings “Small”, “Medium”, and “Large”. The actual apertures are close to f/11, f/16, and f/22. The No. 2A Brownie was designed for 116 film that is no longer available, but you can use 120 film with some work. The focus range of the Meniscus lens is 2 meters (6 1/2 feet) to infinity but Kodak did sell a close up lens that could be fitted. The camera had a long production run, from 1907 to 1933 in the US, Canada, and from 1930 to 1933 it was manufactured in the UK. In Aug 1909-Eyelets were fitted to the lens opening and finder windows on the side and top. In 1920 the camera was available in five colors (brown, blue, claret, green, and black) produced at all three locations. The original retail price was $3.00 with Aluminum models from 1924 on selling for $3.75 and color models from 1920 on selling for $4.00. The numbers made are estimated to be 2.1 million before 1921 and at least that many more till the end of production. The one pictured here was made after 1924, is in Good condition, and worth $15.00 in 2017. |
 | Kodak Eastman: Brownie No.2A Model C (US) | 1924-1933 | c | 2020 | 6.00 | One of the interesting features for the 1907 Brownie 2A Model C is its two viewfinders – one for portrait mode and another one for landscape mode. Along with two viewfinders, in 1924 it was given two tripod 3/8 inch 16 thread bushes so that you can mount the camera on a tripod in either portrait or landscape acclimation. The camera has two shutter settings of B and 1/50th of a second depending on the age and condition of the rotary shutter. The “B” mode is engaged with a slide tab on top of the camera that you pull out. When you lift the “B” tab, the shutter release will keep the shutter open until you switch it back to where you started in either direction. The shutter release also has no double exposure protection and it is possible to take multipole exposure on the same frame. The other pull tab next to the “B” tab is the aperture setting. It’s a metal slide plate with three holes in it and you can feel a stop at each location. The instructions just call the openings “Small”, “Medium”, and “Large”. The actual apertures are close to f/11, f/16, and f/22. The No. 2A Brownie was designed for 116 film that is no longer available, but you can use 120 film with some work. The focus range of the Meniscus lens is 2 meters (6 1/2 feet) to infinity but Kodak did sell a close up lens that could be fitted. The camera had a long production run, from 1907 to 1933 in the US, Canada, and from 1930 to 1933 it was manufactured in the UK. In Aug 1909-Eyelets were fitted to the lens opening and finder windows on the side and top. In 1920 the camera was available in five colors (brown, blue, claret, green, and black) produced at all three locations. The original retail price was $3.00 with Aluminum models from 1924 on selling for $3.75 and color models from 1920 on selling for $4.00. The numbers made are estimated to be 2.1 million before 1921 and at least that many more till the end of production. The one pictured here was made after 1924, is in Good condition, and worth $15.00 in 2020. |
 | Kodak Eastman: Brownie Reflex 20 | 1959-1966 | 1998 | 6.00 | 1959-1966 Good condition worth $20.00 in 2014 | |
 | Kodak Eastman: Brownie Reflex Synchro | 1941-1952 | 1996 | 7.00 | 1941-1952 Good condition worth $20.00 in 2014 | |
 | Kodak Eastman: Brownie Reflex Synchro | 1941-1952 | c | 2018 | The Brownie Reflex Synchro Model is a box type rollfilm camera. It was introduced in May 1940 in United States and 1946 in the United Kingdom. The camera had a long run in the US and was discontinued after 12 years in May 1952. It had 14 year run in the UK and was discontinued in the UK Kodak factory May 1960. It can only be said that the numbers of Brownie Reflex Synchro Model made was in the millions. The camera uses 127 rollfilm that results in a picture size of 1 5/8” x 1 5/8”. It has a rotary shutter, a meniscus lens, and a large brilliant view finder with a flip down cover. This twin lens reflex camera originally sold for $6.00. A non-synchronized model was produced from 1940 to 1941 but was quickly replace by the flash capable synchronized model. The body of the camera is made of Bakelite, a commonly used (at the time) hard plastic like material. The film advance and ¼” 20 thread tripod mount are located on the bottom of the camera. A locking lever is located on the back of the camera for releasing the film compartment for removing or reloading the film. Once the lever is unlocked, the whole assembly drops out of the bottom. The shutter has two settings of bulb and instant and fires at about 1/50 of a second. | |
 | Kodak Eastman: Brownie Reflex Synchro | 1941-1952 | c | 2020 | 5.00 | The Brownie Reflex Synchro Model is a box type rollfilm camera. It was introduced in May 1940 in United States and 1946 in the United Kingdom. The camera had a long run in the US and was discontinued after 12 years in May 1952. It had 14 year run in the UK and was discontinued in the UK Kodak factory May 1960. It can only be said that the numbers of Brownie Reflex Synchro Model made was in the millions. The camera uses 127 rollfilm that results in a negative size of 1 5/8” x 1 5/8”. It has a rotary shutter, a meniscus lens, and a large brilliant view finder with a flip down cover. This twin lens reflex camera originally sold for $6.00. A non-synchronized model was produced from 1940 to 1941 but was quickly replace by the flash capable synchronized model. The flash unit, (that took two AA batteries and used SM flash bulbs), was made especially for this camera with a side mount bracket and a female plug on the end of a wire to accommodate the two pin contacts on the bottom front of the camera and the extra high screw on the top of the camera plus the set-out rivet on the side are for the quick mounting of the flash unit. The body of the camera is made of Bakelite, a commonly used (at the time) hard plastic like material. The film advance and ¼” 20 thread tripod mount are located on the bottom of the camera. A locking lever is located on the back of the camera for releasing the film compartment for removing or reloading the film. Once the lever is unlocked, the whole assembly drops out of the bottom. The shutter has two settings of bulb and instant and fires at about 1/50 of a second. The camera pictured here is in Good condition and worth $10.00 in 2020. |
 | Kodak Eastman: Brownie Six-20 Camera Model E | 1953-1957 | 2016 | 13.00 | 1953-1957 Good condition worth $20.00 in 2016 | |
 | Kodak Eastman: Brownie StarFlash | 1957-1965 | c | 1993 | 2.00 | 1957-1965 good condition worth $10.00 in 2014 |
 | Kodak Eastman: Brownie StarFlash | 1957-1965 | c | 1992 | 5.00 | 1957-1965 Fine condition worth $20.00 in 2014 |
 | Kodak Eastman: Brownie StarFlash | 1957-1965 | c | 2018 | This camera has a molded plastic body, optical direct vision finder, and a built-in flash with reflector for cap less M2, M5, or M25 flash bulbs. The flash is powered by two AA batteries located behind the reflector and you need a common head screw driver to access them. The camera was introduced in March of 1957 and manufacturing was discontinued in June of 1965: The black model was made from March of 1958 till October 1960. The red model was produced from March of 1958 till August of 1962. The white model was made from March of 1958 till February of 1962. The blue model was produced from February 1958 till December 1961. The Coca-Cola motif was made from October 1959 till December 1961. All models sold for $8.50 other than the Coca Cola model that was a promotional camera. This camera uses 127 rollfilm and produces 1 5/8” x 1 5/8” pictures. The camera was manufactured in Kodak’s US factory and in Maisons-Alfort, France. The Brownie Starflash has a 28mm Dakon lens, a 1/50 of a second rotary shutter, a two port external flash connector, flash bulb release button on the back, B&W or Color film selector, optical viewfinder, film advance knob on the bottom, a film compartment release lever on the bottom, and a handy built-in carry strap. An almost identical camera badged the Kodak Startech was supplied in an outfit for close-up dental & medical photography. The Startech outfit included two close-up lenses green plus red (10-16 inches or 4-6 inches) and a flash shield. The only thing it did not have was the two external flash ports. The Startech exists only in white. | |
 | Kodak Eastman: Brownie StarFlash | 1957-1965 | c | 2020 | 2.00 | This camera has a molded plastic body, optical direct vision finder, and a built-in flash with reflector for cap less M2, M5, or M25 flash bulbs. The flash is powered by two AA batteries located behind the reflector and you need a common head screw driver to access them. The camera was introduced in March of 1957 and manufacturing was discontinued in June of 1965: The black model was made from March of 1958 till October 1960. The red model was produced from March of 1958 till August of 1962. The white model was made from March of 1958 till February of 1962. The blue model was produced from February 1958 till December 1961. The Coca-Cola motif was made from October 1959 till December 1961. All models sold for $8.50 other than the Coca Cola model that was a promotional camera. This camera uses 127 rollfilm and produces 1 5/8” x 1 5/8” pictures. The camera was manufactured in Kodak’s US factory and in Maisons-Alfort, France. The Brownie Starflash has a 28mm Dakon lens, a 1/50 of a second rotary shutter, a two port external flash connector, flash bulb release button on the back, B&W or Color film selector, optical viewfinder, film advance knob on the bottom, a film compartment release lever on the bottom, and a handy built-in carry strap. An almost identical camera badged the Kodak Startech was supplied in an outfit for close-up dental & medical photography. The Startech outfit included two close-up lenses green plus red (10-16 inches or 4-6 inches) and a flash shield. The only thing it did not have was the two external flash ports. The Startech exists only in white. The camera pictured here is in good condition and worth $5.00 in 2020. |
 | Kodak Eastman: Brownie Starflex | 1957-1964 | 2010 | 11.00 | 1957-1964 Fine condition worth $25.00 with the flash unit in 2014 | |
 | Kodak Eastman: Brownie Starflex | 1957-1964 | 2001 | 10.00 | 1957-1964 Poor condition worth $5.00 for parts in 2014 (shutter problem) | |
 | Kodak Eastman: Brownie Starlet (UK) | 1953-1956 | 1997 | 8.00 | 1952-1954 Good condition worth $20.00 in 2014 | |
 | Kodak Eastman: Brownie Starmatic | 1959-1961 | 2007 | 10.00 | 1959-1963 fine condition worth $25.00 in 2014 | |
 | Kodak Eastman: Brownie Starmeter | 1960-1965 | c | 2015 | 5.00 | 1960-1965 fine condition worth $20.00 with flash in 2015. The camera is essentially a point-and-shoot, but you do have some control over the exposure. Once you set the ISO (ASA) dial that is integrated in the meter dial, you read the exposure value indicated by the top-mounted meter and transfer this to the exposure value dial on the top of the lens assembly, then take your shot. The camera has a fixed shutter speed of about 1/50 of a second. Adjusting the dial changes the aperture of the lens only from 12 to 16. These settings do cover most daylight conditions (from overcast to bright sunlight), which is really what this camera is built for. The Kodak Starmeter kit does include a “Supermite” flash that uses AG1 flash bulbs and it uses two AA batteries accessed with a common screw driver by removing the metal back cover. The Starmeter was introduced in April of 1960 and discontinued in November of 1965. It was made in both the USA and Canada but the numbers of them is unknown but is near a million. The camera uses 127 roll film for a picture size of 1 5/8 X 1 5/8". Some of the cameras other features are a Kodar f/8 lens, rotary shutter, built in selenium meter, screw with pins flash contacts, and the camera sold for an original price of $19.95. |
  | Kodak Eastman: Brownie Starmeter | 1960-1965 | c | 2020 | 5.00 | The camera is essentially a point-and-shoot, but you do have some control over the exposure. Once you set the ISO (ASA) dial that is integrated in the meter dial, you read the exposure value indicated by the top-mounted meter and transfer this to the exposure value dial on the top of the lens assembly, then take your shot. The camera has a fixed shutter speed of about 1/50 of a second. Adjusting the dial changes the aperture of the lens only from 12 to 16. These settings do cover most daylight conditions (from overcast to bright sunlight), which is really what this camera is built for. The Kodak Starmeter kit does include a “Supermite” flash that uses AG1 flash bulbs and it uses two AA batteries accessed with a common screw driver by removing the metal back cover. The Starmeter was introduced in April of 1960 and discontinued in November of 1965. It was made in both the USA and Canada but the numbers of them is unknown but is near a million. The camera uses 127 roll film for a picture size of 1 5/8 X 1 5/8". Some of the cameras other features are a Kodar f/8 lens, rotary shutter, built in selenium meter, screw socket with two flash contacts on either side of it, and the camera sold for an original price of $19.95. The camera pictured above is in fine condition and worth $20.00 with the flash unit in 2020. |
 | Kodak Eastman: Brownie Starmite | 1960-1963 | 2015 | 5.00 | 1960-1967 poor condition worth $2.00 in 2015 | |
 | Kodak Eastman: Brownie Super 27 | 1961-1965 | 2015 | 6.00 | 1961-1965 Good condition worth $10.00 in 2015 | |
 | Kodak Eastman: Brownie Super 27 | 1961-1965 | 2016 | 8.00 | 1961-1965 fine condition worth $15.00 in 2016 | |
 | Kodak Eastman: Brownie Target Six-16 (US) | 1941-1951 | c | 2012 | 5.00 | 1946-1951 Good condition worth $10.00 in 2014 |
 | Kodak Eastman: Brownie Target Six-16 (US) | 1941-1951 | c | 2021 | 3.00 | The Brownie Target Six-16 was produced in the USA between 1941 and 1951. It came with a number of art deco faceplate. The camera is interesting because of how large it is and its unusual film size. After producing no new film sizes for 16 years Kodak introduced two relatively short lived film sizes in 1932. These were the 620 and 616 which were designed to replace earlier sizes however the other sizes had become so well used around the world that the two new sizes failed to ignite the photographic world and had all but disappeared by the beginning of the 1960s. Kodak discontinued 616 production in 1984 and 620 followed eleven years later in 1995. 616 roll film produced 2 ½” x 4 ¼” pictures. The camera has a meniscus lens, rotary shutter, and sold for $4.00 when introduced originally. The cardboard casing housed the metal and glass components mounted on a black stained piece of wood. Other features of the camera are two brilliant viewfinders (portrait plus landscape), two shutter speeds (timed/bulb plus 1/50 of a second), and a two position aperture slide bar operated from the top of the camera (f11 plus f16). \"Target\" cameras were primarily made and sold in North America. The name \"Target\" was used for quite a few different cameras by Kodak including Hawk-Eye cameras as well for Brownie cameras. The camera pictured here is in good working order but has esthetic problems and one chipped lens on the portrait brilliant viewfinder. For this reason the camera is worth $5.00 in 2021. |
 | Kodak Eastman: Brownie Target Six-20 (US) | 1941-1952 | 1990 | 7.00 | 1941-1952 Good condition worth $20.00 in 2014 | |
 | Kodak Eastman: Brownie Target Six-20 (US) | 1941-1952 | 2015 | 5.00 | 1941-1946 Good condition worth $10.00 in 2015 | |
 | Kodak Eastman: Brownie Twin 20 | 1959-1964 | 1990 | 8.00 | 1959-1964 Good condition worth $20.00 with the flash unit in 2014 | |
 | Kodak Eastman: Brownie Vecta | 1963-1966 | c | 2015 | 21.00 | 1963-1966 Good condition worth $30.00 in 2015 |
 | Kodak Eastman: Bull"s Eye No.2 | 1896-1913 | 2015 | 43.00 | 1896-1913 Good condition worth $60.00 | |
 | Kodak Eastman: Bullet | 1936-1942 | 2001 | 12.00 | 1936-1942 Fine condition worth $15.00 in 2014 | |
 | Kodak Eastman: Cameo | 1993-1995 | 1999 | 2.00 | 1994 good condition worth $5.00 in 2014 | |
 | Kodak Eastman: Cameo Motor EX | 1995 | 2015 | 5.00 | 1995 fine condition worth $15.00 in 2015 | |
 | Kodak Eastman: Cameo Motordrive | 1993-1995 | 2008 | 1.50 | 1993 fine condition worth $10.00 in 2014 | |
 | Kodak Eastman: Cameo Panoramic (Auto Focus) | 1994-1996 | 2015 | 5.00 | 1994-1996 fine condition worth $10.00 in 2015 | |
 | Kodak Eastman: Cameo Zoom Plus | 1993 | 2009 | 3.00 | 1993-1995 Fine condition worth $10.00 in 2014 | |
 | Kodak Eastman: Cartridge Hawk-Eye No.2 Model B | 1926-1934 | 2016 | 3.00 | 1916 good condition worth $10.00 in 2016 | |
 | Kodak Eastman: Cartridge Hawk-Eye No.2 Model C | 1926-1934 | c | 2015 | 5.00 | 1926-1934 Good condition worth $10.00 in 2015 |
 | Kodak Eastman: Cartridge Hawk-Eye No.2 Model C | 1926-1934 | c | 2017 | 10.00 | The Boston Camera Company was the original owner of the Hawk-Eye camera until the Blair Camera Company bought them in 1890. Hawk-Eye cameras then changed hands again in 1907 when Eastman Kodak bought Blair which was then changed into a division of Kodak called the Blair Camera Division after the plant was relocated to Rochester, NY. The cameras continued to be produced as Hawk-Eyes from but after the end of World War 1 most of these were made for premium sales only and unfortunately were not always listed in catalogues. The camera was produced under the Kodak name exclusively from 1926 to 1934. Some models were made in the UK from 1927 to 1939, including models designed in and for the UK. The No 2 Hawkette was the first all plastic Kodak camera. The hyphen was dropped from the name making Hawk-Eye into Hawkeye for later models. The camera has a Meniscus lens and a leaf shutter with a shutter lever that works in either direction. The camera has no double exposure protection and uses a single reflective viewfinder in the portrait acclimation. It also has a small red plastic window for ascertaining the frame number. The camera is made of wood, cardboard, metal, leather, leatherette, and has a glass lens. It used 120 film that produced eight 2 ¼” x 3 ¼” exposures. The camera pictured here is in Poor condition and worth $.50 in 2017. |
 | Kodak Eastman: Cartridge Premo No.2 | 1916-1923 | 2012 | 35.00 | 1916-1922 good condition worth $40.00 in 2014 | |
 | Kodak Eastman: Cartridge Premo No.2A | 1916-1923 | c | 2015 | 5.00 | 1916-1922 poor condition and worth $5.00 in 2015 |
 | Kodak Eastman: Challenger | 1986-1990 | 2016 | 5.00 | The Kodak Tele Disc was introduced in the middle of the short-lived disc camera era in order to spice up Kodak’s lineup. Interestingly, the Tele Disc has two lens choices: a normal 12.5mm f/4 and 22mm f/5.6 telephoto. Unlike the Ricoh R1 which relies on the insertion of additional optical elements to modify the focal length, the Tele Disc actually has two separate lenses. Extending the flash rotates the telephoto lens into place and also swaps in a new viewfinder. The Kodak Challenger was introduced in 1986 and discontinued in 1990 at the end of the disc era that started in 1982 and ended in 1998 with the discontinuation of production of the film by Kodak. Kodak’s inventory of disc film ran out in 1999. The Challenger is a 'premium' version of the Disc 3600 and not as easy to find as one might anticipate. The shutter speed is 1/300 of a second and the camera used the VR Disc that gave you an 8 by 10mm picture size. The camera also has a carry strap, flash off slide switch, frame count window, flash ready light, built in lens cover, power film advance, and it uses two AA batteries to power it all. The camera pictured here is in fine condition and worth $15.00 in 2016. A disc film cartridge is a bit smaller than a 3.5 inch floppy disk and behaves much like the disk for a View-Master. Pressing the red-striped shutter button exposes an 8x11mm frame on the disk, which then rotates 24° for the next photo for a total of 15 frames per cartridge. Despite the convenience and foolproof loading procedure, disc film was a big commercial failure. Although new emulsion technology at the time meant that the tiny negatives contained a relatively surprising amount of detail, graininess, and poor image quality disappointed consumers and led to disc film’s ultimately forgettable demise. | |
 | Kodak Eastman: Champ Kodamatic | 1982-1984 | c | 1999 | 5.00 | 1982-1984 fine condition worth $15.00 in 2014 |
 | Kodak Eastman: Champ Kodamatic | 1982-1984 | c | 2020 | 1.00 | Kodak lost a major law suit with Polaroid over their version of instant film. Upon introduction of Kodak instant products, Polaroid filed a suit against Kodak in 1976 for patent infringement. The case dragged on for years. After the ruling against Kodak in 1985, The Eastman Kodak Company announced the discontinuation of their instant photo products including all cameras. They offered your money back and all you had to do was remove the nameplate off the front of the camera and send it to them with your purchase receipt. This is the reason why you see so many Kodak instant-film cameras without the nameplate. Before all the lawsuits this camera was Kodak\'s answer to the Polaroid SX-70 camera. The camers ended up being enormous in order for Kodak to try and get by Polaroid\'s patents. It is very large and becomes even larger when you attached the flash unit. The Champ used Kodak’s new film (no longer available) and Kodak\'s film is said to have turned out a finished picture that looked better than the Polaroid SX-70 equivalent. . The camera has an f/1:12.8 100mm fixed focus lens. The shutter was capable of speeds up to 1/300 of a second. The camera used Kodak’s PR-10 instant film but Fuji did make a film that could be used with the camera. Other features are the built in flash, optical viewfinder, carry strap, and a ¼ inch 20 thread tripod socket. The camera needs 6 volts and that was supplied by SIZE J battery held in a compartment in the back. Every collection needs at least one Champ. The camera pictured here has the label removed but is in good condition and worth $3.00 in 2020. |
 | Kodak Eastman: Colorburst 250 | 1979 | 1999 | 3.50 | 1979-1982 fine condition worth $15.00 in 2014 | |
 | Kodak Eastman: Colorburst 250 | 1979 | c | 2020 | 5.00 | This Colorburst 250 was manufactured by Kodak and introduced in 1979 then discontinued in 1982. The camera has an f/1:12.8 100mm fixed focus lens. The shutter was capable of speeds of 2 seconds to 1/300 of a second. The camera used Kodak’s PR-10 instant film but Fuji did make a film that could be used with the camera. Other features are the built in flash, optical viewfinder, rainbow carry strap, and a ¼ inch 20 thread tripod socket. The camera needs 6 volts and that was supplied by 4 AA batteries held in a compartment in the back. The Colorburst line was Kodak's answer to the Polaroid instant cameras...but Polaroid wasn't so happy about it! They sued Kodak for patent infringement and won (still the largest patent infringement case in history), Kodak was ordered to stop producing all their instant film and instant film cameras. Kodak gave the money back to owners of the camera after losing to Polaroid but only if you sent in the front name plate and so many of these cameras are without it. The settlement involved four groups of instant cameras made by Kodak with ten cameras in group 1 ($50), fourteen in group 2 ($55), six in group 3 ($60), and nine in group 4 ($70) for a total of 39 cameras. The Colorburst 250 was in the group 3 and the money was a combination of cash, 1 stock in Kodak, new camera replacement, and or redeemable Kodak coupons. The camera pictured above is in good condition and worth $5.00 to $10.00 in 2020. |
 | Kodak Eastman: DC210 Plus | 1998 | 2002 | 7.00 | 1998 Fine condition worth $20.00 in 2014 (1MP) | |
 | Kodak Eastman: DC260 | 1998 | 2010 | 6.50 | 1998 Fine condition worth $20.00 in 2014 (1.5MP) | |
 | Kodak Eastman: DC3200 | 1998 | 2007 | 10.00 | 2001-2002 Fine condition worth $20.00 in 2014 (1MP) | |
 | Kodak Eastman: DC4800 | 2000 | 2015 | 10.00 | 2000 Fine condition worth $20.00 in 2015 (3.1MP) | |
 | Kodak Eastman: Disc 3000 | 1983-1984 | c | 2017 | 5.00 | The Kodak Disc 3000 is a camera for the briefly popular but ultimately unsuccessful disc film format. This particular model used a replaceable 9v battery, had a two speed shutter, and was sold from 1983 to 1984. The lens consisted of 4 glass elements with a focal length of 12.5mm at f/2.8, offering a 58° angle of view. The shutter speeds are 1/200 sec f/6 in daylight and 1/100 sec f/2.8 with flash. Other features are automatic film advance, sliding built in lens cover, automatic exposure, built in flash, and it came with a handy carry strap. The camera pictured here is in good condition and worth $5.00 in 2017. Kodak disc cameras, manufactured by the Eastman Kodak Company, Rochester, New York, USA, were introduced by in the USA in June 1982 with the Disc 4000, 6000 and 8000 models. At the same time an international model, the Kodak Disc 2000, was introduced but this was not available in the USA. All four models reached the UK market in September 1982. Consumers failed to take to them in the way Kodak had hoped. Images were often described as “acceptable” but never exceptional. With sales falling, Kodak ceased camera production in 1988, and film production in 1998. Over the years of production Kodak made the disc 2000, 3000, 4000, 6000, 8000, 3500, 3100, 4100, 6100, 3600, and Hawkeye disc 7000, Medalist I, II, and Tele. Also the Kodak Tele disc, Kodak Challenger, Tele Challenger, and Kodak 460, 470 – both premium models. |
 | Kodak Eastman: Disc 3000 | 1983-1984 | c | 2021 | 2.00 | Kodak disc cameras, manufactured by the Eastman Kodak Company, Rochester, New York, USA, were introduced in the USA in June 1982 with the Disc 4000, 6000 and 8000 models. At the same time an international model, the Kodak Disc 2000, was introduced but this was not available in the USA. All four models reached the UK market in September 1982. Consumers failed to take to them in the way Kodak had hoped. Images were often described as “acceptable” but never exceptional. With sales falling, Kodak ceased camera production in 1988, and film production in 1998. Over the years of production Kodak made the disc 2000, 3000, 4000, 6000, 8000, 3500, 3100, 4100, 6100, 3600, and Hawkeye disc 7000, Medalist I, II, and Tele. Also the Kodak Tele disc, Kodak Challenger, Tele Challenger, and Kodak 460, 470 – both premium models. The Kodak Disc 3000 is a camera for the briefly popular but ultimately unsuccessful disc film format. This particular model used a replaceable or alkaline 9v battery, had a two speed shutter, and was sold from 1983 to 1984. The lens consisted of 4 glass elements with a focal length of 12.5mm at f/2.8, offering a 58° angle of view. The shutter speeds are 1/200 sec f/6 in daylight and 1/100 sec f/2.8 with flash. Other features are automatic film advance, sliding built in lens plus viewfinder cover, automatic exposure, built in flash, and it came with a handy carry strap. The camera pictured here is in Poor condition and worth $0.25 for parts in 2021. |
 | Kodak Eastman: Disc 3100 | 1984-1987 | c | 2015 | 8.00 | 1984-1987 Poor condition worth $100 for parts in 2015 (does not respond) |
 | Kodak Eastman: Disc 3100 (red) | 1984-1987 | c | 2016 | 5.00 | This camera features a red faceplate, behind which lies a snapshot camera with electronic flash, all powered by a PP3 or as it is better known 9V battery. A variation of this model with copper-colored faceplate was sold by Kodak. The camera with the red front panel, was sold by J.C. Penney. Although the published marketing dates for the 3100 model are 1984-87, the camerosity date code in this example translates as 10-85 (CYIR). Some of the red front panel models Camerosity codes denote being made before 1984 so maybe J.C. Penney had this model before it was released for general sale. This camera uses VR Disc film and sold in the US for a list price of $48.00. It has a 12.5mm, f/2.8 lens and shutter speeds of 1/100 of a second plus 1/200 of a second. It also has a built in lens and viewfinder cover that seconds as the on/off switch. The camera pictured here is in fine condition and worth $20.00 in 2016. |
 | Kodak Eastman: Disc 3600 | 1986-1990 | 2013 | 2.50 | 1986-1990 Fine condition worth $10.00 in 2014 | |
 | Kodak Eastman: Disc 3600 | 1986-1990 | 2016 | 3.00 | 1986-1990 Fine condition worth $10.00 in 2016 | |
 | Kodak Eastman: Disc 4000 | 1982-1984 | c | 2013 | 10.00 | 1982 Fine condition worth $8.00 in 2014 (1 of 8 from Fine to Poor condition) |
 | Kodak Eastman: Disc 4000 | 1982-1984 | c | 2017 | 2.00 | Having pioneered other innovations for amateur photographers such as the Instamatic and the 110 cartridge film camera, Kodak launched its disc camera and film in 1982. It was designed to capitalize on the popularity of the simplicity and easy film loading ability of Instamatics, combined with advances in film technology. The Disc 4000 was introduced in 1982 and stopped in 1984. In practice, the very small (8 mm x 10 mm) size of the negatives produced with disc film was unpopular, and Kodak stopped producing cameras for this format in 1990. Production of disc films ended in 1998. The 4000 disc camera had an aspheric lens patented by Kodak, and featured a low-light sensor to automatically activate the flash. This camera also had a power source located somewhere in the camera that you could not replace. Despite the years of use the camera pictured above still works on that same power source. The Disc 4000 above is worth $5.00 to $10.00 in 2017. |
 | Kodak Eastman: Disc 4100 | 1984-1987 | c | 2017 | 5.00 | This is an updated version of the Disc 4000, the bottom tier of Kodak's disc series and was introduced in 1984 and discontinued in 1987. According to Kodak's website, there's no difference in the specifications between the old and new models. The only real difference I can see is that this has the folding protective cover, which the 4000 model lacks. So really it's more like the 6000 model, except that they retained the bare-metal finish instead of black plastic all the way around. The lens consisted of 4 glass elements with a focal length of 12.5mm at f/2.8, offering a 58° angle of view. The shutter speeds are 1/200 sec f/6 in daylight and 1/100 sec f/2.8 with flash. Other features are automatic film advance, sliding close-up lens, automatic exposure, built in flash, built in twin 3V Lithium battery set, permanent front cover attached, and it came with a handy carry strap. According to Kodak's site, this was badged as the Medalist I also. The camera pictured here is in fine condition and worth $15.00 in 2017. Kodak disc cameras, manufactured by the Eastman Kodak Company, Rochester, New York, USA, were introduced by in the USA in June 1982 with the Disc 4000, 6000 and 8000 models. At the same time an international model, the Kodak Disc 2000, was introduced but this was not available in the USA. All four models reached the UK market in September 1982. Consumers failed to take to them in the way Kodak had hoped. Images were often described as “acceptable” but never exceptional. With sales falling, Kodak ceased camera production in 1988, and film production in 1998. Over the years of production Kodak made the disc 2000, 3000, 4000, 6000, 8000, 3500, 3100, 4100, 6100, 3600, and Hawkeye disc 7000, Medalist I, II, and Tele. Also the Kodak Tele disc, Kodak Challenger, Tele Challenger, and Kodak 460, 470 – both premium models. |
 | Kodak Eastman: Disc 6000 | 1982-1984 | 2005 | 2.00 | 1982-1984 good condition worth $10.00 in 2014 | |
 | Kodak Eastman: Disc 6000 | 1982-1984 | 2015 | 5.00 | 1982-1984 good condition worth $6.00 in 2014 | |
 | Kodak Eastman: Disc 6000 | 1982-1984 | 2016 | 1.00 | 1982-1984 Good condition worth $8.00 in 2016 | |
 | Kodak Eastman: Disc 6000 | 1982-1984 | c | 2017 | 4.00 | The Kodak Disc 3000, 4000, 6000 and 8000 were manufactured between 1982 and 1984 and retailed for between $57 and $143. They have the unique distinction of being the only cameras at the time that Kodak manufactured for use with the HR Discs instead of film. The Disc system was almost entirely automated, making the loading of film and picture-taking itself much simpler for the consumer. Even the battery was not user-serviceable; the 3v lithium battery had to be replaced by Kodak but did last for an extremely long time. The lens consisted of 4 glass elements with a focal length of 12.5mm at f/2.8, offering a 58° angle of view. The shutter speeds are 1/200 sec f/6 in daylight and 1/100 sec f/2.8 with flash. Other features are automatic film advance, sliding close-up lens, automatic exposure, built in flash, built in 3V Lithium battery, permanent front cover attached, and it came with a handy carry strap. The camera pictured here is in fine condition and worth $15.00 in 2017. Kodak disc cameras, manufactured by the Eastman Kodak Company, Rochester, New York, USA, were introduced by in the USA in June 1982 with the Disc 4000, 6000 and 8000 models. At the same time an international model, the Kodak Disc 2000, was introduced but this was not available in the USA. All four models reached the UK market in September 1982. Consumers failed to take to them in the way Kodak had hoped. Images were often described as “acceptable” but never exceptional. With sales falling, Kodak ceased camera production in 1988, and film production in 1998. Over the years of production Kodak made the disc 2000, 3000, 4000, 6000, 8000, 3500, 3100, 4100, 6100, 3600, and Hawkeye disc 7000, Medalist I, II, and Tele. Also the Kodak Tele disc, Kodak Challenger, Tele Challenger, and Kodak 460, 470 – both premium models. |
 | Kodak Eastman: Disc 6100 | 1984-1987 | c | 2017 | 6.00 | The 6100 has a simple 12.5mm (roughly 40mm equivalent) f/2.8 lens with two preset focus zones of 0.5 to 1.2 meters (1.5’ to 5’) and 1.2 meters (5’) to infinity that can be selected by moving the slide switch underneath the lens. This moves a close-up lens in front of the main lens assembly. Exposure is automatically controlled and the built-in flash will fire when deemed necessary. The shutter speeds are 1/200 sec f/6 in daylight and 1/100 sec f/2.8 with flash. Other features are automatic film advance, sliding close-up lens, automatic exposure, built in flash, built in 3V Lithium battery, permanent front cover attached, and it came with a handy carry strap. The camera was produced from 1984 to 1987. The camera pictured here is in fine condition and worth $15.00 in 2017. Kodak disc cameras, manufactured by the Eastman Kodak Company, Rochester, New York, USA, were introduced by in the USA in June 1982 with the Disc 4000, 6000 and 8000 models. At the same time an international model, the Kodak Disc 2000, was introduced but this was not available in the USA. All four models reached the UK market in September 1982. Consumers failed to take to them in the way Kodak had hoped. Images were often described as “acceptable” but never exceptional. With sales falling, Kodak ceased camera production in 1988, and film production in 1998. Over the years of production Kodak made the disc 2000, 3000, 4000, 6000, 8000, 3500, 3100, 4100, 6100, 3600, and Hawkeye disc 7000, Medalist I, II, and Tele. Also the Kodak Tele disc, Kodak Challenger, Tele Challenger, and Kodak 460, 470 – both premium models. |
 | Kodak Eastman: Disc 8000 | 1982-1984 | c | 2017 | 5.00 | The Disc 8000 was the top of the line. For the extra money you got a self-timer, single-shot and 3-shot burst modes; you got a little LCD clock-alarm built into the cover (which is not integrated with the camera at all, so it's just a tiny travel-alarm), and you got a spiffy gold finish. Modern Photography called it gaudy, but that was the 1980’s. The camera has two 3v lithium batteries, Part Number 227322. They were made by Matsushita Electric (aka Panasonic). You had to send the camera in to Kodak to get them changed. The camera also uses a CR2025 (or equivalent) coin battery for the clock located in the back of the cover. The Kodak Disc 8000 camera was initially priced at $143.00 and manufactured in USA from 1982 until 1984 when production stopped. The camera pictured here is in fine condition and worth $15.00 in 2017 The acetate film backing was thicker than 35mm or 110 film therefore more rigid which meant they gave a better format for a flat surface so the film was not the problem with picture quality. The cameras themselves were all fitted with fairly decent aspherical lens so no problem there. The real problem was was the processing. The film was meant to be processed by a 6 element system not the usual 3 element used for processing 35mm film. Few labs wanted to go to the expense of acquiring the new processing equipment so they processed the discs using their existing equipment. Of course they turned out badly, had they used the "right stuff", things may have turned out much differently and the format would have lasted till the digital age. |
 | Kodak Eastman: Disc Challenger | 1986-1990 | c | 2017 | 6.00 | This camera was produced from 1985 to 1986 for the VR Disc format. The camera has a 12.5mm, f/4 and 22mm, f/5.6 lens and shutter speed of 1/300 of a second. Tele Challenger actually has two separate lenses. Extending the flash rotates the telephoto lens into place and also swaps in a new viewfinder. Other features are automatic film advance, automatic exposure, built in flash, built in twin 3V Lithium battery set, permanent front cover attached, and it came with a handy carry strap. The camera pictured here is in fine condition and worth $15.00 in 2017. The acetate film backing was thicker than 35mm or 110 film therefore more rigid which meant they gave a better format for a flat surface so the film was not the problem with picture quality. The cameras themselves were all fitted with fairly decent aspherical lens so no problem there. The real problem was the processing. The film was meant to be processed by a 6 element system not the usual 3 element used for processing 35mm film. Few labs wanted to go to the expense of acquiring the new processing equipment so they processed the discs using their existing equipment. Of course they turned out badly, had they used the "right stuff", things may have turned out much differently and the format would have lasted till the digital age. Kodak disc cameras, manufactured by the Eastman Kodak Company, Rochester, New York, USA, were introduced by in the USA in June 1982 with the Disc 4000, 6000 and 8000 models. At the same time an international model, the Kodak Disc 2000, was introduced but this was not available in the USA. All four models reached the UK market in September 1982. Consumers failed to take to them in the way Kodak had hoped. Images were often described as “acceptable” but never exceptional. With sales falling, Kodak ceased camera production in 1988, and film production in 1998. Over the years of production Kodak made the disc 2000, 3000, 4000, 6000, 8000, 3500, 3100, 4100, 6100, 3600, and Hawkeye disc 7000, Medalist I, II, and Tele. Also the Kodak Tele disc, Kodak Challenger, Tele Challenger, and Kodak 460, 470 – both premium models. |
 | Kodak Eastman: Disc Medalist II | 1986-1987 | c | 2017 | 7.00 | This camera was produced from 1986 to 1987 and used the VR disk film format. The lens consisted of 4 glass elements with a focal length of 12.5mm at f/2.8, offering a 58° angle of view. The shutter speeds are 1/200 sec f/6 in daylight and 1/100 sec f/2.8 with flash. Other features are automatic film advance, sliding close-up lens, automatic exposure, built in flash, built in twin 3V Lithium battery set, permanent front cover attached, and it came with a handy carry strap. The camera pictured here is in fine condition and worth $15.00 in 2017. Kodak disc cameras, manufactured by the Eastman Kodak Company, Rochester, New York, USA, were introduced by in the USA in June 1982 with the Disc 4000, 6000 and 8000 models. At the same time an international model, the Kodak Disc 2000, was introduced but this was not available in the USA. All four models reached the UK market in September 1982. Consumers failed to take to them in the way Kodak had hoped. Images were often described as “acceptable” but never exceptional. With sales falling, Kodak ceased camera production in 1988, and film production in 1998. Over the years of production Kodak made the disc 2000, 3000, 4000, 6000, 8000, 3500, 3100, 4100, 6100, 3600, and Hawkeye disc 7000, Medalist I, II, and Tele. Also the Kodak Tele disc, Kodak Challenger, Tele Challenger, and Kodak 460, 470 – both premium models. |
  | Kodak Eastman: Duaflex I | 1947-1955 | c | 2020 | 10.00 | The Kodak Duaflex original (I) is a 620 film camera. The UK and USA models are slightly different in appearance with 5 different looks over all. Three different US models with “Made in Rochester NY USA” and two UK models with “Made in England”. The original versions were available from December 1947 to September 1950 in the US, and 1949-1955 in the UK. The camera bodies are made of a combination of aluminum alloy and Bakelite plus steel hinges and clasps. They were available with either a simple fixed focus 75mm f/15 Kodet lens, or with a 72mm f/8 Kodar triplet lens in a front-element focusing (to 3.5 ft.) mount. The Kodar lens had Waterhouse stops of f/8, 11, and 16. The shutter speeds were (I) about 1/50 of a second and (B) Bulb and was synched for use with a Kodalite Flash holder. Other features are a large waist high viewfinder, red view window for frame count on the back of the film backing, ¼ inch 20 thread tripod socket, and a half case that covered the lenses and viewfinder that clipped into the stud under the face plate then snapped on the male studs on the back camera film compartment cover. The camera pictured here is in Fine condition and worth $20.00 in 2020. |
 | Kodak Eastman: Duaflex II | 1950-1960 | 2014 | 10.00 | 1950-1954 fine condition worth $20.00 in 2014 | |
 | Kodak Eastman: Duaflex III | 1954-1957 | 1998 | 6.50 | 1954-1957 Poor condition worth $8.00 with the flash unit in 2014 (missing film wind knob) | |
 | Kodak Eastman: Duaflex III | 1954-1957 | 2014 | 10.00 | 1954-1957 good condition worth $10.00 with the flash unit in 2014 | |
 | Kodak Eastman: Duaflex III | 1954-1957 | 2015 | 20.00 | 1954-1957 Good condition worth $20.00 with the flash unit in 2015 | |
 | Kodak Eastman: Duaflex IV | 1955-1960 | 1994 | 8.00 | 1947-1960 good condition worth $20.00 in 2014 | |
 | Kodak Eastman: Duaflex IV | 1955-1960 | 2013 | 10.00 | 1947-1960 good condition worth $20.00 in 2014 | |
 | Kodak Eastman: Duaflex IV | 1955-1960 | 1990 | 10.00 | 1947-1960 good condition worth $20.00 in 2014 | |
 | Kodak Eastman: Duaflex IV | 1955-1960 | c | 2021 | 3.00 | The Kodak Duaflex is a 620 roll film pseudo TLR made at the Kodak factories in the US and UK. The original Duaflex I was available from December 1947 - September 1950 in the US, and 1949-1955 in the UK. The Duaflex II was produced from 1950 to 1960 and the Duaflex III produced from 1954 to 1957. The Duaflex IV was introduced in 1955 and was discontinued in the US in March 1960 along with any other iterations still in production. The Duaflex IV had aluminum alloy trim plus film compartment door with a Bakelite (plastic) body, other chromed plus painted steel parts, and imitation leather (leatherette) covering. The camera was available with either a simple fixed focus 75mm f/15 Kodet lens, or with a 72mm f/8 Kodar triplet lens in a front-element focusing mount. The Kodar lens could focus to 3.5 ft. or 107cm to infinity. The Kodar lens had Waterhouse stops of f/8, 11, and 16. The shutter had settings of \"I\" (instant) and \"B\" (bulb), and has a synched plug-in socket for use with a Kodalite Flash holder. Other features are shutter speed of 1/50 of a second when new, waist high viewfinder, a red frame number view window in the back cover, carry strap hard points, a portrait acclimated ¼ inch 20 thread tripod socket, shutter loading when frame advanced, and a shutter loading lever for intentional double exposures located under the shutter release button. The camera pictured here is in good condition and worth $10.00 in 2021. |
 | Kodak Eastman: Duex | 1940-1942 | 2001 | 6.00 | 1940-1942 Good condition worth $20.00 in 2014 | |
 | Kodak Eastman: DX3500 | 2001 | 2017 | 3.00 | The DX3500's 2.2-megapixel CCD can provide 600- by 900-pixel and 1,200- by 1,800-pixel resolution, the densest of any camera in its price range in 2001 when introduced. The Kodak DX3500 Digital Camera is the ultimate in point-and-shoot simplicity -- from snapping a picture, to downloading it to your computer, to making simple corrections, to printing (or emailing) the results -- Kodak fulfills its ongoing promise, "You press the button, we do the rest." The difference is not so much in the camera, since it looks and operates similar to many point-and-shoot models. What really sets it apart is Kodak's new EasyShare System -- a combination of digital camera, software, and docking station. Together, they take a lot of the "high-tech" out of the digital learning curve. The camera has an optical viewfinder, 1.8-inch color display, all glass fixed-focus lens (equivalent to 38mm), digital zoom (3x), built-in flash, internal 8MB storage, compact Flash memory slot, USB computer connection, Camera Docking receiver, and operates on 2 Lithium AA batteries. Originally the camera came with Kodak Picture Software for Mac and PC. The DX3500 makes all exposure decisions automatically. Its wide-angle lens is perfect for photos of small groups or individuals, indoor or outdoor activities, and environmental surroundings like gardens, street scenes, architecture, and landscapes. For people shots though, this is definitely a "Full-Res" lens. If you get closer than about 8 feet and try to focus in on the face, the 38mm equivalent lens will noticeably distort facial features. The camera pictured here is in Poor condition and is none functioning. For this reason the camera is worth $1.00 for parts in 2017. | |
 | Kodak Eastman: DX3900 | 2001 | c | 2019 | 5.00 | The Kodak DX3900 was announced in August of 2001 with a maximum resolution of 2160 x 1440 pixels. This 3.1 megapixels camera with a Sensor size of 1/1.8" (7.144 x 5.358mm) and a CCD Sensor has a Focal length equivalent of 35–70mm of a 35mm film camera with its 2X optical zoom. It operates at ISO 100 to 200 automatically and has maximum apertures of F3.3 to 4.5. It also has a 1.5-inch color LCD display screen and a ¾ inch by 1 inch mono LCD status display plus frame counter screen on the top of the camera. The maximum shutter speed is 1/2000 of a second. The camera manual tells you not to use alkaline batteries but to always use two AA lithium batteries or the camera may not operate correctly or at all. The camera has a built-in flash, flash ready LED, self-timer with light, built-in lens cover (on/off switch), 1.0 USB port, video out port, Kodak dock connector, compact flash memory socket (type 1), and a ¼ inch 20 thread tripod socket. The dimensions are 116 x 67 x 42 mm (4.57 x 2.64 x 1.65″). One notable feature is that nowhere on the camera does the word EasyShare appear but it has the docking port and the user’s guide proclaims it. The Camera pictured here is in untested condition and listed as poor. It is worth $3.00 in 2019. |
 | Kodak Eastman: DX3900 | 2001 | c | 2020 | 3.00 | The Kodak DX3900 was announced in August of 2001 with a maximum resolution of 2160 x 1440 pixels. The 2x, 7.3-14.6mm optical zoom lens on the DX3900 is equivalent to a 35-70mm zoom on a 35mm camera. Maximum aperture ranges from f/2.8 at full wide angle to f/4.0 at full telephoto, and is automatically controlled at all times. Focus ranges from 19.7 inches (500 millimeters) to infinity in normal autofocus mode, and from 2.7 to 27.5 inches (70 to 700 millimeters) in Macro mode. The DX3900 also features an Infinity focus mode, which reduces shutter delay for distant subjects. In addition to the camera's 2x optical zoom, a 3x digital zoom option is available. The camera has a 1.5-inch color LCD monitor with an information display that includes detailed exposure information, including shutter speed and aperture settings. Exposure is automatically controlled on the DX3900, though the LCD menu offers a range of slow shutter speed settings for shooting in low light. The shutter speeds 16 seconds, and the fastest was 1/2,000-second. The DX3900 also features a 10-second self-timer, a small light on the front of the camera lights solid for the first eight seconds, then blinks for the remaining two to let you know that the exposure is imminent. The camera utilizes either two AA-sized batteries or one CRV3 battery for power. The DX3900 features a USB jack for downloading images to a computer, Video Out jack, Real-image optical viewfinder, and Automatic exposure control with limited slow-shutter settings, CompactFlash memory storage, plus a ¼ inch 20 thread tripod socket. The camera pictured here is in Poor condition and worth $1.00 for parts in 2020. |
 | Kodak Eastman: DX4530 | 2003 | 2009 | 5.00 | 2003 Good condition worth $30.00 in 2014 (5MP) | |
 | Kodak Eastman: DX7440 | 2004 | 2012 | 10.00 | 2004 Fine condition worth $45.00 in 2014 (4MP) | |
 | Kodak Eastman: DX7590 | 2004 | 2015 | 5.00 | 2004 Fine condition worth $25.00 in 2015 with docking port (5.0 MP) | |
 | Kodak Eastman: DX7630 | 2004 | 2012 | 11.00 | 2004 good condition worth $35.00 in 2014 (6.1MP) | |
 | Kodak Eastman: Easy Load 35 KE30 | c2000 | 2005 | 1.50 | 2000 Good condition worth $15.00 in 2014 | |
 | Kodak Eastman: Easy Load 35 KE60 | c2000 | c | 2013 | 5.00 | With big features in a compact design, the Kodak KE 60 camera provides sharp photos. With red-eye reduction and a close focus feature, this camera provides clear portraits. Its three-zone autofocus allows for sharp photos regardless of lighting and range. In addition, this Kodak film camera boasts a focus lock that allows for even the closest of photos to appear sharp and vibrant. Introduced in 2000 this point-and-shoot camera also features a portrait mode for quick pictures. If this Kodak KE 60 detects a poor focus range, a red LED light blinks as a warning. Moreover, this Kodak film camera includes an adjustable exposure and ISO speed, making it great for low-light conditions. Its unique features make this camera ideal for weddings, portraits, and fun times with friends. As for its exposure counting, this camera takes 24 to 26 photos with a single roll of film. For low-light conditions, this point-and-shoot camera has an illuminated LCD that displays the remaining number of exposures, battery life, and other important specifications. Powered by a 3V lithium-ion battery, this camera easily lasts for an extended period of time. Its features, compact size, and photo ability make this Kodak KE 60 great for beginners. The camera features a f5.6 29mm Ektanar all glass lens, built-in flash unit, flash ready LED, optical viewfinder, 3/8 by 1 inch LCD menu screen, and a ¼ inch 20 thread tripod socket. 2000 Fine condition worth $15.00 in 2014 |
 | Kodak Eastman: Easy Load 35 KE60 | c2000 | c | 2019 | 4.00 | With big features in a compact design, the Kodak KE 60 camera provides sharp photos. With red-eye reduction and a close focus feature, this camera provides clear portraits. Its three-zone autofocus allows for sharp photos regardless of lighting and range. In addition, this Kodak film camera boasts a focus lock that allows for even the closest of photos to appear sharp and vibrant. Introduced in 2000 this point-and-shoot camera also features a portrait mode for quick pictures. If this Kodak KE 60 detects a poor focus range, a red LED light blinks as a warning. Moreover, this Kodak film camera includes an adjustable exposure and ISO speed, making it great for low-light conditions. Its unique features make this camera ideal for weddings, portraits, and fun times with friends. As for its exposure counting, this camera takes 24 to 26 photos with a single roll of film. For low-light conditions, this point-and-shoot camera has an illuminated LCD that displays the remaining number of exposures, battery life, and other important specifications. Powered by a 3V lithium-ion battery, this camera easily lasts for an extended period of time. Its features, compact size, and photo ability make this Kodak KE 60 great for beginners. The camera features a f5.6 29mm Ektanar all glass lens, built-in flash unit, flash ready LED, optical viewfinder, 3/8 by 1 inch LCD menu screen, and a ¼ inch 20 thread tripod socket. The camera pictured above is in Fine condition and worth $15.00 in 2019. |
 | Kodak Eastman: EasyShare C1530 | 2011 | 2019 | 5.00 | With the KODAK EASYSHARE Camera C1530, you can share all your hottest moments with just a touch of a button. Taking beautiful pictures, more often, automatically, is what this camera is all about. And once you’ve got that amazing shot, you’ll love sharing it to your favorite places. Press Kodak's Share button to e-mail to friends and KODAK PULSE Digital Frame or upload to KODAK Gallery, FACEBOOK, TWITTER, YouTube, FLICKR, ORKUT, YANDEX, and KAIXIN001 sites. When introduced 2011 the new in the box camera came with a KODAK EASYSHARE C1530 Camera, 2 KODAK Alkaline AA Batteries or equivalent, Wrist strap, USB cable, and a User Guide. The camera has Sensor Resolution of 14.0 Megapixel, 1/2.3 inch CCD Optical Sensor, 5 x Digital Zoom, TTL contrast detection system, AVI plus MJPEG Digital Video Format, JPEG Image Recording Format, 640 x 480 Maximum Video Resolution, USB 2.0 interface, ISO 64/100/200/400/800/1000 plus ISO auto (64-400), Shutter Speeds 8 seconds to 1/1400 of a second, built-in flash with a range of 1 foot to 13.4 feet, Red Eye Reduction, Minimum Normal Focus Distance is 23.6 inches, Macro Focus Range is 4 inches to 27.6 inches, auto focusing, Motorizes zoom lens, 32 MB internal memory, AE lock, Face Recognition, KODAK PERFECT TOUCH Technology, Scene Detection Technology, Smart Capture, USB charging, audio recording, auto power save, cropping an image, date/time stamp, digital image rotation, face detection, face-priority AF function, sharpness control, microphone, and a ¼ inch 20 thread tripod socket. The camera is powered by 2 AA batteries (Alkaline/ NiMH rechargeable/ lithium). Software system requires Apple Mac OS X 10.6.x or later, MS Windows 7, MS Windows Vista, MS Windows XP SP2 or later. The camera pictured here is in poor condition. The lens mount will not park but remarkably the camera works if you do not try to adjust the zoom. For this reason the camera is worth $4.00 for parts in 2019. | |
 | Kodak Eastman: EasyShare C195 | 2010 | 2014 | 10.00 | 2010 Fine condition worth $60.00 in 2014 (14MP) | |
 | Kodak Eastman: EasyShare C300 | 2005 | 2014 | 5.00 | 2005 fine condition worth $15.00 in 2014 (3.2MP) | |
 | Kodak Eastman: EasyShare C310 | 2005 | c | 2012 | 5.00 | 2005 Good condition worth $15.00 in 2014 (4.0MP) |
 | Kodak Eastman: EasyShare C310 | 2005 | c | 2020 | 3.00 | Shoot amazing photographs that have rich color detail and superb clarity with the Kodak EasyShare C310 point-and-shoot camera. This Kodak camera gives you the access to the revolutionary and award-winning KODAK EASYSHARE photography system. With a 4.0 MP image sensor, this point-and-shoot camera helps deliver high-quality photos which can be printed in 10 x 15-inch size. Originally the camera sold for $250.00 in 2005 but now sells for less than a tenth of that. Some of the features are 5x Digital zoom, Aspheric all-glass Kodak Retinar lens, f/4.535 mm (35 mm equivalent), 1.6” LCD screen, maximum shutter speed of 1/2000 of a second, minimum shutter speed of ½ second, built in flash, red eye reduction, 16mb internal memory, SD card slot, USB 2.0 docking station, JPEG video format 320x240, and it is powered by two AA batteries or one Kodak NI-MH KAA2HR rechargeable digital camera batteries. The camera pictured above is in Good condition and worth $15.00 in 2020. |
 | Kodak Eastman: EasyShare C340 | 2005 | c | 2019 | 5.00 | This camera was first marketed in 2005 bosting a 5 megapixels CCD sensor type. It has a maximum resolution of 2576 x 1932 (5 M) pixels and a minimum of 1200 x 900 (1.1 M) pixels. The lens is a 3X optical zoom, aspheric all-glass Kodak Retinar lens, f/2.7 to 4.6 (35 mm equivalent: 34 to 102 mm) and digital zoom of 1.2X to 5X (Not supported for movie capture). The shutter speeds are mechanical with CCD electrical Auto and 4 seconds to 1/1400 of a second shutter speed. ISO speeds are 80 to 160 in auto and 80, 100, 200, and 400 selectable. The flash modes are auto, Fill, Red-eye reduction, and off. Capture modes are Auto, SCN (Children, Party, Night Portrait, Beach, Snow, Fireworks, Self-Portrait, and Backlight), Portrait, Sport, Landscape, Close-up, Video, and Favorites. Maximum pictures speed is 3fps at ISO 400, video capture VGA (640 x 480) is 13 fps, Video capture QVGA (320 x 240 is 20 fps. The camera has 16 MB internal memory and a slot for SD/MMC card. The video output is NTSC or PAL and the camera has a 2.0 USB port. The C340 also has a 1.6 inch LCD display screen, Kodak docking port, flash ready LED, microphone, selectable timed auto power off (1, 3, 5, or 10 minutes), and a ¼ inch 20 thread per inch tripod socket. The EasyShare C340 was made in China and designed in Japan for the Eastman Kodak Company. The camera pictured here is in Poor condition and worth $.50 for parts in 2019. |
 | Kodak Eastman: EasyShare C433 | 2006 | 2014 | 10.00 | 2006 fine condition worth $25.00 in 2014 (4.0MP) | |
 | Kodak Eastman: EasyShare C533 | 2006 | c | 2020 | 5.00 | The Kodak EasyShare C533 zoom digital is a point and shoot, no hassles camera. That's because the C533 has features that take care of the details. The camera can create exceptional quality prints up to 13 x 17 inches with up to 5.0 megapixel resolution and its 3x optical zoom aspheric 37-111mm lens (35mm equivalent) plus 5x digital zoom. It also has on-camera features like cropping, auto picture rotation, and undo-delete. Other features are multi zone autofocus, internal memory plus (includes 16 MB internal memory), 13 programmed scene, 3 color modes, 1.8-inch indoor/outdoor color display, continuous VGA video (640 x 480), audio capture, SD memory slot, USB socket, docking socket, DC 3 volt socket, built-in flash, optical viewfinder, Shutter speeds from 4 seconds to 1/1400 of a second, 10 second self-timer, and a ¼ inch 20 thread tripod socket. The camera works with the Kodak EasyShare Photo Printer 500, Kodak EasyShare Printer Dock Plus Series 3, Kodak EasyShare Printer Dock Series 3, and Kodak EasyShare Camera Dock Series 3. Print, e-mail, and organize your pictures by touching the red Share button on the back of the camera. The C533 is powered by 2 AA-size batteries or one CR-V3 battery. The suggested retail when introduced in 2006 was $299.00. The camera pictured here is in fine condition and worth $10.00 in 2020. |
 | Kodak Eastman: EasyShare C653 | 2007 | c | 2020 | 3.00 | The Kodak EasyShare C653 combines a 6.1 megapixel CCD imager and a Kodak-branded 3x optical zoom lens with a fairly standard 36 - 108mm equivalent focal range. For framing images, there's both a 2.4-inch LCD display and a real-image optical viewfinder - an increasingly rare option these days and one that adds a good degree of versatility, letting you get the shot when you can't make out the LCD in bright sunlight, or save battery life by disabling the LCD when accurate framing isn't vital. Images are stored on Secure Digital / Multimedia Cards, or in 32MB of internal memory. The Kodak C653 has 20 scene modes to help beginners achieve the results they're looking for without the need to understand subtleties like shutter speeds, apertures and the like. The C653 determines exposures with a center-weighted TTL metering system, and offers 2.0EV of exposure compensation in 1/3EV increments. Five white balance settings are available including an auto mode, and ISO sensitivity is controlled automatically or manually, ranging from 80 to 1250. The EasyShare C653 also offers a movie mode, capturing VGA clips at 10 frames-per-second, or QVGA clips at 20 fps, both with audio, in QuickTime MOV format. Images and movies captured on the Kodak C653 are transferred to your computer over a USB 2.0 Full Speed connection, rather slower than the USB 2.0 High Speed connections offered on many cameras that followed. Power comes from two standard AA batteries - either alkaline or lithium disposables, or NiMH rechargeable. List pricing for the Kodak EasyShare C653 when new in January of 2007 was set at US$129.95. This information was gleaned from imaging-resource.com. The camera pictured here is in Fine condition and worth $20.00 in 2020. |
 | Kodak Eastman: EasyShare C743 | 2006 | c | 2014 | 15.00 | 2006 Fine condition worth $40.00 in 2014 (7.1MP) |
 | Kodak Eastman: EasyShare C743 | 2006 | c | 2019 | 3.00 | The low-cost 2006 Kodak EasyShare C743 strikes a good balance between affordability and performance, delivering high image quality and ease of use for a suggested retail price of just $259.00. Like most Kodak point-and-shoots, the Kodak EasyShare C743 is very easy to use. The help menus and clearly labelled buttons make it easy for beginners to learn to use the camera. You get 13 scene modes (about average for this class of camera), including Children, Sport and Backlight. If you accidentally erase a photo while reviewing your album, you can undo the deletion--but only immediately after you've deleted the image. Once you exit the playback mode, you can't recover the picture. The simple to use Kodak EasyShare C743 zoom digital camera provides remarkable features at a reasonable price. You’ll bring details to life with 7.1 MP. And the C743 has a 3X optical zoom lens and huge 2.4" color display, proving that impressive doesn’t always need to be expensive. The camera has 32MB internal memory and accepts SD and MMC cards. You can also place the camera in video mode and make a QuickTime MOV (MPEG-4), VGA (640-480) at 30 ips, or QVGA (320-240) at 30 ips. With its 1/2.5in CCD sensor, 7.4Mp: 3152x2342 resolution, optical viewfinder, wide angle: 13–70cm macro telephoto: 22-70cm lens, 3x optical zoom, 5x digital zoom, the camera produces very good photos. The camera is ment to run on two AA Lithium batteries but will run for a shorter time on Alkaline. The camera pictured above is in good working condition and worth $10.00 in 2019. |
 | Kodak Eastman: EasyShare C813 | 2008 | 2015 | 10.00 | 2007 fine condition and worth $30.00 in 2015 (8.2MP) | |
 | Kodak Eastman: EasyShare CX7220 | 2004 | 2015 | 3.00 | 2004 Good condition worth $10.00 in 2015 (2.0MP) | |
 | Kodak Eastman: EasyShare CX7300 | 2004 | c | 2015 | 3.00 | 2006 Poor condition worth $0.50 for parts in 2015 (3.2MP) |
 | Kodak Eastman: EasyShare CX7300 | 2004 | c | 2018 | 2.00 | The Kodak EasyShare CX7300 digital camera is always ready to shoot, and with 3.2 MP you can make high-quality prints up to 11"x14". Kodak Color Science inside means consistently great pictures. Auto white balance provides accurate color in all types of lighting conditions. 3X continuous digital zoom lets you get in closer without losing image quality. The camera uses a CCD Optical sensor and produces pictures in the JPEG format. The maximum shutter speed is 1/2300 of a second and the minimum is ½ second. The camera also has built-in flash, built-in lens cover, 16 MB built-in memory, 10 second time delay, SD memory card slot, date/time stamp, auto power save, 30 second to 46 second with 16 MB SD card video capture, 1.6” LCD screen, and clearly marked controls. The camera was introduced in 2004 and uses AA batteries (NiMH recommended). The camera pictured here is in Fine condition and worth $10.00 in 2018. |
 | Kodak Eastman: EasyShare CX7300 | 2004 | c | 2019 | 1.00 | The Kodak EasyShare CX7300 digital camera is always ready to shoot, and with 3.2 MP you can make high-quality prints up to 11"x14". Kodak Color Science inside means consistently great pictures. Auto white balance provides accurate color in all types of lighting conditions. 3X continuous digital zoom lets you get in closer without losing image quality. The camera uses a CCD Optical sensor and produces pictures in the JPEG format. The maximum shutter speed is 1/2300 of a second and the minimum is ½ second. The camera also has built-in flash, built-in lens cover, 16 MB built-in memory, 10 second time delay, SD memory card slot, date/time stamp, auto power save, 30 second to 46 second with 16 MB SD card video capture, 1.6” LCD screen, and clearly marked controls. The camera was introduced in 2004 and uses AA batteries (NiMH recommended). The camera pictured here is in good condition and worth $5.00 in 2019. |
 | Kodak Eastman: EasyShare CX7330 | 2004 | c | 2019 | 5.00 | The EasyShare CX7330 was introduced in 2003 with a 3.1 megapixel ½.7 inch CCD optical sensor. The camera also has a 3.3 x digital zoom, QuickTime Digital Video Format, JPEG Image Recording Format, ISO 90 to 180 Light Sensitivity, automatic plus program Exposure Modes, Shooting Programs (landscape, close-up, macro, night mode, sports mode), In Camera Special Effects (Black & White, Sepia), Shutter Speeds of ½ second to 1/1400 of a second, built-in flash with an effective flash range of 2 feet to 12 feet, Red Eye Reduction, 3 x Optical Zoom with Apertures of f/2.7 to 4.6, Focal Length of 5.6 mm to 16.8 mm (Equivalent to 35mm to 37 m), Normal Minimum Focus Distance is 23.6 inches, Macro Focus Range is 5 inches to 27.6 inches, built-in lens cover, Kodak docking station socket, Optical - real-image zoom viewfinder, 16 MB internal memory, MultiMediaCard plus SD Memory Card Supported Memory, AV out socket, 37 to 111 mm aspherical lens, memory card slot, and a ¼ inch 20 thread tripod socket. The camera is powered by two AA batteries (Lithium/ Ni-MH/ Ni-Mn) or one CRV3 (Lithium). The camera picture here is in Fine condition and worth $15.00 in 2019. |
 | Kodak Eastman: EasyShare CX7430 | 2004 | 2010 | 10.00 | 2003 fine condition worth $30.00 in 2014 (4MP) | |
 | Kodak Eastman: EasyShare CX7530 | 2004 | 2014 | 5.00 | 2004 fine condition worth #30.00 in 2014 (5MP) | |
 | Kodak Eastman: EasyShare M1093 IS | 2008 | 2015 | 5.00 | 1998 Good condition worth $15.00 in 2015 (10.0MP) | |
 | Kodak Eastman: EasyShare M341 | 2009 | c | 2020 | 3.00 | Kodak M341 has a 12.2MP 1/2.3" (6.08 x 4.56 mm) sized CCD sensor. You can shoot at maximum resolution of 4000 x 3000 pixels with aspect ratios of 4:3, 3:2 and 16:9. M341 has a native ISO range of 64 – 1600. Kodak M341 weighs 135 g (0.30 lb / 4.76 oz) and has external dimensions of 96 x 59 x 19 mm (3.78 x 2.32 x 0.75″). Kodak M341 doesn't have any environmental seals on its body so you got to be extra careful to protect it against water and dust. Kodak M341 features a 35-175 mm F3.0-4.8 5× zoom lens. The Kodak M341 has a maximum shutter speed of 1/1400 of a second, built-in flash, Contrast Detection autofocusing system, record your videos at a highest resolution of 640 x 480 at 30 fps (JPEG format), built-in Mono microphone, USB 2.0 (480 Mbit/sec) port to connect your camera to other devices, SD/SDHC Memory Card slot, Self-Timer, Dynamic Range Optimizer, Scene Detection Technology, audio recording, auto power save, camera orientation detection, cropping an image, date/time stamp, face detection, sharpness control, and is powered by a Kodak KLIC 7001 lithium ion - manufacturer-specific battery. The camera pictured here is in Good condition and worth $20.00 in 2020. |
 | Kodak Eastman: EasyShare M532 | 2010 | 2014 | 5.00 | 2010 Fine condition worth $50.00 in 2014 (14MP) | |
 | Kodak Eastman: EasyShare M550 | 2010 | 2016 | 10.00 | The 2010 Kodak EasyShare M550 Digital Camera (Blue) has a stylish slim design that is not only a camera but is also is a fashion accessory. Compact and easy to use, the camera features a 12 megapixel image sensor, and a large, bright 2.7" LCD screen. The 28mm 5x optical zoom lens allows you to take photos in tight spots and still capture your subject in the distance. Advanced face detection, blur reduction, and high ISO technologies keep all of your subjects looking their very best. Scene select modes such as Portrait, Landscape, and Fireworks simplify exposure for a variety of complex shooting situations. There is even a Panorama stitch mode that allows you to combine up to three shots into one large picture. The EasyShare M550 even captures VGA quality motion video with sound. Sharing your images is easy, press the share button and tag them to YouTube, Facebook, Flickr, and Kodak Gallery sites. When you connect your camera to your computer, your images are automatically uploaded to the site. You can also create slideshows right in your camera. Be creative using the pre-loaded sound themes and creative transitions. You will never miss a shot since the included Li-ion rechargeable battery gives your camera plenty of power. The maximum resolution for this camera is 4000 x 3000 and this is achieved with a ½.3 inch (6.17 x 4.55mm) size sensor. The focal length equivalent is 28mm to 140mm with a maximum shutter speed of 1/1400 of a second. The suggested retail price in January 5th 2010 was $145.99. The camera pictured here is in fine condition and worth $20.00 in 2016. | |
 | Kodak Eastman: EasyShare M763 | 2008 | c | 2020 | 5.00 | The Kodak EasyShare M763 combines a seven megapixel CCD imager and a Kodak-branded 3x optical zoom lens with a 34 - 102mm equivalent focal range. For framing images, there's a 2.7-inch 230K pixel LCD display. Images are stored on Secure Digital Multi Media Cards including SDHC types, or in 10MB of available internal memory. The Kodak M763 offers 20 scene modes to help beginners achieve the results they're looking for, includes Kodak's face detection technology, which locates faces and automatically adjusts the focus and exposure. The M763 determines exposures with a multi-pattern, center-weighted, or center spot TTL metering system, and offers 2.0EV of exposure compensation in 1/3EV increments. Five white balance settings are available including an auto mode, and ISO sensitivity is controlled automatically from 64 to 320, or manually from 64 to 1600. The EasyShare M763 also offers a movie mode, capturing VGA (640x480) clips at 15 frames-per-second or QVGA (320x240) clips at 30 frames-per-second, in QuickTime Motion JPEG format. It is also capable of displaying stills in High Definition, using the optional Kodak EasyShare HDTV dock. Images and movies captured on the Kodak M763 are transferred to your computer over a USB 2.0 Full Speed connection. Power comes from a proprietary KLIC-7001 lithium-ion rechargeable battery pack, and an AC adapter for in-camera charging was included in the bundle. The Kodak EasyShare M763 was priced at US $129.95 when new in 2008. Body colors available were silver, black, red, blue, pink and copper. Other features are an auto lens shield, built in flash, motorized zoom lens, carry strap hard point, and a ¼ inch 20 thread tripod socket. The camera pictured here is not tested and is worth $2.00 in 2020. |
 | Kodak Eastman: EasyShare V1253 | 2007 | 2016 | 15.00 | Whether you seize the moment with incredibly sharp 12 megapixel photos, or in motion with crisp videos, you can do it all with the KODAK EASYSHARE V1253 Zoom Digital Camera. Enjoying beautiful pictures with amazing quality is as simple as using the KODAK EASYSHARE V1253 Zoom Digital Camera. Besides the 12.1 megapixels of resolution, it features a professional quality 3x Schneider-Kreuznach Variogon zoom Lens and a 3.1" high-resolution display. The camera can also record video in HDTV format using the 720p standard, and MPEG-4 compression for impressive video quality while using a minimum of storage space. Furthermore it is loaded with in-camera picture enhancing features such as Kodak Perfect Touch technology, Digital Image Stabilization using anti-blur mode, and multiple color and scene modes including a panorama stitch feature. Plus, you can customize the camera with on-camera settings, including the Favorites feature. The camera pictured here is in fine condition and worth $40.00 in 2016. | |
 | Kodak Eastman: EasyShare Z1285 | 2008 | 2016 | 15.00 | 2008 fine condition worth $20.00 in 2016 (3.1MP) | |
 | Kodak Eastman: EasyShare Z700 | 2005 | 2010 | 8.00 | 2002 fine condition worth $20.00 in 2014 (4MP) | |
 | Kodak Eastman: EasyShare Z700 | 2005 | 2017 | 5.00 | Take your memories to remarkable places. Get close to your subjects with 5X optical zoom. Get even closer with 4X advanced digital zoom (20X total zoom). Create unbelievable-quality prints up 20"x30" (50x75 cm) with 4.0 MP. Get rich, vibrant color under a variety of lighting conditions with the exclusive KODAK Color Science Chip. Capture consistently crisp, precise pictures thanks to the auto-focus system with assist lamp. With the exclusive KODAK Color Science Image Processing Chip, your pictures come to life just the way you remember it. A new high-speed digital processor chip, advanced algorithms, and hardware acceleration features let the Z700 make simultaneous, split-second decisions to produce rich, vibrant, true-to-life colors in almost any lighting situation. Each time you click the shutter, the KODAK Color Science Chip performs an instantaneous and advanced analysis of collected scene data to identify and adjust multiple factors that influence picture quality. Scene light source is detected and adjustments are made to capture bright whites and true, vivid colors under difficult lighting conditions - fluorescent, tungsten or daylight Scene content is analyzed for luminance, focal distance, subject matter orientation and color to determine the correct exposure and capture the natural details, accurate flesh tones, and rich colors you see in your composition. The 2005 camera pictured above is in Good condition and worth $15.00 in 2017. | |
 | Kodak Eastman: EasyShare Z740 | 2005 | 2010 | 5.50 | 2005 Poor condition worth 1.00 for parts in 2014 (5MP) Fine value would be $25.00 | |
 | Kodak Eastman: EasyShare Z885 | 2007 | 2015 | 10.00 | 2007 fine condition worth $20.00 in 2015 (8.1MP) | |
 | Kodak Eastman: EK4 | 1976-1978 | 2004 | 10.00 | 1976-1978 Good condition worth $20.00 in 2015 | |
 | Kodak Eastman: EK6 | 1976-1978 | 2004 | 5.00 | 1976-1978 good condition worth $5.00 in 2015 (name plate missing sent back to Kodak for refund) | |
 | Kodak Eastman: EK6 | 1976-1978 | ||||
 | Kodak Eastman: Ektra 1 | 1978 | 1997 | 2.00 | 1978 good condition worth $8.00 in 2014 | |
 | Kodak Eastman: Ektra 1 | 1978 | 2010 | 2.00 | 1978-1981 fine condition worth $10.00 in 2014 | |
 | Kodak Eastman: Ektra 200 | 1980-1987 | c | 2017 | 2.00 | The Kodak Ektra 200 is among many 110 film cameras made by Kodak. It used disposable flip-flash for indoor photography, was made in (West) Germany, and was produced from 1980 to 1987. A basic snapshot camera usually found with the metallic finish and black folding handle, it was also available in black and white. The cameras lens is a 22mm, f/11 Kodar and it has a 3 speed shutter. The picture size is 13 x 17 mm from the 110 film that is still available, but flip-flash is not. There were at least 13 Ektar cameras produced by Kodak and in Germany, many of these models are referred to as Ritsch-Ratsch because of the sound the film-wind mechanism makes. Kodak's range went from the most basic of snapshot cameras, which are very capable of excellent results, right through to range-finder cameras with wide-aperture lenses. So popular was the 110 format that more than 25 million cameras were produced within three years. Like many of these 110 Kodak cameras Kodak supplied a sheet of self-adhesive initials with these cameras so that the owner could personalize their camera. The camera pictured here is in fine condition and worth $10.00 in 2017. |
 | Kodak Eastman: Ektra 250 | 1980-1983 | 1999 | 3.00 | 1980-1983 Fine condition worth $20.00 in 2014 | |
 | Kodak Eastman: Ektralite 10 | 1978 | 1997 | 2.00 | 1978 good condition worth $8.00 in 2014 | |
 | Kodak Eastman: Ektralite 400 | 1981 | c | 2016 | 4.00 | The Ektralite range was developed at the same time as that of Ektra series. It corresponds to the same cameras, but with a built-in flash. This 110 film camera was announced in France November 1980 and was manufactured in Germany from 1981 to 1987. The Ekralite 400 was the basic model of the range during the launching of the Ektralite series. Its lens is a Reomar 24 mm F/6.8, fix-focus from 4 feet (1.2m) to infinity. A cursor makes it possible to choose between the mode “sun” and the “lightning” flash and the turns the flash on/off. The use of the flash regulates the aperture to 6.8 and speed to the 1/60 of a second. In the other position, if the film is Kodacolor 400, speed is 1/250 of a second and the aperture F/9.5. With the film Kodacolor II, the speed is 1/125 of a second and aperture 9.5. The flash and flash ready light is powered by two AAA batteries with a compartment accessed from the back of the camera. The camera also has a right thumb film advance slide lever, frame count view window in the back, optical viewfinder, and the cover seconds as a vertical handle when opened. The camera pictured here is in fine condition and worth $15.00 in 2016. |
 | Kodak Eastman: Fiesta Instant | 1979-1982 | c | 2019 | 7.00 | The Brownie Fiesta and the PartyTime instant cameras were identical other than the name. The Fiesta released first in 1979 marketed primarily to the Spanish speaking population. One side of the instruction pamphlet was written in Spanish, turn it over and you had English. The PartyTime released one year later in all markets and both cameras were discontinued in 1982 with the release of the PartyTime II. The most widely used film in the cameras was the Kodak Instant Color Film PR144-10 and the cameras used a spreader bar chemical dispersal method similar to Polaroids of the era. The PR144-10 film worked in all Kodak cameras that were not marked KODAMATIC and TRIMPRINT like the PartyTime II that is marked Kodamatic and used Kodak HS144-10 film. The cameras have an electronic shutter, electronic exposure, plus used disposable flash bars that were all powered by a ((# 539 Eveready) (# 7K67 Duracell)) size J 6 volt battery in a compartment in the back of the camera. The lens and optical viewfinder are made of plastic and about 30mm optically. The cameras also have a light/dark slide adjuster for exposure control and a landscape ¼ inch 20 thread tripod socket. In 1985 Polaroid won the ongoing legal battle with Kodak and along with a hefty fine, all of Kodak’s instant cameras/film was discontinued. The camera pictured here is in fine condition and worth $20.00 with the bilingual instruction book in 2019. |
 | Kodak Eastman: Film Pack Hawk-Eye No.2 | 1922-1925 | 2015 | 8.00 | Film Packs were introduced in 1903. Initially known as the Premo Film Pack, after 1922 they were renamed as the Kodak Film Pack, and were available in a range of sizes from 6x4.5cm to 13x18cm (5x7"). Originally designed as a replacement for glass plates, indeed adaptors were available for many glass plate cameras. Up until the mid-1920's Eastman Kodak manufactured many cameras with the Premo and Hawk-Eye brand names specifically for this format. An interesting cross-over between old and new technology, the Film Pack comprised 12 cut celluloid films, stored in an (initially cardboard, later metal) outer case that was simply placed in the back of the camera, packed in such a way that the simple expedient of pulling a paper tab loaded a fresh film into place for each exposure, the previously exposed film being at the same time moved to the back of the pack. Each of the paper tabs, which protrude through a slot in the cameras top and were torn off after being used, had a number on it which acted as a basic, though perfectly efficient exposure counter. The camera is all metal with two reflecting finders, meniscus lens, 1/50 of a second leaf shutter with bulb setting, and a handy leather handle with the name embossed on it. On the back of this camera are the words “MOEHRING’S LYNN, MASS.” In white letters. The camera pictured here is in fine condition and worth $15.00 in 2015. | |
 | Kodak Eastman: Fisher-Price | 1984 | 2002 | 0.00 | 1984 Poor condition worth $0.50 for parts but I like it in 2015 | |
 | Kodak Eastman: Fisher-Price | 1984 | 2015 | 4.00 | 1984 fine condition worth $15.00 in 2015 | |
 | Kodak Eastman: Folding Autographic Brownie No.2 | 1915-1926 | 2015 | 10.00 | The camera was introduced in September of 1915 and discontinued in 1926. It used autographic No.A-120 or regular 120 roll film for a picture size of 2 1/4” X 3 1/4" and was manufactured in the US plus UK. The camera came with either an Achromatic or a Rapid Rectilinear lens from 1915 to 1923. The Achromatic lens and the Rapid Rectilinear less was coupled with the ball bearing shutter from 1915 to 1923. From 1924 to 1926 they used a Kodex shutter and in 1925 to 1926 you could have a Kodar f/7.9 lens with a Kodex shutter. A UK variation had an Anastigmat f/6.3 lens with a Kodex shutter in 1926. The numbers made are unknown but 540,000 were produced before 1921 at an original price of $10.13 and you could buy a carrying case for $1.25. The camera has black imitation leather covering, two position reflecting finder plus foot for portrait or landscape, sliding bed focusing with two lock positions (8’ plus 100’ from serial number 1,001 on), autographic port with metal writing pin, and a frame view port in the back of the camera. The camera had a style change to the Autographic attachment in 1916 after serial number 53,501 found on the back of the foot support locking lever. It also changed in 1917 from square ended cases to round from serial number 133,301 on. In 1919 the support foot shape changed from shallow S cure to shallow C curve from serial number 375,601 on. The serial number on this camera is 323,543 plus the camera pictured here is in good condition and worth $10.00 in 2015. | |
 | Kodak Eastman: Folding Autographic Brownie No.2A | 1915-1926 | 2010 | 5.00 | 1915-1926 poor condition worth $5.00 in 2014 | |
 | Kodak Eastman: Folding Autographic Brownie No.2A | 1915-1926 | 2017 | 15.00 | The Kodak No. 2A Folding Autographic Brownie was a folding camera for type 116 Autographic film with a frame Size of 2 1/2 × 4 1/4 inches. It was made by Canadian Kodak Co. Ltd in Toronto, Canada and in Rochester, NY, USA by Eastman Kodak Company. The years of production were 1915 to 1926 and 210,000 were produced before 1921 but the final count is not known. The uncommon early square box design was replaced in late 1917 with the rounded edge cameras and the camera had a price of $9.00 in 1922. The shutter was either a Kodex no.1 shutter with speeds B, T, 1/25, 1/50 of a second, or Kodak Ball Bearing shutter with an additional 1/100 of a second speed for "moving objects", as the shutter says. The lens was either a Kodar 122mm f/7.8 or an f9 Bausch and Lomb rapid rectilinear. Aperture was marked "1", "2", "3", "4", "5", "6", "7", "8", "9" on early models and f7.9 to f22 on later models. The Bausch and Lomb version had f4 to f64. Focusing is by distance zone, 8, 25, 100 feet (2.5, 8, 30, meters) detents on bellows slide extension. The cameras originally came with a small metal styles that was kept in a holder provided on the cover of the autograph window on the back of the camera. The Autographic film never really caught on and was discontinued soon after 1932 for lack of sales. The purpose of Autographic film, introduced in 1914, was to allow a photographer to make notes about a photograph and have those notes appear in the margin of the processed print. Some of this film exists today with an expiration date of about late 1930’s. It is not being reproduced and the old film can be considered bad. Either type of film could be used in Autographic or standard cameras, but of course the Autographic feature requires an Autographic camera loaded with Autographic film. The camera pictured here is in fine condition and worth $45.00 in 2017. | |
 | Kodak Eastman: Folding Autographic Brownie No.2A | 1915-1926 | c | 2019 | 10.00 | The Kodak No. 2A Folding Autographic Brownie was a folding camera for type 116 Autographic film with a frame size of 2 1/2 × 4 1/4 inches. It was made by Canadian Kodak Co. Ltd in Toronto, Canada and in Rochester, NY, the USA by Eastman Kodak Company. The years of production were 1915 to 1926 and 210,000 were produced before 1921 but the final count is not known. The uncommon early square box design was replaced in late 1917 with the rounded edge cameras and the camera had a price of $9.00 in 1922. The shutter was either a Kodex no.1 shutter with speeds B, T, 1/25, 1/50 of a second, or Kodak Ball Bearing shutter with an additional 1/100 of a second speed for "moving objects", as the shutter says. The lens was either a Kodar 122mm f/7.8 or an f9 Bausch and Lomb rapid rectilinear. Aperture was marked "1", "2", "3", "4", "5", "6", "7", "8", "9" on early models and f7.9 to f22 on later models. The Bausch and Lomb version had f4 to f64. Focusing is by distance zone, 8, 25, 100 feet (2.5, 8, 30, meters) detents on bellows slide extension. The cameras originally came with a small metal style that was kept in a holder provided on the cover of the autograph window on the back of the camera. The Autographic film never really caught on and was discontinued soon after 1932 for lack of sales. The purpose of Autographic film, introduced in 1914, was to allow a photographer to make notes about a photograph and have those notes appear in the margin of the processed print. Some of this film exists today with an expiration date of about the late 1930s. It is not being reproduced and the old film can be considered bad. Either type of film could be used in Autographic or standard cameras, but of course, the Autographic feature requires an Autographic camera loaded with an Autographic roll of film. The camera pictured here is in good condition and worth $25.00 in 2019. |
 | Kodak Eastman: Folding Autographic Brownie No.2C | 1916-1926 | 2012 | 7.50 | 1916-1927 the case is in poor condition worth $5.00 in 2014 | |
 | Kodak Eastman: Folding Brownie Pocket No.2A | 1910-1915 | c | 2017 | 23.00 | The Kodak No. 2A Folding Pocket Brownie is an early folding camera introduced by Eastman Kodak Company in 1910 at a price of $7 (about $170 in today’s money). The No. 2A is designed for the now defunct 116 film format which is very similar to 616 but with wider spool flanges. While we may think it’s a bit strange for Kodak to name this brick-sized camera a “Pocket” Brownie, it was considerably more portable than many of its contemporaries. To unfold the camera, a hidden button located between the hand strap lugs on the top plate must be pressed to release the lens. Once the camera is unfolded, set the focus distance by adjusting the focus tab on the user’s right side of the lens rail and pull the lens out to align with the tab. The viewfinder is set for landscape orientation by default but can easily be rotated 90 degrees for portraits. The aperture of the Brownie’s simple meniscus lens has four settings that can be selected by sliding the tab underneath the lens: “1” is f/8.8, “2” is f/11, “3” is about f/14, and “4” is f/16. The Brownie Automatic shutter has only three settings which can be set by sliding a similar tab above the lens: “I” (about 1/25 seconds), Bulb, and Time. This info was gleaned from Vintage Camera lab. The camera pictured here is in Good condition and worth $35.00 in 2017. |
 | Kodak Eastman: Folding Cartridge Hawk-Eye No.2A Model B | 1926-1934 | c | 2017 | 16.00 | The No 2A Folding Cartridge Hawk-Eye model B was made from 1926 to 1934 and used 116 Film. The Kodak 116 film cartridge came in two sizes. One had 12 exposures and cost 60 cents in 1926 and 6 exposures for 30 cents. The camera had four aperture settings numbered 1 (listed as US 8 or f11.13), 2 (listed as US 16 or f16), 3 (listed US 32 or f22.6), and 4 (listed US 64 or f32). The Kodex lens assembly shutter speeds are T (timed), B (bulb), 1/25 of a second, and 1/50 of a second. The cameras viewfinder is mounted to the top of the lens assembly and can be set for landscape or portrait position. On the fold down slid bed are three markings for focus distances. One marked 8 feet or 2.5 meters, fixed 25 feet or 7.62 meters, and 100 feet or 30 meters. The 100 or 30 meter setting is also the infinity setting. The other features of the camera are a cable release socket for a shutter plunger, a foot for setting the camera on a table top for portraits, small red window in the back of the camera for frame counting, Winding key, leather carry handle, and two tripod sockets. Adding or removing film from the camera involved removal of the works of camera to reveal the casing and the film spools at either end. Buying this camera new entitled the buyer to receive 6 months of “Kodakery”, if they simply filled out a postcard provided. Kodakery was a magazine published by Kodak that helped you take better pictures. The camera Pictured here is in Fine condition and worth $60.00 in 2017. |
 | Kodak Eastman: Folding Pocket No.1A | 1899-1915 | 2005 | 10.00 | 1926-1932 good condition worth $25.00 in 2014 | |
 | Kodak Eastman: Folding Pocket No.3 Mod C4 | c1907-1915 | 2015 | 15.00 | The No. 3 Folding Pocket Kodak Camera was manufactured by the Eastman Kodak company from 1900 to 1915. This camera had the most model variations of any Kodak camera made. The early models A, B & C produced through 1903 had the front lens and shutter enclosed and covered in leather, later models had metal stationary or rising front. The No. 3 Folding Pocket Kodak Camera Models included A, AB, AB-EX, ABX, B, B-2, B-3, B-4, C, C-2, C-3, C-4, C-5, D, E, E-2, E-3, E-4, F, G, and H. Constructed of aluminum and covered in seal grain leather. It took 12 images 3 1/4 x 4 1/4 inch size on No. 118 film. The cameras original list price was $17.50 in 1900 to $68.00 in 1914 with the model H. The C-4 pictured here has a patent dated November 6, 1906 on the inside of the back cover. The camera had to be introduced after that date sometime in 1907 or 1908. The F.P.K Automatic shutter has a manual release as well as one pneumatic release piston on the left side of the shutter lens assembly if looking at the front of the camera. The lens is a Bausch & Lomb Optical Company Rapid Rectilinear, with a 6 1/2 inch focal length, maximum aperture of US 4 and stops to US 128. The waist-level viewfinder can be rotated 90 degrees so it can be used to take portrait format photographs. The camera also has two tripod sockets allowing either vertical and horizontal time exposures or the use of glass plates. Although the No. 3 Folding Pocket Kodak was marketed as a camera for family photography, it was also suitable for the more 'serious' amateur photographer. One important accessory is the plate back. It replaced the roll film back so photos could be taken on glass plates. Glass plates had some advantages over roll film. They were perfectly flat (resulting in sharper images), they could be developed separately, the negatives didn't curl when dry, they were cheaper, and the image could be composed plus focused on a ground glass. Using glass plates had some disadvantages also like they were heavy, could break, taking a photo was cumbersome, and you had to place the camera on a flat surface using one of the metal foot supports provided or you needed a tripod to utilize this option. | |
 | Kodak Eastman: Folding Pocket No.3A Mod B2 | 1903-1915 | c | 2019 | 15.00 | The camera was constructed as a vertical format folding camera for postcard-sized (3¼×5½ inch) pictures on 122 roll film (introduced for this camera) and glass plates. A waist-high reflecting finder fitted to the lens shutter assembly is standard on all models. The sequence of models runs in the following series: Model A, B, B2, B3, and B4 plus C all were produced from 1903 - 1915. Model B5 was produced from 1903 to 1912. Early variants were expensive and had, for example, a combination of Kodak Automatic shutter and Rapid Rectilinear lens of Bausch & Lomb. Later moderately priced variants got the Ball Bearing Shutter. Both shutters worked with a pneumatic remote operation or released by a lever. A glass plate adapter was available for the camera. A later expensive variant had a Compound shutter with Zeiss Kodak Anastigmat. As mentioned above a glass plate adapter with a ground glass focusing screen, available as an extra cost accessory, permitted the taking of photographs on glass plates. Eastman Kodak called this accessory the Combination Back. The Kodak catalog price of the back was three dollars and fifty cents. Double plate holders were priced at one dollar each. When introduced, the 3A FPK, fitted with Kodak's top-of-the-line lens plus shutter was priced as high as $78 US dollars. Seventy-eight 1903 dollars placed the 3A FPK in Kodak's top pricing tier and worth $2,924.39 in today’s dollars. The FPK shutter on the model B2 has a 6 1/2 inch focal length, a maximum aperture of US 4 and stops to US 128. The one-speed shutter is about 1/60 of a second and can be set to Timed, Bulb, plus Instant for the pneumatic or lever shutter release. The 3A FPK has a novel quick focusing aid. On the camera bed, opposite the focusing scale, is a metal slide that can be set to various distances. Once this slide is set and engaged, the camera front can be pulled along the track until it comes to a stop. The camera will now be focused on the preset distance. Some references for this information are Scott’s Photographica Collection, Collectiblend, and Camerapedia Fandom. The camera pictured here is in good condition and worth $45.00 in 2019. |
 | Kodak Eastman: Folding Rainbow Hawk-Eye No.2 Model C | 1930-1934 | c | 2017 | 19.00 | The Folding Rainbow HawkEye No.2 Model C was made from 1930 to 1934 and used 120 Film. The Kodak 120 film cartridge (roll of film) came in two sizes. One had 12 exposures and cost 55 cents in 1930 and 6 exposures for 25 cents. The camera had four aperture settings numbered 1 (f5.6), 2 (f8), 3 (f11), and 4 (16). The Kodak lens assembly shutter speeds are T (timed) and 1/50 of a second and has the number 41968 embossed on the nameplate around the lens. The cameras small waist high viewfinder is mounted to the top of the lens assembly and can be set for landscape or portrait position. On the fold down slid bed are three markings for focus distances. One marked 8 feet or 2.5 meters, fixed 25 feet or 7.62 meters, and 100 feet or 30 meters. The 100 or 30 meter setting is also the infinity setting. The other features of the camera are a fold down foot for setting the camera on a table top for portraits that also locks the camera when closed, small red window in the back of the camera for frame counting, winding key for advancing the film, leather carry handle, and two tripod sockets. Adding or removing film from the camera involved removal of the works of camera to reveal the casing and the film spools at either end. The camera came in four colors of black, brown, green, and blue with the black one having the least value today but all original sold for $8.00 in 1930. The camera Pictured here is in fine condition and worth $50.00 in 2017. |
 | Kodak Eastman: Folding Rainbow Hawk-Eye No.2A Model B | 1930-1933 | N/A | 35.00 | 1930-1933 Fine condition worth $40.00 in 2014 | |
 | Kodak Eastman: Handle | 1977-1979 | c | 2013 | 10.00 | 1976 Good condition worth $15.00 in 2015 |
 | Kodak Eastman: Handle | 1977-1979 | c | 2020 | 8.00 | The Kodak Handle was produced during Kodak’s brief and ultimately doomed attempt at instant film. Polaroid took Kodak to court for patent infringement in 1981 in spite of some crucial differences in Kodak’s approach to instant film and instant cameras and eventually Polaroid won. Defeated, Kodak was ordered to cease production of all instant film and related products (including the Handle) as well as pay Polaroid $925 million and that was on top of reimbursing customers that had purchased that line of cameras. Both companies have faded into the background. Although the Handle’s exposure is automatically controlled via an electric eye located above the lens, there’s still a rudimentary exposure compensation dial on the front barrel. Also on the front of the barrel is a battery test button located in the corner which activates a red light on the top of the nose. Just behind the battery test light is a socket for flash bulbs and on the side of the barrel is the blue shutter release button for the electronic shutter. After making an exposure, a black winder that folds out of the side is used to press the frame between two rollers starting the developing proses. This action also advanced you to the next frame, a pleasantly mechanical feature to an otherwise electronic camera. The camera used Kodak PR-10/PR-144 cartridge plus Spectra film and Size J 7K67-BPK J type/4LR61 six volt alkaline battery still being sold for home medical equipment. The camera sold for about $40.00 when new in 1977 and could be fitted with a Kodak Instant Flash Model A attachment. Other features are a 100mm f/12.7 lens, eye level optical viewfinder, print number view window in the back cover, and 2 second to 1/300 of a second shutter speeds. A version was also sold as the Kodak Happy Times (Coca-Cola) Camera with face plate, name plate, and coloring to promote Coca-Cola. The camera pictured here is in Good condition and worth $10.00 in 2020. |
 | Kodak Eastman: Handle 2 | 1979-1981 | c | 2020 | 5.00 | Although the Handle 2’s exposure is automatically controlled via an electric eye located above the lens, there’s still a rudimentary exposure compensation dial on the front barrel. Missing on the front of the barrel is a battery test button that was located in the corner of the faceplate on the Handle and this activated a red light on the top of the nose. This battery test button and the Handle 2’s metal (plastic on the handle) shutter release was the only differences between the Handle and Handle 2. On the top of the lens assembly is a socket for adding a flash attachment and on the side of the barrel is the chromed metal shutter release button for the electronic shutter. After making an exposure, a black winder that folds out of the side is used to press the frame between two rollers, (just like the Polaroid), starting the developing proses. This action also advanced you to the next frame, a mechanical feature to an otherwise electronic camera. The camera used Kodak PR-10/PR-144 cartridge plus Spectra film and Size J 7K67-BPK J type/4LR61 six volt alkaline battery still being sold for home medical equipment. The camera sold for about $40.00 (about $150 today) when new in 1979 (production stopped in 1981) and could be fitted with a Kodak Instant Flash Model A attachment. Other features are a 100mm f/12.7 lens, eye level optical viewfinder, print number view window in the back cover, and 2 second to 1/300 of a second shutter speeds. The camera pictured here is in fine condition and worth $15.00 in 2020. The Kodak Handle was produced during Kodak’s brief and ultimately doomed attempt at instant film. Polaroid took Kodak to court for patent infringement in 1981 and, (in spite of some crucial differences in Kodak’s approach to instant film and instant cameras), Polaroid eventually won the suit. Defeated, Kodak was ordered to cease production of all instant film and related products (including the Handle) as well as pay Polaroid $925 million (around $1.5 billion in today’s money). |
 | Kodak Eastman: Hawk-Eye Flashfun | 1961-1967 | 2015 | 8.00 | 1961-1969 Good condition worth $10.00 in 2015 | |
 | Kodak Eastman: Hawk-Eye Flashfun II | 1965-1969 | c | 2017 | 3.00 | The Flashfun II was introduced by Kodak in 1965 and discontinued in 1969. It is exactly the same as the Hawkeye Flashfun but came in other colors. The camera uses 127 roll film and AG-1B flash bulbs. The flash unit is powered by two AA batteries that are stored behind the flash and accessed from the back by loosening the screw provided. The camera also has a flash bulb release lever on the side and a red frame count window in the back. The film advance knob is located on the bottom of the camera and is sheltered on all sides as is the open slide lever that resides with it. The fixed lens is plastic and is about 28mm and the large viewfinder the same. The shutter release has a long through but its placement for the right hand is good. The only other feature is the handy carry strap. This camera type came in a kit that had the camera, batteries, flash bulbs, instructions, warranty card, advertisments, and one roll of film. The camera pictured here is in Good condition and worth $15.00 in 2017. |
 | Kodak Eastman: Hawk-Eye Instamatic I | 1963-1967 | c | 2020 | 5.00 | The Hawkeye Instamatic is a 126 film cartridge camera and was introduced in 1963 and discontinued in 1967. The camera has a two connector hot shoe made for the Kodak “Instamatic” Flasholder that used the AG-1B type bulbs. There is a flash on/off switch on the face of the camera with three icons of an off flash, on flash, and a flash bulb next to them both. The shutter is loaded with the film advance lever and the shutter release button was unlocked when the single hole in each frame (like 828 film) of the film let a pin located in the film compartment enter it and stop the advance plus unlock the shutter release button. The camera produced twelve 3 ½ inch (9cm) x 3 ½ inch (9cm) prints (Verichrome, Pan B&W) (Kodacolor-X) or twenty 2 inch (5cm) x 2 inch (5cm) color transparencies (Kodochrome-X/Ektachrome-X). This fixed focus camera minimum focus distance is 4 feet (1.2m) with about a 43mm lens and fixed aperture of f/11. The shutter speed is about 1/40 to 1/50 of a second with or without the flash switch on. Other features are a film and frame count widow in the back cover, an eye level optical viewfinder, double exposure protection, hard point to attach a carry strap, and of course the ease plus quickness of loading and unloading 126 cartridge film. You could purchase a Kodak carry case 940, a Kodisk cloud filter for Verichrome film only, a Kodisk close-up lens as close as 21 inches (.54m), a Kodisk haze filter for color slides of sea, snow, and distance views, and a Kodisk lens hood for marine, beach, and snow scenes. These are Kodisk lens attachments were listed under Kodik attachments #320. The camera listed for Less than $18.00 in 1963 and if you were wondering where the Hawkeye name came from, here is the explanation. The Boston Camera Company was the original owner of the Hawk-Eye camera until the Blair Camera Company bought them in 1890. Hawk-Eye cameras then changed hands again in 1907 when Eastman Kodak bought Blair which was then changed into a division of Kodak called the Blair Camera Division after the plant was relocated to Rochester, NY. The camera pictured here is in Good condition and worth $8.00 in 2020. |
 | Kodak Eastman: Hawk-Eye Instamatic II | 1969-1975 | 2013 | 2.00 | 1969-1975 fine condition worth $10.00 in 2014 | |
 | Kodak Eastman: Hawk-Eye Instamatic R4 | 1965-1971 | 2011 | 1.00 | 1965-1971 good condition worth $10.00 in 2014 | |
 | Kodak Eastman: Hawk-Eye Instamatic R4 | 1965-1971 | 2014 | 5.00 | 1965-1971 good condition worth $10.00 in 2014 | |
 | Kodak Eastman: Hawk-Eye Instamatic X | 1971-1978 | 2019 | 2.00 | The Hawkeye Instamatic X was part of the series of Instamatics introduced in 1970 and after to take advantage of the new Magicube flash technology. Magicube’s used mechanically triggered pyrotechnic detonators for each bulb, an improvement over flashcubes that needed batteries stored in the camera. Instamatics with Magicube sockets were denoted by an "X" in the model number (e.g. X-15, X, or 55X). The Hawkeye Instamatic X was introduced in 1971 and production was discontinued in 1978. It is a simple camera with a single action film advance lever, Plastic lens, optical viewfinder, shutter release lever, auto advancing Magicube socket, and a ¼ inch 20 thread tripod socket. The camera used the 126 film cartridge and although 126 was once very popular, as of 2008 it is no longer manufactured, and few photofinishers will process it. The camera pictured here is in good condition and worth $10.00 in 2019. | |
 | Kodak Eastman: Instamatic 100 | 1963-1966 | c | 1991 | 2.00 | 1963 good condition worth $8.00 in 2014 |
 | Kodak Eastman: Instamatic 100 | 1963-1966 | c | 2017 | 3.00 | Kodak Instamatic 100 was introduced in 1963 and discontinued in 1966. It uses type 126 film cartridges and is a square film format size 28 x 28 mm masked to 26½×26½mm for printing. The camera has a pop-up flash unit that uses push in single use AG-1 flash bulbs that operate from two AAA batteries and a synchronized shutter. The camera has a 43mm f/11 lens with a mechanical leaf shutter with speeds of 1/90 of a second and 1/40 of a second with the flash unit. The Instamatic 100 was designed like most of the line by Frank A. Zagara and it originally sold for about $100.00. Other features are the right thumb lever film advance, the back cover view window for frame count, optical viewfinder, and a handy carry strap. The camera pictured here is in good condition and worth $8.00 in 2017. |
 | Kodak Eastman: Instamatic 104 | 1965-1968 | c | 2000 | 1.50 | 1965-1967 good condition worth $8.00 in 2014 |
 | Kodak Eastman: Instamatic 104 | 1965-1968 | c | 2016 | 2.50 | 1965-1967 good condition worth $8.00 in 2014 |
 | Kodak Eastman: Instamatic 104 | 1965-1968 | c | 2017 | 2.00 | The Instamatic 104 was released to the public in 1965 and discontinued 1968. The Kodak Instamatic series was quite popular based on the 126 film cartridge it accepted. Now popular for their collectible and aesthetic value, this camera looks awesome sitting on a shelf or bookcase. It’s very eye-catching and is quite a conversation piece. The core of the camera measures approximately 4” by 2 1/4" by 2". The 104 featured a connector for the new flashcube, instead of the Instamatic 100's holder for single flashbulbs. When cocked for the next exposure, the camera turns the flashcube 90 degrees to bring the next flashbulb into position. The cube can be detached by pressing the button on the front of the camera. The cameras sold for a suggested retail price of $15.95 when new and came with two AAA batteries, a flash cube, and one roll of film. The lens is a 1:11 43mm and the shutter has speeds of 1/40 of a second with flash and 1/90 of a second without. The camera was produced by Eastman Kodak Co. in the U.S., and also by Kodak's overseas plants, for example Kodak AG in Germany, Kodak Ltd. in England, and even by a Kodak plant in Australia. The exact number produced is not known but was in the millions. The camera pictured above is in good condition and worth $5.00 in 2017. |
 | Kodak Eastman: Instamatic 104 | 1965-1968 | c | 2019 | 5.00 | The Instamatic 104 was released to the public in 1965 and discontinued 1968. The Kodak Instamatic series was quite popular based on the 126 film cartridge it accepted. Now popular for their collectible and aesthetic value, this camera looks awesome sitting on a shelf or bookcase. It’s very eye-catching and is quite a conversation piece. The core of the camera measures approximately 4” by 2 1/4" by 2". The 104 featured a connector for the new flashcube, instead of the Instamatic 100's holder for single flashbulbs. When cocked for the next exposure, the camera turns the flashcube 90 degrees to bring the next flashbulb into position. The cube can be detached by pressing the button on the front of the camera. The cameras sold for a suggested retail price of $15.95 when new and came with two AAA batteries, a flash cube, and one roll of film. The lens is a 1:11 43mm and the shutter has speeds of 1/40 of a second with flash and 1/90 of a second without. The camera was produced by Eastman Kodak Co. in the U.S., and also by Kodak's overseas plants, for example Kodak AG in Germany, Kodak Ltd. in England, and even by a Kodak plant in Australia. The exact number produced is not known but was in the millions. The camera pictured above is in good condition and worth $5.00 in 2019. |
 | Kodak Eastman: Instamatic 124 | 1968-1971 | 2005 | 3.50 | 1968-1971 fine condition worth $15.00 in 2014 | |
 | Kodak Eastman: Instamatic 124 | 1968-1971 | 2000 | 5.00 | 1968-1971 good condition worth $5.00 in 2015 | |
 | Kodak Eastman: Instamatic 124 | 1968-1971 | 2015 | 2.00 | 1968-1971 good condition worth $3.00 in 2015 | |
 | Kodak Eastman: Instamatic 134 | 1968-1971 | c | 2016 | 2.00 | Made in the USA from 1968 to 1971, this Vintage Kodak is a simple point and shoot camera with a flash cube socket and wrist strap. It uses 126 film and Duracell px-825 batteries that ceased production and are no longer available. The camera is 4 1/8" x 2" x 2 3/8 and originally sold for $16.95. For that money you received the camera, a film pack, one flash cube, batteries, and the instruction booklet all in a box made for it. The camera is a point and shoot and one of the many Instamatic models that Kodak made to accommodate the 126 cartridge film. |
 | Kodak Eastman: Instamatic 134 | 1968-1971 | c | 2017 | 0.00 | Made in the USA from 1968 to 1971, this Vintage Kodak is a simple point and shoot camera with a flash cube socket and wrist strap. It uses 126 film and Duracell px-825 batteries that ceased production and are no longer available but do have replacements today. The camera is 4 1/8" x 2" x 2 3/8 and originally sold for $25.50 in the kit. For that money you received the camera, a film pack, one flash cube, batteries, and the instruction booklet all in a box made for it. The camera has an f/11 43mm lens and a 1/50 of a second shutter. The camera is one of the many Instamatic models that Kodak made to accommodate the 126 cartridge film. The camera pictured above is listed in Good condition and worth $10.00 in 2017. This camera was given to me by a friend whose father owned it and had passed. Thank You. |
 | Kodak Eastman: Instamatic 154 | 1965-1969 | c | 2017 | 4.00 | Very similar to the Instamatic 104, but with the addition of a clockwork motor wind. The "cocked" shutter button is not a fault, but a feature of the design. The camera was produced between 1965 and 1969. The lens is an f/11, 43mm and the shutter speeds are 1/40 of a second to 1/90 of a second. The winder is gone up while turning the enormous button located on the higher cap of the camera. Then, the clockwork ensures the advance of film and the rotation of flashcube after each release. It also makes it possible automatically to bring film to the frame 1 when the cartridge is in place and to entirely roll up film after the last snapshot. Only one spring makes it possible to advance 12 frames. The camera uses the 126 cartridge film to produce a picture size of 28 x 28 mm. The original list price (USD) was $30.00 in 1965. The camera pictured here is in good condition and worth $5.00 in 2017. |
 | Kodak Eastman: Instamatic 220 | 1965-1968 | 1999 | 2.00 | 1965-1969 Good condition worth $10.00 in 2014 | |
 | Kodak Eastman: Instamatic 25 | 1966-1972 | c | 2019 | 7.50 | The Kodak Instamatic 25 Camera is a viewfinder camera for 126 Kodapak film cartridges. The 25 replaces the first Instamatic, the Instamatic 50. The Instamatic 25 was made from 1966 to 1972 by Kodak Ltd. (England) and Kodak Spain. The cameras externals were designed by Kenneth Grange and the Internals, including shutter mechanism, were designed by Alex Gow. The camera has a two-speed shutter with a speed selector that can be shifted from the sun symbol (1/90 of a second) to the half-sun symbol (1/40 of a second). The camera uses a Kodak 1:11/43mm lens with fixed focusing and fixed aperture. The camera also has a reverse Galilean type viewfinder, flash shoe for Kodalux bulb flashes, right thumb film advance wheel, a view window in the back cover for frame count, and the camera weighs only 5.29 ounces (150 grams). The Spanish version of the 25 has the Kodak label on the camera body to the film advance wheel side and the English built version is labeled on the lens/shutter assembly. The camera came with a semi-rigged case that has a locking mechanism that uses the wrist strap eye connector to hold the camera in place. You have to pull on the tab on the side of the case to remove the camera. While the case is being used any wrist strap needs to be removed. The camera pictured here is in Fine condition and worth $15.00 in 2019. |
 | Kodak Eastman: Instamatic 26 | 1968-1972 | 2019 | 10.00 | The Kodak Instamatic 26 Camera is a viewfinder camera for 126 Kodapak film cartridges. It has an all black body with a silver faceplate and otherwise identical to the Instamatic 25 that has a black base, light grey top, plus a silver face plate. The Instamatic 26 was introduced 2 years after the 25 and made from 1968 to 1972. It was assembled in Argentina (face plate marked “Industria Argentina”), Columbia (face plate marked “Industria Columbiana”), Spain (face plate marked “Made in Spain”), England (face plate marked “Made in England”), and other location but not made or released in United States. The 26 was produced for a premium market only and did not appear in catalogues. The cameras externals were designed by Kenneth Grange and the Internals, including shutter mechanism, were designed by Alex Gow. The camera has a two-speed shutter with a speed selector that can be shifted from the sun symbol (1/90 of a second) to the half-sun symbol (1/40 of a second). The camera uses a Kodak 1:11/43mm lens with fixed focusing and fixed aperture. The camera also has a reverse Galilean type viewfinder, flash shoe for Kodalux bulb flashes, right thumb film advance wheel, a view window in the back cover for frame count, and the camera weighs only 5.29 ounces (150 grams). The camera came with a semi-rigged case that has a locking mechanism that uses the wrist strap eye connector to hold the camera in place. You have to pull on the tab on the side of the case to remove the camera. While the case is being used any wrist strap needs to be removed. This case was made by the German branch of Kodak called Eastman Kodak GmbH. The camera pictured here is in poor condition and worth $5.00 in 2019. | |
 | Kodak Eastman: Instamatic 304 | 1965-1969 | 2000 | 5.00 | 1965-1969 fine condition worth $15.00 in 2014 (1 of 2) | |
 | Kodak Eastman: Instamatic 314 | 1968-1971 | 2017 | 5.00 | According to “Kodak History” site this 126 film cartridge camera was produced from 1968 to 1971. The retail price at that time was $38. The Instamatic 314 has a Kodar 41mm, f8 lens and two shutter speeds of 1/40 of a second and 1/90 of a second. It has an "electric eye" and a switch for focusing from 2 to 6 feet, and beyond 6 feet to infinity. It takes the regular flash cubes that need an outside power source to fire. It uses two PX-825 batteries that have many replacements today. They are inserted into a compartment on the back left of the camera just below the viewfinder. A button on the bottom, which can be rotated with a coin, locks and unlocks the battery compartment. The flash cube socket rotates with each through of the thumb single through frame advance lever. The camera also has a film view window as a frame counter, optical viewfinder, ¼” 20 thread tripod mount, and a handy carry strap. The camera pictured here is in fine condition and worth $15.00 in 2017. | |
 | Kodak Eastman: Instamatic 36 | 1973-1974 | 2016 | 4.00 | The Kodak Instamatic 36 was a simple instant-load, point-and-shoot camera using 126 Cartridge film, made in the UK by Kodak Ltd. It was introduced in 1973 - one of many Instamatic cameras, and withdrawn in 1974. It was identical to the Instamatic 32 and 33, apart from grey front covering on the 32 and the chrome lens ring on the 33. It has an f11 fixed focus 43mm lens with a matching optical viewfinder. The two shutter speeds are 1/40 of a second when set on flash or cloudy and 1/80 of a second when set on a sunny day. The 36 also has a two conductor hot shoe as do the 32 and 33. The instamatic 333 uses the same body but incorporates a flash cube mount, electric eye for exposure, and forgoes the selector on the lens ring. The camera also has a right thumb film advance wheel on the top, a film cartridge view window in the back cover, wide shutter button, and a handy carry strap. The camera pictured here is in Good condition and worth $15.00 in 2016. | |
 | Kodak Eastman: Instamatic 404 | 1965-1969 | 2007 | 6.00 | 1965-1969 Good condition worth $20.00 in 2014 with extras | |
 | Kodak Eastman: Instamatic 404 | 1965-1969 | 2008 | 2.00 | 1965-1969 good condition worth $5.00 in 2014 | |
 | Kodak Eastman: Instamatic 404 | 1965-1969 | 2016 | 2.00 | 1965-1969 good condition worth $2.00 in 2014 | |
 | Kodak Eastman: Instamatic 414 | 1968-1971 | 1992 | 3.50 | 1968-1971 Good condition worth $15.00 in 2014 | |
 | Kodak Eastman: Instamatic 44 | 1969-1973 | 2000 | 1.00 | 1969-1973 good condition worth $6.00 in 2014 | |
 | Kodak Eastman: Instamatic 50 | 1963-1965 | 2005 | 1.50 | 1963-1966 good condition worth $8.00 2014 | |
 | Kodak Eastman: Instamatic 500 | 1964-1966 | 2009 | 7.00 | 1965-1966 Good condition worth $30.00 in 2014 (1 of 3) | |
 | Kodak Eastman: Instamatic 500 | 1964-1966 | 2010 | 10.00 | 1965-1966 good condition worth $15.00 in 2014 | |
 | Kodak Eastman: Instamatic 500 | 1964-1966 | 2005 | 10.00 | 1965-1966 Poor condition worth $1.00 for parts in 2015 | |
 | Kodak Eastman: Instamatic 700 | 1963-1966 | 2010 | 1.00 | 1963-1966 Poor condition worth $0.50 in 2014 | |
 | Kodak Eastman: Instamatic 804 | 1965-1970 | 1999 | 3.50 | 1963 Poor condition worth $0.50 in 2014 | |
 | Kodak Eastman: Instamatic 814 | 1968-1970 | c | 2016 | 6.00 | This camera is similar in specification to the Instamatic 804 but the automatic exposure on this camera is provided by a CdS cell rather than the selenium cell of the 804. Although this makes the system more responsive in low-light situations, it is also dependent on batteries, whereas the selenium cell is not. A small button is fitted below the viewfinder, adjacent to the lens, which is used for testing the battery and the "Use Flash" lamp in the viewfinder doubles as a battery confirmation. Flash is provided by flashcube socket that turns with each shutter release. The camera has an Ektanar f/2.8 38mm lens that contains thorium oxide and is, in fact, radioactive (one of many Kodak lenses from the 40's, 50's, and 60's that share this attribute). The shutter has speeds 1/60 of a second, 1/125 of a second, 1/250 of a second, and B that are set with a dial on the front of the camera. The camera also has an optical viewfinder, rangefinder, ¼” 20 thread tripod mount, strap attach points, frame view window on the back cover, and spring motor film advance that is wound by pulling on a long nylon strap that rewinds into the camera's bottom. The camera was introduced in 1968 and was produced till 1970. It used the 126 cassette film cartridge and the camera list price at the time was $139.50 in the US. The camera pictured here is in fine condition and worth $15.00 in 2016. |
 | Kodak Eastman: Instamatic 814 | 1968-1970 | c | 2018 | 9.00 | This camera is similar in specification to the Instamatic 804 but the automatic exposure on this camera is provided by a CdS cell rather than the selenium cell of the 804. Although this makes the system more responsive in low-light situations, it is also dependent on batteries, whereas the selenium cell is not. A small button is fitted below the viewfinder, adjacent to the lens, which is used for testing the battery and the "Use Flash" lamp in the viewfinder doubles as a battery confirmation. Flash is provided by flashcube socket that turns with each shutter release. The camera has an Ektanar f/2.8 38mm lens that contains thorium oxide and is, in fact, radioactive (one of many Kodak lenses from the 40's, 50's, and 60's that share this attribute). The shutter has speeds of 1/60, 1/125, 1/250 of a second, and B that are set with a dial on the front of the camera. The camera also has an optical viewfinder, rangefinder, ¼” 20 thread tripod mount, strap attach points, frame view window on the back cover, and spring motor film advance that is wound by pulling on a long nylon strap that rewinds into the camera's bottom. Focusing is done by feel and the minimum distance that can be set is 3 feet. The camera was introduced in 1968 and was produced till 1970. It used the 126 cassette film cartridge and the camera list price at the time was $139.50 in the US. The camera pictured here is in fine condition and worth $15.00 in 2018. |
 | Kodak Eastman: Instamatic S-10 | 1967-1970 | 2017 | 9.50 | The S-10 is a compact snapshot camera with a retractable housing for the Kodar f/9.5 35mm lens. Flash is provided by flashcubes and the film is advanced by the knob on the right-hand end of the body that also turns the flash cube to the next position. The camera has 1/40 of a second and 1/125 of a second shutter speeds and the lower of the two shutter speeds is only available when a flashcube is fitted, the fitting of a used cube is the recommended means of obtaining exposure in less than sunny conditions. The rather obvious shutter release also retracts when the lens housing is pushed home in the down position flush to the camera. The S-10 is one of the few Instamatics with an electronic shutter powered by two 1.55 volt EPX825 (S825PX, PX825, KA825, LR53, or BLR53) batteries. The battery cage will not release and it cannot be replace with the lens housing extended because of a contactor that contracts when the housing is depressed effectively turning of the camera. The shutter is somewhat difficult to release with no film and will not release with the back cover opened. The film activates the shutter via the spring post that enters a hole in the 126 film at each frame. The Instamatic S-10 was introduced in 1967 and discontinued in 1970. The camera uses the 126 cartridge film introduced by Kodak in 1963 to produce a 28 by 28mm picture size. The original manufacturers suggested list price in 1963 was $27.50. Some of the information here was gleaned from The Kodak Classics site. The camera pictured here is in condition and worth $ in 2017. | |
 | Kodak Eastman: Instamatic X-15 | 1970-1976 | c | 2007 | 5.00 | 1970-1976 fine condition worth $15.00 in 2014 |
 | Kodak Eastman: Instamatic X-15 | 1970-1976 | c | 2012 | 5.00 | 1970-1976 Good condition worth $10.00 in 2014 |
 | Kodak Eastman: Instamatic X-15 | 1970-1976 | c | 2005 | 10.00 | 1970-1976 Good condition worth $10.00 in 2014 |
 | Kodak Eastman: Instamatic X-15 | 1970-1976 | c | 1992 | 10.00 | 1970-1976 Good condition worth $10.00 in 2014 |
 | Kodak Eastman: Instamatic X-15 | 1970-1976 | c | 2006 | 5.00 | 1970-1976 Good condition worth $10.00 in 2014 |
 | Kodak Eastman: Instamatic X-15 | 1970-1976 | c | 2007 | 5.00 | 1970-1976 Good condition worth $10.00 in 2014 |
 | Kodak Eastman: Instamatic X-15 | 1970-1976 | c | 2015 | 2.00 | 1970-1976 Poor condition worth $0.50 in 2015 |
 | Kodak Eastman: Instamatic X-15 | 1970-1976 | c | 2017 | 3.00 | This is a truly nice, lightweight camera to use, and the last of the US Instamatics. The camera uses 126 film and was manufactured from 1970 to 1976. It has an f/11, 43 mm plastic, single element, meniscus lens that is fixed focused from 4 feet to infinity. The camera produces a 28x28mm image nominal. The shutter speeds are 1/90 of a second normal and drops down to 1/45 of second with a flash. The camera can use 100, 200, and 400 ASA film on a clear and sunny day plus indoors with the flash. The flash range is 4 feet to 7 feet with regular Magicube. Magicube flash cubes require no batteries so the camera is not equipped with them. The camera also has a standard 1/4 inch by 20 threads per inch tripod socket in the bottom and a direct, and an optical bright line with used flash indicator viewfinder. The camera allows you to insert a used flash cube to get lower shutter speed for shade shots with tripod. The camera pictured here is in fine condition and worth $10.00 in 2017. |
 | Kodak Eastman: Instamatic X-15F | 1970-1976 | 1990 | 2.00 | 1976-1988 Good condition worth $10.00 in 2014 | |
 | Kodak Eastman: Instamatic X-15F | 1970-1976 | 2015 | 5.00 | 1976-1988 Good condition worth $10.00 in 2014 | |
 | Kodak Eastman: Instamatic X-35 | 1970-1976 | 2004 | 5.00 | 1970-1976 Good condition worth $10.00 in 2015 | |
 | Kodak Eastman: Instamatic X-45 | 1970-1974 | 2005 | 5.00 | 1970-1974 Good condition worth $15.00 in 2014 | |
 | Kodak Eastman: Instamatic X-90 | 1970-1973 | c | 2020 | 7.00 | The X-90 was produced by Kodak (Rochester, NY, USA) from July of 1970 to August of 1973. Whilst most Instamatics were simple "snapshot" cameras, made of plastic with very few, or no, adjustments, the range extended through designs with metal chassis, light meters or automatic exposure, rangefinders and even an SLR with interchangeable lenses. There were also add-ons such as tele-converter lenses and viewfinders. The X-90 is a rangefinder model with a spring motor frame advance and shutter release. The camera comes with a metal pull ribbon with a tab accessed at the bottom of the camera to wind the spring. It is pull like in a talking doll but you pull it out multiple times till the camera is wound and good for 20 exposures plus leading and trailing exposure. The X-90 uses 126 cartridge film with a whole every frame to stop the film advance and load the shutter. The camera has a Kodak Ektar 38mm f/2.8 lens and shutter speeds of 1/60, 1/125, and 1/250 of a second plus B. It also has 1/30 of a second set by exposure control with 1/40 of a second for flash (this is set automatically when you insert a flash Magicube). The viewfinder is an optical projected view frame type with parallax marks for 5 feet with illuminated signals for insufficient light plus used flashcube. The focusing range is 3 feet to infinity and the lens opening is set automatically by the electric eye, the ASA is set by the 126 film cartridge, and these are powered by a PX-30 (Now the PX30-L lithium replacement for the mercury PX30) battery. The camera has a test button for the battery on the front, when pressed a green light will appear in the rangefinder window (middle front) if the battery is good. The camera dimensions are 8.8 × 13.2 × 6.1 cm (3 7/16 × 5 3/16 × 2 3/8 inch) and weighs about 2.5 pounds. The camera pictured here is in Good condition and worth $15.00 in 2020. |
 | Kodak Eastman: Jiffy Kodak Six-16 | 1933-1937 | 2015 | 15.00 | 1933-1937 Good condition worth $30.00 in 2015 (Has instruction Manual and box) | |
 | Kodak Eastman: Jiffy Kodak Six-20 Series II | 1937-1948 | c | 2015 | 15.00 | 1937-1948 Good condition worth $20.00 in 2015 (comes with original case) |
 | Kodak Eastman: Jiffy Kodak Six-20 Series II | 1937-1948 | c | 2016 | 12.00 | 1937-1948 good condition worth $20.00 in 2016 |
 | Kodak Eastman: Jiffy Kodak Six-20 Series II | 1937-1948 | c | 2020 | 10.00 | The camera used 620 roll film that produced a picture size of 6x9cm. The engraving on the back cover opening catch reads Six 20, Jiffy Kodak, Series II, and Made in USA by Eastman Kodak Co. Rochester, N.Y... The camera has a Twindar 105mm lens with two aperture settings of f/8, f/11 (some cameras have f/16 also) that set by a pull-out tab on the left of the front plate of the shutter/lens assembly. The Jiffy Six 20 has a turning focus ring surrounding the lens with a setting of 5 to 10 feet and a setting of 10 feet to infinity (not very precise with no stopping points). It also has a simple spring rotary one speed shutter of 1/50 of a second, and settings of I (Instant) plus T (time) with a lever on the top of the shutter/lens assembly. The camera has two small waist high reflecting bright viewfinders, one for portrait and one for landscape mounted on the pop-out shutter/lens assembly. The Kodak Jiffy Six 20 Series II is a single extension, strut folding, self-opening Bellows camera. It has a silver button on the right side of the camera that you press to spring open, pressing the face plate/shutter/lens assembly will close the camera. The back of the camera has a small cover that is hinged with a latch on top and when opened reveals a red window to view the frame number on the film backing. It also has a slide release on the top of the camera to open the film compartment. There is a sticker inside of the back cover that reads “Use Kodak 620 film”, “Caution this camera does not take 120 film”, and many patent numbers after that. The Jiffy also has a Camera leg that swivels for vertical and a smaller leg attached to the larger one for horizontal table top standing on the back of the shutter/lens assembly. The body and shutter/lens assembly is made of metal with a leatherette covering weighing in at 753g. The camera was introduced in 1937 and discontinued in 1948. The suggested retail original price was $9.00. The camera pictured here is in fine condition and worth $30.00 in 2020. |
 | Kodak Eastman: Junior Six 16 | 1935-1937 | 2016 | 17.00 | 1935-1937 Fine condition worth $40.00 in 2016 | |
 | Kodak Eastman: Junior Six-16 Series III | 1938-1939 | 2016 | 17.00 | 1938-1939 fine condition worth $35.00 in 2016 | |
 | Kodak Eastman: Junior Six-16 Series ll | 1937-1940 | 2016 | 17.00 | 1937-1940 Fine condition worth $40.00 in 2016 | |
 | Kodak Eastman: Junior Six-20 | 1935-1937 | 2015 | 15.00 | 1935-1937 fine condition worth $25.00 in 2015 | |
 | Kodak Eastman: Kodak 35 | 1938-1948 | 2015 | 15.00 | 1940-1948 poor condition worth $10.00 for parts in 2015 | |
 | Kodak Eastman: Kodak 35 | 1938-1948 | 2015 | 2.00 | 1940-1948 Poor condition worth $5.00 for parts in 2015 | |
 | Kodak Eastman: Kodak 35 | 1938-1948 | c | 2017 | 12.00 | Speculation is that the unusual external RF gearing is a result of a rush to market to compete with the then-popular Argus rangefinders. Basically they took their handsome Bakelite-and-steel Kodak 35 and put an external rangefinder mechanism on it to allow it to focus instead of merely having a pop-up viewfinder. The back comes off just like on an Argus c-four (literally - it even has the same twist-lock as the c-four). The shutter release is a lever on the front next to the RF focus wheel instead of on top. Once you get used to that odd placement it gets pretty quick to focus and shoot. It's also a bit front heavy and doesn't weigh well in the hands (but then, that's somewhat true of the c-four as well). The camera was available with either a Kodak Anastigmat Special lens or an upgraded Anastar lens as found on its contemporary the Reflex II but the one pictured has the former. The Kodak 35 with the Anastigmat Special f/3.5 lens and the Kodamatic shutter was produced from 1940 to 1948. The camera with the Kodak Anastigmat Special f/3.5 lens and the Flash Kodamatic shutter was produced from 1946 to 1948. The Kodak 35 with the Kodak Anastar f/3.5 lens and the Flash Kodamatic shutter was produced from 1947 to 1948. The focal range is 4 feet to infinity and the shutter speeds are T, B, 1/10, 1/25, 1/50, 1/100, and 1/200 of a second. The camera pictured above is in fine condition and worth $30.00 in 2017. |
 | Kodak Eastman: Kodak 35 | 1938-1948 | c | 2017 | 6.00 | Speculation is that the unusual external RF gearing is a result of a rush to market to compete with the then-popular Argus rangefinders. Basically they took their handsome Bakelite-and-steel Kodak 35 and put an external rangefinder mechanism on it to allow it to focus instead of merely having a pop-up viewfinder. The back comes off just like on an Argus c-four (literally - it even has the same twist-lock as the c-four). The shutter release is a lever on the front next to the RF focus wheel instead of on top. Once you get used to that odd placement it gets pretty quick to focus and shoot. It's also a bit front heavy and doesn't weigh well in the hands (but then, that's somewhat true of the c-four as well). The camera was available with either a Kodak Anastigmat Special lens or an upgraded Anastar lens as found on its contemporary the Reflex II but the one pictured has the former. The Kodak 35 with the Anastigmat Special f/3.5 lens and the Kodamatic shutter was produced from 1940 to 1948. The camera with the Kodak Anastigmat Special f/3.5 lens and the Flash Kodamatic shutter was produced from 1946 to 1948. The Kodak 35 with the Kodak Anastar f/3.5 lens and the Flash Kodamatic shutter was produced from 1947 to 1948. The focal range is 4 feet to infinity and the shutter speeds are T, B, 1/10, 1/25, 1/50, 1/100, and 1/200 of a second. The camera pictured above is in Good condition and worth $20.00 in 2017. |
 | Kodak Eastman: Kodak HD | 2005 | 2014 | 2.00 | 2005 fine condition worth $2.00 in 2015 (turn-in camera) | |
 | Kodak Eastman: Kodak KB 10 | 1997 | 2014 | 5.00 | 1997 Good condition worth $10.00 in 2015 | |
 | Kodak Eastman: Kodak KB 10 | 1997 | 2012 | 2.00 | 1997 Poor condition worth $0.50 in 2015 (Batteries left in) | |
 | Kodak Eastman: Kodak KB 10 | 1997 | 2005 | 10.00 | 1997 fine condition worth $15.00 in 2015 | |
 | Kodak Eastman: Kodak KB 10 | 1997 | 2015 | 3.00 | 1997 fine condition worth $15.00 in 2015 | |
 | Kodak Eastman: Kodak KB 10 | 1997 | 2016 | 2.00 | The Kodak KB 10 introduced in 1997, was made by Kodak's Mexican plant. It is a simple point-and-shoot camera. It has a 2-element aspherical 30mm f/8.0 fix-focus lens, an optical viewfinder and a built-in flash. It looks like a modern compact camera but is just a primitive viewfinder camera, with no focusing and a flash that could not be switched off. The focus range is 4 foot (1.2m) to infinity and uses two AA 1.5 volt alkaline batteries. The camera is set up to work best with ISO 400 speed film. Other cameras of the Kodak KB series were derived from the KB 10. The camera pictured above is in good condition with some corrosion in the battery compartment and worth $5.00 in 2016. | |
 | Kodak Eastman: Kodak KB 28 | 1999 | 2013 | 5.00 | 1999 fine condition worth $15.00 in 2014 | |
 | Kodak Eastman: Kodak Kodamatic 960 | 1982 | c | 2015 | 15.00 | 1982 Good condition worth $20.00 in 2015 |
 | Kodak Eastman: Kodak Kodamatic 960 | 1982 | c | 2020 | 7.00 | This is a viewfinder instant camera produced by Kodak from 1982-1986. It used Kodamatic Instant Film, and originally cost $77.95 and at the end of its sales it sold for $29.95. The camera used Kodak HS144 Instant film no longer available. The shutter is Electronic and it has speeds of 1/15 of a second to 1/250 of a second. The camera also has a fixed 100mm f/12.8 lens and has a built in flash unit. The camera pictured her is in good condition and worth $10.00 in 2020. In 1976, Polaroid’s only great competitor, Eastman Kodak, launched its own line of instant cameras. Kodak’s lawyers and engineers believed that they’d dodged and weaved their way around Polaroid’s patents; Polaroid emphatically disagreed, and a week later sued. After a 14-year legal battle, in 1991 Kodak was finally ordered to pay Polaroid a total of $909 million, $925 million with interest. Kodak had to write a check for the largest settlement ever paid out in a patent trial and Judge Rya Sobel, in a serious rebuke, barred the company from the instant-photo business altogether. Owing to a class-action suit, Kodak had to buy back all the cameras for which it could no longer supply film. Kodak had already stopped all production in 1986. |
 | Kodak Eastman: Kodak Power Flash | 2019 | 1.00 | The Kodak HD Power Flash single use camera comes loaded with Max 800 ASA/ISO film. This is a snapshot camera where you fire away as there are no controls other than to wind the film to the next exposure and turn on the flash if necessary. It’s also very small and lightweight, and will fit in a shirt pocket! It costs between $6 and $9 each depending on whether you buy a single camera, or a multi pack. The Power Flash comes in a cardboard box with the camera sealed in a foil wrapper with no instructions but it does have a battery for the flash. It has a fixed focus two element plastic lens, and uses a curved film gate for further corrections. The approximate focal length is between 25-28mm and the approximate fixed aperture is F/16. The fixed shutter speed averages about 1/100 of a second and the flash charge time is about 15 seconds with a range of 4 to 14.5 feet (1.2 to 4.5m). You get 24 exposures on the Max800 film but can yield up to 27. It is possible to re-load the film and reset the exposure counter by opening the film door at the bottom of the camera but you will need to address the stickers/labels hiding seams, modify the new film canister, and hope the battery lasts so not a good idea. The cameras were launched in 2008 and are still sold today. Most of the information here was gleaned from the “Photo Jottings” site review posted in 2017. The camera pictured above was produced about 2010 and has an expiration date of September 2013. It has 23 exposures left and worth about $1.00 in 2019. This is the last entry of a single use camera I will be entering or saving (12/20/2019). | ||
 | Kodak Eastman: Kodak XL 320 | 2023 | 3.00 | The Kodak XL320 Our Gang movie camera was marketed from 1978 when introduced until 1981. It used the silent super 8 type G 160 film cartridge and has a Kodak Ektar f: 1.2 F: 9 mm fixed focusing lens. The camera has auto exposure control for 160 ASA film only and shoots at 18 frames per second. The camera also has a ¼” 20 thread tripod socket and a film counter that counts down from 1 to 0 in 1/4s. It operates by use of a DC micro motor that uses 4 alkaline AA batteries stored in a side compartment. The shutter button can be locked for ease of use and the view finder emulates the degree view of the lens. This camera is in Good condition and worth $10.00 in 2023. | ||
 | Kodak Eastman: LS743 | 2004 | 2015 | 5.00 | 2004 Good condition worth $15.00 in 2015 (4.0MP) | |
 | Kodak Eastman: LS753 | 2004 | 2013 | 6.00 | 2004 fine condition worth $25.00 in 2014 (5MP) | |
 | Kodak Eastman: Mickey-Matic | 1988 | c | 2021 | 2.00 | Kodak released two cameras under the Mickey-Matic name, themed around Mickey Mouse. One of these was introduced in 1988, and is very similar to the Kodak Gimini, Kodak Winner, Kodak Trimlite Instamatic 18, Kodak Kids Camera, My First Camera, and the abortive Kodak Galactic. It takes still available 110 film cartridges. Not to be confused with the Mick-A-Matic camera, which is a non-Kodak camera for the 126 film cartridge format. Children\'s cameras for the 110 and 126 formats were relatively common, due to their ease of loading. The Mickey-Matic came in two colors of pink plus blue and they have a Mickey Mouse sticker with Disney printed on it over the viewfinder. The camera also has a Flip-Flash socket on top and came with a handy braded string type wrist strap. The Flip-Flash requires no batteries and automatically uses the next forward facing flash bulb. The shutter speed is 1/90 of a second with or without a Flip-Flash plugged in. The lens is a 25mm fixed focus f/11 and has a focus range of 5ft to infinity. The camera was sold in a blister pack with a roll of 110 ISO 200 Kodacolor film, a wrist strap, the camera, instructions, and a coupon mail-in offer of a limited-edition ceramic frame featuring Mickey Mouse for the low price of $4.49. This original Mickey-Matic sold for about $12.99 in 1988. Disney and Kodak upgraded the 110 Mickey-Matic in 1993 by relabeling the Kodak Star 110 that has a built-in flash unit. This unit needs two alkaline AAA batteries to power the flash and has a 28mm fixed focus f/8 three element lens with a single 1/125 of a second shutter speed. This camera came in black and sold for about $18.99 in 1993 when newly release. |
 | Kodak Eastman: Monitor Six-16 | 1939-1948 | c | 2018 | 23.00 | The Kodak Monitors were robust folding roll film cameras manufactured by Eastman Kodak from 1939 to 1948. They were available in two different models (both introduced in October of 1939), one using 620 roll film and the other 616 roll film. They were called the Monitor Six-20 and the Monitor Six-16. With the exception of the very rare and fragile Kodak Super Six-20, the Monitors are arguably the most sophisticated American Kodak folders of the 1930s and 1940s. They are solid and very well crafted. The Kodak Monitor six-16 is a viewfinder camera; it lacks a rangefinder. The viewfinder is a surprisingly pleasant to use pop-up unit on the center of the cameras top plate. It has a parallax adjustment that can be varied from infinity to 4 feet. Surprisingly, the cameras also have the older style waist level reflecting finder common on older Kodak folding cameras. All Kodak Monitors feature automatic film spacing, double exposure prevention, and top-plate-mounted accessory shoes and shutter releases. A top-plate-mounted depth of field dial was present on the models featuring the Anastigmat Special lens. The all metal bodies are covered with embossed leather. Flash synchronization was an option from 1946 on. According to Kodak literature, the Monitor Six-16 originally sold for $48.50 USD and the Monitor Six-20 for $66.00 USD ($707 and $960 USD in 2007). Presumably, the Six-20 price was for the more expensive lens (the Anastigmat Special) and except for the dimensional differences for the two film formats, the cameras are identical. Each of the Monitor models came with a choice of lenses. All are in a front-element-focusing mount. The Six-20 had a Kodak Anastigmat f/4.5 f=103 or 105mm and or a Kodak Anastigmat Special f/4.5 f=101mm. The Six-16 had a Kodak Anastigmat f/4.5 126mm or a Kodak Anastigmat Special f/4.5 f=127mm. All are believed to be a four element Tessar type. The camera pictured here is in Fine condition and worth $45.00 in 2018. |
 | Kodak Eastman: Party Star | 1983-1984 | c | 2009 | 2.00 | 1983-1984 Good condition worth $10.00 in 2014 |
 | Kodak Eastman: Party Star | 1983-1984 | c | 2019 | 5.00 | A Party Star Kodamatic Instant Camera, manufactured by Kodak Limited in 1983 and discontinued in 1984. This camera for taking 'instant' photographs is fitted with an f/2.8, 100mm fixed-focus lens and an electronic shutter - 1/15 of a second to 1/250 of a second. The camera's built-in electronic flash can fire automatically on each exposure if needed and the flash, shutter, and other electric components are powered by four AA batteries in a compartment on the back of the film door. This camera was produced by Kodak for distribution at Tupperware parties that were the big rage at the time. The Party Star is a partial folding camera with rubber billows instead of paper. It also has light to dark slide selector, frame counter that counted down to zero, a large viewfinder, a flash ready light, a flash auto switch, and came with a handy carry strap. Kodak began to manufacture instant cameras in 1977. Polaroid, who had pioneered instant photography in 1948, took legal action. In 1985, after prolonged litigation, judgment went against Kodak who had to discontinue the production of instant cameras and film. This camera pictured above is in good condition. The Party Star Kodamatic label next to the tricolored pyramid is on this camera. The original tag could be sent back to Kodak by the owner so they could get their money back after the lawsuit. The camera sold for $78.00 new and is now worth $10.00 in 2019. |
 | Kodak Eastman: Partytime | 1980-1982 | c | 2019 | 7.00 | The PartyTime and the Brownie Fiesta instant cameras were identical other than the name. The Fiesta released first in 1979 marketed primarily to the Spanish speaking population. The PartyTime released one year later in all markets and both cameras were discontinued in 1982 with the release of the PartyTime II. The most widely used film in the cameras was the Kodak Instant Color Film PR144-10 and the cameras used a spreader bar chemical dispersal method similar to Polaroids of the era. The PR144-10 film worked in all Kodak cameras that were not marked KODAMATIC and TRIMPRINT. The cameras have an electronic shutter, electronic exposure, plus used disposable flash bars that were all powered by a No539 size J 6-volt battery in a compartment in the back of the camera. The lens and optical viewfinder are made of plastic and about 30mm optically. The cameras also have a light/dark slide adjuster for exposure control and a landscape ¼ inch 20 thread tripod socket. In 1985 Polaroid won the ongoing legal battle with Kodak and along with a hefty fine, all of Kodak’s instant cameras/film was discontinued. The camera pictured here is in good condition and worth $5.00 for display or parts. |
 | Kodak Eastman: Partytime 2 | 1982-1984 | c | 2019 | 10.00 | The Kodak PartyTime II instant camera was almost identical to the Fiesta and PartyTime. The Fiesta released first in 1979 marketed primarily to the Spanish speaking population. One side of the instruction pamphlet was written in Spanish, turn it over and you had English. The PartyTime released one year later in all markets and both cameras were discontinued in 1982 with the release of the PartyTime II. The most widely used film in the cameras was the Kodak Instant Color Film PR144-10 and the cameras used a spreader bar chemical dispersal method similar to Polaroids of the era. The PR144-10 film worked in all Kodak cameras that were not marked KODAMATIC and TRIMPRINT like the PartyTime II that is marked Kodamatic and used Kodak HS144-10 film. The cameras have an electronic shutter, electronic exposure, plus had a flash bar socket that was all powered by a ((# 539 Eveready) (# 7K67 Duracell)) size J 6 volt battery in a compartment in the back of the camera. The lens and optical viewfinder are made of plastic and about 30mm optically. The cameras also have a light/dark slide adjuster for exposure control and the PartyTime plus Fiesta have a landscape ¼ inch 20 thread tripod socket that was dropped on the PartyTime II. In 1985 Polaroid won the ongoing legal battle with Kodak and along with a hefty fine, all of Kodak’s instant cameras/film was discontinued. The camera pictured here is in fine condition and worth $20.00 with the bilingual instruction book in 2019. |
 | Kodak Eastman: Partytime 2 | 1982-1984 | c | 2019 | 5.00 | The Kodak PartyTime II instant camera was almost identical to the Fiesta and PartyTime. The Fiesta released first in 1979 marketed primarily to the Spanish speaking population. One side of the instruction pamphlet was written in Spanish, turn it over and you had English. The PartyTime released one year later in all markets and both cameras were discontinued in 1982 with the release of the PartyTime II. The most widely used film in the cameras was the Kodak Instant Color Film PR144-10 and the cameras used a spreader bar chemical dispersal method similar to Polaroids of the era. The PR144-10 film worked in all Kodak cameras that were not marked KODAMATIC and TRIMPRINT like the PartyTime II that is marked Kodamatic and used Kodak HS144-10 film. The cameras have an electronic shutter, electronic exposure, plus had a flash bar socket that was all powered by a ((# 539 Eveready) (# 7K67 Duracell)) size J 6 volt battery in a compartment in the back of the camera. The lens and optical viewfinder are made of plastic and about 30mm optically. The cameras also have a light/dark slide adjuster for exposure control and the PartyTime plus Fiesta have a landscape ¼ inch 20 thread tripod socket that was dropped on the PartyTime II. In 1985 Polaroid won the ongoing legal battle with Kodak and along with a hefty fine, all of Kodak’s instant cameras/film was discontinued. The camera pictured here is in fine condition and worth $20.00 with the bilingual instruction book in 2019. |
 | Kodak Eastman: Pleaser | 1977-1982 | c | 2021 | 5.00 | The Kodak Pleaser was an instant Kodak pack film camera introduced in 1977 and discontinued in 1982. The camera shutter and other electronics were powered by a size J six volt alkaline battery that was housed in the bottom of the lens assembly cone and accessed from the outside. The camera did not have a motorized exposed picture ejector but used a manual fold in crank handle to eject the frame and start the development portion. The Pleaser, The Pleaser II, The Handle, The Handle II, EK2, EK20, EK22, and the (Coke) Happy Times were the same camera with different color schemes. The Handle and others had a battery test button that the Pleasure does not have. Other features of the Pleaser are a 100mm f/12.7 lens, eye level optical viewfinder, print number view window in the back cover, rudimentary exposure compensation dial on the front barrel, and 2 second to 1/300 of a second shutter speeds that were set by the camera with some feedback from the exposure compensation dial. The camera pictured here is in Good condition and worth $20.00 in 2021. Patent infringement case: 1986 ended Kodak’s instant camera phase after the patent infringement case was won by Polaroid. Polaroid was to be paid $909,000,000 out of the 5.7 billion they sued for. Kodak was also ordered to stop producing all their instant film and instant film cameras. Kodak gave the money back to owners of the cameras after losing to Polaroid but only if you registered the camera, filled out the paper work, and sent in the front name plate and so many of these cameras are without name plate. An estimated 4.3 million owners were registered with the company for compensation since Kodak dropped the product line out of 16.5 million instant cameras Kodak sold over a 10-year period in the United States. The settlement involved four groups of instant cameras made by Kodak with ten cameras in group 1 ($50), fourteen in group 2 ($55), six in group 3 ($60), and nine in group 4 ($70) for a total of 39 cameras and the money was a combination of cash, 1 stock in Kodak, new camera replacement, and or redeemable Kodak coupons. |
 | Kodak Eastman: Pocket Instamatic 10 | 1972 | 2005 | 2.00 | 1973-1976 fine condition worth $15.00 in 2014 | |
 | Kodak Eastman: Pocket Instamatic 10 | 1972 | c | 2016 | 4.50 | This was the cheapest of the Kodak 110 cameras, and the Instamatic range. The Pocket Instamatics were frequently sold with a flash extender, since without this the Magicube would be too close to the lens, and produce a great deal of red-eye effect and glare. It is a basic snapshot camera with Magicube facility and two-speed shutter, the lower speed being engaged when a Magicube is fitted or just the extender. It does have a used bulb warning that shows up in the viewfinder when appropriate. Some examples come with a padded zipped case marked 'Kodak Smile Saver', with space for the camera, Magicube extender, and Magicube. The Camera has a 25mm, f/11 Meniscus lens, a push lever film advance, optical viewfinder, film observation window for frame count plus ASA, and a handy carry strap. The camera was introduced in 1973 and discontinued in 1976. The original suggested list price was $23.00 in 1973 and the 110 film produces a 13 x 17 mm picture size. The camera pictured here is in fine condition and worth $10.00 in 2016. |
 | Kodak Eastman: Pocket Instamatic 20 | 1972-1976 | 2009 | 1.00 | 1972-1976 good condition worth $8.00 in 2014 | |
 | Kodak Eastman: Pocket Instamatic 20 | 1972-1976 | 2018 | 1.00 | In 1972, Kodak introduced the Pocket Instamatic series for its new 110 format. The model 20 camera, model 30, and model 40 belong to the average range of Kodak pocket Instamatic. The most visible difference between the three models resides in the color of the shutter release button. They all have a sliding lens cover to protect the lens but it does not lock the shutter release, it does however put a diagonal red line through the viewfinder when closed. These cameras sold for about less than $30. They have a mechanical shutter with a unique speed of 1/100 of a second without a flash Magicube attached and commutes automatically to 1/40 of a second when using a Magicube. It has a fixed focus three coated 25mm lens with a 9.5 f-stop. The set came with one roll of 110 film, one Magicube, a carry strap, the camera, instruction booklet, and instructions on how to get your free flash cube extender to prevent red eye. The dimensions are 4.9 inches long, 2.2 inches wide, and 1.1 inches high. The Pocket Instamatic 20 four year run ended in 1976. | |
 | Kodak Eastman: Pocket Instamatic 20 | 1972-1976 | c | 2020 | In 1972, Kodak introduced the Pocket Instamatic series for its new 110 format. The model 20 camera, model 30, and model 40 belong to the average range of Kodak pocket Instamatic. The most visible difference between the three models resides in the color of the shutter release button. They all have a sliding lens cover to protect the lens but it does not lock the shutter release, it does however put a diagonal red line through the viewfinder when closed to warn you. These cameras sold for less than $30. They have a mechanical shutter with a unique speed of 1/100 of a second without a flash Magicube attached and commutes automatically to 1/40 of a second when using a Magicube. It has a fixed focus three coated 25mm lens with a 9.5 f-stop. The set came with one roll of 110 film, one Magicube, a carry strap, the camera, instruction booklet, and instructions on how to get your free flash cube extender to help prevent red eye by raising the cube and still automatically turning to the next flash bulb. The dimensions are 4.9 inches long, 2.2 inches wide, and 1.1 inches high. The Pocket Instamatic 20 four year run ended in 1976. Other features are a frame count view window in the back cover, a ¼ inch 20 thread tripod socket, and a handy carry wrist strap. The camera pictured here is in good condition and worth $5.00 in 2020. | |
 | Kodak Eastman: Pocket Instamatic 30 | 1972-1975 | 2007 | 5.00 | 1972-1976 Fine condition worth $15.00 in 2014 | |
 | Kodak Eastman: Pocket Instamatic 300 | 1972-1975 | 2017 | 5.50 | The Kodak Pocket Instamatic 300 was one of Kodak's pocket cameras for the type No. 110 16mm film cartridges, one of a variety of Instamatic 110 camera types. The camera has a slide selector switch for various apertures with weather symbols for dark clouds, cloudy, normal, sunny and bright mountain sun. The camera also has a fixed 26mm f5.6 Triplet lens and two shutter speeds. The lower of the two shutter speeds is only available when a flashcube is fitted or the extender is plugged in. The normal aperture setting is used when the Magicube is inserted in the socket provided on the top of the camera. The flash reaching from 1.2 meters to 5 meters, depending on selected aperture and Magicube rating. The 300 was manufacturer by Kodak AG (German branch of the Kodak Company) and launched in 1972 then discontinued in 1975. The dimensions are 114×55×27mm. Most of these cameras were sold in a kit with a Magicube 3 inch extender that drastically reduced the instances of red eye. The Magicube needed no batteries to fire and this was an advantage over other forms of flash bulbs of the time. Most kits came with the extender, one Magicube, roll of film, instruction booklet, carry strap, and the camera. Some 300’s came with a blue shutter button and others were black with no other distinction between them. The camera also has a bright-line viewfinder with parallax marks and a used-bulb warning for the Magicube socket. The camera pictured here is in Fine condition and worth $10.00 in 2017 plus made in May of 1973 according to the Camerosity Code dating system of YRSM. | |
 | Kodak Eastman: Pocket Instamatic 40 | 1972-1975 | 1995 | 2.00 | 1972-1975 good condition worth $7.50 in 2014 | |
 | Kodak Eastman: Pocket Instamatic 40 | 1972-1975 | 2015 | 4.00 | 1972-1976 Good condition worth $20.00 with extras | |
 | Kodak Eastman: Pocket Instamatic 60 | 1972-1976 | 2005 | 2.50 | 1972-1976 Good condition worth $10.00 in 2014 | |
 | Kodak Eastman: Pocket No.1A Series II | 1923-1931 | 2015 | 25.00 | 1923-1931 Good condition worth $30.00 in 2015 | |
 | Kodak Eastman: Pocket No.1A Series II | 1923-1931 | 2015 | 25.00 | 1923-1931 poor to good condition worth $15.00 in 2015 (Leatherette needs regluing) | |
 | Kodak Eastman: Pocket No.1A Series II | 1923-1931 | c | 2017 | 15.00 | The No. 1A Pocket Kodak, Series II Camera was manufactured by the Eastman Kodak company from 1923 to 1931. Capable of taking twelve exposures, 2 1/4 x 4 1/4 inches on No. 116 roll film without reloading. Designed with a simple self-erecting front and bed for quick set up. Various lens plus shutter options were available including a fixed focus, Meniscus achromatic lens and Kodex shutter that sold for $17.00 in black, an adjustable Focus with a Kodar f7.9 131mm lens and Kodex shutter that sold for $21.00, and a Kodak Anastigmat f7.7 lens and a Kodak Diomatic shutter that originally sold for $26.00. All versions were constructed of aluminum with some steal parts where needed and covered in black pin-grain cowhide, with the hardware finished in nickel coating or black enameled. Features included an autographic feature, brilliant reversible finder, and two tripod sockets. The autographic feature required special film that had a carbon strip that lined up with the window that slid opened on the back of the camera. The user could then write what they like in the limited space (1/4”x 2 ¾”). This film in all sizes launched in 1914 and was never very popular so Kodak discontinued manufacturing in 1932. The camera pictured here is in good condition and worth $15.00 in 2017. |
 | Kodak Eastman: Pony 135 | 1950-1954 | 2000 | 10.00 | 1950-1954 Fine condition worth $25.00 in 2014 | |
 | Kodak Eastman: Pony 135 | 1950-1954 | 1996 | 15.00 | 1950-1954 Good condition worth $15.00 in 2014 | |
 | Kodak Eastman: Pony 828 | 1949-1959 | N/A | 15.00 | 1949-1959 Good condition worth $20.00 in 2014 | |
 | Kodak Eastman: Pony 828 | 1949-1959 | 2015 | 5.00 | 1949-1959 Poor condition worth $2.00 for parts in 2015 (Shutter sticks) | |
 | Kodak Eastman: Pony II | 1957-1962 | c | 1994 | $20.00 | 1957-1962 X-Fine condition worth $40.00 in 2014 |
 | Kodak Eastman: Pony II | 1957-1962 | c | 2017 | 8.00 | Introduced in 1957 and discontinued production in 1962 this enigmatic camera, the Pony II utilizes Kodak's higher quality Anastar lens (4 elements in 3 groups, similar to a Tessar but with the rear element group reversed) in a rigid mount, but has only a single 1/30 of a second (M sync only) shutter speed. The 44mm f3.9 with EV (exposure values) of 9.5 to 15 lens lacks traditional f/stops, but instead is marked with EV’s (exposure values). The aperture diaphragm has only four blades. The top mounted film reminder dial of the Pony 135 models is replaced by a holder on the camera's back providing a place for Kodak film EV cards. The camera's redesigned top has a very different "late 1950s" look. The B-1 pocket flash holder uses two AA batteries, can use M5 or M25 lamps, and has a number of adjustments on the back for setting the correct lens opening. The Kodak Pony II originally sold for $26.75 USD without the flash attachment. The camera pictured here is in fine condition and worth with the flash $30.00 in 2017. |
 | Kodak Eastman: Pony II | 1957-1962 | c | 2020 | 5.00 | Introduced in 1957 and discontinued production in 1962 this enigmatic camera, the Pony II utilizes Kodak\'s higher quality Anastar lens (4 elements in 3 groups, similar to a Tessar but with the rear element group reversed) in a rigid mount, but has only a single 1/30 of a second (M sync only) shutter speed. The 44mm f3.9 with EV (exposure values) of 9.5 to 15 lens lacks traditional f/stops, but instead is marked with EV’s (exposure values). The aperture diaphragm has only four blades. The top mounted film reminder dial of the Pony 135 models is replaced by a holder on the camera\'s back providing a place for Kodak film EV cards. The camera\'s redesigned top has a very different \"late 1950s\" look. The B-1 pocket flash holder uses two AA batteries, can use M5 or M25 lamps, and has a number of adjustments on the back for setting the correct lens opening. The Kodak Pony II originally sold for $26.75 USD without the flash attachment. The camera pictured here is in Good condition and worth $10.00 in 2020. |
 | Kodak Eastman: Rainbow Hawk-Eye No.2 Mod C | 1930-1933 | 2015 | 5.00 | 1926-1934 good condition worth $15.00 in 2015 | |
 | Kodak Eastman: Rainbow Hawk-Eye No.2 Mod C | 1930-1933 | 2015 | 8.00 | 1926-1934 Good condition worth $18.00 in 2015 | |
 | Kodak Eastman: Rainbow Hawk-Eye No.2 Mod C | 1930-1933 | 2016 | 10.00 | 1926-1934 Fine condition worth $25.00 in 2016 | |
 | Kodak Eastman: Rainbow Hawk-Eye No.2 Mod C | 1930-1933 | c | 2017 | 10.00 | The Rainbow Hawk-eye was based on the Cartridge Hawk-Eye camera, but in a variety of colors, including blue, green, brown, maroon, red and black. Oddly enough, the black seems to be the least common, yet has the least value. In addition to color, they can be found with different grain patterns to the outer covering. The Rainbow Hawk-Eye was available in the two sizes that are common to many of the hawk-Eye line, No. 2 and 2A. The No.2 used 120 film, creating images that are 2-1/4 x 3-1/4 inched. The 2A made 2-1/2 x 4-1/4 inch images on 116 film. To open the camera, you unlatch the two latches, then turn the wind knob while pulling, and it will pull partway out. The back of the camera will then slip off. Both sizes of the Rainbow Hawk-Eye were available in two models, Model B and Model C. The Model B had two viewfinders, the Model C was a simplified version with only one. The Model C is the more common of the two. The Rainbow Hawk-Eye was also produced in Canada. The Hawk-Eye No. 2 model C of 1913 was as is noted a simpler model with just one viewfinder, and no choice of aperture. The camera was reissued in 1930 as anniversary giveaway of Eastman Kodak Co. for children at the age of 12. This special edition came with a round sticker denoting the same and also had paper work plus a box with similar markings. The camera had a standard meniscus lens and a rotary shutter. It is reported that 52,000 of the early cameras were made and much more of the anniversary edition. The camera was produced from 1930 to 1933. The camera pictured above is in good condition and worth $10.00 in 2015. |
 | Kodak Eastman: Retina Ia (015) | 1951-1954 | 2015 | 32.00 | 1951-1954 Good condition worth $60.00 in 2015 | |
 | Kodak Eastman: Retina Reflex IV (051) | 1964-1966 | c | 2017 | 100.00 | This is a Kodak Retina Reflex IV type 051 35mm Single Lens Reflex camera made by Kodak AG in Stuttgart, West Germany between the years 1964 and 1966. The Retina Reflex series was a continuation of the earlier rangefinder Retina, and shared many of the same parts, including the body, lens mount, and leaf shutter. The leaf shutter in the Retina Reflex would prove to be problematic over the years which prevented them from being considered a serious SLR platform. Despite the unreliable shutter, the Retina Reflex series maintained the high quality standard of earlier Retinas, and included well-built lenses that had excellent optics. The Retina Reflex IV was not only the last Retina Reflex, it was also the last “true” Retina camera, and the last time Kodak would ever build their own analog SLR. The camera has the synchro Compur-X leaf shutter with speeds of 1 second to 1/500 of a second plus B. The camera also has a Gossen selenium cell exposure meter with a match needle visible in viewfinder. The 50mm Schneider-Kreuznach Retina-Xenon f/1.9 coated 6-elements lens was the one that came with the camera and very fine ones can command $90.00 today. The camera has a Retina bayonet mount (front group only) lens mount and a Hot Shoe plus PC socket X sync. The Retina Reflex IV originally sold for $277 USD and over 524,000 were made of the 051. In 1977 an unknown quantity of Retina Reflex IV (051/N) cameras were hand assembled from spare parts at Kodak A.G. in Germany. The only difference was the lack of a serial number on top of the pentaprism and the body number is embossed on the leather of the back cover rather than printed in the film compartment. The N stands for New. Some of this information was gathered from the mikeeckman.com web site, Wikipedia, and McKeown’s Price Guide. The camera pictured her is in Poor condition due to shutter reliability. The camera has three lenses with it worth $80.00 (50mm), $20.00 (35mm), and $30.00 (135mm). The camera is worth $10.00 for parts in 2017. |
 | Kodak Eastman: S 100 EF Kodak | 1988-1993 | 2016 | 4.00 | This camera was introduced in 1988 and discontinued in 1993. From the Kodak S-series point-and-shoot line, the S100 featured a (plastic?) 35mm f/4.5 lens and 3 aperture settings. The camera required 2 AA batteries to power the flash but was otherwise a manual camera. The aperture was set by way of either the "film speed" switch (100/200 or 400) or by the flash switch. The smallest aperture was used with the film speed switch set to "400" and the middle aperture setting was used when the switch was set to "100/200." The aperture was the most open (f/4.5) only when the flash switch was enabled. However, if the photographer removed the batteries, the camera could still be used with the flash switch enabled, thus giving 3 different aperture levels. The camera also has a built in lens cover that locks the shutter button when closed, a frame counter, optical viewfinder, right thumb film advance wheel, fold down rewind crank that pulls up to release the film, rewind film release button on the bottom of the camera body, flash read light, and a film view window in the back cover. The camera was made in Taiwan R.O.C. (Republic of China) and distributed by Eastman Kodak Company out of Rochester New York. | |
 | Kodak Eastman: S 300 MD Kodak | 1988-1993 | 1998 | 5.00 | 1989-1993 good condition worth $10.00 in 2014 | |
 | Kodak Eastman: S 400 SL Kodak | 1989-1991 | 2006 | 2.50 | 1989-1991 good condition worth $10.00 in 2014 (1 of 2) | |
 | Kodak Eastman: S1100 XL-Kodak | 1989-1993 | 2005 | 5.00 | 1989-1993 fine condition worth $20.00 in 2014 | |
 | Kodak Eastman: Signet 40 | 1956-1959 | 2009 | 12.00 | 1956-1959 Good condition worth $35.00 in 2014 | |
 | Kodak Eastman: Six-16 Brownie (US) | 1933-1941 | 1998 | 5.00 | 1933-1941 Good condition worth $10.00 in 2014 | |
 | Kodak Eastman: Six-16 Brownie Junior (US) | 1934-1942 | 1998 | 5.00 | 1934-1942 fine condition worth $15.00 in 2014 | |
 | Kodak Eastman: Six-16 Brownie Junior (US) | 1934-1942 | 2015 | 4.00 | 1934-1942 good condition worth $5.00 in 2015 | |
 | Kodak Eastman: Six-16 Brownie Junior (US) | 1934-1942 | c | 2017 | 4.50 | This camera is a box type roll film camera that takes size 616 film. Introduced in February of 1934 the camera had a long run till October of 1942. Kodak has no idea how many they made. The camera measures 5 1/8” x 3 ½” x 5 ½” and it takes a picture 2 ½” X 4 1/4". The camera has a Meniscus lens and a rotary shutter. The original retail price was $2.75 in 1934. The camera has a front cover plate that is imprinted with a geometric art deco design with a brass colored background. The camera also has two brilliant view finders for landscape or portrait photos and the one pictured above is in good condition worth $5.00 in 2015. |
 | Kodak Eastman: Six-16 Target Hawk-Eye | 1932 | c | 2015 | 10.00 | 1932-1933 fine condition worth $20.00 in 2015 |
 | Kodak Eastman: Six-20 Brownie (US) | 1933-1941 | 1998 | 5.00 | 1933-1941 good condition worth $10.00 in 2014 | |
 | Kodak Eastman: Six-20 Brownie Junior (US) | 1934-1942 | 1993 | 10.00 | 1934-1942 fine condition worth $15.00 in 2014 | |
 | Kodak Eastman: Six-20 Brownie Junior (US) | 1934-1942 | 2012 | 10.00 | 1934-1942 good condition worth $7.00 in 2014 | |
 | Kodak Eastman: Six-20 Brownie Junior (US) | 1934-1942 | 2004 | 5.00 | 1934-1942 Good condition worth $10.00 in 2014 | |
 | Kodak Eastman: Six-20 Senior | 1937-1939 | c | 2020 | 15.00 | Senior Six-20 Kodak The Senior Six-16 & Camera were manufactured by the Eastman Kodak Company from 1937 to 1939. The Senior Six-16 Kodak camera took 8 exposures, 2 1/2 x 4 1/2 inch size, on number 616 film without reloading. The Senior Six-20 Kodak camera took 8 exposures, 2 1/4 x 3 1/4 inch size, on number 620 film without reloading. Both cameras were self-erecting with two Kodak Anastigmat lens options, either f4.5 with Kodamatic shutter or a lesser quality f6.3 with a Kodex shutter or No.1 Diomatic shutter. Camera features include an optical folding direct view eye-level finder, knurled winding knob, table top swing out legs for portrait plus landscape pictures, 3/8 inch 18 thread tripod mount sockets for landscape plus portrait, shutter speeds up to 1/150 of a second plus Bulb & Time, a linkage shutter release that is located on the side of the camera or you could use the shutter release lever to the right of the manual shutter loading lever, and a handy leather carry handle. Originally priced at $35.00 and $31.00 respectively for the f4.5 lens and $23.00 and $20.50 for the f6.3 lens respectively. The camera pictured here is in poor working condition but has value as a display piece and is worth $10.00 in 2020. |
 | Kodak Eastman: Star 1035z | 1993-1995 | 2008 | 2.00 | 1993-1995 fine condition worth $15.00 in 2014 | |
 | Kodak Eastman: Star 1035z | 1993-1995 | 2016 | 5.00 | 1993-1995 fine condition worth $15.00 in 2016 | |
 | Kodak Eastman: Star 110 | c1993 | 2008 | 2.00 | 1993 fine condition worth $10.00 in 2014 (1 of 2) | |
 | Kodak Eastman: Star 110 | c1993 | c | 2017 | 3.50 | Made in China, a simple snapshot camera with a built-in electronic flash, the unusual feature being the centrally mounted film-wind wheel on the back of the camera. Rebadged versions were made for Disney as the Lion King Camera and the Mickey-Matic. The camera needs two AAA size alkaline batteries for the automatic flash unit and flash ready indicator. The flash refresh rate is 10 seconds with new batteries. Two versions of the Star 110 were produced at the same time and introduced in 1993. One more rounded and stylish with the other boxy. The camera uses the 110 cartridge but finding a photo finisher may be difficult at best. Both cameras have a 28mm f8 fixed focus lens, 1/125 of a second shutter speed, tripod mount on the bottom, flash on/off switch, flash ready LED, film observation window in the back cover that is also the frame counter, and a handy carry strap. The original manufacturers suggested list price in the US was $18.95. The camera picture at the top is in Fine condition and worth $10.00 in 2017. |
 | Kodak Eastman: Star 235 | c1992 | 2005 | 2.50 | 1992 Good condition worth $10.00 in 2014 | |
 | Kodak Eastman: Star 235 | c1992 | 2016 | 3.00 | 1992 Good condition worth $10.00 in 2016 | |
 | Kodak Eastman: Star 435 | c1990-1994 | 2005 | 3.00 | 1990-1994 Good condition worth $10.00 in 2014 | |
 | Kodak Eastman: Star 435 | c1990-1994 | 2016 | 3.00 | 1990-1994 Good condition worth $10.00 in 2014 | |
 | Kodak Eastman: Star 535 | 1992-1995 | c | 2016 | 2.00 | This camera was introduced by Kodak in 1992 and discontinued in 1995 plus manufactured in Mexico. It has a built in Kodak sensalite flash, built in lens cover, optical viewfinder, frame counter on the top of the camera body, film view window in the back, automatic film advance, automatic rewind at the end of the roll, and a handy built in carry strap. Once the camera is turned on the flash unit charges and the Kodak sensalite system is engaged with no option to turn it off. The lens cover switch also turns the camera on and off plus locks the shutter button. The measurements are 5 3/16” x 3 1/8” x 2” and it weighs about 5 ounces without the two AA batteries that power the camera. The camera works best with ASA 200 35mm film and it shows you that when you open the film compartment. The camera pictured here is in fine condition and worth $10.00 in 2016. |
 | Kodak Eastman: Star 535 | 1992-1995 | c | 2020 | 8.00 | This camera was introduced by Kodak in 1992 and discontinued in 1995 plus manufactured in Mexico. It has a built in Kodak sensalite flash, built in lens cover, optical viewfinder, frame counter on the top of the camera body, film view window in the back, automatic film advance, automatic rewind at the end of the roll, and a handy built in carry wrist strap. Once the camera is turned on the flash unit charges and the Kodak sensalite system is engaged with no option to turn it off. The lens cover switch also turns the camera on and off plus locks the shutter button. The measurements are 5 3/16” x 3 1/8” x 2” and it weighs about 5 ounces without the two AA batteries that power the camera. The camera works best with ASA 200 35mm film and it lets you know that when you open the film compartment. The camera pictured here is in good condition and worth $5.00 in 2020. |
 | Kodak Eastman: Star 635 | 2020 | 3.00 | The Kodak Star 635 is a 35mm film camera, and was made in Brazil. Some of the features are DX programmed, auto rewind, auto frame advance, auto exposure, electronic shutter, built-in flash, built-in sliding lens cover that is also the on/off switch, frame counter, optical viewfinder, film view window in the back cover, right hand shutter release button, and a handy wrist carry strap. The picture size is 24 x 36 mm (.94 by 1.4 inches) and the camera uses two AA Alkaline batteries. The Kodak Star 635 was produced between 1990 and 1991 and its original list price was (USD) $79.95. The camera pictured here is in Poor condition and worth $.50 in 2020. | ||
 | Kodak Eastman: Star 735 | c1991-1994 | 2015 | 8.00 | 1991-1994 Good condition worth $10.00 in 2015 | |
 | Kodak Eastman: Star 935 | c1991-1993 | 2007 | 5.00 | 1991-1993 Fine condition worth $15.00 in 2014 | |
 | Kodak Eastman: Star Focus Free | c1995-1997 | 2015 | 5.00 | 1995-1997 Fine condition worth $15.00 in 2015 | |
 | Kodak Eastman: Startech | 1959 | c | 2018 | 16.00 | The Startech is a specialized version of the Brownie Starflash supplied with two close-up lenses, red marked 4-8 inches and green marked 10-16 inches, as are the aperture settings on the camera. They used the Starflash body and just plugged the external fash ports. The left-hand side of the body shows painted metal plugs that have the shutter electrically connected to them on the inside of the camera. To facilitate the calculation of the distance, a chain (not with USA kit) with three colors (metal, red, green) was attached to the camera and was to be tended by the photographer, between the camera and the subject. The color of the chain in contact with the object determined the cap to install. A metal framework placed under the camera made it possible to maintain the minimum distance between the lens and the object (not with the USA kit) and facilitated framing. The lens apertures are very small with f27 and f64 to achieve a depth of field at close-up distances and a correct exposure level for the short working distance of the flash unit. The USA kit came with a camera with a built-in flash unit and attachable flash shield. Two color-coded close-up lenses, two AA batteries, one roll of 127 Kodak Ektachrome film, and 12 M-2 flashbulbs. Also, a cardboard easel (miniature studio) is included along with instructions for use of the camera. This Flashtech was introduced in 1959, two years after the Brownie Starflash. One of the other differences from the Starflash is that the flash reflector on the Startech is a dull grey, not the reflective mirror of the Starflash. Another difference is that the Startech exists only in white. The camera set pictured here is in fine condition and worth $25.00 in 2018. |
 | Kodak Eastman: Stereo-Kodak 35 (brown) | 1954-1959 | c | 2020 | 40.00 | Seton Rochwite was a camera hobbyist who began designing and building his own stereo cameras in 1929. In 1938, he began work on one that would be suitable for commercial manufacture; he built the first prototype in 1940. He brought it to the David White Company of Milwaukee who, interested in the design, hired him in 1943. The company began advertising the "Stereo Realist" in photography magazines in 1945, although it would not end up being produced until late 1947. The Stereo Realist system proved so popular that several companies, such as Revere, Bell and Howell, Three Dimension Company (TDC) and Kodak came out with their own cameras using the same format. The Kodak Stereo Camera in particular, which was both less expensive and easier to use, might have outsold the Realist, had it been released prior to the end of 1954. The Kodak Stereo Camera was a 35mm film stereo camera produced between 1954 and 1959. Similar to the Stereo Realist, the camera employed two lenses to take twin shots of scenes, which could then be viewed in dedicated image viewers. The lenses supported adjustable apertures and variable shutter speeds. The camera had a reputation for being easy to use, and sold approximately 100,000 units during the time it was produced. The camera has self-cocking shutter with double exposure prevention which could be overridden by the manual shutter cocking lever located on the bottom of the camera, a fold down rewind crank handle, optical viewfinder directly between the two taking lenses (A spirit level was visible in the view finder making it easier to avoid camera tilt, one of the pitfalls of stereo photography), a frame counter that counted down, shutter speeds of 1/25 of a second to 1/200 of a second plus B, f stop numbers of 3.5 to 22, focusing distances of 4 feet (1.2m) to infinity, and a bayonet type flash connector. By the mid to late 1950s the public's fascination with stereo imaging was fading, and by 1960 the White Stereo Realist was the only stereo camera of the 1950s era that was still manufactured. Realist production limped on at much-reduced numbers throughout the 1960s and finally ceased in 1971. The camera pictured here is in fine condition and worth $110.00 in 2020. |
 | Kodak Eastman: Stylelite Pocket | 1979 | 2004 | 1.00 | 1979-1982 good condition worth $4.00 in 2014 | |
 | Kodak Eastman: Tele Disc (Medalist) | 1985-1990 | 2013 | 1.00 | 1985-1988 fine condition worth $15.00 in 2014 | |
 | Kodak Eastman: Tele Disc (Medalist) | 1985-1990 | 2015 | 2.00 | 1985-1990 good condition worth $2.00 in 2015 | |
 | Kodak Eastman: Tele-Ektra 1 | 1978-1981 | 2016 | 2.00 | Slightly deeper bodied than similar cameras in the range, the 'norm/tele' control on the top of the camera changes the magnification of the brightline viewfinder as it switches the lens from 22mm to 44mm. Flash is provided by Flipflash. The camera pictured above is in fine condition and worth $10.00 in 2016. | |
 | Kodak Eastman: Tele-Ektralite 20 | 1979-1981 | c | 2017 | 2.00 | The Kodak Tele-Ektralite 20 is a 110 cartridge film camera. It featured "normal" and "tele" mode, and a built-in flash. It was made in Canada, introduced in 1979 and discontinued in 1981. The camera has a 22mm and 44mm f/9.5 lens plus a 2 speed shutter. The lower of the two shutter speeds is only available when the flash is being used. The built in flash on this Canadian-made dual-lens camera normally folds flush with the end of the camera when off, only flipping out when needed. When the lens is changed from its 'norm' setting of 22mm to the 'tele' setting of 44mm, the Brightline viewfinder changes in magnification to match the lens. The manufacturer’s suggested retail price in 1979 was $58.00. The camera also has a view window in the back cover to view ASA plus frame count, and it is the cover release. By putting your finger in the window opening and sliding it in the down position the cover opens. The camera does not have a tripod mount but does have a flash ready light. The camera pictured here is in Poor condition and worth $1.00 for parts in 2017. |
 | Kodak Eastman: Tele-Ektralite 600 | 1979 | 2015 | 3.00 | 1980-1982 fine condition worth $10.00 in 2015 | |
 | Kodak Eastman: Tele-Instamatic 608 | 1975-1979 | c | 1997 | 2.00 | 1975 Good condition worth $12.00 in 2014 (1 of 2) |
 | Kodak Eastman: Tele-Instamatic 608 | 1975-1979 | c | 2017 | 8.00 | The Tele-Instamatic 608 has a 25mm (f11) and 43mm (f11) lenses. One of the first cameras to let you choose between a normal and a telephoto lens with a flick of the finger. This is a fixed focus, fixed exposure camera introduced in 1975 and discontinued in 1979. It has a depth-of-field from 5 feet to infinity (25mm) and 6 feet to infinity (43mm). It also has shutter speeds of 1/125 of a second (1/45 of a second for flash), flip-flash socket, and a spring-loaded lens cover/viewfinder cover (does not lock shutter). It does not have a tripod or cable shutter release socket. Overall size is 2 1/4 x 5 x 1 1/8". The camera originally came with stick-on monogram letters to personalize your new purchase. An extra you could purchase and pictured here is the Kodak “Model A” Ektron Electronic flash unit that fits in the flip-flash socket and uses two AA batteries. This camera pictured here is in Fine condition and with the flash unit worth $20.00 in 2017. |
 | Kodak Eastman: Tourist (Anastar) | 1948-1951 | 2016 | 5.00 | 1951-1958 Good condition worth $20.00 in 2016 | |
 | Kodak Eastman: Tourist II | 1951-1958 | 1990 | 13.00 | 1951-1958 good condition worth $20.00 in 2014 | |
 | Kodak Eastman: Tourist II | 1951-1958 | 2004 | 10.00 | 1951-1958 Poor condition worth $3.00 in 2014 (missing the film pin assembly) | |
 | Kodak Eastman: Tourist II | 1951-1958 | 2015 | 15.00 | 1951-1958 good condition worth $10.00 in 2014 | |
 | Kodak Eastman: Tourist II | 1951-1958 | 2020 | 5.00 | The Tourist II, introduced in May of 1951, features a redesigned top cover and a new viewfinder, which contains frame lines for the optional 828 roll film adapter. Production was discontinued in July of 1958. The Tourists use 620 film making 8 2¼×3¼ exposures. The use of 828 roll film for 8 28×40mm exposures was an option. The Tourist's most unusual feature is its back; through the use of cleverly engineered latches, it can be opened on the left side, right side, or removed completely. Removing the back allows the use of the multi-format Kodak Tourist Adapter Kit, which consists of: a camera back with red windows for 4 different formats; 2¼×2¼ inch, 2¼×1⅝ inch and 28×40mm masks; 828 roll film supply and take up spool adapters; and viewfinder masks for each of the three additional formats. The Tourists are well made and feature a die cast aluminum body, covered in black Kodadur, a synthetic leather of remarkable durability. All models feature a tripod socket, a lens door mounted shutter release, and eye-level viewfinders. All Tourists feature flash synchronization. The Anaston and Anastar lens models feature cable release sockets on the shutter, front-element focusing, and top mounted accessory shoes; the fixed-focus Kodet lens models lack these features and had smaller viewfinders. Frame spacing and shutter cocking are completely manual. A variety of lens/shutter combinations were available on the Tourists; at the low end, the camera is little more than a folding equivalent of a box camera; at the upper end, the camera is capable of producing professional level results. This is a low end camera with the Kodet lens and the Kodon shutter. The camera pictured above is in poor condition and worth $5.00 for parts in 2020. | |
 | Kodak Eastman: Trimlite Instamatic 18 | 1975-1979 | c | 2012 | 2.00 | 1975-1979 fine condition worth $8.00 in 2014 |
 | Kodak Eastman: Trimlite Instamatic 18 | 1975-1979 | c | 2020 | 1.00 | This camera offered no exposure adjustments other than different film speed and flash. It is a basic camera with a fixed-focus lens and two shutter speeds of 1/90th of a second (Daylight) and 1/40th of a second (with Flash). The negatives are .5 inch (12.7mm) x .6 inch (15.24mm) much too small to take good photos but the size of the camera makes it easy to put in your pocket. Produced from 1975 to 1979 the camera went the way of 110 film cartridges but film is now available. The camera uses flip-flash bars that plugged in the top and you flip them over to use the other four flash bulbs eight in all without the need of a battery. The camera has an F-stop of f11 and a Fixed Focus (5 feet (1.52m) to infinity) 25mm lens. Other features are the film view window that seconds as a frame counter using the back of the film cartridge, one stroke thumb film advance that loads the shutter, optical bright frame viewfinder, a precise fit carry case with a pocket clip, and you could stick your initials on the back with the included letters and provided area. The camera apparently spawned many similar cameras that emerged later, such as the Kodak Winner and Kodak Gimini, with the others being Kodak Kids Camera, Kodak Mickey-Matic (first model), My First Camera and the abortive Kodak Galactic. The camera pictured above is in good condition and worth $5.00 in 2020. |
 | Kodak Eastman: Trimlite Instamatic 38 | 1975-1979 | 2015 | 8.00 | 1975-1979 Fine condition worth $20.00 with original box, three year warranty card, strap, and instruction booklet | |
 | Kodak Eastman: Trimprint 940 | 1984-1986 | 2015 | 10.00 | 1984-1986 fine condition worth $20.00 in 2015 | |
 | Kodak Eastman: Vest Pocket Autographic | 1915-1926 | 2018 | 5.00 | The Vest Pocket Autographic Kodak was the version advertised in the U.S.A. as the "Soldier's camera" during World War I. It was very successful, selling 1,750,000 units. It was of the compact strut folding type and had the meniscus lens or a U.S.-speed 8 Rapid Rectilinear lens. The camera back had an area through which notes could be written onto the paper backing of the A127 film (A for Autographic) by use of a metal stillest that rested in a holder opposite the hinge of the door to the film paper back. The writing became visible along the border after the film was developed. The "autographic" feature was invented by Henry J. Gaisman and launched in 1914. The autograph film fell from popularity and all renditions of the film were discontinued in 1932. The Vest Pocket Autographic camera can also use regular 127 film. The camera was introduced in 1915 and the last one was made by Kodak in 1926. | |
 | Kodak Eastman: Vigilant Junior Six-20 | 1940-1949 | c | 2017 | 15.00 | The Kodak Vigilant Junior Six-20 was a folding camera made in the USA and Canada by Kodak from 1940 to 1949. It took 6x9cm images on 620 film. It was similar to the Kodak Vigilant Six-20, but with a simpler lens and shutter. There was also a larger model, the Vigilant Junior Six-16. The camera came equipped with either a simple fixed focus Kodet meniscus lens with a fully adjustable f/12.5 iris in a Dak shutter, which has time, bulb, and instant exposure settings or a better 3 element Bimat lens with a fully adjustable f/11 to f/32 iris in a Dakon shutter which has time, bulb, and 1/25 plus 1/50 of a second exposure settings. Both cameras have a plunger cable socket, fold down eye level frame viewfinder, and a waist level brilliant viewfinder. The original price in 1940 was very reasonable $11.00. The camera pictured here is in Fine condition and worth $50.00 with the box, instructions, and sales sheets in 2017. |
 | Kodak Eastman: Vigilant Junior Six-20 | 1940-1949 | c | 2019 | 12.00 | The Kodak Vigilant Junior Six-20 is a folding camera made in the USA and Canada by Kodak from 1940 to 1949. It took 6x9cm images on 620 film. It was similar to the Kodak Vigilant Six-20, but with a simpler lens and shutter. There was also a larger model, the Vigilant Junior Six-16. The camera came equipped with either a simple fixed focus Kodet meniscus lens with a fully adjustable f/12.5 iris in a Dak shutter, which has time, bulb, and instant exposure settings or a better 3 element Bimat lens with a fully adjustable f/11 to f/32 iris in a Dakon shutter which has time, bulb, and 1/25 plus 1/50 of a second exposure settings. Both cameras have a plunger cable socket, fold down eye level frame viewfinder, two 3/8 inch 16 thread tripod sockets (portrait plus landscape), and a waist level brilliant viewfinder that can be rotated for portrait or landscape orientations. The aperture is continuously adjustable between f/12.5 and f/32. The original price in 1940 was very reasonable $11.00 and a carrying case (called a Snapsack by Kodak) cost $2.50. Some of the other extras for the camera were self-timer $1.25 (for the cable release socket), Kodak metal tripod (No.0 $2.75, No.1 $4.50, No.2 $5.00), Optipod (for attaching to table, chair, fence etc.), and Kodapod (for attaching to a tree or similar surface). The camera pictured here is in fine condition and worth $40.00 with the box, instruction manual, Indoor exposure guide plus calculator, and sales sheets in 2019. |
 | Kodak Eastman: Vigilant Junior Six-20 | 1940-1949 | c | 2019 | 25.00 | The Kodak Vigilant Junior Six-20 was a folding camera made in the USA and Canada by Kodak from 1940 to 1949. It took 6x9cm images on 620 film. It was similar to the Kodak Vigilant Six-20, but with a simpler lens and shutter. There was also a larger model, the Vigilant Junior Six-16. The camera came equipped with either a simple fixed focus Kodet meniscus lens with a fully adjustable f/12.5 iris in a Dak shutter, which has time, bulb, and instant exposure settings or a better 3 element Bimat lens with a fully adjustable f/11 to f/32 iris in a Dakon shutter which has time, bulb, and 1/25 plus 1/50 of a second exposure settings. Both cameras have a plunger cable socket, fold down eye level frame viewfinder, and a waist level brilliant viewfinder. The original price in 1940 was very reasonable $11.00. The camera pictured here is in Fine condition and worth $50.00 with the box, instructions, and sales sheets in 2019. |
 | Kodak Eastman: Vigilant Junior Six-20 | 1940-1949 | 2023 | 18.00 | The Kodak Vigilant Junior Six-20 is a folding camera made in the USA and Canada by Kodak from 1940 to 1949. It took 6x9cm images on 620 film. It was similar to the Kodak Vigilant Six-20, but with a simpler lens and shutter. There was also a larger model, the Vigilant Junior Six-16. The camera came equipped with either a simple fixed focus Kodet meniscus lens with a fully adjustable f/12.5 iris in a Dak shutter, which has time, bulb, and instant exposure settings or a better 3 element Bimat lens with a fully adjustable f/11 to f/32 iris in a Dakon shutter which has time, bulb, and 1/25 plus 1/50 of a second exposure settings. Both cameras have a plunger cable socket, fold down eye level frame viewfinder, two 3/8 inch 16 thread tripod sockets (portrait plus landscape), and a waist level brilliant viewfinder that can be rotated for portrait or landscape orientations. The aperture is continuously adjustable between f/12.5 and f/32. The original price in 1940 was very reasonable $11.00 and a carrying case (called a Snapsack by Kodak) cost $2.50. Some of the other extras for the camera were self-timer $1.25 (for the cable release socket), Kodak metal tripod (No.0 $2.75, No.1 $4.50, No.2 $5.00), Optipod (for attaching to table, chair, fence etc.), and Kodapod (for attaching to a tree or similar surface). The camera pictured here is in fine condition and worth $40.00 with the leather case in 2023. | |
 | Kodak Eastman: Vigilant Six-16 | 1939-1948 | 2015 | 20 | 1939-1948 Good condition worth $40.00 in 2015 | |
 | Kodak Eastman: Vigilant Six-16 | 1939-1948 | c | 2018 | 12.00 | The Kodak Vigilant Junior Six-16 is a folding roll film camera produced from 1939 to 1948. It has a three speed shutter (approximately1/25, 1/50, & 1/100 of a second, plus B- and T-settings) in a DAK shutter assembly with f-stops from f/8.8, f/11, f/16, f/22 and f/32. It produced 2-1/2 x 4-1/4 inch images on 616 roll film. It can have a Kodak No.2 Kodamatic f-4.5 or an Anastigmat f/8.8 lens, both 126mm. The Vigilant 616 is a sturdy, well-designed folding medium-format camera. Manufactured by Canadian Kodak Co. Limited in Toronto, Ontario and offers a variety of aperture and shutter speed combinations to ensure proper exposure. Although originally designed for 116 film, which is no longer manufactured, it works with current 120 film, achieving 6 panoramic exposures per roll. Features include standard ¼” 20 thread tripod mounts for both portrait and landscape orientation, 2 cable-release ports, foldout tabs for level camera placement on any flat surface plus is designed to fold up, protecting the camera and bellows while taking up less space. The camera has a few limitations, but none that prevent it from being highly functional. These limitations are to be expected in any piece of photographic equipment of this era and include the (expected) viewfinders that only approximate composition, fragile and leaking bellows, a failing mechanical timer and no sync port for studio lights or off-camera flash. The camera has one fold-up viewfinder and one angled mirror finder. It weighs 32.9 ounces and its negative size is 63mm x 107mm (2½” x 4¼”). The camera pictured here is in good condition and worth $20.00 in 2018. |
 | Kodak Eastman: Vigilant Six-20 | 1939-1949 | c | 2019 | 15.00 | The Kodak Vigilant Six-20 medium format camera was manufactured from 1939 to 1949 and originally sold for US $38.00 (about US $670 in 2019). The Vigilant cameras came with one of at least four types of Kodak lenses. Three were Kodak Anastigmats (later called Anastons): the F/4.5 105mm, F/6.3 105mm and F/8.8 100mm. The top of the line Vigilant came with the excellent f/4.5-32 101mm Anastigmat Special (later called Anastar) lens in a Kodak Supermatic shutter with speeds of 1 to 1/400 second plus B&T. There are also several shutter types including the Dakon, Diomatic, Kodamatic, and Supermatic. The Vigilant series shared a common body with the Kodak Monitor series. The main difference was that the Vigilants had a simplified top and completely manual film advance; you needed to watch the small red window in the back of the camera to make sure that you didn't advance past the next number else you risked overlapping exposures or losing a picture. The Vigilant's top plate contained the shutter release, a reverse Galilean viewfinder, the folding bed release, and the film advance knob. Cameras equipped with f/4.5 lenses also had a parallax adjustment on the viewfinder. An old style waist-level reflex viewfinder was located on the lens mount. Most of this information was gleaned from Wikipedia and the Matt Denton site. The camera pictured here is in Good condition and worth $25.00 in 2019. |
 | Kodak Eastman: VR 35 K10 | 1986-c1990s | c | 2017 | 5.00 | Kodak's VR35-Series was a line of 35mm point-and-shoot cameras, introduced in 1986, marking Kodak's return to making 35mm cameras after a 17 year gap. The range continued until 1993. They had varying degrees of sophistication, ranging from the basic fixed focus models, with one aperture, no built-in flash and manual wind, to models with motor drive, programmed auto exposure and autofocus. Manufacturing sites included Japan, Hong Kong, Thailand and Taiwan. The Vr35 K10 uses a standard 9V battery for the flash and automatic functions. It also has a 35mm f3.5 Ektanar lens, DX-coded film speed with no manual setting, electronic shutter, auto focus, frame counter, lens cover, fill flash switch, film view window in back cover, shutter speeds of 1/8 of a second to 1/500 of a second, 24 x 36mm picture size, rewind fold down crank handle, and a right thumb film advance wheel. The flash is 4 inches above the lens to prevent red eye and flash glare. The camera was made in Japan, introduced in 1986, and discontinued in 1988. The original list price for the US was $130.00 in 1986. The camera picture here is in fine condition and worth $15.00 in 2017. |
 | Kodak Eastman: VR 35 K12 | 1986-1989 | 2015 | 10.00 | 1986-1989 Fine condition worth $15.00 in 2015 | |
 | Kodak Eastman: VR 35 K300 | c1987-1990 | 2003 | 5.00 | 1987-1990 Fine condition worth $10.00 in 2015 | |
 | Kodak Eastman: VR 35 K300 | c1987-1990 | 2015 | 3.00 | 1987-1990 Fine condition worth $10.00 in 2015 | |
 | Kodak Eastman: VR 35 K80 | c1987-1993 | 2011 | 6.00 | 1987-1993 fine condition worth $20.00 in 2014 | |
 | Kodak Eastman: VR 35 K80 DX | c1986-1993 | 2014 | 5.00 | 1986-1993 Good condition worth $15.00 in 2014 | |
 | Kodak Eastman: Winner Camera | 1979 | 2016 | 4.00 | The Kodak Winner was introduced in 1979 for $11.95 and uses 110 film. It is a basic fixed-focus pocket camera, and has a Flipflash socket. A version in red was marked "Kodak Official Sponsor of the 1988 Olympic Games". 110 film is still available so a working example can still be used by those with a case of nostalgia. It is extremely similar to Kodak Gimini, Kodak Trimlite Instamatic 18, Kodak Mickey-Matic (first model), Kodak Kids Camera, and Kodak Galactic. All these cameras use a Flipflash that had four or five flash bulbs on each side facing front. Once one side is used you flip the assembly over for the other side. The flipflash was produced by many of the camera and bulb companies (Agfa, Phillips, Polaroid, Sylvania, and GE to name a few). Another camera (other than using flashcubes) that resembles the line is the Kodak Hawkeye Pocket Instamatic. The Winner camera using 110 film produces a 13 x 17mm picture with a 25mm f11 meniscus lens. The shutter speeds are 1/90 of a second and 1/40 of a second with Flipflash installed in the provided socket. The optimum Flash Distance is 5 to 16 feet with various Flipflash units available. The camera also has a right hand side film advance lever, optical viewfinder, film observation window in the back cover for frame counting, and a handy carry strap. The camera pictured here is in Good condition and worth $10.00 in 2016. | |
 | Kodak Eastman: Winner Camera (1988 Olympics) | 1988 | c | 2018 | 15.00 | The Kodak Winner is a camera for 110 film and produced 13 x 17mm image size. It is a basic fixed-focus pocket camera with a 25mm f/11 Meniscus lens plus has a Flipflash socket. The optimum flash distance is 5 to 16 feet, the shutter speeds are 1/90 of a second and 1/40 of a second when using a flipflash. A version was available marked "Official Sponsor of the 1988 Olympic Games". The Kodak Winner is extremely similar to Kodak Gemini, Kodak Trimlite Instamatic 18, Kodak Mickey-Matic (first model), Kodak Kids Camera, and Kodak Galactic. Other than using different flashcubes, it also greatly resembles a Kodak Hawkeye Pocket Instamatic. The original Kodak Winner was introduced in 1979 and sold for $11.95. The Kodak Winner “Official sponsor of the 1988 Olympic Games” camera was announced in 1987 and was packaged with an ISO 200/24 exposure roll of Kodacolor VR-G film. It also came with a mail in offer for a Kodak Winner Olympic watch for $3.99 with a fabric watch band that seconded as a wallet and uses Velcro to attach to the wrist. Now although the original 110 film is still available but out of date you can buy 110 film produced by Lomography for slides and 110 black & white photo film as of 2011. The camera pictured above is in new condition and worth $30.00 in 2018. |
 | Kodak Eastman: World"s Fair Flash Camera | 1964-1965 | c | 2020 | 5.00 | The Kodak World's Fair Flash is a camera for 127 roll film and was released for the 1964/1965 New York World's Fair. It featured a single-speed shutter, and used the 4x4cm picture format. Its original price was $7.95. The camera has a fixed focus lens and Single Speed Rotary shutter. It is similar to the Hawkeye Flashfun and was sold only at the New York World's Fair. The camera had a fixed plastic roof over the lens with the emblem of the World’s Fair and its name on the sticker. The 1964-1965 World’s Fair was the third to be held in New York City. It was held over two six-month periods and showcased American culture and technology. Other features were a built in flash that used the AG-1 flash bulbs, an optical viewfinder, clear plastic escutcheon around the lens, two strap attach points, frame advance knob on the bottom of the camera, a red round window for frame count on the back of the camera, and a battery compartment that housed two AA batteries to power the flash unit. The back of the cameras flash unit has an instructional chart for use of the flash with distances when using Verichrome Pan or color film. It also recommends use of a flash guard that was available for the camera. With Kodak it is always unclear how many were sold but the Fair was very successful so 20,000 or more. By Kodak standards this is a small number. The camera pictured here is in good condition and worth $15.00 in 2020. |
 | Konica Minolta: DiMAGE Z6 | 2005 | 2014 | 10.00 | 2005 Fine condition worth $35.00 in 2014 (6.0MP) | |
   | Konishiroku (Konica): Baby Pearl | c1934-1946 | c | 2020 | 20.00 | The Baby Pearl is a vertical folder inspired by the Zeiss Ikon Baby Ikonta, but not a dead copy. It has incurved struts and a folding optical finder. The body edges are either black or chrome finished. The name BABY PEARL is embossed in the leather covering at the front. The film is advanced by a knob at the bottom right, and there are two red windows in the back to control its position. On most cameras, the main release is on the shutter casing and the folding bed release is close to the advance knob, but the last postwar examples have a body release and bed opening button symmetrically placed around the viewfinder. Four different lenses were mounted on the Baby Pearl, all with 50mm focal length and focusing by turning the front element. The Optor f/6.3 and f/4.5 lenses are triplets designed by Konishiroku; they were reputedly manufactured by Asahi Kōgaku (predecessor of Pentax), but their production was perhaps taken back by Konishiroku at some time. The Hexar Ser.1 f/4.5 is a four-element lens, designed and made by Konishiroku, and an f/3.8 version was introduced in June 1937. The Hexar lens option was the more expensive in 1934. The shutter speeds are 1/25, 1/50, and 1/100 of a second plus B. The pop-up optical viewfinder had two lenses and some examples have a hairline cross sight on the viewfinder's front window. The camera was produced from 1934 to 1946, made in Japan, and used 127 roll film. The camera pictured here is in good working condition and worth $25.00 in 2020. |
 | Konishiroku (Konica): KD-400Z | 2002 | 2002 | 410.00 | 2002 Fine condition worth $35.00 in 2014 (4.0MP) | |
 | Konishiroku (Konica): Konica Auto S2 | 1965 | 1995 | 10.00 | 1965-1966 good condition worth $35.00 in 2014 | |
 | Konishiroku (Konica): Konica Autoreflex T | 1968-1970 | c | 2016 | 5.00 | The Autoreflex T was the first focal plane shutter 35mm SLRs with auto-exposure and TTL metering combined in one body. In Japan it was sold as FTA, in Germany as Revue Autoreflex TTL. It was introduced in 1968 and discontinued in 1970. The AutoReflex line started in 1965 and continued till 1982 with the last of them being the Autoreflex TC. The Autoreflex T is fully mechanical with shutter-priority auto exposure. The batteries (two PX 675 type mercury cells) were only needed for the CdS light meter. The shutter speed range is from 1 second to 1/1000 of a second and B. The camera has a right thumb film advance lever, locking shutter button, ASA plus shutter speed selector knob combination, time delay lever, two flash sockets M plus X, check batteries button, film rewind fold down crank, rewind release button, ¼” 20 thread tripod mount, frame counter, and more. There is one rare and special version of this model, known as the Autoreflex W. This is a camera fitted with a special timing back, for use at sporting events. It imprints the time of the exposure on each frame of film. The back is similar in function to the one offered in 1963 on the Konica FS-W, an F/FS mount camera. The camera pictured above has a stuck rewind release button and is listed in Poor condition. In this condition it is worth $5.00 for parts in 2016. |
 | Konishiroku (Konica): Konica Autoreflex TC | 1976-1982 | 1994 | 8.00 | 1976-1982 good condition worth $30.00 in 2014 | |
 | Konishiroku (Konica): Konica C35 | 1968 | 2016 | 15.00 | The Konica C35 of 1968 is a 35mm camera and first of a series of four cameras from Konishiroku. The Konica C35 was the first of a number of compact cameras that swept the marketplace in the early seventies. It brought together a number of desirable design strands into one camera, not simply light weight and compact size, but a CdS meter in the lens mount (eliminating worries about filter correction factors), a rangefinder and most importantly of all, the simple operation of "auto only" exposure. The camera was available in black or silver with a 38mm f2.8 four-element Hexanon lens with 46mm filter thread. It also has a coupled rangefinder, self-timer, 3.3ft closest focus, Copal B mat programmed shutter, shutter speeds 1/30 to 1/650 of a second, lever wind, double-exposure prevention, resetting frame counter, bright line finder, and a handy carry strap. The price in Britain £42.15 (£42.75, in April 1970). In Japan, the C35 was nicknamed and advertised by Konishiroku as the Konica C35 "Journey", an ideal travel camera thanks to its compact size. The camera pictured here is in fine condition and worth $15.00 in 2016. | |
 | Konishiroku (Konica): Konica C35 EF | 1975 | 2007 | 4.50 | 1975 good condition worth $8.00 in 2014 | |
 | Konishiroku (Konica): Konica C35 EFP | 1977 | 1990 | 5.00 | 1978 fine condition worth $15.00 in 2014 | |
 | Konishiroku (Konica): Konica C35 EFP | 1977 | 2014 | 15.00 | 1978 fine condition worth $15.00 in 2014 | |
 | Konishiroku (Konica): Konica Disc 15 | 1983 | 1999 | 5.00 | 1983 Poor condition worth $0.50 in 2014 | |
 | Konishiroku (Konica): Konica FP 1 (Program) | c1981 | 2015 | 25 | 1981-1983 fine condition worth $50.00 2015 | |
 | Konishiroku (Konica): Konica FS 1 | c1979-1983 | 2015 | 15.00 | 1979-1983 Poor condition worth $5.00 for parts and the lens is in fine condition worth $25.00 in 2015 (no shutter response but the motor runs and runs) | |
 | Konishiroku (Konica): Konica FS 1 | c1979-1983 | 2015 | 20.00 | 1979-1983 fine condition worth $30.00 and the lens is in fine condition worth $25.00 in 2015 | |
 | Konishiroku (Konica): Z-up 60e (Fantasio 60z) | 2002 | 2005 | 22.00 | 1999 Fine condition worth $40.00 in 2014 | |
 | Konishiroku (Konica): Z-up 70 Super | 1998 | 2001 | 20.00 | 1999 Fine condition worth $15.00 in 2014 | |
 | Kowa: Kowa SER | 1965-1970 | c | 2019 | 20.00 | The Kowa SER was produced from 1965 to 1970. It is a 35mm SLR camera with a coupled CdS meter. The camera was capable of using ASA 10 to 800 film and has shutter speeds of 1 to 1/500th of a second. The interchangeable lenses (Kowa proprietary mount) have a fully automatic diaphragm and is coupled to the cameras built-in CdS light meter plus shutter. The single action film right thumb advance lever makes it easy to ready yourself for the next shot. When new the camera came with a 6x4 inch 28 page manual, camera strap, and an f2 50mm Kowa SER lens mounted on it with a focus range from 2.5 to infinity (0.76 m). Kowa insisted on using leaf shutters when pretty much every other Japanese maker (and many Germans) were using focal-plane shutters. The big advantage to leaf shutters is that you get flash-sync at all speeds, whereas focal-plane shutters of the 1960s usually topped out at 1/60th or 1/90th of a second. Kowa is a Japanese company, which manufactured cameras from 1954 to 1978. It continued to make binoculars, telescopes and medical optics (among much else), and in 2005 marketed a "spotting scope TD-1" with integrated digital camera, thereby again becoming a camera manufacturer of a sort but in early 2009 this was discontinued also. The camera pictured above is in poor condition and worth $5.00 for the camera and $15.00 for the lens in 2019. |
 | Krasnogorsk: Zorki 4 | 1956-1973 | 2020 | 19.00 | The Zorki 4 was possibly the most popular of all Zorki cameras, with 1,715,677 cameras made by the KMZ factory in Krasnogorsk, Russia. The Zorki 4 was also the first of the Zorki cameras to be exported in large numbers to the west. Inspired by the screw mount Leica, It is a fully manual camera, and does not have a light meter. When the Zorki 4 rangefinder was introduced in 1956, its contemporaries included the Zorki S, Zorki 2S, FED 2b, Leica M3 (introduced two years before), Leica IIIg, Nikon S2, Canon VT, and Canon L1. The Zorki 4's production run outlasted all of them. When it morphed into the Zorki 4K by 1973, its contemporaries included the FED 4b, Leica M4 and M5, Nikon F2, and Canon F-1 and Canon Canonet QL 17 GIII. The Zorki 4 is basically a Zorki 3S with a self-timer. It retained all of the features and strong points of the 3S. The early bodies have a vulcanite body covering, engraved shutter speeds, and strap lugs. Later bodies have fabric covering and the shutter speeds (1/60 and 1/30 instead of 1/50 and 1/25). Also the later bodies are silk-screened and by the mid-1960s, the strap lugs had disappeared. As with other Soviet-era rangefinders, the shutter speed selector rotates when the shutter is released, and should not be changed until after the shutter has been cocked. If the shutter speed is changed without cocking the shutter first, the setting pin can be broken when the film is advanced. This info was gleaned from Wikipedia with some minor adjustments. The camera pictured here is in Fine condition and worth $35.00 in 2020. | |
 | Kuribayashi (Petri): Petri 2.8 Color Corrected Super | 1957-1958 | 2019 | 18.00 | The Petri 2.8 35mm camera was introduced in 1957 and discontinued in 1958. The Petri 2.8 color corrected was released 1958 at discontinued in 1961. It gets confusing because on the name tag of the 1957 Petri 2.8 is printed “Petri 2.8 Color Corrected Super”. The 1958 camera also has “Petri 2.8 Color Corrected Super” on the name tag but includes “Kuribayashi Camera Industry, Inc. Japan” under that. The words “Kuribayashi Camera Industry, Inc. Pat. Japan” is printed on the top of the 1957 2.8 camera under a Winter/Summer exposure guide. The 1957 Petri 2.8 uses a large font on the word Petri with a capital P and lower case after that on the name tag (Britannic Bold 24pt font(Petri)), whereas the 2.8 Color Corrected font is about a 14pt font and in all caps (PETRI). The 1958 camera (2.8 Color Corrected) has a larger bright-line viewfinder and the Petri name embossed on its top plate. Both cameras use the Kuribayashi A.C. Petri Orikkor 2.8/4.5cm lens and both are coupled rangefinder cameras. The 1957 Petri 2.8 instruction book had “Petri 2.8” only printed on the cover so I will call that camera model the Petri 2.8 and the 1958 model I will call the Petri 2.8 BV (Big Viewfinder). The styling differences between the two cameras force you to separate them. The Petri 1.9 camera has the same problem with the same changes made. There is also the Petri 35 that is the same camera as the Petri 2.8 when it has the Kuribayashi A.C. Petri Orikkor 2.8/4.5cm lens but it comes with a Kuribayashi A.C. Orikkor 2.8/4.5cm lens that dropped Petri from the name on the lens ring. Kuribayashi only made the Petri F2 (2.0) with the smaller viewfinder and it used the Kuribayashi A.C. Petri Orikkor 2.0/4.5cm lens. Features: The Petri 2.8 can use films of ASA 5 to 800 and has aperture settings of 2.8 to 22. The focus range is 2 feet (60.96 cm) to infinity and shutter speeds are 1 second to 1/300 of a second plus B. The camera also has a PC synchro socket, a cold shoe, Carperu shutter, right thumb single action frame advance lever, frame counter, rewind crank that when pulled up released the back cover, and a small optical viewfinder. The camera pictured here is in good condition and worth $15.00 in 2019. | |
 | Kuribayashi (Petri): Petri 35 | 1954 | 2015 | 47.00 | 1954 Fine condition worth $75.00 in 2015 | |
 | Kuribayashi (Petri): Petri 35 E | 1977 | 1995 | 2.00 | 1977 Poor condition worth $5.00 for parts in 2014 | |
 | Kuribayashi (Petri): Petri 7 | 1961 | 2015 | 20.00 | 1961 fine condition worth $40.00 in 2015 (This camera comes with the original box, the sleeve over the box, the Petri plastic bag for the camera, the bill of sale from a military base in Hawaii by Captain Joe A. Bandy, letter from the sister that received it as a present in 1962, the instruction manual, the original Desiccant bag from Petri, and the leather camera case.) | |
 | Kuribayashi (Petri): Petri 7 S | 1962 | c | 2016 | 15.00 | 1963 fine condition worth $30.00 in 2016 |
 | Kuribayashi (Petri): Petri 7 S | 1962 | c | 2018 | 7.00 | The Petri 7s was introduced by Petri in 1963 as a variant of the Petri 7 which was introduced in 1961. The main difference being an improved film advance lever and frame counter. It took 35mm film, had a coupled rangefinder. Production of the 7s ended in after 10 years in 1973. Compared to its predecessor, the 7s is very advanced. It has ATL (around the lens) selenium metering with a match-needle visible both in the viewfinder as well as the top of the camera. From the 7s came the compact Petri Color 35, which was wildly popular when released in 1968. The 7s was available with either a 45mm f1.8 or f2.8 lens and both are coated plus have a 52mm filter thread mount. The shutter is a Petri MVE leaf (in-lens) with speeds up to 1/500 of a second, and the viewfinder used Petri's Green-o-Matic system. It also has a timer on the side of the lens along with a flash setting lever with W and X settings plus PC external flash connection. The retail price in 1963 was about $60.00 to $80.00. The camera pictured here is in Poor condition and worth $1.00 for parts in 2018. |
 | Kuribayashi (Petri): Petri FTX | 1974 | 2016 | 16.00 | 1974 good condition worth $35.00 in 2016 | |
 | Kuribayashi (Petri): Petri Penta V6 II | 1970 | 2015 | 20.00 | 1965 fine condition worth $40.00 in 2015 | |
 | Kuribayashi (Petri): Petri Prest | 1961-1964 | 1995 | 5.00 | 1961-1964 poor condition worth 5.00 for parts in 2014 (dust ring missing on the lens) | |
 | KW (KameraWerkstatten): Praktica LTL 3 | 1975-1978 | c | 2015 | 25.00 | KameraWerkstatten Produced the camera under Kombinat VEB Pentacon in Dresden and the responsible constructor was Rolf Noack. The production period went from November 1975 to March 1978 and the number that was produced was 349,919. The shutter is mechanically controlled with a vertical-moving metal-blade focal plane for shutter exposure time. The possible shutter settings are B, 1/1, 1/2, 1/4, 1/8, 1/15 1/30, 1/60, 1/125, 1/250, 1/500, and 1/1000 of a second. The view finder is a fixed eye-level view finder (Pentaprism) with a Fresnel lens and it has a micro prism range finder for a focusing screen, built-in shutter speed meter mirror with instant-return mirror. The cameras lens mount is an M42x1. The camera also has a mechanical 10 second self-timer, TTL-metering system, X-synchronization (1/125) flash system, accessory shoe at the top of the pentaprism, and uses a Varta V 625 battery. This is the last of the LTL series, and while it lacks some of the refined feel of the MTL3 it predates, it’s a great user and said to be an improvement of the previous LTL. The shutter release is on the front of the camera rather than the top and there is a reminder tab in the viewfinder that pops up to indicate that the shutter needs to be cocked! The camera pictured here is in good condition and worth $25.00 in 2015. |
 | KW (KameraWerkstatten): Praktiflex FX | 1953-1954 | 2015 | 15.00 | The Praktiflex FX was introduced in 1953 with flash contacts for bulbs (F) and electronic flash (X). The main change was just the name of the camera. The Praktiflex FX was a 35mm SLR camera with a waist-level finder, M42 lens mount, non-instant-return mirror, a removable back and a cloth focal plane shutter. The Praktica FX was The Praktiflex FX's finder is a reflex waist-level finder that shows a horizontally reversed image. As the mirror doesn't return automatically, film must be wound first in order to place the mirror in the viewing position. The focusing screen is a flat ground glass screen on one side and a condenser screen on the other side, providing a very bright image. There is a folding loupe that magnifies the whole screen to aid critical focusing. Despite not having micro prisms nor split image rangefinder, focusing is very easy and effective using just the magnifier. The screen produces remarkable images and watching the screen is more pleasant than the real world, the colors seem more vivid. The finder cover can be used as well as a frame finder or sports finder, but it doesn't allow focusing. Carl Zeiss Jena manufactured an accessory pentaprism finder that allowed eye-level viewing and focusing. Unfortunately, the pentaprism finder produces a smaller and dimmer image and the magnifier can't be used, so it's harder to focus, but as an accessory it is a valuable collectable. The original list price for the Praktifles FX was $139.50 with any of a number of lenses. The camera producer was KW (VEB Kamera-Werke Niedersedlitz) in Niedersedlitz, Dresden, and part of the German Democratic Republic (East Germany). The shutter speeds are 2, 5, 10, 25, 50, 100, 200, 500, and B. The speeds are selected by pulling up the outer ring on the shutter speed selector and moving the small black dot to the speed desired. The camera pictured above is in fine condition and worth $25.00 in 2015. | |
  | Lacon Shinkoh Seiki: Lacon 35 | c1954 | 2020 | 16.00 | This camera was launched in 1954 by Shinano Optical Co., Ltd. Japan and was equipped with Shinanokoki Lacor f3.5 four-element 45mm lens. In the same year the Lacon C (top cover's shape was different) were introduced plus in the next year, Lacon R was introduced which employed a rangefinder. The Lacon is a 35mm with a Shinano leaf-shutter with speeds of 1 second to 1/200 second. The Lacon Camera Co. was likely only a marketing name applied to cameras made for the Lacon name by Shinano. The Lacon line of cameras were a fairly obscure cheaper cameras made by the Shinano Camera Company, who also made the somewhat better known and slightly better quality Shinano Pigeon. The Lacon is a straightforward viewfinder camera without many thrills, but in terms of looks clearly inspired by the Leica screw mount cameras, especially when viewed from above. The single viewfinder window looks oddly out of place in a top housing large enough to accommodate a rangefinder. The functionally of the Lacon was not that different from the Pigeon, both were simple viewfinder cameras with front cell-focusing lens, a leaf shutter with a limited range of speeds and a removable camera back to load film. An early version with a small single viewfinder mounted directly onto the top plate also existed and I think it is known now as the Lacon J and is almost a copy of the Lacon without the Leica look alike top. Other features of the Lacon are a frame counter that counts from 0 to 40, aperture settings of 3.5 to 16, flash socket on the shutter assembly, utility mount bracket, shutter-timer (10 second), rewind release button, rewind knob, focusing from 2.5 feet to infinity, and two ¼ inch 20 thread tripod sockets on the bottom of the camera. The camera pictured here is in poor condition, (the shutter speed adjuster is froze, timer won’t release the shutter, plus the lens is froze at infinity) and worth $10.00 for parts in 2020. | |
 | Largan: Chameleon XP | c2000 | 2012 | 2.00 | 2000 good condition worth $5.00 in 2014 (0.3MP) | |
 | Leitz: Leica C1 | 2000 | 2010 | 25.00 | 1999 fine condition worth $75.00 in 2014 | |
 | Leitz: Leica IIc | 1948-1951 | 2016 | 180.00 | 1948-1951 Good condition worth $380.00 in 2016 | |
 | Leitz: Leica IIIc | 1940-1951 | 2016 | 180.00 | 1940-1951 Good condition worth $250.00 and $100.00 for the Selsey Flash Synchronizing Base in 2016 | |
 | Leitz: Leicaflex | 1964-1968 | 2016 | 80.00 | 1964-1968 fine condition worth $320.00 in 2016 | |
 | Lifetime: Synchro Flash 120 | c1955 | c | 2017 | 12.00 | The Synchro Flash 120 uses 120 film for a 6x6cm exposures and it is a box-type camera with an all metal body produced by Lifetime Camera Company in 1955. It has a 110mm f5.6 Zellar lens with two shutter speeds of 1/50 of a second and TIME. The camera also has an optical viewfinder, flash contacts behind the shutter selector, round small red window in the back of the camera for viewing the frame number on the backing of the film, and a handy carry strap connected to the viewfinder. It is extremely difficult to change the film in this camera. You have to remove the front of the camera or the whole lens shutter assembly from the body while pulling up the film advance knob. The Lifetime Camera Company was out of Chicago Illinois and the identical camera was also released under the United States Camera Company name as the Vagabond 120. The Pho-Tak Corporation used the body and lens housing to produce the Traveler 120 with no flash and the Scout 120 with female flash sockets on the side of the lens housing. The Traveler 120 Synchro Flash was also produced with both the posts on top and female flash sockets on the side of the lens housing. The Traveler without flash capability was affectionately or mistakenly known as the “Time Traveler 120” because of the labeling for the pull tab (poorly placed) for timed shutter speed. The Pho-tak Corporation was active from approximately 1948 to 1960 and was connected with United States Camera Company plus the Lifetime Camera Company both based in Chicago, Illinois also. The camera pictured here is in Good condition and worth $10.00 in 2017. |
 | Linhof: Technika III | 1946-1958 | 2015 | 125.00 | 1946-1958 good condition worth $300.00 in 2015 | |
 | Logitech: ClickSmart 310 | 2002 | 2008 | 5.00 | 1998 Fine condition worth $15.00 in 2014 (0.3MP) | |
 | Logitech: ClickSmart 310 | 2002 | 2015 | 3.00 | 2001 good condition worth $5.00 in 2015 (352x288p) | |
 | Logitech: Fotoman Pixtura | 1995 | 2015 | 10.00 | KODAK DC-40 manufacturer’s suggested retail price was $299.00 and was the exact camera as the Logitech Fotoman Pixtura. Both were introduced in 1995 with an ISO equivalent of 84. They have 4MB’s of internal memory and shutter speeds of 1/30 to 1/175 second. In 1995 the manufacturer’s suggested retail price for the Logitech version was $995.00 nearly three times the Kodak. The camera was among the first consumer digital cameras sold. Its features included a 756x504 resolution ( | |
 | Logitech: Fotoman Plus | 1992 | 2015 | 28.00 | This was the first truly digital camera to be sold on the market. It has a resolution of 320 x 240 and later models of the same camera had 376 x 284 resolution. It produces black and white photos with 256 gray levels and has 1Mb of internal RAM. The lens is a fixed focus f4.5 and the suggested retail in 1990 was $980.00 or £499. The FotoMan digitizes its monochrome images inside the camera. These images are ready to be imported direct from the camera into a personal computer running Microsoft Windows 3.0 or 3.1. The only additional hardware needed is a special cable, supplied with the camera, to connect FotoMan to the serial port of the computer. FotoMan is an important landmark in still camera design because it removes the hitherto important area of mechanics almost entirely. This makes it the first totally digital camera. Unfortunately the resolution of the camera is low and unlikely to help you produce any images of useable professional quality. The camera's monochrome image sensor has only 106,784 pixels (individual basic picture elements) on a CCD chip in an array of 284 by 376 pixels. The picture aspect ratio (height compared to width) is thus 1.32:1, which is virtually identical to that of television with each picture about 100k. Images were imported into the computer using FotoMan software, usually in conjunction with the FotoTouch software which is used to edit and print them and both came with the camera. After establishing connection with the camera, the FotoMan software displays a screen full of small images, reassuringly bounded by sprocket holes reminiscent of 35mm film! This same screen also tells you how much charge there is in the camera battery, using a very clear indicator with a line around an icon of a battery that had a percentage figure, too. Once you have imported your images you have the option to delete them from this same window. One drawback is the need to use the software to turn the flash on and off. The camera only has a shutter button with no on/off switch or flash control. Sensitivity is about ISO200, reduced to ISO25 with the neutral density filter, supplied to prevent overexposure which results in CCD overload in very bright light. The electronic shutter is stated to have a speed range of 40 milliseconds with flash (1/25 second), 1 to 32 milliseconds (1/1000 to 1/30 second) without flash. A built-in flash illuminates subjects within a range of 1.2 to 3 meters. The camera weighs 284 grams (10 ounces) and has an unusual shape. Worth $30.00 in 2015 | |
 | Lomography: Fisheye (One) | c2000s | 2019 | 5.00 | Projecting a sleek and classic vibe, the world’s first compact fisheye camera is produced in the early 2000s. Equipped with a 170-degree view and built-in flash, the Fisheye One allows you to capture your special moments in lovely circles. The camera has a fixed f8 aperture, 10mm focal length, shutter speeds of 1/100 of a second, direct optical viewfinder, built-in flash with on/off switch, film advance winder plus fold down rewind crank, and a frame counter with auto reset when you open the film compartment. This 35mm film camera takes one AA battery to operate the flash unit and the focus distance is listed as “get as close as possible”. The Fisheye One cameras were made in a range of different colors, decal patterns, and finishes. There is also a Hello Kitty Fisheye One that sells for twice the price of the common Fisheye One. The camera pictured here is in Good condition and worth $15.00 in 2019. | |
 | Lomography: Fisheye 2 | 2003 | c | 2019 | 5.00 | Lomography advertised the Fisheye No.2 cameras (introduced in 2003) with the phrase “Take 170° fisheye photos with added functionality!” The Fisheye No.2 features a ‘B’ mode setting perfect for taking fisheye light-streak photos and long exposures. Plus, with its MX switch, you can shoot crazy cool multiple exposure photos. The camera also includes a hot-shoe slot for your film camera flashes. The Fisheye No.2 cameras were made in a range of different colors, decal patterns, and finishes. The camera has a fixed f8 aperture, 10mm focal length, shutter speeds of 1/100 of a second (N) plus Bulb (B) & (L) for lock, direct optical viewfinder, built-in flash plus 2 connector hot shoe, fixed focus 10mm lens, film advance winder plus fold down rewind crank, removable matched optical viewfinder, and a frame counter with auto-reset when you open the film compartment. This 35mm film camera takes one AA battery to operate the flash unit and the focus distance is listed as “get as close as possible”. Lomography also released a Fisheye 2 camera that was reworking by famous English designer Paul Smith. The camera is topped off with a signature by Paul Smith, multi-striped pattern, and full metal jacket body. Retail for the Paul Smith was set at $150 and is available still for $59.00 on the B&H camera site. The camera pictured here is in Fine condition and worth $25.00 in 2019. |
 | Lure Camera: Lure | c1973 | c | 2018 | 5.00 | The Lure is a little plastic camera for 16mm film which weighed only 1.5 ounces and was produced in the middle 1970s. It contained a roll of unperforated Technicolor film for 12 13×17mm exposures. The whole camera had to be sent to the manufacturer Lure Camera Ltd. for film development, just like 85 years earlier the Kodak No. 1 had to be sent to Kodak. The developed film came back with 3.5×4.5" full-view borderless silk-textured prints. The camera was also marketed as Blick, X2, and Love camera. The carton it came in has instruction labels for opening the carton, for how it operates, what the camera has, and mailing instructions. You advance the film by manually turning the Magicube tower. The frame numbers on the back of the film can be seen through a window in the back of the camera. The carton boasts a high speed fixed focus f/11 lens, optical viewfinder, and double exposure protection. Provided inside the carton was a self-sticking label with spots for a return address with name plus zip-code, a place for 3 first class stamps or airmail stamps, and a partially addressed (Lure Camera LTD P.O. BOX NO) mail to an area. You needed to pick the nearest Lure address near you and 10 were provided, all with P.O. Boxes. Also provided in the carton was an envelope that you had to put a name, address, city, state, and zip on along with $3.99 plus 44 cents for return postage in the form of a money order or check. The envelope states “NO CASH”. The camera pictured here is in Fine condition and worth $5.00 in 2018. |
 | Macy: Flash 120 | c1930s | 2016 | 18.00 | 1949 fine condition worth $35.00 in 2016 | |
 | Mamiya: Mamiya 528 AL | 1975 | 1991 | 15.00 | 1975 good condition worth $25.00 in 2014 | |
 | Mamiya: Mamiya Auto Lux 35 | 1963-1967 | c | 2018 | 5.00 | The Auto-Lux 35 is a 35mm fixed lens SLR introduced in 1963 by Mamiya. It features a Copal-X leaf shutter with a Mamiya Sekor 48mm f/2.8 3 group, 3 elements lens. The camera has an external selenium metering. This allows for shutter priority auto-exposure although the camera can also meter in manual mode. The camera also has a Bulb setting which is accessible after pressing a switch on lens barrel. The leaf shutter allows flash sync at all shutter speeds. The Mamiya Auto Lux 35 was rebranded in European markets as the Rank Mamiya Auto-Lux 35, Revue Auto-Lux 35, and the Porst Autoflex. The shutter speeds were 1/15 to 1/500 of a second plus B and capable of using ASA 10 to 400 film. The camera also has an X type by PC-sync socket in the front and mount point on camera viewfinder head. The lens filter thread is 40.5mm and the lens minimum focus range is 3 feet or .08m. The camera also has a single action film advance lever, fold down rewind crank handle, recessed rewind release button on the bottom, frame counter, and a ¼” 20 thread tripod mount. The last Mamiya Auto Lux 35 in all its iterations was made in 1967. The camera pictured here is in Poor condition and worth $3.00 for parts or display in 2018. |
 | Mamiya: Mamiya DSX 1000 B | 1975 | 2014 | 10.00 | 1974-1976 good condition worth $25.00 in 2014 | |
 | Mamiya: Mamiya MSX 1000 | 1975 | 2014 | 12.00 | 1974 good condition worth $30.00 in 2014 | |
 | Mamiya: Mamiya NC 1000 | 1978 | c | 2020 | 5.00 | Released in 1978, the Mamiya NC1000 was a dramatic departure from the Mamiya SLR's before it. It weighs only 16 oz. (compared to 26, 25 and 24 oz. for the DTL, XTL and MSX/DSX, respectively) and was considered remarkably easy to handle. It had an electronic focal-plane shutter, with speeds from 1 to 1/1000 sec. and a hot shoe mount with 1/60 sec. sync. The meter was a center-weighted CdS cell powered by two MS76 batteries, with the indicator and micro prism split-image visible in the finder. Shutter-priority AE could also be set manually. This series from Mamiya included two cameras: the NC 1000 and NC 1000s. Both had a bayonet mount (CS mount) that was different from other Mamiya bayonet mountings. The NC1000s was released later the same year. Perhaps its most distinctive feature was cosmetic: a pocket holder on the back door that allowed you to keep a film-box end for reference. The NC1000s also allowed for five changes in the focusing screens from the typical rangefinder-spot Fresnel screen to a transparent cross-hair screen. The NC1000s also had a new shutter design at some point of its construction that was claimed to be more stable. There was a name variant of the NC1000, sold by Sears and called the Auto CS 1000MXB in black and Auto CS 1000MX in chrome. Info gleaned from Camerapedia. This camera is missing the threaded batter holder and is worth $2.00 for parts in 2020. |
 | Mamiya: Mamiya NC 1000 | 1978 | c | 2020 | 5.00 | Released in 1978, the Mamiya NC1000 was a dramatic departure from the Mamiya SLR's before it. It weighs only 16 oz. (compared to 26, 25 and 24 oz. for the DTL, XTL and MSX/DSX, respectively) and was considered remarkably easy to handle. It had an electronic focal-plane shutter, with speeds from 1 to 1/1000 sec. and a hot shoe mount with 1/60 sec. sync. The meter was a center-weighted CdS cell powered by two MS76 batteries, with the indicator and micro prism split-image visible in the finder. Shutter-priority AE could also be set manually. This series from Mamiya included two cameras: the NC 1000 and NC 1000s. Both had a bayonet mount (CS mount) that was different from other Mamiya bayonet mountings. The NC1000s was released later the same year. Perhaps its most distinctive feature was cosmetic: a pocket holder on the back door that allowed you to keep a film-box end for reference. The NC1000s also allowed for five changes in the focusing screens from the typical rangefinder-spot Fresnel screen to a transparent cross-hair screen. The NC1000s also had a new shutter design at some point of its construction that was claimed to be more stable. There was a name variant of the NC1000, sold by Sears and called the Auto CS 1000MXB in black and Auto CS 1000MX in chrome. Info gleaned from Camerapedia. This camera is missing the threaded batter holder and is worth $2.00 for parts in 2020. |
 | Mamiya: Mamiya NC 1000 S | 1978 | 2010 | 25.00 | 1978 fine condition worth $110.00 in 2014 | |
 | Mamiya: Mamiya Sekor 1000 DTL | 1968 | 1994 | 15.00 | 1968 Fine condition worth $35.00 in 2014 | |
 | Mamiya: Mamiya Sekor 500 DTL | 1969 | 1994 | 10.00 | 1966 fine condition worth $35.00 in 2014 | |
 | Mamiya: Mamiya Sekor 528 TL | 1967 | 2014 | 15.00 | 1975 fine condition worth $50.00 in 2014 | |
 | Mamiya: Mamiya ZE | 1980 | c | 2015 | 20.00 | 1980 fine condition worth $40.00 in 2015 |
 | Mamiya: Mamiya ZE | 1980 | c | 2020 | 5.00 | The Mamiya Z-Series cameras were the last 35mm SLR's produced by Mamiya. Innovation was still apparent. It was the first Japanese SLR to use an electronic coupling system to transmit information between the camera body and its interchangeable lenses. Previous interactions between lenses and camera bodies had been by mechanical pins, cams or levers. While many manufacturers were reluctant to make changes that would render their lenses obsolete, Mamiya aggressively pursued the new mount configuration. In addition, ergonomics, as applied to the functionality and use of the camera, began to play a stronger role in their design. The Mamiya ZE (left; some were also designated ZE Quartz) was introduced in July 1980. It has a metal, quartz-controlled, focal-plane shutter and a center-weighted photo diode. An aperture-priority AE, exposure can be corrected ± two stops, and a previously-metered exposure can be locked in "AEL" position (same dial as the orange "Auto" button in the picture). It requires four (4) MS76 or equivalent batteries, which are still readily available. The ZE can also be used without batteries. If you set the shutter mode selector to "X" the shutter operates at 1/90 second. Simply use the Sunny 16 Rule to figure the aperture setting for your weather conditions. Most ZE's were solid black, but there is a rare version that used a silver top plate (see picture, below left). A version of the Mamiya ZE, also with a silver top plate, could be found in the USA, rebranded as the Bell & Howell Z. The camera pictured above is missing the battery holder plus ASA set knobs and is worth $2.00 for parts in 2020. |
 | Mamiya: Mamiya ZE Quarz | 1980 | c | 2020 | 5.00 | The Mamiya Z-Series cameras were the last 35mm SLR's produced by Mamiya. Innovation was still apparent. It was the first Japanese SLR to use an electronic coupling system to transmit information between the camera body and its interchangeable lenses. Previous interactions between lenses and camera bodies had been by mechanical pins, cams or levers. While many manufacturers were reluctant to make changes that would render their lenses obsolete, Mamiya aggressively pursued the new mount configuration. In addition, ergonomics, as applied to the functionality and use of the camera, began to play a stronger role in their design. The Mamiya ZE (left; some were also designated ZE Quartz) was introduced in July 1980. It has a metal, quartz-controlled, focal-plane shutter and a center-weighted photo diode. An aperture-priority AE, exposure can be corrected ± two stops, and a previously-metered exposure can be locked in "AEL" position (same dial as the orange "Auto" button in the picture). It requires four (4) MS76 or equivalent batteries, which are still readily available. The ZE can also be used without batteries. If you set the shutter mode selector to "X" the shutter operates at 1/90 second. Simply use the Sunny 16 Rule to figure the aperture setting for your weather conditions. Most ZE's were solid black, but there is a rare version that used a silver top plate (see picture, below left). A version of the Mamiya ZE, also with a silver top plate, could be found in the USA, rebranded as the Bell & Howell Z. The camera pictured above is missing the threaded battery holder and is worth $2.00 for parts in 2020. |
 | Mamiya: Mamiya ZE-2 Quarz | 1980 | c | 2020 | 5.00 | Introduced in December 1980, the Mamiya ZE-2 continued the quartz-regulated metal focal plane shutter that begun in the ZE camera. Both cameras have automatic exposure with aperture priority and, once it is determined, the aperture setting on both can be locked. The ZE-2 added a shake-prevention warning and a shutter-speed dial, and allowed a manual override (you can't select a shutter speed manually on the ZE). An electronic sensor coupled each lens to the camera through six gold contact points. The sensor automatically selected the slowest hand-held shutter speed possible for that focal length. Like the ZE, the Mamiya ZE-2 requires four (4) MS76 or equivalent batteries. It also uses the same sharp, Mamiya-Sekor E or EF optics that were found in the entire Z-series. However, perhaps because the ZE-2 is seen less often than its ZE cousin, it frequently brings a slightly higher price in auction. The Mamiya ZE-2 was also rebranded and sold in Germany as the Revue AM. The camera pictured here is missing the threaded battery holder and worth $2.00 for parts in 2020. |
 | Mansfield: Skylark | c1962 | 2017 | 15.00 | Skylark was the name for no less than four rebadged cameras distributed by Mansfield Industries of Chicago, Illinois. The 1957 Skylark was rebadged from the Argon rangefinder camera which was the export version of the Windsor 35 by Toko Photographic Works. This rangefinder camera featured a 45mm / f1.9 lens, shutter speeds B, 1s to 1/500s. The Mansfield Skylark E, released in 1957 was a Royal 35M by Royal Camera Company, rebadged for Mansfield. Like the 35M, this rangefinder camera had a Tominar 45mm / f1.9-f16 lens, shutter speeds B, 1s to 1/500s with an uncoupled selenium meter. The 1957 Skylark V from the Royal 35P, was a meter less rangefinder camera with a Cimenar 45mm / f1.9-f16 lens, shutter speeds B, 1s to 1/300s. The 1962 Mansfield Skylark was a slightly modified Palmat Automatic by Yamato Optical Company. This last Skylark was a fixed-focus automatic-exposure viewfinder camera with coupled selenium meter, Mantar or Luminor 40mm / f4 lens with shutter speeds B, 1/10 of a second to 1/200 of a second. It does not take a battery, its selenium meter was driven by light alone. Exposure compensation was set by a lever on the numbered scale on the lens, based on an ASA/DIN film guide inset on the camera’s lift-off back. This was the only Skylark that was actually engraved with “Mansfield” as well as the “MI” crest logo seen on the earlier versions. The camera pictured here is in fine condition and worth $35.00 in 2017. | |
 | Mansfield: Skylark V | c1962 | 2015 | 18.00 | 1957 Poor condition worth $10.00 for parts in 2015 | |
 | Marvel (Comics): Lizzie McGuire | 2003 | 2005 | 5.00 | 2003 New condition worth 8.00 in 2014 | |
 | Marvel (Comics): The Incredible Hulk | 2003 | 2005 | 5.00 | 2003 New condition worth 8.00 in 2014 | |
 | Marvel (Comics): X-Men | 2003 | 2005 | 5.00 | 2003 New condition worth 8.00 in 2014 | |
 | Mattel: Barbie 110 | 1995 | 2016 | 2.00 | The 1995 Barbie 110 camera originally came with a roll of 12 exposure 110 film and a small photo album. It was advertised as the “3 Piece Photo Fun Set” and came with a one year warranty. The camera was made in China for Mattel and the Barbie ISO 200 film was made in Italy. This is a focus free camera and needs no batteries due to the lack of a flash unit or any way to attach one. This is a camera you take outside for beat results. The camera also has a left thumb wheel film advance, film frame window in the load cover, big green shutter button, about a 50mm lens, view finder, and a carry strap with a hart shaped plastic trinket on the end with Barbie embossed on it. The camera pictured here is in Fine condition and worth $10.00 in 2016. | |
 | Mattel: Barbie 110 | 1995 | 2017 | 4.50 | The 1995 Barbie 110 camera originally came with a roll of 12 exposure 110 film and a small photo album. It was advertised as the “3 Piece Photo Fun Set” and came with a one year warranty. The camera was made in China for Mattel and the Barbie ISO 200 film was made in Italy. This is a focus free camera and needs no batteries due to the lack of a flash unit or any way to attach one. This is a camera you take outside for beat results. The camera also has a left thumb wheel film advance, film frame window in the load cover, big green shutter button, about a 50mm lens, view finder, and a carry strap with a hart shaped plastic trinket on the end with Barbie embossed on it. The camera pictured here is in Fine condition and worth $10.00 in 2017. | |
 | Mattel: Barbie BE-626 | 2020 | 3.00 | The Barbie BE-626 is an all pink 35mm camera with sparkles or metal flake on its surface. It was produced by Mattel, made in China, and introduced in 2005 here in the US. It was sold by Toptoysonline.com or you could call them at 1-888-TOP-TOYS (1-888-867-8697). The camera is a point and shoot that needs on AA battery to operate the motor drive. The camera is self-loading, has auto frame advance, motor rewind with a manual switch on the bottom of the camera, has a built-in lens cover that is the on/off switch when slid (open/closed), Auto built-in flash that is on when the camera is on, electric sensor eye to determine if flash is needed, flash ready LED next to the optical viewfinder, frame counter, chromed shutter release button, and a film view window in the back cover. The camera pictured here is in fine condition and worth $15.00 in 2020. | ||
 | Mattel: Barbie Bubble Camera | 2001 | 2017 | 10.00 | This is a working 110 film cartridge camera made in China for Kalimar and distributed by Mattel Toy Company in 2001. It is call the Bubble Cam due to the rubber like see through outer covering. The original package had a tiny non-working camera for Barbie, instructions, the camera, and a plastic picture frame of the same color and design with Barbie’s picture in it. The packaging was made with a hole in the plastic so you could touch it and the words “Squishy Jelly Camera: SQUEEZE It!” pointed it out. The cameras have a fixed-focus lens that make it very simple to use. The Jelly Cam’s were produced in purple, pink, blue, green, peach, plus silver and the Barbie labeled camera is found in all these colors but silver. Another camera without a flash was sold by Mattel as the Barbie Bear camera and a 35mm version with a flash unit was called the Cool’n Squeezy Jelly Camera. The camera pictured here is in New condition and worth $10.00 in 2017. | |
 | Mattel: Barbie Glitter Star | 1995 | c | 2017 | 9.00 | This camera was Made in China for the Kalimar Company and distributed by Mattel Toy Company in 1995. It is a working 110 cartridge film camera that has Barbie’s picture and name on it twice. The camera also has nine heart symbols including the lens opening, a frame on the front for Barbie’s picture, and the shutter release button is shaped like a heart. New, this camera comes in a heart shaped package along with a 1 inch long non-working duplicate for Barbie, a carry strap, and instructions. It has a tunnel type view finder with clear plastic at both ends and with no flash capability is for daytime outdoors. It also has a left thumb film advance wheel on the back low under the film door, a view window on the back for frame count, and the UPC calls it the 40022 Glitter Camera. A choking hazard warning is printed on the front of the package for small parts and says “Not for children under 3 years”. The camera pictured here is in New condition and worth $15.00 in 2017. |
 | Mattel: Barbie Jelly Cam | c2007 | 2017 | 8.00 | This is a working 35mm camera with a built in flash made in China for Kalimar and distributed by Mattel Toy Company in 2007. It is call the Jelly Cam due to the rubber like see through outer covering. The original package had a roll of ISO 200 12 exposure 35mm film, one AAA battery, instructions, the camera, picture album, and a plastic picture frame of the same color and design. The packaging was made with a hole in the plastic so you could touch it and the words “Feel How Squishy!” pointed it out. The camera will work without the battery that only supports the flash and the cameras have a fixed-focus lens that make it very simple to use. The Jelly Cam’s were produced in purple, pink, blue, green, peach, plus silver and the Barbie labeled camera is found in all these colors but silver. The dimensions are 12.3(W) x 8.9 (H) x 4.42 (D) cm. The camera without a flash was sold by Mattel as the Barbie Bear camera and a 110 version without a flash unit was called the Cool’n Squeezy Bubble Camera. | |
 | Mattel: Hot Wheels | 2005 | 2009 | 5.00 | 2005 fine condition worth $5.00 in 2015 | |
 | Meade: CaptureView 2MB Binocular | 2018 | 5.00 | The Meade CaptureView 8X42 2MP Digital Camera Binocular with LCD Screen is a full-size roof prism binocular digital camera to capture stills or video. It has 32 MB of internal memory plus slot for Secure Digital memory card, and a 1.5" diagonal color LCD that flips up for composing or reviewing images and video. It is perfect for action sports, concerts, nature studies, and industrial site inspection, or security and investigation applications. It also has large, 42mm multi-coated objective lenses delivering super bright images even in low light. The USB port makes it easy to transfer images and or video to your computer. The system works on two AA alkaline batteries and has an automatic shut off to conserve energy. The camera takes up to two full minutes of video and the LCD display panel indicates capture status for ease in selecting and performing desired operations. This is the second version of this style with the first being the Meade CaptureView 8X22 .3MP introduced about 2002 and the 2MP released about 2004. The camera binocular pictured here is in good condition and worth $15.00 in 2018. | ||
 | Memorex: Spongebob | 2004 | 2012 | 5.00 | 2004 fine condition worth $15.00 in 2014 (1.3MP) | |
 | Meopta: Flexaret VI Automat | 1964-1968 | c | 2018 | 100.00 | The Flexaret VI was made by Meopta in Czechoslovakia from 1964 to 1968. The camera can use either 120 film or 35mm film with an adapter. This is a TLR camera with a Meopta Belar 80mm f/3.5 taking lens, a Meopta Anastigmat 80mm f/3 viewing lens, and a Metax or Prontor-SVS shutter. It's a fully mechanical camera with an all-metal body. It has a solid feel to it and has some advanced features mirroring Rolleicord and Rolleiflex models from the same period. The camera has a frame counter that automatically resets to zero when the film compartment is opened, a shutter release manual lock slide button, a flash sync socket, shutter speeds (Prontor-SVS) from 1 second to 1/500 of a second plus B, Shutter speeds (Metax) 1 second to 1/400 of a second plus B, film advance winding knob with shutter loading, an ASA reminder dial in the back with an automatic film indicator window that changes from 60 to 35 when the 35mm film adapter kit is used by pressure on the frame pressure plate inside the back cover, a 3/8” 16 thread per inch tripod mount, a Cold shoe, and a film rewind knob that when pulled out releases the film roll. The viewfinder has a number of ways you can use it. One way is as a waist high, another is as an optical by using the flip over lens with your eye up to it but still looking down, and lastly as a frame viewer using the openings through the back and front of the flip-up frame with no optics. The camera pictured here is in Fine condition and worth $120.00 in 2018. |
 | Mergott: Jem Junior 120 | c1940s | 2016 | 10.00 | 1940 good condition worth $15.00 in 2016 | |
 | Metropolitan Industries: Clix 120 DeLux | c1930s | 2019 | 5.00 | The Clix "120" Deluxe is one of the basic 6×9 cm box cameras for 120 film offered by Metropolitan Industries of Chicago, Illinois. It is essentially a name variant of the company's other models, such as the Clix, Capitol, Crest, Pal Jr., Elite, and Rival "120" models. Above the shutter release is a slider for choosing between f/16 and f/22; and the shutter has the typical Time/Instant selector. This is a styling variation on the basic Metropolitan box camera, e.g. the Capitol, Crest, Pal Jr., and Rival "120" models. The 120 Deluxe also has two waist high brilliant viewfinders for landscape and portrait. The body is metal with a simple art-deco design on the front face plate. The Clix 120 Deluxe has a frame count red view window is in the back cover, leaf fixed shutter at about 1/50 of a second, a leather handle, and the film compartment is accessed from the back cover by prying the clip up above the stud. In the 1930s the Clix box cameras sold for about $2.00 to $2.50 and were still being sold into the 1950s. The camera pictured here is in Good condition and worth $10.00 in 2019. | |
 | Minolta: DiMAGE S414 | 2003 | c | 2020 | 4.00 | The DiMAGE S414 is a compact digital camera from Minolta announced on February 10, 2003. It was a replacement for the previous DiMAGE S404. It has a 4 megapixel CCD sensor which produces images of up to 2272 x 1704 resolution. The lens is a 35-140mm equivalent apochromatic 4x zoom lens. The back had a 1.8 inch LCD display. Images are stored on CompactFlash type I. Connectivity is with USB and it is powered by 4 AA sized batteries. The DiMAGE S414 also features a built-in flash, video recording capability, USB interface and Compact Flash card compatibility. The optical zoom lens range is from 7.15mm to 28.6mm, equivalent to 35mm -140mm in 35mm photography, and with 2x digital zoom, the range is equivalent to 35mm - 308mm in a 35mm film camera. The capturing interval time of 0.8 seconds and brisk continuous advance speed of 1.3 frames per second with up to 7 frames (full size images in fine image quality mode). The camera here is in poor condition with a loose batter compartment door and is worth $2.00 in 2020. |
 | Minolta: Dynax 500 si (black) | 1993 | 2016 | 15.00 | 1994 fine condition worth $25.00 in 2016 | |
 | Minolta: Freedom 100 | 1987 | 2008 | 5.00 | 1987 Good condition worth $10.00 in 2014 | |
 | Minolta: Freedom 101 | 1987 | 2005 | 5.00 | 1987 Good condition worth $15.00 in 2014 | |
 | Minolta: Freedom 200 | 1987 | 2016 | 1.00 | Freedom 200 in America (called Minolta AF-E II in Japan) is an autofocus compact camera and a simplified successor model to the original AF-E. Introduced in 1987 this camera has motor drive, built-in flash and runs on either a photo lithium battery or common AAA batteries. It uses DX-coded films, but only at ISO 100 or ISO 400. It served as the basis for both the fix-focus FS-E II and the all-weather AF-SP. The camera has a 35mm f/4.5 (4 elements/4 groups) lens, Infrared autofocus from 0.95 m to infinity, built-in flash that is automatically activated with a ready-light in the viewfinder, Shutter locked while recharging, a flash range (at ISO 100) of 0.95 to 3.3 meter, EV metering from 9.6 to 16.2 with ISO 100 film, crippled DX decoding with either ISO 100 or ISO 400, Non-DX films are exposed as ISO 100, automatic film loading, automatic film advance, and automatic film rewind. The camera is powered by either one 6V DL223A/BR-P2N lithium battery or four 1.5V AAA alkaline batteries. The dimensions are 132 x 69.5 x 48 mm and the weight is 250 g without batteries. The camera pictured here is in Poor condition due to the battery compartment but looks fine on the outside. For this reason this camera is worth $2.00 for parts in 2016. | |
 | Minolta: Freedom 202 | 1989 | 2015 | 0.00 | 1989 Poor condition worth $2.00 for parts in 2015 (no response) | |
 | Minolta: Freedom 50N | 1997 | 2003 | 3.00 | 1997 fine condition worth $10.00 in 2014 | |
 | Minolta: Freedom Action Zoom | 1992 | 2012 | 10.00 | 1992 Good condition worth $10.00 in 2014 | |
 | Minolta: Freedom Action Zoom 90 (Freedom Traveler) | 1999 | 2005 | 10.00 | 1999 Fine condition worth $35.00 in 2014 | |
 | Minolta: Freedom Action Zoom 90 (Freedom Traveler) | 1999 | 2012 | 10.00 | 1999 Fine condition worth $35.00 in 2014 | |
 | Minolta: Freedom Autodate S II | 1998 | 2005 | 5.00 | 1998 Good condition worth $10.00 in 2014 | |
 | Minolta: Freedom Dual 60 | 1989 | 2019 | 5.00 | This Freedom Dual 60 35mm Film Camera was one of the first easy-to-use point and shoot cameras to feature multiple focal lengths in 1989. By pressing a button on the top of the camera it is possible to instantly change the lens from a f/4 38mm to a f/7 60mm focal length, allowing wide angle shots as well as standard shots, completely automated, with auto-focus, auto-exposure, automatic film advance, rewind and automatic flash. The Dual 60’s infrared auto-focus system allows focus from 2.5 feet to infinity with the 38mm lens set and 2.8 feet in the 60mm configuration. The camera also allows you to use two different battery sizes in the battery compartment. You can use a 6V 223A equivalent or four AAA standard batteries. Other features of the Freedom Dual 60 are a built in lens cover with a slide switch that is also the on/off switch, a frame counter near the shutter release button, a recessed timer button on the top of the camera to prevent accidental activation, red eye reduction, a ¼ inch 20 thread tripod socket, a viewfinder that switches with the lens, and a handy carry strap. The camera pictured here is in Fine condition and worth $15.00 in 2019. | |
 | Minolta: Freedom Dual C | 1987 | 2005 | 5.00 | 1987 fine condition worth $10.00 in 2014 | |
 | Minolta: Freedom Escort QD | 1991 | 2007 | 10.00 | 1991 fine condition worth $20.00 in 2014 | |
 | Minolta: Freedom Family Zoom II | 1998 | 2003 | 5.00 | 1998 Good condition worth $15.00 in 2014 | |
 | Minolta: Freedom III | 1987 | 1995 | 10.00 | 1987 fine condition worth $20.00 in 2014 | |
 | Minolta: Freedom Zoom 125 | 2000 | 2014 | 5.00 | 2000 Fine condition worth $15.00 in 2014 | |
 | Minolta: Freedom Zoom 140EX Panorama | 1995 | c | 2018 | 8.00 | The Freedom Zoom 140EX Panorama Date is a compact 35mm film camera released by Minolta. It uses a f/3.5-9.4 38-140mm zoom lens and is powered by two CR123A batteries. One of the features is a date back and another is a switch for taking panoramic pictures that masks the viewfinder and the frame inside the camera. It also has four modes of Full auto, Close-up, Portrait, plus Night, Center-weighted, Spot. Autofocus technology, film speed range of ISO 25 to 3200, minimum focal length of 38 millimeters, maximum focal length of 140 millimeters, 3/8” by 1 1/8” LCD screen, built-in flash (with Fill-in mode, Backlight mode, Night mode, Auto mode, Flash OFF mode, Red-eye reduction), flash ready LED, auto focus ready LED, film view window in the back cover, power wide angle tele right thumb control, built-in auto lens cover, ¼” 20 thread tripod mount, 10 second self-timer, and a handy carry strap. The camera was introduced in 1995 and has a weight plus look of one of the better cameras of its type. The camera pictured here is in Fine condition and worth $25.00 in 2018. |
 | Minolta: Freedom Zoom 150 | 2004 | 2011 | 10.00 | 2004 Good condition worth $15.00 in 2014 | |
 | Minolta: Freedom Zoom 150 | 2004 | 2016 | 2.00 | 2004 good condition worth $5.00 in 2016 | |
 | Minolta: Freedom Zoom 70c | 1995 | 2010 | 10.00 | 1995 good condition worth $5.00 in 2014 | |
 | Minolta: Freedom Zoom 90 | 1989 | 1995 | 5.00 | 1989 fine condition worth $15.00 in 2014 | |
 | Minolta: Freedom Zoom 90 | 1989 | 2015 | 3.00 | 1989 fine condition worth $15.00 in 2014 | |
 | Minolta: Freedom Zoom 90c | 1991 | 2014 | 0.00 | 1991 Poor condition worth $0.50 for parts in 2014 | |
 | Minolta: Freedom Zoom Supreme EX | 1997 | 2010 | 10.00 | 1997 Fine condition worth $25.00 in 2014 | |
 | Minolta: Freedom Zoom Supreme EX | 1997 | 2011 | 15.00 | 1997 Fine condition worth $25.00 in 2014 | |
 | Minolta: Freedom Zoom Supreme EX | 1997 | 2015 | 5.00 | 1999 fine condition worth $10.00 in 2015 | |
 | Minolta: Hi-matic | 1962 | 2015 | 7.50 | 1962 Poor condition worth $10.00 for parts in 2015 (stuck shutter) | |
 | Minolta: Hi-matic 7 S | 1966 | 2007 | 10.00 | 1962 Good condition worth $40.00 in 2014 | |
 | Minolta: Hi-matic 9 | 1966 | 1994 | 15.00 | 1966-1969 Fine condition worth $65.00 in 2014 | |
 | Minolta: Hi-matic AF 2 | 1981 | c | 2017 | 13.00 | The Minolta Hi-Matic AF2 was one of the first viewfinder cameras for 35mm film with active infrared autofocus when it was launched in 1981 as successor of the Hi-Matic AF. It was one of the last of Minolta's long-lasting Hi-Matic series of quality viewfinder and rangefinder cameras with automatic exposure. In addition to its autofocus the camera has a buzzer which indicates too small object distance or low light. The built-in flash needs two AA-batteries as well as camera operation. The camera has the same kind of lens as most other 1970s Hi-Matics, a four-element construction with focal length 38mm. It has also the typical CdS-meter window inside the filter-thread in the front of the lens barrel. Even the film speed selector around the lens is typical 1970s Hi-Matic design, as well as film advance lever and rewind knurl. The variant Minolta Hi-Matic AF2-M of 1982 had in addition motorized film transport, thus being the only modern compact camera of the Hi-Matic series. But then 1970s design was definitely out so that the series was discontinued. The camera pictured here is in fine condition and worth $40.00 in 2017. |
 | Minolta: Hi-matic F | 1972 | 2014 | 10.00 | 1972 fine condition worth $25.00 in 2014 | |
 | Minolta: Hi-matic F | 1972 | 2006 | 15.00 | 1972 fine condition worth $25.00 in 2014 | |
 | Minolta: Hi-matic F | 1972 | 2015 | 15.00 | 1972 fine condition worth $30.00 in 2015 | |
 | Minolta: Hi-matic G | 1974 | 2016 | 6.00 | The Minolta Hi-Matic G was launched in 1974 and is a 35mm Point & Shoot compact viewfinder camera. Like the other Hi-Matic’s it had automatic exposure. And like other 1970s Hi-Matic’s it had the CdS window inside the filter ring plus a two contactor hot shoe for the flash. With this camera Minolta overcame the "Electro Control" system which needed two batteries. Its CdS controlled exposure program set speed/aperture combinations from 1/30 second f2.8 to 1/650 second f14. The focusing ring had four distance symbols. F-Stop and shutter speed were shown in the viewfinder. The camera can use film up to 400 ASA and has a 38mm 2.8mm 4 element lens plus leaf shutter. The dimensions are 116×71×53 mm and it weighs 375 grams. The camera also has a right thumb film advance leaver, fold down rewind crank handle that releases the back cover when pulled up, electronic shutter release port, frame counter, and an optical viewfinder. The camera pictured here is in Poor condition with a bad shutter. For this reason it is worth $3.00 for parts in 2016. | |
 | Minolta: Maxxum 3 | 2003 | 2014 | 15.00 | 1997 Fine condition worth $40.00 in 2014 | |
 | Minolta: Maxxum 3 | 2003 | 2016 | 10.00 | 1997 Fine condition worth $25.00 in 2014 | |
 | Minolta: Maxxum 300si (350si Panorama / Panorama Elite / RZ 330si) | 1995 | c | 1998 | 310.00 | 1994 fine condition worth $100.00 in 2014 |
 | Minolta: Maxxum 300si (350si Panorama / Panorama Elite / RZ 330si) | 1995 | c | 2018 | 5.00 | The Maxxum 300si is a 35mm SLR camera manufactured by Minolta and released in 1995. It is also known as the Dynax 300si elsewhere (Europe/Japan). It was also sold in American as the Maxxum RZ300si. A date version was available called Dynax 300si QD while the American version is Maxxum RZ330si or 330si RZ as written on the body. A panorama variation called Maxxum 350si was also available. It was also known as Maxxum Panorama Elite. The Japanese version is called α-101si (Alpha 101si). The 300si lets the user have a choice between fully automatic program mode "P" and five pre-set programs, including portrait, landscape, macro, sports, and night portrait. It has no manual program mode of any kind. The camera has a Minolta AF lens mount and accepts a 35mm film with speeds of 25 to 5000 ISO, with auto DX (25 to 1000 ISO for flash photography). For metering, it has a TTL, 8 segment silicon photocell with a range of 1 to 20 EV (50mm f1.4). Focusing is done with a CCD TTL phase detection autofocus with AF illuminator. It has a focal plane shutter with speeds from 30 seconds to 1/2000 of a second, 1 fps. It also has a fully automatic motorized film advance and rewind Powered by one 2CR5 6V Lithium battery. The dimensions are 147 × 101 × 68mm and it weighs 380g without the battery or a lens. The camera pictured here is in Poor condition and worth $3.00 for parts in 2018. |
 | Minolta: Maxxum 4 | 2002 | 2016 | 15.00 | 2002 fine condition worth $25.00 in 2016 | |
 | Minolta: Maxxum 400si (RZ 430si / RZ 400si / 450si Panorama Date) | 1993 | 2016 | 10.00 | 1994 fine condition worth $25.00 in 2016 | |
 | Minolta: Maxxum 400si (RZ 430si / RZ 400si / 450si Panorama Date) | 1993 | 2016 | 10.00 | 1994 Poor condition worth $2.00 for parts in 2016 | |
 | Minolta: Maxxum 400si (RZ 430si / RZ 400si / 450si Panorama Date) | 1993 | c | 2018 | 15.00 | Capture memories in a lively frame with the Minolta Maxxum 430si camera. The CCD sensor of this Minolta film camera delivers precise and sharp image quality. Grab the minutest detail of your subjects with the 90% field of view from the eye-level fixed pentaprism viewfinder of this Minolta SLR camera. Ensure your personal presence in those special moments using the self-timer feature of this Minolta film camera. Grab your subjects at a distance in a brighter frame using the 28mm field of view flash coverage from this Minolta SLR camera. This is a 1993 35mm SLR with built-in flash, auto focus, and auto exposure. It also has mid-roll changeover, Minolta A-type bayonet lens mount, Minolta's through-the-lens (TTL) phase detection system with one CCD sensor, Focus lock available, manual focus selectable, TTL-type; 8-segment honeycomb-pattern silicon photocell (SPC) metering, and electronic timer with approximately 10-sec delay (indication by blinking LED). The camera is powered by a 6 volt 2CR5 lithium battery and the dimensions are 148.5 x 92.5 x 67.5mm (5-7/8 x 3-5/8 x 2-11/16 in.) This camera also has four exposure modes: P mode (Programmed AE) automatic control os aperture and shutter speed, A mode (Aperture-priority AE) any available aperture in 0.5 EV increments, S mode (Shutter-priority AE) any shutter speed from 1/2000 to 30 sec. selectable in 1 EV increments, and M mode (Manual) any shutter speed/aperture combination selectable. This camera was also known as "Dynax 500si" in Europe, and had other names in the USA (400si, RZ 400si, RZ 450si). This camera is fitted with a Quantaray 28-90mm 3.5 5.6 af Zoom Lens for Maxxum Series SLR Cameras (Black). The camera plus lens pictured here is in fine condition and worth $25.00 for the camera and $15.00 for the lens in 2018. |
 | Minolta: Maxxum 450si | 1993 | 2017 | 20.00 | Capture memories in a lively frame with the Minolta Maxxum 450si camera. The CCD sensor of this Minolta film camera delivers precise and sharp image quality. Grab the minutest detail of your subjects with the 90% field of view from the eye-level fixed pentaprism viewfinder of this Minolta SLR camera. Ensure your personal presence in those special moments using the self-timer feature of this Minolta film camera. Grab your subjects at a distance in a brighter frame using the 28mm field of view flash coverage from this Minolta SLR camera. This is a 1994 35mm SLR with built-in flash, auto focus, and auto exposure. It also has mid-roll changeover, Minolta A-type bayonet lens mount, Minolta's through-the-lens (TTL) phase detection system with one CCD sensor, Focus lock available, manual focus selectable, TTL-type; 8-segment honeycomb-pattern silicon photocell (SPC) metering, and electronic timer with approximately 10-sec delay (indication by blinking LED). The camera is powered by a 6 volt 2CR5 lithium battery and the dimensions are 148.5 x 92.5 x 67.5mm (5-7/8 x 3-5/8 x 2-11/16 in.) This camera also has four exposure modes: P mode (Programmed AE) automatic control os aperture and shutter speed, A mode (Aperture-priority AE) any available aperture in 0.5 EV increments, S mode (Shutter-priority AE) any shutter speed from 1/2000 to 30 sec. selectable in 1 EV increments, and M mode (Manual) any shutter speed/aperture combination selectable. The camera is fitted with a Konica Minolta 70-210mm f/4.5-5.6 II Zoom Lens for Maxxum Series SLR Cameras (Black). The Lens has 10 elements in 10 groups and a minimum focusing distance of 3.6 feet. The camera plus lens pictured here is in fine condition and worth $35.00 for the camera and $15.00 for the lens in 2017. | |
 | Minolta: Maxxum 5 | 2001 | 2014 | 20.00 | 1997 Fine condition worth $110.00 in 2014 | |
 | Minolta: Maxxum 50 | 2004 | 2009 | 30.00 | 2003 Fine condition worth $75.00 in 2014 | |
 | Minolta: Maxxum 5000 | 1986 | c | 2015 | 15.00 | 1986 fine condition worth $25.00 & $20.00 for the lens in 2015 |
 | Minolta: Maxxum 5000 | 1986 | c | 2018 | 5.00 | The Minolta 5000 (also known as the Maxxum 5000 in North America, the Dynax 5000 in Europe, and the α-5700 in Japan) is a 35mm single-lens reflex camera belonging to the second generation of bodies in Minolta's autofocus SLR system in 1989. For those looking for a film camera with advanced capabilities, the Minolta Maxxum 5000 offers users the features of a single-lens reflex camera. This Minolta Maxxum 35 mm camera produces accurate images of what one can expect when processing their film. Other additional features in this SLR camera, includes an autofocus sensor, which allows the users to take clear, detailed images consecutively without having to wait too long for the film to load. This is especially ideal for action shots during live, sports games. For advanced users, both shutter and aperture priority can be added for additional functions for the Minolta Maxxum 5000. Furthermore, this SLR camera also provides users with various settings for picture-taking in low light, dark environments or harsh weather conditions. Ultimately, the Minolta Maxxum 5000 remains an ideal choice for users seeking a camera that produces high-quality images in film, with the use of SLR capabilities. The Minolta 5000 is an autofocus SLR camera so you get better quality pictures. This Minolta film camera has a very compact built-in flash for shooting in low light conditions and it can be turned off if you do not require it. The big LCD display of this Minolta Dynax camera provides you with a better control of functions. This Minolta film camera also supports Minolta's Creative Expansion cards, which is a system that allows you to add particular program features to your camera for new functionalities. The camera pictured above is in Poor condition and worth $3.00 in 2018. |
 | Minolta: Maxxum 5000i | 1989 | 2014 | 15.00 | 1989 fine condition worth $25.00 in 2014 | |
 | Minolta: Maxxum 5000i | 1989 | 2015 | 5.00 | 1989 Poor condition worth $1.00 in parts in 2015 ( will not turn on) | |
 | Minolta: Maxxum 5000i | 1989 | 2016 | 10.00 | 1989 Poor condition worth $2.00 in parts in 2016 ( will turn on but erratic) | |
 | Minolta: Maxxum 5xi | 1992 | 2011 | 10.00 | 1992 fine condition worth $20.00 in 2014 | |
 | Minolta: Maxxum 70 | 2004 | 2011 | 15.00 | 2003 Fine condition worth $30.00 in 2014 | |
 | Minolta: Maxxum 7000 AF | 1985 | c | 2016 | 10.00 | 1985 fine condition worth $30.00 in 2016 |
 | Minolta: Maxxum 7000 AF | 1985 | c | 2018 | 5.00 | The Minolta MAXXUM 7000 (7000 AF in Europe and α-7000 in Japan) 35mm SLR camera was introduced in February 1985. It was the first camera to feature both integrated autofocus (AF) and motorized film advance, the standard configuration for later amateur and professional single lens reflex cameras. The Minolta 7000 had its AF sensors and the focusing drive inside the camera body, and as a result, the lenses could be much smaller and cheaper. The aperture and focus were mechanically driven through the lens mount from the camera body. However, electronically controlled buttons on the camera body now replaced the mechanical aperture ring on the lens, and the setting was electronically displayed on the body and in the viewfinder. The metal housing of older Minolta SLR cameras was replaced with a lighter, cheaper body made of plastics. In other respects, the Maxxum offered most of the standard features of other cameras of the day, with the exception of a rather low flash sync speed (1/125 sec.) and no multi-exposure capability. Minolta introduced a new lens mount, the A system, breaking compatibility with its earlier manual-focus lenses in the MC and MD system. The A lens mount is still the same today, but some modifications have been made to the electronic contacts to facilitate new functions such as motor zoom (xi lenses, now discontinued) and a more sophisticated flash metering system (ADI). Early Maxxum 7000 cameras were inscribed "MAXXUM 7000" with a crossed 'XX' The oil giant Exxon considered this to be a violation of its trademark because the XX in its logo was linked in a similar fashion. As a result, Minolta was allowed to distribute cameras that were already produced but was forced to change the stylistic XX in Maxxum and implement this change in new production. All Maxxum cameras produced thereafter had a regularly scripted double 'X'. Also, Minolta's autofocus design was found to infringe the patents of Honeywell, a U.S. corporation. After protracted litigation, Minolta in 1991 was ordered to pay Honeywell damages, penalties, trial costs and other expenses in a final amount of $127.6 million. The camera pictured here is in Poor condition and worth $2.00 for parts in 2018. |
 | Minolta: Maxxum 9000 AF | 1985 | 1994 | 35.00 | 1985 Good condition worth $140.00 with the motor drive in 2014 | |
 | Minolta: Maxxum HTsi | 1998 | 2016 | 9.00 | 1998 fine condition worth $20.00 in 2016 | |
 | Minolta: Maxxum STsi | 1999 | 2014 | 15.00 | 2003 Fine condition worth $55.00 with the lens in 2014 | |
 | Minolta: Maxxum STsi | 1999 | 2016 | 20.00 | 1999 Fine condition Worth $40.00 in 2016 | |
 | Minolta: Maxxum XTsi | 1998 | c | 2018 | 10.00 | A newly-developed, more precise autofocusing system for its time with 14-segment metering, unique "eye start" operation, and the addition of other high-performance features made the XTsi an ideal choice for hobbyist and amateur photographers. Plus, an enhanced cosmetic appearance with a silver metallic finish and leather-like grip coverings adds head-turning good looks. This 35mm SLR with microcomputer control of built-in flash, autofocus (AF), and auto exposure (AE). It has five user-selectable programs tailored to specific subject or scene characteristics: portrait, landscape, close-up, sports/action, and night portrait. Shutter speeds available are from 30 seconds to 1/4000 on a second. The built in flash has a recovery time of approximately 3 seconds and is effective up to 39 feet. The camera has Automatic advance to first frame, automatic advance between frames, automatic rewind, and manual start of rewind selectable. The camera is capable of shooting 2 frames per second; continuous AF; focus priority; focus checked and adjusted after each frame. This camera also has a panorama mode that crops the exposure of the 35mm film inside the camera and the viewfinder. Date and time imprinting is also available along with a 10 second self-timer. The camera is powered by two CR2 lithium only batteries and the data back uses one DL2025 3 volt. The camera pictured here does not work and is in Poor condition. It is worth $15.00 for the lens, $10.00 for the flash, and $1.00 in parts for the camera. |
 | Minolta: Memory Maker 2000 | c2000 | 2016 | 3.00 | The Minolta Memory Maker 2000 is a 35mm Focus Free Camera manufactured in the late 90’s. This camera has point and shoot ease, with an extra-large viewfinder and auto flash with red-eye reduction and a high quality Minolta lens. It uses 35mm film and 2 AA batteries to operate. The camera and strap were made in China but the Minolta Company was and still is based in Japan. The camera also has a built in lens cover that locks the shutter release when closed, auto film advance, auto rewind, frame counter that resets when the back cover is opened, film view window in the back, flash ready LED close to the viewfinder, ¼” 20 thread tripod mount, easy film load method, works with DX coded film, and has a handy carry strap. | |
 | Minolta: Memory Maker III | 1995 | 2004 | 10.00 | 1995 fine condition worth $15.00 in 2014 | |
 | Minolta: Minolta 110 Zoom Date | c1998 | 2013 | 5.00 | 1998 Fine condition worth $10.00 in 2014 (1 of 2) | |
 | Minolta: Minolta 16 EE II | 1963-1965 | c | 2020 | 15.00 | The Minolta 16 EE II was introduced in 1963. Equally short lived as the 16EE, production continued until 1965. A very similar in size to the 16EE and it features a CdS meter in place of the selenium meter and requiring a PX625 battery or a Wein Cell MRB625 1.35v. The shutter speed was not pre-selected by the film speed but the film speed is set by a dial surrounding the CdS meter. On back, left hand side, of the camera is a dial to set the shutter speed L= low for 1/50 of a second and H= High for 1/200 of a second. When shooting with a flash the switch is set to F=Flash and this fixes the aperture to f11 and the shutter speed to 1/30 of a second. The CdS meter adjusts the aperture from f2.8 to f16. The shutter release has a built-in cable release socket and the base has a ¼ inch 24 thread tripod socket which is used to hold the flash bracket / cold shoe. A switch on the base sets focus to portrait 2.5 meters (6-7 feet) for close up and landscape 5 meters (16 feet) to infinity. Two close up lens where available. No. 1 is designed for close-up of 1.2M (about 4 feet), No.2 for close-ups of 0.7m (about 2.5 feet). The viewer has a line to indicate a parallax correction when taking subjects at less than 1m (about 3.3 feet). A UV filter was supplied with the camera when new and is removable. Filters and close up lens where supplied in a plastic case. 1A, 81A and 80A as the filter set and the Y48 (Yellow) filter supplied with No.1 and No.2 close-up lenses. Filters are interchangeable with the 16EE. The camera was also supplied with a zip up case and wrist strap. The Minolta 16 Cds is the same model as Minolta 16 EE2 for the USA market. The name change is shown on the handbook that comes with the camera. In 1964, the camera cost about £29 ($36.00). The last list price, in 1965, in the USA was £72 ($89.50). The Lens is a 25mm Rokkor with apertures of f2.8 to 16 and the film speed the camera is capable of using is ASA 25 to 320 or DIN 15 to 26. The camera also has a flash sync socket and a large optical viewfinder. The dimensions are 112x55x32mm (4 9/16 x 2 1/8 x 1 1/4 inches) and it weighs 275g (9 1/2 oz). The camera set came with a case, wrist strap, UV Filter Y48 (Yellow), 1A-skylight (1.1x), 80A (3.2x), 81B (1.3x), and manuals in English: MEB304 I plus MEB304. The camera pictured here is good condition and worth $20.00 in 2020. |
 | Minolta: Minolta 16 II | 1960-1966 | 2013 | 15.00 | 1960-1972 fine condition worth $30.00 in 2014 | |
 | Minolta: Minolta 16 II | 1960-1966 | 1991 | 10.00 | 1960-1972 fine condition worth $30.00 in 2014 | |
 | Minolta: Minolta 16 II | 1960-1966 | 2015 | 15.00 | 1960-1972 Fine condition worth $40.00 in 2014 (with box & instructions) | |
 | Minolta: Minolta 16 P | 1960-1965 | c | 2019 | 5.00 | The first Minolta 16 camera was the 16 Automat (1955), which was almost identical to the Konan 16 Automat. It featured a fixed-focus 25mm lens, apertures from f/3.5 to f/11, and shutter speeds from 1/50 to 1/200 plus bulb. Film advance was via a Minox-style push-pull housing. The 16 was the second Minolta 16 model, introduced in 1957. Basically a more streamlined Automat, it was modified to allow for slip-on filters and close-up lenses and had fewer shutter speeds. It was available in six colors in addition to the standard chrome. This was followed three years later by the 16 II, which appeared identical to the 16 but featured an improved lens and expanded shutter speeds (1/30 to 1/500 plus B) and aperture ranges (2.8 to 16). There was also a version of the 16 II with a built-in transistor radio, which was sold as the Sonocon 16 MB-ZA starting in 1962. The 16 P, came out in 1960. It had a rigid body, and aperture range of f3.5-f16. The 16 EE, introduced in 1962, featured a built-in selenium light meter and shutter-priority automatic exposure. In terms of other features (lens, aperture range, etc.) it was basically similar to the 16 II, though it was larger, had a rigid plastic body, and offered no manual settings. It was replaced in 1963 by the 16 EE2, which used a CdS cell instead of a selenium meter. As its 16mm cameras had been growing increasingly large through the addition of more features, Minolta introduced a new and much smaller model, the 16 MG, in 1966. It lacked automatic exposure, but included a light meter and match-needle that were almost as easy to use and offered the added bonus of manual exposure control. The aperture and shutter speed were set at the same time using a single "exposure" dial. The meter was a selenium unit, which did not require a battery and hence allowed the camera to be made smaller. The 16 MGS of 1970 was similar but used single-perforated film, which allowed the negative size to be increased and picture quality improved. The last Minolta 16 was the 16 QT, which was produced from 1972 to 1974. It was a simplified version of the MGS, designed to compete with the new 110 format. The QT had a 23mm lens, apertures from f/3.5 to f/22 and two shutter speeds, 1/30 and 1/250. It also offered manual focusing, a departure from previous models. This information is from “Wikipedia The Free Encyclopedia”. The camera pictured here is in Good condition and worth $20.00 in 2019. |
 | Minolta: Minolta AF Tele | 1985 | 2016 | 3.00 | 1985 Poor condition worth $1.50 in 2016 | |
 | Minolta: Minolta AF Tele 60 | c1989 | 2012 | 5.00 | 1985 good condition worth $15.00 in 2014 (1 of 2) | |
 | Minolta: Minolta Autopak 270 | 1977 | 2016 | 5.00 | This is as the name suggests a 110 pocket camera released by Minolta in 1977. It has a Rokkor 1:3.5/26mm (4 glass elements in 3 groups) lens with a continuous slide button with 5 symbols and 1 click stop on the top of the camera. Exposure control is programmed with two automatic changed apertures of f3.5 plus f8 and an electronic shutter with step speeds from 1/330 of a second to 10 seconds. The usable film speeds for the 110 16mm film cartridges are ASA 64 to 125. The camera uses a 4.5v K-size #538 battery to power the flash cubes, exposure control, and shutter speeds. The viewfinder is a bright frame finder with an LED indicator for insufficient light and distance symbols. The flash mount is for magi-cubes and the camera has a cable shutter release. It also a ¼” 20 thread tripod mount, a two conductor hot shoe, and a built-in slide-across close-up lens at 50cm with automatic parallax correction in viewfinder. The dimensions are 132×58×26mm and the weight is 190g with the film. The camera pictured here is in Fine condition and worth $15.00 in 2016. | |
 | Minolta: Minolta Autopak 400-X | 1972 | 2012 | 10.00 | 1972 fine condition worth $15.00 in 2014 | |
 | Minolta: Minolta Autopak 430EX | 1978 | 2014 | 2.00 | 1978-1990 fine condition worth $10.00 in 2014 | |
 | Minolta: Minolta Autopak 450E | 1976 | c | 2015 | 5.00 | 1977 Poor condition worth $0.50 in 2015 (shutter and film advance problem) |
 | Minolta: Minolta Autopak 460T | 1979 | c | 1990 | 5.00 | The Minolta Pocket Autopak 460T is a sophisticated little viewfinder camera for the popular type No. 110 16mm film cassettes. It was launched in 1979 by Minolta. The built-in electronic flash pops out to the side when switched on. Switchable 26mm (f3.5-f8.0) / 43mm (f4.7-f13.5), zone focusing (3.3ft to infinity) lens. The camera has a mechanical shutter with a speed of 1/200 of a second. A CDS meter provides programmed exposure control and it has a 3-position aperture setting, for sun, cloudy, or flash. The camera works best with ASA 100 or 400 speed film. The telephoto lens is also a good macro: the view from 3.3 foot is only 9x11", about the same as when using some close-up lenses. The viewfinder shows a red warning LED if the built-in flash needs to be selected and there is also an audible low-light alarm. When the flash is selected, the distance scale glows green for easy focusing. The viewfinder LED and an external orange light flicker when the flash is ready. It also has a built-in sliding lens cover that when closed locks the shutter. The camera has no close-up lens, tripod socket, or cable release socket. The camera uses a single AA cell and the dimensions are 1 1/8” tall x 2 3/8” wide x 6 1/2" long. 1979 fine condition worth $25.00 in 2014 |
 | Minolta: Minolta Autopak 460T | 1979 | c | 2019 | 1.00 | The Minolta Pocket Autopak 460T is a sophisticated little viewfinder camera for the popular type No. 110 16mm film cassettes. It was launched in 1979 by Minolta. The built-in electronic flash pops out to the side when switched on. Switchable 26mm (f3.5-f8.0) / 43mm (f4.7-f13.5), zone focusing (3.3ft to infinity) lens. The camera has a mechanical shutter with a speed of 1/200 of a second. A CDS meter provides programmed exposure control and it has a 3-position aperture setting, for sun, cloudy, or flash. The camera works best with ASA 100 or 400 speed film. The telephoto lens is also a good macro: the view from 3.3 foot is only 9x11", about the same as when using some close-up lenses. The viewfinder shows a red warning LED if the built-in flash needs to be selected and there is also an audible low-light alarm. When the flash is selected, the distance scale glows green for easy focusing. The viewfinder LED and an external orange light flicker when the flash is ready. It also has a built-in sliding lens cover that when closed locks the shutter. The camera has no close-up lens, tripod socket, or cable release socket. The camera uses a single AA cell and the dimensions are 1 1/8” tall x 2 3/8” wide x 6 1/2" long. The camera pictured here is in Poor condition and worth $1.00 for parts in 2019. |
 | Minolta: Minolta Autopak 460TX | 1979 | c | 2017 | 7.00 | The Minolta Pocket Autopak 460Tx is a sophisticated little viewfinder camera for the popular type No. 110 16mm film cassettes. It was launched in 1979 by Minolta. The built-in electronic flash pops out to the side when switched on. The x at the end of the name stands for extra and separates it from the Autopak 460T. The main difference is an illuminated distance scale on top of the camera when the flash is activated (because you're shooting in the dark). Switchable 26mm (f3.5-f8.0) / 43mm (f4.7-f13.5), zone focusing (3.3ft to infinity) lens. The camera has a mechanical shutter with a speed of 1/200 of a second. A CDS meter provides programmed exposure control and it has a 3-position aperture setting, for sun, cloudy, or flash. The camera works best with ASA 100 or 400 speed film. The telephoto lens is also a good macro: the view from 3.3 foot is only 9x11", about the same as when using some close-up lenses. The viewfinder shows a red warning LED if the built-in flash needs to be selected and there is also an audible low-light alarm. When the flash is selected, the distance scale glows green for easy focusing. The viewfinder LED and an external orange light flicker when the flash is ready. It also has a built-in sliding lens cover that when closed locks the shutter. The camera has no close-up lens, tripod socket, or cable release socket. The camera uses a single AA cell and the dimensions are 1 1/8” tall x 2 3/8” wide x 6 1/2" long. The camera pictured here is in fine condition and worth $20.00 in 2017. |
 | Minolta: Minolta Autopak 600X | 1971 | 1990 | 5.00 | 1971 fine condition worth $30.00 in 2014 | |
 | Minolta: Minolta Autopak 600X | 1971 | 2013 | 10.00 | 1971 good condition worth $10.00 in 2014 | |
 | Minolta: Minolta Autopak 800 | 1969 | 2015 | 10.00 | 1969 fine condition worth $15.00 in 2015 | |
 | Minolta: Minolta Disc-5 | 1983 | c | 2016 | 6.00 | The Minolta Disc-5 is a simple, flat camera for Disc film cartridges, a format introduced by Kodak in 1982 and this camera was introduced soon after in 1983. The Disc-5 has 2 shutter speeds, 1/100 of a second and 1/200 of a second. It uses a fixed focus 12.5mm f/2.8 lens combined with a selenium cell controlled aperture to expose the film. A sliding door in front of the viewfinder also closes the lens so both are covered when not in use. This model was also available in designer patterns and colors but named the Courrèges AC 101. Like many of the Kodak disc cameras it has a lifetime battery that should not be exchanged by the user for it is very difficult. It was amazing how many years the battery lasted even with a built in flash. The camera also uses a slide selector under the lens for close-up and landscape. When slid in the close-up position a lens is placed in front of the original but does not change the viewfinder. Although the quality of the pictures with this camera was better than most, it still was not great and this led to the demise of the disc film. The only other feature is a swivel hard point for a carry strap. This camera like most Disc-5’s has a dead battery but is listed in fine condition for its historic value. The camera pictured here is worth $10.00 in 2016. |
 | Minolta: Minolta Disc-7 | 1983 | c | 2016 | 4.00 | The Minolta Disc 5 and 7 were the first Minolta cameras that use the film disc launched by Kodak in 1982. They both have automatic exposure by Selenium cell, with automatic flash, advances automatic film, and are powered by a long life lithium batteries that at that time were replaced by the manufacturer but the internal OEM lithium batteries can be replaced with two common 123A batteries with a soldering iron and some difficulty (not worth it). The camera is provided with an f2.8 12.5mm lens, consisting of 4 elements in 4 groups. The optical glass is treated. The focusing is fixed to 1.2 meter to infinity, with a sliding lens position of closer focusing from 0.4 to 1.2 meter. The viewfinder has luminous framework with correction of parallax and indications of the symbols of focusing. The shutter speeds are 1/100 to 1/200 of a second and the aperture CDS controlled. The Disc 7 was introduced and sold by Minolta in 1983. The Disc 7 had one remarkable feature which stood it apart from other disc cameras. In the center of the front plate was a small convex mirror, which could be used by the photographer to compose a self-portrait. It also has a pivot arm with a carry strap hard point, shutter release socket, and a ¼” 20 thread tripod mount. The pivoting arm allows you to set the camera on a flat surface for a timed photo. The timer is set with a slide switch next to the mirror that has a LED that flashes when engaged. The camera retailed for $122.50 when new and you could buy an extender kit for $40.00 plus $10.00 for a case. The camera pictured here is in Good esthetic condition but the batteries are dead and for that reason it is worth $10.00 in 2016. |
 | Minolta: Minolta Electro-Shot | 1965 | 2014 | 10.00 | 1965 Poor condition worth $2.00 for parts in 2014 | |
 | Minolta: Minolta FS 35 | 1989 | 2015 | 3.00 | 1989 fine condition worth $15.00 in 2015 | |
 | Minolta: Minolta SRT-101 | 1966 | 2001 | 10.00 | 1966-1976 good condition worth $25.00 in 2014 | |
 | Minolta: Minolta SRT-101 | 1966 | 2015 | 10.00 | 1966-1976 good condition worth $25.00 in 2015 | |
 | Minolta: Minolta SRT-101 | 1966 | 2016 | 15.00 | 1966-1976 fine condition worth $25.00 in 2015 | |
 | Minolta: Minolta SRT-101 | 1966 | c | 2019 | 10.00 | The SR-T has an extremely bright finder with a central micro prism focusing aid that proves to be very accurate in most cases, since even when no visible lines are present in the subject, all out-of-focus objects appear to shimmer. Two exposure meter needles and the selected shutter speed are shown in the viewfinder. A small rectangle to the right indicates the acceptable needle deflection range for a healthy battery when the ON/OFF switch on the camera base is set to the battery check position labelled BC. Battery power is saved by placing the switch in the OFF position whenever the camera is not used. Battery power may also be saved by keeping the lens cap on whenever possible, since the exposure meter draws current in proportion to light intensity entering the camera lens. The metering circuit is dependent on an obsolete mercury battery. It may be replaced using a zinc-air hearing aid 1.4-volt battery, which usually comes in a six-pack and is not very expensive. Several internal parts may fail on a forty-year-old camera, and the SR-T 101 is no exception. The only serious trouble is related to the exposure meter movement itself, in which the tiny coil tends to break, this situation requires a replacement. The back door rubber sealing foam will usually need replacement, and so will a small strip of the same cushioning material sealing the mirror when it goes up when you hit the shutter release. A strip of this may be cut from a similar sealing material from a hardware store. All other problems are easily put right with a minimum of effort and tools, unless the camera is worn out, which rarely happens. In fact, anybody who figures out how to remove the top cover without causing any damage can do the rest. The Minolta SR-T 101 is a 35mm SLR camera made by Minolta Camera Co. Ltd, Japan, premiering in the March 1966 Japan Camera Show . Sales began in April 1966 and it stayed in production with only minor changes for ten years, the result of the thorough development effort that was put into the camera. The body is a direct continuation of the Minolta SR-7 Model V of 1962, itself an innovative camera. The camera pictured above is in fine condition and worth $30.00 in 2019. |
 | Minolta: Minolta SRT-102 | 1973 | 2016 | 20.00 | 1973 fine condition worth $35.00 in 2016 | |
 | Minolta: Minolta SRT-200 | 1975 | 2016 | 15.00 | The SRT 200 was introduced in 1975 and the base model SRT 100 was updated in 1975 when the other models were altered. The cameras remained similar to the previous budget models but with the top shutter speed increased from 1/500 of a second to 1/1000 of a second. The major specifications of the budget SRT bodies were as follows: (1) Single lens reflex camera with through-the-lens CLC (Contrast Light Compensator) meter coupled to shutter and film speed. (2)Meter sensitivity EV 3 to EV 17 at ASA 100. (3)Film speeds supported ASA 6-6400. (4) Fully mechanical cloth focal plane shutter with speeds from 1-1/1000 of a second plus B. (5) Shutter speeds 1-1/60 sec with electronic flash. (6) Oversized quick return mirror for no image cut-off even with super telephoto lenses. (7) Exposure control needle visible in viewfinder. (8) Flash synchronization (X and FP). (9) Automatic reset film counter. (10) Accessory shoe. As with the original SR-T 100, the later budget models do not have a lot to recommend it when other more fully featured models are now available for similar prices. At the time, however, it remained an attractive option for someone seeking a fully mechanical body with a limited budget. The Minolta SRT 100X (or rebadged SRT 200 released in the U.S. and Canada in 1975) launched in 1977 and was the last camera of Minolta's SRT series of robust SLR bodies with TTL match-needle-meter instrument in the viewfinder. A variant in 1979 had a simpler single cell meter instead of the CLC meter of the SRT series. The camera pictured here is in fine condition and worth $35.00 in 2016. | |
 | Minolta: Minolta SRT-201 | 1975 | 2012 | 20.00 | 1977-1981 Good condition worth $55.00 in 2014 | |
 | Minolta: Minolta SRT-201 | 1975 | 2015 | 15.00 | 1977-1981 fine condition worth $100.00 in 2015 | |
 | Minolta: Minolta SRT-201 | 1975 | 2015 | 15.00 | 1977-1981 Poor condition worth $5.00 for parts in 2015 | |
 | Minolta: Minolta SRT-202 | 1975 | 2015 | 15.00 | 1975-1977 Good condition worth $30.00 in 2015 | |
 | Minolta: Minolta SRT-SC | 1975-1980 | 2015 | 35.00 | 1973-1975 Good condition worth $50.00 in 2015 plus a $25.00 lens | |
 | Minolta: Minolta X-370 | 1984-1990 | c | 2015 | 20.00 | 1984 Poor condition and worth $5.00 for parts and the lens is in fine condition worth $10.00 in 2015 (film advance is jammed) |
 | Minolta: Minolta X-370 | 1984-1990 | c | 2016 | 30.00 | 1984 fine condition worth $30.00 in 2016. The Albinar ADG 28mm 2.8 lens on the camera is in fine condition and worth $25.00 with $5.00 for the books for the camera in 2016. The JCPenny 80-205mm lens is in fine condition worth $15.00 in 2016. The Albinar 135mm is in fine condition worth $20.00 in 2016. A estimate for the set is $95.00 in 2016. |
 | Minolta: Minolta X-370 | 1984-1990 | c | 2018 | 10.00 | The Minolta X-370 35mm Camera was introduced in 1984 and is built rugged without sacrificing features. Featuring quartz controlled circuitry, this Minolta SLR camera offers consistent and precise exposure control. The viewfinder on the 35 mm camera displays exposure information and operating status to prevent errors when filming. Available Minolta flashes provide multi-mode auto-flash for additional control. The Minolta X-370 35 mm Camera Body is fully manual. Photographers easily control focus, range, aperture, and flash for clear, bright pictures in a variety of settings. The construction of the Minolta X-370 35 mm Camera Body makes it stand out. A rugged body makes it the ideal Minolta SLR camera for photography students or rugged photographers taking action shots. The construction also makes it an ideal travel camera. When paired with the split image focusing screen for clear and bright images, focusing, framing, and shooting this 35 mm camera is easy – even in poor light. Pair the Minolta camera body with a variety of lenses for added control. The camera pictured here is in fine condition and is worth $35.00 with lens in 2018. |
 | Minolta: Minolta X-570 | 1983 | 2016 | 10.00 | The Minolta X-570 (X-500 in Europe) was introduced in 1983 as a lower cost alternative to the X-700. It used the same chassis as the rest of the Minolta X series and the standard Minolta SR mount. The primary difference between the top-of-the-line X-700 and the X-570 is that the latter lacked the fully automatic Program exposure mode. However, the X-570 added an important feature that would be part of all subsequent X series cameras, but never added to the X-700, a match LED exposure meter. This system indicated the selected shutter speed with a blinking LED and the suggested shutter speed, based on the exposure value and the selected lens aperture, with a solid LED. Some consider the X-500 more of an enthusiast's camera than the X-700, since it offered no P mode and therefore required some photographic knowledge. The camera takes two 675 pill batteries to power it including the shutter. It also was designed for a motor drive attachment (model M-1), complete with 3 contact points and a ground contact. The camera also has a hot shoe with three contact for the flash unit. The camera pictured here is in Poor condition and does not respond. For this reason it is worth $3.00 for parts in 2016. | |
 | Minolta: Minolta X-700 | 1981-1982 | 2013 | 15.00 | 1981-2001 Fine condition worth $45.00 in 2014 | |
 | Minolta: Minolta X-700 | 1981-1982 | 2008 | 10.00 | 1981-2001 fine condition worth $25.00 in 2014 | |
 | Minolta: Minolta X-700 | 1981-1982 | c | 2018 | 30.00 | This is Minolta's best mass market manual focus camera, ever. A testament to its lasting and great design, it was introduced in early 1981 and was in continuous production until the beginning of 2001. It uses all of the Minolta manual focus lenses made since the 1960s, although you'll have better luck in program mode if you stick to the newest MD lenses. It has program and aperture-preferred automation modes. Manual mode only indicates the suggested shutter speed in the finder; you have to take your eye away from the finder to see what you've actually set. It weighs 17.5oz (520 g) unlike amateur cameras like the $1,000 Nikon F100, the Minolta X-700 has a stainless steel lens mount. "MPS" on the front stands for "Minolta Program System," which was hot stuff when Program automation cameras were novel in 1985. Today it just means it has program mode, like every other camera. It has a cloth horizontal focal plane shutter. It runs on two S76 button cells or #357 in Eveready Energizer. The camera pictured above is in Fine condition and is worth $45.00 in 2018. It has with it a Minolta MD MD 28-70mm f/3.5-4.8 Lens worth $10.00, 2 Minolta md Rokkor-x 45mm f2 worth $30.00 each, Sigma zoom 100-200mm f4.5 worth $25.00, and a Samigon 28mm f2.8 worth $20.00. All toll the value is $130.00. |
 | Minolta: Minolta X-7A | 1985 | 1994 | 10.00 | 1985 Poor condition worth $5.00 for parts in 2014 | |
 | Minolta: Minolta X-9 | 1990 | c | 2018 | 10.00 | The Minolta X-9 SLR film camera, with its auto-exposure function, allows you to shoot photos under varying light settings. Furthermore, the viewfinder of this Minolta film camera lets you frame your shots effortlessly. What’s more, with shutter speeds of 1/1000 to 4 seconds in the auto-exposure mode and 1/1,000 to 1 second in the manual mode, the Minolta X-9 delivers blur-free images even while shooting fast-moving objects. The X9 is the last of the manual SLR in the Minolta line and is fully capable of all the magic: meter-coupled, aperture and shutter-ready settings, and much more. The X9 had all the features of the popular X-700 with a fresher look. It is powered by two #357 pill batteries. The camera was introduced in 1990. The camera uses Minolta's SR (MC/MD) mount, which means that all of Minolta's incredible manual focus lenses will fit naturally onto this camera. Further special features include one of the most accurate metering systems made by any manufacturer, enabling full auto-exposure and aperture priority shooting modes that are extremely accurate. Additionally, the focus screen, reflex mirror, and viewfinder are all exceptionally large compared to other cameras, enabling very easy focusing even in low-light conditions. The camera pictured here is in Poor condition and will not turn on. For this reason it is worth $10.00 for the lens and $1.00 for the body in 2018. |
 | Minolta: Minolta XE-5 | 1975 | 2016 | 10.00 | The Minolta XE-5 is one year younger and the less advanced sibling of the Minolta XE 35mm SLR cameras. It was introduced in 1975 and was not sold on the Japanese home market. The XE-5 also has a fixed finder and the vertical running metal blade shutter, as well as the bright viewfinder with the convenient exposure meter scale to the right, for either manual or automatic operation. However, the double exposure facility has gone, as has a few other minor details. The on/off switch is at the rear, but the film advance indicator is gone. The traditional two conductor hot-shoe is at the top of the finder. The prism housing is all black and when new it came with a MC Rokkor-X PF 1:1.7 f=50mm lens. The exposure setting is either meter-assisted manual or aperture-priority automatic. In the manual mode, the recommended shutter speed on the meter scale in the viewfinder must be compared to that set on the dial. The automatic mode is selected by setting the shutter speed dial to A. The electronically controlled shutter has manually selectable speeds from 4 seconds to 1/1000 second and a backup mechanical 1/90 second plus B. The shutter-speed dial locks in the A position, easily released by a tiny button reached when gripping the dial. The film speed is set on a dial surrounding the rewind knob. A small button just next to the viewfinder housing releases the ASA-dial. To the left on the same dial is an exposure compensation scale of ±2 EV, which may easily be set depressing a button on the dial edge. The camera operates on a 3V silver battery or two 1.5V SR44 batteries. The XE-5 also has a battery check lever with a red LED, lens release button, PC X sync socket, lens diaphragm stop-down button, a traditional self-timer with trigger button, rewind release button, tripod socket, and the battery compartment. The camera pictured here is in blank condition and worth $0.00 in 2016. | |
 | Minolta: Minolta XG-1 | 1979 | 2016 | 16.00 | 1979-1984 fine condition worth $35.00 in 2016 | |
 | Minolta: Minolta XG-7 | 1977 | 1990 | 20.00 | 1977 good condition worth $30.00 in 2014 | |
 | Minolta: Minolta XG-A | 1982 | 2013 | 10.00 | 1981 Good condition worth $40.00 in 2014 | |
 | Minolta: Minolta XG-M | 1982 | 2013 | 15.00 | 1981 Fine condition worth $50.00 in 2015 | |
 | Minolta: Minolta XG-M | 1982 | 2015 | 5.00 | 1981 Poor condition worth $5.00 for parts in 2015 | |
 | Minolta: Riva Zoom 70 EX | 1994 | 2015 | 5.00 | 1993-1996 fine condition worth $20.00 in 2015 (Minolta Freedom Zoom 70EX) | |
 | Minolta: Riva Zoom 70 W | 1995 | 2016 | 6.00 | This stylish pocket-sized "capsule" 35mm Minolta Freedom Zoom Explorer camera was introduced in 1997 and features a built-in wide-angle 28 to 70mm lens. Designed for both scenic shots and close-ups, the Minolta Freedom Zoom Explorer lets you select panorama mode and date imprinting at any time. Users may also choose between selectable exposures mode to ensure proper exposure for close-up, night portrait, or landscape/night view shots every time. This camera also offers precise, three-beam active infrared autofocus for sharp pictures. The built-in automatic flash system includes "soft flash" for close-ups, along with red-eye reduction, auto flash, flash fill, and cancel flash. Film advance and rewind are automatic and fuss free, and users can select continuous advance or mid roll rewind. The Minolta Freedom Zoom Explorer also features a 10-second self-timer setting and wireless remote control release. The camera originally sold in a kit and along with the camera, the kit includes a carrying case, strap, film, batteries, remote control, and a two-year warranty. This camera has a “great” film economics. It will squeeze every frame it can get out the film and this comes in handy when it is in the 1.2 fps continuous drive mode. The camera pictured here is in Fine condition and worth $20.00 in 2016. | |
 | Minolta: Vectis 10 | 1996 | 2017 | 5.00 | The Victis 10 is a point and shoot camera with a 25 to 50mm, 5 group, 5 element, zoom lens that was introduced in 1996. It has a built in lens cover, built in flash unit, 5 second recycle flash time, flash ready LED, optical viewfinder, auto focus, red eye reduction, 15.7 inch minimum focus distance, 1/90 of a second to 1/200 of a second shutter speeds, electronic shutter, LCD menu screen, 100 to 800 ISO range, auto film advance, auto rewind, mid-roll rewind, 10 second self-timer, ¼” 20 thread tripod socket, and a handy carry strap. The camera is powered by one CR2 lithium battery and has a CR2025 for the quartz date back. The Victis 10 uses the discontinued APS (Advance Photo System) film and worked best with ISO 200. The camera pictured here is in Good condition and worth $10.00 in 2017. | |
 | Minolta: Vectis 2000 | 1999 | 2012 | 5.00 | 1999 Fine condition worth $20.00 in 2014 | |
 | Minolta: Vectis 2000 | 1999 | 2016 | 5.00 | 1999 Fine condition worth $20.00 in 2014 | |
 | Minolta: Vectis 260 | 1999 | 2013 | 5.00 | 1999 Fine condition worth $15.00 in 2014 | |
 | Minolta: Vectis 300 | 1998 | 2010 | 5.00 | 1999 Fine condition worth $25.00 in 2014 | |
 | Minolta: Vectis GX 1 | 1997 | 2013 | 5.00 | 1997 fine condition worth $15.00 in 2014 | |
 | Minolta: Vectis GX 1 | 1997 | 2009 | 5.00 | 1997 fine condition worth $15.00 in 2014 | |
 | Minolta: Vectis S-1 | 1996 | c | 2017 | 15.00 | The Minolta Vectis S-series comprises two APS system models of film SLR cameras made by Minolta, the flagship model Vectis S-1 and the Vectis S-100. The cameras feature a compact design, owing to the use of mirrors instead of prisms in the viewfinder. The Vectis V-lenses used by these models are not compatible with any other lens mount, including Minolta's 35mm A-mount and SR-mount systems, and there are no options to adapt them to other camera systems since the aperture and focus are controlled electronically, the image circle of the lenses captures the APS formats, and the flange focal distance of the V-mount is only 36.00 mm. Only an early DSLR camera body, the Minolta Dimâge RD 3000, also used the V-lens mount. The Vectis brand was also shared with a number of small APS rangefinder cameras with fixed lenses, including the waterproof Vectis Weathermatic and Vectis GX series. The model numbers of these cameras don't include the S prefix used for the SLR series. S-1 cameras sold in the United States came in a silver/pewter color only, but in some other countries (Australia, United Kingdom, Germany, Netherlands and perhaps elsewhere in Europe) a black (some say dark slate gray) body was available. Combined with the 22-80 and 80-240mm zoom lenses, the S-1 makes a light and compact kit for travel photogaphy. Both of these lenses allow switching to manual focus. Some users prefer the 25-150 lens for the range covered in a single lens. The 25-150 does not have the manual focus option. Standard "kit" lenses for the S-1 were the 28-56 and 56-170mm. The autofocus is switchable to manual focusing by pressing the shutter release button halfway and turning the focusing ring of the lens tube. Some lenses don't support that feature but can be switched to manual focusing with the AF/M button on the lens barrel. The Vectis S-1 was released in 1996 and manufactured by Minolta’s plant in Malaysia. The camera pictured here is in Fine condition and worth $35.00 in 2017. |
 | Minolta: Weathermatic 35 DL (Dual) | 1987 | c | 2015 | 8.00 | 1987 fine condition worth $20.00 in 2015 |
 | Minolta: Weathermatic 35 DL (Dual) | 1987 | c | 2017 | 10.00 | The Weathermatic 35DL issued by Minolta in 1987 is basically the same dual-focus compact camera as the Minolta AF-DL. The difference is the watertight camera body of the Weathermatic which makes it a real camera for aquanauts, with waterproofing to 5m (16.4ft). The electrically driven dual focus lens is hidden behind a water-tight window and the one 6V lithium or four AAA battery compartment is sealed. A big sports finder can be mounted to ease usage under water with goggles. A button on the back of the camera enables "macro" close-ups underwater. The camera was originally supplied in a bright yellow kit bag with several accessories like a two roll film carrier, underwater viewfinder frame, and a carry strap. The 35 DL is solid and made from high-quality plastics. Below water, it operates in fixed-focus mode. Above water, it utilizes an infrared active-type autofocus with a range of 0.75 m (2.5ft) to infinity. A focus hold feature is available. Shutter lock is indicated by a red light next to the viewfinder. The flash is fully automatic; it cannot be turned on or off and has no adjustable settings. Film loading, transport, and rewind are also fully automatic and the camera lacks a button to rewind film in mid-roll. The camera has a 3.5/35mm, switchable to 5.6/50mm lens and the viewfinder magnification changes when the lens is switched. Also it works best with 35mm films of 100 ASA or 400 ASA film speed. The weight without batteries is 275g and it floats in water. The dimensions are 132×69.5×51mm. The camera pictured here is in fine condition and worth $30.00 with the instructions in 2017. |
 | Minolta: Weathermatic A | 1980 | 2015 | 10.00 | 1980 Poor condition worth $1.00 for parts (shutter intermittent & flash not working) | |
 | Minox: Minox 35 EL | 1974 | c | 2017 | 17.00 | The Minox 35 EL is a miniature 35 mm camera, introduced in 1974 by Minox in Germany. It is known as the smallest 35 mm TTL camera in the world. When closed, it's about the size of a pack of cigarettes and can easily be hidden in a person's pocket. Although it's actually a consumer device, it became popular during the Cold War, as an alternative to the far more expensive sub-miniature cameras like the Minox B. It is equipped with a retractable 1:2.8 35 mm lens that has a focus-range from 90 cm (35 ½ inch) to infinity. It has an electronic light meter which can be read from the view finder. It also has an electro-mechanical shutter that is driven by a small electronic circuit mounted just behind the lens. The electronics are powered by 5.6V battery, such as the mercury based Duracell PX-27 (replacement battery Excell S27PX). The Minox 35 EL was so popular in the West that the Russians decided to duplicate it completely. The copy was built by Arsenal in Ukraine (former USSR) and was called the Kiev 35A. The dimensions were identical and every tiny detail was exactly duplicated, including the bright red button, one of the landmarks of the Minox. Accessories of the Minox 35 EL and the Kiev 35A are interchangeable. The camera pictured here is in Fine condition and worth $45.00 in 2017. |
 | Minox: Minox IIIs (chrome) | 1954-1963 | 2013 | 20.00 | 1954 Poor condition worth $25.00 for parts in 2014 (shutter not working) | |
 | Miramax: Miramax McDonalds Spy Kids 110 | 2017 | 3.00 | This camera was a giveaway with McDonalds Happy Meals in 2001. It came preloaded with film and is capable of being reloaded. It takes 110 film cartridges up to 24 exposures. The camera was made in China and is all plastic with an open frame viewfinder with no optics on the top. The camera also has a left hand film advance wheel on the front, frame count window in the back cover, shutter button on top, and a ¼ turn slotted screw lock to open the back cover. It has no flash capability and is meant to be used outdoors in the daylight. The camera was added to the Happy Meal giveaway to coincide with the release of Spy Kids the movie released in September of 2001 produced by Troublemaker Studios and Dimension films. The camera is toy #7 in a set of 9. It is the only one of the nine that really worked. The set included Spy Squirter, Spy Motion Detector, Spy Watch, Spy Phone, Spy Glasses, Spy Light & Launcher, Spy Camera, Spy Fooglie Identifier, and an Invisible Visible Spy Pen. The camera pictured here is in Fine condition with two extra new old stock 110 film cartridges. This camera with film is worth $10.00 in 2017. | ||
 | Miranda: Miranda DR | 1962 | c | 2018 | The Miranda D was also sold as DR distinguished by a red dot on the frame counter. The difference between the Miranda D and the DR is the addition of a micro prism spot in the center of the viewfinder ground glass. Both the Miranda D and the DR do not have either a meter or an internal diaphragm coupling. The back of the lens has a projection but this was fixed and not a diaphragm coupling arm. These models use lenses with an external diaphragm button often referred to as a PAD, like the Exakta. There are two Exakta adapters: the AX which mounted an Exakta lens in the normal position with the focusing index at top center and an AXM adapter which mounted the lens "upside down" so the left-handed diaphragm button would face the Miranda right hand shutter release. This adapter comes with an extra button to extend the Miranda shutter release. The DR has both a Pentax M42 and Nikon bayonet lens mount. Miranda also supplied adapters for Topcon, Leica, and Contax screw mounts. These lenses will focus to infinity. For a short while Spiratone sold a bayonet (not screw-on) T adapter for the Miranda. The Miranda D and DR have a small rotating knob to set the shutter speeds. Speeds for the DR are 1/30 of a second to 1/500, and the slow speeds are set with a small lever underneath the main dial. The film advance on the D plus DR is ratcheted lever single action and the shutter is loaded with the next frame. The DR was introduced in 1962 and the original cost of the DR with lens and a waist-level finder was about $90.00 (£70). $100.00 in 1962 is equivalent to more than $800.00 today. The Miranda DR pictured above has two Soligor lenses. A 135mm f3.5 M42 mount worth about $45.00 and an f2.5 35mm Miranda bayonet mount worth about $40.00. The camera is in good condition and worth $25.00 in 2018. | |
 | Miranda: Miranda Sensorex | 1968-1972 | 1990 | 20.00 | 1967-1972 good condition worth $70.00 in 2014 | |
 | Miranda: Miranda Sensorex | 1968-1972 | 1996 | 20.00 | 1967-1972 Good condition worth $75.00 in 2014 | |
 | Monarch: Pickwik | c1939 | 2015 | 10.00 | 1939 Fine condition worth $35.00 with the original box plus instruction manual in 2015 | |
 | Monarch: Royal Reflex | c1939 | 2015 | 6.00 | 1939 Good condition worth $12.00 in 2015 | |
 | New Taiwan: Akira 7000 DVT (Lens Made In Japan) | c1980s | c | 2006 | 0.00 | 1985-1989 fine condition worth $15.00 in 2014 |
 | New Taiwan: Akira PC-606 (Free Focus) | c1980s | c | 2016 | 3.00 | Akira PC-606 is a mostly-plastic 35mm Compact Camera and was introduced about the 90’s. The aperture is fixed at 16 with no adjustment and it has a 34mm plastic lens. The camera has a frame counter on the bottom, two conductor hot shoe, rewind release button, rewind crank handle, optical viewfinder, and a handy carry strap. The camera also has a frame advance thumb wheel that is mounted in the center bottom of the back cover for use with either thumb. The camera was made in blue, red, black and the white. The camera was made in Taiwan and has nothing to do with Ogihara Akira one of the founders of the Miranda Camera Company. This camera was labeled with many brand names and produced in as many colors. The camera pictured here is in New condition and worth $8.00 in 2016. |
 | New Taiwan: Akira TC-002 (New Optical Lens) | c1980s | c | 2007 | .50 | 1985 good condition worth $3.00 in 2014 |
 | New Taiwan: AP-203 (Focus Free) | c1990s | 2006 | 5.00 | 1990-1995 fine condition worth $5.00 in 2014 | |
 | New Taiwan: ASI (Focus Free) | c1990 | 2003 | 1.00 | 1990 New condition worth $5.00 in 2014 | |
 | New Taiwan: Benz-Gant Helioflex 3000T (New Color Optical Lens) | 1999 | 2014 | 3.00 | 1999 Fine condition worth $10.00 in 2014 | |
 | New Taiwan: Canon Q5200 (Optical Lens Focus Free) | 1985-1989 | 1995 | 10.00 | 1985-1989 fine condition worth $15.00 in 2014 also the (Sakura S5300 motor drive) | |
 | New Taiwan: Capital KX-100 (Focus Free) | c1990 | 2010 | 4.00 | 1990 fine condition worth $20.00 in 2014 | |
 | New Taiwan: Capital MX-II (Capital Optical Lens) | c1980s | c | 2017 | 4.50 | The Capital MX-II 35mm camera with Capital optical auto-fix focus 50mm 1.6 lens was Made in 1986 in Taiwan. The original set came with zip up bag for the camera, lens cover, carry strap, camera instructions, and the camera. Capital cameras were marketed by United States Sales Corporation and only two cameras were found to have the Capital label. These are the MX-II and the KX100 35mm camera (a focus free, point and shoot, plastic camera with a hot shoe). The MX-II Capital is just another name put on these Taiwan cameras with the same design and lenses. All these cameras have a 50mm 1.6 lens with weather icons for aperture settings, the zip-up case, lens cover, and instructions. Cameras like the Lynx PPL 500XL in 1985 and the Ceptre YN 500 in 1990. The Lavec Company (Taiwan) also produce these cheap cameras in the Lavec name like the Lavec LT-002 and the TC-305. The MX-II produces picture results similar the Holga and the Diana but lacks the following. The camera is also weighted inside to give it the feel of a camera with more class. The camera pictured here is in Good condition and worth $8.00 in 2017. |
 | New Taiwan: DH-1000 (Optical Color Lens) | c1967 | 1998 | 2.00 | 1985 fine condition worth $5.00 in 2014 | |
 | New Taiwan: Frog (Focus Free) | c1960s | 2002 | 1.00 | 1995 Good condition worth $5.00 in 2015 | |
 | New Taiwan: Hachi X1000 (Focus Free) | 1995 | 2000 | 2.00 | 1995 New condition worth $5.00 in 2014 | |
 | New Taiwan: Hachi X1000 (Focus Free) | 1995 | 2000 | 2.00 | 1995 New condition worth $5.00 in 2014 | |
 | New Taiwan: Konex MX-V (Optical Color Lens) | c1990 | 2015 | 5.00 | This all plastic camera was made by the Lavec Company and was branded with the Konex label alt-hough Lavec does not appear on the box or camera. The camera has a 50mm fixed lens with a 6ft mini-mum shooting range. Kinectic Marketing put their name on the lens of the Time Magazine camera and others as Kinectic Optical but this this lens only has “OPTICAL COLOR LENS”. All the badging on these type cameras was meant to be confusing to camouflage its true nature of being a cheap plastic camera. The camera takes 35mm film with a recommended speed of 100 or 125 ASA. The lens on this camera was used in many cheap cameras over the years from a TIME magazine give away in 1984 to well into the 90’s with Cameras like the Lynx PPL 500XL in 1985 and the Ceptre YN 500 in 1990. The Lavec Company did produce these cheap cameras in the Lavec name like the Lavec LT-002 and the TC-305. This 1990 camera picture above is in X-Fine condition and worth $15.00 in 2015. | |
 | New Taiwan: Life (Color Optical Lens) | 1984 | 1997 | 10.00 | This mostly plastic camera was a free gift from LIFE magazine made by the Lavec Company for Time Life and was not sold at any time. It has a 50mm fixed lens with a 6ft minimum shooting range. Kinectic Optical is the name on what is clearly the same lens on the Time Magazine camera and countless others in this same era. The badging on these type cameras was meant to be confusing and in my opinion this was done to reinvent the camera to entice more unsuspecting customers. It takes 35mm film with a recommended speed of 100 or 125 ASA. The lens on this camera was used in many cheap cameras over the years from this Life give away in 1984 to well into the 90’s with Cameras like the Lynx PPL 500XL in 1985 and the Ceptre YN 500 in 1990. The Lavec Company did produce these cheap cameras and made cameras in the Lavec name like the Lavec LT-002 and the TC-305. The number of these cameras with so many creative names is impossible to ascertain. The camera picture is in X-Fine condition and worth $15.00 in 2015. | |
 | New Taiwan: LT-006 (Lavec Optical Lens) | c1990 | 2016 | 3.00 | 1995 Fine condition worth $10.00 in 2016 | |
 | New Taiwan: Lynx PPL 500XL (Color Optical Glass Lens) | c1980s | 1991 | 5.00 | The Lynx PPL 500XL was produced by the Lavec Company and has a 50mm fixed lens with a 6ft minimum shooting range. It takes 35mm film with a recommended speed of 100 or 125 ASA. The lens on this camera was used in many cheap cameras over the years by Lavec, from a Life give away in 1984 and into the 90’s with Cameras like the Ceptre YN 500 in 1990. They did produce cameras in the Lavec name like the Lavec LT-002 and the TC-305. This camera came out in about 1985 and is almost all plastic with a real glass lens. The camera picture above is in Fine condition and worth $5.00 in 2015. | |
 | New Taiwan: Maximatic MF-101X (Lens Made In Japan) | c1990 | 2016 | 5.00 | 1990 New condition worth $15.00 in 2016 | |
 | New Taiwan: Mikona MV-828 (Focus Free) | c1980s | 2018 | 2.00 | The Mikona MV-828 has an f5.6 40mm focus free lens made in Japan. It is made to look like a more expensive camera of the late 1980s but is constructed quite cheaply. It also has many of the features of the more expensive camera, like built-in flash with ready light, flash on/off switch, built in lens cover that locks the shutter button when closed, a frame counter, optical viewfinder, film release button, a fold down rewind crank that is the back cover release, and a right thumb film advance wheel. The camera uses two AA batteries to power just the flash. It takes 35mm film and a sticker on the bottom has “MADE IN CHINA”. The camera pictured here is in Fine condition and worth $8.00 in 2018. | |
 | New Taiwan: Mitsuba (Focus Free) | c1990s | 2016 | 1.00 | This camera is a 1990’s point and shoot 35mm with a built in flash. It has a 35mm fixed focus lens with a built in lens cover that has a slide switch under the lens in the front. The camera is easy to load with film with its thumb wheel film advance. The flash unit has a slid on/off switch located on the front of the camera under the flash and a flash ready LED on the top to the left center. It also has a film ASA view window on the back cover and a frame counter window on the bottom right of the camera body. The shutter button is connected to the lens cover and will not engage when the cover is closed. The camera operates on one AA alkaline battery stored in a compartment on the side of the camera. The last thing this camera has is an imbedded wrist carry strap. The manufacturer is Black Market Antiques according to research. The camera pictured here is in New condition and worth $5.00 in 2016. | |
 | New Taiwan: Ninoka NK-700 (Ninoka Optical Lens) | c1980s | c | 2020 | 3.00 | A 1980s 35mm film, fake-rangefinder camera. This is a list of some of the other cameras faking it like the Licom MXF-700, Lavec LT-002, Bentley WX-3, Promax PX-600, Elite MF-2X, Konex MX-V, Ocean OX-2, Gmtex GT-304, Meikai-4351, Yamasheta 35mm, Akira TC-002, Akira 2000, Minotex 2000, Ceptre YN-500, Windsor WX-3, Capital MX-II, Charman 2000, Nicca L-3, Orion SRZ 500, Maxim MF-101X, Yoshi Pro Shot, Photoflex MX-35, 35MM AUTO, Fotex 35mm, Condor CF-1, Nishiki Super II, Sceptre YN-500, Meikai 4351R, Sunstone MM500, Windsor WX-3, Weston WX-7, Sitacon ST-3, Optiflex NF-1, Quicksho 35mm, Caesars Atlantic City, Kinetic 35mm, Yamasheta 35mm, Seville Super SW-500, Cortland CX-7, Sitacon ST-3, Maxim MF-IX, Barrington B-1, Akira 7000, Alto camera, Lavec LT-006, Lavec T28, Barclaycard Visa, Canomatic 2000, Canomatic OX-5, Canomatic SE-AS, Comax GT-306, Damff X-700, ESC camera, F-1000, Franka JM-77, Franka NX-40, Ginette M68F, GM Tex GT-304, Hachi KX-66, Kalimar MX-1, Kinon SC-1, Kinusa Deluxe-1, Kinusa LX-9, Konex MX-V, Life (Magazine), Limp camera, Luminox 356 SL, Lynx PPL 500XL, Maximatie 888, Meikai AR-4367, Naikei 1000-X, Nikai camera, Ninoka NK-700, Novai 7000, Oppex 2 7090, Oppex 7090, Pearl P-1, Penmax YN-3, Pierre Cardin, Quartz Deluxe-1, Remac camera, Renoult Coches Ilenos De Vida, and so many more. This style of the NK-700 is pretty similar to the Time magazine camera. The same plastic 4 position lenses, one shutter speed with f stop combinations, made in China as inexpensive often free give away cameras. On the bottom is R.O.C. standing for Republic of China and also in raised print is “Made in Taiwan”. Along with the Time Magazine camera there is the Sports Illustrated camera, the Lynx camera, the PhotoFlex MX35, the Ultronic 35, the Franka NX-40, the Romor R-Z camera and so many more as you can see above. All these cameras use the same auto fixed focus 50mm 1:6 lens with the same general layout. In the companies mentioned above only PhotoFlex is a legitimate company having anything to do with cameras. The Franka camera is defiantly not made by the Franka Camera Company and probably named after Frank Sinatra. The camera was produced around 1985 as is most of the cameras listed. The camera pictured here is in poor condition but works and is worth $2.00 in 2020. |
 | New Taiwan: Nishiki Super II | 2020 | 4.00 | A 1980s 35mm film, fake-rangefinder camera. This is a list of some of the other cameras faking it like the Licom MXF-700, Lavec LT-002, Bentley WX-3, Promax PX-600, Elite MF-2X, Konex MX-V, Ocean OX-2, Gmtex GT-304, Meikai-4351, Yamasheta 35mm, Akira TC-002, Akira 2000, Minotex 2000, Ceptre YN-500, Windsor WX-3, Capital MX-II, Charman 2000, Nicca L-3, Orion SRZ 500, Maxim MF-101X, Yoshi Pro Shot, Photoflex MX-35, 35MM AUTO, Fotex 35mm, Condor CF-1, Nishiki Super II, Sceptre YN-500, Meikai 4351R, Sunstone MM500, Windsor WX-3, Weston WX-7, Sitacon ST-3, Optiflex NF-1, Quicksho 35mm, Caesars Atlantic City, Kinetic 35mm, Yamasheta 35mm, Seville Super SW-500, Cortland CX-7, Sitacon ST-3, Maxim MF-IX, Barrington B-1, Akira 7000, Alto camera, Lavec LT-006, Lavec T28, Barclaycard Visa, Canomatic 2000, Canomatic OX-5, Canomatic SE-AS, Comax GT-306, Damff X-700, ESC camera, F-1000, Franka JM-77, Franka NX-40, Ginette M68F, GM Tex GT-304, Hachi KX-66, Kalimar MX-1, Kinon SC-1, Kinusa Deluxe-1, Kinusa LX-9, Konex MX-V, Life (Magazine), Limp camera, Luminox 356 SL, Lynx PPL 500XL, Maximatie 888, Meikai AR-4367, Naikei 1000-X, Nikai camera, Ninoka NK-700, Novai 7000, Oppex 2 7090, Oppex 7090, Pearl P-1, Penmax YN-3, Pierre Cardin, Quartz Deluxe-1, Remac camera, Renoult Coches Ilenos De Vida, and so many more. This style of camera is pretty similar to the Time magazine style camera. The same plastic lenses, one shutter speed with f stop combinations, made in China as inexpensive often free give away cameras. On the bottom is R.O.C. standing for Republic of China and also in raised print is “Made in Taiwan”. Along with the Time Magazine camera there is the Sports Illustrated camera, the Lynx camera, the PhotoFlex MX35, the Ultronic 35, the Franka NX-40, the Romor R-Z camera and so many more as you can see above. All these cameras use the same auto fixed focus 50mm 1:6 lens and the same general layout. In the companies mentioned above only PhotoFlex is a legitimate company having anything to do with cameras. The Franka camera is defiantly not made by the Franka Camera Company and probably named after Frank Sinatra. The camera was produced around 1985 as is most of the cameras listed. The camera pictured here is in Fine condition and is worth $15.00 in 2020. | ||
 | New Taiwan: Olympia Big Royal View (Focus Free) | c1989 | 1994 | 10.00 | 1989 Fine condition worth $25.00 in 2014 | |
 | New Taiwan: Ouyama 2000H (Optical Lens Focus Free) | c1980s | 2000 | 5.00 | 1989 Good condition worth $15.00 in 2014 | |
 | New Taiwan: Panorama Normal (Focus Free Optical Lens) | c2002 | 2016 | 3.00 | This is a plastic toy like camera with a built in flash. To the left of the viewfinder you will find a lever that when in panorama (P) position, it crops the film inside and the viewfinder. The lens is a 35mm fixed focus f9.0. The camera has a mechanical shutter with 1/100 of a second shutter speed. It also has a reverse Galilean type viewfinder, exposure counter, fold down rewind crank, rewind film release button, built in lens cover, flash ready LED, film advance thumb wheel, film view window in the back cover, lens ring selector for cover open plus with flash, and a strap eyelet. The built in flash recycle time is 10 seconds and the flash is powered by three AAA batteries. The production start date is unknown but this camera was made in China around 2002. The camera pictured here is New in the box with the instruction pamphlet plus lifetime warranty paper. It is worth $10.00 in 2016. | |
 | New Taiwan: Photoflex MX-35 (Color Optical Lens) | c1980s | c | 2020 | 4.50 | A 1980s 35mm film, fake-rangefinder camera. This is a list of some of the other cameras faking it like the Licom MXF-700, Lavec LT-002, Bentley WX-3, Promax PX-600, Elite MF-2X, Konex MX-V, Ocean OX-2, Gmtex GT-304, Meikai-4351, Yamasheta 35mm, Akira TC-002, Akira 2000, Minotex 2000, Ceptre YN-500, Windsor WX-3, Capital MX-II, Charman 2000, Nicca L-3, Orion SRZ 500, Maxim MF-101X, Yoshi Pro Shot, Photoflex MX-35, 35MM AUTO, Fotex 35mm, Condor CF-1, Nishiki Super II, Sceptre YN-500, Meikai 4351R, Sunstone MM500, Windsor WX-3, Weston WX-7, Sitacon ST-3, Optiflex NF-1, Quicksho 35mm, Caesars Atlantic City, Kinetic 35mm, Yamasheta 35mm, Seville Super SW-500, Cortland CX-7, Sitacon ST-3, Maxim MF-IX, Barrington B-1, Akira 7000, Alto camera, Lavec LT-006, Lavec T28, Barclaycard Visa, Canomatic 2000, Canomatic OX-5, Canomatic SE-AS, Comax GT-306, Damff X-700, ESC camera, F-1000, Franka JM-77, Franka NX-40, Ginette M68F, GM Tex GT-304, Hachi KX-66, Kalimar MX-1, Kinon SC-1, Kinusa Deluxe-1, Kinusa LX-9, Konex MX-V, Life (Magazine), Limp camera, Luminox 356 SL, Lynx PPL 500XL, Maximatie 888, Meikai AR-4367, Naikei 1000-X, Nikai camera, Ninoka NK-700, Novai 7000, Oppex 2 7090, Oppex 7090, Pearl P-1, Penmax YN-3, Pierre Cardin, Quartz Deluxe-1, Remac camera, Renoult Coches Ilenos De Vida, and so many more. This style of camera is pretty similar to the Time magazine style camera. The same plastic lenses, one shutter speed with f stop combinations, made in China as inexpensive often free give away cameras. On the bottom is R.O.C. standing for Republic of China and also in raised print is “Made in Taiwan”. Along with the Time Magazine camera there is the Sports Illustrated camera, the Lynx camera, the PhotoFlex MX35, the Ultronic 35, the Franka NX-40, the Romor R-Z camera and so many more as you can see above. All these cameras use the same auto fixed focus 50mm 1:6 lens and the same general layout. In the companies mentioned above only PhotoFlex is a legitimate company having anything to do with cameras. The Franka camera is defiantly not made by the Franka Camera Company and probably named after Frank Sinatra. The camera was produced around 1985 as is most of the cameras listed. The camera pictured here is in Fine condition and is worth $15.00 in 2020. |
 | New Taiwan: Photoflex MX-35 (fake meter, Photoflex Optical Lens) | c1970s | 2009 | 5.00 | 1970's fine condition worth $7.50 in 2014 | |
 | New Taiwan: Premier PC-440 | 2020 | 2.00 | Premier Image Technology Corp. was founded in 1983 as Premier Camera Taiwan Ltd... It started its business with the development of a disc camera and the development and production of a pocket camera. Among its products was one of the few compact cameras for type No. 110 film cartridges with automatic motorized film advance. The PC-440 is a 35mm point and shoot, focus free, camera with a built-in flash from the 1990s. The camera came in three colors of Yellow, red, and black. It features a flash on/off switch on the front, flash ready light, frame counter on the top, rewind film release button on the top, rewind fold down crank handle, 38mm lens, optical viewfinder, right thumb film advance wheel, and a permanently installed wrist carry strap. The flash unit is powered by one AA battery and the camera can be used in daylight without it. The construction is mostly plastic and it is light so it can go in the toy camera category. The camera pictured here had the battery left in it and the flash does not work. For this reason the camera is worth $1.00 in 2020. | ||
 | New Taiwan: Quickshot DI-4410 Mango (New Color Optical Lens) | c1990s | 2015 | 3.00 | 1999 fine condition worth $5.00 in 2015 | |
 | New Taiwan: Quickshot X3000 (pseudo-SLR, New Optical Lens) | c1980 | 2012 | 5.00 | 1992 Good condition worth $5.00 in 2014 | |
 | New Taiwan: Quickshot X3000 (viewfinder, New Optical Lens) | c1980 | 1999 | 5.00 | 1990 Good condition worth $5.00 in 2014 | |
 | New Taiwan: Rokinon 35HD (Focus Free Optical Lens) | c1980s | 2015 | 5.00 | 1972 fine condition worth $15.00 in 2015 | |
 | New Taiwan: Rokinon Digital | c2000 | 2015 | 5.00 | 2001 Fine condition worth $10.00 in 2015 (5.0MP) | |
 | New Taiwan: Sceptre YN 500 (Sceptre Optical Color Lens) | c1980s | 1997 | 5.00 | 1990 Fine condition worth $8.00 in 2014 | |
 | New Taiwan: Sports Illustrated (Kinetic Optical Color Lens) | c1986 | 1999 | 10.00 | This mostly plastic camera was a free gift from Sports Illustrated magazine made by the Lavec Company was not sold at any time. It has a 50mm fixed lens with a 6ft minimum shooting range. Kinectic Optical is the name on what is clearly the same lens on the Time Magazine camera and countless others in this same era. The badging on these type cameras was meant to be confusing and in my opinion this was done to reinvent the camera to entice more unsuspecting customers. It takes 35mm film with a recommended speed of 100 or 125 ASA. The lens on this camera was used in many cheap cameras over the years from this Life give away in 1984 to well into the 90’s with Cameras like the Lynx PPL 500XL in 1985 and the Ceptre YN 500 in 1990. The Lavec Company did produce these cheap cameras and made cameras in the Lavec name like the Lavec LT-002 and the TC-305. The number of these cameras with so many creative names is impossible to ascertain. The camera picture is in X-Fine condition and worth $15.00 in 2015. | |
 | New Taiwan: Sports Illustrated (Kinetic Optical Color Lens) | c1986 | c | 2020 | 4.00 | This style of camera is pretty similar to the Time magazine style camera. Plastic or glass lenses, a couple of shutter speeds/f stop combinations, made in China as inexpensive often free give away cameras. On the bottom is R.O.C. standing for Republic of China and also in raised print is “Made in Taiwan”. Along with the Time Magazine camera there is the Lynx camera, the PhotoFlex MX35, the Ultronic 35, the Franka NX-40, the Romor R-Z camera and so many more mentioned below. All these cameras use the same auto fixed focus 50mm 1:6 lens and the same general layout. In the companies mentioned above only PhotoFlex is a legitimate company having anything to do with cameras. The Franka camera is defiantly not made by the Franka Camera Company and probably named after Frank Sinatra. The camera was introduced in 1986 as a giveaway for your subscription SI. Some of the cameras are the Licom MXF-700, Lavec LT-002, Bentley WX-3, Promax PX-600, Elite MF-2X, Konex MX-V, Ocean OX-2, Gmtex GT-304, Meikai-4351, Yamasheta 35mm, Akira TC-002, Akira 2000, Minotex 2000, Ceptre YN-500, Windsor WX-3, Capital MX-II, Charman 2000, Nicca L-3, Orion SRZ 500, Maxim MF-101X, Yoshi Pro Shot, Photoflex MX-35, 35MM AUTO, Fotex 35mm, Condor CF-1, Nishiki Super II, Sceptre YN-500, Meikai 4351R, Sunstone MM500, Windsor WX-3, Weston WX-7, Sitacon ST-3, Optiflex NF-1, Quicksho 35mm, Caesars Atlantic City, Kinetic 35mm, Yamasheta 35mm, Seville Super SW-500, Cortland CX-7, Sitacon ST-3, Maxim MF-IX, Barrington B-1, Akira 7000, Alto camera, Lavec LT-006, Lavec T28, Barclaycard Visa, Canomatic 2000, Canomatic OX-5, Canomatic SE-AS, Comax GT-306, Damff X-700, ESC camera, F-1000, Franka JM-77, Franka NX-40, Ginette M68F, GM Tex GT-304, Hachi KX-66, Kalimar MX-1, Kinon SC-1, Kinusa Deluxe-1, Kinusa LX-9, Konex MX-V, Life (Magazine), Limp camera, Luminox 356 SL, Lynx PPL 500XL, Maximatie 888, Meikai AR-4367, Naikei 1000-X, Nikai camera, Ninoka NK-700, Novai 7000, Oppex 2 7090, Oppex 7090, Pearl P-1, Penmax YN-3, Pierre Cardin, Quartz Deluxe-1, Remac camera, Renoult Coches Ilenos De Vida, and so many more. The camera pictured here is in Poor condition with a nonworking shutter and it is worth $1.00 in 2020. |
 | New Taiwan: Suntone MM-250 (Focus Free) | 2020 | 5.00 | This is a 35mm film camera from the 1990s and made in Taiwan. The camera has a wide-angle 38mm f5.6 focus free lens with a minimum range of 1.5m (4.9 feet). Other features are a film advance thumb wheel, fold down rewind crank, rewind release button on the bottom of the camera, low to high frame counter, sliding lens cover, optical viewfinder, wrist strap connect point, and a 2 connector hot shoe. This is a mostly plastic, cheaply made camera with no double exposure protection. It does have a switch to disconnect the circuit for the hot shoe. The camera was made in China by New Taiwan Photographic Corporation and marketed with the label Suntone cameras. The name Suntone appears on a number of cameras, as well as non-camera products such as radios, TV sets, telephones, flashlights, smoothie makers and more. The name was owned by Sun Coast Merchandise Corp (founded 1943), based in Commerce, California. All of the Suntone cameras have “Made in China” or “Made in Taiwan” some ware on them. The camera pictured here is in Fine condition and worth $10.00 in 2020. | ||
 | New Taiwan: Suntone MM-251 (Focus Free) | c1990s | c | 2020 | 3.00 | The Suntone MM-251 is a basic camera for 35mm film. It has a fixed-focus lens (marked as \"focus free\"), a single aperture and a single shutter speed. It has manual film advance and rewind. The camera was produced sometime in the 1990s and had a two connector hot shoe on the top. Other features are an optical viewfinder, one piece rewind crank that can be pulled up to release the film cartridge, rewind release button on the bottom of the camera, film advance thumb wheel, frame counter on the bottom, and a bradded string type wrist carrier. Advancing the film also loaded the shutter, so no double exposures. This compact, point-and-shoot camera is mostly plastic and should be very light but the MM-270 is weighted to feel like a better camera and has gold large lettering unlike the 251. The Suntone MM-251 and 270 were made in China by New Taiwan Photographic Corporation and marketed by Suntone as a line of cameras. The name Suntone label appears on a number of cameras, as well as non-camera products such as radios, TV sets, telephones, flashlights, smoothie makers, and more. The name was owned by Sun Coast Merchandise Corp (founded 1943), based in Commerce, California. It is possible that many of the Suntone labeled cameras were not sold in stores, but were offered as promotional giveaways. The camera pictured here is in Fine condition and worth $10.00 in 2020. |
 | New Taiwan: Suntone MM-252 (Focus Free) | c1990s | c | 2020 | 5.00 | The Suntone MM-252 is a basic camera for 35mm film. It has a fixed-focus lens (marked as "focus free"), a single aperture and a single shutter speed. It has manual film advance and rewind. The camera was produced sometime in the 1990s and had two connector hot shoe on the top. Other features are an optical viewfinder, a fixed rewind crank, rewind release button on the bottom of the camera, film advance thumb wheel, frame counter on the bottom, and a bradded string type wrist carrier. This compact, point-and-shoot camera is mostly plastic and very light. Advancing the film also loaded the shutter so no double exposures. The MM-252 was made in China by New Taiwan Photographic Corporation and marketed with the label Suntone cameras. The name Suntone appears on a number of cameras, as well as non-camera products such as radios, TV sets, telephones, flashlights and smoothie makers. The name was owned by Sun Coast Merchandise Corp (founded 1943), based in Commerce, California. It is possible that many of the Suntone labeled cameras were not sold in stores, but were offered as promotional giveaways. The camera pictured here is in fine condition and worth $8.00 in 2020. |
 | New Taiwan: Suntone MM-252 (Focus Free) | c1990s | c | 2020 | 7.00 | The Suntone MM-252 is a basic camera for 35mm film. It has a fixed-focus lens (marked as "focus free"), a single aperture and a single shutter speed. It has manual film advance and rewind. The camera was produced sometime in the 1990s and had two connector hot shoe on the top. Other features are an optical viewfinder, a fixed rewind crank, rewind release button on the bottom of the camera, film advance thumb wheel, frame counter on the bottom, and a bradded string type wrist carrier. This compact, point-and-shoot camera is mostly plastic and very light. Advancing the film also loaded the shutter so no double exposures. The MM-252 was made in China by New Taiwan Photographic Corporation and marketed with the label Suntone cameras. The name Suntone appears on a number of cameras, as well as non-camera products such as radios, TV sets, telephones, flashlights and smoothie makers. The name was owned by Sun Coast Merchandise Corp (founded 1943), based in Commerce, California. It is possible that many of the Suntone labeled cameras were not sold in stores, but were offered as promotional giveaways. The camera pictured here is in fine condition and worth $8.00 in 2020. |
 | New Taiwan: Suntone MM-253 (Focus Free) | c1990s | c | 2020 | 6.00 | The Suntone MM-253 is a basic camera for 35mm film. It has a fixed-focus lens (marked as "focus free"), a single aperture and a single shutter speed. It has manual film advance and rewind. The camera was produced sometime in the 1990s and had two connector hot shoe on the top. Other features are an optical viewfinder, fold down rewind crank, rewind release button on the bottom of the camera, film advance thumb wheel, frame counter on the bottom, and a bradded string type wrist carrier. This compact, point-and-shoot camera is mostly plastic and very light. Advancing the film also loaded the shutter so no double exposures. The MM-253 was made in China by New Taiwan Photographic Corporation and marketed with the label Suntone cameras. The name Suntone appears on a number of cameras, as well as non-camera products such as radios, TV sets, telephones, flashlights and smoothie makers. The name was owned by Sun Coast Merchandise Corp (founded 1943), based in Commerce, California. It is possible that many of the Suntone labeled cameras were not sold in stores, but were offered as promotional giveaways. The camera pictured here is in fine condition and worth $8.00 in 2020. |
 | New Taiwan: Suntone MM-260 (Focus Free) | 2020 | 6.00 | The Suntone MM-260 is a basic camera for 35mm film. It has a fixed-focus lens (marked as "focus free"), a single aperture and a single shutter speed. It has manual film advance and rewind. The camera was produced sometime in the 1990s and had two connector hot shoe on the top. Other features are a Big View optical viewfinder, one piece rewind crank, rewind release button on the bottom of the camera, film advance thumb wheel, frame counter on the bottom, and a bradded string type wrist carrier. This compact, point-and-shoot camera is mostly plastic and very light. Advancing the film also loaded the shutter so no double exposures. The MM-260 was made in China by New Taiwan Photographic Corporation and marketed by Suntone as a line of cameras. The name Suntone label appears on a number of cameras, as well as non-camera products such as radios, TV sets, telephones, flashlights, smoothie makers, and more. The name was owned by Sun Coast Merchandise Corp (founded 1943), based in Commerce, California. It is possible that many of the Suntone labeled cameras were not sold in stores, but were offered as promotional giveaways. The camera pictured here is in fine condition and worth $8.00 in 2020. | ||
 | New Taiwan: Suntone MM-260 Big View | 2020 | 7.00 | The Suntone MM-260 Big View is a basic camera for 35mm film. It has a fixed-focus lens (marked as "focus free"), a single aperture and a single shutter speed. It has manual film advance and rewind. The camera was produced sometime in the 1990s and had two connector hot shoe on the top. Other features are a large optical viewfinder (Big View), a fixed rewind crank, rewind release button on the bottom of the camera, film advance thumb wheel, frame counter on the bottom, and a bradded string type wrist carrier. This compact, point-and-shoot camera is mostly plastic and very light. Advancing the film also loaded the shutter so no double exposures. The MM-260 was made in China by New Taiwan Photographic Corporation and marketed with the label Suntone cameras. The name Suntone appears on a number of cameras, as well as non-camera products such as radios, TV sets, telephones, flashlights and smoothie makers. The name was owned by Sun Coast Merchandise Corp (founded 1943), based in Commerce, California. It is possible that many of the Suntone labeled cameras were not sold in stores, but were offered as promotional giveaways. The camera pictured here is in fine condition and worth $8.00 in 2020. | ||
 | New Taiwan: Suntone MM-270 (Focus Free) | 2020 | 7.50 | The Suntone MM-270 is a basic camera for 35mm film. It has a fixed-focus lens (marked as "focus free"), a single aperture and a single shutter speed. It has manual film advance and rewind. The camera was produced sometime in the 1990s and had two connector hot shoe on the top. Other features are an optical viewfinder, one piece rewind crank that can be pulled up to release the film cartridge, rewind release button on the bottom of the camera, film advance thumb wheel, frame counter on the bottom, and a bradded string type wrist carrier. Advancing the film also loaded the shutter, so no double exposures. This compact, point-and-shoot camera is mostly plastic and should be very light but the MM-270 is weighted to feel like a better camera. The Suntone MM-270 was made in China by New Taiwan Photographic Corporation and marketed by Suntone as a line of cameras. The name Suntone label appears on a number of cameras, as well as non-camera products such as radios, TV sets, telephones, flashlights, smoothie makers, and more. The name was owned by Sun Coast Merchandise Corp (founded 1943), based in Commerce, California. It is possible that many of the Suntone labeled cameras were not sold in stores, but were offered as promotional giveaways. The camera pictured here is in Fine condition and worth $10.00 in 2020. | ||
 | New Taiwan: Suntone MM-285 (Optico285) | 2020 | 5.00 | The Suntone MM-285/Optico285 is a basic camera for 35mm film that that has a switch for panoramic or regular exposures. When on panoramic the frame is cropped inside using about 45% (11 x 36mm) of the center of the frame as opposed to regular modes 24 x 36mm frame. This cropped frame panoramic to regular camera has a 28mm f11 fixed-focus lens (labeled as a High Quality Lens), a single aperture, and a single shutter speed of 1/100 of a second. The camera was produced sometime in the 1990s and has no flash capability. Other features are a panoramic to regular optical viewfinder, fold down rewind crank on the bottom of the camera, rewind release button on the bottom of the camera, film advance thumb wheel, frame counter on the bottom, a cover for the lens plus viewfinder that also locks the shutter when closed, a film view window in the back cover, and a bradded string type wrist carrier. This compact, point-and-shoot camera is mostly plastic and very light. Advancing the film also loaded the shutter so no double exposures. The MM-285 was made in China by New Taiwan Photographic Corporation and marketed by Suntone as a line of cameras. The name Suntone label appears on a number of cameras, as well as non-camera products such as radios, TV sets, telephones, flashlights, smoothie makers, and more. The name was owned by Sun Coast Merchandise Corp (founded 1943), based in Commerce, California. The camera may have Optico285 on it but the box it comes in new has MM-285. The camera pictured here is in New condition and worth $10.00 in 2020. | ||
 | New Taiwan: Suntone MM-350 (Focus Free) | c1990s | c | 2020 | 7.00 | The Suntone MM-350 is a basic camera for 35mm film that is cropped inside using about 60% of the center of the frame. This fake panoramic camera has a fixed-focus lens (marked as having a "Panoramic Lens"), a single aperture and a single shutter speed. It has manual film advance and rewind. The camera was produced sometime in the 1990s and had no flash capability. Other features are a panoramic optical viewfinder, fold down rewind crank, rewind release button on the bottom of the camera, film advance thumb wheel, frame counter on the top, and a bradded string type wrist carrier. This compact, point-and-shoot camera is mostly plastic and very light. Advancing the film also loaded the shutter so no double exposures. The MM-350 was made in China by New Taiwan Photographic Corporation and marketed by Suntone as a line of cameras. The name Suntone label appears on a number of cameras, as well as non-camera products such as radios, TV sets, telephones, flashlights, smoothie makers, and more. The name was owned by Sun Coast Merchandise Corp (founded 1943), based in Commerce, California. It is possible that many of the Suntone labeled cameras were not sold in stores, but were offered as promotional giveaways. The camera pictured here is in Fine condition and worth $8.00 in 2020. |
 | New Taiwan: Suntone MM-801 (Focus Free) | 2020 | 5.00 | The Suntone MM-801 is a basic camera for 35mm film. It has a fixed-focus 35mm lens (marked as "focus free"), a single aperture and a single shutter speed. It has manual film advance and rewind. The camera was produced sometime in the 1990s and has a built in flash using on AA battery. Other features are an optical viewfinder, fold down rewind crank, rewind release button on the bottom of the camera, film advance thumb wheel, frame counter on the bottom, flash on/off switch on the front, flash ready light on top, built in sliding lens cover, and a bradded string type wrist carrier. This compact, point-and-shoot camera is mostly plastic and very light. Advancing the film also loaded the shutter so no double exposures. The MM-801 was made in China by New Taiwan Photographic Corporation and marketed with the label Suntone cameras. The name Suntone appears on a number of cameras, as well as non-camera products such as radios, TV sets, telephones, flashlights and smoothie makers. The name was owned by Sun Coast Merchandise Corp (founded 1943), based in Commerce, California. It is possible that many of the Suntone labeled cameras were not sold in stores, but were offered as promotional giveaways. The camera pictured here is in fine condition and worth $8.00 in 2020. | ||
 | New Taiwan: Suntone MM-802 | c1990s | c | 2020 | 5.00 | The Suntone MM-802 is a basic camera for 35mm film. It has a fixed-focus 35mm lens (marked as \"focus free\"), a single aperture and a single shutter speed. It has manual film advance and rewind. The camera was produced sometime in the 1990s and has a built in flash using on AA battery. Other features are an optical viewfinder, fold down rewind crank, rewind release button on the bottom of the camera, film advance thumb wheel, frame counter on the bottom, flash on/off switch on the front, flash ready light on top, built in sliding lens cover, and a bradded string type wrist carrier. This compact, point-and-shoot camera is mostly plastic and very light. Advancing the film also loaded the shutter so no double exposures. The MM-802 was made in China by New Taiwan Photographic Corporation and marketed with the label Suntone cameras. The MM-801 and the MM-802 are exactly the same camera other than color. The name Suntone appears on a number of cameras, as well as non-camera products such as radios, TV sets, telephones, flashlights and smoothie makers. The name was owned by Sun Coast Merchandise Corp (founded 1943), based in Commerce, California. It is possible that many of the Suntone labeled cameras were not sold in stores, but were offered as promotional giveaways. The camera pictured here is in fine condition and worth $8.00 in 2020. |
 | New Taiwan: Suntone MM500 Deluxe-I (Optical Color Lens) | c1980s | c | 2020 | 8.00 | The Suntone MM500 Deluxe-I is a basic camera for 35mm film made in Taiwan in the 1980s. It has a fixed-focus lens, a simple choice of exposure settings, and manual thumb wheel film advance and crank rewind. It's one of those cameras whose styling tries to trick people into thinking it is a higher-grade piece of equipment than it actually is. The front of the camera features the infamous phrases "Optical Color Lens" and "Auto Fix Focus 50mm Lens 1:6". The camera goes as far as adding a pound and a half of metal weights to give the feel of a TTL expensive camera. Some other features are a two connector hot shoe, fold down rewind crank, rewind release button, optical viewfinder, frame counter, carry strap, and a ¼ inch 20 thread plastic tripod socket. The camera has four ISO 100 film exposure settings marked with icons of a sun, sunset, sun plus cloud, and a cloud with a lightning bolt for flash and four ISO 200 film exposure settings marked with icons of a sunset, sun plus cloud, cloud plus rain, and a lightning bolt for flash. The settings are the same four settings with different icons and only effect the four aperture positions. The lens is the same lens that was used for hundreds of fake TTL/SLR/Rangefinder cameras and give away promotional gimmicks like the Time magazine camera. The camera came in two color combinations of all black and black top with yellow body. It was made in China by New Taiwan Photographic Corporation and marketed with the label Suntone cameras. The name Suntone appears on a number of cameras, as well as non-camera products such as radios, TV sets, telephones, flashlights and smoothie makers. The name was owned by Sun Coast Merchandise Corp (founded 1943), based in Commerce, California. It is possible that many of the Suntone labeled cameras were not sold in stores, but were offered as promotional giveaways. The camera pictured here is in fine condition and worth 10.00 in 2020. |
 | New Taiwan: Suntone MM500 Deluxe-I (Optical Color Lens) | c1980s | c | 2020 | 12.00 | The Suntone MM500 Deluxe-I is a basic camera for 35mm film made in Taiwan in the 1980s. It has a fixed-focus lens, a simple choice of exposure settings, and manual thumb wheel film advance and crank rewind. It's one of those cameras whose styling tries to trick people into thinking it is a higher-grade piece of equipment than it actually is. The front of the camera features the infamous phrases "Optical Color Lens" and "Auto Fix Focus 50mm Lens 1:6". The camera goes as far as adding a pound and a half of metal weights to give the feel of a TTL expensive camera. Some other features are a two connector hot shoe, fold down rewind crank, rewind release button, optical viewfinder, frame counter, carry strap, and a ¼ inch 20 thread plastic tripod socket. The camera has four ISO 100 film exposure settings marked with icons of a sun, sunset, sun plus cloud, and a cloud with a lightning bolt for flash and four ISO 200 film exposure settings marked with icons of a sunset, sun plus cloud, cloud plus rain, and a lightning bolt for flash. The settings are the same four settings with different icons and only effect the four aperture positions. The lens is the same lens that was used for hundreds of fake TTL/SLR/Rangefinder cameras and give away promotional gimmicks like the Time magazine camera. The camera came in two color combinations of all black and black top with yellow body. It was made in China by New Taiwan Photographic Corporation and marketed with the label Suntone cameras. The name Suntone appears on a number of cameras, as well as non-camera products such as radios, TV sets, telephones, flashlights and smoothie makers. The name was owned by Sun Coast Merchandise Corp (founded 1943), based in Commerce, California. It is possible that many of the Suntone labeled cameras were not sold in stores, but were offered as promotional giveaways. The camera pictured here is in Fine condition and worth 15.00 in 2020. |
 | New Taiwan: Suntone Sports 35 MM400 | 2020 | 12.00 | The Sports 35 MM400 (Action Tracker/ActionSampler/Sports 35/Pop Cam and so many more names) is a small 35mm toy camera with four lenses. It was made in China, by New Taiwan, and often features corporate logos (e.g. Renault, ADi), indicating it was in some cases given away for nothing as a promotional gift. Its appearance and function is identical to the Lomographic ActionSampler. The camera takes four consecutive pictures on a 24×36mm negative, as the shutter spins round like clockwork. With fixed focus, fixed shutter speed (approximately 1 second in total for all four lenses) and a fixed aperture, don't expect perfect images. Actually, the only way to correctly expose your film is to choose the right film sensitivity. ISO 400 is generally recommended. The prints with four images taken quickly after one another can be great fun. It works especially well with frantically moving people or with sports events. The shutter is a small plastic rotating disc placed just behind the lenses. This disc has one small opening and in combination with the four light chambers, it gives four exposures. The documentation specifies four 26mm f/11 lenses and that everything from 1.2m to infinity is in focus. The shutter speed is set at 1/100s with 0.22 second intervals between each frame. Frame advance is via a thumbwheel cog and the return via a crank handle on the top of the camera. When loaded with film (and only then), advancing to the next frame will cock the shutter. The camera has a small frame counter in the bottom that is automatically reset when you open the back. Pictures are composed through a foldable external frame finder on top with no optics. The camera pictured here is in Fine condition and worth $15.00in 2020. | ||
 | New Taiwan: Suprema GP 101 (Focus Free) | c1990s | 2014 | 5.00 | 2003 Fine condition worth $5.00 in 2014 | |
 | New Taiwan: Suprema GP 101 (Focus Free) | c1990s | 2012 | 5.00 | 2003 Fine condition worth $5.00 in 2014 | |
 | New Taiwan: Suprema GP 101 (Focus Free) | c1990s | 2005 | 3.00 | 2003 Fine condition worth $5.00 in 2014 | |
 | New Taiwan: Suprema GP 101 (Focus Free) | c1990s | 2007 | 5.00 | 2003 Fine condition worth $5.00 in 2014 | |
 | New Taiwan: The Humane Society (Focus Free) | 1985 | 2014 | 1.00 | 1985 fine condition worth $3.00 in 2014 | |
 | New Taiwan: The Humane Society (Focus Free) | 1985 | 2009 | 1.00 | 1985 fine condition worth $3.00 in 2014 | |
 | New Taiwan: Time (Kinetic Optical Color Lens) | 1984 | c | 2018 | 3.00 | This all plastic camera was a free gift for subscribing to receive TIME magazine. It was produced by the Lavec Company and commissioned by Kinectic Marketing for Time Life and was not sold at any time. It has a 50mm fixed lens with a 6ft minimum shooting range. Kinectic Marketing put their name on the lens of the Time Magazine camera and others as Kinectic Optical. The badging on these type cameras was meant to be confusing to camouflage its true nature. The camera takes 35mm film with a recom-mended speed of 100 or 125 ASA. The lens on this camera was used in many cheap cameras over the years from this TIME give away in 1984 to well into the 90’s with Cameras like the Lynx PPL 500XL in 1985 and the Ceptre YN 500 in 1990. The Lavec Company did produce these cheap cameras in the Lavec name like the Lavec LT-002 and the TC-305. The camera picture above is in X-Fine condition and worth $15.00 in 2018. |
 | New Taiwan: Time (Kinetic Optical Color Lens) | 1984 | c | 2020 | 4.00 | This all plastic camera was a free gift for subscribing to receive TIME magazine. It was produced by the Lavec Company and commissioned by Kinectic Marketing for Time Life and was not sold at any time. It has a 50mm fixed lens with a 6ft minimum shooting range. Kinectic Marketing put their name on the lens of the Time Magazine camera and others as Kinectic Optical. The badging on these type cameras was meant to be confusing to camouflage its true nature. The camera takes 35mm film with a recom-mended speed of 100 or 125 ASA. The lens on this camera was used in many cheap cameras over the years from this TIME give away in 1984 to well into the 90’s with Cameras like the Lynx PPL 500XL in 1985 and the Ceptre YN 500 in 1990. The Lavec Company did produce these cheap cameras in the Lavec name like the Lavec LT-002 and the TC-305. The camera picture above is in good condition and worth $3.00 in 2020. |
 | New Taiwan: Time (Kinetic Optical Color Lens) | 1984 | c | 2020 | 5.00 | This all plastic camera was a free gift for subscribing to receive TIME magazine. It was produced by the Lavec Company and commissioned by Kinectic Marketing for Time Life and was not sold at any time. It has a 50mm fixed lens with a 6ft minimum shooting range. Kinectic Marketing put their name on the lens of the Time Magazine camera and others as Kinectic Optical. The badging on these type cameras was meant to be confusing to camouflage its true nature. The camera takes 35mm film with a recom-mended speed of 100 or 125 ASA. The lens on this camera was used in many cheap cameras over the years from this TIME give away in 1984 to well into the 90’s with Cameras like the Lynx PPL 500XL in 1985 and the Ceptre YN 500 in 1990. The Lavec Company did produce these cheap cameras in the Lavec name like the Lavec LT-002 and the TC-305. The camera picture above is in X-Fine condition and worth $10.00 in 2020. |
 | New Taiwan: Time (Kinetic Optical Glass Lens) | 1984 | c | 2000 | 5.00 | This mostly plastic camera was a free gift from Time magazine made by the Lavec Company and was not sold at any time. It has a 50mm fixed lens with a 6ft minimum shooting range. Kinectic Optical is the name on what is clearly the same lens on the Sports Illustrated Magazine camera and countless others in this same era. The badging on these type cameras was meant to be confusing and in my opinion this was done to reinvent the camera to entice more unsuspecting customers. It takes 35mm film with a recommended speed of 100 or 125 ASA. The lens on this camera was used in many cheap cameras over the years from this Life give away in 1984 to well into the 90’s with Cameras like the Lynx PPL 500XL in 1985 and the Ceptre YN 500 in 1990. The Lavec Company did produce these cheap cameras and made cameras in the Lavec name like the Lavec LT-002 and the TC-305. The number of these cameras with so many creative names is impossible to ascertain. The camera picture is in Good condition and worth $8.00 in 2015. |
 | New Taiwan: Trump Plaza (New Optical Lens) | c1990 | 2015 | 5.00 | This all plastic camera was made by the Lavec Company and was branded with the Trump Plaza label. Although Lavec does not appear on the camera they constructed it for the Trump Plaza’s promotional giveaway in 1984. Trump Plaza had other cameras labeled for promotions in later years but this one was the first. The camera has a 50mm fixed lens with a 6ft minimum shooting range. Kinectic Marketing put their name on the lens of the Time Magazine camera and others as Kinectic Optical but this lens only has “OPTICAL COLOR LENS”. All the badging on these type cameras was meant to be confusing to camouflage its true nature of being a cheap plastic camera. The camera takes 35mm film with a recom-mended speed of 100 or 125 ASA. The lens on this camera was used in many cheap cameras over the years from a TIME magazine give away also in 1984 to well into the 90’s with Cameras like the Lynx PPL 500XL in 1985 and the Ceptre YN 500 in 1990. The Lavec Company did produce these cheap cameras in the Lavec name like the Lavec LT-002 and the TC-305. This camera picture above is in X-Fine condition and worth $15.00 in 2015. | |
 | New Taiwan: Trump"s Castle Casino Resort (Focus Free) | 1997 | 2004 | 2.00 | 1997 Good condition worth $2.00 in 2014 | |
 | New Taiwan: Ultronic (Aspherical Lens) | c1990s | 2018 | 4.00 | This is a c1990s 35mm fixed focus camera with an aspherical 28mm lens. It has a manual built-in lens cover that doubles as a shutter release lock when closed and also covers the viewfinder. The camera also has a built-in flash unit with an on/off switch, flash ready LED by the viewfinder, optical viewfinder, film view window in the back cover, left thumb film advance wheel, frame counter in the bottom of the camera, film take-up release button plus a fold down rewind crank, and a handy carry wrist strap. The camera is powered by one AA battery and was made in China. The camera pictured here is in good condition and worth $5.00 in 2018. | |
 | New Taiwan: Ultronic (Color Optical Lens) | c1980 | 2005 | 5.00 | It has a 50mm fixed lens with a 6ft minimum shooting range and is clearly the same lens on the Life Magazine camera and countless others in this same era. The badging on these type cameras was meant to be confusing and in my opinion this was done to reinvent the camera to entice more unsuspecting customers. It takes 35mm film with a recommended speed of 100 or 125 ASA. The lens on this camera was used in many cheap cameras over the years from this Life give away in 1984 to well into the 90’s with Cameras like the Lynx PPL 500XL in 1985 and the Ceptre YN 500 in 1990. The Lavec Company did produce these cheap cameras and made cameras in the Lavec name like the Lavec LT-002 and the TC-305. The number of these cameras with so many creative names is impossible to ascertain. The camera picture is in Fine condition and worth $10.00 in 2015. | |
 | New Taiwan: Ultronic (Focus Free) | c1980s | c | 2020 | 2.00 | The Ultronic (Focus Free) is a mostly plastic, low-end, 35mm film camera made in Taiwan in the 1980s. It does have a Hot-Shoe that will accommodate a two contact flash unit and comes with an optical viewfinder. Other features are a built-in (manually engaged) lens cover, frame counter on the top of the camera, fold down crank handle rewind plus pull up film release, shutter release lock when lens cover engaged, 1/125 of a second shutter speed, 50mm lens, rewind release button on the bottom of the camera, ¼ inch 20 thread tripod socket, and a handy carry strap. This camera only comes in a yellow body with black lettering, black trim, black high lights, and a black and frame work. The camera pictured here is in good condition and worth $4.00 in 2020. |
 | New Taiwan: Ultronic Panoramic (Focus Free) | c1995 | 2008 | 2.00 | The lens which is a 28mm is set at F/11 and shutter speed is around 1/125th of a second. The camera is not really a panoramic but instead internally using about 40% of the center of the 35mm film resulting in an extreme crop to the image to give it the look of being panoramic. Upon research of the camera I found out it originally came free with a subscription to Time magazine that had these types of promotions often. Also most of the images seem to be the sharpest in the middle and become softer as it moves towards the edges. Made in China This camera has a built in lens cover, picture counter, panoramic view finder, film advance thumb wheel, rewind release button, rewind fold out leaver, and a handy carry strap. The circa 1995 camera pictured is in Fine condition and worth $5.00 in 2015. | |
 | New Taiwan: Ultronic Panoramic (Focus Free) | c1995 | 2015 | 3.00 | The lens which is a 28mm is set at F/11 and the shutter speed is around 1/125th of a second. The camera is not really a panoramic but instead internally it blocks out about 40% of the outer edges of the 35mm film resulting in an extreme crop to the image to give it the look of being panoramic. At one point in the cameras production it came free with a subscription to Time magazine that had these types of promotions often. Also most of the images taken with the camera seem to be the sharpest in the middle and become softer as it moves towards the edges. This camera has a built in lens cover, picture counter, panoramic view finder, film advance thumb wheel, rewind release button, rewind fold out crank leaver, and a handy carry strap. The only thing other than plastic in this camera is the metal pin used for the hinge of the back film door. The Ultronic Panoramic was produce in 1995 by the Lavec Company and made in China. Lavec made cheap mostly plastic cameras and usually for promotions like Sports Illustrated, Time Magazine, Life Magazine, and more. Lavec did brand some cameras under the Lavec name like the Lavec LT-002 and the Lavec TC-305. These are also are cheap mostly plastic cameras. The camera pictured here is in Fine condition and worth $5.00 in 2015. | |
 | New Taiwan: Ultronic Panoramic (Focus Free) | c1995 | 2016 | 2.00 | The lens which is a 28mm is set at F/11 and shutter speed is around 1/125th of a second. The camera is not really a panoramic but instead internally using about 40% of the center of the 35mm film resulting in an extreme crop to the image to give it the look of being panoramic. Upon research of the camera I found out it originally came free with a subscription to Time magazine that had these types of promotions often. Also most of the images seem to be the sharpest in the middle and become softer as it moves towards the edges. Made in China This camera has a built in lens cover, picture counter, panoramic view finder, film advance thumb wheel, rewind release button, rewind fold out leaver, and a handy carry strap. The circa 1995 camera pictured above is in Fine condition and is worth $6.00 in 2016. | |
 | New Taiwan: US Power Squad Ensign Flag Camera | 2020 | 3.00 | This camera has a 50mm fixed lens with a 6ft minimum shooting range. Kinectic Marketing put their name on the lens like the Time Magazine camera and others as Kinectic Optical. The badging on these type cameras was meant to be confusing to camouflage its true nature. The camera takes 35mm film with a recommended speed of 100 or 125 ASA. The lens on this camera was used in many cheap cameras over the years from this give away around 1984 to well into the 90’s with Cameras like the Lynx PPL 500XL in 1985 and the Ceptre YN 500 in 1990. The Lavec Company did produce these cheap cameras in the Lavec name like the Lavec LT-002 and the TC-305. This camera was a giveaway to give awareness by the United States Power Squadrons. The United States Power Squadrons (or USPS) is a non-profit educational organization, founded in 1914, whose mission is to improve maritime safety and enjoy ability through classes in seamanship, navigation, and other related subjects. The USPS comprises approximately 45,000 members organized into 450 squadrons across the United States and in some U.S. territories. It is America\'s largest non-profit boating organization and has been honored by three U.S. presidents for its civil contributions. In 1914, it adopted its own flag, which was then patented in 1916. This flag may be worn as a signal flag on the signal hoist, typically in the starboard rigging. Despite its name and the original intent of its designers, it was never recognized by the U.S. government or navy as a national ensign; however, some smaller boats will wear this flag in place of a national ensign, usually because they lack a mast and do not operate outside home waters. The U.S. Power Squadrons manual of flag etiquette states, \"The preferred location for flying the USPS ensign is the starboard yardarm or spreader halyard. It may be worn there day and night.\" The camera pictured here is in good condition and worth $5.00 in 2020 | ||
 | New Taiwan: Vista KX-500 (Lens Made In Japan) | c1990s | 2005 | 10.00 | 2002 New condition worth $15.00 in 2014 | |
 | New Taiwan: Vista View 110 | c1980s | 2018 | 2.00 | The Vista View 110 and the Vista View Deluxe 110 are identical and made for 110 film. Despite the name of the deluxe, they are a very basic fixed-focused camera, and in fact there's nothing deluxe about them. The instruction manual recommends standing 5-10 feet from subject, and recommends using 400 ASA indoors or 200 ASA film for outdoor pictures. The cameras have about a 40mm plastic lens with an optical viewfinder to match. The window in the back is the film compartment slide lock and you can count the frames used by looking at the back of the film cartridge. The difference between the two is colors. The regular Vista View is grey with black lettering and a black shutter button. The deluxe model has a black body with white lettering and a white shutter button. Nether camera has a flash and the left handed film advance wheel has to be moved difficulty, with your left hand index finger. All the Vista View cameras were made in China and were cheap. Both cameras did however come with a handy carry strap. The camera pictured here is in Fine condition and worth $5.00 in 2018. | |
 | New Taiwan: Vista View Deluxe 110 | c1980s | 2018 | 1.00 | The Vista View Deluxe 110 is a camera for 110 film and introduced in the 1980’s. Despite the name, it is a very basic fixed-focus model, and in fact there's nothing deluxe about it. The Deluxe 110 has no flash nor flash capability. The instruction manual recommends standing 5-10 feet from subject, and using 400 or 200 ASA film. The camera has a view window to observe the back of the loaded film and determine the frame number plus it slides to lock the back cover. The camera also has about a 38mm lens, optical viewfinder, a handy carry strap, and an unusual left side index finger film advance wheel. The 110 film cartridge was introduced in 1972 by Kodak and discontinued in 2009. Many companies designed cameras to accommodate the 110 format. The camera pictured here is in Fine condition and worth $5.00 in 2018. | |
 | New Taiwan: Vista View XL (Focus Free) | 1994 | 2016 | 2.00 | The 1994 VistaView 35 XL is a fixed focus, fixed aperture and fixed shutter speed 35mm camera. It is almost all plastic, about the only metal part is the hotshoe and the wires that feed it. Putting film in it doubles the weight and quadruples the value of the camera. The camera also has a film rewind fold down crank handle, viewfinder, built in lens cover (also shutter lock), frame counter, rewind release button, thumb film advance wheel, and a handy carry strap. The camera was made in China and distributed by Cisco Sales Corporation located at 23775 Madison Street in Torrance, California. The camera came with a 90 day warranty that will replace or repair the camera for a $5.00 check or money order payable to Cisco. There is a flash unit flyer in the box so that you could purchase a Vista view electronic flash from the United States Purchasing Exchange in North Hollywood California, Item # 24694. The unit cost in 1994 was $9.95 with $2.00 shipping and handling. The back of the card is marked U.S. Sales Corporation. The camera pictured here is in Fine condition and worth $10.00 in 2016. | |
 | New Taiwan: Weston WX-7 (Weston Optical Lens) | c1980s | 1990 | 10.00 | 1985 Fine condition worth $10.00 in 2014 | |
 | New Taiwan: Weston WX-7 (Weston Optical Lens) | c1980s | 1995 | 10.00 | 1985 Fine condition worth $10.00 in 2014 | |
 | New Taiwan: Weston WX-7 (Weston Optical Lens) | c1980s | 2015 | 0.00 | 1985 Fine condition worth $10.00 in 2015 | |
 | New Taiwan: Wizen Zen (Lens Made In Japan) | 2020 | 1.00 | The camera has a glass lens that is labeled made in Japan and as it turns out the lens may have been made by Canon. The Wizen camera name is affiliated with counterfeit Canon cameras possibly by New Taiwan. The counterfeit Canon Zen or Canon Mate Zen camera has a Wizen labeled lens plus on that Canon labeled camera the Zen label uses the same graphics as the Wizen Zen. Wizen seems to be another one of those made-up camera companies out of Taiwan and the use of the Canon name was added without the consent of Canon. Counterfeit Canon cameras are quite common and the most famous is the Canon Q8200. The meaning of wizen is to become wise or wiser or to make wise or wiser. There are a number of Wizen labeled cameras and for the purpose of identification we will call them New Taiwan Wizen cameras. Some of these are the Wizen AW818, Wizen SM111, Wizen Excel-1, Wizen MD-90 DX, Wizen M-1000, Wizen Novacam II, Wizen Novacam 1, Wizen 850-S, and the New Taiwan Wizen Zen. The New Taiwan Wizen Zen camera was made around the 1990s and has a 3 element 39mm f3.5 glass lens, DX coding, built-in flash, flash on/off switch, flash ready green LED, low light red LED, built-in lens cover with shutter release lock when closed, optical viewfinder, frame counter, 10 second self-timer button on the top of the camera, ¼ by 1 inch LCD mode plus date display, auto film advance, auto film rewind with mid roll capability, and a ¼ inch 20 thread tripod socket. The camera is powered by two AA batteries and is for use with ASA 100 to 400 film. The camera pictured here is in poor esthetic condition but works well. For these reasons the camera is worth $3.00 in 2020. | ||
 | New Taiwan: X-O (Color Optical Lens) | 1984 | 2019 | 3.00 | The R.O.C. X-O 35mm camera with Color optical fix focus 50mm 1.6 lens was Made in the 1980s in Taiwan. The original set came with zip up bag for the camera, lens cover, carry strap, camera instructions, and the camera. Thiwan cameras were marketed by United States Sales Corporation and two of those cameras were found to have the Capital label. These are the MX-II and the KX100 35mm camera (a focus free, point and shoot, plastic camera with a hot shoe). The R.O.C. (Republic of China) X-O is just another name put on these Taiwan cameras with the similar design and the same lens/shutter assembly. All these cameras have a 50mm 1.6 lens with weather icons for aperture settings (5.6 to 16), the zip-up case, lens cover, and instructions. Cameras like the Lynx PPL 500XL in 1985 and the Ceptre YN 500 in 1990. The Lavec Company (Taiwan) also produce these cheap cameras in the Lavec name, like the Lavec LT-002 and the TC-305. The X-O produces picture results similar to the Holga and the Diana but lacks the cult like following. Some of these cameras are also weighted inside to give it the feel of a camera with more class but not the X-O. The X-O is very light, has a viewfinder with no optics, a fold down rewind crank, a rewind release button, and a right thumb frame advance wheel. The camera pictured here is in Good condition and worth $8.00 in 2017. | |
 | New Taiwan: Yamasheta 35mm (Yamasheta Optical Lens) | c1980s | c | 2017 | 8.00 | The lens on the Yamasheta offers no surprises – it’s 50mm (more or less), fixed focus from 8 feet to infinity, and non-removable. There is only one shutter speed, which I have guesstimated is in the 1/60th – 1/100th range, as its true speed is not listed anywhere in the manual nor could I find it online. It does have four f-stops: 5.6, 8, 11, and 16, which is nice as most cameras in this quality range usually have between one to three f-stops. That gives you a bit more flexibility in choosing film speed, and on most days you should be able to use film between ISO 100-400. The hot shoe flash only adds to that flexibility by allowing you to shoot at night or indoors. Overall, the Yamasheta #SPCAM3 35MM camera has a lot to offer Lomographers. It has the wild, interesting, and unpredictable results we crave. It’s far from feature rich, but it offers enough flexibility for lots of film choice and use in various conditions. To top it all off, it’s a great value too. You can easily pick one up on eBay for $10-20, or less if you’re lucky enough to find it in a thrift shop. The Yamasheta 35MM is capable of creating very interesting results. Combined with its low price and reasonable flexibility, it makes a great addition to the collection of anyone who enjoys light leaks and overlapping frames. The camera is a New Taiwan 35mm (New Optical Lens) from the 1980’s. Most of the information was gleaned from the Lomography site. The camera pictured here is in New condition and worth $15.00 in 2017. |
 | New Taiwan: Yunon YN 500 (Optical Color Lens) | c1980s | c | 2017 | 5.00 | The Yunon Optical Company Limited was established in Pei Tou a suburb of Taipei in 1974. The Trademark YUNON for cameras and photographic equipment was registered in the USA in 1984. By 1984 there were at least four major players in the US ultra-cheap 35mm camera market. They were Formosa Plastics Corporation (FPC), Yunon Optical Company, the New Taiwan Photographic Corporation (Ouyama 1982) and A..V. Lavec, (1978) which was a trademark initially associated with the manufacture of cooking equipment and cooking utensils. The earliest date quoted for the Yunon YN 500 is 1984, and we know that production continued in 1985 and 6 because Yunon thoughtfully incorporated the year in its 'Quality Passed' stickers. There were three variations on the Yunon 500; this one, an all-black model, and one with an American Eagle and a 'Yunon Optical Glass Lens'. The clones include the Lynx PPL-500XL 'Color Optical Glass Lens' 1985 and 'Optical Color Lens' (plastic?) 1986, The Sceptre YN500 with eagle and a 'Sceptre Optical Color Lens' 1986, the Photoflex MX-35 with an 'Optical Color Lens' (Photoflex was founded 1985), the Impac with an 'Impac Optical Color Lens', the MVP with an 'Optical Color Lens' 1986 (this was a promotion of the Ford Motor Company), the Quartz and the Limp. All of these have the same series number 742677 on the lens ring which is not found on cameras branded by the other companies or their clones. The maximum aperture for the Yunon YN 500 is probably about F8 and the minimum about F22; the lens is about 42-45mm not 50mm; the viewfinder window is not in the correct ratio for a 35mm frame. As noted elsewhere, these cameras were built to be cheap and quality was low, so low that they are often dismissed as toys, but in competent hands they could produce results similar to those from a cheap Kodak Instamatic. The camera pictured here is in Fine condition and worth $10.00 in 2017. |
 | Nikon: Coolpix 2100 | 2003 | c | 2019 | 2.00 | Introduced in 2003 by the Nikon Company headquartered in Tokyo, Japan but most of the manufacturing of the Coolpix line is done in Taiwan. The Coolpix 2100 has One-button functions for simple operation while being Stylish and compact with a lightweight design. Some of the features are 14 [SCENE] Modes, including Scene Assistance function (works with 4 Scene Modes) for better-looking pictures, Macro shooting as close as 4cm (1.6 in.), Four Movie modes (TV movie [640], Small movie [320], B/W clip [320], Sepia clip [320]), Date imprint function automatically prints the date on the picture as it's taken, Photo trim function allows you to crop the original image and save the portion you want, Small Picture function creates smaller size image data for easy e-mailing, [TRANSFER] button for one-touch upload of image data to a computer, Quick startup plus autofocus, 1.5-in., 75,000-dot TFT LCD with brightness adjustment, 2.11MP Effective pixels, 3X Zoom-Nikkor (35mm format equivalent to 36-108mm) f/2.6-4.7, 4x digital zoom, Image sizes of [High] (1600*), [Normal] (1600), [PC Screen] (1024), [TV Screen] (640), Focus range of 30cm (1ft.) to infinity, 4cm (1.6 in.) to infinity in Macro mode, CompactFlash™ Card Type I slot, and a ¼ inch 20 thread tripod socket. The camera also has a built in flash with Flash modes of Auto, Flash Cancel (off), Red-Eye Reduction, Anytime Flash (fill-flash). The camera has approximately 120 minute play time with an EN-MH1 battery when using LCD monitor. The frames are saved in compressed JPEG and QuickTime (movies) formats. The camera pictured here is in Good condition and worth $10.00 in 2019. |
 | Nikon: Coolpix 3100 | 2003 | 2010 | 5.00 | 2004 Good condition worth $15.00 in 2014 (3.2MP) | |
 | Nikon: Coolpix 4100 | 2004 | 2011 | 10.00 | 2004 Fine condition worth $20.00 in 2014 (4.0MP) | |
 | Nikon: Coolpix 4300 | 2002 | 2016 | 5.00 | The Nikon Coolpix 4300 is a digital camera that was made by Nikon. It was first released on October 1, 2002 and is no longer in production. At 4.0 effective megapixels, it is capable of delivering 2,272 x 1,704 pixel images. An included lens cap protects its Nikkor 3x optical Zoom lens, with a focal length of 8 to 24 mm (equivalent of a field of view in 38 to 114 mm lens), as well as an aperture of f/2.8–4.9 and shutter speed of 8 seconds to 1/1,000 of a second. It is capable of ISO equivalents of 100, 200, and 400. Image viewing is done on its 1.5 inch TFT LCD screen, and Type 1 CompactFlash (CF) cards are its storage medium. It was designed to be powered by a rechargeable EN-EL1 lithium ion battery, but it also accepts the non-rechargeable 6V 2CR5/DL245 lithium battery. It weighs about 7.9 ounces without the battery or CF card, and its components are housed inside a body sized at 3.7 x 2.7 x 2.0 inches. Twelve of Nikon's scene modes were built into the camera, as well as the ability to record 320 x 240 resolution, 15 fps silent video clips in the QuickTime .MOV file format. This camera model was often criticized for its relatively short battery life. Moreover, it uses a non-standard battery type from an era where camera manufacturers liked to use proprietary shapes in order secure an after-market income. A further disadvantage is that the unit cannot be charged within the camera. To its credit, it uses CF cards and not one of the obsolete designs like MS, SM, or XD that severely restrict the use of competitive quality cameras of the time. Advantages are a well above average image quality regarding sharpness. The color rendition is accurate, especially regarding the critical leaf-green shades. It is, however, under-saturated, and often needs to be improved by subsequent processing. The camera has many setting options, but, unfortunately, saturation is not one of them. It also has a zoom-linked optical viewfinder. The camera pictured here is in fine condition and worth $20.00 in 2016. | |
 | Nikon: Coolpix L120 | 2011 | 2016 | 20.00 | Great photos and superb HD movies begin with Nikon's high power 21x wide-angle optical Zoom-NIKKOR glass lens. This powerful zoom lens, with a 25-525mm range equivalent, closes the distance between you and your subjects. Whether it's a panoramic shot of the entire family on a favorite sledding hill, or a photo of your children playing in the backyard, you'll shoot effortlessly and accurately with the Coolpix L120. The camera has a 14 megapixels sensor, 1/2.3-inch CCD, 3-inch LCD 920k resolution viewfinder, 21x, f3.1-5.8, 25-525mm (35mm equivalent), (still/video) JPEG/MPEG-4 AVC H.264 (.MOV), Image stabilization, Storage media SD/SDHC/SDXC capable, takes ISO80, 100, 200, 400, 800, 1,600, built in flash, auto white balance, Recording modes Easy Auto, Scene, Sport Continuous, Smart Portrait, Auto, Movie, focus modes Center AF, Face Detection, metering modes Evaluative, Center-weighted (when using up to 2x digital zoom), Spot (digital zoom of 2x or more), Color effects Standard, Vivid, Sepia, Black & White, Cyanotype, lens cap, and a handy carry strap. The Price (MSRP) was $279.99 in 2011 when it first was released. The camera pictured here is in Fine condition and worth $45.00 in 2016. | |
 | Nikon: Coolpix L18 | 2008 | c | 2014 | 10.00 | 2008 fine condition worth $25.00 in 2014 (8.0MP) |
 | Nikon: Coolpix L18 | 2008 | c | 2014 | 10.00 | 2008 fine condition worth $25.00 in 2014 (8.0MP) |
 | Nikon: Coolpix L18 | 2008 | c | 2019 | 5.00 | This Nikon 8.0 Megapixel produces stunning prints as large as 16 x 20 inches. The 3x Optical Zoom-NIKKOR Glass Lens gets you close to the action. New (in 2008) EXPEED image processor ensures high-quality pictures with stunning color and sharpness. Anti-Shake Mode minimizes the effect of camera shake by detecting slight movement of the subject and will overcome blur by adjusting to higher shutter speed and a higher ISO. Bright High-Resolution 3.0-inch LCD makes it easy to compose and share your pictures. In addition, the high-contrast and anti-reflection coating on the screen assists in clear viewing, even in direct sunlight. The camera adjusts up to ISO 1600 for more natural-looking photos in lower light conditions. Nikon Image Innovations include In-Camera Red-Eye Fix™, which will automatically look for and fixes most instances of red-eye. Face Priority AF is Nikon’s face-finding technology that quickly finds and focuses on up to 12 faces in a group portrait, and D-Lighting will rescue those photos that are too dark for printing by enhancing the underexposed areas of the picture while not touching the properly exposed areas. The camera has 15 Scene Modes for optimized shooting in various settings. Chose from: Portrait, Landscape, Sports, Night Portrait, Party/Indoor, Beach/Snow, Sunset, Dusk/Dawn, Night Landscape, Close Up, Panorama Assist, Museum, Fireworks Show, Copy, and Back Light modes. High-Quality TV Movies with Sound is now just a press of a button away with your COOLPIX. Record TV-Quality movies with sound whose duration is only limited by the available space on your SD/SDHC card. Connect your camera to your TV and you have instant home-movies! This was the original information in 2007 that Nikon put out about the camera. The camera pictured here has a jammed lens and is in Poor condition. It is worth $1.00 for parts in 2019. |
 | Nikon: Coolpix L24 | 2011 | 2015 | 15.00 | 2011 fine condition worth $20.00 in 2015 (14MP) | |
 | Nikon: Coolpix S202 | 2008 | 2014 | 10.00 | 2009 Good working condition worth $10.00 in 2014 (8.1MP) | |
 | Nikon: Coolpix S230 | 2009 | 2015 | 10.00 | 2009 Fine condition worth $30.00 in 2015 (10MP) | |
 | Nikon: Coolpix S3100 | 2011 | c | 2019 | 5.00 | Elegant styling and an 18.4 mm ultra-slim body conceal the functional beauty of a precision 5x zoom NIKKOR lens with 26 mm wide-angle coverage* teamed with 14.0 megapixels of imaging power and Nikon's high-performance EXPEED C2 Image Processing Engine. Apply creative in-camera filter effects and easily create your own original works right within the COOLPIX S3100. Select from the fisheye lens, miniature, selective color, soft filter, or cross screen filter effects and enjoy the fun of adding a unique artistic expression to your favorite pictures. Record 720p HD movies with one press of the dedicated button on the back of the camera. It also came with USB charging via an AC adapter or any computer. In 2011 the retail price for this camera was $199.00 and that was competitive with others of its type. The camera pictured here is in Good condition and worth $15.00 in 2019. |
  | Nikon: Coolpix S3300 | 2012 | c | 2020 | 6.00 | The camera came in five colors of silver, black, pink, purple, and red. The effective pixels are an impressive 16.0 million. The image sensor is 1/2.3-inch type CCD and the total pixels are approximately 16.44 million. The lens is a 6x zoom NIKKOR; 4.6-27.6 mm (35mm [135] format angle of view: 26-156 mm); f/3.5-6.5; Digital zoom: up to 4x (35mm [135] format angle of view: Approx. 624 mm). The camera also has vibration Reduction (VR), Lens shift, Motion blur reduction, Motion detection (still pictures), Focus range (from lens) 50 cm (1 ft. 8 in.) to infinity (∞); Macro mode: 5 cm (2 in.) to infinity (∞). The LCD monitor is 6.7 cm (2.7-in.), approximately 230k-dot, TFT LCD with anti-reflection coating. The camera comes equipped with internal memory of approximately 42 MB and a SD/SDHC/SDXC memory card slot that can handle up to 32GB. The Image sizes (pixels) are 16M (High) [4608 x 3456★], 16M [4608 x 3456], 8M [3264 x 2448], 4M [2272 x 1704], 2M [1600 x 1200], VGA [640 x 480], and 16:9 [4608 x 2592]. The ISO sensitivity that are available are ISO 80 to 1600 (Manual setting is enabled in Auto mode). The camera also has a Hi-Speed USB interface, a battery life of approximately 210 shots with EN-EL19 battery, and a ¼ inch 20 thread tripod socket. The camera originally came with rechargeable Li-ion Battery EN-EL19, Charging AC Adapter EH-69P, Battery life*3 Approx. 210 shots with EN-EL19 battery, USB Cable UC-E6, Audio Video Cable EG-CP16, Carry Strap, ViewNX 2 Installer CD and optional accessories were a Battery Charger MH-66 and AC Adapter EH-62G. The camera pictured here is in Fine condition and worth $25.00 in 2020. |
 | Nikon: Coolpix S4100 | 2011 | 2014 | 20.00 | 2011 Fine condition worth $45.00 in 2014 (14MP) | |
 | Nikon: Coolpix S550 | 2008 | 2016 | 10.00 | 2008 fine condition worth $20.00 in 2016 (10.0 MP) | |
 | Nikon: Coolpix S630 | 2009 | c | 2020 | 5.00 | Nikon’s pocket-sized Coolpix S630 combines 12.0 effective megapixels with a 7x optical Zoom-Nikkor glass (37-260mm) lens for prints as large as 16x20 inches. The grip design makes it easy to carry, and the 2.7 inch LCD makes it easy to compose and share pictures. The Coolpix S630, with Nikon’s EXPEED image processor and 4 Way VR Image Stabilization, makes pictures composing easy. The Coolpix S630 also features Nikon’s Smart Portrait System, which automatically detects your subjects face, takes a picture when they smile and warns you if they blinked. Motion Detection automatically detects moving subjects and adjusts shutter speed and the ISO setting to compensate for camera shake and subject movement. The camera also has high ISO up to 3200 capability for sharper results when shooting in low light or capturing fast-moving subjects. ISO 3200 is available at 3MP or lower resolution. Nikon’s original Best Shot Selector (BSS) automatically takes up to 10 shots while the shutter is pressed and saves the sharpest image. Other features are Scene Auto Selector that automatically recognizes the scene in your picture and adjusts camera setting, New Sports Continuous Scene Mode for shooting at up to 10fps when you set the resolution to 3MP or lower, Nikon’s Smart Portrait System, In-Camera Red-Eye Fix, Enhanced Face-Priority AF - Nikon’s face-finding technology that automatically focuses on up to 12 faces, built-in lens shield, built-in mic, and a ¼ inch 20 thread tripod socket. The camera is powered by an EN-EL12 Li-ion rechargeable battery. When new in 2009 the camera came with Battery Charger MH-65, USB Cable UC-E6, Audio/Video Cable EG-CP14, Strap AN-CP19, plus Software Suite for Coolpix CD-ROM, and sold for a suggested retail price of $279.95. The camera pictured here is untested and worth $2.00 in 2020. |
 | Nikon: Fun-Touch | 1987 | 2011 | 5.00 | 1987 Poor condition worth $0.50 for parts in 2014 | |
 | Nikon: Lite-Touch Zoom (AF) | 1994 | 2008 | 5.00 | 1994 fine condition worth $15.00 in 2014 | |
 | Nikon: Lite-Touch Zoom 110S | 2002 | 2011 | 8.00 | 2002 fine condition worth $20.00 in 2014 | |
 | Nikon: Nikkormat FT (same as Nikomat FT) | 1965 | 2013 | 20.00 | 1965-1967 good condition worth $20.00 with the lens in 2014 | |
 | Nikon: Nikkormat FT (same as Nikomat FT) | 1965 | 2010 | 20.00 | 1965-1967 good condition worth $30.00 with the lens in 2014 | |
 | Nikon: Nikkormat FTN (same as Nikomat FTN) | 1967 | 2016 | 14.00 | 1967-1975 fine condition worth $30.00 in 2016 | |
 | Nikon: Nikkormat FTN (same as Nikomat FTN) | 1967 | 2016 | 40.00 | The Nikkormat (Nokomat)FTn was manufactured from 1967 to 1975. It simplified the lens mounting procedure of the rabbit ear Nikkor lenses. The meter coupling pin on the camera still had to be aligned with the meter coupling shoe on the lens, but the lens maximum aperture no longer had to be manually preset on the FTn. Instead, the lens aperture ring had to be turned back and forth to the smallest aperture (largest f-stop number) and then to the largest (smallest number) immediately after mounting to ensure that the lens and the FTn couple properly (Nippon Kogaku called it indexing the maximum aperture of the lens) and meter correctly. This system seems unwieldy to today's photographers, but it was more efficient and easier than before, and became second nature to Nikon and Nikkormat camera using photographers of the 1960s and 1970s. In addition, the FTn improved the metering system to the now classic Nikon 60/40 percent center weighted style. The viewfinder also added +/– over/underexposure metering markers and set shutter speed information. The FTn also offered a choice (made at purchase time or by replacement at factory service centers) of brighter fixed viewfinder focusing screens: Nippon Kogaku's standard Type J with central 4 mm micro prism focusing aid plus 12 mm etched circle indicating the area of the meter center weighting or the Type A with central 3 mm split image rangefinder plus 12 mm etched circle. The camera pictured here is in Good condition and worth $60.00 with the lens in 2016. | |
 | Nikon: Nikon EM | 1979 | 2016 | 25.00 | 1979 fine condition worth $50.00 in 2014 | |
 | Nikon: Nikon F2 | 1971 | 2016 | 50.00 | The Nikon F2 is a professional level, interchangeable lens, 35 mm film, single-lens reflex (SLR) camera. It was manufactured by the Japanese optics company Nippon Kogaku K. K. (Nikon Corporation since 1988) in Japan from September 1971 to June 2000. It used a horizontal-travel focal plane shutter with titanium shutter curtains and a speed range of 1 to 1/2000 second (up to 10 seconds using the self-timer) plus Bulb and Time, and flash X-sync of 1/80th second. It had dimensions (with DE-1 head, see below) of 98 mm height, 152.5 mm width, 65 mm depth and 730 g weight. It was available in two colors: black with chrome trim and all black. The F2 is the second member of the long line of Nikon F-series professional level 35 mm SLRs that began with the Nikon F (manufactured 1959–1974) and followed each other in a sort of dynastic succession as the top-of-the-line Nikon camera. The other members were the F3 (1980–2001), F4 (1988–1996), F5 (1996–2005) and F6 (2004–present). The F-series do not share any major components except for the all-important bayonet lens mount ('F mount'). The camera pictured here is in good condition worth $70.00 with the lens in 2016. | |
 | Nikon: Nikon FM2 | 1983-1985 | 2015 | 20.00 | 1983-1948 good condition worth $100.00 in 2015 | |
 | Nikon: Nikon L135 AF | 1984 | c | 2019 | 2.00 | The Nikon L135AF was the second mass production Nikon compact model and had auto-focus capability. The lens that came with the camera was a fixed type Nikon 35mm f/3.5 (4 elements in 3 groups). The camera has a manual pop-up flash with a slide release under it marked FLASH plus an override for turning the flash to off. The flash, flash ready light, auto load, auto rewind, and auto film advance is powered by two AA batteries with the compartment accessed from the bottom of the camera. The L135AF is capable of using ASA/ISO 100, 400, and 1000 35mm films with shutter speeds of 1/37 of a second to 1/700 of a second. The camera has a sliding bar on the bottom of the lens assembly that operates a lens barrier or split cover. It also has a Minimum focusing distance of 1.2 meters (3.9 feet) and was introduced in 1984. This Japanese 35mm was introduced as part of the L series, by Nikon and it sold for $94.50 US when new. The camera pictured here is in good condition and worth $5.00 in 2019. |
 | Nikon: Nikon L35 AF | 1983 | 1991 | 5.00 | 1983 Good condition worth $10.00 in 2014 | |
 | Nikon: Nikon L35 AF | 1983 | 2001 | 5.00 | 1983 Fine condition worth $15.00 in 2014 | |
 | Nikon: Nikon L35 AW-AF | 1986 | c | 2017 | 10.00 | This camera has a very high quality 35/2.8 lens and autofocus above water. Underwater, you set the subject distance with a convenient dial. There is a nice big switch that turns the built-in flash on or off. The Action Touch sold for about $150 when introduced in 1986. The camera was produced for two years after which Nikon took it off the market and no company ever made a similar quality camera since. The Japanese concluded that nobody is intelligent enough to focus a camera manually under water. All the cheap underwater cameras introduced after the Action Touch were fixed focus underwater and came with lower quality lenses. This camera can be used underwater up to 10 feet (3.5m) making it great for snorkeling, taking to the beach, and using it in snow, or rain. The exposure system is a CdS cell with programmed auto exposure from EV6 (f2.8 at 1/8 sec) to EV17 (f17.5 at 1/430 sec) with ISO 100 film. The auto ISO range is 50 to 1600 and Non Dx film set to ISO 100. The Action Touch is a heavy duty camera and came with a black face plate. The two AA battery compartment is accessed through a 1 inch screw in metal disk located on the bottom of the camera. A version with an auto date function was called the Nikon L35AWAD that has a blue face plate with the L35AWAF using an orange face plate. The camera pictured here is in fine condition and worth $45.00 in 2017. |
 | Nikon: Nikon L35 TW-AD | 1986 | 2016 | 4.00 | 1962 Poor condition worth $1.00 in 2016 | |
 | Nikon: Nikon N65 | 2001 | 2016 | 12.00 | 2001 Fine condition worth $40.00 in 2016 | |
 | Nikon: Nikon N70 | 1994 | 2016 | 20.00 | The Nikon F70 (or N70 as it is known in the U.S.) was a SLR camera manufactured by the Japanese Company Nikon. Introduced in 1994, it is the predecessor to the Nikon F80. This camera is known for its unusual user interface which uses a combination of function and set buttons along with the thumb wheel to navigate the nestled settings. It is quite different compared to other Nikon SLR's of the same era. The camera has 3D Matrix with eight-segment matrix sensor Built-in retractable flash with 3D Multi-Sensor Balanced Fill-Flash Vari-Program system, Large LCD information, coordinated in shape and color, with the control buttons F70D has built-in panorama mode (13 x 36mm) and printing data. The camera is powered by two 3V CR123A (or DL123) lithium batteries. The body has the Nikon F mount for quick lens change. The camera also has autofocus (Single Servo AF and Continuous Servo AF), manual focus with electronic rangefinder, focus tracking that is automatically activated when subject moves, and Nikon CMA274 autofocus module. This camera pictured here is in Good condition and worth $25.00 plus $40.00 for the Micro-Nikkor-P Auto 55mm lens in 2016. | |
 | Nikon: Nikon N90s | 1992 | 2016 | 50.00 | The Nikon N90s is a 35mm autofocus SLR using Nikon's F lens mount. It was targeted toward the advanced amateur or prosumer; its feature set is comparable to that of Nikon's current D100/200/300 SLRs. The name N90s was used for marketing in the United States; everywhere else, the camera was called the F90x. This camera was also used as the base for the Kodak DCS 400 series of digital SLRs. The N90s/F90x was introduced in 1994 and discontinued in 2001. The camera's predecessor, the N90/F90, was introduced in 1992 and discontinued in 1994. The successor to the N90s was the F100 introduced in 1998. This camera takes four AA batteries that are held in with a screw through the battery compartment cover. It also has auto focus, auto film advance, auto rewind, LCD mode screen, manual mode, auto focus tracking, shutter priority auto exposure control, Aperture priority auto exposure control, DX coded film switch, frame counter, instant return type reflex mirror, standard ISO-type hot shoe contact (slow sync, rear curtain sync), Red eye reduction, flash recommended LED, flash ready LED, battery power indicator, and a thumb wheel mode plus options selector. The camera is capable of using ISO 25 to 5000 if DX coded film and ISO 6 to 6400 can be manually set. The camera has Lithium niobate oscillator-controlled shutter speeds from 1/8300 of a second to 30 seconds and electromagnetically controlled Bulb setting is provided. The camera pictured here is worth $30.00 and the lens worth $60.00 in 2016. | |
 | Nikon: Nikon RF-10 | 1992 | 2015 | 5.00 | 1992 Fine condition worth $15.00 in 2015 (this is a SmileTaker) | |
 | Nikon: Nikon TW 20 | 1989 | 2016 | 15.00 | The Nikon TW20 (or Tele Touch 300 in America) is a compact auto focus camera released by Nikon in 1989. It was the follow-up model to the TW2. The TW20 could be switched between two focal lengths: 35 mm f/3,8 (3 elements, 3 groups) wide angle and 55 mm f/5,7 (5 elements, 5 groups) normal ("tele") mode. It was Nikon's first camera with a red-eye reduction mode. By sliding the lens cover open you turn the camera on and off. If the camera is left in tele mode, the lens will retract to wide mode after three minutes. The camera also has active autofocus with AF/AE lock, Auto-exposure with auto backlight compensation, focusing distance of 45 cm (wide) plus 59 cm (tele), built-in auto flash with auto fill flash (A button on the front prevents the flash from firing), self-timer with a mode for taking two consecutive shots with 5 seconds interval, auto-wind, auto-rewind, DX decoding from ISO 100 to 1000 in whole stops (Non-DX film defaults to ISO 100), CdS sensor, built-in date function in QD model, and it is powered by CR2025 cell or Panasonic CR-P2P/Duracell DL 223A 6V lithium battery. The camera pictured here is in Good condition and worth $20.00 in 2016. | |
 | Nikon: Nikon Zoom 700 VR | 1994 | 2015 | 2.00 | 1994 fine condition worth $15.00 in 2015 (Nikon Zoom Touch 105 VR QD) | |
 | Nikon: Nikonos IVa | 1980 | c | 2020 | 5.00 | Nikonos is the brand name of a series of 35mm format cameras specifically designed for underwater photography launched by Nikon in 1963. The early Nikonos cameras were improvements of the Calypso camera, which was an original design by Jacques-Yves Cousteau and Belgian engineer Jean de Wouters. It was produced in France by La Spirotechnique (currently Aqua Lung) until the design was acquired by Nikon to become the Nikonos. The Nikonos system was immensely popular with both amateur and professional underwater photographers. Its compact design, ease of use, and excellent optical quality set the standard for several decades of underwater imaging. Nikon ceased development and manufacture of new Nikonos cameras in 2001, but the camera remains popular, and there is a large and active secondary market. The Nikonos IV-A was introduced 1980 and discontinued is 1984. This camera was part of the second viewfinder line and Nikon's complete re-design included a through-the-lens (TTL) light meter with automatic exposure. The Nikonos IV-A in 1980 and the Nikonos V in 1984 were the second iteration. The IV-A has a Nikon Nikor 2.5 35mm lens, a single action right thumb film advance lever, large viewfinder, shutter release button with locking slide switch, a utility shoe, frame counter, focus knob on the lens assembly with settings of 2.75 feet (0.8m) to infinity, Aperture settings of f2.5 to 22, ASA/ISO settings of 25 to 1600, a fold down rewind crank handle, and a ¼ inch 20 thread tripod socket. The Nikonos IV-A introduced a one-piece body using a hinged back for film loading; sealing was accomplished through numerous O-rings, including a large gasket for the back. The film transport mechanism for the IV-A was adapted from the contemporary Nikon EM. Like the EM, the Nikonos IV-A primarily operated in aperture-priority auto exposure mode using step less quartz-controlled shutter speeds between 1⁄30 of a second and 1⁄1000 of a second, but the camera also offered two mechanical shutter speeds ([B]Bulb and 1⁄90 of a second, marked as M90) in case of battery failure. The Nikonos V retained the new features of the IV-A and added manual control to set discrete shutter speeds. The V was released to address specific criticisms of the IV-A, namely that the flat gasket design was prone to failure, and that the new flash sync shutter speed of 1⁄90 was too fast, especially since slower speeds could not be set manually to use fill-flash. The camera pictured here is in Poor condition and worth $5.00 for parts in 2020. |
 | Nikon: Nuvis 75i | 1996 | 2005 | 5.00 | 1996 Good condition worth $10.00 in 2014 | |
 | Nikon: Nuvis A 20 | 1996-1997 | 2016 | 5.00 | 2002 Fine condition worth $20.00 in 2016 | |
 | Nikon: One-Touch 100 | 1988 | 2012 | 2.00 | 1988 fine condition worth $10.00 in 2014 | |
 | Nikon: One-Touch 200 | 1991 | 2017 | 5.00 | The Nikon One Touch 200 also known as the Nikon W35 is a compact, viewfinder, film camera produced by Nikon in 1991. It featured parallax compensation marks, viewfinder LED indicator, self-timer, and a built-in flash, which fired automatically when light was not sufficient. The One Touch 200 also features autofocus and auto exposure. It is powered by two 1.5-volt AA-type alkaline manganese batteries. The camera has a 5 zone autofocus range, Nikon 35mm f/3.5 lens made of 3 elements in 3 groups, programmed electronic shutter, reverse Galilean Albada-type bright frame viewfinder, CdS sensor, programmed auto exposure control, auto film advance, automatic Film rewind, built in lens cover that is also an on/off switch plus flash on switch, frame counter, uses DX-coded film from 100 to 1000 ISO, mid-roll rewind button, flash cancel button, focus memory button, film cartridge confirmation window in the back cover, self-timer LED, and a ¼” 20 thread tripod socket. Nikon also came out with a quartz date version around the same release date in 1991, of both the One Touch 200 and the W35. The camera pictured here is in Poor condition and worth $1.00 in 2017. | |
| Nikon: One-Touch Zoom | 1995 | |||||
 | Nikon: One-Touch Zoom 70 | 1997 | 2015 | 5.00 | 1997 Fine condition worth $15.00 in 2015 | |
 | Nikon: One-Touch Zoom 90 | 2001 | 2011 | 10.00 | 2001 Fine condition worth $20.00 in 2014 | |
 | Nikon: One-Touch Zoom 90S | 2002 | c | 2010 | 5.00 | 2002 Fine condition worth $15.00 in 2014 |
 | Nikon: One-Touch Zoom 90S | 2002 | c | 2014 | 5.00 | 2002 Fine condition worth $15.00 in 2014 |
 | Nikon: One-Touch Zoom 90S | 2002 | c | 2015 | 5.00 | 2001 Poor condition worth $1.00 in 2014 |
 | Nikon: One-Touch Zoom 90S | 2002 | c | 2017 | 6.00 | Nikon Corporation is pleased to announce that the One•Touch Zoom 90s and One•Touch Zoom 90s QD, 2.4x zoom compact camera will be introduced in February 2002. Building upon the success of the One•Touch Zoom 90 (2000) that preceded it, the One•Touch Zoom 90s marks a refinement in design, with a translucent lens cover front accent that makes the camera more streamlined. The 2.4x f/4.8 to 10.5 zoom lens lets users frame subjects with ease within a 38-90mm range. Versatile flash accommodates most shooting conditions. Macro mode allows shooting as close as 30cm (12 in.) from the subject. Fully automatic operation makes it especially easy not to miss a photo opportunity. The camera also has a five mode flash system, auto film load, auto rewind, mid roll rewind, auto film advance, Macro button, 5/8” by ½” LCD menu screen, flash on/off button, red eye reduction, timer button, ¼” by ¾” LCD quartz date back with program buttons, Dx coding, film view window, zoom in/out buttons, ¼” 20 thread tripod munt, flash ready LED, and a handy carry strap. The camera pictured above is in fine condition and worth $15.00 in 2017. |
 | Nikon: Zoom-Touch 400 | 1990 | 2015 | 7.00 | 1990 Poor condition worth $1.00 for parts in 2015 (unresponsive) | |
 | No Name: Focus Free (black) | 2009 | 1.50 | 1980's good condition worth $2.00 in 2014 | ||
 | No Name: Focus Free (Red) | 2011 | 1.00 | 1980's good condition worth $2.00 in 2014 | ||
 | No Name: Red (hot shoe) | 2008 | 1.00 | 1980's good condition worth $2.00 in 2014 | ||
 | North American: Namco | c1939 | c | 2015 | 16.00 | This camera is made mostly of Bakelite and produced by the North American Manufacturing Company based in Chicago, Illinois. It has a 50mm Graf lens and about 1/50th of a second shutter with settings of instant and time. The camera uses 127 film and embossed on the inside of the back cover is “USE STANDARD VEST POCKET FILM”. Also embossed inside the back cover is “1 5/8 x 2 ½ 4 x 6 cm” the size of the film frames on 127 film. It also has two red lens round windows in the back for lining up each frame. The camera has two ridged round knobs on the bottom of the body just to supply hard point for the film real inside (no other purpose). A spring release button on the side of the body releases the back cover. The film advance knob is on the top and only turns in one direction and that is to the next frame. The bottom of the camera also has a ¼” 20 thread tripod mount hard point. When the camera was produced is a mystery but the film that was left in the camera was from the early 1950’s so we will assume some time around then. The film also suggest Velox paper for the prints so that was produced from the 1940’s to about 1988. The mentioning of the vest pocket film on the back of the camera suggests the 1940’s but was sold as early as 1912. The dual red windows, where a particular frame number on the film backing paper was advanced to appear first in one, then the other window for perfect frame alignment was a design feature of 1930 like the Zeiss Ikon Kolibri the first camera with this feature. So I am going to say the camera was produced about 1935 to 1950 and no later.The camera pictured here is in Good condition and worth $15.00 in 2015. |
 | Olympus: AF-1 Twin (Infinity Twin) | 1988 | 2016 | 3.00 | 1990 good condition worth $10.00 in 2016 | |
 | Olympus: AZ-200 SuperZoom (Infinity Zoom 200 / Quanratay Infinity Zoom 222 / IZM200) | 1989 | 2016 | 5.00 | 1989 Good condition worth $10.00 in 2016 | |
 | Olympus: AZ-210 SuperZoom (Infinity Zoom 210 / Infinity Zoom 76 / IZM210) | 1991 | 2015 | 5.00 | 1991 poor condition worth $3.00 in 2015 (missing battery cover) | |
 | Olympus: AZ-330 SuperZoom (Infinity SuperZoom 330 / IZM330) | 1990 | c | 1992 | 250.00 | 1990 Good condition worth $20.00 in 2014 |
 | Olympus: AZ-330 SuperZoom (Infinity SuperZoom 330 / IZM330) | 1990 | c | 2016 | 15.00 | Released in 1990 in Japan, two years after the award winning IZM300, the 330 is a lesser known product: it does appear on Olympus' global site and shows up on the US website (with all but one of the links/images for its page orphaned). This camera is identical to the AZ330 Superzoom released in Europe and the Infinity Super Zoom 330 released in the US. The 330 has a range of in-built features that are usually only found on higher-end SLR cameras (such as double exposure mode); in terms of Olympus' product line, it would sit below the otherwise similarly featured 'L' Series as it is not an SLR. With a 38-105mm zoom lens, the 330 follows on from the 300 with a viewfinder that is coupled to the lens zoom - while it is not an SLR, the viewfinder zooms to represent the lens's view (the 300 was reportedly the first camera to feature this functionality). Perhaps the most notable feature of this camera is the lens cap - it doubles as an IR shutter remote. The camera also has DX film coding ISO 25-3200, automatic film load, automatic rewind, Self-timer, ± 1.5EV exposure compensation (in 1/2 steps), Center-weighted average or spot metering, focusing range from 0.8 m to infinity (at 38 mm), aperture range from F4.5 to F6, auto flash, red-eye reduction plus fill-in, Single shot, continuous drive (at 1.3 frames per second) or double exposure modes, Passive or continuous subject-tracking auto-focus, User-controlled or continuous subject-tracking zoom, LCD display, and IR Remote Control (on lens cap) with 1 or 3 second setting. The price for the IZM330 in 1990 was 62,000 yen (including the case) or $560.00 (US) for the Infinity Super Zoom 330 or 450.00 BP for the AZ330 Superzoom. |
 | Olympus: AZ-330 SuperZoom (Infinity SuperZoom 330 / IZM330) | 1990 | c | 2018 | 5.00 | Released in 1990 in Japan, two years after the award winning IZM300, the 330 is a lesser known product: it does appear on Olympus' global site and shows up on the US website (with all but one of the links/images for its page orphaned). This camera is identical to the AZ330 Superzoom released in Europe and the Infinity Super Zoom 330 released in the US. The 330 has a range of in-built features that are usually only found on higher-end SLR cameras (such as double exposure mode); in terms of Olympus' product line, it would sit below the otherwise similarly featured 'L' Series as it is not an SLR. With a 38-105mm zoom lens, the 330 follows on from the 300 with a viewfinder that is coupled to the lens zoom - while it is not an SLR, the viewfinder zooms to represent the lens's view (the 300 was reportedly the first camera to feature this functionality). Perhaps the most notable feature of this camera is the lens cap - it doubles as an IR shutter remote. The camera also has DX film coding ISO 25-3200, automatic film load, automatic rewind, Self-timer, ± 1.5EV exposure compensation (in 1/2 steps), Center-weighted average or spot metering, focusing range from 0.8 m to infinity (at 38 mm), aperture range from F4.5 to F6, auto flash, red-eye reduction plus fill-in, Single shot, continuous drive (at 1.3 frames per second) or double exposure modes, Passive or continuous subject-tracking auto-focus, User-controlled or continuous subject-tracking zoom, LCD display, and IR Remote Control (on lens cap) with 1 or 3 second setting. The price for the IZM330 in 1990 was 62,000 yen (including the case) or $560.00 (US) for the Infinity Super Zoom 330 or 450.00 BP for the AZ330 Superzoom. The camera pictured here is in good condition worth $10.00 in 2018. |
 | Olympus: C-2020 Zoom | 1999 | 2016 | 5.00 | 1999 fine condition and worth $15.00 in 2016 (2.2MP) | |
 | Olympus: C-3000 Zoom | 2000 | 2014 | 10.00 | 2002 Fine condition worth $20.00 in 2014 (3.34MP) | |
 | Olympus: C-5000 Zoom | 2003 | 2015 | 10.00 | 2003 fine condition worth $25.00 in 2015 (5.0MP) | |
 | Olympus: C-700 UZ | 2001 | c | 2019 | 3.00 | The Olympus Camedia C-700 Ultra Zoom is a digital camera manufactured by Olympus. It was first released in May 2001 and was manufactured in Korea. The lens is an Olympus aspherical glass zoom lens, 5.9 mm to 59 mm focal length, f/2.8 to f/3.5 aperture, 10 elements in 7 groups. The 10× zoom is equivalent to 38–380 mm in 35 mm film photography. The working range of the lens is 23 inches (0.58 m) to infinity in standard mode, 4 inches (0.10 m) to 23 inches (0.58 m) in macro mode. The Camedia C-700 also has a 1-2.7× seamless digital zoom. Combined with the optical zoom, the total zoom range is 27:1. The Removable image storage is provided by a 3.3V SmartMedia Card, in capacities of 8, 16, 32, 64 or 128 megabytes. The camera is equipped with an Olympus exclusive miniature 4-contact USB jack. A standard UNC 1/4-20 tripod thread is provided on the bottom of the camera body. An electronic self-timer is built in, and a flashing red (LED) on the front of the camera indicates automatic shutter status. The camera has a built-in manual pop-up flash. The flash operates in automatic, red-eye, forced and slow synchronization modes. A 5-pin jack for an external flash cable is provided. Still images are stored in a TIFF (.tif) format, or JPEG (.jpg) format. The camera supports pixel resolutions of 640x480, 1024x768, 1280x960 and 1600x1200. The camera can be powered by four (4) AA alkaline batteries, four nickel-cadmium (NiCd) AA rechargeable cells, four nickel-metal hydride (NiMH) AA rechargeable cells, or two LB-01 (CR-V3) lithium cells. You can also use an external AC power adapter in the DC-in (5.0 to 6.5 volts) provided socket on the side. The camera pictured here is in Good condition and worth $10.00 in 2019. |
 | Olympus: C-720 UZ | 2002 | c | 2019 | 2.00 | The camera launched in May of 2002 and was touted as the world’s smallest 3mp camera. The 3.0-megapixel CCD delivered image resolutions as high as 1,984 x 1,488 pixels. The camera also has a 1.5-inch, color LCD display, 0.5-inch electronic viewfinder (EVF), 8x Zoom, 6.4-51.2mm aspherical glass lens (equivalent to a 40-320mm lens on a 35mm camera), 3x Digital Zoom, Shutter speeds from 1/1,000 second to eight seconds for still images plus 1/8,000 of a second to 1/30 of a second for movies, Auto Program, Aperture Priority, Shutter Priority, Manual exposure modes, plus three Scene modes, Spot or Digital ESP metering systems, Auto Bracketing, Sequence, Panoramic, and "2-in-1" capture modes, Adjustable White Balance with five settings, Variable ISO setting, Contrast plus Sharpness image adjustments, Built-in pop-up flash with six operating modes, QuickTime Movie mode, JPEG plus uncompressed TIFF file formats, SmartMedia cards capable, video out ¼ inch socket, DC power in socket, ¼ inch 20 thread tripod socket, and a USB port for down loading. The camera is powered by two CR-V3 battery packs or four AA batteries plus you can use an AC adapter. The camera pictured here is in good condition and worth $5.00 in 2019. |
 | Olympus: D-340R | 1999 | c | 2020 | 2.50 | The Olympus d-340R is a 1 megapixel digital camera with a 5.5mm f2.8 36mm lens (35mm equivalent) released in 1999. When new the package included an RS-232C PC serial cable, Conversion connector for Macintosh, AA alkaline batteries (4 pieces), Strap, Video connector (NTSC), AC adapter connector and some of the camera features are a Self-timer, LCD control pane, Flash mode button, Erase mode button, Recording mode selection/Index-Display button, built-in flash, flash ready LED, 1.8 inch LCD picture display screen, f2.8 to 5.6 maximum aperture, 1/500 of a second maximum shutter speed, CCD sensor type with 1280 x 960 effective pixels, equivalent to ISO 100/200, and a Function button. Some of the extras you could get were a SmartMedia card 4MB/8MB/16MB, Special function 4MB SmartMedia cards, PCMCIA adapter for SmartMedia card, FlashPath 3.5" floppy disk adapter for SmartMedia card, NiMH rechargeable batteries plus charger, AC adapter, Soft vinyl case, and a P-300/P-330 photo printer. The D-340R was a typical digital camera in 1999 and was marketed to the armature that wanted to dabble in the digital world for self-enjoyment or internet posts. The GP typical digital camera had 1 to 2 megapixel capability and cost about $100.00 to $400.00. In 1999 the first affordable SLR under £1000 ($1,308.00) was the Nikon D1 with an impressive 2.7mp sensor and capable of shooting 4.5fps. 1999 is the year where you could really see what was to come. The camera pictured here is in Poor condition and worth $1.00 in 2020. |
 | Olympus: D-370 (C-100) | 2001 | 2013 | 5.00 | 2001 fine condition worth $15.00 in 2014 (1.3MP) | |
 | Olympus: D-390 (C-150) | 2003 | c | 2019 | 5.00 | The Camedia D-390 was introduced in 2003 with a 2.0-megapixel sensor that creates 1,600 x 1,200 images for sharp prints at sizes up to 8 x 10 inches. It also has a 2.5x digital zoom, large 1.8-inch LCD display, up to 60 seconds of video, XD memory card slot (16 MB XD memory card was included when new), USB 1.1 slot, combination lens cover plus on/off switch, built-in flash, flash ready LED, auto ISO 100 to 200, maximum aperture F2.8 to 5.6, shutter speeds up to 1/1000 of a second, video out socket, DC input 3.4V socket with a + center post, and a ¼ inch 20 thread tripod socket. The camera is powered by 2 AA batteries (alkaline batteries included when new) and is compatible with PCs and Macs via USB port. The retail price in 2003 was $179.00 and also sold under the name Camedia C-150. The camera pictured here is in fine condition and worth $10.00 in 2019. |
 | Olympus: FE-230 | 2007 | 2016 | 15.00 | 2007 fine condition worth $25.00 in 2016 (7.1MP) | |
 | Olympus: FE-340 (C-560) | 2008 | 2011 | 35.00 | 2008 Fine condition worth $50.00 in 2014 (8.0MP) | |
 | Olympus: FE-5020 (X-935) | 2009 | c | 2019 | 5.00 | This camera was introduced in July of 2009 and is 93 x 56 x 25 mm (3.66 x 2.2 x 0.98 inches). The 12MP FE-5020 comes with a 5x zoom wide-angle zoom lens (24mm to 120mm equivalent) and a 2.7 inch LCD screen. It offers AF tracking and i-Auto mode. A range of Magic Filters is also on hand to give your images a creative edge. It also comes with an in-camera guide and advanced face detection. The maximum resolution is 3968 x 2976 and effective pixels are 12 megapixels from a CCD sensor size of 1/2.3" (6.17 x 4.55 mm). The camera has ISO settings of (64, 100, 200, 400, 800, 1600, plus Auto), maximum aperture F3.3–5.8, articulated LCD Fixed viewfinder, screen dots 230,000, 640 x 480 video resolution at 30 fps, Weather Sealed Body, maximum shutter speed is 1/500 sec, storage types( xD-Picture Card, microSD), USB 2.0 (480 Mbit/sec), and the weight is (including batteries) 137 g (0.30 pounds / 4.83 ounces). The camera was also known as X-935 and is still being sold used, now for $39.99. The camera pictured here is in fine condition and worth $15.00 in 2019. |
 | Olympus: Mju II Zoom 115 (Infinity Stylus Epic Zoom 115) | 1999 | 2006 | 10.00 | 2000 fine condition worth $20.00 in 2014 | |
 | Olympus: Mju II Zoom 170 (Infinity Stylus Epic Zoom 170) | 2001 | 2015 | 8.00 | 2001 Fine condition worth $20.00 in 2015 | |
 | Olympus: Mju II Zoom 80 (Infinity Stylus Epic Zoom 80) | 1998 | 2015 | 5.00 | 1989 good condition worth $5.00 in 2015 | |
 | Olympus: Mju II Zoom 80 (Infinity Stylus Epic Zoom 80) | 1998 | 2015 | 8.00 | 1989 Good condition worth $10.00 in 2015 | |
 | Olympus: Mju II Zoom 80 (Infinity Stylus Epic Zoom 80) | 1998 | 2009 | 10.00 | 1998 fine condition worth $15.00 in 2014 | |
 | Olympus: Mju II Zoom 80 (Infinity Stylus Epic Zoom 80) Deluxe | 1998 | 2016 | 6.00 | 1999 fine condition worth $35.00 in 2016 | |
 | Olympus: Mju III 120 (Stylus 120) | 2003 | 2010 | 10.00 | 2000 fine condition worth $20.00 in 2014 | |
 | Olympus: Mju III 120 (Stylus 120) | 2003 | 2011 | 5.00 | 2000 Fine condition worth $25.00 in 2014 | |
 | Olympus: Mju l (Infinity Stylus) | 1991 | 2015 | 10.00 | 1990 Fine condition worth $15.00 in 2015 | |
 | Olympus: Mju Zoom (Infinity Stylus Zoom) | c1990s | 2011 | 5.00 | 1993 good condition worth $5.00 in 2014 | |
 | Olympus: Mju Zoom 105 (Infinity Stylus Zoom 105) | 1995 | 2013 | 5.00 | 1995 fine condition worth $20.00 in 2014 | |
 | Olympus: Mju Zoom 105 Deluxe (Infinity Stylus Zoom 105 DLX) | 1995 | 2015 | 2.00 | 1995 fine condition worth $20.00 in 2015 | |
 | Olympus: Mju Zoom 140 Deluxe (Infinity Stylus Zoom 140 DLX) | 1999 | 2010 | 15.00 | 2000 fine condition worth $35.00 in 2014 | |
 | Olympus: Mju Zoom 70 Deluxe (Infinity Stylus Zoom 70 QD) | 1992 | 2013 | 10.00 | 1999 Good condition worth $10.00 in 2014 | |
 | Olympus: Mju Zoom Deluxe (Infinity Stylus Zoom DLX) | c2000s | 1995 | 5.00 | 1987 fine condition worth $35.00 in 2014 | |
 | Olympus: Newpic Zoom 90 | 1997 | 2009 | 5.00 | 2001 Good condition worth $15.00 in 2014 | |
 | Olympus: Olympus 35 EC | 1969 | c | 2017 | 7.50 | The Olympus-35 EC is an electronic controlled 35mm compact camera introduced in 1969. It features a fixed Zuiko 42mm f/2.8 lens comprised of 5 elements in 4 groups. It takes 43.5mm filters. The electronic shutter is a Seiko ESF and is automatically controlled and cocked with the press of the shutter release. It has a shutter speed range of 4 seconds to 1/800 of a second. There is two indicator lights for the camera. There is a yellow light on top of the camera as well as in the viewfinder. This acts as a battery check feature with a half press of the shutter release. It will also briefly light as a slow shutter warning when speeds are 4 seconds to 1/30 of a second. A blue light in the finder will appear when a flash is mounted and required to take proper exposures. The blue light will not emit if there is sufficient light. A shutter lock feature is on the face of the camera to prevent unwanted exposures or meter readings. There is an accessory shoe, on the top plate as well as a ¼” 20 thread tripod socket on the base. Flash is possible with 1/20 of a second flash sync and connects via a PC terminal on the left hand side of the camera. The flash guide number can be set on the lens with the ring closest to the camera body. The exposure meter is based on a CdS cell. The film speed can be set on the top plate of the camera with a range of 25 to 800 ASA. Focusing is done on the lens collar. It uses a zone focus system with a range of 1m to infinity. There are focus stops for 1m, 1.5m, 3m and infinity. They are also represented in the viewfinder by iconography of a person’s face, portrait, and group and mountains. The film transport has an auto resetting counter, uses a manual right thumb wheel for advancing the film, and a rewind crank is on the base of the camera. The exposure system and shutter is powered by 2 mercury PX640 batteries no longer available but replaced by the A640PX alkaline battery. Information from Camera-wiki.org. The camera pictured here is in Poor condition and worth $3.00 for display or parts in 2017. |
 | Olympus: Olympus 35 RC | 1970 | 2016 | 10.00 | The camera’s actual weight is 14.7oz/415g, and it uses an EPX-625 battery (accessed at the bottom of the camera) cell for the metering. The 1970 Olympus 35RC is a great performer. It’s the smallest 35mm rangefinder camera ever made with auto and manual exposure settings. It provides perfect focus and perfect exposure for every shot with its 42mm Olympus f/2.8 E. Zuiko lens. The 35RC is entirely mechanical; even the auto exposure system is electromechanical. The battery moves an exposure needle, and the rest of the camera translates the position of the needle into the correct exposure as powered by your finger pressing the shutter button. In Auto mode, the shutter locks if the light or your settings would lead to a bad exposure. This makes the Olympus 35RC stupid-proof if you leave the lens cap on, since the shutter will lock. The Olympus 35RC uses the Flashmatic system for automatic flash exposure with any manual flash. The camera also has a thumb lever film advance, 10 second timer, fold down rewind crank, ¼” 20 thread tripod mount, frame counter top right, and shutter speeds of 15, 30, 60, 125, 250, 500, and B. This camera also has a Vivitar UV-HAZE 43.5mm filter attached. The camera pictured here is in fine condition and worth $40.00 in 2016. | |
 | Olympus: Olympus Go | 1996 | 2010 | 5.00 | 1990 Fine condition worth $15.00 in 2014 | |
 | Olympus: Olympus iS-100 (iS-10 / L-10) | 1994 | c | 2019 | 5.00 | This is a fully automatic 35mm autofocus single-lens reflex camera with built-in 28mm to 110mm F4.5 to 5.6 (11 elements in 9 groups) (5-group zoom construction)zoom lens. The camera was introduced in 1994 and also sold as IS-100 in Europe and the L-10 in Japan. The camera also has an electronic control system vertical focal plane shutter with speeds of 2 seconds to 1/2000 of a second, TTL phase-difference detection system autofocus with focus lock, Auxiliary flash activation in low light, Focusing range of 0.75 m (2.5 feet) to infinity, Viewfinder information (Autofocus frame, spot frame, autofocus indicator, flash indicator (to be used as flash warning), overexposure/underexposure indicator), TTL light metering system (Fuzzy logic ESP light metering, center-weighted average light metering, spot metering), Exposure modes (Program AE (Full-Auto, Stop Action, Portrait, Night Scene, Landscape) plus (Aperture-preferred AE), Exposure counter (Progressive type, displayed on LCD panel), Film speed range (Automatic setting with DX-coded film (ISO 25, 32, 50, 64, 100, 125, 200, 250, 400, 500, 800, 1000, 1600, 2000, 3200) (Other intermediate film speeds will be automatically set for next lower speed), automatic film loading, auto film advance, auto film rewind (automatic rewind activated at end of film) (Rewind is possible at any point with rewind button), Electronic self-timer with 12 second delay, Infrared remote control unit (3-sec delay), Built-in IVP (Intelligent Variable-Power) flash system with pop-up flash, and a ¼ inch 20 thread tripod socket. The camera is powered by two CR123A or DL123A batteries and weighs 615 g (21.7 ounces) (W/O batteries). The camera pictured here is in Good condition and worth $15.00 in 2019 |
 | Olympus: Olympus iS-1000 (iS-1 / L-1000) | 1990 | 1990 | 15.00 | 1987 fine condition worth $25.00 in 2014 | |
 | Olympus: Olympus iS-3000 (iS-3 / L-3000) | 1992 | c | 2018 | 10.00 | For photographers in 1992 who want to be able to choose between creative control and automatic ease, the IS-30 DLX 35mm camera incorporates technological innovations that give you the best of both worlds. With an ultra-sharp 35-180mm zoom lens and a powerful new twin flash system, the IS-3 DLX gives you a degree of creative freedom unmatched by any other SLR. Sleek, ergonomic design and superbly balanced handling make shooting a pleasure. The Olympus IS-30 has an excellent 28-110mm fixed zoom lens, along with predictive AF, TTL phase-difference detection system; TTL light metering and fuzzy logic ESP metering for back-lit scenes and ±2ev exposure compensation. Also included are; auto advance, rewind and loading; powerful flash with high speed sync; aperture priority mode and a whole lot more. It also has built in pop-up flash, large 2 inch LCD screen, film view window, and a handy carry strap. This camera was also known as the is-3000 in Europe and the L-3000 in japan. The camera pictured here is in Fine condition and worth $30.00 in 2018. |
 | Olympus: Olympus LT-1 | 1994-1996 | c | 2016 | 21.00 | The LT-1 was launched in 1994 and ending in 1996. The LT-1 and LT-1 QD are autofocus cameras with a unique synthetic leather exterior that linked the body with the camera case. Special molding technology combined the synthetic leather with the molded case to create a leather-finish body that fit perfectly into the hand. They were available in black, green, brown, and burgundy. These were a "designer" compact aimed at travelers requiring a good-looking point and shoot with a prime lens and with the lens cover closed, the camera looked more like a wallet. The LT-1 was the first in the Olympus LT (leather tech) series, and was followed in 1996 by a QD version with a Quartz date function. The cameras have a 35mm, f/3.5 three element lens and a built in flash. They also have auto focus, auto Exposure, auto flash with an off button, DX decoding, motor drive for auto film advance plus rewind, self-timer, Mode button, ¼” by 7/8” LCD display, and a handy carry strap. The cameras operate on one lithium 3V CR123 (CR123a, UL-123, or 123) battery. As far as the years produced are concerned, Olympus is not the best company for gaining correct information about any camera or information from the company themselves. The camera pictured here is in Fine condition and worth $65.00 in 2016. |
 | Olympus: Olympus OM-1 MD | 1974 | c | 2020 | 8.00 | The OM-1 MD is an all-mechanical SLR. Originally, the bottom plate needed to be modified to mount a motor drive on the OM-1. In 1974, Olympus launched the OM-1MD (MD standing for Motor Drive), to which a motor drive can be attached without need for modification. This new version has a small plate marked \'MD\' on the front, and a small slot with a circular cover on the underside that covers the motor drive coupling. It has a large viewfinder with interchangeable screens but a fixed prism. It also has a through-the-lens exposure meter controlling a needle visible in the viewfinder that needs a MRB625 or PX625 battery accessed behind a screw in plate on the bottom of the camera. It has a compact body, essentially retained on later models. The shutter speed dial is located around the lens mount, which allows photographers to keep the camera at the eye between shots more easily than SLRs with the dial located on the top plate. Originally, the bottom plate needed to be modified to mount a motor drive on the OM-1. In 1974, Olympus launched the OM-1MD (MD standing for Motor Drive), to which a motor drive can be attached without need for modification. This new version has a small plate marked \'MD\' on the front, and a small slot with a circular cover on the underside that covers the motor drive coupling. Most of the information was gleaned from Wikipedia. The camera plus lens pictured here are in Good condition and worth $70.00 in 2020. |
 | Olympus: Olympus OM-G | 1982 | 2016 | 21.00 | 1972 fine condition worth $45.00 in 2016 | |
 | Olympus: Olympus Pen EE-EL | 1966-1968 | c | 2016 | 7.00 | In 1966 the Pen EE (1961) and the Pen EES (1962) were slightly modified and became the Pen EE (EL) and Pen EES (EL) with a modification of the take-up spool to make film loading easier. EL stands for Easy Loading. You can only recognize them by a small label marked EL stuck on the front, or you can open them and look at the take-up spool. These EL cameras were discontinued two years later in 1968. The camera have a fully automatic exposure system and fixed focusing. It is a true point and shoot camera, and has a 28mm f/3.5 lens. The Pen EE family is easily recognized by the selenium meter window around the lens. The shutter speeds were 1/30 and 1/250 of a second. The shutter speed changed automatically according to light level, thus increasing the appropriate exposure range. A three-zone focus system was used to adjust the focal point. By using the half-frame format, Olympus was able to reduce both the weight and size of the Olympus Pen. It featured a simple rear-winding mechanism, a D-Zuiko lens for superior photographic quality, and an attractive design that also made the camera extremely easy to use. The Pen was a compact mix of innovative ideas that triggered the half-frame camera boom of the 1960s and 1970s. Cumulative sales of Pen Series cameras exceeded 17 million units. The camera pictured here is in Poor condition with a nonworking shutter and worth $5.00 for parts in 2016. |
 | Olympus: Olympus Pen EES | 1962-1968 | c | 2017 | 15.00 | The Pen EE S (not to be confused with the Pen EE S2), launched in 1962, is the same half frame model as the EE but with a 30mm f/2.8 lens and a three position focusing ring, made necessary by the wider aperture. The Pen EE family is easily recognized by the selenium meter window around the lens. These were considered amateur models and true point and shoot cameras, with fully automatic exposure and fixed focusing. The shutter settings EE S are 8, 15, 30, 60, 125, 250, and B. The manually set frame counter can count down from 76 to accommodate the half frame exposures. The camera also has an optical view finder, manual fold down film rewind crank handle plus release button, right thumb film advance wheel, ASA settings from 10 to 200, flash-X on the front, manual aperture settings up from 2.8 to 22, shutter button with screw-in plunger accommodation, ¼” 20 thread tripod mount, and two strap hard points one on each side. Olympus revived the Pen name in 2009 with the digital Pen E-P1 and advertised as the next generation Pen camera. The camera pictured here is in fine condition and worth $35.00 in 2017. |
 | Olympus: Olympus XA | 1979 | 2016 | 2.00 | 1979-1985 fine condition worth $10.00 in 2016 | |
 | Olympus: Olympus XA-2 | 1980 | 2014 | 10.00 | 1980-1986 Good condition worth $20.00 in 2014 with the A11 flash unit attached | |
 | Olympus: Olympus XA-2 | 1980 | 2000 | 8.00 | 1980-1986 Good condition worth $20.00 in 2014 with the A11 flash unit attached | |
 | Olympus: Quickmatic EEM | 1967 | 2006 | 10.00 | 1967 good condition worth $10.00 in 2014 | |
 | Olympus: Shoot & Go | 1996 | 2009 | 5.00 | 1995 fine condition worth $15.00 in 2014 | |
 | Olympus: Stylus 300 | 2003 | 2015 | 3.00 | 2003 Poor condition worth $0.50 in 2015 (3.2MP) | |
 | Olympus: Stylus 300 | 2003 | 2017 | 13.00 | The Olympus Stylus 300 originally sold for a suggested retail price of $399 in 2003 and was part of a new line of digital cameras, based on Olympus' nearly legendary line of film cameras. The Stylus digital line consists of the 3 Megapixel Stylus 300 and the 4 Megapixel Stylus 400. Both are point-and-shoot cameras in a small and weatherproof metal body. The weatherproof aspect of the Stylus digital line makes them stand out. The 3.2 effective Mpixel Stylus 300 camera came with a 16MB xD Picture Card, LI-10B rechargeable Li-ion battery, Battery charger, RM-2 remote control, Wrist strap, USB cable, Video cable, CD-ROM featuring Olympus Camedia Master software plus drivers, Basic manual (printed), fold-out Quick Start guide, and full manual on CD-ROM. A built-in lens cover is part of the design of the Stylus 300. The cover also doubles as the power switch. To enter playback mode, you can hit the button on the back of the camera instead of opening the lens cover. Like all of Olympus' recent models, the Stylus is compatible with Windows XP and Mac OS X. In most cases, you won't even need to install drivers. The Stylus 300 has an F3.1 - F5.2, 3X optical zoom lens. The focal range is 5.8 - 17.4 mm, which is equivalent to 35 - 105 mm. Right at the top-center of the camera is the built-in flash. The working range of the flash is approx. 0.5 - 3.6 m at wide-angle, and 0.2 - 2.0 m at telephoto. Just below the flash is the self-timer lamp. At the bottom is the remote control receiver. There aren't too many accessories available for the Stylus cameras. The most interesting one is the PT-016 underwater case ($199), which lets you take your camera up to 130 feet underwater. Other accessories include a soft case and AC adapter. The camera pictured here is in Good condition with all the amenities including the original box and it is worth $25.00 in 2017. | |
 | Olympus: Stylus 550WP (mju 550WP) | 2009 | 2013 | 10.00 | 2009 Poor condition worth $1.00 for parts in 2014 (10.0MP) | |
 | Olympus: Stylus 760 (mju 760 Digital) | 2007 | c | 2020 | 5.00 | The Olympus Stylus 760 offers both hardware image stabilization and software anti-blur in a very pocket friendly body. The Stylus 760 includes both a seven (7.1) megapixel CCD image sensor and Olympus-branded 3x optical zoom lens, as well as a 2.5" LCD display with 230,000 pixels. The LCD is a wide-view type that allows good visibility within a useful 140 degree angle, and has a button on the camera body to boost the backlight strength to help when in sunlight plus improve the view when sharing photos with friends on the camera's LCD. The Olympus 760 packs these features into an all-weather metal body that can handle rain, dust and snow. Other features include 26 shooting modes, compatibility with an optional underwater housing, 18MB of built-in memory, xD-Picture card storage slot, 37-111mm equivalent focal length, F3.4 to F5.7 maximum aperture, 22 scene modes, movie mode (15 FPS), Dual IS image stabilization, xD 2.0 card slot (up to 1GB), 15x total zoom (3x optical/12x digital), built-in flash, built-in lens shield, USB socket, ¼ inch 20 thread tripod socket, and it all runs off one LI-42B Li-Ion rechargeable battery. The Olympus Stylus 760 was introduced in February 2007 and the suggested retail Price was $249.99. The camera pictured here was not tested and is worth $2.00 in 2020. |
 | Olympus: SuperZoom 105G (Infinity Zoom 105) | 2002 | 2010 | 15.00 | 2002 Good condition worth $20.00 in 2014 | |
 | Olympus: Superzoom 110 (Infinity SuperZoom 3000 / OZ 110 Zoom) | 1992 | 2014 | 10.00 | 1999 Fine condition worth $15.00 in 2014 | |
 | Olympus: Superzoom 110 (Infinity SuperZoom 3000 DLX / Promaster Zoom 3000 DXL / OZ 110 Zoom) Quartzdate | 1992 | 2013 | 5.00 | 1992 good condition worth $3.00 in 2014 | |
 | Olympus: Superzoom 700 BF (Infinity Accura Zoom XB 70) | 1997 | 2012 | 5.00 | 1998 fine condition worth $15.00 in 2014 | |
 | Olympus: Superzoom 700 XB (SuperZoom 700XB / SuperZoom 70S / Infinity Accura Zoom XB 700) | 1999 | c | 2013 | 10.00 | 1998 Fine condition worth $20.00 in 2014 |
 | Olympus: Superzoom 700 XB (SuperZoom 700XB / SuperZoom 70S / Infinity Accura Zoom XB 700) | 1999 | c | 2015 | 2.00 | 1998 Fine condition worth $20.00 in 2014 |
 | Olympus: Superzoom 700 XB (SuperZoom 700XB / SuperZoom 70S / Infinity Accura Zoom XB 700) | 1999 | c | 2017 | 5.00 | The Superzoom 70s was introduced in 1999 and was also known as Superzoom 700 XB, and the Infinity Accura Zoom XB 700. All the examples came in silver or black (including the Quartz Date type) and the parts for the cameras were made in Japan but assembled in the Philippines. To ensure high-quality results, this model is equipped with the same lens technology used in higher-end Olympus compact cameras—a design that has earned wide acclaim for its outstanding optical performance. The sliding lens barrier offers thorough protection allowing the Olympus Super Zoom 70s to be taken anywhere from a soccer game to the mountain retreat. Finally a 70mm, 2x Zoom camera that offers the two most demanded features in its class, ease of use and a large viewfinder. By combining these popular features, with a suggested retail price of $145 consumers can't go wrong. A Quartz Date model is also available with a suggested retail price of $163. This camera has a High-Performance 38-70mm 2x Zoom Lens that ensures outstanding image quality, Large, Easy-to-Use Viewfinder—magnification of 0.44-0.73 x delivers a bright and natural image, Sliding Lens Barrier that allows durable protection, Landscape Mode with automatic focus on infinity, Red-Eye Reduction Lamp located on the front of the camera body, Focus Lock that keeps subject in shaper focus no matter how the photographer adjusts the composition, and Self-Timer that allows the photographer to be included in group portraits. The camera is powered by two AA Alkaline batteries and has a 3V CR 2025 wafer battery in the date back. The camera pictured above is in Fine condition and worth $20.00 in 2017. |
 | Olympus: Superzoom 800 (Infinity Accura Zoom 80 / OZ 80 Zoom) | 1996 | 2014 | 10.00 | 1987 fine condition worth $15.00 in 2014 | |
 | Olympus: Superzoom 800 (Infinity Accura Zoom 80 / OZ 80 Zoom) | 1996 | 2015 | 5.00 | 1999 fine condition worth $15.00 in 2015 | |
 | Olympus: Trip 100 | 1992-1993 | 2012 | 5.00 | 1992 Poor condition worth $0.50 in 2014 | |
 | Olympus: Trip 35 (chrome) | 1967-1984 | 2010 | 5.00 | 1967-1984 poor condition worth $8.00 in 2014 | |
 | Olympus: Trip 500 | 2002 | c | 2017 | 6.00 | The Trip 500 is a fixed focus entry level compact 35mm film camera produced by Olympus in 2002. It is part of the Olympus Trip series that was reintroduced in the 1980's. A similar model and released at the same time is the Trip 505. It is almost the identical, but has a self-timer. The 500 features a 28 mm f/6.7 lens made from 3 elements in 3 groups. This fixed focused lens has a range of 1.0 m to infinity. The shutter has a single speed of 1/100 second and there is an automatic built-in flash with red-eye reduction. It is compatible with DX-coded films with a range of ISO 100 to 400 and film that is not coded is fixed by the camera default at ISO 100. Film is advanced and rewound with a motor drive and the camera is mid-roll rewind capable. The camera is powered by 2x AA batteries with a life of approximately 20 rolls of 24 exposure film. The camera also has a built in lens cover that seconds as an on/off switch, optical viewfinder, flash ready LED, film observation window in the back cover, frame counter on the top of the camera, and a ¼” 20 thread per inch tripod socket. The camera pictured here is in fine condition and worth $10.00 in 2017. |
 | Olympus: Trip AF 50 | 2002 | c | 2017 | 4.50 | One of the last few models in the long-running Trip Series of auto focus point-and-shoot cameras by Olympus, the Trip AF 50 was introduced in the 2002 as a more modern offering for holiday snap shooters who wanted “auto-focus everything” for fuss-free travel photography. Its 28mm wide-angle lens made this Trip model a fun and reliable travel companion for beautiful landscape, group, and party photos. A self-timer was eventually added to this camera, and was subsequently named Trip AF 51. The Trip AF 50 is a 35mm autofocus, lens-shutter camera that uses standard DX-coded film (ISO 100 to 400). The lens is an Olympus 28mm, f5.6, 3 elements in 3 groups and the shutter firers at 1/100 of a second. It also has a reverse Galilean-type viewfinder, built-in flash with Red-eye Reduction lamp (flash is automatically activated under low light conditions), flash ready LED, Quartz Date, focusing range of 2.6ft. (0.8m) to infinity, exposure counter, Auto film load (automatically advances to first frame when back cover is closed), Auto rewind, Mid roll rewind, film view window in the back cover, data back LCD screen (1/4” x ¾”), built in lens cover, ¼” 20 thread tripod mount, and it is powered by two 1.5V AA alkaline (LR6) batteries. The camera pictured here is in fine condition and worth $15.00 in 2017. |
 | Olympus: Trip Junior | 1989 | 2013 | 5.00 | 1990 good condition worth $10.00 in 2014 | |
 | Olympus: Trip MD | c1989 | 2017 | 11.00 | The Trip AF MD of 1986 is a fully-automatic 35mm compact camera, with motor drive and auto-focus manufactured by Olympus. It was one of a series of cheap models branded with the famous Trip name for holidays, thus the Trip name. The camera has a Zuiko 35mm, f/3.8 lens with a fixed 1/125 of a second shutter speed. The camera also has an pop-up integral Flash, with on/off switch, sliding lens cover that prevents accidental shutter release by locking it, auto film advance, motor rewind, optical viewfinder, flash ready LED to the left of the viewfinder, exposure counter, Cds metering, film view window in the back cover, ¼” 20 thread tripod mount, and a handy carry strap. The battery compartment is accessed from the bottom and the camera requires two AA batteries for the automatic functionality. The camera pictured here is in fine condition worth $15.00 in 2017. | |
 | Olympus: Trip MD3 | 1998 | 2017 | 5.00 | The Olympus Trip MD3 is a 35mm 'point and shoot' compact camera produced by Olympus and launched in 1998. It is a camera intended for holidays like the rest of the series, hence the "Trip" name. It featured a light meter that controlled the camera, automatically changing settings. Because of this, the Trip MD3 was easy to use. It is a fixed-focus lens-shutter camera that uses DX-coded 35 mm film (ISO 100 to 400). The Image size produced is 24 x 36 mm. It also has a Olympus 34 mm F6.9, 3 elements in 3 groups lens, 1/125 of a second shutter, reverse Galilean-type viewfinder, progressive type, automatic reset exposure counter, motor film advance and rewind, built-in flash with Red-Eye-Reduction Lamp, automatic flash activation in low light conditions, and a focus range from 5 feet (1.5m) to infinity. It came in two colors of silver with blue grey decor and black with grey décor. All functions are powered by two1.5 V AA batteries. The camera in this picture is in good condition and worth $8.00 in 2017. | |
 | Olympus: Trip XB40 AF | 2000 | 2008 | 10.00 | 2000 Fine condition worth $15.00 in 2014 | |
 | Optical & Electronic Research: Simul Shot II | c1970 | c | 2020 | 38.00 | The camera was introduced in 1970 and used Polaroid 100 pack film. The camera was used in the making of passport and placed two instant photos on one picture. The Simul Shot II is considered a Mini-portrait type camera. The focal distance is 1.2 M (3.9 feet) with the f/135 lenses with apertures of 4.5 to 22 that are manually adjusted by the five position lens rings. The camera uses a fixed speed electronic shutter that is coupled with a model number 01-112 OER strobe flash unit. The shutter and the flash unit are powered by 60HZ 110 volts US plug. It also has an optical viewfinder, on/off switch, shutter release button, and weighs in just under 25 pounds (11.3 Kilos/1.8 stone). The USA Company Optical & Electronic Research is categorized under Photography Equipment and Supplies. OER manufactured quality commercial photographic equipment, including Passport, Identification, and Special Events Cameras mostly based on Polaroid Instant Film. The company was based in Reston Virginia, 20 miles west of Washington DC. Mostly due to the proliferation of inexpensive digital cameras, OER ceased operations in late 2007. The camera pictured here is in Good condition and worth $100.00 in 2020. |
 | Oregon Scientific: DS6618 | 2001 | 2015 | 2.00 | 2001 Poor condition worth $0.25 in 2015 | |
 | Oregon Scientific: DS6618 | 2001 | 2017 | 5.00 | The Camera Resolution is 640 by 480 equaling 0.31MP. The depth of the camera is 1 mm: the camera has no zoom capability and uses a 50mm lens. It comes with 8MB of Internal memory and has a ¾ inch by 5/8 inch LCD screen for selecting modes. The original box came with camera, user manual, quick start guide, protective case, USB cord, hand strap, and software CD. The camera has an internal ultra-thin Lithium Polymer battery rechargeable by USB port. The camera sold for $68.00 in 2001 but now is worth about $10.00 in 2017. The camera pictured above is in fine working condition and worth $8.00 in 2017. | |
   | Orionwerk: Rio 12 C | 1921-1929 | c | 2020 | 29.00 | With help I have determined the camera brand is "Der Photo-Helfer" and the model is “Helfix”. This was a rebadged “Orionwork Rio 12 C” and rebaged by a Cologne photo dealer in Germany of the name Wilhelm Helfer. He also was a photographer of some notoriety that was born in 1864 and was known to work from 1890 to the late 1920s as evidenced by his photos. Many small camera companies were established in Germany and most failed. Der Photo-Helfer is possibly one of these short lived or renamed companies. This is a (½ plate?) (9x12cm) billows folding camera with a Helfix Anastigmat f6.3-13.5cm lens. Also printed on the lens ring is Kolner Photo-Kino-Centrale. The shutter is an AGC (Alfred Gauthier in Calmbach) Vario with speeds of 1/25 to 1/100 of a second with bulb and time. The shutter release has a lever and a cable release socket. The aperture setting is at the bottom of the shutter assembly (6.3-36). The focus range is 2 feet to infinity with an adjustable lens axis by raising and lowering the lensboard with the knob on the top right of the front standard. The rear standard has a ground glass screen insert that shows the inverted image directly at the plane of the film. The camera also has a waist high viewfinder mounted to the lensboard. The Rio 12 C or Helfix has a focus adjuster mounted to the front standard and it slides on the rails of the fold out bed. When this adjuster is in its proper position it can easily slide the standard/lens assembly on the rails from 2 feet to infinity on the distance chart attached to the rail bed (Base). A handy carry handle is mounted on the top of the camera and two 3/8 inch 16 thread tripod sockets are provided for landscape and portrait positioning. Judging by the Vario shutter 2-blade dial-set, the shutter speeds, and the medium used by the Helfix, the camera like the Orionwork Rio 12 C was made 1921-1929. The camera pictured here is in fine condition and worth $50.00 in 2020. |
 | Panasonic: Lumix DMC-FZ18 | 2007 | 2014 | 20.00 | 2007 Fine condition worth $100.00 in 2014 (8.3MP) | |
 | Panasonic: Lumix DMC-LZ5 | 2006 | c | 2019 | 5.00 | This Panasonic camera was introduced in 2006 and is compact and lightweight plus affordable ($225.00 new). The Panasonic DMC-LZ5 Digital Camera is great for both the beginner and experienced photographer. The DMC-LZ5 boasts a CCD sensor with an effective pixel count of 6.0 megapixels and offers an incredible 6x optical zoom. Panasonic's high-performance Venus Engine plus LSI makes the camera very responsive with a burst capability of 3 fps, and a super-fast shutter lag of 0.005 seconds. The camera also provides a high quality Video mode with sound, and the ability to shoot panoramic 16:9 aspect ratio images. With a resolution of 6.0 Megapixels, you'll be able to produce high-resolution images that can yield photo quality 16 x 20" prints. The DMC-LZ5 is equipped with a 6x optical zoom (equivalent to a 37mm - 222mm zoom on a 35 mm film camera) lens. The 6x zoom ratio can be extended up to 8.3x in the 3-Megapixel image recording mode thanks to the Extra Optical Zoom function by intentionally using the central part of the CCD. In addition, the zoom lens features eight elements in seven groups including two aspherical lenses, which are used to achieve compactness and higher optical performance. The camera also has a built-in flash, OIS (Optical Image Stabilizer), VGA resolution at 30 fps (requires SD Memory Card), Auto angle detection on video mode, up to ISO1600, 2.5-inch LCD screen, and much more. When new it included two Oxyride AA batteries that offered more than 1.6 times the number of shots compared with Alkaline AA batteries, so you can take approximately 240 pictures with the included batteries. You can also use NiMH Rechargeable AA batteries for better cost efficiency. The camera has 14 MB built-in memory and an SD slot for more picture storage. You can send images directly to print, without the need of a PC, when using PictBridge compatible printers. The camera pictured here is in Good condition and worth $10.00 in 2019. |
 | Panasonic: Lumix DMC-TZ3 | 2007 | 2013 | 5.00 | 2007 good condition worth $10.00 in 2014 (7.2MP) | |
 | Pentax: Optio 30 | 2004 | 2011 | 5.00 | 2004 Good condition worth $15.00 in 2014 (3.2MP) | |
 | Pentax: Optio A40 | 2007 | c | 2020 | 5.00 | The Pentax Optio A40, is a 3x zoom compact featuring a large 1/1.7" sensor for improved low-light abilities. CCD-shift image stabilization keeps the shakes at bay whilst the videos are recorded in DivX format allowing for smaller file sizes. Shutter-priority and manual exposure are here alongside Pentax's customary automatic modes. The camera was available in October of 2007 with a recommended price of US $299.95. It is a 12 megapixels digital camera with a 37 to 111mm lens (35mm equivalent). On the front of the camera is the letters SR and this SR mechanism is unique to PENTAX, and corrects camera shakes when photographing still images by shifting the image sensor (CCD) horizontally and vertically in relation to the amount of shaking that the high-accuracy gyro sensor detects. It also has digital SR (Shake Reduction) mode automatically adjusts sensitivity, to as high as the ultrahigh sensitivity of ISO 3200 according to the brightness of the subject, and effectively reduces camera shakes and subject blurring when photographing still images. The camera also has “Face Recognition AF&AE” function that automatically detects and focuses on faces. Other features are a 2.5 inch LCD screen with approximately 232,000 pixels, 3X optical zoom and 6X digital zoom for a maximum of 17.9X magnification, Video recording function captures movies at 30fps (frames per second) at sizes up to 640x480 pixels in DivX® (MPEG-4) movie format, 18 shooting modes plus 15 playback modes, 21.0 MB of built-in-memory, Compatible with SD/SDHC memory cards, red eye compensation function for flash shots, Image sizes of 640 x 480 to 4000 x 3000, f2.8 to 5.4 lens, Auto ISO from 50 to 800, shutter speeds of 4 seconds to 1/2000 of a second, built-in flash, self-timer 2 to 10 seconds, 2.0 USB port, AV out socket, DC in socket, ¼ inch 20 thread tripod socket, and it is all powered by a D-Li68 Li-Ion battery. The camera is untested and worth $2.00 in 2020. |
 | Pentax: Pentax IQ-Zoom 130M | c2002 | 2006 | 10.00 | 2001 Good condition worth $10.00 in 2014 | |
 | Pho-tak: Eagle Eye | c1950-1954 | c | 2019 | 12.00 | The Eagle Eye 120 box camera was manufactured by the Pho-tak Corporation in circa 1950 to 1954. The Eagle Eye 120 was constructed of all metal with a decorative faceplate. It features an optical viewfinder, safety lock on the back and a carrying handle. The camera took eight, 2 1/4 x 3 1/4 inch (6x9cm) exposures on standard no. 120, color or black and white roll films. It is fitted with a 110 mm Zellar fixed focus meniscus lens and a Pho-tak time and 1/50 of a second instantaneous shutter. The camera was originally priced at $5.95. This is the same camera as the Pho-tak Trailblazer but the Trailblazer is minus the riveted escutcheon lens surround. The upgrade was the Spectator Flash 120, Macy Flash 120, and the Scout Flash 120 with synchronized flash connectors on the top (retailed for $7.95). Pho-tak also sold a Cub Photographer Kit for $10.95 that included the Spectator Flash 120 camera, a flash unit, 4 flashbulbs, two penlight batteries (AA) for the flash unit, Press Photographer’s card, a roll of Ansco 120 B&W film, and a book “Getting Started in Photography”. An adult version called “Official Photographer’s Kit”, sold for $13.95 with more flashbulbs and a leather carry bag. The Pho-tak Corporation was based in Chicago, Illinois and was active from approximately 1948 to 1960. They shared the same address with United States Camera Corporation that produced several model variations similar to (same as) Pho-tak models with different names and sometimes the same name as in the Trailblazer 120. In the end, a marketing stratagem but USC continued with some new camera intros until about 1968 then vanished about 1970. The camera pictured here is in fine condition and worth $20.00 in 2019. |
 | Pho-tak: Foldex 20 | 1948-1953 | 2014 | 20.00 | 1950-1953 good condition worth $15.00 in 2014 | |
 | Pho-tak: Foldex 20 | 1948-1953 | 2009 | 20.00 | 1950-1953 fine condition worth $40.00 in 2014 | |
 | Pho-tak: Foldex 30 (6.3) | c1950s | 2015 | 15.00 | 1953-1962 Good condition worth $20.00 in 2015 Pho-Tak Corporation, of Chicago, USA, was a manufacturer of simple box cameras. Their name is intertwined with United States Camera, effectively the same company, who produced variations on several Pho-Tak models under different names. The Sears Tower Foldex 20 was one of these cameras. Actually there are four versions of the Foldex. The (United States Camera Company) Rollex 20 is the first of this type and has a small difference in the camera open release button plus does not have a hot shoe. The Sears Tower Foldex 20 and the Pho-Tak Foldex 20 are the same camera with different lens escutcheons with white lettering on black. Later versions of the Pho-Tak Foldex 20 had a plain metal lens escutcheon with black lettering. These cameras were fixed focus, fixed aperture, with a B to 1/50 of a second leaf shutter. The last of these cameras is the Pho-Tak Foldex 30 or Foldex 6.3. This camera has a Steinheil Munchen Cassar 100mm f/6.3 lens and a Vario diaphragm shutter. Although it is called the Foldex 30, nowhere on the camera will you see the number 30 but you will find the 6.3 aperture setting and Foldex does appear on the portrait table support leg. This cameras other differences are that it has a plastic top that encloses the viewfinder, adjustable shutter speeds from B to 1/200 of a second, aperture settings of 6.3 to 22, manual shutter cocking, and the wheel was removed from the shutter release translator. The distinctive characteristic of all these Foldex cameras is that the shutter has to be tripped with a lever that is integrated into the edge of the front door panel. They also can use 120 or 620 film and were produced from 1950-1953 with the Foldex 30 going on till 1962. | |
 | Pho-tak: Macy 120 | c1950s | 2019 | 18.00 | The Macy 120 Flash box camera was manufactured by the Pho-tak Corporation for Macy and Associates in circa 1950 to 1954. The camera was constructed of all metal with a decorative faceplate. It features an optical viewfinder, safety lock on the back, a carrying handle, and two connectors for the Pho-tak flash unit that used the G.E. Mazda Flash bulbs that were the biggest flash bulb on the market with 183,000 lumens. The camera took eight, 2 1/4 x 3 1/4 inch (6x9cm) exposures on standard no. 120, color or black and white roll films. It is fitted with a 110 mm Zellar fixed focus meniscus lens and a Pho-tak time and 1/50 of a second instantaneous shutter. The camera was originally priced at $7.95. This is the same camera as the Scout 120 flash, Spectator Flash 120, and the Pho-tak Trailblazer. The Pho-tak Eagle Eye is also the same but is minus the flash connectors. Pho-tak also sold a Cub Photographer Kit for $10.95 that included a flash unit, 4 flashbulbs, two penlight batteries (AA) for the flash unit, Press Photographer’s card, a roll of Ansco 120 B&W film, and a book “Getting Started in Photography”. An adult version called “Official Photographer’s Kit”, sold for $13.95 with more flashbulbs and a leather camera case. The Pho-tak Corporation was based in Chicago, Illinois and was active from approximately 1948 to 1960. They shared the same address with United States Camera Corporation that produced several model variations similar to (same as) Pho-tak models with different names and sometimes the same name as in the Trailblazer 120. In the end, a marketing stratagem but USC continued with some new camera intros until about 1968 then vanished about 1970. The camera pictured here is in Fine condition and worth $35.00 in 2019. | |
 | Pho-tak: Scout 120 Flash | c1950s | c | 2018 | 8.00 | The Scout 120 Flash box type camera was manufactured by the Pho-tak Corporation in circa 1950. The outer box is constructed of all metal with a decorative painted faceplate. Made exclusively for the National Supply Service - Boy Scouts of America. It featured an optical view finder, safety lock on back, a carrying handle, a red frame count window on the back cover, and synchronized flash attachment sockets. The camera took eight, 2 1/4 x 3 1/4 inch exposures on standard no. 120, color or black and white roll film. It was fitted with a 110 mm Zellar fixed focus meniscus lens and a Pho-tak time and a 1/50 of a second leaf instantaneous shutter. There are several other names this same model design is known by: Macy 120, Trailblazer 120, Marksman, Traveler 120, and Spectator Flash. The camera pictured here is in fine condition and worth $25.00 in 2017. |
 | Pho-tak: Trailblazer 120 | c1950s | 2016 | 17.00 | 1950 Good condition worth $20.00 in 2015 | |
 | Pho-tak: Traveler 120 | c1950s | 2016 | 15.00 | 1948 good condition worth $10.00 in 2016 | |
 | Photoflex: Photoflex Deluxe 110 | 1980s | 2009 | 5.00 | 1975 good condition worth $5.00 in 2014 | |
 | Playtime: Go Bots 110 | c1984 | c | 2019 | 5.00 | The Go-Bots 110 was introduced in 1984 during the release of the Hanna Barbera produced cartoon series called Challenge of the Go-Bots. The cartoon show promoted the toy line and the series ran for 65 22-minute episodes from 1984 to 1985. The camera originally came in a box and included a flash bar, camera, roll of 110 films, instruction book, and the camera. The Go-Bots 110 also had f16 45mm fixed focus lens, optical viewfinder, a right thumb slide bar film advance, flash bar socket, window in the back cover for frame counting, and a permanently attached wrist strap. Loading and removing the film cartridge was done by sliding the back cover out a slot provided until it stopped. The construction material is mostly plastic and it has four Philips head screws holding it together. For flash, the camera used the Flip-Flash bar that plugged into the socket on the top of the camera. Flip-Flash bars provided their own power and were developed around 1975. On the bottom of the camera is the words “Made in China 1984 Playtime Products, Inc.” and on the top and front are two Go-Bots stickers. The camera pictured here is in Good condition and worth $8.00 in 2019. |
 | Polaroid: Barbie Instant Camera | c1999 | c | 2017 | 16.00 | Polaroid 600 Barbie Edition Instant Camera is one of the most favorite Polaroid camera color combinations. The Barbie Limited Edition flip top with flash takes 600 film, has a 116mm f/11 single element fixed focus lens, built-in close-up lens, built in flash (powered by film cartridge), shutter speed range of 1/4 to 1/200 of a second, optical viewfinder, and a handy carry strap. All features are also powered by film cartridge and this includes the picture extruding drive. The 600 series of Polaroid is the perfect camera for beginners. The Polaroid 600 camera is a simple point-and-shoot that is fun, quick and easy-to-use. The Barbie instant camera was introduced in 1999 and though Polaroid sold the Company to PLR IP Holdings, LLC you can still buy the 600 film now supplied by the Company Impossible Project founded in 2008 just after Polaroid announced it was stopping all instant film production. Impossible Project bought the production machinery from Polaroid for $3.1 million dollars and leased a building, called Building Noord, which was formerly part of the Polaroid plant in Enscheda, Netherlands. The rest still writes history. The camera pictured here is in fine condition and worth $40.00 in 2017. |
 | Polaroid: Big Shot | 1971-1973 | 2012 | 10.00 | 1971-1973 fine condition worth $20.00 in 2014 | |
 | Polaroid: Captiva | 1993-1997 | c | 2013 | 15.00 | 1993 fine condition worth $20.00 in 2014 |
 | Polaroid: Captiva | 1993-1997 | c | 2005 | 10.00 | 1993 fine condition worth $20.00 in 2014 |
 | Polaroid: Captiva | 1993-1997 | c | 2002 | 10.00 | 1993 fine condition worth $20.00 in 2014 |
 | Polaroid: Captiva | 1993-1997 | c | 1997 | 15.00 | 1993 fine condition worth $20.00 in 2014 |
 | Polaroid: Captiva | 1993-1997 | c | 2015 | 15 | 1993 fine condition worth $30.00 with a clip-on close-up lens and flash filter in 2015 |
 | Polaroid: Captiva | 1993-1997 | c | 2016 | 0.00 | 1993 fine condition worth $20.00 in 2016 |
 | Polaroid: Captiva | 1993-1997 | c | 2018 | 5.00 | The Polaroid Captiva instant features built-in "fill" flash, through-the-lens viewing, and a front-element lens. Last effort from Polaroid to come up with something interesting. The concept of a folding SLR was always a fetish for the brand, culminating in the wonderful SX-70. In 1993 the Captiva/Vision was an autofocus SLR, but a far cry from the 35mm techno brigade. This is a large plastic camera, the sole innovation was that the picture came out in a window. Neat, but not enough in the end to hold off the digital age. Still, I think it is an important camera for Polaroid, the last true effort and the beginning of their demise. The one pictured above has a close-up clip-on lens fitted to it and is in fine working plus esthetic condition. The camera is worth $20.00 in 2018. |
 | Polaroid: Colorpack (The) | 1973-1975 | 2013 | 15.00 | 1973-1975 Fine condition worth $20.00 in 2014 | |
 | Polaroid: Colorpack 5 | 1973-1975 | 1994 | 10.00 | 1973-1975 Good condition worth $10.00 in 2014 | |
 | Polaroid: Colorpack II | 1969-1972 | c | 2011 | 15.00 | 1969 fine condition worth $20.00 in 2014 |
 | Polaroid: Colorpack II | 1969-1972 | c | 2015 | 10.00 | 1969 fine condition worth $20.00 in 2014 |
 | Polaroid: Colorpack II | 1969-1972 | c | 2017 | 8.00 | Initially produced in 1969, the Colorpack 2 was the first rigid, plastic bodied, color film capable Polaroid to retail at consumer range prices, and set a precedent for many similar models that followed. The Colorpack is designed for Peel-apart 100-Series Land Pack Films (discontinued) or Fujifilm FP-100C (still manufactured). Focusing is carried out by turning the distance-marked front lens element; unlike the original Polaroid 100-400 series packfilm cameras, this series features no rangefinder mechanism. As an improvement over the original folding series however, there is no need to cock the shutter after each exposure. The Colorpack 2 also takes generic \'blue dot\' flashcubes, with a wind-up hot shoe and small plastic diffuser set to one side of the lens. Early versions of this model featured 114mm, f/9.2 three-element coated glass lens but later uncoated plastic lens was used. The camera pictured above is in Good condition and worth $12.00 to $15.00 in 2017. |
 | Polaroid: Colorpack II | 1969-1972 | c | 2023 | 5.00 | Initially produced in 1969, the Colorpack 2 was the first rigid, plastic bodied, color film capable Polaroid to retail at consumer range prices, and set a precedent for many, many similar models that followed. The Colorpack is designed only for 100 series packfilm. Focusing is carried out by turning the distance-marked front lens element; unlike the original Polaroid 100-400 series pack film cameras, this series features no rangefinder mechanism. As an improvement over the original folding series however, there is no need to cock the shutter after each exposure. The Colorpack 2 also takes generic \'blue dot\' flashcubes, with a wind-up hot shoe and small plastic diffuser set to one side of the lens. Early versions of this model featured a glass lens, but most were plastic. The camera pictured above is in fine condition and worth $15.00 to $20.00 in 2023. |
 | Polaroid: Cool Cam | c1988-1999 | 2011 | 10.00 | 1988 good condition worth $20.00 in 2014 | |
 | Polaroid: Cool Cam | c1988-1999 | 2016 | 8.00 | In 1988, Polaroid released its Cool Cam for $69.00, which was essentially the Sun 600 with flashy colors and branded with the “Cool Cam” moniker. It came in several color combinations, including Red & Black, Yellow & Pink, and the pictured Pink & Grey plus more. The Cool Cam also came with a matching carrying case and a sheet of word bubble stickers that could be adhered to your photos to add some COOLNESS but this did not! The Cool Cam features a single-element 116mm f/11 plastic lens, fixed focus 4 ft to infinity, electronic shutter, programmed auto-exposure system and a built-in electronic flash, Polaroid's Light Management System (the darken/lighten exposure correction slider), automatic electronic shutter w speed between 1/4th-1/200th second, and was made in United Kingdom. The weight is 1 lb 5 oz and the dimensions are 3.5”x 4.5”x 6” when folded. Starting 1997 the Cool Cam whet through a design change with more rounded body, and again in 2000 even more rounded. The camera was discontinued in 1999. The camera pictured above is in Fine condition and worth $35.00 in 2016. | |
 | Polaroid: Fun Shooter Flash | 2008 | 2019 | 5.00 | This camera was produced in January of 2008 and is a through-away or one time use camera distributed by Urcovest, LLC (Concord Keystone). The expiration date on the bottom reads 4/27/2010. The camera does have a built-in flash unit with an on/off button. This example uses 400 ISO process C41 color film with 27 exposures. It is powered by one AAA battery. The camera was made in China under the Polaroid badge and came in many different decals on the front of it. The camera also has a plastic 24mm f8 lens with about 1/125th of a second shutter. The FS63 camera was followed by the Fun Shooter Flash FS73 along with the Fun Shooter Waterproof SL35 that is touted to be good to 32 feet depth and features a flip up sports viewfinder needed under water. The camera pictured here is in new condition still in its wrapper and worth $3.00 in 2019. | |
 | Polaroid: i-zone | 1998-2001 | 2005 | 5.00 | 1999-2003 Fine condition worth $10.00 in 2014 | |
 | Polaroid: i-zone | 1998-2001 | 2012 | 5.00 | 1999-2003 Good condition worth $7.00 in 2014 | |
 | Polaroid: i-zone | 1998-2001 | c | 2009 | 5.00 | 1999-2003 Fine condition worth $10.00 in 2014 |
 | Polaroid: i-zone | 1998-2001 | c | 2008 | 5.00 | 1999-2003 Good condition worth $7.00 in 2014 |
 | Polaroid: i-zone | 1998-2001 | c | 2016 | 8.00 | The Polaroid i-Zone was a type of instant film camera manufactured by the Polaroid Corporation from 1998 to 2001. This camera took pictures 1 ½ " x 1”, which came on a pull-out strip of paper. The strip was decorated and could later be cut to the size of the photo when the image was finished developing. Special film that had a sticky back for mounting the prints was also available. The camera was mostly marketed toward children with its simple functionality, low-cost, and oblong shape. The sales pitch went like the following. “The I-Zone Pocket Camera is the ultra-portable Polaroid camera that takes instant mini-photos that can be stuck anywhere. Collect, trade, and wear these little photos! Use them as calling cards! Sign letters with them! Stick them on books, lockers, or even your friends! Never before has a camera been so much fun.” In an attempt to sell to children several models were developed with cartoon caricatures modeled in three dimensions as part of the camera like the Bugs Bunny, Tweety Bird, and others. To market to older children they labeled some like American Girl, Hello Kitty complete with icon, Barbie complete with make-up mirror, and marketing used an array of colors plus designs, they even had one combo digital plus instant picture camera. Another design incorporated an FM radio that came with a set of ear plug type earphones. The film got into the act also with many colorful designs incorporated in the paper surrounding the produced picture. All these cameras worked with a shutter mounted behind the lens that then reflected of a mirror to the film below. One major marketing point for the camera was its ease of use: the camera had only three aperture settings, selected by a lever that pointed to a picture representing when each setting would be appropriate, be it indoors, outdoors on a sunny day, or outdoors on a cloudy day. After taking a photo, the lever would automatically revert to the off position to save power. Film for this camera was discontinued by Polaroid in 2006 but it is still available from Fujifilm and called Instax Mini film. The Barbie i-Zone has a makeup mirror complete with a pink cover but the mirror is made of metal and more like a funhouse mirror with a lot of distortion. The i-Zone camera has a built in automatic flash unit that works when needed in all three aperture settings. The camera operates on two AA batteries kept in a compartment behind the flash. The camera was not popular at any time of its production and the picture it takes are of poor quality. The camera pictured here is in Fine condition and worth $20.00 in 2016. |
 | Polaroid: i-zone | 1998-2001 | c | 2016 | 8.00 | The Polaroid I-Zone was a type of instant film camera manufactured by the Polaroid Corporation from 1998 to 2001. This camera took pictures 1 ½ " x 1”, which came on a pull-out strip of paper. The strip was decorated and could later be cut to the size of the photo when the image was finished developing. Special film that had a sticky back for mounting the prints was also available. The camera was mostly marketed toward children with its simple functionality, low-cost, and oblong shape. The sales pitch went like the following. “The I-Zone Pocket Camera is the ultra-portable Polaroid camera that takes instant mini-photos that can be stuck anywhere. Collect, trade, and wear these little photos! Use them as calling cards! Sign letters with them! Stick them on books, lockers, or even your friends! Never before has a camera been so much fun.” In an attempt to sell to children several models were developed with cartoon caricatures modeled in three dimensions as part of the camera like the Bugs Bunny, Tweety Bird, and others. To market to older children they labeled some like American Girl, Hello Kitty complete with icon, Barbie complete with make-up mirror, and marketing used an array of colors plus designs, they even had one combo digital plus instant picture camera. Another design incorporated an FM radio that came with a set of ear plug type earphones. The film got into the act also with many colorful designs incorporated in the paper surrounding the produced picture. All these cameras worked with a shutter mounted behind the lens that then reflected of a mirror to the film below. One major marketing point for the camera was its ease of use: the camera had only three aperture settings, selected by a lever that pointed to a picture representing when each setting would be appropriate, be it indoors, outdoors on a sunny day, or outdoors on a cloudy day. After taking a photo, the lever would automatically revert to the off position to save power. Film for this camera was discontinued by Polaroid in 2006 but it is still available from Fujifilm and called Instax Mini film. The I-Zone camera has a built in automatic flash unit that works when needed in all three aperture settings. The camera operates on two AA batteries kept in a compartment behind the flash. The camera was not popular at any time of its production and the picture it takes are of poor quality. The camera pictured here is in Good condition and worth $15.00 in 2016. |
 | Polaroid: i-zone | 1998-2001 | c | 2019 | 4.00 | The Polaroid I-Zone was a type of instant film camera manufactured by the Polaroid Corporation from 1998 to 2001. This camera took pictures 1 ½ " x 1”, which came on a pull-out strip of paper. The strip was decorated and could later be cut to the size of the photo when the image was finished developing. Special film that had a sticky back for mounting the prints was also available. The camera was mostly marketed toward children with its simple functionality, low-cost, and oblong shape. The sales pitch went like the following. “The I-Zone Pocket Camera is the ultra-portable Polaroid camera that takes instant mini-photos that can be stuck anywhere. Collect, trade, and wear these little photos! Use them as calling cards! Sign letters with them! Stick them on books, lockers, or even your friends! Never before has a camera been so much fun.” In an attempt to sell to children several models were developed with cartoon caricatures modeled in three dimensions as part of the camera like the Bugs Bunny, Tweety Bird, and others. To market to older children they labeled some like American Girl, Hello Kitty complete with icon, Barbie complete with make-up mirror, and marketing used an array of colors plus designs, they even had one combo digital plus instant picture camera. Another design incorporated an FM radio that came with a set of ear plug type earphones. The film got into the act also with many colorful designs incorporated in the paper surrounding the produced picture. All these cameras worked with a shutter mounted behind the lens that then reflected off a mirror to the film below. One major marketing point for the camera was its ease of use: the camera had only three aperture settings, selected by a lever that pointed to a picture representing when each setting would be appropriate, be it indoors, outdoors on a sunny day, or outdoors on a cloudy day. After taking a photo, the lever would automatically revert to the off position to save power. Film for this camera was discontinued by Polaroid in 2006 but it is still available from Fujifilm and called Instax Mini film. The Barbie i-Zone has a makeup mirror complete with a pink cover but the mirror is made of metal and more like a funhouse mirror with a lot of distortion. The i-Zone camera has a built in automatic flash unit that works when needed in all three aperture settings. The camera operates on two AA batteries kept in a compartment behind the flash. The camera was not popular at any time of its production and the picture it takes are of poor quality. The camera pictured here is in Fine condition and worth $10.00 in 2019. |
 | Polaroid: i-zone | 1998-2001 | c | 2020 | 9.00 | The Polaroid I-Zone was a type of instant film camera manufactured by the Polaroid Corporation from 1998 to 2001. This camera took pictures 1 ½ " x 1”, which came on a pull-out strip of paper. The strip was decorated and could later be cut to the size of the photo when the image was finished developing. Special film that had a sticky back for mounting the prints was also available. The camera was mostly marketed toward children with its simple functionality, low-cost, and oblong shape. The sales pitch went like the following. “The I-Zone Pocket Camera is the ultra-portable Polaroid camera that takes instant mini-photos that can be stuck anywhere. Collect, trade, and wear these little photos! Use them as calling cards! Sign letters with them! Stick them on books, lockers, or even your friends! Never before has a camera been so much fun.” In an attempt to sell to children several models were developed with cartoon caricatures modeled in three dimensions as part of the camera like the Bugs Bunny, Tweety Bird, and others. To market to older children they labeled some like American Girl, Hello Kitty complete with icon, Barbie complete with make-up mirror, and marketing used an array of colors plus designs, they even had one combo digital plus instant picture camera. Another design incorporated an FM radio that came with a set of ear plug type earphones. The film got into the act also with many colorful designs incorporated in the paper surrounding the produced picture. All these cameras worked with a shutter mounted behind the lens that then reflected off a mirror to the film below. One major marketing point for the camera was its ease of use: the camera had only three aperture settings, selected by a lever that pointed to a picture representing when each setting would be appropriate, be it indoors, outdoors on a sunny day, or outdoors on a cloudy day. After taking a photo, the lever would automatically revert to the off position to save power. Film for this camera was discontinued by Polaroid in 2006 but it is still available from Fujifilm and called Instax Mini film. The Barbie i-Zone has a makeup mirror complete with a pink cover but the mirror is made of metal and more like a funhouse mirror with a lot of distortion. The i-Zone camera has a built in automatic flash unit that works when needed in all three aperture settings. The camera operates on two AA batteries kept in a compartment behind the flash. The camera was not popular at any time of its production and the picture it takes are of poor quality. The camera pictured here is in Fine condition and worth $10.00 in 2020. |
 | Polaroid: i-zone (Bugs Bunny) | c | 2016 | 12.00 | The Polaroid i-Zone was a type of instant film camera manufactured by the Polaroid Corporation from 1998 to 2001. This camera took pictures 1 ½ " x 1”, which came on a pull-out strip of paper. The strip was decorated and could later be cut to the size of the photo when the image was finished developing. Special film that had a sticky back for mounting the prints was also available. The camera was mostly marketed toward children with its simple functionality, low-cost, and oblong shape. The sales pitch went like the following. “The I-Zone Pocket Camera is the ultra-portable Polaroid camera that takes instant mini-photos that can be stuck anywhere. Collect, trade, and wear these little photos! Use them as calling cards! Sign letters with them! Stick them on books, lockers, or even your friends! Never before has a camera been so much fun.” In an attempt to sell to children several models were developed with cartoon caricatures modeled in three dimensions as part of the camera like the Bugs Bunny, Tweety Bird, and others. To market to older children they labeled some like American Girl, Hello Kitty complete with icon, Barbie complete with make-up mirror, and marketing used an array of colors plus designs, they even had one combo digital plus instant picture camera. Another design incorporated an FM radio that came with a set of ear plug type earphones. The film got into the act also with many colorful designs incorporated in the paper surrounding the produced picture. All these cameras worked with a shutter mounted behind the lens that then reflected of a mirror to the film below. One major marketing point for the camera was its ease of use: the camera had only three aperture settings, selected by a lever that pointed to a picture representing when each setting would be appropriate, be it indoors, outdoors on a sunny day, or outdoors on a cloudy day. After taking a photo, the lever would automatically revert to the off position to save power. Film for this camera was discontinued by Polaroid in 2006 but it is still available from Fujifilm and called Instax Mini film. The Barbie i-Zone has a makeup mirror complete with a pink cover but the mirror is made of metal and more like a funhouse mirror with a lot of distortion. The i-Zone camera has a built in automatic flash unit that works when needed in all three aperture settings. The camera operates on two AA batteries kept in a compartment behind the flash. The camera was not popular at any time of its production and the picture it takes are of poor quality. The camera pictured here is in Fine condition and worth $20.00 in 2016. | |
 | Polaroid: i-zone (Hello Kitty) | c | 2016 | 15.00 | The Polaroid i-Zone was a type of instant film camera manufactured by the Polaroid Corporation from 1998 to 2001. This camera took pictures 1 ½ " x 1”, which came on a pull-out strip of paper. The strip was decorated and could later be cut to the size of the photo when the image was finished developing. Special film that had a sticky back for mounting the prints was also available. The camera was mostly marketed toward children with its simple functionality, low-cost, and oblong shape. The sales pitch went like the following. “The I-Zone Pocket Camera is the ultra-portable Polaroid camera that takes instant mini-photos that can be stuck anywhere. Collect, trade, and wear these little photos! Use them as calling cards! Sign letters with them! Stick them on books, lockers, or even your friends! Never before has a camera been so much fun.” In an attempt to sell to children several models were developed with cartoon caricatures modeled in three dimensions as part of the camera like the Bugs Bunny, Tweety Bird, and others. To market to older children they labeled some like American Girl, Hello Kitty complete with icon, Barbie complete with make-up mirror, and marketing used an array of colors plus designs, they even had one combo digital plus instant picture camera. Another design incorporated an FM radio that came with a set of ear plug type earphones. The film got into the act also with many colorful designs incorporated in the paper surrounding the produced picture. All these cameras worked with a shutter mounted behind the lens that then reflected of a mirror to the film below. One major marketing point for the camera was its ease of use: the camera had only three aperture settings, selected by a lever that pointed to a picture representing when each setting would be appropriate, be it indoors, outdoors on a sunny day, or outdoors on a cloudy day. After taking a photo, the lever would automatically revert to the off position to save power. Film for this camera was discontinued by Polaroid in 2006 but it is still available from Fujifilm and called Instax Mini film. The Barbie i-Zone has a makeup mirror complete with a pink cover but the mirror is made of metal and more like a funhouse mirror with a lot of distortion. The i-Zone camera has a built in automatic flash unit that works when needed in all three aperture settings. The camera operates on two AA batteries kept in a compartment behind the flash. The camera was not popular at any time of its production and the picture it takes are of poor quality. The camera pictured here is in Fine condition and worth $20.00 in 2016. | |
 | Polaroid: i-zone (Hello Kitty) | c | 2016 | 16.00 | The Polaroid i-Zone was a type of instant film camera manufactured by the Polaroid Corporation from 1998 to 2001. This camera took pictures 1 ½ " x 1”, which came on a pull-out strip of paper. The strip was decorated and could later be cut to the size of the photo when the image was finished developing. Special film that had a sticky back for mounting the prints was also available. The camera was mostly marketed toward children with its simple functionality, low-cost, and oblong shape. The sales pitch went like the following. “The I-Zone Pocket Camera is the ultra-portable Polaroid camera that takes instant mini-photos that can be stuck anywhere. Collect, trade, and wear these little photos! Use them as calling cards! Sign letters with them! Stick them on books, lockers, or even your friends! Never before has a camera been so much fun.” In an attempt to sell to children several models were developed with cartoon caricatures modeled in three dimensions as part of the camera like the Bugs Bunny, Tweety Bird, and others. To market to older children they labeled some like American Girl, Hello Kitty complete with icon, Barbie complete with make-up mirror, and marketing used an array of colors plus designs, they even had one combo digital plus instant picture camera. Another design incorporated an FM radio that came with a set of ear plug type earphones. The film got into the act also with many colorful designs incorporated in the paper surrounding the produced picture. All these cameras worked with a shutter mounted behind the lens that then reflected of a mirror to the film below. One major marketing point for the camera was its ease of use: the camera had only three aperture settings, selected by a lever that pointed to a picture representing when each setting would be appropriate, be it indoors, outdoors on a sunny day, or outdoors on a cloudy day. After taking a photo, the lever would automatically revert to the off position to save power. Film for this camera was discontinued by Polaroid in 2006 but it is still available from Fujifilm and called Instax Mini film. The Barbie i-Zone has a makeup mirror complete with a pink cover but the mirror is made of metal and more like a funhouse mirror with a lot of distortion. The i-Zone camera has a built in automatic flash unit that works when needed in all three aperture settings. The camera operates on two AA batteries kept in a compartment behind the flash. The camera was not popular at any time of its production and the picture it takes are of poor quality. The camera pictured here is in Fine condition and worth $20.00 in 2016. | |
 | Polaroid: i-zone (transparent) | 1998-2001 | c | 2009 | 5.00 | 1999-2003 Fine condition worth $10.00 in 2014 |
 | Polaroid: i-zone (transparent) | 1998-2001 | c | 2017 | 4.00 | The Polaroid I-Zone was a type of instant film camera manufactured by the Polaroid Corporation from 1998 to 2001. This camera took pictures 1 ½ " x 1”, which came on a pull-out strip of paper. The strip was decorated and could later be cut to the size of the photo when the image was finished developing. Special film that had a sticky back for mounting the prints was also available. The camera was mostly marketed toward children with its simple functionality, low-cost, and oblong shape. The sales pitch went like the following. “The I-Zone Pocket Camera is the ultra-portable Polaroid camera that takes instant mini-photos that can be stuck anywhere. Collect, trade, and wear these little photos! Use them as calling cards! Sign letters with them! Stick them on books, lockers, or even your friends! Never before has a camera been so much fun.” In an attempt to sell to children several models were developed with cartoon caricatures modeled in three dimensions as part of the camera like the Bugs Bunny, Tweety Bird, and others. To market to older children they labeled some like American Girl, Hello Kitty complete with icon, Barbie complete with make-up mirror, and marketing used an array of colors plus designs, they even had one combo digital plus instant picture camera. Another design incorporated an FM radio that came with a set of ear plug type earphones. The film got into the act also with many colorful designs incorporated in the paper surrounding the produced picture. All these cameras worked with a shutter mounted behind the lens that then reflected of a mirror to the film below. One major marketing point for the camera was its ease of use: the camera had only three aperture settings, selected by a lever that pointed to a picture representing when each setting would be appropriate, be it indoors, outdoors on a sunny day, or outdoors on a cloudy day. After taking a photo, the lever would automatically revert to the off position to save power. Film for this camera was discontinued by Polaroid in 2006 but it is still available from Fujifilm and called Instax Mini film. The Barbie i-Zone has a makeup mirror complete with a pink cover but the mirror is made of metal and more like a funhouse mirror with a lot of distortion. The i-Zone camera has a built in automatic flash unit that works when needed in all three aperture settings. The camera operates on two AA batteries kept in a compartment behind the flash. The camera was not popular at any time of its production and the picture it takes are of poor quality. The camera pictured here is in Fine condition and worth $10.00 in 2017. |
 | Polaroid: i-zone (transparent) | 1998-2001 | c | 2020 | 2.00 | The Polaroid I-Zone was a type of instant film camera manufactured by the Polaroid Corporation from 1998 to 2001. This camera took pictures 1 ½ " x 1”, which came on a pull-out strip of paper. The strip was decorated and could later be cut to the size of the photo when the image was finished developing. Special film that had a sticky back for mounting the prints was also available. The camera was mostly marketed toward children with its simple functionality, low-cost, and oblong shape. The sales pitch went like the following. “The I-Zone Pocket Camera is the ultra-portable Polaroid camera that takes instant mini-photos that can be stuck anywhere. Collect, trade, and wear these little photos! Use them as calling cards! Sign letters with them! Stick them on books, lockers, or even your friends! Never before has a camera been so much fun.” In an attempt to sell to children several models were developed with cartoon caricatures modeled in three dimensions as part of the camera like the Bugs Bunny, Tweety Bird, and others. To market to older children they labeled some like American Girl, Hello Kitty complete with icon, Barbie complete with make-up mirror, and marketing used an array of colors plus designs, they even had one combo digital plus instant picture camera. Another design incorporated an FM radio that came with a set of ear plug type earphones. The film got into the act also with many colorful designs incorporated in the paper surrounding the produced picture. All these cameras worked with a shutter mounted behind the lens that then reflected of a mirror to the film below. One major marketing point for the camera was its ease of use: the camera had only three aperture settings, selected by a lever that pointed to a picture representing when each setting would be appropriate, be it indoors, outdoors on a sunny day, or outdoors on a cloudy day. After taking a photo, the lever would automatically revert to the off position to save power. Film for this camera was discontinued by Polaroid in 2006 but it is still available from Fujifilm and called Instax Mini film. The Barbie i-Zone has a makeup mirror complete with a pink cover but the mirror is made of metal and more like a funhouse mirror with a lot of distortion. The i-Zone camera has a built in automatic flash unit that works when needed in all three aperture settings. The camera operates on two AA batteries kept in a compartment behind the flash. The camera was not popular at any time of its production and the picture it takes are of poor quality. The camera pictured here is missing the battery compartment cover and is worth $1.00 for parts in 2020. |
 | Polaroid: i-zone (Tweety Bird) | c | 2016 | 5.00 | The Polaroid I-Zone was a type of instant film camera manufactured by the Polaroid Corporation from 1998 to 2001. This camera took pictures 1 ½ " x 1”, which came on a pull-out strip of paper. The strip was decorated and could later be cut to the size of the photo when the image was finished developing. Special film that had a sticky back for mounting the prints was also available. The camera was mostly marketed toward children with its simple functionality, low-cost, and oblong shape. The sales pitch went like the following. “The I-Zone Pocket Camera is the ultra-portable Polaroid camera that takes instant mini-photos that can be stuck anywhere. Collect, trade, and wear these little photos! Use them as calling cards! Sign letters with them! Stick them on books, lockers, or even your friends! Never before has a camera been so much fun.” In an attempt to sell to children several models were developed with cartoon caricatures modeled in three dimensions as part of the camera like the Bugs Bunny, Tweety Bird, and others. To market to older children they labeled some like American Girl, Hello Kitty complete with icon, Barbie complete with make-up mirror, and marketing used an array of colors plus designs, they even had one combo digital plus instant picture camera. Another design incorporated an FM radio that came with a set of ear plug type earphones. The film got into the act also with many colorful designs incorporated in the paper surrounding the produced picture. All these cameras worked with a shutter mounted behind the lens that then reflected of a mirror to the film below. One major marketing point for the camera was its ease of use: the camera had only three aperture settings, selected by a lever that pointed to a picture representing when each setting would be appropriate, be it indoors, outdoors on a sunny day, or outdoors on a cloudy day. After taking a photo, the lever would automatically revert to the off position to save power. Film for this camera was discontinued by Polaroid in 2006 but it is still available from Fujifilm and called Instax Mini film. The Barbie i-Zone has a makeup mirror complete with a pink cover but the mirror is made of metal and more like a funhouse mirror with a lot of distortion. The i-Zone camera has a built in automatic flash unit that works when needed in all three aperture settings. The camera operates on two AA batteries kept in a compartment behind the flash. The camera was not popular at any time of its production and the picture it takes are of poor quality. The camera pictured here is in Fine condition and worth $20.00 in 2016. | |
 | Polaroid: i-zone radio | 1998-2001 | c | 2017 | 7.00 | The Polaroid I-Zone was a type of instant film camera manufactured by the Polaroid Corporation from 1998 to 2001. This camera took pictures 1 ½ " x 1”, which came on a pull-out strip of paper. The strip was decorated and could later be cut to the size of the photo when the image was finished developing. Special film that had a sticky back for mounting the prints was also available. The camera was mostly marketed toward children with its simple functionality, low-cost, and oblong shape. The sales pitch went like the following. “The I-Zone Pocket Camera is the ultra-portable Polaroid camera that takes instant mini-photos that can be stuck anywhere. Collect, trade, and wear these little photos! Use them as calling cards! Sign letters with them! Stick them on books, lockers, or even your friends! Never before has a camera been so much fun.” In an attempt to sell to children several models were developed with cartoon caricatures modeled in three dimensions as part of the camera like the Bugs Bunny, Tweety Bird, and others. To market to older children they labeled some like American Girl, Hello Kitty complete with icon, Barbie complete with make-up mirror, and marketing used an array of colors plus designs, they even had one combo digital plus instant picture camera. Another design incorporated an FM radio that came with a set of ear plug type earphones. The film got into the act also with many colorful designs incorporated in the paper surrounding the produced picture. All these cameras worked with a shutter mounted behind the lens that then reflected of a mirror to the film below. One major marketing point for the camera was its ease of use: the camera had only three aperture settings, selected by a lever that pointed to a picture representing when each setting would be appropriate, be it indoors, outdoors on a sunny day, or outdoors on a cloudy day. After taking a photo, the lever would automatically revert to the off position to save power. Film for this camera was discontinued by Polaroid in 2006 but it is still available from Fujifilm and called Instax Mini film. The Barbie i-Zone has a makeup mirror complete with a pink cover but the mirror is made of metal and more like a funhouse mirror with a lot of distortion. The i-Zone camera has a built in automatic flash unit that works when needed in all three aperture settings. The camera operates on two AA batteries kept in a compartment behind the flash. The camera was not popular at any time of its production and the picture it takes are of poor quality. The camera pictured here is in Fine condition and worth $30.00 in 2017. |
 | Polaroid: Image 1200 | 1986 | 2015 | 15.00 | 1986 Fine condition worth $70.00 in 2015 | |
 | Polaroid: Impulse | 1988 | 2011 | 10.00 | 1988 fine condition worth $25.00 in 2014 | |
 | Polaroid: Impulse | 1988 | 2013 | 15.00 | 1988 fine condition worth $25.00 in 2014 | |
 | Polaroid: Impulse | 1988 | 1998 | 15.00 | 1988 fine condition worth $25.00 in 2014 | |
 | Polaroid: Impulse | 1988 | 2006 | 10.00 | 1988 fine condition worth $25.00 in 2014 | |
 | Polaroid: Impulse AF | 1988-1992 | c | 2012 | 10.00 | 1988 fine condition worth $25.00 in 2014 |
 | Polaroid: Impulse AF | 1988-1992 | c | 2015 | 5.00 | 1988 fine condition worth $25.00 in 2014 |
 | Polaroid: Impulse AF | 1988-1992 | c | 2015 | 5.00 | 1988 fine condition worth $20.00 in 2015 |
 | Polaroid: Impulse AF | 1988-1992 | c | 2018 | 5.00 | Designed for Polaroid's 600-series integral film in 1988, the Impulse models are similar in body design to the “OneStep +”, “OneStep 2” or “Pronto!”, models released that feature a non-folding plastic body, single-element plastic lens with fixed aperture (116mm, f9), and fixed focus. The basic Impulse model is usually found in a dark gray color, but there were a variety of different colors of Impulse released including yellow, red, green, black, blue, purple, plum, and light gray. Some autofocus models were also made which were designated as Impulse AF like the one pictured and they feature higher quality 3-element lenses. The body is a hard-wearing plastic, and features rubber grips around the rear, a tripod-socket, plus flash-ready LED and film counter. The flash is raised by pressing down onto the top of the unit; this also turns the camera on and retracts the lens cover. This camera also has a 4 foot minimum focus distance, Exposure compensation controls below the lens, view finder, and a handy carry strap. The camera pictured above is in Fine condition and worth $25.00 in 2018. |
 | Polaroid: Impulse SE | 1988-1992 | 2006 | 10.00 | 1988 good condition worth $15.00 in 2014 | |
 | Polaroid: Ion 3000 (Digital 1.3MP) | 2020 | 3.00 | The Polaroid Ion model 3000 digital camera has 8 Mbytes of internal SDRAM. The Ion Pocket Sized Digital Camera was made in China and release in 2001. The Image Performance for Video on Web-cam is QVGA and 10 fps. Still Image High Resolution is 640 x 480 pixel and Low Resolution is 320 x 240 pixel. Storable of Images at High Resolution is 26 images (Non-compressed) and 78 images (Compressed). You can store 104 images (Non-compressed) Low Resolution and 312 images (Compressed). Other features are built-in lens cover on/off switch, USB interface, Auto power off after 30 seconds, optical viewfinder, locking shutter release, small LCD menu screen, LED indicator, shutter release button, and a f2.4 5.4mm lens. The camera can also be used as a web cam in combination with a computer microphone. The camera is powered by two AAA batteries and in the battery compartment is a warning that you will lose all images once the batteries are removed. The camera pictured here is in Fine condition and worth $5.00 in 2020. | ||
 | Polaroid: Job Pro 2 | 1999 | 2016 | 0.00 | 2000 fine condition worth $30.00 in 2016 | |
 | Polaroid: Minute Maker | c1977 | 2016 | 5.00 | 1977 fine condition worth $15.00 in 2016 | |
 | Polaroid: Minute Maker Plus | 1977-1978 | 2000 | 10.00 | 1977-1978 Fine condition worth $20.00 in 2014 | |
 | Polaroid: One | 2004 | 2013 | 20.00 | 2003 fine condition worth $30.00 in 2014 | |
 | Polaroid: One | 2004 | 2015 | 10.00 | 2003 fine condition worth $25.00 in 2015 | |
 | Polaroid: One | 2004 | 2016 | 5.00 | In early 2003 Polaroid released one last line of instant cameras, including the One that used Polaroid 600 film. Though similar in function and capabilities to most Polaroid cameras, these cameras are sleeker in design, opening and closing in a clamshell fashion. The One features a 100mm lens with minimum focus distance of 3 feet and a built-in electronic flash. Some models in this line omitted exposure control while others had the addition of a self-timer. This particular model has both and also has a small ½” x ½” LCD screen in the back for counting down pictures left. The camera also has a flash on button, flash ready LED by the shutter button, pop-up viewfinder, female ¼” 20 thread tripod mount, and a handy built in carry strap. The camera pictured here is in fine condition and worth $25.00 in 2016. | |
 | Polaroid: One Film | 1975 | 2012 | 1.00 | 1975 poor condition worth $2.00 in 2014 | |
 | Polaroid: One Film | 1975 | 2017 | 2.00 | This camera was an attempt in 1975 by Polaroid to have success in the point and shoot 35mm camera and film market. They may have succeeded with the lawsuit against Kodak with their instant cameras and film but 35mm cameras and film was a bust. The camera is powered by two AA batteries and is switched by the lens cover. Unfortunately the camera pictured above has a minor error because the flash unit charges even when the lens cover is closed. Other than that it works fine in all aspects. The camera was designed as a fully automatic point and shoot. You would have to start the film on the take-up wheel then the camera does the rest. It has auto film advance, auto flash, auto focus, auto exposure, and a flash ready LED indicator light. This camera is in good condition and worth $3.00 in 2017. | |
 | Polaroid: One Step | 1993 | 2012 | 15.00 | 1982 fine condition worth $20.00 in 2014 | |
 | Polaroid: One Step | 1993 | 2011 | 10.00 | 1982 good condition worth $10.00 in 2014 | |
 | Polaroid: One Step | 1993 | 2002 | 10.00 | 1982 Good condition worth $15.00 in 2014 | |
 | Polaroid: One Step | 1993 | 1997 | 15.00 | 1982 Good condition worth $15.00 in 2014 | |
 | Polaroid: One Step | 1993 | 1990 | 20.00 | 1982 Good condition worth $15.00 in 2014 | |
 | Polaroid: One Step | 1993 | c | 2018 | 5.00 | The POLAROID OneStep Auto Focus & OneStep Camera is so much more then the Polaroid Cameras that came before it. Pictures are clear and in focus, without any fussing; truly a one step camera. The film is self contained with the battery pack included within the film pack. (No batteries to leave inside the camera when not in use!). The Polaroid film pack 600 is expensive, that is if you can find it. This is a good choice for fast quick pictures where a Polaroid is needed or will do. You can always scan a great picture later and transfer it to your computer, if needed. A good Polaroid has many uses in photography whether you’re a pro or not. The camera was introduced in 1993 and sold in the millions. The OneStep line was sold up till 2001 when it was replaced by the One600 line of cameras. This camera features a built in flash, a micro lens that slides in front of the camera lens plus viewfinder allowing 2’ to 4’ focusing, light to dark adjustments, and a handy carry strap. The camera pictured here is in Fine condition and worth $20.00 in 2018. |
 | Polaroid: One Step AF | 1993 | 2011 | 15.00 | 1983 Good condition worth $15.00 in 2014 | |
 | Polaroid: One Step AF | 1993 | 2003 | 15.00 | 1983 Good condition worth $15.00 in 2014 | |
 | Polaroid: One Step BC | 1976 | 1990 | 0.00 | 1977 poor condition worth $2.00 in 2014 | |
 | Polaroid: One Step Closeup | 1993 | c | 2006 | 20.00 | 1990 Fine condition worth $25.00 in 2015 |
 | Polaroid: One Step Closeup | 1993 | c | 2015 | 10.00 | 1990 Fine condition worth $25.00 in 2015 |
 | Polaroid: One Step Closeup | 1993 | c | 2016 | 10.00 | This camera was manufactured in 1983 to late 1990’s by the Polaroid Corporation of Cambridge, Massachusetts. The camera was still available for purchase in 2006, even though Polaroid folded. It is an upgraded version of the longstanding OneStep, the OneStep Closeup has the “normal” focus of 4ft to infinity with a 116mm f/11, Single element plastic lens and a close-up lens that allows the user to focus between 2ft and 4ft. In closeup mode, a viewfinder framer slides in front of the viewfinder along with the secondary lens for the main lens. This framer corrects for parallax. The camera has the clamshell flash and uses the updated “600” film that is being produced to this day by The “Imposable Project” company. This camera is embossed as made in the United Kingdom on the very back. The camera pictured here is in Fine condition and worth $25.00 in 2016. |
 | Polaroid: One Step Closeup | 1993 | c | 2016 | 1.00 | 1990 Good condition worth $15.00 in 2016 |
 | Polaroid: One Step Closeup | 1993 | c | 2018 | 5.00 | This camera was manufactured in 1983 to late 1990’s by the Polaroid Corporation of Cambridge, Massachusetts. The camera was still available for purchase in 2006, even though Polaroid folded. It is an upgraded version of the longstanding OneStep, the OneStep Closeup has the “normal” focus of 4ft to infinity with a 116mm f/11, Single element plastic lens and a close-up lens that allows the user to focus between 2ft and 4ft. In closeup mode, a viewfinder framer slides in front of the viewfinder along with the secondary lens for the main lens. This framer corrects for parallax. The camera has the clamshell flash and uses the updated “600” film that is being produced to this day by The “Imposable Project” company. This camera is embossed as made in the United Kingdom on the very back. The camera pictured here is in Good condition and worth $15.00 in 2016. |
 | Polaroid: One Step Closeup | 1993 | c | 2018 | 5.00 | This camera was manufactured in 1983 to late 1990’s by the Polaroid Corporation of Cambridge, Massachusetts. The camera was still available for purchase in 2006, even though Polaroid folded. It is an upgraded version of the longstanding OneStep, the OneStep Closeup has the “normal” focus of 4ft to infinity with a 116mm f/11, Single element plastic lens and a close-up lens that allows the user to focus between 2ft and 4ft. In closeup mode, a viewfinder framer slides in front of the viewfinder along with the secondary lens for the main lens. This framer corrects for parallax. The camera has the clamshell flash and uses the updated “600” film that is being produced to this day by The “Imposable Project” company. This camera is embossed as made in the United Kingdom on the very back. The camera pictured here is in Good condition and worth $15.00 in 2018. |
 | Polaroid: One Step Express | 1998 | 2014 | 15.00 | 1997 Good condition worth $20.00 in 2014 | |
 | Polaroid: One Step Express | 1998 | 1991 | 40.00 | 1997 Good condition worth $20.00 in 2014 | |
 | Polaroid: One Step Express | 1998 | 2015 | 5.00 | 1997 Fine condition worth $30.00 in 2015 | |
 | Polaroid: One Step Flash | 1993 | c | 2018 | 5.00 | The One Step Flash was a model in the second wave of Polaroid's OneStep series in late 1982. The camera has a 116mm, f/11, Single-element plastic fixed focus lens sharpest at 4-5 feet to infinity. The shutter is electronic with automatic speeds between ¼ of a second and 1/200 of a second. It also has integral auto flash that works in low light but cannot be forced on or off and features Polaroid's Light Management System (the darken/lighten exposure correction slider). The camera pictured above in good condition, and worth $20.00 in 2018. |
 | Polaroid: One Step Flash (1982) | 1982 | 1991 | 20.00 | 1982 fine condition worth $20.00 in 2014 | |
 | Polaroid: One Step Flash (1982) | 1982 | 2008 | 15.00 | 1982 fine condition worth $20.00 in 2014 | |
 | Polaroid: One Step Flash (1982) | 1982 | 2011 | 20.00 | 1982 fine condition worth $20.00 in 2014 | |
 | Polaroid: One Step Plus | c1976-1980 | 2014 | 15.00 | 1982 fine condition worth $15.00 in 2014 | |
 | Polaroid: One Step SE | 1993 | 1997 | 15.00 | 1987 fine condition worth $20.00 in 2014 | |
 | Polaroid: One Step Special | c1977 | c | 2016 | 10.00 | This camera was introduced in the Sears catalog in 1977. The solid body One Step was also introduced by Polaroid at that time. The One-Step is in the same family as the SX-70 using SX-70 film. It was much less expensive and had many fewer features, however. It has a solid, instead of folding, body, with a simple direct viewfinder. According to The Land List, it has a single element 103mm f14.6 plastic, fixed focus, lens. Also it has an electronic shutter with programmed auto exposure. A flash bar with ten flashes can be inserted on the top or a strobe made by Polaroid to fit. The suggested retail price was $39.95, about $200 in 2020 dollars. The film pack includes the battery and is needed to test the shutter. You will not find any difference between the regular One Step and the One Step Sears Special other than “Sears Special” printed in small red letters over the film exit slot. What follows is a list of exactly the same cameras with different badging and with the rainbow sticker under the lens plus color changes in body and shutter buttons. One Step Rainbow SE (Black Camera), One Step Rainbow 1976, One Step Plus (White) 1976, One Step Plus (Black) 1976, One Step BC 1976, One Step 1000 Rainbow (Red Button), One Step 1000 Rainbow (Green Button) 1976, Presto! 1976, Supercolor 1000 (Red Button) 1977, Supercolor 1000 (Green Button) 1977, Supercolor 1000 Deluxe 1977, Instant 1000 Deluxe 1977, and the One Step Time Zero 1980s. What follows in this list is exactly the same cameras with different badging and without the rainbow sticker under the lens but with color changes in body and shutter buttons.1000 (Demo Version) 1976, 500 (Tan Face) (Red Button) 1976, 500 (Black Face) (Blue Button) 1976, Revue 1001 1976, The Button 1976, Pronto! 1976, Pronto! (Grey Trim) 1976, Pronto! BC (Grey Trim) 1976, Pronto! Sears Special 1976, Pronto! Sears Special RF 1976, Pronto! SM 1976, Super Clincher (Black Face) 1976, Pronto! S 1976, Pronto! SE 1976, Pronto! B 1976, Encore! 1976, Super Clincher (Tan Face) 1976, The Button 2 1976, Polaroid 1500 1977, Polaroid 1500S 1977, 1000s (Green Button) 1970s, 1000s (Red Button) 1970s, Polaroid 2000 (Red Button) 1977, Polaroid 2000 (Green Button) 1977, Polaroid 2000 (Silver Face) (Red Button) 1977, and the Polaroid 3000 1977. In this list the body is the same but a range finder was added accessed through the viewfinder. Pronto! BC Range Finder 1976, Pronto! RF Range Finder 1976, and the Pronto! RF SE 1976. All the cameras listed have a 1 element plastic lens with fixed aperture (103mm, f14.6), 4ft minimum focus distance, shutter speeds of 1 to 1/150 of a second, and an exposure compensation dial around electric eye. They all could have been called Non-Foldable SX-70’s and SX-70 RF’s. Many of these cameras were manufactured and distributed in other countries accounting for some of the branding. The camera pictured here is in fine condition and worth $10.00 in 2020. |
 | Polaroid: One Step Special | c1977 | c | 2020 | 5.00 | This camera was introduced in the Sears catalog in 1977. The solid body One Step was also introduced by Polaroid at that time. The One-Step is in the same family as the SX-70 using SX-70 film. It was much less expensive and had many fewer features, however. It has a solid, instead of folding, body, with a simple direct viewfinder. According to The Land List, it has a single element 103mm f14.6 plastic, fixed focus, lens. Also it has an electronic shutter with programmed auto exposure. A flash bar with ten flashes can be inserted on the top or a strobe made by Polaroid to fit. The suggested retail price was $39.95, about $200 in 2020 dollars. The film pack includes the battery and is needed to test the shutter. You will not find any difference between the regular One Step and the One Step Sears Special other than “Sears Special” printed in small red letters over the film exit slot. What follows is a list of exactly the same cameras with different badging and with the rainbow sticker under the lens plus color changes in body and shutter buttons. One Step Rainbow SE (Black Camera), One Step Rainbow 1976, One Step Plus (White) 1976, One Step Plus (Black) 1976, One Step BC 1976, One Step 1000 Rainbow (Red Button), One Step 1000 Rainbow (Green Button) 1976, Presto! 1976, Supercolor 1000 (Red Button) 1977, Supercolor 1000 (Green Button) 1977, Supercolor 1000 Deluxe 1977, Instant 1000 Deluxe 1977, and the One Step Time Zero 1980s. What follows in this list is exactly the same cameras with different badging and without the rainbow sticker under the lens but with color changes in body and shutter buttons.1000 (Demo Version) 1976, 500 (Tan Face) (Red Button) 1976, 500 (Black Face) (Blue Button) 1976, Revue 1001 1976, The Button 1976, Pronto! 1976, Pronto! (Grey Trim) 1976, Pronto! BC (Grey Trim) 1976, Pronto! Sears Special 1976, Pronto! Sears Special RF 1976, Pronto! SM 1976, Super Clincher (Black Face) 1976, Pronto! S 1976, Pronto! SE 1976, Pronto! B 1976, Encore! 1976, Super Clincher (Tan Face) 1976, The Button 2 1976, Polaroid 1500 1977, Polaroid 1500S 1977, 1000s (Green Button) 1970s, 1000s (Red Button) 1970s, Polaroid 2000 (Red Button) 1977, Polaroid 2000 (Green Button) 1977, Polaroid 2000 (Silver Face) (Red Button) 1977, and the Polaroid 3000 1977. In this list the body is the same but a range finder was added accessed through the viewfinder. Pronto! BC Range Finder 1976, Pronto! RF Range Finder 1976, and the Pronto! RF SE 1976. All the cameras listed have a 1 element plastic lens with fixed aperture (103mm, f14.6), 4ft minimum focus distance, shutter speeds of 1 to 1/150 of a second, and an exposure compensation dial around electric eye. They all could have been called Non-Foldable SX-70’s and SX-70 RF’s. Many of these cameras were manufactured and distributed in other countries accounting for some of the branding. The camera pictured here is in fine condition and worth $10.00 in 2020. |
 | Polaroid: One Step Special | c1977 | c | 2023 | 2.00 | This camera was introduced in the Sears catalog in 1977. The solid body One Step was also introduced by Polaroid at that time. The One-Step is in the same family as the SX-70 using SX-70 film. It was much less expensive and had many fewer features, however. It has a solid, instead of folding, body, with a simple direct viewfinder. According to The Land List, it has a single element 103mm f14.6 plastic, fixed focus, lens. Also it has an electronic shutter with programmed auto exposure. A flash bar with ten flashes can be inserted on the top or a strobe made by Polaroid to fit. The suggested retail price was $39.95, about $200 in 2020 dollars. The film pack includes the battery and is needed to test the shutter. You will not find any difference between the regular One Step and the One Step Sears Special other than “Sears Special” printed in small red letters over the film exit slot. What follows is a list of exactly the same cameras with different badging and with the rainbow sticker under the lens plus color changes in body and shutter buttons. One Step Rainbow SE (Black Camera), One Step Rainbow 1976, One Step Plus (White) 1976, One Step Plus (Black) 1976, One Step BC 1976, One Step 1000 Rainbow (Red Button), One Step 1000 Rainbow (Green Button) 1976, Presto! 1976, Supercolor 1000 (Red Button) 1977, Supercolor 1000 (Green Button) 1977, Supercolor 1000 Deluxe 1977, Instant 1000 Deluxe 1977, and the One Step Time Zero 1980s. What follows in this list is exactly the same cameras with different badging and without the rainbow sticker under the lens but with color changes in body and shutter buttons.1000 (Demo Version) 1976, 500 (Tan Face) (Red Button) 1976, 500 (Black Face) (Blue Button) 1976, Revue 1001 1976, The Button 1976, Pronto! 1976, Pronto! (Grey Trim) 1976, Pronto! BC (Grey Trim) 1976, Pronto! Sears Special 1976, Pronto! Sears Special RF 1976, Pronto! SM 1976, Super Clincher (Black Face) 1976, Pronto! S 1976, Pronto! SE 1976, Pronto! B 1976, Encore! 1976, Super Clincher (Tan Face) 1976, The Button 2 1976, Polaroid 1500 1977, Polaroid 1500S 1977, 1000s (Green Button) 1970s, 1000s (Red Button) 1970s, Polaroid 2000 (Red Button) 1977, Polaroid 2000 (Green Button) 1977, Polaroid 2000 (Silver Face) (Red Button) 1977, and the Polaroid 3000 1977. In this list the body is the same but a range finder was added accessed through the viewfinder. Pronto! BC Range Finder 1976, Pronto! RF Range Finder 1976, and the Pronto! RF SE 1976. All the cameras listed have a 1 element plastic lens with fixed aperture (103mm, f14.6), 4ft minimum focus distance, shutter speeds of 1 to 1/150 of a second, and an exposure compensation dial around electric eye. They all could have been called Non-Foldable SX-70’s and SX-70 RF’s. Many of these cameras were manufactured and distributed in other countries accounting for some of the branding. The camera pictured here is in good condition and worth $6.00 in 2023. |
 | Polaroid: One Step Talking | 1995 | 2016 | 10.00 | Designed for Polaroid's 600-series integral film, the 1995 OneStep Talking Camera has a unique gimmick. Along with a couple of pre-recorded messages, the camera can also be used to record speech (or music) which is played via a speaker just before firing of the shutter. It works in a similar way to a digital answering machine. The sound effects can be switched off completely if desired. The pre-recorded messages apparently vary according to the territory the camera was marketed in, and include American and Spanish versions. The UK version has "Smile, you're on Polaroid!" and "Don't say Cheddar, say CHEESE!" said in a comedy accent. The American version said “Smile and say hot bola binga bola etc”, one was just laughter for 3 seconds, and another was a real cow mooing a few times. When the loudspeaker is turned off, this camera functions in much the same way as a standard OneStep 600, with fixed focus and automatic flash. A sliding close-up lens is included, but it tends to make images even softer than usual. Although marketed as a fun camera for taking close-up snapshots at parties and family reunions, picture quality is better when focusing over longer distances out of doors in bright conditions. Other Talking cameras released around the word were the Polaroid 636 Talking, Polaroid 636 Polatalk, and the Polaroid OneStep Talking QPS. All of these cameras were produced from 1995 to 1997. The novelty wore off quickly and truly had no real purpose other than saying “smile, I’m taking a picture now”. The camera pictured here is in fine condition and worth $20.00 in 2016. | |
 | Polaroid: One Step Time-Zero | c1980s | 1993 | 15.00 | 1981 Good condition worth $20.00 in 2014 | |
 | Polaroid: One600 Classic | 2004 | 2008 | 20.00 | 2004 Fine condition worth $30.00 in 2014 | |
 | Polaroid: PhotoMax Fun | 1999 | 2016 | 6.00 | The camera needs four AA batteries to operate this digital 0.3 MP offering. Originally it came with a camera to computer serial cable, the batteries, handy carry strap, Instruction booklet, and a SE 2.1 Image Software CD-ROM disc. The camera also has a built in flash, AC adapter port, serial connect port, self-timer indicator, self-timer button, flash settings button, optical viewfinder, on/off switch, LCD display, scroll up button, scroll down button, delete button, menu on/off button, and a ¼” 20 thread tripod mount on the bottom of the camera. Other features with the LCD screen are a picture counter, memory full icon, flash setting icon, and a resolution setting icon. The minimum distance to take a picture is 3 feet and infinity is the maximum. To save power the camera automatically shuts down after 30 seconds of inactivity and this is call sleep mode. In sleep mode, the camera LCD display turns off and the power indicator light blinks every five seconds. Press the shutter button while the camera is in sleep mode to turn on the camera. The LCD display turns on and the power indicator light displays green again. If you don’t use your digital camera after approximately three minutes of sleep mode, all power is shut off. The flash has three settings, flash off, auto flash, and force flash with all three having intuitive icons. The camera was introduced by Polaroid in 1999 and made in China. The camera pictured here is in fine condition and worth $10.00 in 2016. | |
 | Polaroid: PhotoMax Fun 320 | 1999 | c | 2016 | 8.00 | The camera needs one 9 volt battery to operate this digital 0.1 MP (320 x 240 pixel) offering. Originally it came with a camera to computer serial cable, the battery, handy carry strap, Instruction booklet, and a SE 2.1 Image Software CD-ROM disc. The camera also has an 500 KB integrated memory, AC adapter port, serial connect port, self-timer indicator, self-timer button, flash settings button, optical viewfinder, on/off switch, LCD display, scroll up button, scroll down button, delete button, menu on/off button, and a ¼” 20 thread tripod mount on the bottom of the camera. Other features with the LCD screen are a picture counter, memory full icon, flash setting icon, and a resolution setting icon. The minimum distance to take a picture is 3 feet and infinity is the maximum. To save power the camera automatically shuts down after 30 seconds of inactivity and this is call sleep mode. In sleep mode, the camera LCD display turns off and the power indicator light blinks every five seconds. Press the shutter button while the camera is in sleep mode to turn on the camera. The LCD display turns on and the power indicator light displays green again. If you don’t use your digital camera after approximately three minutes of sleep mode, all power is shut off. The camera was introduced by Polaroid in 1999 and made in China. The camera pictured here is in fine condition and worth $10.00 in 2016. |
 | Polaroid: PhotoMax Fun 320 | 1999 | c | 2019 | 5.00 | The camera needs one 9 volt battery to operate this digital 0.1 MP (320 x 240 pixel) offering. Originally it came with a camera to computer serial cable, the battery, handy carry strap, Instruction booklet, and an SE 2.1 Image Software CD-ROM disc. The camera also has a 500 KB integrated memory, AC adapter port, serial connect port, self-timer indicator, self-timer button, flash settings button, optical viewfinder, on/off switch, LCD display, scroll up button, scroll down button, delete button, menu on/off button, and a ¼” 20 thread tripod mount on the bottom of the camera. Other features with the LCD screen are a picture counter, memory full icon, flash setting icon, and a resolution setting icon. The minimum distance to take a picture is 3 feet and infinity is the maximum. To save power the camera automatically shuts down after 30 seconds of inactivity and this is called sleep mode. In sleep mode, the camera LCD display turns off and the power indicator light blinks every five seconds. Press the shutter button while the camera is in sleep mode to turn on the camera. The LCD display turns on and the power indicator light displays green again. If you don’t use your digital camera after approximately three minutes of sleep mode, all power is shut off. The PhotoMax Fun 320 was introduced by Polaroid in 1999 and made in China. The camera pictured here is in Fine condition and worth $8.00 in 2019. |
 | Polaroid: Polaroid 100 | 1963-1966 | 2012 | 15.00 | 1963-1966 Good condition worth $35.00 in 2014 | |
 | Polaroid: Polaroid 100 | 1963-1966 | 1996 | 20.00 | 1963-1966 Good condition worth $30.00 in 2014 | |
 | Polaroid: Polaroid 103 | 1965-1967 | c | 2018 | 12.00 | The Polaroid 103 was produced from 1965 until 1967 and retailing on release for $90.00. This camera is part of the series of Polaroid cameras that began with the Automatic Land Camera 100 and finishing at the Automatic Land Camera 450. The 103 shares a common set of features with all models in this line with folding bellows, 100-series pack-film, and automatic exposure with an external 'Electric Eye' light-meter beside the lens. Most of the cameras in the series had the Automatic label on the front lens escutcheon. The 103 is one of the earliest 'consumer' models of the 100-400 series line of folding pack-film Land Cameras, similar to many other models; this model features a folding, Polaroid-designed rangefinder and a 3 element glass lens. The 103 also has a fold down coupled rangefinder designed by the German firm Zeiss Ikon, a zone-focusing viewfinder that features parallax-corrected marks for judging correct subject framing at different focal distances, a 114mm f8.8 lens, a B&W/Color selector switch, and a proprietary flash socket. The cameras electronics depend on an APX24 (A24PX, V24PX, RPX24, PX24, EPX24, 2LR50, 1308AP) 3V alkaline battery. The shutter is loaded manually and the red release button is on the top right of the camera and can be triggered even when the camera is closed. This series of Polaroid camera spanned from 1963 to 1977 with the Polaroid 430 the last in production. The camera pictured here is in fine condition and worth $20.00 in 2018. |
 | Polaroid: Polaroid 103 | 1965-1967 | c | 2019 | 8.00 | The Polaroid 103 was produced from 1965 until 1967 and retailing on release for $90.00. This camera is part of the series of Polaroid cameras that began with the Automatic Land Camera 100 and finishing at the Automatic Land Camera 450. The 103 shares a common set of features with all models in this line with folding bellows, 100-series pack-film, and automatic exposure with an external 'Electric Eye' light-meter beside the lens. Most of the cameras in the series had the Automatic label on the front lens escutcheon. The 103 is one of the earliest 'consumer' models of the 100-400 series line of folding pack-film Land Cameras, similar to many other models; this model features a folding, Polaroid-designed rangefinder and a 3 element glass lens. The 103 also has a fold down coupled rangefinder designed by the German firm Zeiss Ikon, a zone-focusing viewfinder that features parallax-corrected marks for judging correct subject framing at different focal distances, a 114mm f8.8 lens, a B&W/Color selector switch, and a proprietary flash socket. The cameras electronics depend on an APX24 (A24PX, V24PX, RPX24, PX24, EPX24, 2LR50, 1308AP) 3V alkaline battery. The shutter is loaded manually and the red release button is on the top right of the camera and can be triggered even when the camera is closed. This series of Polaroid camera spanned from 1963 to 1977 with the Polaroid 430 the last in production. The camera pictured here is in Good condition and worth $15.00 in 2019. |
 | Polaroid: Polaroid 104 | 1965-1967 | 2015 | 0.00 | 1965-1967 Good condition worth $30.00 in 2015 | |
 | Polaroid: Polaroid 104 | 1965-1967 | 2016 | 3.00 | 1965-1967 good condition worth $20.00 in 2015 | |
 | Polaroid: Polaroid 150 | 1957-1960 | 2004 | 10.00 | 1957-1960 Good condition worth $15.00 in 2014 | |
 | Polaroid: Polaroid 200 BF | c1990s | 2016 | 5.00 | 1999 poor condition worth $1.00 in 2016 (battery compartment) | |
 | Polaroid: Polaroid 210 | 1967-1969 | 2014 | 15.00 | 1967 fine condition worth $20.00 in 2014 | |
 | Polaroid: Polaroid 215 | 1968-1970 | c | 2019 | 4.00 | The camera was introduced in 1968 and discontinued in 1970. The 215 has a plastic body and plastic shutter/lens housing. It also has a 114mm f/8.8 2-element plastic lens, Parallax viewfinder with distance estimator in the eyepiece, 1/1200sec to 10sec (automatic) shutter, f8.8 to f42 (automatic) aperture, Exposure compensation dial with range of -1/+2 stops (Lighten/Darken control), Film speed settings of 75 (large sliding aperture for 100asa color type 108 film) and 3000 (small sliding aperture for BW 3000asa type 107 film) and the camera can use Fujifilm FP-100c, FP-100b, FP-3000b still available plus Polaroid expired 100 series film but not recommended. The camera battery is a 3 volt alkaline #532 and is still available but can be converted to accept two AAA batteries. A used Polaroid model 268 flash unit is available that uses M3 flash bulbs and it mounts to the camera plus plugs into the Polaroid specialized socket. The camera pictured above is in Good condition and worth $10.00 in 2019. |
 | Polaroid: Polaroid 220 | 1967-1969 | 2006 | 15.00 | 1968-1970 Fine condition worth $15.00 in 2014 | |
 | Polaroid: Polaroid 220 | 1967-1969 | 1998 | 15.00 | 1968-1970 Fine condition worth $20.00 with flash unit in 2014 | |
 | Polaroid: Polaroid 220 | 1967-1969 | 2017 | 10.00 | The 220 is one of the lower end models of the 100-400 series line of folding Pack film Land Cameras, similar to many other models; this model features a non-folding, Polaroid-designed rangefinder and a 2 element plastic lens. The 220 was produced from 1968 until 1970, retailing on release for $85. The camera pictured above is in Fine condition with a flash unit and worth $35.00 in 2017. | |
 | Polaroid: Polaroid 230 | 1967-1969 | c | 2018 | 10.00 | Part of the series of Polaroid cameras that began with the Automatic Land Camera 100 and finishing at the Automatic Land Camera 450. The Polaroid Land Model 230 shares with all models in this line. They all have folding bellows, automatic exposure, and use 100-series Pack-film. The 230 is one of the cheaper 'consumer' models of the 100-400 series line of folding Pack-film Land Cameras, similar to many other models; it has a folding, Polaroid-designed rangefinder coupled to the focus adjuster, scene selector switch, lighten/darken control, proprietary flash plug, and a three-element glass lens. It also has an electronic shutter that is powered (along with any attached flash unit) by an A19PX/531 4.5V alkaline battery that is housed in a compartment accessed by pulling open the back left of the camera. Below the lens is a shutter speed adjuster wheel with speeds of 75, 150, 300, and 3000. To the left of the shutter speed dial is an aperture adjustment lever that that has two settings from f8 to f4. The camera denotes these apertures as BRIGHT SUN OR DULL DAY ALSO FLASH/BRIGHT SUN ONLY for the lower speeds and INDOORS WITHOUT FLASH/OUTDOORS OR FLASH for when set at the 3000 speed. On the top of the lens/shutter assembly is an indicator that changes when you change the aperture. The 230 was produced from 1967 to 1969 and had an original retail price of $99.95. Production numbers of the 230 were about four to six hundred thousand copies. The camera pictured here is in Fine condition and has a 583 close up kit worth $10.00. The camera is worth $20.00 in 2018. |
 | Polaroid: Polaroid 230FF | c1990s | 2018 | 0.00 | The Polaroid FF has automatic exposure, Focus-Free lens (works from 4 feet to infinity), easy film loading with automatic film advance, auto rewind at end of roll, and auto shut-off when not in use (helps conserve power supplied by 2 AA Batteries). The camera also has a 28mm f5.6 - Hybrid Lens, fixed shutter speed at 1/125 of a second, DX Film Sensing from ISO 100 to ISO 400, Red Eye Reduction, and the lens cover also serves as the on/off switch plus the flash on switch when set to the third position. The camera came in a kit with the following add. Capture those special moments for a lifetime of vivid memories with Polaroid's 230ff camera kit. Automatic Flash system Red eye reduction Automatic shut-off Focus free Large viewfinder Automatic Film Advance Includes 1 roll of 24 Exposure 400 Speed Film, 2 "AA" Batteries, wrist strap and Carrying Case. | |
 | Polaroid: Polaroid 239 SL | 2020 | 5.00 | 2/12/2004 Concord Camera Corp. ("Concord") (Nasdaq:LENS) today announced at the Photo Marketing Association ("PMA") Show a new motorized 35mm film camera, the Polaroid 239 SL. Priced at only $12.99, the slim Polaroid 239 SL is one of the lowest priced film cameras on the market with features typically found on more expensive cameras, such as red-eye reduction, motorized film advance and rewind, and auto flash. The Polaroid 239 SL possesses a sliding lens door for dust protection and also the on/off switch. Auto flash is activated automatically when the camera is switched on. Film loading, rewinding and film advance are motorized functions and are powered by one AA battery. The other features are a Japan Optics 28mm aspherical fixed focus lens, optical viewfinder, flash ready LED, frame counter on the top of the camera, Easy film load system, right hand shutter release button, and a film view window in the back cover. The Polaroid 239 SL motorized 35mm camera came with 400 ISO 24 exposure film, one AA battery, wrist strap, instruction pamphlet, and a low price. The camera pictured here is in fine condition and worth $5.00 in 2020. | ||
 | Polaroid: Polaroid 250 | 1967-1969 | 2004 | 10.00 | 1967-1969 Good condition worth $20.00 in 2014 | |
 | Polaroid: Polaroid 250 | 1967-1969 | 1997 | 20.00 | 1967-1969 fine condition worth $30.00 with flash unit in 2014 | |
 | Polaroid: Polaroid 320 | 1969-1971 | 2013 | 20.00 | 1969-1971 fine condition worth $25.00 in 2014 | |
 | Polaroid: Polaroid 320 | 1969-1971 | 2000 | 10.00 | 1969-1971 good condition worth $15.00 in 2014 | |
 | Polaroid: Polaroid 320 | 1969-1971 | 2015 | 10.00 | 1969-1971 fine condition worth $25.00 in 2014 | |
 | Polaroid: Polaroid 320 | 1969-1971 | c | 2018 | 10.00 | The Polaroid Land 320 is a basic range finder model in the 300 series and is a great place to start using type 100 film as it is one of the only Polaroid Compatible films still in production by Fujifilm and called Fuji FP-100c, FP-100b or FP-3000b. Apart from the fact these cameras use an old type of battery that is very hard to come by. A lot of internet guides tell you to go to “Maplin’s”, and buy a cheap battery holder for two AAA battery's or a much quicker and cheaper option is to simply cellophane tape a CR2 battery to the battery terminals. The battery compartment is on the left side as you look at the back of the camera. The camera also comes with a clip-on cover for the front lens/shutter assembly, 114mm f/8.8 2-element plastic lens, Shutter: 1/1200sec to 10sec (automatic), Aperture: f8.8 to f42 (automatic), exposure compensation dial with range of -1/+2 stops (Lighten/Darken control), Film speed settings of 75asa (for 100asa film) and 3000asa (for BW 3000asa film), and a handy carry strap. The 320 was introduced in 1969 and Polaroid discontinued manufacturing it in 1971. The camera pictured above is in box 58, in good condition, and worth $15.00 in 2018. |
 | Polaroid: Polaroid 330 | 1969-1971 | c | 2019 | 10.00 | The Polaroid 330 camera uses the 8.5 x 10.8 cm (3-1/4 x 4-1/4 in.) Polaroid pack films or Fujifilm FP-100c (color) or FP-100b and FP-3000b (black & white) instant pack films. The camera was introduced in 1969 and manufacturing was discontinued in 1971. The camera has a plastic body, shutter, and lens housing with a 114mm f/8.8 3 element glass lens. The camera also has a separate rangefinder focus plus parallax-corrected viewfinder, a 1/1200sec to 10sec (automatic) electronic shutter, an f8.8 or f42 aperture, a mechanical development timer on the back of the camera, and a Lighten/Darken control Exposure compensation dial of -1/+2 stops. The 330 has film speed settings of 75 and 3000 ASA and has a socket for a preparatory auxiliary mounted flash unit. To operate the flash it uses a no. 532 3v battery kept in a compartment accessed from the back of the camera. The flash unit for this camera used the M-3 flashbulbs. The camera also was able to accept close-up lenses that slid over the outside of the taking lens. Other features were the removable protective cover, easily removable rollers for cleaning, and a handy carry strap. The camera pictured here is in Fine condition and worth $20.00 in 2018. |
 | Polaroid: Polaroid 335 | 1969-1971 | 2016 | 10.00 | The Polaroid Land 335 was a basic range finder model in the 300 series and is a great place to start using type 100 film as it is one of the only Polaroid Compatible films still in production by Fujifilm and called Fuji FP-100c, FP-100b or FP-3000b. Apart from the fact these cameras use two 3V 532 replacement batteries like the A24PX/532, A544, or the A24PX. A lot of internet guides tell you to go to “Maplin’s”, and buy a cheap battery holder for four AAA batteries and with some remodeling Bob your Uncle, or tape two CR2 batteries to the battery terminals. The camera's shutter speed is set automatically by "electronic eye", an aperture priority program and a "lighter-darker" setting dial between 10 seconds and 1/1200 of a second. Its lens is a 3 element glass lens (114mm f8.8). You have to load the shutter manually then slide the lens deck adjuster till the rangefinder image is clear. You could also purchase a clip-on flash made for this series. The camera was produced from 1969 to 1971 and is one of the few with an electronic timer for timing film development up to 120 seconds. The camera pictured here is in Good condition and worth $20.00 in 2016. | |
 | Polaroid: Polaroid 345 | 2004 | 2017 | 5.00 | This is a point and shoot 35mm camera that was made in China for the Polaroid Company. The camera was introduced in 2004 and its features plus price were competitive for the time. It weighs 6.7oz and has auto focus plus a 30mm f/7 3 groups, 3 elements lens. This camera also has a motorized film advance, auto rewind, red-eye reduction, built in lens cover (also on and off button), power saving function, 1/80 of a second to 1/100 of a second shutter, built in flash (recycles in about 7 seconds), flash ready indicator, frame counter viewed on the top of the camera, film ID window on the back cover, and a handy carry strap. The motor and flash run on two AAA Alkaline batteries that are loaded in the bottom of the camera and it warns not to use Ni-Cd’s. The flash ready indicator is located next to the viewfinder and can be seen will looking through the viewfinder. The camera is designed to use DX-coded ISO100, ISO200 or ISO400 fi lm. When the fi lm is loaded, the camera automatically sets the correct fi lm speed by reading the black-and-silver pattern on the fi lm cassettes. This camera also comes with the original Instruction Manual in English and Espanola. The camera pictured here is in Fine condition and worth $15.00 in 2017. | |
 | Polaroid: Polaroid 360 | 1969-1971 | c | 2018 | 19.00 | The Land Camera 360 Electronic Flash is a member of the Polaroid 100-400 series, one of the few not including the word "Automatic" in its full model name. All the models in this series share a common set of features, folding bellows, automatic exposure, and an external 'Electric Eye' light-meter beside the lens. The camera was designed for Polaroid 100-series Pack film (3¼×4¼-inch peel-apart instant film) but the 360 differs from the more basic models in the series by including the desirable single-window rangefinder-viewfinder supplied by Zeiss Ikon. The camera includes an electronic development timer. But its headline feature is the dedicated electronic flash, which attaches using a proprietary shoe. This flash is coupled to the rangefinder, and small fins within the flash head reduce the light output as the camera is focused closer, giving correct exposure automatically. The flash contains Ni-Cad rechargeable batteries. A dedicated recharge unit was provided for the flash. The batteries within can be replaced but the process might not be suitable for those not familiar with electronic repair. Unlike previous 100-400 series models, the battery compartment is relocated to the front part of the camera behind the left hand grip. This was necessary because the back flap is riveted shut and contains flash related hardware. The camera uses two 3v #352 / PX24 batteries, one for the shutter and the other for the development timer. The camera was introduced in 1969 and production was discontinued in 1971. It has a 114mm f/8.8 3 element glass lens and an electronic shutter with speeds of 10 seconds to 1/1200 of a second. It also has aperture-priority automatic exposure, exposure compensation dial with range of -1/+2 stops ("Lighten/Darken" control), ¼” 20 thread tripod mount, and settings for film speeds of 75, 150, 300, and 3000 ASA. The camera pictured here has a 583 close-up kit worth $10.00. The camera pictured here is in Poor working condition and worth $5.00 for parts or display in 2018. |
 | Polaroid: Polaroid 360 | 1969-1971 | c | 2018 | 10.00 | The Land Camera 360 Electronic Flash is a member of the Polaroid 100-400 series, one of the few not including the word "Automatic" in its full model name. All the models in this series share a common set of features, folding bellows, automatic exposure, and an external 'Electric Eye' light-meter beside the lens. The camera was designed for Polaroid 100-series Pack film (3¼×4¼-inch peel-apart instant film) but the 360 differs from the more basic models in the series by including the desirable single-window rangefinder-viewfinder supplied by Zeiss Ikon. The camera includes an electronic development timer. But its headline feature is the dedicated electronic flash, which attaches using a proprietary shoe. This flash is coupled to the rangefinder, and small fins within the flash head reduce the light output as the camera is focused closer, giving correct exposure automatically. The flash contains Ni-Cad rechargeable batteries. A dedicated recharge unit was provided for the flash. The batteries within can be replaced but the process might not be suitable for those not familiar with electronic repair. Unlike previous 100-400 series models, the battery compartment is relocated to the front part of the camera behind the left hand grip. This was necessary because the back flap is riveted shut and contains flash related hardware. The camera uses two 3v #352 / PX24 batteries, one for the shutter and the other for the development timer. The camera was introduced in 1969 and production was discontinued in 1971. It has a 114mm f/8.8 3 element glass lens and an electronic shutter with speeds of 10 seconds to 1/1200 of a second. It also has aperture-priority automatic exposure, exposure compensation dial with range of -1/+2 stops ("Lighten/Darken" control), ¼” 20 thread tripod mount, and settings for film speeds of 75, 150, 300, and 3000 ASA. The camera pictured here has a 583 close-up kit worth $10.00. The camera pictured here is in Poor working condition and worth $5.00 for parts or display in 2018. |
 | Polaroid: Polaroid 3600AF | c1990s | 2016 | 10.00 | This 1990 35mm Polaroid has all the bells and whistles of a camera in this era. The camera has a 27mm f4.5 three element plastic lens, Built in flash, active automatic focusing system with focus lock flash, flash ready LED by the viewfinder, red eye reduction, easy film loading, auto film advance, auto rewind, rewind mid roll button, LCD data back panel, auto focus, electronic shutter with auto shutter speeds, film view window in the back cover, ¼” by ¾” LCD menu screen on top, built in lens cover acting as an on/off switch, ¼” 20 thread tripod mount on the bottom, two AA battery compartment, mode plus shutter button on top, and a handy carry strap. The camera has a 12 second timer access with the mode button and also a night mode symbolized by a ¼ moon and star icon in the mode LCD. You also can turn off the flash, turn on red eye reduction, turn off auto, obtain the frame count, and look at the battery strength. The camera pictured here is in poor condition with a bad flash unit. For this reason it is worth $2.00 for parts in 2016. | |
 | Polaroid: Polaroid 420 | 1971 | 2011 | 15.00 | 1971-1977 Poor condition worth $5.00 in 2014 | |
 | Polaroid: Polaroid 430 | 1971-1977 | 2004 | 15.00 | 1971-1977 Fine condition worth $25.00 in 2014 | |
 | Polaroid: Polaroid 450 | 1971-1974 | 2000 | 22.00 | 1971-1974 Good condition worth $60.00 in 2014 | |
 | Polaroid: Polaroid 470 AF | c2002 | 2015 | 5.00 | 2002 Fine condition worth $15.00 in 2015 | |
 | Polaroid: Polaroid 5500FF | 2019 | 10.00 | The Polaroid 5500FF camera is a film camera introduced in 1998 and manufactured in Malaysia. The 5500FF was designed to take APS (Advance Photo System) 24mm, Cartridge film. Advanced Photo System (APS) is a discontinued film format for still photography first produced in 1996. The last two manufacturers of APS film, discontinued production in 2011. It was marketed by Eastman Kodak under the brand name Advantix, by FujiFilm under the name Nexia, by Agfa under the name Futura and by Konica as Centuria. The main difference of APS film was it allowed information (including camera settings) to be recorded on the film apart from the image, thanks to a layer of magnetic coating. You can find old new stock but expired film is a roll of the dice plus trying to get APS processed can be an ordeal. The Polaroid 5500FF requires 1, CR123A battery. Features include ¼ inch 20 thread tripod socket, integrated flash, auto focus, Date back, 5/8 by ¾ inch LCD menu screen, Red-eye reduction, drop-in film loading, self-timer, and three mode framing with panoramic shooting. Unloaded, the camera weighs 157.00 g (5.54 oz.), with batteries 173.00 g (6.1 oz.), and with film, 192.00 g (6.77 oz.). The camera pictured here is in new condition and worth $10.00 in 2019. | ||
 | Polaroid: Polaroid 600 "Business Edition" | c1997-1999 | 1999 | 10.00 | 1992-2000 fine condition worth $20.00 in 2014 | |
 | Polaroid: Polaroid 600 AF | c2000s | 2016 | 5.00 | 2002 Fine condition worth $45.00 in 2016 | |
 | Polaroid: Polaroid 660 AF | 1986 | 2014 | 15.00 | 1981 good condition worth $15.00 in 2014 | |
 | Polaroid: Polaroid 660 AF | 1986 | 2008 | 10.00 | 1981 good condition worth $15.00 in 2014 | |
 | Polaroid: Polaroid 7100 FF | 2000 | 2009 | 10.00 | 2005 Good condition worth $15.00 in 2014 | |
 | Polaroid: Polaroid 80 (Highlander) | 1954-1957 | 2013 | 20.00 | 1954-1957 fine condition worth $25.00 in 2014 | |
 | Polaroid: Polaroid 80 (Highlander) | 1954-1957 | 2012 | 10.00 | 1954-1957 good condition worth $10.00 in 2014 | |
.jpg) | Polaroid: Polaroid 80 (Highlander) | 1954-1957 | 2004 | 15.00 | 1954-1957 fine condition worth $20.00 in 2014 | |
 | Polaroid: Polaroid 80 (Highlander) | 1954-1957 | c | 2018 | 5.00 | The camera has a 100mm f8.8 3-element glass lens, a 2-speed everset rotary-leaf design; (1/25 of a second and 1/100 of a second plus Bulb) shutter, M-sync via Polaroid Hot Shoe, Exposure set by Light Value scale, Rigid optical viewfinder on top of camera, Scale focus by rotating lens front-element, no rangefinder, and a Self-erecting bellows design. The original Model 95 weighed a manly four pounds, so to appeal to more women, in 1954 Polaroid introduced a smaller camera called the Model 80. It was also marketed as the “Highlander,” with a plaid logo. The Highlander (Model 80) is much lighter, and it’s a lot easier to wield, especially when you’re holding it up to your eye. Of course this meant smaller photos, too–2 ½” by 3 ¼”, instead of 3 ¼” by 4 ¼” of the Model 95. The Model 80 used type 31 plus 32 B&W roll film and later in 1963 color type 75. The Photos processed themselves inside the camera, and were removed through the door on the back after you pulled the film tab till it stop at the next exposure. You then waited about 15 seconds, opened the back, and removed the picture. You then had to apply the stop develop agent provided with each roll of film. The Model 80 was a success, and stayed in production until 1957 but was sold by Polaroid for some time after. Along the way it got a couple of tweaks, so later examples were Model 80A and 80B. |
 | Polaroid: Polaroid 800 | 1957-1962 | c | 2005 | 25.00 | Polaroid 800 Land Camera, produced between 1957 and 1962 and used type-40 instant roll film that is no longer available. However, if you're handy with tools it can be converted to use 100 pack film, which is still widely available new. This is difficult and Not for the faint of heart. The lens fitted to the Polaroid 800 (and 150) is in fact a very high quality 3-element all-glass coated 130mm F8.8 lens. It will cover 3"x4" with no problem. The type-40 was replaced by type-41. This was Polaroid's first true B&W film. Not long after it hit the market, customers and Polaroid engineers discovered that prints made from this film sometimes would start to fade after a few months. Unlike the sepia prints, the chemistry of the new B&W film left the prints not completely stable, and subject to attack by humidity and contaminants in the air. After much research by Dr. Land and other Polaroid engineers, the only solutions that could be found at the time involved the application of a fixing agent to each print by the customer. Thus was born the "Print Coater" that became so familiar to Polaroid photographers. Research continued on solving the "coater problem," but it wasn't until the early 1970's when a coater-less B&W Polaroid film could be brought to market. Even after improved film types (Types 42, 43, 44) were introduced, Type 41 continued to be offered as a slightly cheaper alternative film for situations (such as print copying) where panchromatic response wasn't important or necessary. The camera pictured here is in fine condition and worth $45.00 in 2017. |
 | Polaroid: Polaroid 800 | 1957-1962 | c | 2017 | 12.00 | Polaroid 800 Land Camera, produced between 1957 and 1962 and used type-40 instant roll film that is no longer available. However, if you're handy with tools it can be converted to use 100 pack film, which is still widely available new. This is difficult and Not for the faint of heart. The lens fitted to the Polaroid 800 (and 150) is in fact a very high quality 3-element all-glass coated 130mm F8.8 lens. It will cover 3"x4" with no problem. The type-40 was replaced by type-41. This was Polaroid's first true B&W film. Not long after it hit the market, customers and Polaroid engineers discovered that prints made from this film sometimes would start to fade after a few months. Unlike the sepia prints, the chemistry of the new B&W film left the prints not completely stable, and subject to attack by humidity and contaminants in the air. After much research by Dr. Land and other Polaroid engineers, the only solutions that could be found at the time involved the application of a fixing agent to each print by the customer. Thus was born the "Print Coater" that became so familiar to Polaroid photographers. Research continued on solving the "coater problem," but it wasn't until the early 1970's when a coater-less B&W Polaroid film could be brought to market. Even after improved film types (Types 42, 43, 44) were introduced, Type 41 continued to be offered as a slightly cheaper alternative film for situations (such as print copying) where panchromatic response wasn't important or necessary. The camera pictured here is in Good condition and worth $35.00 in 2017. |
 | Polaroid: Polaroid 80A (Highlander) | 1957-1959 | 2010 | 25.00 | 1957 fine condition worth $35.00 in 2014 | |
 | Polaroid: Polaroid 900 Electric Eye | 1960-1963 | 1998 | 20.00 | 1960-1963 Fine condition worth $40.00 in 2014 | |
 | Polaroid: Polaroid 95 | 1948-1953 | 2013 | 15.00 | 1948 good condition worth $30.00 in 2014 | |
 | Polaroid: Polaroid 95 | 1948-1953 | c | 2017 | 12.00 | The Model 95 is the first of Edwin Land's instant picture cameras. Starting in 1948 and finishing in 1953 the Polaroid Corporation in Rochester made at least 1.5 million of the Model 95 folding viewfinder camera for his instant roll film, including the variants 95A and 95B. The 95 ended production in 1953 and was followed with the 95A from 1954 to 1957 and the 95B from 1957 to 1961. The first of these is recognizable having a spring sighting pin as part of the viewfinder, while the later ones have a wire frame. The model name is written on the face plate of the camera. Polaroid came out with some wonderful cameras over the years, but compared to conventional cameras, all of them were fairly large and more expensive to operate. Polaroid was seriously hurt by the rise in one-hour labs in drugstores, supermarkets, shopping malls, and even Drive Through, and then finally done in for good by digital. One custom started by Polaroid is still with us, however: When you take a digital picture, people crowd around to see the picture right away, just as they surely did in 1948. The camera pictured above is in good condition and is worth $30.00 in 2017. |
 | Polaroid: Polaroid A500 | 2006 | 2014 | 10.00 | 2010 Fine condition worth $25.00 in 2014 (5.0MP) | |
 | Polaroid: Polaroid A530 | 2020 | 5.00 | The Polaroid a530 is a point and shoot Digital Camera. This fun, easy-to-use camera is the ideal choice for taking great pictures. Features are 5.0 megapixel resolution, 4x digital zoom and 2.5" bright color TFT LCD screen (153,600 pixels), takes video clips with audio (MPEG)(640-480\320-240), 1/2.5" Optical Sensor, built-in flash, Red Eye Reduction, ISO 100/200/Auto, shutter speeds of 1 second to 1/1000 of a second, Exposure Compensation ±2 EV range, in 1/3 EV steps, SD memory card slot, self-timer from 2 seconds to 10 seconds, lens aperture f/3.0, Min Focal Length 6.47 mm, Min Focus Distance 5 feet, 16 MB internal memory, auto power save, date/time stamp, and a ¼ inch 20 thread tripod socket. The camera uses 2 AAA batteries to power it all and the company suggests that they be alkaline. | ||
 | Polaroid: Polaroid AF Dateback | c1990s | 2003 | 5.00 | 1985 Good condition worth $5.00 in 2014 | |
 | Polaroid: Polaroid CU-5 | 1964 | 1991 | 20.00 | 1964-1978 Good condition worth $30.00 in 2014 | |
 | Polaroid: Polaroid i533 | 2007 | 2012 | 2.00 | 2004 poor condition worth $2.00 in 2014 (5.0MP) | |
 | Polaroid: Polaroid i534 | 2008 | 2019 | 5.00 | The Polaroid i534 point and shoot digital camera was introduced in 2008 and has a 5 MP lens with 3x optical and 4x digital zoom. Owners of this Polaroid 5 MP camera can preview and review still images and video cLips on its 2.4-inch TFT full color LCD screen with 16:9 resolution and the 32 MB of on-board cache memory can be expanded up to 2 GB with the use of an SD memory card. The Polaroid i534 point and shoot digital camera has 10 scene modes as well as auto flash, red eye reduction, and self-timer to capture images no matter the Lighting situation. The battery level indicator of this Polaroid 5 MP camera lets the photographer know when it is time to change the two AA batteries for continued shooting and the advanced audio tag feature allows for the tagging of photos to remember what was going on at the exact moment of capture. Pictures taken with this Polaroid 5 MP camera can be transferred to either a PC or Mac with the included micro USB port. It also has AVI image compression, and AVI video formatting, JPEG/TIFF still image format, Cmos Sensor, and a built-in flash with modes OFF, Fill, Red-Eye Reduction, and Auto. The camera pictured here is in Fine condition and worth $20.00 in 2019. | |
 | Polaroid: Polaroid iE126 | 2019 | 5.00 | Capture picture perfect moments in exceptional clarity with the Polaroid IE126 Ultra Compact digital camera. Powerful, light weight, low priced, and compact construction, this camera is perfect for those outdoor adventures. It supports many high end specifications that you will find in most cameras. The Polaroid IE126 Ultra Compact camera has an 18MP CMOS type sensor that captures excellent color and doesn’t miss a single detail in images. It supports a 4x digital zoom and has a focal length of 6.0 to 18mm. On the back of the device, you will find a wide 68.5mm (2.7 inch) LCD that can be used to frame shots, adjust settings, and review captured content. Another feature of this Polaroid digital camera, is its ability to house a memory card for storage of all your content, a digital image stabilizer, ISO sensitivity AUTO range of 100 to 400, 4x digital zoom, it supports 720p HD video shooting, self-time up to 10 seconds, built in microphone, SDHC memory slot, Picbridge plus direct printing, and a ¼ inch 20 thread tripod mount. The camera is powered by three AAA batteries and was introduced in 2016. The camera pictured here is in Good condition and worth $5.00 in 2019. | ||
 | Polaroid: Polaroid iX828N | 2019 | 5.00 | The Polaroid iX828 Digital Camera features an astonishing 20MP sensor for capturing high-resolution digital images or HD video which can be viewed on its 2.4" rear display with LCD technology. An 8x optical zoom lens allows you to get closer to your subject and a built-in flash is included for use in low-light. Camera model number IX828-PUR. The camera also has digital image stabilization, continuous shooting up to 3 frames per second (JPEG), Continuous shooting up to 3 frames per second (RAW), 1080p HD Video Recording, 720p HD Video Recording, AE/FE Lock, AF Lock, Audio Recording, Auto Contrast Balance (ACB), Auto Focus, Auto Power Save, CMOS Sensor, Date/Time Stamp, Exposure Compensation, built-in flash, PictBridge compatible, microphone, self-timer, INSTA Share technology, red eye reduction, auto flash, and accepts class 4 or higher SD memory cards (32GB). The camera is powered by a Polaroid ZK01 rechargeable Lithium-Ion battery. IX828n has an Image resolution of 5152x3864 (20mb) down to 640x480 and a video resolution of 1920x1080 (2mb) down to 640x480. The lens is f=67 to 111mm, F3.3 to 6 with an 8x optical zoom. The camera was introduced by Polaroid in 2016 and you can still find them sold today. The camera pictured here is in fine condition and worth $10.00 in 2019. | ||
 | Polaroid: Polaroid iX828N | 2019 | 5.00 | The Polaroid iX828 Digital Camera features an astonishing 20MP sensor for capturing high-resolution digital images or HD video which can be viewed on its 2.4" rear display with LCD technology. An 8x optical zoom lens allows you to get closer to your subject and a built-in flash is included for use in low-light. Camera model number IX828-PUR. The camera also has digital image stabilization, continuous shooting up to 3 frames per second (JPEG), Continuous shooting up to 3 frames per second (RAW), 1080p HD Video Recording, 720p HD Video Recording, AE/FE Lock, AF Lock, Audio Recording, Auto Contrast Balance (ACB), Auto Focus, Auto Power Save, CMOS Sensor, Date/Time Stamp, Exposure Compensation, built-in flash, PictBridge compatible, microphone, self-timer, INSTA Share technology, red eye reduction, auto flash, and accepts class 4 or higher SD memory cards (32GB). The camera is powered by a Polaroid ZK01 rechargeable Lithium-Ion battery. IX828n has an Image resolution of 5152x3864 (20mb) down to 640x480 and a video resolution of 1920x1080 (2mb) down to 640x480. The lens is f=67 to 111mm, F3.3 to 6 with an 8x optical zoom. The camera was introduced by Polaroid in 2016 and you can still find them sold today. The camera pictured here is in fine condition and worth $10.00 in 2019. | ||
 | Polaroid: Polaroid iX828N | 2019 | 5.00 | The Polaroid iX828 Digital Camera features an astonishing 20MP sensor for capturing high-resolution digital images or HD video which can be viewed on its 2.4" rear display with LCD technology. An 8x optical zoom lens allows you to get closer to your subject and a built-in flash is included for use in low-light. Camera model number IX828-PUR. The camera also has digital image stabilization, continuous shooting up to 3 frames per second (JPEG), Continuous shooting up to 3 frames per second (RAW), 1080p HD Video Recording, 720p HD Video Recording, AE/FE Lock, AF Lock, Audio Recording, Auto Contrast Balance (ACB), Auto Focus, Auto Power Save, CMOS Sensor, Date/Time Stamp, Exposure Compensation, built-in flash, PictBridge compatible, microphone, self-timer, INSTA Share technology, red eye reduction, auto flash, and accepts class 4 or higher SD memory cards (32GB). The camera is powered by a Polaroid ZK01 rechargeable Lithium-Ion battery. IX828n has an Image resolution of 5152x3864 (20mb) down to 640x480 and a video resolution of 1920x1080 (2mb) down to 640x480. The lens is f=67 to 111mm, F3.3 to 6 with an 8x optical zoom. The camera was introduced by Polaroid in 2016 and you can still find them sold today. The camera pictured here is in fine condition and worth $10.00 in 2019. | ||
 | Polaroid: Polaroid iX828N | 2019 | 5.00 | The Polaroid iX828 Digital Camera features an astonishing 20MP sensor for capturing high-resolution digital images or HD video which can be viewed on its 2.4" rear display with LCD technology. An 8x optical zoom lens allows you to get closer to your subject and a built-in flash is included for use in low-light. Camera model number IX828-PUR. The camera also has digital image stabilization, continuous shooting up to 3 frames per second (JPEG), Continuous shooting up to 3 frames per second (RAW), 1080p HD Video Recording, 720p HD Video Recording, AE/FE Lock, AF Lock, Audio Recording, Auto Contrast Balance (ACB), Auto Focus, Auto Power Save, CMOS Sensor, Date/Time Stamp, Exposure Compensation, built-in flash, PictBridge compatible, microphone, self-timer, INSTA Share technology, red eye reduction, auto flash, and accepts class 4 or higher SD memory cards (32GB). The camera is powered by a Polaroid ZK01 rechargeable Lithium-Ion battery. IX828n has an Image resolution of 5152x3864 (20mb) down to 640x480 and a video resolution of 1920x1080 (2mb) down to 640x480. The lens is f=67 to 111mm, F3.3 to 6 with an 8x optical zoom. The camera was introduced by Polaroid in 2016 and you can still find them sold today. The camera pictured here is in fine condition and worth $10.00 in 2019. | ||
 | Polaroid: Polaroid iZone-300 | 2004 | 2012 | 1.00 | 2004 poor condition worth 3.00 in 2014 (3.2MP) | |
 | Polaroid: Polaroid J 33 | 1961-1963 | 2013 | 15.00 | 1961-1963 Good condition worth $10.00 in 2014 | |
 | Polaroid: Polaroid J 66 | 1961-1963 | 2015 | 10.00 | 1961-1963 Good condition worth $25.00 in 2015 | |
 | Polaroid: Polaroid Joy Cam | 1999 | 2014 | 5.00 | 1999 Fine condition worth $8.00 in 2014 | |
 | Polaroid: Polaroid Joy Cam | 1999 | 2002 | 5.00 | 1999 Fine condition worth $8.00 in 2014 | |
 | Polaroid: Polaroid Joy Cam | 1999 | 2002 | 5.00 | 1999 Fine condition worth $8.00 in 2014 | |
 | Polaroid: Polaroid PDC 2300Z | 2003 | 2009 | 20.00 | 1996 fine condition worth $25.00 in 2014 (2.3MP) | |
 | Polaroid: Polaroid PDC 640 | 1998 | 2017 | 2.00 | The camera was introduced in 1998 in silver and champagne-gold. It originally came with the Polaroid PhotoMAX Image Maker Products CD-ROM, the Polaroid PhotoMAX PDC 640 Quickstart Guide, camera-to-TV connector (video cable), memory card, Camera-to-computer connector (RS232 serial cable), AC power adapter and a handy wrist strap. The original suggested retail price was $229.00 with all the amenities. The camera resolution is 640x480 with an f/5.0mm to f/5.6mm lens. The shutter speeds are 1/30 of a second to 1/10,000 of a second. The controls are a Menu button, Information button, Review button, Distance setting button, down arrow button, and an up arrow button. The camera also has a wrist strap attachment, built in flash, built in lens cover/on off switch, optical viewfinder, and LCD viewfinder. The camera accepts 3.3V SSFDC or SmartMedia 2 MB, 4 MB and 8 MB memory cards. Power for the 640 is provided by four AA batteries accessed from the bottom of the camera. The camera was made by the Chinese and Vietnamese joint venture companies (Shanghai Seagull and Shanghai Fundan Microelectronics Co., Ltd.). The camera pictured here is in Poor condition and does not function. For this reason it is worth $1.00 for parts in 2017. | |
 | Polaroid: Polaroid PDC 700 | 1999 | 2000 | 20.00 | 1991 fine condition worth $20.00 in 2014 (0.8MP) | |
 | Polaroid: Polaroid PZ1710 | 2004 | 2017 | 7.50 | January 5, 2004—Concord Camera Corp. (“Concord”), announced today the Polaroid PZ1710 35mm zoom camera. This new power zoom camera combines one-touch wide-angle & telephoto 35-57mm zoom, auto and fill-in flash, motorized film load/advance/rewind and red-eye reduction at an affordable suggested retail price of only $19.99. The multiple flash modes for auto and fill-in flash enable the user to take pictures in any lighting condition with excellent photo results. The auto-flash works in low light conditions allowing for worry-free picture taking. To reduce the red-eye effect the camera is equipped with an automatic red-eye reduction device, which lights up and shines in the subject’s eyes to contract the pupils and create red-eye free photos. This 35mm film camera is made in China and uses two AA batteries to power all its features. The camera also has an optical viewfinder, Film view window in the back cover, flash ready LED, ¼” 20 thread tripod mount, and a handy carry strap. | |
 | Polaroid: Polaroid PZ1710 | 2004 | 2020 | 5.00 | January 5, 2004—Concord Camera Corp. (“Concord”), announced today the Polaroid PZ1710 35mm zoom camera. This new power zoom camera combines one-touch wide-angle & telephoto 35-57mm zoom, auto and fill-in flash, motorized film load/advance/rewind and red-eye reduction at an affordable suggested retail price of only $19.99. The multiple flash modes for auto and fill-in flash enable the user to take pictures in any lighting condition with excellent photo results. The auto-flash works in low light conditions allowing for worry-free picture taking. To reduce the red-eye effect the camera is equipped with an automatic red-eye reduction device, which lights up and shines in the subject’s eyes to contract the pupils and create red-eye free photos. This 35mm film camera is made in China and uses two AA batteries to power all its features. The camera also has an optical viewfinder, Film view window in the back cover, flash ready LED, ¼” 20 thread tripod mount, and a handy carry strap. The camera pictured here is in working order but has a broken plastic battery door and for that reason is worth $1.00 in 2020. | |
 | Polaroid: Polaroid PZ2001 | 2004 | c | 2018 | 5.00 | The Polaroid PZ2001 is a compact 35mm film camera from Polaroid, part of their 'zoom' series of conventional film cameras and introduced in 2004. It has a 35mm to 70mm zoom lens with an f/5.6 to f/11 maximum aperture. It is fixed focus from 5ft (1.5m) to infinity with a zoom capability (Don’t Know How That Could Possibly Work). The PZ2001 has auto-exposure with shutter speeds of 1/60 to 1/250th of a second plus 1/4th of a second in night portrait mode (separate setting on the on/off switch when you slide the switch passed on to an icon of a half moon and star). The camera also has DX coding for film 100, 200, and 400 ISO. Other features are integrated flash, flash ready LED, Red eye reduction, Self-timer, double exposure mode, motor drive/rewind, film view window in the back film cover, 3/8” by ¾” LCD screen, ¼” 20 thread tripod socket, T plus W zoom buttons, Optical adjusting viewfinder, and a shutter release button. The camera is powered by two AA batteries with 250 second power save mode. The camera pictured here is in Fine condition and worth $20.00 in 2018. |
 | Polaroid: Polaroid Zip | 1974-1977 | 2003 | 10.00 | 1975-1978 Fine condition worth $20.00 in 2014 | |
 | Polaroid: Polaroid Zip | 1974-1977 | c | 2018 | 0.00 | The Polaroid Zip camera came in four colors of black, red, blue, and white. It uses an 80-series pack of film that has since been discontinued. On the back of the camera you are instructed to use type 87 film for all pictures only. The Polaroid Zip camera uses a plug in socket flash for AG1 or AG-3B flash bulbs. This instant film camera requires two AA batteries to operate the flash and the distance assistant. The camera features two spring loaded rollers that spread the developer over the print which creates a more even image result than the old spreader bars. Unlike most hard body Polaroids, this camera used the shutter release button as the distance adjuster for the flash when turned. 20 feet is the maximum setting and by squeezing the sides of the shutter release, looking into the red viewfinder window below the optical viewfinder, you can read the word “YES”. Get the best version of the word “YES” and you’re ready to take the picture. By turning the shutter release button you are adjusting the aperture. A flash bulb ejector is also provided to the side and below the flash unit. Ultimately, the Polaroid film camera was great for novice photographers or young users who want instant results and this one is no exception. The camera was mostly manufactured in the United Kingdom from 1974 to 1977. It has about a 28mm plastic lens, and comes with the iconic T handle/strap attached. The camera pictured here is in fine condition and worth $15.00 in 2018. |
 | Polaroid: Pronto | 1976-1977 | 2016 | 3.00 | 1976 fine condition worth $25.00 in 2016 | |
 | Polaroid: Pronto (non-folding) | c1977 | 2011 | 15.00 | 1977 Fine condition worth $20.00 in 2014 | |
 | Polaroid: Pronto RF SE | c1977 | 2014 | 20.00 | 1977 fine condition worth $20.00 in 2014 | |
 | Polaroid: Pronto RF SE | c1977 | 2016 | 8.00 | 1977 Fine condition worth $20.00 in 2014 | |
 | Polaroid: ProPack | 1993 | 1993 | 20.00 | 1977 fine condition worth $20.00 in 2014 | |
 | Polaroid: Spectra | 1998-c2000s | 2012 | 20.00 | 1990 fine condition worth $25.00 in 2014 | |
 | Polaroid: Spectra 1200 FF | 2001 | 2015 | 15.00 | 2001 Good condition worth $20.00 in 2015 | |
 | Polaroid: Spectra 2 | 1997 | 1997 | 15.00 | 1990 Good condition worth $20.00 in 2014 | |
 | Polaroid: Spectra 2 | 1997 | 1997 | ? | 1990 Fine condition worth $30.00 in 2014 | |
 | Polaroid: Spectra AF | 1997 | 2010 | 25.00 | 1990 Fine condition worth $35.00 in 2014 | |
 | Polaroid: Spectra AF | 1997 | 2012 | 15.00 | 1990 Good condition worth $20.00 in 2014 | |
 | Polaroid: Spectra AF | 1997 | 2015 | 5.00 | 1990 Fine condition worth $40.00 with original box in 2015 | |
 | Polaroid: Spectra SE | 1997 | c | 2019 | 8.00 | The Spectra System SE produces 9.2 x 7.3cm images (rather than 600 or SX-70 film's square format) and was released in 1997. The camera has a 125mm f/10 3-element quintic lens and uses a sonar rangefinder to determine the distance to the subject. Silicon photodiodes make up the photocell that measures light from the scene and flash if used. The glass coated lens is capable of focusing from 2 feet (.6m) to infinity. The back of the camera has six switches and from left to right they are 1 Foot to meters selector that changes between the two depending on where the switch is. 2 Audio Signal switch that toggles the sound on and off. 3 Self-timer switch that gives you time to get into the picture when in the down position. 4 Sonar autofocus over-ride switch that lets you turn the autofocus system off. 5 Programmed flash switch that lets you turn off the built-in flash unit. 6 The three position exposure control switch that goes from light, medium, and dark settings. The back also has the rapid-recharge LED indicator that is lit green when the flash is ready, the remote plug-in socket, and a frame counter window. The power for the camera is carried in the film and is renewed with each new 1200 Polaroid pack film. The camera pictured here is in fine condition and worth $15.00 in 2018. |
 | Polaroid: Spirit 600 | c1988 | 1992 | 15.00 | 1982 Good condition worth $20.00 in 2014 | |
 | Polaroid: Square Shooter | 1971-1972 | c | 2008 | 15.00 | 1971-1972 fine condition worth $20.00 in 2014 |
 | Polaroid: Square Shooter | 1971-1972 | c | 2020 | 5.00 | Originally produced between 1971 and 1972 the Square Shooter is a Ridged Plastic Bodied, Packfilm Type 80 instant camera. Although similar to the Colorpack II the Square Shooter was considered more advanced and that was reflected in the retail price of $34.95 as opposed to the Colorpack II retail price of $29.95. The Square Shooter features a built in socket for Hi-Power flashcubes with a "Focused Flash" system that has a flash blind that starts closing at 12 feet and blocking the FlashCube. It is completely blocked at 3.5 feet. The camera also has a triangulation distance finder, exposure system designed only for 75 ASA films, adjustable front cell focusing lens with distance scaling marked on the lens ring, and a "Ever-set" shutter that did not need recocking. The film needed for the Square Shooter is Polaroid Type 88 (669 or Fuji FP-100C) ASA 75. The camera needs two AA batteries kept inside before the film load area and around the lens. The Square Shooter has a 1 element plastic lens with fixed aperture (103mm, f14.6), 3.5ft minimum focus distance, shutter speeds of 1 to 1/150 of a second, and an exposure compensation dial around electric eye. The camera pictured here is in fine condition and worth $15.00 in 2020. |
 | Polaroid: Square Shooter 2 | 1972-1975 | c | 2012 | 15.00 | 1971-1972 Fine condition worth $20.00 in 2014 |
 | Polaroid: Square Shooter 2 | 1972-1975 | c | 2021 | 2.00 | Originally produced between 1972 and 1975 the Square Shooter 2 was a Ridged Plastic Bodied, Pack film Type 80 instant camera. Although similar to the Colorpack II the Square Shooter was considered more advanced and that was reflected in the retail price of $34.95 as opposed to the Colorpack II retail price of $29.95. The Square Shooter features a built in socket for Hi-Power flashcubes that you wind for the four sides of the cube to be exposed after each frame. It also features a \"Focused Flash\" system, triangulation distance finder, exposure system designed only for color 75 ASA films utilizing a electro magnet to hold the shutter open for a set amount of split seconds for the \"Everset\" shutter that did not need cocking. Typically they also featured the adjustable front cell focusing lens with distance scaling marked on the lens ring in feet from 3.5 (1 m) to 50+ feet (15.2 m +). It lacked the built-in development timer of the Colorpack II and was slightly smaller. The flash and electrical components are powered by two AA batteries stored inside the camera too either side of the lens assembly. Other features are instructions for use on a pocket warmer, (cold weather developing), that slid in the back of the camera, a T handle for use pulling tabs on the exposed frame plus carrying, and an eye high optical viewfinder. The camera pictured above is in fine condition and is worth $10.00 in 2021. |
 | Polaroid: SUN 600 LMS | 1982-1986 | 2001 | 15.00 | 1980 Fine condition worth $20.00 in 2014 | |
 | Polaroid: SUN 600 LMS | 1982-1986 | 1997 | 20.00 | 1980 Good condition worth $15.00 in 2014 | |
 | Polaroid: SUN 600 LMS | 1982-1986 | 2016 | 1.00 | 1980 Good condition worth $15.00 in 2016 | |
 | Polaroid: SUN 600 LMS | 1982-1986 | c | 2017 | 15.00 | One of the earliest plus cheapest 600 series cameras produced by Polaroid, the Sun600 is identical to the Polaroid Job Pro released in 1992 after the 600, just a different color. The Sun600 was release in 1982 and discontinued in 1986. It has a (nearly) mandatory flash, fixed focus lens, and an exposure compensation switch. The Sun 600 fixed focus 116mm plastic lens is capable of a clear pictures from 4 feet to infinity. The LMS stands for light metering system and a manual light/dark slid adjuster is located under the lens. To take a photo without flash, you press down on the back sub-shutter button located behind the actual shutter release button. Film for the 600 series Polaroid’s is again available with the advent of Impossible-Project and old Polaroid packs still exist. The camera pictured above is in Good condition and worth $15.00 in 2017. |
 | Polaroid: SUN 600 LMS | 1982-1986 | c | 2018 | 10.00 | This 1981 Polaroid is a beautiful Silver and black model! This features Polaroid's "light Management System" for proper exposure. It has FLASH and Lighten/Darken feature. Comes with original neck/shoulder strap. Simple and Easy-to-Use! This is a PERFECT camera to have FUN with, and especially as a Rare Collector's Piece... as Polaroid will no longer be making any instant cameras. The auto focus feature of this Polaroid film camera creates an image of your subjects with maximum clarity. The auto flash feature of this Polaroid camera turns on coordinated perfectly by the shutter timing, to produce a crisp and lively picture quality. The efficient light management system of this Polaroid film camera balances the picture quality, even under poor or extra lighting conditions. Get creative and choose from the flash, classic or vintage Polaroid mode of this Polaroid camera, for versatile applications and effects. The Polaroid Sun 600 LMS camera, with efficient dynamics, is sure to enhance your photography experience. The camera pictured above is in Fine condition and worth $20.00 in 2018. |
 | Polaroid: SUN 600 LMS | 1982-1986 | c | 2020 | 5.00 | This 1981 Polaroid is a beautiful Silver and black model! This features Polaroid\'s \"light Management System\" for proper exposure. It has FLASH and Lighten/Darken feature. Comes with original neck/shoulder strap. Simple and Easy-to-Use! This is a PERFECT camera to have FUN with, and especially as a Rare Collector\'s Piece... as Polaroid will no longer be making any instant cameras. The auto focus feature of this Polaroid film camera creates an image of your subjects with maximum clarity. The auto flash feature of this Polaroid camera turns on coordinated perfectly by the shutter timing, to produce a crisp and lively picture quality. The efficient light management system of this Polaroid film camera balances the picture quality, even under poor or extra lighting conditions. Get creative and choose from the flash, classic or vintage Polaroid mode of this Polaroid camera, for versatile applications and effects. The Polaroid Sun 600 LMS camera, with efficient dynamics, is sure to enhance your photography experience. The camera pictured above is in good condition and worth $7.00 in 2020. |
 | Polaroid: SUN 600 SE | 1982-1986 | c | 2019 | 3.00 | This Polaroid was introduced in 1982 and continued in production till 1986. It is a silver and black with blue accents on the shutter release button and the letters SE that stand for “Special Edition”. The camera features Polaroid's "light Management System" for proper exposure. It has a built-in flash unit, Lighten/Darken slide selector, neck/shoulder strap, and an optical viewfinder. The 600 series is simple and Easy-to-Use! This is a great camera to have fun with, and as a collector's piece. The auto focus feature of this Polaroid film camera creates an image of your subjects with maximum clarity. The auto flash feature of this Polaroid camera is coordinated perfectly with the shutter timing and produces a crisp and lively picture quality. The light management system balances the picture quality, even under poor or extra lighting conditions. You can still buy some older film made for the Polaroid Sun 600 SE camera produced by Fujifilm or even older Polaroid film. It can be found in many retailers like Best Buy, Bed Bath & Beyond, Walmart, and Staples. Fujifilm now only produces instant film for its newer cameras. The camera pictured above is in good condition and worth $10.00 in 2019. |
 | Polaroid: SUN 650 SE | 1986-1992 | c | 2016 | 5.00 | The Polaroid Sun 650 Instant Film camera is part of the Polaroid Integral 600 series of cameras. This line of cameras uses film packs, and this instant film camera uses integral 600 films. This type of film produces square photos that are about three inches wide and three inches tall. This line of cameras also features integral batteries. The Polaroid Sun 650 Instant Film camera is a close-up Polaroid camera, which means that it can take close-up shots. This instant film camera has many unique features, and users get to experience instant gratification with this type of camera. Instead of having to have the film developed or the digital photos printed, users of the Sun 650 Instant camera will receive their photos within minutes of taking them. With the Sun 650 Instant camera, it usually takes about three minutes for the photos to fully develop. The Polaroid Sun 650 Instant Film Camera features a folding flash unit which helps to protect the lens when closed. The camera was introduced in 1982 and was powered (like many of this era) by the film. The camera pictured here is in Fine condition and worth $15.00 in 2019. |
 | Polaroid: Super Shooter | 1975-1977 | c | 2018 | 0.00 | The Polaroid Super Shooter was a rigid, plastic bodied instant camera, made in the U.S. between 1975- 1977. It originally retailed at $20-25. It used peel-apart 80-Series Land Pack Films such as Polaroid 87, 88, Viva (all discontinued), or type 100 film, such as Fuji FP-100C. The viewfinder adjusts according to the size of the film pack being used. The manual distance finder is on lens, and it uses ISO 75 for color prints and 3000 for black and white. The flash can be used with either standard or Hi-Power flashcubes. It has development rollers instead of spreader bars and inside the camera is a warning to keep the rollers clean plus instructions on how to remove them. The shutter requires two standard 1.5V AA batteries also inside the camera on both sides of the lens. The camera comes with a film warmer kept on the back in slots designed to hold it. Most Polaroids had this to help develop the film in cold weather. You took the picture and put it in the aluminum warmer and put it in your pocket. The instructions found on the warmer walked you through the proses. The camera pictured here is in Good condition and worth $20.00 in 2018. |
 | Polaroid: Super Shooter Plus | 1975-1977 | c | 2016 | 10.00 | The Polaroid Super Shooter was a rigid, plastic bodied instant camera, made in the U.S. between 1975- 1977. It originally retailed at $20-25. It used peel-apart 80-Series Land Pack Films such as Polaroid 87, 88, Viva (all discontinued), or type 100 film, such as Fuji FP-100C. The viewfinder adjusts according to the size of the film pack being used. The manual distance finder is on lens, and it uses ISO 75 for color prints and 3000 for black and white. The flash can be used with either standard or Hi-Power flashcubes. It has development rollers instead of spreader bars and inside the camera is a warning to keep the rollers clean plus instructions on how to remove them. The shutter requires two standard 1.5V AA batteries also inside the camera on both sides of the lens. The camera comes with a film warmer kept on the back in slots designed to hold it. Most Polaroids had this to help develop the film in cold weather. You took the picture and put it in the aluminum warmer and put it in your pocket. The instructions found on the warmer walked you through the proses. The Super Shooter Plus has a very handy built in standalone timer that could be set up to two minutes also for the film develop proses. Half the information was found on Retro CHRONICLE the rest by examining the camera and using Polaroids. The camera pictured here is in Good condition and worth $20.00 in 2016. |
 | Polaroid: Super Shooter Plus | 1975-1977 | c | 2018 | 5.00 | The Polaroid Super Shooter was a rigid, plastic bodied instant camera, made in the U.S. between 1975- 1977. It originally retailed at $20-25. It used peel-apart 80-Series Land Pack Films such as Polaroid 87, 88, Viva (all discontinued), or type 100 film, such as Fuji FP-100C. The viewfinder adjusts according to the size of the film pack being used. The manual distance finder is on lens, and it uses ISO 75 for color prints and 3000 for black and white. The flash can be used with either standard or Hi-Power flashcubes. It has development rollers instead of spreader bars and inside the camera is a warning to keep the rollers clean plus instructions on how to remove them. The shutter requires two standard 1.5V AA batteries also inside the camera on both sides of the lens. The camera comes with a film warmer kept on the back in slots designed to hold it. Most Polaroids had this to help develop the film in cold weather. You took the picture and put it in the aluminum warmer and put it in your pocket. The instructions found on the warmer walked you through the proses. The Super Shooter Plus has a very handy built in standalone timer that could be set up to two minutes also for the film develop proses. Half the information was found on Retro CHRONICLE the rest by examining the camera and using Polaroids. The camera pictured here is in Good condition and worth $20.00 in 2018. |
 | Polaroid: Swinger 20 | 1965-1970 | c | 2014 | 10.00 | 1965-1970 Poor condition worth $1.00 in 2014 (Bad shutter) |
 | Polaroid: Swinger 20 | 1965-1970 | c | 1990 | 15.00 | 1965-1970 Good condition worth $15.00 in 2014 |
 | Polaroid: Swinger 20 | 1965-1970 | c | 2017 | 3.50 | The Polaroid Model 20 "Swinger" was a popular Land Camera produced by the Polaroid Corporation between 1965 and 1970. At $19.95 USD it was the first truly inexpensive instant camera, a fact that helped fuel its enormous popularity and made it one of the top-selling cameras of all time. The Swinger was especially successful in the youth market due to its low price, stylish appearance, and catchy "Meet the Swinger" jingle sung by Barry Manilow in a television advertisement featuring a young Ali MacGraw. The Swinger featured an extinction exposure meter tied to the aperture which displayed the word "YES" in a window below the viewfinder when the exposure was set correctly. Earlier models also displayed the word "NO" when not properly adjusted, while later units used only the YES indicator. The Swinger also included a built-in flashgun for AG-1 flashbulbs. The Swinger used Polaroid's 20-Series roll film, which was the first Polaroid roll film to develop outside the camera. Variants included the Model M-15 "Swinger Sentinel" (the Swinger II in non-US markets), which was a cheaper Swinger without the built-in flash, and the Model 3000 "Big Swinger", which used 100-Series pack film instead of the old-style picture rolls. The Swinger name was also used on several international-market Polaroid cameras in the 1960s and 1970s. The camera pictured here is in good condition and worth $10.00 in 2017. |
 | Polaroid: SX-70 | 1972-1977 | 2016 | 40.00 | 1972-1977 Fine condition worth $100.00 in 2016 | |
 | Polaroid: SX-70 Alpha | c1977 | c | 2017 | 10.00 | The Polaroid SX-70 1972 and the Alpha edition was released 5 years later in 1977. Like the SX-70 the Alpha is an Instant film camera that is compact when folded and a SLR. It uses the same 4-element glass, 116 mm, and f/8 lens. It also has a focus dial and a split screen range finder circle for the through the lens setup. The lens ring is graduated in feet from 1 foot to infinity but has a 10.4-inch (26 cm) minimum focusing distance. There is also a Lighten / darken control wheel setting but is best to keep in the center for the first picture. All SX-70 models feature an electronically controlled 'flash-bar' socket across the top front of the camera over the lens, for insertion of a 10-times use flashbulb unit. Polaroid - as well as other companies - made external flash units that plugged into this socket. Polaroid film is no longer feasible but they work with “Impossible” SX-70 type film. The camera pictured here is in poor esthetic condition but works well and is worth $25.00 in 2017. |
 | Polaroid: SX-70 Model 2 | 1974-1977 | 2016 | 15.00 | 1974 Good working condition but poor esthetic condition and for this reason is worth $35.00 in 2016. | |
 | Polaroid: SX-70 Model 3 | 1975-1978 | 2015 | 20.00 | 1975-1978 fine condition worth $25.00 in 2015 | |
 | Polaroid: SX-70 Sonar One Step | 1978-1986 | c | 2015 | 10.00 | 1978-1986 good condition worth $20.00 in 2015 (pleather looks bad) |
 | Polaroid: SX-70 Sonar One Step | 1978-1986 | c | 2018 | 20.00 | The Polaroid SX-70 is one of the most famous instant cameras in the world. It was the first instant SLR camera ever made, and the first to use Polaroid’s now-iconic instant film which brought photos to life the moment they left the camera. Its manual controls have made it the go-to camera for artists and dreamers alike, and its fold-down design means you can take it with you, wherever you go. This version was released 1978 a few years after the original SX-70, and features Polaroid's patented Sonar Autofocus, so you can make perfectly-focused instant photos every time. The camera was produced for 8 years until 1986 and used the 778 film packs. Film for the camera has had an off and on production affair with various companies but can still be purchased for the SX-70 averaging $20.00 for 8 exposures. This camera has a sonar autofocus system that greatly helps the user's ability to focus the camera, especially in dark environments, and it can be turned off if manual focus is needed. The lens is a 4-element 116 mm f/8 glass lens, and the camera has an automatic exposure system. You can focus the SX-70 as close as 10.4 inches (26.4 cm), and have a shutter speed range from 1/175 of a second to more than 10 seconds. A whole array of accessories can be utilized with SX-70 cameras, such as a close-up lens (1:1 @ 5 inches), electrical remote shutter release, tripod mount and an Ever-Ready carrying case that hung from the neck and unfolded in concert with the camera. The camera pictured here is in fine condition and worth $60.00 in 2018. |
 | Polaroid: The Button | c1981 | 2015 | 12.00 | 1981 Fine condition worth $25.00 in 2015 | |
 | Premier Image: Premier PC-600 | c1998 | c | 2020 | 4.00 | The Premier PC600 is a 35mm point-and-shoot camera made by Premier Image of Taiwan and introduced 1998. It has a fixed-focus 38 mm f/3.5 lens. Below the lens is a slide switch which opens or closes the lens and viewfinder covers (it's also the on/off switch of the camera). Below the built-in flash is another slide switch for the flash on/off. A third control is the film speed selector to choose between ISO speeds 100/200 (the same switch position), 400 and 1600. Between this selector and the lens is the small window of the CdS meter which presumably has some automatic exposure control function but at least controls the low-light warning signal, a red LED by the viewfinder eyepiece, which lights when the shutter release is half-pressed. The film is advanced automatically after the shutter is released, and rewinds automatically when the end of the film is reached. The power advance is the only way to advance the film: thus it's necessary to press the release button on the camera's top twice during loading, after laying in the film cassette and closing the film compartment. There is a window in the back cover to show the presence and type of film. There is a frame counter window in the top of the camera and this resets automatically after the film is rewound plus taken out. Above the door are the viewfinder eyepiece together with the flash ready LED and the red low-light indicator LED which is activated by half-pressing the shutter release. The camera needs two AA batteries, which are loaded in the bottom of the camera. This information was gleaned from Wikipedia with minor adjustments. The camera pictured here is in Poor condition and worth $1.00 for parts in 2020. |
 | Premier Image: Premier PC-80 | c1998 | c | 2019 | 12.00 | The Premier PC-80 is a mostly plastic camera. It has an f6.3 50mm Premier "glass lens", with settable aperture by switching from sunny to cloudy by turning the lens. There's also a numeric aperture scale, but beginning with f5.6 to f16. The camera also has an optical viewfinder, a hot shoe with a flash-synchronized shutter, a shutter release button, a right thumb wheel film advance, an exposure counter, a ¼ inch 20 thread tripod mount, a rewind release button, and a fold out rewind crank handle. The camera has a curved film plane which means that its lens is of poor quality or has at least a significant curvature of field. The camera was a giveaway promotional gift from household-machine maker Whirlpool in 1998. The box and the vinyl case the camera came with had “Whirlpool microwave ovens” printed on them in very large lettering. The camera was sold under the Premier name and made by the “Premier Camera Taiwan LTD.” (Premier Image) company. The lens on this camera was used in many cheap cameras over the years from the TIME magazine give away in 1984 to well into the ’90s with Cameras like the Lynx PPL 500XL in 1985, the Ceptre YN 500 in 1990, and others like the Lavec LT-002 and Lavec TC-305. All these cameras are waited with metal plates to make them feel like a more expensive 35mm camera. The camera pictured here is in fine condition and worth $15.00 in 2019. |
 | Prinz: Prinz Pocket 202 | c1970 | 2017 | 2.00 | The Prinz 202 uses 110 film cartridges of 12 and 20 exposures to produce a 13mm x 17mm negatives or transparencies. The camera was introduced about 1970 with the advent of the Magicube. The ASA rating of the film should be 32 to 125 with negative film and 40 to 80 with reversible films. The film is advanced with a two stroke thumb plunger on the bottom of the camera. It has a 25mm f/9.5 3 element Lumenized lens that is fixed focused from 5 feet to infinity. The shutter speed is 1/55 of a second and a view window in the back of the camera lets you use the film as the frame counter with numbers provided on the film backing. The camera also has a built in lens plus view finder cover, optical viewfinder, Magicube (X-Flashcube) socket, wrist strap clip, and a ¼” 20 thread tripod mount. There was an electronic flash available from Prinz catalog number 330-18 called the “Prinz Pocket “X” Light”. They also sold a Magicube extender catalog number 320-138 and a case for the camera catalog number 370-31. The camera pictured here is in fine condition and worth $10.00 in 2017. | |
 | Promatic: Compact-R | 1977 | c | 2012 | 10.00 | The Promatic Compact R is a 35mm SLR made by Petri for Photographic Research Organization Inc. and released in 1977. There are identical models named Petri MF-1 and Petri MF-T 1000, both made by Kuribayashi (Petri). The only difference between the models is the badges on the prism compartment and body. The camera uses an M42 mount for the lens. It features shutter speeds from 1 second to 1/1000 of a second with B and a self-timer. It also has flash sync at 1/60 of a second, and a removable hot shoe is mounted via the X-sync connector located on top of the prism area. This idea is similar to the Olympus OM SLR cameras. The meter is Cds based and was powered by PX675 mercury battery no longer available but a replacement is an A76 Alkaline battery. The light meter can be seen through the viewfinder and is activated with the shutter button halfway. This camera came with a Promatic 50mm lens and lens cap. It also has a single action right thumb film advance lever, fold down rewind crank (that when pulled up releases the back cover), a frame counter, and can use ASA 25 to 1600 films. The camera pictured here is in good condition with some heavy scratches on the bottom at the battery compartment. Because of this the worth is only $10.00 for the camera, $5.00 for the manual, and $10 for the lens with filter in 2019. |
 | Quantronics: Nishika 3D N 8000 | 1980 | 1992 | 25.00 | 1989 Fine condition worth $35.00 in 2015 | |
 | Quantronics: Nishika 3D N 8000 | 1980 | 1990 | 40.00 | 1989 New in box worth $45.00 in 2015 | |
 | Quantronics: Nishika 3D N 9000 | c1990s | 1990 | 40.00 | 1989 New in box worth $45.00 in 2015 | |
 | Revere: Automatic 1034 | 1969 | 2012 | 5.00 | 1976 poor condition worth $10.00 in 2014 | |
 | Revere: Automatic 1064 | 1969 | c | 2016 | 12.00 | The Revere Automatic 1064 is a Kodapak film camera made by Minolta for 3M using the Revere label. It's a fixed-focus camera with the aperture set by a CdS cell above the lens. A red light will show in the viewfinder and front of the camera when flash is needed. The metering and the flash cube are powered by two AAA batteries in the film compartment. The built-in lens cover is automatically opened as the shutter is pressed. The camera has an optical viewfinder, Rokkor 1:8/38mm fixed focusing lens, shutter with speeds of 1/45 of a second (flash) or 1/90 of a second, film advance lever, and a flashcube socket that turns with each exposure. The camera uses 126 cassette 12 or 20 exposure cartridge film, flashcubes, hard point for a strap on most, ¼” 20 thread tripod mount, view frame count window in the back cover, and was introduced in 1969. The camera pictured here is in fine condition and worth $15.00 in 2016. |
 | Ricoh: Ricoh 126 C Auto CdS | 1969 | c | 2017 | 10.00 | The Ricoh 126C Auto CDS is a viewfinder camera with a fixed lens made in Japan by Ricoh in 1969. Ricoh produced the same camera for the Sears & Roebuck warehouses in the U.S.A. as part of Sears' Easi-Load camera series for 126 cartridge film. It was named Sears Easi-Load FC 600. The camera has an optical viewfinder, a Ricoh Rikenon f 2.8 / 40mm - 4 elements in 3 groups, Copal shutter with 1/125 of a second speed, Selenium meter exposure control, ¼” 20 thread tripod mount, flash cube socket, and weighs 500g. The dimensions are 122mm x 91mm x 70mm. The camera uses flash cubes with a socket on the top that also has a release button. It also has a spring winder for mutable pictures by advancing to the next frame and flash bulb on the cube. The camera can be wound up to take more than 15 pictures without rewinding. The camera also calls for a 15V Eveready Number 504 carbon battery or Exell 504/220A alkaline battery. The battery mounts in the film compartment. The camera pictured here is in fine condition and worth $20.00 in 2017. |
 | Ricoh: Ricoh 126 C Flex TLS | 1968-1971 | c | 2017 | 12.00 | The 126C-Flex TLS is an SLR for 126 film, with interchangeable lenses. It was made in Japan by Ricoh, c.1969. It was one of the very few SLRs made for the 126 cartridge format. It was fitted for flashcubes, and also equipped with a hot shoe and PC flash synch socket for mounting a flashgun. The shutter was limited to a range of 1/30 of a second to 1/300 of a second and B. The standard lens was a 55mm f2.8 Rikenon, but 100mm telephoto and 35mm wide-angle lenses were also available; lenses were fitted with a small-diameter, non-standard, screw-thread mount. The 126c-Flex was also unique for having an early form of shutter-priority auto-exposure with manual override. The camera uses a PX675 mercury battery for the metering and a 15-volt PX74 battery for the flashcubes. There is also a cable release socket and a ¼’ 20 thread tripod bush. A modified version of this camera without the flashcube feature was sold by Sears as the Sears 126 TLS Reflex, and (with flashcube socket) by Foto-Quelle badged as Revueflex TLS-C. The camera pictured here is in Good condition and worth $25.00 in 2017. |
 | Ricoh: Ricoh 500 ME | c1982 | 2016 | 10.00 | The camera was released in 1982. It has automatic exposure controlled by a CdS cell powered by a PX675 button battery. The original PX675 had mercury in it and should be replaced by the PX76 or the MR44. The camera also has a Ricoh Color Rikenon 40mm 1: 2.8. lens, Shutter from 1 / 500th to 1 / 8th of a second plus bulb, built in time delay lever, frame counter, shutter locking lever, battery check button, film speed dial (on the front of the lens), distance scale ring (on the lens), shutter speed ring (on the base of the lens), auto/manual dial, film rewind fold down crank handle (also the pull-up back lock), two conductor Hot shoe, right hand film advance lever (on the top), optical viewfinder, ¼” 20 thread tripod socket, film rewind release button (on the bottom), film winder coupler for attaching a electric film drive unit, and a film advance check window next to the hot shoe. The camera also has an interesting ME (Multi-Exposure) switch on the front of the camera that will reset the shutter without advancing the film. By holding down the red locking button on the slide switch and sliding the switch to its full position you reload the shutter for the rare intentional double exposure. The camera pictured here is in Fine condition and worth $30.00 in 2016. | |
 | Ricoh: Ricoh AF-5 | 1982 | 1991 | 40.00 | 1985 Fine condition worth $20.00 in 2014 | |
 | Ricoh: Ricoh AF-7 | c1987 | c | 2016 | 12.00 | With the 1987 Ricoh AF-7, all you have to do is point the camera at the subject you wish to photograph and press the shutter release button. Focusing and exposure are done automatically. In addition, film loading, advance and rewinding are also automatic, so that everyone can enjoy this easy to use camera. The camera uses two alkaline penlight AA batteries or two manganese penlight AA batteries. The camera has tethered slip on lens cover, pop-up flash unit, flash on switch, flash ready LED (7 second intervals), easy film load system, rewind button plus switch, red Camera Shake Warning Signal in the viewfinder, frame counter, ASA film speed ring, shooting range of 3.3’ to infinity, 10 second self-timer with a switch, 38 mm F2.8 38mm Color Rikenon lens, programmed AE type electronic shutter, Cds Photocell exposure adjust, auto film advance, and two handy strap hard points. In normal temperatures (at 20 C/68 f and with new alkaline batteries) without using the Flash Unit, approximately 70 rolls of 36 exposure film can be taken. If the Flash Unit is used for every frame, then 7 rolls of 36 exposure film can be taken. It is important that you always push the Flash Unit back in when not in use. (If it is up, the batteries will wear out faster). The camera pictured here is in fine condition and worth $20.00 in 2016. |
 | Ricoh: Ricoh FF-3 AF Super (AF-9) | 1983-1984 | 2016 | 5.00 | 1982 Good condition worth $10.00 in 2016 | |
 | Ricoh: Ricoh KR-10 (CR-10/XR-1000S/A-100) | 1980 | 2015 | 15.00 | 1981 Poor working condition with a sticky shutter half the time and worth $1.50 in parts in 2015 | |
 | Ricoh: Ricoh KR-30 SP (XR-20 SP) | 1985 | 2016 | 10.00 | 1985 Poor condition worth $3.00 for parts in 2016 | |
 | Ricoh: Ricoh KR-30 SP (XR-20 SP) | 1985 | 2016 | 18.00 | 1985 Fine condition worth $40.00 in 2016 | |
 | Ricoh: Ricoh KR-5 (XR-500/A-500) | c1979-1980 | 1996 | 50.00 | 1978 Fine condition worth $60.00 in 2014 | |
 | Ricoh: Ricoh KR-5 Super (A-50/XR-5/CR-5) | 1982 | 2016 | 20.00 | The KR-5 Super is one of a series of SLRs for 35mm film by Ricoh, all accepting K-mount lenses. Others include the Ricoh KR-5. While essentially similar to the original KR-5, the "Super" offers a few improvements, including faster f/1.7 and f/2.0 standard lens options. While still limited to 1/8 second as the slowest shutter speed (besides B), the top speed increases to 1/1000 of a second, and the maximum flash sync speed is now 1/125 of a second. While there is still no PC terminal for attaching an external flash, the hot shoe has an additional contact which permits dedicated Ricoh flash units to illuminate a flash-ready LED beneath the viewfinder eyepiece. Another LED faces forward to indicate when the self-timer is counting down before exposure. The camera was introduced in 1978 and was the successor to the original KR. The KR series was one of the lowest priced SLR’s on the market. The camera came with Ricoh Rikenon 1:2 50mm lens and some consider it one of the sharpest 50mm f/2 ever produced. One thing worth mentioning is while basically all K mount lenses (with the exception of those without an aperture ring and the DA digital only lenses) will fit and function on the KR-5 Super, not all Ricoh K mount lenses are compatible with a Pentax body. Information was gleaned from (mycameracabinet.wordpress.com). The camera pictured here is in Fine condition and worth $40.00 in 2016. | |
 | Ricoh: Ricoh LX-33 WR | 1993 | c | 2018 | 5.00 | The LX-33W is a fixed-focus compact camera for 35mm film, introduced by Japanese manufacturer Ricoh in 1993. This camera shares its fundamental components (lens, shutter, body structure etc.) with several other models. The LX-33W is the model featuring a splash-proof body and a red-eye reduction system. A model with a date back was also available and it was sold as the LX-33W Date. The camera has a Ricoh 34mm f/4.5, 3 elements in 3 groups lens. The shutter speeds are 1/50 of a second and 1/100 of a second and the apertures are F4.5 and F11.2. The camera has a DX-Code system with film speed range of ISO 100 or 400. Other features are Automatic Flash, Self-timer, frame counter on the top, film view window in the back cover, built-in lens cover that is also the on/off switch, built in automatic flash with flash ready LED, ¼” 20 thread tripod mount on the bottom, and Switchable Panorama that crops or masks the 35mm film frame plus the optical viewfinder. The camera is powered by two AA batteries (alkaline or manganese) and the dimensions are 4.8” x 2.6” x 1.9” (123 mm X 66.5 mm X 47.5mm). The camera pictured here is in fine condition and worth $20.00 in 2018. |
 | Ricoh: Ricoh Myport 330 Super | c1995 | 2008 | 10.00 | 1995 fine condition worth $20.00 in 2014 | |
 | Ricoh: Ricoh R-130Z Super | 2020 | 10.00 | This is a Ricoh R-130Z Super 35mm Point & Shoot camera with a Ricoh Aspheric f=38 to 130mm Zoom Lens with 7-zone passive multi autofocus in 1024 measuring steps. The camera uses the Ricoh function dial system with 5 different shooting modes, built in flash, auto frame advance, auto focus, self-timer and continuous shooting. The camera was introduced in 1996 and requires two 123 lithium batteries. Other features are Portrait, sport, landscape plus night shot settings, Auto Film Loading, Auto Rewind, Red-Eye Reduction, Self-Timer Shooting Modes, ¼ by ¾ inch LCD Display, Built in Lens Cover, Programmed electronic shutter with speeds of 2 seconds to 1/330 second, Flash Recycle Time of approximately 4 seconds, easy to access 2-dial control, DX code system (Non-DX films are set to ISO 100), and a ¼ inch 20 thread tripod socket. The Ricoh Company is based in Tokyo Japan but this camera was made in Taiwan and very similar to the Ricoh Shotmaster 130Z with the only difference being that the R-130Z has panorama cropping with a slid switch under the viewfinder eye piece. The camera pictured here is in Fine condition and worth $15.00 in 2020. | ||
 | Ricoh: Ricoh R1050 | 2000 | 2016 | 4.00 | The Ricoh R1050 AF 35mm point and shoot film camera was introduced in 2000. It comes with a 38 to 105mm Macro Multi-AF aspheric zoom lens. It also has a built in flash, red eye reduction, auto focus, auto film advance, auto rewind, mid-roll rewind, built in lens cover with shutter lock, right thumb zoom selector, optical viewfinder, remote control shutter release, ¼” by 1” LCD mode plus info screen, flash on/off button, flash ready LED, delay timer button, and a handy carry strap. The camera uses one 6V CR-P2 battery to power all functions. The zoom lens extends 3” in two sections to achieve the 105mm. The camera also has a fake type panorama mode that crop both the viewfinder and the film with a slide switch on top of the viewfinder eye viewer. The camera pictured here is in Good condition and worth $15.00 in 2016. | |
 | Ricoh: Ricoh RZ-770 | 1990 | c | 2016 | 5.00 | This camera was introduced in 1990 and is a 35mm compact. It has a 35-70 mm / f5.0-f9.5 (6 elements 5 groups) zoom lens, active auto focus from 1.2 m (4 ft.) at 35mm to infinity, programmed Electronic shutter with speeds of 1/5 to 1/250 of a second, electronic self-timer with LED countdown indicator (operating delay approximately 10 seconds), real image zoom viewfinder (field of view about 83%), programmed AE exposure adjustment with CdS cell Coupling range (EV8.0-15.0 (ISO 100)), Ricoh auto-load system, automatic 1st frame set, automatic film rewind at the end of film, mid-roll rewind, built-in electronic flash automatically activates in dim light, flash off button, red eye reduction, flash recycle time of About 5 to 7 seconds, ¼” 20 thread tripod mount in base of camera body, and takes film speeds of ISO 100, 400 plus compatible with DX system. The camera is powered by a 3V lithium battery CR123A or equivalent. The dimensions are 126 mm (W) x 69 mm (H) x 44 mm (D) and the weight is 270g without battery. The zoom lens is operated with two right index finger buttons near the shutter release button on the top right of the camera body. This camera comes with the original carry-case, carrying strap, and the instruction booklet. The camera pictured here is in Fine condition and worth $25.00 in 2016. |
 | Ricoh: Ricoh RZ-770 | 1990 | c | 2016 | 5.00 | This camera was introduced in 1990 and is a 35mm compact. It has a 35-70 mm / f5.0-f9.5 (6 elements 5 groups) zoom lens, active auto focus from 1.2 m (4 ft.) at 35mm to infinity, programmed Electronic shutter with speeds of 1/5 to 1/250 of a second, electronic self-timer with LED countdown indicator (operating delay approximately 10 seconds), real image zoom viewfinder (field of view about 83%), programmed AE exposure adjustment with CdS cell Coupling range (EV8.0-15.0 (ISO 100)), Ricoh auto-load system, automatic 1st frame set, automatic film rewind at the end of film, mid-roll rewind, built-in electronic flash automatically activates in dim light, flash off button, red eye reduction, flash recycle time of About 5 to 7 seconds, ¼” 20 thread tripod mount in base of camera body, and takes film speeds of ISO 100, 400 plus compatible with DX system. The camera is powered by a 3V lithium battery CR123A or equivalent. The dimensions are 126 mm (W) x 69 mm (H) x 44 mm (D) and the weight is 270g without battery. The zoom lens is operated with two right index finger buttons near the shutter release button on the top right of the camera body. This camera comes with the original carry-case, carrying strap, and the instruction booklet. The camera pictured here is in Fine condition and worth $25.00 in 2016. |
 | Ricoh: Ricoh Shotmaster | 1993-1996 | 2013 | 5.00 | 1993-1996 Poor condition worth $1.00 for parts in 2014 (battery leak) | |
 | Ricoh: Ricoh Shotmaster 130Z | c1995 | 2016 | 6.00 | 1996 Fine condition worth $15.00 in 2016 | |
 | Ricoh: Ricoh Shotmaster AF | 2020 | 3.00 | The Ricoh Shotmaster AF is an autofocus point-and-shoot camera for 35mm film, introduced by Ricoh in 1991 in the US along with the Shotmaster AF-P (also known as the AF-66 in Europe) that has a self-timer. The AF-P/AF-66 camera is the upgraded model of the S-30 released two years earlier in 1989. The primitive fixed-speed mechanical shutter on the S-30 was replaced with a variable-speed programmed electrical shutter. The Shotmaster AF’s (AF-p/AF-66) built-in flash automatically activates the dim light warning letting you know to turn on the flash, and the DX-code system can detect a wider range of film speeds. There is also a variant model named AF-66S, which was aimed primarily at the Asian markets. It looks identical to the Shotmaster AF/AF-P/AF-66 and the AF-P/AF-66 share almost the same specifications, but the AF-66S uses a more traditional lever-type self-timer without LED indicator rather than the push button type on the Shotmaster AF-P/AF-66. The cameras have a Ricoh 35mm f/3.9 lens with 3 elements in 3 groups, auto focus from 1.0m to infinity, 1/125 to 1/600 of a second shutter speeds, Reverse Galilean type viewfinder, DX-code system with 100 to 400 ISO speed range with a switch for 1000 ISO non-DX film (on the AF model only), auto film load, auto film advance, auto film rewind plus mid-roll rewind, and low light warning utilizing the flash ready LED. This is all powered by one CR-123A battery or two AA alkaline or manganese batteries. The camera pictured here is in Poor condition and worth $0.50 in 2020. | ||
 | Ricoh: Ricoh Shotmaster AF-P | c1989 | 2016 | 6.00 | 1989 fine condition worth $15.00 in 2016 | |
 | Ricoh: Ricoh Shotmaster Zoom | c1990 | 2013 | 5.00 | 1990 good condition worth $5.00 in 2014 | |
 | Ricoh: Ricoh Shotmaster Zoom 70 | c1990 | 2003 | 10.00 | 1990 Good condition worth $20.00 in 2014 | |
 | Ricoh: Ricoh Singlex TLS (Focal 1000 TLX) | 1967 | c | 2018 | 21.00 | The Ricoh Singlex TLS is a 35mm MMM (metal, mechanical, manual) single lens reflex camera introduced by Ricoh in 1967. In addition to selling this camera under the Ricoh name, it was also rebranded for sale in France as the Interflex 7L5 and in the United States as the Sears TLS plus the K-Mart Focal TLX at their respective discount department stores. The rarest version is all black with white lettering. Solidly built and heavy, over 2lbs, it offers photographers a precision steel platform that takes commonly found M42 screw mount lenses. It offers shutter speeds from B, 1- 1/1000 of a second from the legendary Copal Metal Square shutter and syncs flash at 1/125 second. The exposure metering a CdS with match needle, stop-down metering, and an on-off switch designed to work with a 1.35v mercury cell, which is no longer available or legal, but they now sell a replacement PX625 alkaline 1.35V battery for about $3.00. The camera has ASA settings of 25 to 1600 and a Copal Square metal blade shutter with speeds of 1 second to 1/1000 of a second +B. It also has PC X and M Sync terminals, single action film advance thumb lever, self-timer, frame counter, a fold down rewind crank handle that is a pull-up release for the film compartment, rewind release button, micro prism, ground glass plus Fresnel focusing screen, Shutter release threaded for cable release, and a ¼” 20 thread tripod mount. The dimensions are 147 x 95 x 50mm and the camera was made in Japan. The camera pictured here is in fine condition and worth $35.00 in 2018. |
 | Ricoh: Ricoh Super Shot 24 | 1966 | c | 2019 | 10.00 | The Ricoh Super Shot 2.4 dates from 1966. It's a large and heavy camera for a compact. It is not a true viewfinder, nor is it a true rangefinder. In the viewfinder, the user sees a square, which varies in size while focusing. The idea behind this is that the head of the subject should be about the size of the square for a proper focus. This seems to work by all accounts but there is also a viewfinder three-zone focus display and a distance scale on the focusing ring. Exposure can be set to shutter speed priority automatic, or manual control. A battery operated viewfinder light meter needle shows ideal aperture at set shutter speed. The camera has a Rikenon 40mm f/2.4 lens and shutter speeds from 1/30 to 1/300 plus B (bulb). Film speed settings reach from ISO25 to ISO400. The camera also has a clockwork film transport. This and the shutter mechanism only works when the film is inside the camera. Extra options are a flash hot shoe, shutter release button lock, and a self-timer. Other features are a standard cable release socket in shutter release button, a coupled CdS metering cell above lens, 46mm screw thread filter size, manual flash exposure, X-sync hot shoe for all shutter speeds, a separate PC socket, film advance spring drive with a maximum of 12 exposures per wind, frame counter, rewind crank with release button in the center of the motor winder knob, viewfinder with Needle pointer aperture display with two types of zone focus displays, focusing from 3 feet to infinity, and five blade diaphragm stopping down to f/22. The Super Shot 2.4 weighs 652g and size is 133.5mm wide, 81mm high, and 69.5mm deep. The camera pictured here does not work and is worth $4.00 for parts in 2019. |
 | Ricoh: Ricoh TF-500 D | 1988 | 2015 | 5.00 | 1988 fine condition worth $15.00 in 2015 | |
 | Ricoh: Ricoh XF-30 | 1985 | 2015 | 5.00 | 1985 fine condition worth $10.00 in 2015 | |
 | Riken: Ricoh 500 | 1957-1960 | c | 2018 | 11.00 | The Ricoh 500 was one of the early relatively inexpensive 35 mm rangefinder cameras to enter the U.S. market in 1957. It had an unusually large (for that time) f/2.8 lens, and shutter speeds from 1 second to 1/500 second. Film was advanced by a rapid-throw "trigger" mechanism on the bottom, and focus was controlled by two buttons, at the 3 o'clock and 9 o'clock positions that permitted very rapid shifts of focus when needed for sporting events. Flash could be fired from a "hot shoe" on the top and from a regular socket connection. The red lever selects among M, F, and X flash synchronizations. The shutter button is barely visible over the letter "h" of "Ricoh" on the front of the camera. The two large knobs are designed to let the user's two index fingers rapidly focus the camera while following the action. The hot shoe mount for an external flash unit is top center of the camera. The rapid film advance lever pivots on its right end and is pulled by the extension and folds out of the way near the lens barrel. The bottom of the camera also has a reminder ring for noting the speed of the film currently in use. The camera has a Riken Ricomat lens with a focal length of 4.5 cm and a Seikosha shutter. The rings controlling the effective lens diameter (from f/2.8 to f/22) and the shutter speed are mechanically linked so that once one combination has been matched to the ambient lighting conditions, a faster shutter speed can be selected and a larger effective lens diameter will automatically be set when possible. The two knobs on the bottom lock the film compartment when turned to the C or black arrow. The camera pictured here is in Good condition and worth $25.00 in 2018. |
 | Riken: Ricohflex Model III | 1950 | c | 2018 | 25.00 | The Ricohflex was a series of 6x6 TLR made by Riken Optical Industries (Ricoh) in the 1950s. The focusing rings around the taking and viewing lens are geared up for synchronous focusing, just as previous Kodak Reflex I/II. Its coated Anastigmat triplet lens provides great result in its class. The Ricohflex has a simple, modular-designed and low-cost box structure. The Ricohflex III was introduced in September of 1950. The Ricohflex III has a pair of similar Ricoh Anastigmat 1:3.5 f=80mm lenses with AR coated. It was the world's first mass-produced twin-lens reflex camera. The production volume was more than 10,000 units per month. Due to the massive production, Riken used a conveyor belt assembly line. The camera pictured is in poor condition but works and is worth $25.00 in 218. |
 | Riken: Ricolet | 1954 | 2015 | 5.00 | The Ricoh Ricolet is a 35mm viewfinder camera with a fixed lens made in Japan by Riken Optical Industries starting in 1953. The lens is a 45mm Ricoh Anastigmat 1:3.5 F=4.5cm - 3 elements in 3 groups and made by Tomioka Optical. The leaf shutter is a Riken with speeds of 1/25 of a second, 1/50 of a second, 1/100 of a second and B. The apertures range from f/3.5 to f/16 and the camera is manual focusing. The dimensions are 140mm x 78mm x 67mm and it weighs 580 g. The camera has a shutter release for a plunger attachment and a built-in cold shoe with a flash sync connector on the side of the lens. It also has a ¼” 20 thread tripod female connector to one side of the bottom of the camera. The camera features are a frame counter, a film advance knob with a shutter setting dial, rewind knob, a rewind release button, and a back cover release lever on the bottom. The whole back of the camera slides down and off to reveal the film compartment. You know you have the film in correct if the rewind knob turns when you advance the film. The manual warns against leaving the shutter cocked when not in use. Maybe that is why most of the Ricolet’s suffer from problems with the shutter now that some years have passed. This one pictured here is no exception. The camera on this page is listed in Poor condition and worth $10.00 for parts in 2015. (slow shutter) | |
 | Riken: Super Ricohflex | 1955 | c | 2019 | 22.00 | The Riken Super Ricohflex is a very simple, lightweight twin-lens reflex. The camera was introduced in 1955 and production continued into the early 60s. The Super Ricohflex was made in Japan by the Riken Institute and now known as Ricoh after 1963. The early simple camera uses 120 roll films only but later Super Ricohflex cameras could be converted to use 127 roll films or 35mm film with the right inserts and wind knob attachment. The early Riken shutter has speeds of 1/10 to 1/200 of a second plus B but later models came with 1/10 to 1/300 of a second plus B and possibly 1 second to 1/500 of a second plus B. The 120 film only model had one red window with a sliding metal closer in the back cover but the multi film models had two. The original basic cameras sold for around $20.00 with insert costing $10.00 each and $5.00 for each accessory auto-stop film advance knob. The cameras came with a 3.5/8cm Ricoh Anastigmat taking lens and the same size Ricoh viewer lens. The camera has a manually set shutter, cable shutter release socket, shutter speed indicator, flash attachment socket, cold shoe, 3.5 to 16 aperture settings, 3.5 feet to infinity focus range, ground glass waist high viewfinder with self-erecting hood, wide field magnifier for critical focus, and two hard points to attach a carry strap. The camera also has an eyelevel viewfinder method using two eyes. You open the viewfinder and by looking through the magnifier with one eye you frame the picture with that eye and see the picture with the other outside the viewfinder. The camera pictured here is in poor working condition and worth $10.00 in 2019. |
 | Rochester Optical: Premo (folding) | 1893-1895 | 2015 | 50.00 | 1893-1897 poor condition worth $100.00 in 2015 | |
 | Rollei: Rollei A110 | 1974-1980 | c | 2018 | 10.00 | When the Rollei A110 appeared on the market it was advertised as the world's smallest pocket camera. Utilizing the new pocket film standard of the 1970s, the 110 film cartridge, it was the smallest serious camera yet introduced to the market. Heinz Waaske's camera construction team needed 2 years from construction to mass production. In 1974 the prototype of the A110 was a sensation at the camera fair "Photokina" (in Cologne) since it was smaller than the cardboard boxes in which the single pocket films were sold. But mass production was delayed until late 1975. The efforts needed to make that miniature camera consisting of 260 parts and with consistently high quality, was time-consuming. The camera entered the market high-priced at $300.00. By 1978, before its production was moved from Braunschweig to Singapore, it had already reached a lower price level of about $190.00. The camera has a typical 110 film camera design and has to be pulled open. When it is closed the viewfinder is covered by the camera body and the lens cover is activated, so this pocket camera can really be carried in the pocket. The difference to the average pocket camera is the use of mainly metal parts for its construction. Most of the few plastic parts are made of the durable Delrin (High-Quality Polyoxymethylene). This choice of quality materials was necessary for reaching a high level of miniaturization and quality. The A110 worked differently than other cameras as the shutter blades are open and the aperture blades are shut before film exposure. The actual exposure begins with the opening of the aperture blades to the programmed f/stop (f/2.8-f/16) and ends with the closing of the shutter blades. Exposure control is also different because the silicon-photo-diode has its own aperture blades whose opening varies as those in the lens. Both apertures are driven by the same mechanical element. Between the aperture opening and the shutter closing the lens's aperture blades are kept in position by an electromagnet. Advancing the film (i.e. closing and opening the camera) resets the aperture and shutter to their original positions. All the electronic components are powered by one PX27 6V battery kept in a compartment on the left side of the camera. The battery is released by pushing the orange latch release to the left of the eyepiece of the viewfinder. You can check the battery by pressing the green button over the viewfinder and if the light located in the same area flashes green the battery is good. Despite the cameras short focal length, the lens focuses from 1 meter to infinity via the orange focusing slide on the camera's front below the lens. A distance scale with a combination of meters/feet figures and symbols is displayed in the viewfinder. In the right hands, with a suitable film such as Verichrome Pan, and the correct photofinishing, the Rollei A110 was capable of making very good 5x7 prints and even passable 8x10s. The camera was manufactured in Braunschweig, Germany from 1974 to1978 (124,000 units), and in Singapore from 1978-1981 (72,000 units). It has a Rollei Tessar 1:2.8/23mm lens and an electronically controlled Rollei-Prontor leaf shutter with speeds of 4 seconds to 1/400 of a second. The camera came with a flash unit that attached to the left side with a very clever one step proses. You mount it simply by pressing it to the side of the camera using the guide pin on the unit. To release it you press the protruding orange button on the flash unit. Anything colored orange on this camera denotes function and is a testament to its design. The camera pictured here is in fine condition and worth $60.00 in 2018. |
 | Rollei: Rolleiflex T | 1958-1975 | c | 2018 | 100.00 | You can find many experts past and present on Rolleiflex cameras but the three that come to the top are Claus Prochnow, Ian Parker, and Arthur G Evans. All three meticulously researched the Franke & Heidecke and Rollei-Werke archives but came away with different priorities and styles when naming many cameras. The Rolleiflex T for instance, all three agree that they are Rolleiflex T cameras and two out of the three agree on the number that follows the T for each camera. It then comes down to style and when Prochnow uses “model” Evans uses “type” and Parker just uses a number. The camera pictured here is a Rolleiflex T (Prochnow “model 3”) (Parker “2”) (Evans “type 3”). This T model serial numbers went from 2242000 to 2249999. The Rolleiflex T was produced from 1958 to 1975. It is a 120 film TLR (twin-lens reflex) camera with a Carl Zeiss Tessar f3.5 75mm taking lens with a Synchro-Compur X or MX shutter and a Heidosmat f2.8 75mm viewing lens. The T model came in a few iterations and in the end of production some came with a Schneider Kreuznach Xenar f3.5 75mm taking lens, the same as the Rolleicord (about 3,000 units). If you go by serial numbers issued for the camera, the count of numbers used to produce the Rolleiflex T comes to 260,643 in all its forms. Wiki tops out the number produced at about 120,000. The camera pictured here is in Fine condition and worth $400.00 in 2018. |
 | Rolls Camera: Rolls | c1939 | 2000 | 15.00 | 1939 Fine condition worth $20.00 in 2014 | |
 | Sakar: CyberPix (16380) | c2007 | 2009 | 5.00 | 2006 fine condition worth $5.00 in 2014 (640 x 480 resolution) | |
 | Sakar: Digital (27286) | c2007 | 2013 | 5.00 | 2008 Good condition worth $5.00 in 2014 (640 x 480 resolution) | |
 | Sakar: Digital Concepts 3.1 (89379Z) | 2005 | 2011 | 2.00 | 2005 fine condition worth $10.00 in 2014 (3.1MP) | |
 | Sakar: Digital Concepts 5.1 (87492) | 2004 | 2013 | 10.00 | 2004 fine condition worth $10.00 in 2014 (5.1MP) | |
 | Sakar: Digital Concepts 5.1 (87492) | 2004 | 2017 | 5.00 | This camera features a quality auto focus lens with a 4x Digital Zoom, a built-in auto flash, and it takes video, too. It is equipped with a Color 2" TFT monitor to preview & review your photos, plus you can crop and rotate your images right on the camera. Plus the PictBridge feature lets you print directly from the camera to a PictBridge compatible printer - without using a PC. You'll be impressed with the features and image quality of this digital camera - all at an incredibly low price. Other features are 5.1 megapixel sensor resolution, CMOS optical sensor, AVI digital video format, JPEG image recording format, automatic exposure modes, built in flash, f/3.2 lens aperture, 7.58mm minimum focal length, 31.5 inch minimum focus distance, 10 second self-timer delay, auto power save, cropping an image, date/time stamp, digital image rotation, sharpness control, SD memory card slot (MultiMediaCard/SD Memory Card), 5.1 MP sensor, and all powered by three AAA batteries. The camera was made in China by Sakar International, Inc. and branded with their Digital Concepts label in 2004. The camera pictured here is in fine condition worth $15.00 in 2017. | |
 | Sakar: FF-16 | 1990 | 2000 | 5.00 | 1990 fine condition worth $10.00 in 2014 | |
 | Sakar: FF-9 | 1989 | 2017 | 2.00 | The Sakar FF-9 is a point-and-shoot camera made in China, distributed by Sakar, and introduced in 1989. It has a fixed focus 35mm "optical lens" and a single 1/60 of a second speed shutter. It also has an optical viewfinder, hot shoe for a flash, built-in lens cover, rewind release button on the bottom, fold down rewind crank that seconds for the back cover release when pulled up, frame counter, right thumb wheel film advance, ¼” 20 thread tripod socket, and comes with a handy carry strap. The camera with an instruction pamphlet and a warranty paper. Sakar International, Inc. is a manufacturer and distributor of consumer electronics. While Sakar claims to be a manufacturer, most of the products they distribute are manufactured by other companies. In 2008 Sakar acquired the Vivitar brand name after Vivitar's bankruptcy. Since then they have marketed a variety of camera gear under the Vivitar name. In 2009 Sakar established a licensing agreement with Kodak to use sell Kodak-branded cameras and photographic gear. The camera pictured here is in fine condition and worth $8.00 in 2017. | |
 | Sakar: Hello Kitty (Digital) | c2009 | 2016 | 3.00 | The Hello Kitty VGA Digital Camera from Sakar is a fun, entry-level digital camera for children and Hello Kitty aficionados. This digital camera easily fits small hands and weighs only 8.8 ounces with the two AAA batteries installed. It featured three interchangeable face plates to fit a variety of Hello Kitty moods. Photos can be previewed on the cameras' 1.1" preview screen and it came with Photo Booth Editing Software. This VGA resolution (640 x 480 pixels) camera takes video clips and can also be used as a webcam. The camera can take up to 79 pictures at VGA resolution and 319 at QVGA resolution. The other camera features are a built in flash, flash ready LED, f12.6 4.5mm lens, optical viewfinder, 4 selection circular button including flash on, menu button, shutter release button, USB connector, ¼” 20 thread tripod mount, and a handy strap mounting point. The camera was introduced in 2009 by Sanrio and made by Sakar. The camera pictured here is in fine condition and worth $10.00 in 2016. | |
 | Sakar: Matrix Zone (kit) | c2002 | 2015 | 5.00 | 2002 New condition worth $10.00 in 2015 | |
 | Sakar: Matrix Zone (kit) | c2002 | 2015 | 5.00 | 2002 New condition worth $10.00 in 2015 | |
 | Sakar: Mini Shot 110 | 1983 | 2010 | 2.00 | 1983 New condition worth $5.00 in 2015 | |
 | Sakar: Mini Shot 110 | 1983 | 2010 | 2.00 | 1983 New condition worth $5.00 in 2015 | |
 | Sakar: Mini Shot 110 | 1983 | 2010 | 2.00 | 1983 New condition worth $5.00 in 2015 | |
 | Sakar: Mini Shot 110 | 1983 | 2010 | 2.00 | 1983 New condition worth $5.00 in 2015 | |
 | Sakar: Mini Shot 110 | 1983 | 2010 | 2.00 | 1983 New condition worth $5.00 in 2015 | |
 | Sakar: Mini Shot 110 | 1983 | 2010 | 2.00 | 1983 New condition worth $5.00 in 2015 | |
 | Sakar: Mini Shot 110 | 1983 | 2010 | 2.00 | 1983 New condition worth $5.00 in 2015 | |
 | Sakar: Princess (16031) | c2008 | 2010 | 15.00 | 2008 Fine condition worth $10.00 in 2014 (640 x 480 resolution) | |
 | Sakar: Shopkins 35mm | 2020 | 4.00 | This is a 35mm all plastic camera other than the screws that hold it together and springs. On the face of the camera are 8 Shopkins and from left to right they are Lippy Lips, Apple Blossom, Strawberry Kiss, Choc N’ Chip, Poppy Corn, Sneaky Wedge, and Cupcake Chic. These are just a few of the thousands of Shopkins characters. Also on the camera is the logo “Shopkins” and under it in a very small font is “Once you Shop You Cannot Stop”. The camera comes in a set that include 4x28 binoculars, flashlight, and the 35mm camera. The three things were made in China by Sakar International in 2013 to 2015. The same three pieces are sold for My Little Pony and Thomas the Train. The camera has a frame viewfinder on the top, film advance wheel, frame counter, rewind release button on the bottom, fold down rewind crank handle, shutter release button, and a braded wrist carry string. It needs no batteries and has no flash capability. The camera pictured here is in good condition and worth $3.00 in 2020. | ||
 | Sakar: Star Wars (92022) | c2009 | 2013 | 10.00 | 2006 Fine condition worth $15.00 in 2014 (640 x 480 resolution) | |
 | Sakar: Vkidz (88374) | 2009 | 2014 | 5.00 | 2009 New condition worth $8.00 in 2014 (640 x 480 resolution) | |
 | Sakar: Vkidz (88376) | c2009 | 2014 | 5.00 | 2009 New condition worth $8.00 in 2014 (640 x 480 resolution) | |
 | Samsung: Digimax 350S | 2003 | 2014 | 15.00 | 2002 fine condition worth $15.00 in 2014 (3.3MP) | |
 | Samsung: ECX1 (Kenox FX-4) | c1994 | c | 2018 | 3.00 | The Samsung ECX 1 is a 35mm auto focus point and shoot camera. It was also released with the Samsung's Kenox branding as the Kenox FX-4. It features a 38 to 140mm zoom lens at f/3.8 to f/10.5 with 11 elements in 9 groups. When zooming the large LCD displays the focal length from 38 to 140mm. The view finder has two LEDs; a red one for flash ready, a green one for focus. A flashing green led suggest the subject is too close to focus, thereby use the macro mode. It has a double self-timer function that takes another picture 2 seconds after the first shot and can be used with the remote provided. It also offers the option to focus manually. The camera uses 2x CR123A lithium batteries. If inactive for 3 minutes the camera automatically powers off. The shutter is electronic AE, with speeds of 1/3 of a second to 1/400 of a second with Bulb 1 to 60sec. It has auto DX for film speed from 50 to 3200 ISO. The built in flash has settings of Auto, Fill, Off, and pre-flash. This model was exclusively designed for Samsung by F.A. Porsche. When it came out it won the EISA and the TIPA award in 1994. The camera pictured here is in Fine condition and worth $20.00 in 2018. |
 | Samsung: Fino 115S (Maxima Zoom Evoca / Evoca Zoom 115) | c1997 | c | 2018 | 8.00 | The Samsung Evoca 115 Zoom is a full-featured, fully automatic 35mm point-and-shoot camera. It offers a 38 to 115mm zoom lens with a built-in lens cap barrier. It also includes an automatic flash with red-eye reduction, fill-in, flash off, and more. It also has automatic film loading, advance, and rewind, with mid-roll rewind possible. The camera focuses using an automatic active infrared sensor and focus lock. It includes 10 exposure control modes: Fuzzy, Portrait, Step, Continuous, Multiple Exposure, Interval, Bulb, Landscape, and Snap, as well as exposure compensation for difficult lighting situations. It offers a switchable panorama mode and quartz dating with an optical 3x zoom with a lens aperture of f/3.9-10.8 and a minimum Focal Length 38mm plus a maximum focal length of 115mm. This combination has a minimum focus distance of 23.6in and exposure range of 1/3 of a second to 1/400 of a second. Shutter control is electronic and the Self-Timer delay is 10 sec plus shooting modes landscape, portrait, and panorama. This camera also has a film Speed Range of ISO 50 to 3200, automatic film advance, auto power off, and is powered by one lithium-ion CR123A battery. The camera was introduced in 1997 and was a featured product on QVC some years later. The camera pictured here is in Fine condition and worth $20.00 in 2018. |
 | Samsung: Fino 145S (Maxima 1450 AF / IBEX 1450 AF) | c1995 | 2013 | 15.00 | 1995 fine condition worth $15.00 in 2014 | |
 | Samsung: Fino 35S (Maxima 33S) | 1999 | 1994 | 10.00 | 1990 Fine condition worth $10.00 in 2014 | |
 | Samsung: Fino 700S (Maxima Zoom 70GL) | c1999 | 2013 | 10.00 | 2001 fine condition worth $10.00 in 2014 | |
 | Samsung: Fino 80SE (Maxima Zoom 80GLM) | c1999 | 2013 | 15.00 | 1999 fine condition worth $20.00 in 2014 | |
 | Samsung: Ibex 3X (Platinum Series 115 Zoom) | c1998-2002 | 2016 | 10.00 | Introduced in 1998 this is a great camera from Samsung! The Ibex 3x is compact, lightweight, features a 38-115mm power zoom and a sliding lens cover to protect your lens. Also has multi-mode flash with red-eye reduction, fill-in, off, auto, and backlight control. Intelligent shooting modes including step, double exposure, bulb, portrait, continuous, interval, and landscape/infinity shooting. It also has a panorama switch, self-timer, quartz date, and caption stamp. Easy to read LCD that is ½” wide and 2” long. The handy carry strap was included in the original package and the camera came with a one year limited manufacturers warranty. The camera requires one 3v Lithium battery and measures approximately 5"L x 2-1/2"H x 1-3/4"W. This camera has a silver and Black finish and has “Made in Korea” in a strip on the bottom. The Samsung serial number for this camera is 93129036. It also comes with a panorama switch that crops both the film and the viewfinder. The camera pictured here is in Fine condition and worth $20.00 in 2016. | |
 | Samsung: L200 (SL200) | 2008 | 2013 | 15.00 | 2008 Good condition worth $20.00 in 2014 (10.2MP) | |
 | Samsung: L200 (SL200) | 2008 | 2014 | 20.00 | 2008 Good condition worth $20.00 in 2014 (10.2MP) | |
 | Samsung: Maxima 25 | 1996-1998 | 2005 | 12.00 | 1996 Good condition worth $10.00 in 2014 | |
 | Samsung: Maxima Zoom 105 (AF Zoom 1050) | c1994 | 2009 | 15.00 | 1999 fine condition worth $20.00 in 2014 | |
 | Samsung: Maxima Zoom 77i (AF Zoom 777i) | c1998 | 2006 | 10.00 | 1995 Good condition worth $10.00 in 2014 | |
 | Samsung: Slim Zoom 1150 (Fuzzy Zoom 1150) | c1993 | 2016 | 3.00 | 1993 Good condition worth $10.00 in 2016 | |
 | Samsung: Slim Zoom 70G (AF Slim Zoom / Mini Zoom 7X) | c1998 | 2002 | 10.00 | 1996 Fine condition worth $15.00 in 2014 | |
 | Samsung: WB150F | 2012 | c | 2020 | 5.00 | The WB150F Samsung SMART Camera uses a powerful 18x Optical zoom to take brilliant photos that you will want to share instantly with family and friends. Using the camera's built-in wireless functionality, you can upload high quality photos to social networking sites and seamlessly sync your camera to other SMART devices (TV, phone, and tablet). Plus you can easily transfer all of your memories to your computer, Smartphone, or Microsoft Skydive with the touch of a button. The camera is a point-and-shoot with a 24-432mm lens (35mm equivalent). Shooting modes range from full manual with control over aperture and shutter speed to full automatic with an abundance of filters and simple editing tools. ISO sensitivity (Auto, 80, 100, 200, 400, 800, 1600, 3200), Photo filters (Auto, Daylight, Cloudy, Fluorescent H, Fluorescent L, Tungsten, Custom, Color Temp), Recording modes (Smart Auto, Program, Aperture Priority, Shutter Priority, Manual, Scene, Magic Plus (Live Panorama, Magic Frame, Split Shot, Picture in Picture, Artistic Brush), Focus modes (Center AF, Multi AF, Tracking AF, Face Detection AF, Face Recognition AF, Selection AF, Manual Focus), Macro (2 inches (Wide); 5.9 feet (Tele)), Metering modes (Multi, Spot, Center-weighted, Face Detection AE), built-in lens shield, USB socket, and a ¼ inch 20 thread tripod socket. The camera sold for $229.00 when introduced in 2012 and powered by a Samsung SLB-10A 3.7 volt 1030mAh Lithium Ion battery. The camera pictured here is in Good condition and worth $12.00 in 2020. |
 | Sanei: Samoca 35 II | c1950s | 2014 | 55.00 | 1954 Good condition worth $75.00 in 2014 | |
 | Sanei: Samoca 35 II | c1950s | c | 2019 | 10.00 | The Samoca 35 II can produce 36 pictures of 24x36mm on 35mm film using a fully corrected Anastigmat coated Ezumar f50 3.5 lens. The Vario type shutter has speeds of 1/25, 1/50, and 1/100 of a second plus B. It also has auto stop plus a frame indicator dial on the top, helicoid focusing, depth of field scale, and fixed focus marks. The camera has a manual shutter cocking button located at the top of the shutter & lens assembly plus a flash terminal on the front. The camera was produced under the Samoca Camera Co., LTD name by Sanei Sangyo K.K. in the 1950s and the company logo of AAA inside a triangle on the front confirms this. The three "A" are certainly inspired by the company name "Sanei", which can be phonetically understood as "three A" in Japanese. The Samoca brand name can be found up until 1962. Other features on the camera an accessory shoe, optical viewfinder, film advance knob on top, plunger shutter release socket, and 2 ¼ inch 20 thread tripod sockets on the bottom of the camera. The camera pictured here is in Good condition and worth $30.00 in 2019. |
 | Sanei: Samoca 35 III | c1950s | c | 2018 | 23.00 | Samoca cameras were part of the initial wave of small viewfinder and rangefinder cameras to come out of Japan, in the decade following WWII, as Japanese camera makers started to consider seriously competing with those in Germany. Their Samoca 35 III came out right around 1955. There are about thirteen Samoca 35 models. The differences between models are typical of many older cameras and the improvements over time. The 35 III's top shutter speed is 1/100 of a second which limits its use in bright light. The shutter is a 'Vario type' shutter with speeds 1/25, 1/50, 1/100 of a second and B. The mushroom shaped button at top right loads the shutter and disengages the film advance so you can crank to the next frame. You also use it to rewind when you're done. The camera has a Triplet C. EZUMAR Anastigmat coated, 50mm lens with apertures of 3.5 to 22. The Samoca 35 III was made in Japan by Sanei Sangyō K.K. (三栄産業㈱). Cameras were made under the Samoca brand name from 1952 to 1955. It was renamed to Samoca Camera K.K. (サモかカメラ㈱, Samoca Camera Co., Ltd.) in 1955. Samoca cameras and accessories were distributed by Hattori Tokei-ten at least until 1956. The company was renamed Sanei Sangyō again in 1958, and Samoca cameras are known at least until 1962 (Camerapedia). The camera pictured here is in Fine condition and worth $35.00 in 2018. |
 | Sanei: Samoca Flash 35EE | c1980s | c | 2018 | 5.00 | The Flash 35EE is a viewfinder camera for 35mm film manufactured in Hong Kong by Sanei Sangyō K.K. (三栄産業㈱). It has a super coated Samoca f2.8 40mm lens with a four position focus ring that has icons of a mountain range, three people standing, two people from the waist up, and one person from the chest up (1m to infinity). The exposure is set by an electric eye positioned over the lens in the lens assembly and is powered by a 357 pill battery located in the bottom of the camera. The shutter release button has provisions for a plunger to be screwed in and there is a ¼” 20 thread tripod mount on the bottom of the camera. Other features are a single action film advance lever, fold down rewind crank arm that opens the back cover when the assembly is pulled up, a rewind release button on the bottom, an ASA/DIN set ring surrounding the lens with an indicator window bottom front, optical viewfinder, and a two-step built-in flash unit with a flash ready LED. The flash unit snaps out to the side when you press the red button just under it on the front and then to activate it you slide the red arrowed switch toward the direction the arrow points. This slide switch will not move till the flash unit is deployed. This camera was introduced in 1962 and is mostly made of plastic. It is unknown how many were produced but they are not rare. The camera pictured here is in good condition and worth $5.00 in 2018. |
 | Sanei: Samoca MR | 1961 | c | 2017 | 8.00 | Sanei Sangyō K.K. (三栄産業㈱) was a Japanese camera maker. It made cameras under the Samoca brand from 1952. It was renamed to Samoca Camera K.K. (サモかカメラ㈱, Samoca Camera Co., Ltd.) in 1955. Samoca cameras and accessories were distributed by Hattori Tokei-ten at least until 1956. The company was perhaps renamed Sanei Sangyō again in 1958, and Samoca cameras are known at least until 1962. The logo of the company consisted of AAA inside a triangle; the three "A" are certainly inspired by the company name "Sanei", which can be phonetically understood as "three A" in Japanese. The Samoca MR was one of the late camera models of Samoca, introduced in 1961. It is a rangefinder camera for 35mm film, mainly constructed of metal parts. The lens is a Samocar 1:2.8 f=45mm. The flash synchronized leaf shutter had speeds from 1 to 1/300 sec. plus B. The optical viewfinder is combined with a superimposed coupled rangefinder. The camera has settings for up to 200 ASA film and apertures of 2.8 to 22. It also has a cold shoe, single action frame advance lever, screw in cable shutter release in the shutter button, frame counter in the bottom of the camera, rewind release button, rewind fold down crank handle, focus capability from 3 feet to infinity, and a ¼” 20 thread tripod mount. The camera pictured here is in fine condition and worth $20.00 in 2017. |
 | Sanyo: VPC-E760 | 2004 | c | 2020 | 5.00 | The VPC-E760 features 7.1 Megapixel resolution for images that can be blown up to poster-sized prints or cropped in to show off fine details. A 3x all-glass zoom lens gives the E760 the power to zoom in close. Captured images are easily viewed on the camera's extra-large 2.5 inch LCD display. Video capture mode allows you to shoot full 640x480 video clips. The E760 has a sophisticated face detection system that sets the focus point and exposure for the faces of your subjects and can detect up to six faces in a single shot. With a high sensitivity of ISO 800, the E760 captures greater detail in low light. The E760 features an easy-to-use menu system and user-friendly ergonomics that will please entry-level digital photographers as well as more experienced users. Powering the E760 is a lithium-ion NP-40 battery that provides long shooting times and is easily recharged. Images are captured to SD or SDHC Memory Cards (32mb max). The camera was made in China stating in 2004 and has a thin plastic and aluminum body. Other features are a built in lens cover, 5.8 to 17.4mm lens, motorized 3x optical zoom equivalent to 35 to 105mm, 5x digital zoom, TTL contrast detection, shutter speeds of 8 seconds to 1/1500 of a second, built in flash, Image stabilization, CCD optical sensor, 10 second Self-timer, USB port, 5 volt DC in socket (center post positive), and a ¼ inch 20 thread tripod socket. The camera pictured here is untested and worth $2.00 in 2020. |
 | Sanyo: VPC-S600 | 2006 | 2016 | 3.00 | 2007 poor esthetic condition worth $15.00 in 2016 (6.0MB) | |
 | Sanyo: VPC-T1496 | 2010 | 2015 | 15.00 | 2012 Fine condition worth $20.00 in 2015 (14 MP) | |
 | Sanyo: VPC-T700 | 2004 | 2015 | 10.00 | 2009 Fine condition worth $20.00 in 2015 (7.0MP) | |
 | Sawyers: Nomad 127 | c1957 | c | 2019 | 15.00 | The Sawyer's Nomad 127 is a brown Bakelite camera that produces 4x6.5cm exposures on 127 film. It was introduced in c1957 by Sawyer's Inc. of Portland, Oregon USA. A matching flash holder was available, which fitted on top, connecting with pins into sockets either side of the viewfinder tunnel and used two AA batteries plus M-2 flashbulbs. The optical viewfinder and fixed focus glass lens are approximately 28mm and the shutter 1/50 of a second. The camera has the round film advance clockwise turn knob, an aluminum faceplate, right-handed shutter release button, a red (back of the film) observation window for frame count, and a permanently attached carry strap. An interesting fact is that Sawyer’s Inc. was also the producer of the View-Master 3D viewer and was the nation's second-largest manufacturer of slide projectors. Also, released at the same time as the Nomad 127 was the Nomad 620 which was almost identical but is a little taller, used 620 films, had a smooth Bakelite faceplate and had a Bulb shutter speed setting under the lens. Both cameras sold for less than $5.00 with the 620 version a little higher than the 127. You could get a kit with a flash unit, two batteries, two rolls of film, the camera, and ten flash bulbs for less than $5 in 1958. For $1.79 you could get a case to carry it all in. manufacturing of both cameras was discontinued in 1963 but the cameras sold for a few years after that due to new old stock. The camera pictured here is in fine condition and worth $20.00 in 2019 with the flash unit. |
 | Sawyers: Nomad 620 | c1957 | c | 2016 | 15.00 | Sawyer was the maker of the original View Master Product line. The Sawyer line of plastic cameras is less known, but just as charming in style and design. The 1957 Nomad 620 is a large, 620 box camera with a chocolate brown Bakelite body and a grid patterned faceplate. The camera has a Nomad meniscus f/15 fixed focus lens from 4 feet to infinity. It also has a single speed, flash synchronized, with instantaneous plus bulb setting shutter. It also has auto shutter lock to prevent double exposure, a Nomad flash attachment taking two AA batteries for the M2 bulbs, flash ejector socket, an eye level viewfinder, a red frame counter round window in the back, and you could purchase a close-up attachment and filters. The camera pictured here is in Good condition and worth $30.00 in 2016. |
 | Sea & Sea: Pocket Marine | 1981 | 2013 | 15.00 | 1981 fine condition worth $20.00 in 2014 | |
 | SeaLife: Reefmaster RC (SL515) | 1999 | 2012 | 10.00 | 1999-2005 Poor condition worth $1.00 for parts in 2014 (case leak) | |
 | Sears Roebuck: 126 Reflex TLS | 1968-1971 | 1990 | 15.00 | 1969 good condition worth $40.00 with the lens in 2014 (55mm) | |
 | Sears Roebuck: Disc 220 | 1986 | 2017 | 3.00 | The Disc 220 has a fixed focus f2.8 12.5mm lens with a built in flash and flash ready light. The camera was made in 1986 by Ansco (owned by Haking of Hong Kong from 1978 until 1990) for Sears and is very close to the Ansco HR 15 Disc camera only the 220 has manual film advance. The aperture, lens, and location of all the components is the same. It also is almost identical to the Halina Disc 108 and the Haking Disc 11, both made by Haking. The only difference was the f2.5 12.5mm lens. The camera also has a built in lens cover that is the on/off switch and when slid to its furthest position the flash is activated. The other features are a slid film advance on the side of the camera, optical viewfinder, shutter release on the front of the camera, film observation window on the back, frame count window on the back, and a hand strap attach point. The camera takes two AA batteries to power the flash. The camera pictured here is in Good condition and worth $10.00 in 2017. | |
 | Sears Roebuck: Sears Easi Load Auto 600 | 1972 | 2016 | 9.00 | 1969 fine condition worth $25.00 in 2016 | |
 | Sears Roebuck: Sears Easi Load FC 600 | 1972 | c | 2018 | 4.00 | The Sears Easi-Load FC 600 is a rebadged version of a Ricoh 126 C Automatic camera for Kodapak cartridges. It was produced in Japan by Ricoh for the Sears & Roebuck warehouses in the U.S.A. as part of Sears' Easi-Load camera series for cartridge film. Unlike most other cameras of its class it has a quite mighty lens, a Rikenon 1:2.8/40mm, a Copal single speed shutter of 1/125 of a second, and a robust metal body. It has CdS meter controlled exposure and a spring motor for film advance. Exposure is fully automatic, with a selenium cell driven trap-needle mechanism setting the aperture size (f/2.8-f/22). Zone focusing. Distance symbols and aperture settings are visible in the bright frame viewfinder. The front cover together with the lens barrel comes off easily after removing three screws (they are bigger than other screws) from the film chambers. The lens barrel has no connection to the lens inside, except a stud coupling to the focusing ring. The camera was introduced in 1969 along with the release of the Ricoh 126 C Automatic. Two versions of the camera were released. One with a ring around the lens and the other with an eye. The camera pictured here is in Good condition and worth $15.00 in 2018. |
 | Sears Roebuck: Sears KS 500 | c1979-1980 | 1990 | 35.00 | 1978 Good condition worth $25.00 plus $40.00 for the lenses (50mm & a 80-200mm) | |
 | Sears Roebuck: Sears KS Super | 1981 | c | 2020 | 18.00 | The KS Super is a K mount camera that was a re branded Ricoh XR-6 but with minor differences. The XR-6 logo is replaced with KS Super, and the chrome ring around the shutter speed dial is now all black. The camera requires two LR44 batteries, which go in a threaded holder on the underside of the camera. The KS Super will not work without batteries on any mode or setting, it’s a completely electric camera. Inside of the viewfinder is a microprism ring, the split image focusing area cuts across diagonal not horizontal. On the right hand side of the viewfinder, there is a meter system that consists of 4 led lights. You have the plus sign (+) and minus sign (-), over and under exposure lights, and between them a circle light that lets you know your exposure is correct. This circle indicator also blinks when the cameras shutter speed selection is too slow to hand hold. Below that you have a flash ready light, for a dedicated Sears flash unit. The KS Super is an aperture priority camera with somewhat minimal controls. On the top, right hand side of the camera you have a standard winding lever and frame counter. The shutter button is to the left of that and has a threaded shutter release; it also triggers the meter if half pressed. The main on/off and shutter selection is on a dial around the shutter button. The choices you have are L (lock/off), A (aperture priority), X (flash sync), and B (bulb). All modes are self-explanatory, but within the aperture priority mode, the camera is capable of 1 second to 1/500th of a second shutter speeds. On top of the camera you have a hot shoe that has an extra contact for use with a dedicated Sears #8025 flash. With this flash, you can keep the camera in the aperture priority ‘A’ setting and get a flash ready signal in the viewfinder. The camera also has PC sync on the front of the camera body, standard rewind crank in which you pull up to release the camera back, ASA dial that goes from 12 to 3200, exposure compensation function built in, 10 second self-timer button next to the ASA dial labeled SELF, frame counter, single action film advance lever, designed for a motorized drive attachment, and a ¼ inch 20 thread tripod socket. Some of this information was found on the Aperture Preview site (aperturepreview.com). The camera pictured here is in fine condition and worth $30.00 in 2020. |
 | Sears Roebuck: Sears KS Super II | 1981 | 2007 | 25.00 | 1981 fine condition worth $45.00 with the lens in 2014 (28-70mm) | |
 | Sears Roebuck: Sears M35 Super | 1986 | 2017 | 2.00 | The Sears M35 Super (Ricoh AF-60) with a model number inside on the back cover of 444.736700 plus a serial 16905738 and it was made in Taiwan R.O.C... Sliding back the cover on the front of the camera reveals a 35mm f/3.5 4 element Rikenon lens paired to an electronically controlled shutter. The self-timer is activated by the switch on the front next to the grip and the flash pops up when needed. The camera was introduced in 1986 and originated in Japan. The dimensions on this 35mm film camera are 11.7 x 6.5 x 5mm. The Ricoh AF-60D is the data back equipped variant of the AF-60, one of half a dozen or so consumer grade autofocus point-and-shoot cameras introduced by Ricoh in the mid to late 1980s. The sears M35 Super also has auto focus, auto focus indicator LED, auto exposure, auto flash when needed, flash ready light, DX film auto set, frame counter, Film ISO observation window in the back cover, film monitor system, optical Albada type bright-frame viewfinder, built in lens cover that is also an on/off switch, and a handy carry strap connector. The lens can focus from 1m to infinity and the programed shutter has speeds available of 1/30 of a second to 1/500 of a second. The ISO range is 100 to 1000 DX coded and the camera operates on two AA alkaline batteries. The camera pictured here is in Poor condition and worth $1.00 for parts in 2017. | |
 | Sears Roebuck: Sears Tele 410 | c1970s | 2015 | 3.00 | 1970 fine condition worth $10.00 in 2015 | |
 | Sears Roebuck: Sears TLS (1000 MX, MXB) | 1967 | 1991 | 30.00 | 1974 Good condition worth $35.00 with lens in 2014 | |
 | Sears Roebuck: Tower 10 A | 1960 | c | 2018 | 5.00 | The Tower 10A was manufactured in Japan by the Mamiya camera company and labeled with the Sears Tower line of cameras and gear. The camera was introduced in 1960 and sold originally for about $54.50 and $7.95 for a leather case. The camera has a twin image coupled rangefinder and can focus from 3.5 feet to infinity. The Tower 10A has a single stroke frame advance lever that also cocks the shutter. The camera also has 10 shutter speeds from 1 second to 1/500 of a second, built-in self-timer, fully synchronized flash port, traditional rewind lever that pulls up to release the film cartridge, light meter with a range from 8 to 800 ASA, a utility shoe for mounting a flash unit, a ¼” 20 thread tripod mount, an all metal body, and leather trim. The camera uses a 48mm f2.8 Mamiya Sekor lens. The camera is distinctly Mamiya and resembles The Mamiya 35D, 35 M3, 4B, and the Mamiya Rank Mamiya. |
 | Sears Roebuck: Tower 34 Box | 1948-1951 | c | 2017 | 5.00 | The Sears & Roebuck Tower 34 box camera was first listed in 1948 and production ceased in 1951. The front face of this box camera is entirely chrome as is the lens ring escutcheon. This camera uses 120 type film and was sold in very great quantities by correspondence thanks to the seasonal catalogs of Sears and Roebuck. It is Ansco which manufactured it for Sears. This accounts for when it is opened, the film recommended is format 120 or B2, and B2 is the name of the 120 film by Ansco/Agfa. An optical finder is on right side of the camera and occupies the depth of the camera. The camera also has a red window in the back cover for frame count using the paper backing of the roll film, a frame advance knob that is pulled out to release the film carriage, a red shutter release lever, a two socket flash attach point, a pull out aperture tab with two stings (f/8 to f11), a shutter speed of 1/50 of a second, and it came with a leather handle. The camera originally sold for about $8.50 and $2.50 for the flash unit. The camera pictured here is in good condition and worth $10.00 in 2017. |
 | Sears Roebuck: Tower 39 Automatic 35 | 1961 | 2016 | 5.00 | 1961 Poor condition worth $1.00 in 2016 (shutter not working) | |
 | Sears Roebuck: Tower Foldex 20 | c1948-1953 | 2015 | 15.00 | 1950-1953 Good condition worth $20.00 in 2015 Most of the Sears cameras were branded under the names Seroco or Tower. Sears did not manufacture cameras of its own, but sold those made by other companies, including the Conley Company, which was acquired by Sears in 1910, and which manufactured cameras exclusively for Sears. In 1924 Sears also bought the Seneca Camera company. Shortly after, around 1927, Sears ceased camera production by these companies, and sold their camera assets to the United States Camera Company. However, until around 1967 Sears continued to sell cameras manufactured by others including United States Camera Company. Pho-Tak Corporation, of Chicago, USA, was a manufacturer of simple box cameras. Their name is intertwined with United States Camera, effectively the same company, who produced variations on several Pho-Tak models under different names. The Sears Tower Foldex 20 was one of these cameras. Actually there are four versions of the Foldex. The (United States Camera Company) Rollex 20 is the first of this type and has a small difference in the camera open release button plus does not have a hot shoe. The Sears Tower Foldex 20 and the Pho-Tak Foldex 20 are the same camera with different lens escutcheons with white lettering on black. Later versions of the Pho-Tak Foldex 20 had a plain metal lens escutcheon with black lettering. These cameras were fixed focus, fixed aperture, with a B to 1/50 of a second leaf shutter. The last of these cameras is the Pho-Tak Foldex 30 or Foldex 6.3. This camera has a Steinheil Munchen Cassar 100mm f/6.3 lens and a Vario diaphragm shutter. Although it is called the Foldex 30, nowhere on the camera will you see the number 30 but you will find the 6.3 aperture setting and Foldex does appear on the portrait table support leg. This cameras other differences are that it has a plastic top that encloses the viewfinder, adjustable shutter speeds from B to 1/200 of a second, aperture settings of 6.3 to 22, manual shutter cocking, and the wheel was removed from the shutter release translator. The distinctive characteristic of all these Foldex cameras is that the shutter has to be tripped with a lever that is integrated into the edge of the front door panel. They also can use 120 or 620 film and were produced from 1950-1953 with the Foldex 30 going on till 1962. | |
 | Sears Roebuck: Tower Pixie II | c1958 | c | 2019 | 10.00 | The Sears Roebuck Tower Pixie II camera was introduced in 1958 and made in the U.S.A... The camera uses 127 film, has an integral flash port that uses two AA batteries, a bulb release lever, a switch for color (aperture f11) or black and white (aperture f22) film, an optical viewfinder, a film advance wheel on the bottom, a red view window in the back cover for frame count, a 1/50 of a second rotary shutter, and produced 4x4cm exposures. The Pixie II was at that time delivered by Sears, the most famous mail-order house in the world. Sears Tower (brand name due to the Chicago corporate building) was the highest tower in the world for a certain period. Tower cameras were made by different renowned camera makers of several countries. Some cameras were sold branded Sears and a few under their original manufacturers. This camera could have been made by Imperial or even Kodak. The box kit came with two AAA (penlight) batteries, a roll of 127 films, some AG1 flashbulbs, and cost less than $6.00. The Tower Pixie II is a fixed focused camera also known as Pixie II 127. The lens is about 28mm and the minimum range is 5 feet. The camera pictured here is in good condition and worth $5.00 in 2019. |
 | Sedic: Sedic Sport F | 1977 | c | 2016 | 4.00 | This 110 camera was first produced in 1977 by the Sedic Camera Company. The Sedic camera Company was a Japanese company that offered exposure light meters, pocket cameras for 110 film, and other cameras plus as a subcontractor, it worked with Fujifilm and Hanimex. The Sport F has a 26.5mm (f9.5) fixed-focus Sedic color balance lens and a single shutter speed of 1/60 of a second. Sedic also sold a close-up lens for this camera (focusing to 4 inches), wide-angle lens, telephoto lens and a motor drive. The camera also has a left index finger film advance wheel in the front, flipflash bar socket, ¼” 20 thread tripod mount, optical viewfinder, plunger shutter release socket, and a handy carry strap hard point. The camera pictured here is in Good condition and worth $5.00 in 2016. |
 | Sedic: Sedic Sport F | 1977 | c | 2019 | 2.00 | The Sedic Sport F is a 110 film camera that was introduced in 1977. It came with a 26.5mm (f9.5) fixed-focus lens. The escutcheon around the lens has SEDIC COLOR-BALANCED LENS printed on it in white. The camera has a single speed shutter of 1/60 of a second. Sedic was a Japanese company that offered exposure light meters and was a subcontractor that worked with Fujifilm and Hanimex. They sold a close-up lens (focusing to 4 inches), wide-angle lens, telephoto lens, and a motor drive as accessories for the Sport F. The Sport F has a flash socket for Flip-Flash that is a type of flash bar that you flip to use the other flash bulbs. The Flip-Flash had its own power and would move to the next unused bulb automatically. Other features of the camera are a plunger shutter release socket, optical viewfinder, a left index finger film advance wheel on the front of the camera, a view window to see the backing of the film as a frame counter (this window also acted as the slide lock to the hinged door of the film compartment), a detachable wrist strap, and a ¼ inch 20 thread tripod socket. The camera pictured here is in fine condition and worth $10.00 in 2019. |
 | Seneca Camera: Scout Box No.2 | 1913-1925 | 2016 | 8.00 | 1913 poor condition worth $5.00 in 2016 | |
 | Seymour: Flash Master | 1942 | 2019 | 12.00 | The Seymour Flash Master Bakelite viewfinder camera was just one of the cameras in the manufacturing debacle created by the sale of the Utility Manufacturing Company’s Falcon brand. The buyer then moved it and its product to 711/715 West Lake Street, Chicago, home of the Monarck manufacturing Company and Spartus Corporation. This started the complicated Company naming game. Some of the branding names were Falcon, Monarck, Seymour, Herold, Spartus, Galter, and Spencer, Cinex, Photo Master, plus more. This business model was repeated in Taiwan years later and continues today throughout the globe (cheap product with many names and brand names). The Flash Master camera was marketed by the Seymour Products company in 1942. Designed as a simple candid camera that was capable of shooting under any lighting condition. The photo flash unit had a 4 1/8 inch diameter plated reflector, used two penlight batteries (AA), was electronically operated (synchronized), and used the G.E. Mazda Flash bulbs (the biggest flash bulb on the market with 183,000 lumens)(this same unit is used on Pho-Tak cameras). The camera was constructed of plastic bakelite with a built-in open view finder. It was fitted with a genuine Graf meniscus 50mm lens and flash synchronized time and instantaneous shutter. The shutter lens combination was used on many cameras and if you remove the lens plate you will find the words Photo Master embossed on the plastic. This is a half frame camera with two red windows in the back cover for frame counting and for capturing sixteen exposures on no. 127 or A8 film. The exact camera (Flash Master) can be found with the Herold Products Company Inc. name. The Photo Master Company’s Photo Master Camera with the Bakelite face, is the same camera without the two flash posts. This camera is in Good condition and worth $15.00 in 2019. | |
 | Sharper Image: DCF-1 | 2007 | 5.00 | 2003 good condition worth $5.00 in 2014 (1.3MP) | ||
 | Shaw-Harrison Corp: Sabre 620 | 1956-1972 | 2016 | 13.00 | 1972 fine condition worth $25.00 in 2016 | |
 | Sony: Cyber-shot DSC-H55 | 2010 | c | 2019 | 5.00 | The Cybershot DSC-H55 was introduced in 2010 and offers features that set it apart from the competition. Amongst them is Sony's 'Sweep Panorama' and DRO (dynamic range optimization) modes. The DSC-H55 has a maximum resolution of 4320 x 3240, Effective pixels 14 megapixels, Sensor size 1/2.3" (6.17 x 4.55 mm), Sensor type CCD, a range of ISO settings (Auto/ 80/ 100/ 200/ 400/ 800/ 1600/ 3200), Focal length 10x (35mm equivalent 25–250 mm), Max aperture F3.5–5.5, 3” LCD display screen, Shutter speeds of 30 seconds to 1/1600 second, video Format MPEG-4, Storage types is Memory Stick Duo / Pro Duo/ PRO HG-Duo/ SD/ SDHC/ plus Internal, USB 2.0 (480 Mbit/sec), Weight (including batteries) 200 g (0.44 lb. / 7.05 oz.), Dimensions 103 x 58 x 29 mm (4.06 x 2.28 x 1.14″), powered by one NP-BG1 or Sony type G battery, built-in lens cover that opens when on, built-in flash unit, docking port on the bottom of the camera, zoom rocker switch, ¼ inch 20 thread tripod socket, and a handy wrist strap. The camera pictured here is in Good condition and worth $15.00 in 2019. |
 | Sony: Cyber-shot DSC-H55 | 2010 | c | 2020 | 5.00 | The Cybershot DSC-H55 was introduced in 2010 and offers features that set it apart from the competition. Amongst them is Sony's 'Sweep Panorama' and DRO (dynamic range optimization) modes. The DSC-H55 has a maximum resolution of 4320 x 3240, Effective pixels 14 megapixels, Sensor size 1/2.3" (6.17 x 4.55 mm), Sensor type CCD, a range of ISO settings (Auto/ 80/ 100/ 200/ 400/ 800/ 1600/ 3200), Focal length 10x (35mm equivalent 25–250 mm), Max aperture F3.5–5.5, 3” LCD display screen, Shutter speeds of 30 seconds to 1/1600 second, video Format MPEG-4, Storage types is Memory Stick Duo / Pro Duo/ PRO HG-Duo/ SD/ SDHC/ plus Internal, USB 2.0 (480 Mbit/sec), Weight (including batteries) 200 g (0.44 lb. / 7.05 oz.), Dimensions 103 x 58 x 29 mm (4.06 x 2.28 x 1.14″), powered by one NP-BG1 or Sony type G battery, built-in lens cover that opens when on, built-in flash unit, docking port on the bottom of the camera, zoom rocker switch, ¼ inch 20 thread tripod socket, and a handy wrist strap. The camera pictured here is in Good condition and worth $15.00 in 2020. |
 | Sony: Cyber-shot DSC-P10 | 2003 | 2013 | 10.00 | 2003 Good condition worth $25.00 in 2014 (5.0MP) | |
 | Sony: Cyber-shot DSC-P10 | 2003 | 2015 | 5.00 | 2003 fine condition worth $15.00 in 2015 (5.0MP) | |
 | Sony: Cyber-shot DSC-P32 | 2003 | 2006 | 20.00 | 2002 Good condition worth $20.00 in 2014 (3.2MP) | |
 | Sony: Cyber-shot DSC-P51 | 2002 | 2017 | 3.50 | The Sony DSC-P51 was introduced in 2002 along with the P71 and P31. The camera sports a 2-megapixel sensor that captures 1,600 x 1,200 images for prints at sizes up to 8 x 10 inches. It has an autofocus lens with 2x optical zoom and 6x digital zoom. It is capable of connecting with PCs and Macs via USB port and uses two AA batteries. Rechargeable nickel-metal hydride (NiMH) batteries were included with new camera but the camera will accept alkaline batteries and also included is a MSA-16A 16MB Memory Stick media, BC-CS1 charger, video and USB cables, wrist strap, and software on CD. The maximum ISO is 400 and the minimum is 100. The camera has a built in flash, TTL metering, auto plus manual focusing, USB serial interface, 8 cm macro focus range, aperture range f3.8 to f8.0, 2 seconds to 1/1000 of a second shutter speeds, 41 mm focal length, self-timer, movie mode (silent), red eye reduction, and a tunnel type optical viewfinder. Though the P51 is designed for point-and-shoot simplicity, there are several options for more adventurous photographers, including manual focus with macro, adjustable ISO and white-balance settings, exposure compensation, and the ability to shoot black-and-white, sepia, solarized, and negative images. The maximum memory stick the camera can work with is 128mb. The camera pictured here is in Poor condition and worth $1.00 in 2017. | |
 | Sony: Cyber-shot DSC-P72 | 2003 | c | 2019 | 5.00 | This camera was introduced in 2003 at a suggested retail price of $349.00. The DSC-P72 is equipped with a glass 3x, 6-18mm lens, equivalent to a 39-117mm lens on a 35mm camera. Normal focus ranges are from approximately 1.64 feet (0.5 meters) to infinity, with a Macro setting that lets you get within four inches (10 centimeters) when the lens is zoomed to its wide angle position, and 19.75 inches (50 centimeters) at its telephoto setting. In addition to automatic focus control, the DSC-P72 offers a total of five fixed focus settings through the Record menu, as well as Center AF and Multi AF focus area options. An AF illuminator lamp on the front of the camera helps focus at low light levels. The DSC-P72 employs a technology that Sony calls "Smart Zoom," which offers a maximum of 3.2x digital zoom. According to Sony, Smart Zoom lets you digitally enlarge the image without any significant loss of image quality. In actuality, "Smart Zoom" simply means that the camera doesn't interpolate the pixels it crops from the center of the CCD array when zooming digitally. This limits the digital zoom range based on the currently-selected image size, with maximum zoom only available at the smallest image size. This is the most reasonable approach to "digital zoom,”. For composing images, the DSC-P72 offers a real-image coupled optical viewfinder and a 1.5-inch color LCD monitor. Exposure is automatically controlled at all times on the DSC-P72. The camera has shutter speeds of 2 seconds to 1/2000 of a second, ISO equivalents (100/200/400) plus an Auto setting, Maximum aperture of f/2.8 to f/5.6, Automatic exposure control, Built-in flash with five modes, USB computer interface, shooting modes of (Twilight, Twilight Portrait, Landscape, Snow, Beach preset), 10-second Self-Timer for delayed shutter release, and a ¼ inch 20 thread tripod socket. The camera pictured here is in fine condition and worth $20.00 in 2019. |
 | Sony: Cyber-shot DSC-P8 | 2003 | c | 2011 | 10.00 | 2003 Good condition worth $15.00 in 2014 (3.2MP) |
 | Sony: Cyber-shot DSC-P8 | 2003 | c | 2018 | 3.00 | Weighing 7.0 ounces, it feels solid and stable in the hand, and all the control dials and buttons are truly responsive. And when you opened the access panel to remove the Memory Stick, the battery remains securely in place. The menu system on the 1.8-inch LCD is sophisticated, with clever but small icons. The DSC-P8 packs a full feature set, including a viewable histogram—a nice touch. There are multiple configurations for white balance (adjusting only to flash is convenient), metering, and exposure, which enthusiasts require. Other notable features include abundant auto settings, multiple video settings (with audio), and the ability to shoot video in macro mode. Sony's 3X optical zoom lens has a 35-mm equivalent of 39 to 117 mm. But the placement of the zoom control feels awkward when you're peering through the viewfinder with your left eye. The camera uses a NP-FC11 InfoLithium rechargeable battery and comes with Sony's proprietary 16MB Memory Stick. Introduced in 2003 the camera was touted high for the class of camera it is a 3.2mp. The camera pictured above is in Fine condition and still has the cardboard Sony tag on it. Unfortunately there was no battery to test the camera so for this reason the camera is worth $5.00 in 2018. |
 | Sony: Cyber-shot DSC-S50 | 2000 | c | 2019 | 5.00 | The DSC-S50 was released by Sony in February of 2000 with six other models. The DSC-S50’s 2.1 megapixel sensor captures images with enough detail to create photo-quality 8 x 10 prints. It also has 3x optical plus 2x digital zoom lens with autofocus, 2.1 megapixel CCD delivering up to 1600 x 1200 pixel images, 560 x 240 pixel (TFT color) rotating LCD monitor, 6.1 to 18.3mm lens (equivalent to a 39 to 117mm lens on a 35mm camera), apertures from f/2.8 to f/11, auto plus manual focus options, automatic (Aperture Priority, Shutter Priority, Twilight, Twilight Plus, Landscape, Panfocus plus Spot Metering exposure modes), variable white balance (with Auto, Indoor, Outdoor plus Hold (manual) settings), Built-in flash (with Auto, Forced, Suppressed and Red-Eye Reduction modes with variable intensity setting), MPEG movies (sound and picture) up to 15 seconds at 320 x 240, 60 seconds at 160 x 112, Audio annotation of still files (up to 40 seconds of audio with each image), High-speed USB interface (Connects with Macs and PCs) , varying Image formats (JPEG, GIF (in Text mode), TIFF and MPEG), and NTSC/PAL switchable video output (US models ship with NTSC video cable). The new Cyber Shot DSC-S50 box included a 4 MB Memory Stick that holds 10 images at default resolution, Rechargeable Lithium-Ion battery, and AC adapter included. The dimensions of the camera are 113 x 68 x 69 mm (4.45 x 2.68 x 2.72″). The camera pictured here is in fine condition and worth $15.00 in 2019. |
 | Sony: Cyber-shot DSC-S650 | 2007 | 2014 | 20.00 | 2007 Fine condition worth $25.00 in 2014 (7.2MP) | |
 | Sony: Cyber-shot DSC-T1 | 2003 | 2013 | 10.00 | 2004 good condition worth $10.00 in 2014 (5.0MP) | |
 | Sony: Cyber-shot DSC-T70 | 2007 | 2019 | 5.00 | Introduced in 2007, the Cyber-shot DSC-T70 has a 3-inch touch screen on the back of a slim, stylish camera body that houses an 8.1-megapixel CCD imaging sensor and a 3x optical, 38mm-114mm f/3.5-f/4.3 Carl Zeiss Vario-Tessar zoom lens with optical image stabilization. It also has a slide cover that seconds as an on/off switch plus lens, flash, and electric eye cover. The cover is almost as long as the camera and more than half as wide. The power and playback buttons sit to the left of the shutter, while a very small side-to-side zoom slider is on the right of the shutter button. The camera also has a very comprehensive touch screen format. Sony uses the corners of the touch screen to give you access to deeper menus, while icons along the sides let you change commonly used settings, such as exposure compensation, metering, focus, or sensitivity (aka ISO). The DSC-T70 includes face detection and can see as many as eight faces in the scene then uses them to determine focus and exposure. The Smile Shutter feature expands on face detection by first locating a face and then waiting for that face to smile before snapping a picture. To use the feature, you have to enter the Smile Shutter scene mode, then press the shutter button, point at a face and wait for it to smile, and then the camera will take a picture. This feature can be adjusted and works best at the medium setting. The camera pictured here is in Poor condition and worth $1.00 for parts in 2019. | |
 | Sony: Cyber-shot DSC-W100 | 2006 | 2014 | 20.00 | 2006 Fine condition worth $30.00 in 2014 (8.1MP) | |
 | Sony: Cyber-shot DSC-W230 | 2009 | 2013 | 30.00 | 2009 Good condition worth $40.00 in 2014 (12.1MP) | |
 | Sony: Cyber-shot DSC-W510 | 2011 | c | 2019 | 5.00 | First introduced in January 2011, the Sony Cyber-shot DSC-W510 is a 12.0MP Ultra compact camera with a 1/2.3" (6.17 x 4.55 mm) sized CCD sensor. It also has a 4X (26-104mm equivalent) zoom, 2.7" display screen, image stabilization, a Sweep Panorama mode, in-camera editing features, ISO ranges (Auto, 80, 100, 200, 400, 800, 1600, 3200), Max aperture F2.8–5.9, shutter speeds are 2 seconds 1/1500 of a second, AVI, MJPEG digital video format, memory slot (SD/SDHC/SDXC/Memory Stick Duo/Memory Stick Pro Duo, Memory Stick Pro-HG Duo), USB 2.0 (480 Mbit/sec), 2x digital Zoom, Face Detection with smile detection (waits for the subject to smile before shutter release), 9 Auto Focus Points (Zones), JPEG Image Recording Format, Shooting Programs (beach, gourmet, high sensitivity, landscape, pet, snow, soft snap, twilight mode, twilight portrait), White Balance Presets (cloudy/daylight/flash/fluorescent light (cool white)/ fluorescent light (daylight)/fluorescent light (warm white)/ incandescent), built-in flash, Focal Length 4.7mm to 18.8mm, built-in lens cover, powered by 1 Sony NP_BN1 Li-ion rechargeable battery - 630 mAh, and has a ¼ inch 20 thread tripod socket. The camera pictured here is in Good condition and worth $10.00 in 2019. |
 | Sony: Mavica CD250 | 2002 | c | 2020 | 8.00 | The Mavica CD250 captures images with 2.0 megapixel (effective) resolution and 3X optical / 2X digital zoom. Some of the features it has are MPEG HQX Movie mode with audio, and a three-shot burst mode for taking photos in rapid succession. The camera was available in May of 2002 and sold for about $600. It has Multi-point auto focus that makes sure the camera doesn\'t just focus on the center of the frame. Instead the MVC-CD250 model automatically finds the best focus among three different areas within the picture. Sony\'s pre-flash exposure metering actually calculates exposure with light from the flash itself. The MVC-CD250 has the benefit of writeable CD photography, CompactDiscs are easy-to-use, long-lasting, and allow instant archiving of pictures. The CD250 Mavica came with a media pack of six CD-Rs and one CD-RW disc when new (1 gigabyte of available storage). The 3x (F3.8-3.9 6.4-19.2mm) optical aspherical zoom lens is equivalent to 41-123mm in 35mm terms and the camera has a 2x digital zoom capability. Other features are up to 1600x1200 resolution still images in JPEG format, MPEG 320x240 or 160x120 with audio, Autofocus 19.7\" to infinity, Macro AF focus 1.2\" minimum, 5-step Manual focus, auto ISO sensitivity (100-400) or fixed 100, 200, 400, auto white balance or adjustable white balance with five modes, 2 sec to 1/800 (auto) shutter speeds, redeye reduction, built-in pop-up flash, 2.5 inch color LCD screen, USB transfer allows use as an external CD-R/RW drive, ¼ inch 20 thread tripod socket, and much more. The camera is powered by a 7.2V proprietary Lithium-ion NP-FM50 battery and charged by an AC-L10 charger. The dimensions are 5-7/16 x 3-3/4 x 4 inches (138 x 95 x 101mm) and the weight is 1lb 6oz (608 g). The camera pictured here is in Good condition and worth $20.00 in 2020. |
 | Sony: Mavica CD300 | 2001 | 2016 | 0.00 | 2001 fine condition worth $15.00 in 2016 (3.3MP) | |
 | Sony: Mavica FD-100 | 2002 | 2015 | 0.00 | 2002 Fine condition worth $20.00 with charger in 2015 (1.2MP) | |
 | Sony: Mavica FD-75 | 2001 | 2016 | 5.00 | 2001 fine condition worth $15.00 in 2016 (0.4MP) | |
 | Sony: Mavica FD-81 | 1998 | 2015 | 5.00 | 1998 good condition worth $15.00 in 2015 (1.0MP) | |
 | Sony: Mavica FD-83 | 1999 | 2002 | 25.00 | 1999 Good condition worth $20.00 in 2014 (0.8MP) | |
 | Sony: Mavica FD-83 | 1999 | c | 2016 | 10.00 | 1999 Good condition worth $20.00 in 2014 (0.8MP) |
 | Sony: Mavica FD-83 | 1999 | c | 2019 | 5.00 | This Sony digital camera has 0.9 megapixel, 3 x optical zoom, Built-in Flash, weighs 17.6 ounces, and has many other features. Using Sony's interpolated imaging technology the FD83 camera can realize a 17% increase in image size, delivering a 1 million pixel image (1216 x 912). The Mavica FD83 provides high quality still images by reading all of the pixels on the sensor (CCD) with a single pass. This one-time pass over the imager delivers clean edges and overall sharper picture quality. The MVC-FD83 allows you to capture up to 60 seconds of video and audio right onto a standard 3.5" floppy disk. This is one of the fastest, easiest ways to get video and audio into your personal computer, for E-Mail, Web sites, or presentations, etc. MPEG Movie offers 2 settings: Presentation Mode, up to 15 sec. (320 x 240) and Video Mail Mode, up to 60 sec. (160 x 112). This camera was introduced in 1999 and was very successful. The camera pictured above is in untested so poor condition and worth $5.00 in 2019. |
 | Southern: Telecom Slick | 2014 | 5.00 | 2010 New condition worth $5.00 in 2014 (0.3MP) | ||
 | Spartus: Co-Flash | c1960 | c | 2019 | 25.00 | The Spartus Co Flash was made by the Herold Products Company, INC. starting in 1960 and is a small Bakelite box camera for 127 films. The Co Flash has a built-in flash holder and reflector plus a brushed chrome faceplate. This camera was capable of capturing twelve jumbo 3 1/2 x 5-inch exposures on standard no. 127 roll film. It featured a 28 mm fixed focus lens with an aperture setting for color or black and white photos, and a built-in optical eye-level target-type viewfinder. A new bagged outfit included the camera with carrying cord attached, gadget bag carrying case, two batteries, four M-2 flashbulbs, one roll No. 127 film, free film certificate and an instruction book. The Spartus Co-Flash outfit retailed for $12.95 and only $9.95 for the camera without the gadget bag. The camera also has a machined film advance knob, flashbulb release lever, a screw down battery compartment behind the reflector for two AA batteries, a screw down film compartment, a red window in the back cover for looking at the numbers on the back of the installed film while advancing the film to the next frame, a tall shutter release button, a leaf shutter with a speed of 1/50 of a second, and an permanently attached carry strap. The camera picture here is in XFine condition and worth $30.00 in 2019. |
 | Spartus: Full-Vue | 1948-1960 | c | 2015 | 10.00 | 1948-1960 Poor condition worth $2.00 in 2015 |
 | Spartus: Full-Vue | 1948-1960 | c | 2017 | 8.00 | The simple Spartus Full-Vue plastic pseudo TLR was made from 1948 to 1960 by American manufacturer Spartus, later Herold Products. This model exposes 2¼" square images on 120 film. The lens of its viewfinder is larger in diameter than its taking lens, giving a bright finder image on the hooded matte screen. The name "Full-Vue" resembles another box camera with big reflecting finder, the British Ful-Vue. In fact, the more direct connection is to the Falcon Magni-View from Utility Mfg. Co. of New York, several of whose models were reissued by Spartus. Spartus used various metal face-plate designs and plastic moldings over the production period. Early examples were made of Bakelite, although later models may have been other plastics. The Full-Vue is also seen labeled with "The Spencer Co." or "Galter Products Co." as the manufacturer's name—a nebulous distinction, as all these entities shared the same address on West Lake St. in Chicago. The camera pictured here is in good condition and worth $12.00 in 2017. |
 | Spartus: Spartus 35 | 1947-1954 | c | 2017 | 11.00 | The Spartus 35 and Spartus 35 F are a series of 35mm film Viewfinder cameras made by Spartus and then Herold Mfg. co. in Chicago, USA, and produced from 1947 to 1954. The original black version of the body bears a strong resemblance to the Argus A. Later Spartus "35" models from Herold Products switched to a gray & silver body style somewhat reminiscent of the Kodak Pony. Their bodies is Bakelite. There are many different lens & shutter combinations of the Spartus 35 and 35 F. The most expensive model offering an f/3.5 coated Anastigmat lens, four shutter speeds from 1/25 to 1/150 sec. plus T and B. But, commonly the cameras have a simple manual scale focus, one speed shutter (Inst 1/50 / Time) and 50mm f/6.3 (or f/7.7) lens with apertures f/6.3-7.7-11-16. Also, there were many cosmetic variations of the body during its manufacturing period. The "F" designation indicated a top flash sync connector bolts on the top plate. Late Spartus 35 models also have connector holes or bolts for dedicated bulb flash units on the top. The camera pictured here is in fine condition and worth $20.00 in 2017. |
 | Spartus: Spartus 35 F | 1947-1954 | 2015 | 15.00 | 1947-1954 Good condition and worth $20.00 in 2015 | |
 | Spartus: Spartus Box 120 | 1950 | 2017 | 12.00 | The Spartus 120 is a simple box camera made of an early type of plastic called Bakelite in 1950. At the time of the 120’s introduction, a great multitude of relatively inexpensive cameras (including the Spartus 35F) were being manufactured in Chicago by the same factories but sold under a puzzlingly broad range of different but related brands with Spartus being the cornerstone of it all. This very same camera was also sold as the Sunbeam 120 and a brown-colored variant was sold under the name “Spartus 120 Flash Camera” that had two connectors on the top. The 120 utilizes a tube viewfinder that had a piece of glass at each end with no optics. It also has a round red window in the back for frame count, approximately 1/60 of a second shutter, one direction film advance turn knob, approximately 50mm lens, and a handy carry handle. The suggested retail price in 1950 was $3.97. The camera pictured here is in fine condition and worth $15.00 in 2016. | |
 | Spartus: Spartus Box 120 (box) | 1950 | c | 2016 | 10.00 | The Spartus No. 120 Box Camera was manufactured by the Spartus Camera Corp. in circa 1942. A simple and inexpensive box camera constructed of Bakelite with a smart chrome decorated front. Exactly the same as the Spartus No. 116/ 616 camera except in film size. This camera was capable of capturing eight full size 2 1/4 x 3 1/4 inch pictures on No. 120 size film, as the name implies. It featured two waist level brilliant view finders for vertical and horizontal pictures, an optically ground and polished fixed focus lens, single f5.6 aperture, a leather carry handle, film winder knob, and a simple time and single action 1/50 of a second instantaneous shutter that did not need preloading. The camera was priced at $3.97 in 1942 and had some success though it is not known how many were produced or what year production stoped. The camera pictured above is in fine condition and worth $30.00 in 2016. |
.jpg) | Spartus: Spartus Box 120 (box) | 1950 | c | 2020 | 5.00 | The Spartus No. 120 Box Camera was manufactured by the Spartus Camera Corp. in circa 1942. A simple and inexpensive box camera constructed of Bakelite with a smart chrome decorated front. Exactly the same as the Spartus No. 116/ 616 camera except in film size. This camera was capable of capturing eight full size 2 1/4 x 3 1/4 inch pictures on No. 120 size film, as the name implies. It featured two waist level brilliant view finders for vertical and horizontal pictures, an optically ground and polished fixed focus lens, single f5.6 aperture, a leather carry handle or vinyl handle, film winder knob, and a simple time and single action 1/50 of a second instantaneous shutter that did not need preloading. There were two camera styles, one camera had a vinyl handle, plain face plate, and time setting on the right over the shutter release and the other had a leather handle, distinctive face plate, and the time setting lever on the left. The camera was priced at $3.97 in 1942 and had some success though it is not known how many of either versions were produced or what year production stopped. The camera pictured here is in good condition and worth $6.00 in 2020. |
 | Spartus: Vanguard | c1962 | 2016 | 16.00 | The Spartus Vanguard was made of plastic with a metal face plate, shutter and flash contacts. It uses 127 film and was made by Herold Products of Chicago. The camera has accommodations for a plug-in flash unit and along with the optical viewfinder that separates it from the common box camera. The shutter has one speed of 1/50 of a second and is without double exposure protection. The camera was introduced in 1962 and is the flash version of the Spatus Rocket and looks identical save the different face plate, the two holes for the flash and a "COLOR - B&W" aperture selector. A soft plastic handle was provided and attached to a square hard point buttons on each side of the camera with the button holes at the ends of the handle. The camera pictured here is in fine condition and worth $25.00 in 2016. | |
 | Superheadz: Plamodel | c2000s | 2015 | 15.00 | Unique gift for your photography-loving friends, "do it yourself" 35mm camera from Superheadz (sometimes also called LOMO) is completely opposite to the known "explosion" Leica or Nikon cameras. I am not sure which was the first "build it yourself" camera, but Ansco was producing its Craftsman in 1950. Building your own camera is fun, but this one can remain collectible only if it still stitting in the original box or a vinyl bag and until it was assembled. This camera comes in the regular black or Moriyama special edition (cow photo on the camera and a bag). The camera pictured here is worth $15.00 in 2015 | |
 | Tasco: Tasco All Weather | 2019 | 10.00 | The Tasco All Weather is a 35mm film camera developed in the early 1980s, made in China, and distributed by the Concord Camera Company. Concord released cameras under various brand names such as Goldline, Keystone, Apex, Le Clic, Argus or Polaroid. Concord released this weather resistant camera as the Keystone Regency, the Le Clic Tuff 35, and the Tasco All Weather (all three are identical aside from branding). The Tasco Company is best known for microscopes, riflescopes, binoculars, telescopes, and also now known for inexpensive digital motion detect trail cameras. In the late 1970s and early 1980s the company did sell some camera binocular cameras that used 110 film but this (Tasco All Weather) is the only conventional camera with the Tasco name. The camera was for the outdoorsperson and sports enthusiast. Everything is sealed quite well from the elements and it came with a 35mm film tank sealed with an O-ring for the screw on lid. The camera has a built in flash with an on/off switch plus flash ready light, a two position ASA film selector switch for 100/200 ASA or 400/1000 ASA, a Optique color corrected fixed focus f5.6 38mm lens, a sealed shutter release button with a locking switch to prevent accidental exposures, a film view window in the back cover, auto film advance plus rewind, large optical viewfinder, frame counter, and a handy carry strap. The auto film advance, auto rewind, and built in flash are powered by two AA batteries in a compartment accessed at the bottom of the camera. The camera pictured here is in fine condition and worth $15.00 in 2019. | ||
 | Testrite: Cinelarger 8mm M208 | 2017 | 6.00 | This Cinelarger permits still prints to be made from either Super 8, 8mm, 16mm or 35mm movie films. The Cinelarger makes negatives from either black and white or color movies on to black and white or color 120 film. 1 5/8” x 2 1/16” negatives can be made from the 8mm film and 2 1/8” x 2 7/8” negatives are obtained from 16mm or Super 8 film. The M-208 Cinelarger camera is good with 8mm or 16mm film and the M-208S with Super 8 film. Also made was an M-205 for 35mm movie film conversion. All three cameras retailed for $18.95 in 1949 and extras could be purchased. A light socket with a clamp was sold and a choice of EBV #2 flood lamp for B&W ($2.99) or a EBW #2 flood lamp for color ($4.15). The Cinelarger was manufactured by Testrite Instrument Company as a means to allow users to create single frame still blowups of home movies. It uses medium format film and the intention was to produce a negative large enough for contact printing although they can be enlarged. The earlier models uses 620 film and the later uses 120 size film. Both films are identical, but used slightly different spools. 620 is no longer available, but 120 film can be re-spooled on to a salvaged 620 spool. According to all accounts the M-208 Cinelarger was introduced in 1948 and sold into the late 70’s. The Testrite visual Company started in the 1920’s as an importer of scientific instruments, Testrite redefined itself during WWII as a manufacturer of products needed for the war effort. They have reinvented themselves many time and today are into visual merchandising. The camera pictured here is in good condition and worth $15.00 in 2017. | ||
 | Tokyo Kogaku: Beseler Auto 100 Topcon | 1964-1973 | c | 2017 | 23.00 | 1964-1973. 35mm SLR camera. Through-the-lens (TTL) metering. First automatic-exposure SLR camera in the world. Also known as the Topcon Uni and the Hanimex Topcon RE Auto. It's one of the first auto exposure SLR cameras with TTL metering. It is usually bundled with a 53mm f/2.0 six element lens which is compatible with the UV lens mount. It has a Seikosha made shutter with speeds from 1s to 1/500 of a second with B. Flash sync is at 1/60 of a second. It features a needle based TTL center-weighted metering system using a CdS cell. The meter has a range of 5 to 18 EV at (ASA 100), settable to film speeds from 25 to 400 ASA. The shutter speeds in metered shutter priority mode can only use the red shutter indicators down to 1/8 of a second. It uses a 1.35v mercury battery no longer available but has a 1.35V Zinc-Air replacement MRB625. The film transport uses a single stroke film advance lever and a rewind crank with release button. Unlike most later-day SLRs, this camera has a leaf shutter, leading to a more complex exposure sequence. When idle, the mirror is down to block the film from exposure (like an auxiliary shutter), and shutter and aperture are wide open. When the shutter release is pressed, the shutter closes, the aperture stops down, and the mirror turns up. Once the mirror has moved, the shutter opens then closes. The mirror falls down back to block the light pathway as both the shutter and aperture return to their open idle positions. Most of the information here is from camera-wiki.org. The camera pictured here has a Tokyo Kogaku Topcor 135mm f4.0 lens (good condition) worth $10.00, Tokyo Kogaku Topcor 35mm f3.5 lens (good condition) worth $10.00, and the Tokyo Kogaku Topcor 53mm f2.0 lens that came with the camera body when purchased (good condition) $10.00. The camera is in Good condition and worth $35.00 in 2017 |
 | Tokyo Kogaku: Topcon Uni | 1964-1973 | 2012 | 20.00 | 1964 good condition worth $20.00 in 2014 | |
 | Tokyo Kogaku: Topcon Uni | 1964-1973 | 2016 | 22.00 | 1964-1973 fine condition worth $45.00 in 2016 | |
 | Toshiba: PDR-M25 | 2001 | 2010 | 15.00 | 2001 Fine condition worth $25.00 in 2014 (2.2MP) | |
 | Toshiba: PDR-M71 | 2001 | 2019 | 5.00 | The camera was introduced in 2001 along with the lesser PDR-M21. The M71 has a 3.2-megapixel CCD delivering image resolutions as large as 2,048 x 1,536 pixels, Real-image optical zoom viewfinder, 1.5-inch color LCD monitor, 2.8x Canon 7.25 - 20.3mm zoom (equivalent to a 35 - 98mm lens on a 35mm camera), 2.2x digital zoom, apertures from f/2.9 to f/8, Shutter speeds from 1/1,000 to 15 seconds, Full Automatic, Program AE, Aperture Priority, Shutter Priority, six Scene exposure modes, adjustable White Balance with six modes, Spot and Multi metering systems, sensitivity equivalent to ISO 100, 200, or 400, built-in flash with four user-selectable modes, 2 and 10-second Self-Timer modes, movie mode with sound, auto Exposure Bracketing, Multi-Frame, and Burst photography modes plus DPOF (Digital Print Order Format) compatibility. Images are saved in JPEG format to SmartMedia cards. The camera came with an 8mb SmartMedia card, USB cable, interface software for quick connection to a computer, A/V cable for viewing images on a television set. The camera uses four AA batteries (set of four alkaline batteries) for power. The camera pictured here is in fine condition and worth $10.00 in 2019. | |
 | Tougodo: Hit (Made in Japan) | c1950s | 1995 | 12.00 | 1950 good condition worth $15.00 in 2014 | |
 | Tougodo: Speedex | c1950s-1960s | 2001 | 15.00 | 1963 good condition worth $20.00 in 2014 | |
 | Traid Corp: Fotron | c1960s | 1997 | 5.00 | 1960's good condition worth $15.00 in 2014 | |
 | Trusite Camera: Trusite Minicam | c1947 | 2016 | 3.00 | As with many other models dubbed "minicam," this is a model for half-frame 127 format—in other words, images approximately 3×4 cm, achieved by advancing each number on the film's backing paper to a first, then a second red window on the back. The Trusite Minicam is a simple affair with a fixed focus 50mm meniscus lens and an instant/time shutter. The body is cast is metal and in 1947, a kit with the camera, a flashgun, and four flashbulbs sold for $9.95. A version with Girl Scout branding is also known. The camera pictured here is in good condition and worth $10.00 in 2016. Trusite Camera Co. of New York City produced a few simple models, all for 127 film, during the 1940s. The lens/shutter assembly seems quite similar to that used on the Utility Manufacturing Company cameras (also from New York). | |
 | United States Cameras: Rollex 20 | c1950s | c | 2019 | 25.00 | Introduced in c1950s the USC Rollex 20 is a self-erecting folding camera for shooting 2¼" × 3¼" exposures on 120 film. Some versions are able to accept both 120 and 620 rollfilm variants. It was made by the Chicagoan United States Camera Co. A version was sold as the Tower 50 folding by Sears (there is a Tower 50 35mm also). The Rollex 20 was a simple snapshot camera, with fixed focusing and a fixed 5.6 aperture. The only choice that it offers is the one between time mode (really Bulb mode but marked TIME) and 1/50 of a second shutter speed. It has an optical viewfinder of reverse Galilean type, and an 86mm Octvar lens. Its specialties are that its ever set shutter has to be tripped with a lever that is integrated into the upper edge of the front door or lens bed. Pho-Tak also sold the Rollex 20 plus the Foldex 20 and they were the same or an equal camera type that included an accessory shoe and flash synchronized shutter. The successor of the Rollex 20, the USC 20 folder, is similar to the later Foldex 20 from Pho-Tak, which has a restyled viewfinder housing. Other features of the USC Rollex 20 were a table top fold out foot for portrait exposures, film advance knob, rewind knob, and a ¼ inch 20 thread tripod socket for portrait exposures in the lens bed. The Rollex 20 camera was originally priced at $9.95 without the case. The camera pictured here is in fine condition and worth $25.00 in 2019. |
 | United States Cameras: Simplex 45 | 1968 | c | 2020 | 5.00 | This camera was introduced in 1968 and used the Kodak 126 cassette film format. It has an aluminum body with the bottom front being black plastic. It also uses flash cubes that need to be turned manually to the next flash bulb. The Simplex 45 has motorized frame advance, shutter speeds of 1/50 to 1/200 of a second, selenium meter with a needle in the viewfinder, a film view window in the back cover for frame count, and an eye level optical viewfinder. The cameras battery compartment holds two AA batteries that power the flash cube socket. USC made two esthetically different models that are mechanically identical. One with the SIMPLEX 45 logo and MOTORIZED-ELECTRIC EYE under that on one side plus a specialized placard with a US icon and MADE IN USA under the icon. The other model has United States Camera with the USC logo under that on one side and SIMPLEX 45 on the other. The United States Camera Corporation was based in 17 North Loomis Street, Chicago 7, Illinois (U.S.A.). It was an alternate name of the Pho-Tak Corporation, at the same address. The camera pictured here is in Good condition and worth $10.00 in 2020. |
 | United States Cameras: Vagabond 120 Everyready Flash | 1951 | c | 2019 | 5.00 | The Vagabond 120 Eveready Flash is a simple box camera for 6x9cm images from 120 film, made by USC (United States Cameras) in Chicago in 1951. An identical camera branded Life Time 120 from "Life Time Mfg. Co. Inc., Chicago, Ill." also exists and was produced from 1948 and into the 1950s. One more version appears to be named Time Traveler 120 by the Pho-Tak Corporation; however, it is misnamed because "time" actually labels the instant/time pull out selector tab behind it so it is really just the Traveler 120. Some of the Traveler 120s had a top mount instant/time switch and this is still called the Time Traveler 120 with no time in the name. On all the camera examples with flash sync (some labeled "Synchro Flash" around the lens), the selector for Instant or Time is located at the top of the lens board like the Vagabond 120. They are all just a point-and-shoot camera in the most literal sense. They have one shutter speed, one aperture, and a single lens. All three cameras have a shutter speed 1/50th of a second, use 120 films, and have a 110mm f5.6 Zellar lens. The cameras were meant to use ASA 100 film in daylight conditions outdoors and indoors with a flash connected. Some of the Vagabond 120s and the Traveler 120s had the flash contacts on the side of the shutter assembly while others of the brands had them on the top. The United States Cameras Corporation and Life Time Manufacturing Company were based in 17 North Loomis Street, Chicago 7, Illinois (U.S.A.). They were apparently an alternate name of the Pho-Tak Corporation, at the same address. The Pho-Tak business plan was to be its own competition. The camera pictured here is in good condition and worth $8.00 in 2019. |
 | Universal Camera: Mercury II (Mod CX) | c1945 | 2012 | 25.00 | 1945 good condition worth $55.00 in 2014 | |
 | Universal Camera: Meteor | 1949 | c | 2015 | 5.00 | 1947 Good condition worth $15.00 in 2015 |
 | Universal Camera: Meteor | 1949 | c | 2017 | 15.00 | The Universal Meteor is a 620 film camera produced by the Universal Camera Corporation in New York City, NY. While McKeown's dates it as circa 1949. it was definitely being advertised, for a price of $15, as early as 1947. The plump streamlined body has a pull-out lens tube with a coated lens, which can be estimate focused from infinity to 5 feet. The self-resetting shutter offers "instant" and "bulb" speeds, selected with a I /B lever atop the lens barrel. The camera has four apertures of f/11, f/16, f/22 and f/32; it uses an extinction meter, and has a table on a metal plate affixed to the top to show four Weston film speeds of 25, 50, 100 and 200. A photographer today may find the sunny 16 rule to be more reliable. The camera back does not open, but instead a loading chamber drops out from the bottom. The camera exposes 2¼" square images (6×6 cm). It can be used with 120 film re-spooled onto 620 spindles. The Meteor also has a single pole hot shoe that will work with a more modern flash unit. The camera pictured above is in good condition and worth $10.00 in 2017. |
 | Universal Camera: Uniflash | c1940s | 1999 | 10.00 | 1950 poor condition worth $3.00 in 2014 (shutter not working) | |
 | Universal Camera: Univex A | 1933 | 2015 | 3.50 | 1933 Good condition worth $10.00 in 2015 | |
 | Universal Camera: Univex Model AF | c1935 | c | 2015 | 16.00 | The UniveX Model AF is a smaller camera, measuring 2-1/8” x 4” x 7/8” when closed. The shutter has only two settings, I and T (instant and time). The lens has but a single stop, and was clearly designed for outdoor use. However, for Universal’s target demographic, this was no problem. Amateur photography in those days precluded the use of flash, and the UniveX AF was a viable competitor to Kodak’s offerings at a lower price. The 1935 camera was offered in four colors – black, brown, green, and blue. In 1936, Universal produced a Girl Scout version of the camera, which was listed in the Official Girl Scout Catalog for the price of $1.00. Kodak’s Girl Scout Kodak was also listed, at a price of $6.00. Bearing in mind that the Depression was still in full swing in 1936, one can only imagine that the UniveX Girl Scout Camera attracted a significant following. In 1938, an improved version was introduced, bearing a single button bellows release and a new color scheme (black and green vs. the former all-green model). The little UniveX Model A was also listed in the Official Girl Scout Catalog from 1933 on, at a price of 35 cents. Other special versions of the Model AF were produced as premiums and corporate giveaways. “The Hollywood Camera” was a special version about which little is known – it carried no UniveX markings at all, and no documentation of its production exists. The camera pictured here is in Good condition and worth $20.00 in 2015. |
 | unknown companies: Accoutrements Pop Cam | 2016 | 7.00 | It's not just a photograph, it's a work of Pop Art! The Pop Cam introduced in 2003, produces photos that mimic the image repetition and saturated color palettes of famous pop artists like Andy Warhol and Roy Lichtenstein. One snap of the Pop Cam takes four pictures in the span of one second and preserves them in four different hues on one single print. Each 4" x 2-1/2" x 1-1/2" (10.2 cm x 6.4 cm x 3.8 cm) plastic camera uses any standard 35mm film and has no flash. With some imagination and a little experimentation you might capture that perfect Pop Cam picture that will lead to your fifteen minutes of fame. Instructions included. This is a reusable 35mm camera requiring no batteries because it doesn’t have a flash so it is really better used outdoors with a 200 ISO film – or higher for much better results. You need proper light in order to bring out the colors. Each of the four lenses is made of colored plastic, so you end up with four tinted semi-identical pictures on the same piece of film: green, yellow, red and blue. The exposure takes little over one second, so when you’re subject moves, or you move the camera, you’ll record that movement. The shutter speed is 1/60 of a second and the plastic lenses are about 50mm. It takes 4 pictures in succession within roughly one second, clockwise from the bottom left to the bottom right. This is achieved by a spring loaded mechanism on the inside, which gets wound up when you advance the film with the right thumb film advance wheel. The lenses each use 25% of one 35mm film frame. The camera pictured here is in New condition and worth $8.00 in 2016. | ||
 | unknown companies: Accoutrements Pop Cam | 2019 | 2.00 | It's not just a photograph, it's a work of Pop Art! The Pop Cam introduced in 2003, produces photos that mimic the image repetition and saturated color palettes of famous pop artists like Andy Warhol and Roy Lichtenstein. One snap of the Pop Cam takes four pictures in the span of one second and preserves them in four different hues on one single print. Each 4" x 2-1/2" x 1-1/2" (10.2 cm x 6.4 cm x 3.8 cm) plastic camera uses any standard 35mm film and has no flash. With some imagination and a little experimentation you might capture that perfect Pop Cam picture that will lead to your fifteen minutes of fame. This is a reusable 35mm camera requiring no batteries because it doesn’t have a flash so it is really better used outdoors with a 200 ISO film – or higher for much better results. You need proper light in order to bring out the colors. Each of the four lenses is made of colored plastic, so you end up with four tinted semi-identical pictures on the same piece of film: green, yellow, red and blue. The exposure takes little over one second, so when you’re subject moves, or you move the camera, you’ll record that movement. The shutter speed is 1/60 of a second and the plastic lenses are about 50mm. It takes 4 pictures in succession within roughly one second, clockwise from the bottom left to the bottom right. This is achieved by a spring loaded mechanism on the inside, which gets wound up when you advance the film with the right thumb film advance wheel. The lenses each use 25% of one 35mm film frame. The camera pictured here is in Poor condition with shutter problems and worth $1.00 for parts in 2019. | ||
 | unknown companies: Accoutrements Splitcam | 2020 | 10.00 | This is a novelty camera for children 4 years and older or adults that would like a double exposed picture at the split point of a frame. The camera works best outdoors in bright daylight with 35mm ISO 200 or higher film. You have to ask for 4x6 prints when you have a photo finisher develop your film and have them use the Normal C-41 process. The camera is NOT equipped with a flash and needs no batteries. The Split Cam was made in China for Accoutrements Company and introduced in 2004. The split-cam uses, what they are calling, analog image fusion technology to combine the images for you without all the hassle and expense of digital editing software. The camera morphs two distinct images into one composite picture. Simply line up the top subject of your picture, click once, line up the second subject, click again and Presto...you've fused the two images together inside the camera. The camera has two cropping slide devices for the lens and two for the viewfinder. This must be the analog image fusion technology! The other features are a frame counter, a fold down rewind crank handle, rewin release button, thumb wheel film advance, and a shutter release button. The camera pictured here is New and worth $15.00 in 2020. | ||
 | unknown companies: ADI AW-35 | 2020 | 15.00 | This is a 35mm camera made by a company in China sometimes using the Argus name circa 1980s. They made the 110 film camera the “Argus Wet-110” also labeled the “ADI Wet-110” in the same time frame. Both the 110 version and the 35mm camera instructions do not mention any underwater capability, only that they are all weather cameras. The “ADI Sports F” flash unit fits both cameras and uses two AAA batteries. The ADI AW-35 Sports Film advance is via a right hand thumbwheel and this will cock the shutter with or without film. The camera has a frame counter in the bottom that is reset manually and can be accessed only when you open the back film cover. Pictures are composed through a foldable bracket (no optics) viewfinder on top. The camera comes with 34 mm f 4.5 lens and two aperture settings that have a lever in the front of the camera that points to a sun icon or a combination cloud flash icon. Other features are a rewind release button in the middle of the film advance wheel, rewind crank on the top of the camera, and a nylon braded carry strap. The camera was probably design as an underwater camera but failed so it was sold as an All Weather and Pool Side camera. I also cannot find a 35mm version rebranded with the Argus name like the 110 version. The camera pictured here is in Fine condition and worth $20.00 with the flash unit in 2020. | ||
 | unknown companies: ADI Wet-110 (Argus Wet-110) | 2020 | 10.00 | The Argus (ADi) Wet-110 has a cheerful yellow front with a black film compartment cover in back and was produced in the late 1970s early 1980s. The camera uses 110 cartridge film. 110 film has been out of style for a while but you can still buy 110 film from www.Lomography.com and there are labs that will still develop it for you including www.thedarkroom.com. The simple drop-in cartridge (126, 110) was a response to consumer complaint that loading conventional 35mm could be difficult. The answer was in these cartridges that unfortunately seldom yielded a very good picture due to film quality used to make them. In the case of the Argus Wet-110, it enabled designers to create one of the smallest underwater cameras ever seen. The camera is more plentiful in its ADi name of ADi Wet-110. It was possibly a Promotional camera for ADi (Analog Devices, Inc.) (Also known as “Analog”) that is an American multinational semiconductor company founded in 1965 and has design centers located worldwide. The camera came in two colors of blue and yellow, the yellow being the underwater preferred color for most camera manufactures. The cameras were made in Taiwan along with the “Wet-f” flash unit that attaches to the side of the cameras using two electrical contact points (powered by two AAA batteries) and mounting to the hinge pin for the back cover. Other features are a fold down "sports" viewfinder mounted on top of the camera, a frame count rear window, a shutter speed switch in the front of the camera (Sun & cloud/flash), a carry strap attach point, a film advance turn knob, and a right handed shutter release button. The instructions boasted a depth maximum of 33 feet (10.06 m) and the camera is not much bigger than the film it surrounds. The camera kit came with the camera, flash unit, carry strap, instruction pamphlet, registration card, user’s pamphlet, and cloth carry bag with a Velcro keep, all packed in a box. The Argus labeled rendition was in competition in its later years of production with the Hanimex Amphibian 110 MF of similar size but the Hanimex had a few more features including a built in flash and was made in Japan. The camera pictured here is in fine condition and worth $10.00 in 2020 | ||
 | unknown companies: Bank of America Football | 2020 | 7.00 | This camera is mostly plastic 35mm point and shoot focus free camera. It is a promotional gimmick given away by Bank of America during the football season. The camera features a hot shoe, football shaped lens cover that locks the shutter release button when closed, a thumb wheel frame advance, frame counter, a fold down rewind crank handle, rewind release button on the bottom, optical viewfinder, and comes with a handy carry strap. The camera was made in China in the early 1990s. These cameras would be given away at football games and bank branches. The same camera used a soccer ball, tennis ball, baseball, Golf ball, basketball, smiley face, and more for the same purpose. These are known novelty cameras or toy cameras in some circles but do function as intended for a time. The camera pictured here is in Fine condition and worth $5.00 in 2020. | ||
 | unknown companies: Barbie (pocket) | c1980s | 2016 | 2.00 | 1998-2004 New condition worth $10.00 in 2016 | |
 | unknown companies: Benson & Hedges 100's | c1995 | 2015 | 4.00 | 1995 Good condition worth $10.00 in 2015 | |
  | unknown companies: Billy The Marlin | 2020 | 8.00 | Billy the Marlin will remain the Marlins' mascot, but with a different person playing him. Billy the Marlin has been the Marlins' mascot since the organization's inception in 1993. He is, according to the team's website, 8 feet tall, 250 pounds and a big fan of tuna and sardine sandwiches. He appears at every Marlins home game at Marlins Park, and performs his own routine in the middle of the 5th inning. The Billy the Marlin camera was a giveaway at the ball park back in about 2003. It came in a all-sports box with icons of footballs, basket balls, tennis balls, soccer balls, base balls, and some yellow happy faces plus hello’s. In the box was a braded string strap, instructions, and the camera. The camera takes 35mm film canisters and has a two contact hot shoe. On the back of the camera is advertising for BELLSOUTH and the Sun-Sentinel based in Miami and Palm Beach Florida. The Sun-Sentinel boasts of being the “Official Newspaper of the Fan”. Other features of the camera are a frame counter, rewind release button, rewind fold down crank handle, optical viewfinder, about a 43mm lens, and a baseball looking lens cover that slides apart to reveal the lens and uncover the viewfinder. The camera is made in China and is mostly made of plastic. The lens cover baseball locks the shutter release button when closed and the 1/60 of a second shutter is loaded when the film is advanced. The camera pictured here is New and worth $10.00 in 2020. | ||
 | unknown companies: Centia 100X | c1990s | 2017 | 6.00 | This 126 Camera is from the old original Holga Plant was sold as the Centia 100X and also listed as the Pallux 100X, but essentially this is the 126F Model. The instructions that both cameras came with is marked with “126F Camera” and Made in Hong Kong. The camera also uses the 126 film cartridge plus the Magic type X flash cubes. Although 126 cartridge film was once very popular, as of 2008 it is was longer manufactured, and the film is getting harder to source. Some have taken to reloading the old cartridges DIY style and of course the old film that is still around always promises to offer interesting results. The camera also has a 28mm lens with matching optical viewfinder, view window in the back cover that lets the user see what ASA is used plus gives one a frame count, right thumb film advance wheel, flash cube socket, shutter release button on the top for the right hand, and a handy carry strap. The camera is estimated to be introduced in the late 1990’s and it is not known how many were sold. The camera pictured here is in Fine condition and worth $8.00 in 2017. | |
 | unknown companies: Cobra Digital Crystal 310 | 2019 | 10.00 | This is a 35mm Point & Shoot camera produced in 2010 by Cobra Digital and made in China. The camera came in a translucent purple/blue front with a black back half and yellow, light blue, and red controls. The camera comes equipped with a built-in flash that has an on/off yellow slide on the front just under the flash, a flash ready LED near the viewfinder on the back, left thumb manual film advance wheel, fold down rewind crank plus film release button, optical Type Real-image viewfinder, lens Aperture f/9.6, Focal Length 27 mm, shutter speed of 1/125 of a second, a light blue ¼ turn panorama lever on the top, a red shutter release button, frame counter on the bottom, and it comes with a handy carry strap. Also included when purchased new was a roll of 24 exposure, 35mm, 400 ISO, Kodak Ultramax film, and an AA battery plus instruction pamphlet. The panorama mode crops the film with two flaps that are deployed with a lever on the top and is not a true panoramic picture. The photo finisher did produce a larger, longer, panoramic print for you as long as they knew beforehand that you used this option. The camera pictured here is in New condition and worth $10.00 in 2019. | ||
 | unknown companies: Coby Snapp Cam3001 | 2017 | 5.00 | Shoot it, share it, SNAPP it! Introducing the Coby SNAPP CAM3001 from Coby Electronics: This pocket-sized digital camcorder lets you shoot video, take pictures, and play back your files at the touch of a button on a brilliant 1.44" LCD screen. A built-in SD/SDHC card slot offers expandable memory for more than 2 hours of recording time, and the integrated USB plug eliminates the need for cables. Easy-to-use ArcSoft video editing software and YouTube uploader let you share your videos online in minutes. USB extension cable and hand strap also included. The camera also has a 1.3MP CMOS sensor with 4x digital zoom, VGA (640 x 480) @ 30fps, AVI file (Motion JPEG codec), Up to 8GB memory with optional SD/SDHC card, and a convenient integrated USB 2.0 Hi-speed plug for fast file transfers. You can view recorded videos and photos on a TV with the included AV cable. The camera pictured here is in New condition and worth $20.00 in 2016. | ||
 | unknown companies: Coca-Cola (can, no pop-up flash) | 1998 | 2016 | 8.00 | 1998 Fine condition worth $30.00 in 2016 | |
 | unknown companies: Coca-Cola (red/black) | 1999 | c | 2020 | 15.00 | The Coca Cola Badge is a lightweight point and shoot 35mm camera. The camera has a round Coca Cola badge that slides to the side to reveal the Lens and the Flash on/off button. When new in 1999 the camera came pre-loaded with a roll of 12 exposure Kodak 400 ASA 35mm film in a sealed clear plastic Clam shell package that also included the AA battery to power the built-in flash unit, Instructions, plus limited warranty information. Other features are a 28mm f9.5 single plastic lens, a shutter speed of about 1/100 of a second, manual thumb wheel frame advance, manual rewind with a fold down crank handle plus film release button on the bottom, large optical viewfinder, flash ready LED near the viewfinder, sliding lens cover that is also the shutter release lock when closed, a frame counter on the top of the camera, and a handy carry strap. The camera was made in China as a promotional piece for the Coca Cola Company and on the bottom of the camera is printed “1999 The Coca-Cola Company. All rights reserved. MADE IN CHINA”. The camera pictured here is in fine condition and worth $15.00 in 2020. |
 | unknown companies: Coca-Cola (red/white) | 1999 | c | 1999 | 0.00 | 1999 New condition worth $25.00 in 2015 |
 | unknown companies: Coca-Cola (red/white) | 1999 | c | 2020 | 8.00 | The Coca Cola 35mm Reusable Camera is a novelty camera aimed at Coca Cola collectors. When new the camera comes pre-loaded with film, instruction pamphlet, and a carry strap. The camera features are a large viewfinder, 28mm F/9.5 single plastic lens, manual right thumb film advance, manual rewind fold down crank handle plus release button on the bottom (the rewind crank assembly is pulled up to release the film when the film compartment is open), frame counter, and built in lens cover operated with a slide switch under the lens. This camera is not equipped with a flash unit. It was made in China for distribution by the Coca Cola Company and was introduced in 1999. On the bottom in raised letters is “1999 The Coca Cola Company. All Rights Reserved.” The camera pictured here is in fine condition and worth $15.00 in 2020. |
 | unknown companies: Coca-Cola (silver) | 2020 | 10.00 | This camera was made in China for the Coca Cola Company starting in the year 2000 and is labeled with a registered trademark of The Coca Cola Company. It has a sliding lens cover that locks the shutter release when closed, a 35mm focus free plastic lens, Built-in flash, flash on/off switch under the flash unit, Flash ready light on the top of the camera, fold down rewind crank handle, rewind release button on the bottom of the camera, a film observation window in the film compartment door or back cover, a right thumb frame advance wheel, frame counter on the bottom of the camera, a battery compartment that holds one AA battery (Alkaline Type Recommended) to power the flash unit, and comes with a handy carry strap. The use of ISO 100 film is recommended for outdoor daylight hours and 200 to 400 ISO for low light conditions, indoor use, or to extend the flash range. The flash ranges are ISO 100 4 to 10 feet (1.3-3.1m), ISO 200 4 to 12 feet (1.3-3.7m), and ISO 400 5 to 14 feet (1.5-4.3m). The camera pictured here is in poor condition with a broken lens cover and a non-working flash unit. It is worth $1.00 in 2020. | ||
 | unknown companies: Cricket Int. Micro-Pet 110 (Jack & Jill) | 2019 | 3.00 | This camera was marketed to kids and recommended for children 3 years and older. This is an all plastic camera marketed by Cricket Int’l from Meqon, Wisconsin and mad in Hong Kong. It was produced in the late 80’s or early 90’s and had a lens, shutter, an open sight viewfinder, instructions on the back of the packaging, and came with a small 2x2 ½ inch photo album. 110 is a cartridge-based film format used in still photography. It was introduced by Kodak in 1972. 110 is essentially a miniaturized version of Kodak's earlier 126 film format. Each frame is 13 mm × 17 mm (0.51 in × 0.67 in), with one registration hole. There are 24 frames per cartridge, although production variations sometimes allowed for an additional image. Lomography still makes 110 film after both Kodak and the Fuji stopped producing it. This is not now or ever was a good camera and was meant as a toy for kids. The camera pictured here is in new condition and worth $5.00 in 2019. | ||
 | unknown companies: Crystar | c1950s | 1997 | 15.00 | 1956-? good condition worth $25.00 in 2014 (1.75 inches wide) | |
 | unknown companies: Crystar | c1950s | 2019 | 10.00 | This model of Mini Camera was manufactured in Hong Kong during the 1970s. This is a very low-end model replica of the Arrow Camera previously made in Japan. This model existed in different colors like blue, red, green or black. It uses 17.5mm, 14 x 14mm exposure film. The term "HIT" has come to mean any camera with features similar to the original model -- even if made by another manufacturer. The definition of a HIT camera is generally a camera with a single shutter speed, a fixed-focus lens, using 17.5mm paper-backed film, a body style similar to the original HIT, a fixed aperture, and it produces a 14x14mm image. But there are many cameras that come close to this definition, so what is and isn't a HIT is arguable. These 17.5mm cameras are also sometimes called Mycro (or Micro) or Midget cameras after other common nameplates. The film and format are sometimes called Mycro, as well. Not all 17.5mm cameras are HIT-type cameras, and not all HIT-type cameras use 17.5mm film. Some "HIT" cameras use 16mm film, so it is all quite muddled. For a very impressive list of Hit type cameras, visit www.subclub.org. The camera pictured here with the original case is in Good condition and worth $15.00 in 2019. For all cameras of this type named HIT type, there is a book with a very complete CD: The HIT Project 2003 from Mike Parker. In this book, Mike Parker classifies these devices in several families in relation to their characteristics. | |
 | unknown companies: CVS (black/silver) | c2004 | 2017 | 3.00 | This is a cheap camera that looks well used but works well. The camera originally cost about $20.00 with film loaded in it. It was made in China for CVS Pharmacy about the year 2004 and its serial number is 50473624. It uses 400 ASA film only and has a on off switch for the built in flash. The flash operates on two AAA batteries and has a flash ready LED near the back of the viewfinder. It also has a 27mm Japan Optics lens, built in lens cover, optical viewfinder, auto film advance, rewind button, frame counter, film cartridge view window in the back cover, and came with a handy carry strap. The one in the picture above is in good condition and worth $5.00 in 2017. | |
 | unknown companies: CVS (silver) | c1990s | 2008 | 3.00 | 2000's good condition worth $2.00 in 2015 | |
  | unknown companies: Del Monte Alvin 110 | 2020 | 7.00 | This is a 110 film camera offered by Del Monte and found on specially marked Del Monte products. A paper that comes with it reads,” HEY KIDS….. Thank you for ordering your Alvin TM 110 Camera – offered only from Del Monte Snack Cups TM – Fruit and Pudding. You can carry me, Simon and Theodore with you as you take cool pictures of your family and friends. A flash is required for indoor photography. See order form included to order.” This paper is signed “Alvin”. There is indeed a form to order your flash for $5.60 and this includes handling plus shipping. The form asks that you allow 6 – 8 weeks for delivery and the form mails to DEL MONTE SNACK CUPS FLASH / P.O. Box 7695-A / Clinton, Iowa 52736. The camera has a fixed focus 28mm lens with a minimum focus distance of 1m (3.3 feet). The shutter is about 1/100 of a second and the aperture seems to be f16. The front of the camera has three stickers, one of Alvin, Simon, and Theodore next to the grip. Another sticker is on the left hand side of just Alvin and under him is typed “1992 Del Monte Corp. The Chipmunks 1992 Bagdasarian Productions”. The third sticker is the Del Monte emblem in a black background reading “Del Monte Quality”. Other features of the camera are an optical viewfinder, thumb wheel film advance, film view window in the back cover for frame count, two connector hot shoe, and a wrist carry strap with the heads of each Chipmunk stamp on the outside of it numerous times. The camera was made in China in 1992 and probably a New Taiwan product. The camera pictured here is in New condition in the box and worth $15.00 in 2020. | ||
 | unknown companies: Del Monte Alvin 110 | 2020 | 7.00 | This is a 110 film camera offered by Del Monte and found on specially marked Del Monte products. A paper that comes with it reads,” HEY KIDS….. Thank you for ordering your Alvin TM 110 Camera – offered only from Del Monte Snack Cups TM – Fruit and Pudding. You can carry me, Simon and Theodore with you as you take cool pictures of your family and friends. A flash is required for indoor photography. See order form included to order.” This paper is signed “Alvin”. There is indeed a form to order your flash for $5.60 and this includes handling plus shipping. The form asks that you allow 6 – 8 weeks for delivery and the form mails to DEL MONTE SNACK CUPS FLASH / P.O. Box 7695-A / Clinton, Iowa 52736. The camera has a fixed focus 28mm lens with a minimum focus distance of 1m (3.3 feet). The shutter is about 1/100 of a second and the aperture seems to be f16. The front of the camera has three stickers, one of Alvin, Simon, and Theodore next to the grip. Another sticker is on the left hand side of just Alvin and under him is typed “1992 Del Monte Corp. The Chipmunks 1992 Bagdasarian Productions”. The third sticker is the Del Monte emblem in a black background reading “Del Monte Quality”. Other features of the camera are an optical viewfinder, thumb wheel film advance, film view window in the back cover for frame count, two connector hot shoe, and a wrist carry strap with the heads of each Chipmunk stamp on the outside of it numerous times. The camera was made in China in 1992 and probably a New Taiwan product. The camera pictured here is in New condition in the box and worth $15.00 in 2020. | ||
 | unknown companies: Disney Mickey's Clubhouse Digital Camera | 2020 | 25.00 | The camera was sold by Hoop Retail Stores, LLC out of Canada and Disneystore.com Mississauga Ontario plus Pasadena California 6040 Country Road. The Model number is TT-MKY07 and it was made in China, commissioned by Disney, plus promoted on the Disney Channel. Some features are Storage capacity of 8 MB internal (113 photos)(coin type battery for retaining photos), SD memory slot, USB connectivity (Version 1.1 or higher), 1.3'' color LCD preview, Built-in auto flash, Digital resolution: VGA 640 x 480, Lens: 5.4mm, f = 2.8, Focus Range: 4 feet – infinity, and the original price was about $39.00. The System requirements are Windows 2000/XP/Mac OSX and the camera is suitable for ages 3 years or older. The camera was introduced in 2007 and the year is in the model number. It is very similar to the Fisher Price L8143 camera that came out in 2004. They are similar in design, structure, operation, and even the battery compartments plus the twin viewfinders. Disney and Fisher Price had to have come to an agreement. The camera pictured here is in Fine condition and worth $50.00 in 2020. | ||
 | unknown companies: Embassy Suites Spider-Man 2 | 2004 | 2004 | 10.00 | 2004 Fine condition worth $10.00 in 2014 | |
 | unknown companies: Excell AE100B | c1996 | 2015 | 2.00 | 1996 fine condition worth $5.00 in 2015 | |
 | unknown companies: Handy (keychain) | c1970s | 1999 | 1.00 | 1970's Fine condition worth $5.00 in 2014 | |
 | unknown companies: High School Musical (35mm, Walt Disney) | 2006 | 2016 | 10.00 | This camera kit was produced by Disney and the Disney Channel and sold about the same time in 2006. The kit comes with a small picture frame with Zac Efron’s picture in it, a roll of Kodak 35mm 24 exposure ASA 400 film, one AA battery, Instruction pamphlet, and the 35mm camera. The camera has a built in flash, built in lens cover, fold down film rewind crank with release button, right thumb film advance wheel, frame counter, flash on/off slid switch, Optical viewfinder, carry strap, and a shutter button shaped like a hart. On the front of the camera is a picture of the main characters with “WILDCATS” under it. The camera came with a one year guarantee at sale date and has the Disney logo along with DisneyChannel.com printed on the package. The kit pictured here is in New condition and worth $20.00 in 2016. | |
 | unknown companies: High School Musical (Walt Disney) | c2009 | 2013 | 3.00 | 2009 Good condition worth $10.00 in 2014 (1.3MP) | |
 | unknown companies: Horizon HZ 35 | 2020 | 5.00 | This is a focus free 35mm film camera with a 35mm lens. The camera has a thumb wheel film advance that loads the shutter when the next frame is locked into position. It also has a two connector hot shoe and advertises the Photoflex flash unit the can be purchased for the reduced price from $14.95 to $9.95 plus $2.00 shipping & handling. Both the camera and the flash unit were produced in 1993. The camera was made in Thailand and distributed by Cisco Sales Corporation, 23775 Madison Street, Torrance, CA 90505. A new camera, in the box, comes with a disclaimer that reads,”This product is not produced by, and the manufacturing thereof is not in any way related to, Photoflex, Inc. of Santa Cruz, California”. Other features of the camera are a rewind release, rewind crank, optical viewfinder, frame counter with an automatic return to 0 when the back cover is opened, and a handy carry wrist strap. The boxed new camera also comes with a instruction pamphlet, a sales pamphlet for the Photoflex flash unit, and a small slip of paper with the disclaimer typed on it. The camera pictured here is new and worth $10.00 in 2020. | ||
 | unknown companies: Horizon HZ 35 | 2020 | 2.00 | This is a focus free 35mm film camera with a 35mm lens. The camera has a thumb wheel film advance that loads the shutter when the next frame is locked into position. It also has a two connector hot shoe and advertises the Photoflex flash unit the can be purchased for the reduced price from $14.95 to $9.95 plus $2.00 shipping & handling. Both the camera and the flash unit were produced in 1993. The camera was made in Thailand and distributed by Cisco Sales Corporation, 23775 Madison Street, Torrance, CA 90505. A new camera, in the box, comes with a disclaimer that reads,”This product is not produced by, and the manufacturing thereof is not in any way related to, Photoflex, Inc. of Santa Cruz, California”. Other features of the camera are a rewind release, rewind crank, optical viewfinder, frame counter with an automatic return to 0 when the back cover is opened, and a handy carry wrist strap. The boxed new camera also comes with a instruction pamphlet, a sales pamphlet for the Photoflex flash unit, and a small slip of paper with the disclaimer typed on it. The camera pictured here is in Good condition and worth $4.00 in 2020. | ||
 | unknown companies: Interpur Titan Supercolor II | 1992 | 2003 | 3.00 | 1992 New condition worth $5.00 in 2015 | |
 | unknown companies: Jazz 206 | 1998 | 2007 | 5.00 | 1998 New condition worth $10.00 in 2015 | |
 | unknown companies: JCPenney 11 | 2019 | 4.00 | The JCPenney 11 is a pocket camera for type No. 110 film cassettes. It was a simple viewfinder camera which used Magicubes as flash and produced in British Hong Kong. It was marketed by the US-American department store chain J.C. Penney Company Inc., New York, NY 10019. It has a right thumb push two stroke film advance on the bottom of the camera, an f11 fixed focus lens from 5 feet to infinity, Mechanical 2 leaf shutter, plus shutter speeds of 1/45 of a second to 1/90 of a second, uses self-powered Magicubes with a flash distance of 5 to 10 feet, and a ¼ inch 20 thread tripod socket. The JCPenney 22 came out that same year (1970s) but it had a 2 conductor hot shoe for the flash of your choice. They also sold the JCPenney 33 and 44 with limited success with all 4 cameras. Other 110 cameras were the JCPenney Telephoto with flip flash, the Electronic Strobe with built-in flash, and the Telephoto Electronic Strobe. JCPenney sold a number of photographic products including SLR cameras, lenses, electronic flashes and more. Some were re-branded under its own name and other one of a kind products were commissioned by them. They are still in business but have no branded cameras any longer. The camera pictured here is in Poor condition and worth $2.00 with the flash tower in 2020. | ||
 | unknown companies: Komax | c1990 | 2009 | 2.00 | 1990 Fine condition worth $10.00 in 2014 | |
 | unknown companies: Kraft Cheesasaurus Rex super Sleuth | 2016 | 5.00 | 1990's Good condition worth $5.00 in 2016 | ||
 | unknown companies: Lego LG1002 | 2020 | 20.00 | The body or shell of the camera looks like it is made of LEGO bricks but it cannot be taken apart. Other LEGOs can be attached to it, if desired. It is a 3 megapixel camera and it has a built-in flash plus a 1.5 inch color LCD screen. The cameras internal memory can hold about 80 pictures. The battery is built-in and charges with a USB cord that can also be used with a computer for downloading plus editing your pictures. The top of the camera has a small on/off button and a larger shutter release button. The back of the camera has a flash button, a button to delete pictures, and two buttons to scroll through stored pictures. Although this was marketed to kids this is not a toy. It’s a full functioning 3MP digital camera featuring a fixed focus lens, Built-in rechargeable battery, Creates still images at 2048 x 1536 pixels (JPEG file type), 121 MB of memory, Button activated flash setting, and red LED charge light in the front. They made two cameras. The LG1002 is red/yellow/blue/green colored bricks and the LG1004 is pink/white/magenta colored. Both with blocks of various shapes and sizes. The camera was made in China and commissioned by Digital Blue, Inc for LEGO marketing and the camera was introduced in 2009. The camera pictured here is in Fine condition and worth $30.00 in 2020. | ||
 | unknown companies: Lego LG1004 | 2020 | 25.00 | The body or shell of the camera looks like it is made of LEGO bricks but it cannot be taken apart. Other LEGOs can be attached to it, if desired. It is a 3 megapixel camera and it has a built-in flash plus a 1.5 inch color LCD screen. The cameras internal memory can hold about 80 pictures. The battery is built-in and charges with a USB cord that can also be used with a computer for downloading plus editing your pictures. The top of the camera has a small on/off button and a larger shutter release button. The back of the camera has a flash button, a button to delete pictures, and two buttons to scroll through stored pictures. Although this was marketed to kids this is not a toy. It’s a full functioning 3MP digital camera featuring a fixed focus lens, Built-in rechargeable battery, Creates still images at 2048 x 1536 pixels (JPEG file type), 121 MB of memory, Button activated flash setting, and red LED charge light in the front. They made two cameras. The LG1002 is red/yellow/blue/green colored bricks and the LG1004 is pink/white/magenta colored. Both with blocks of various shapes and sizes. The camera was made in China and commissioned by Digital Blue, Inc for LEGO marketing and the camera was introduced in 2009. The camera pictured here is in Fine condition and worth $30.00 in 2020. | ||
 | unknown companies: Lexxus | c1995 | 1999 | 2.00 | 1995 fine condition worth $10.00 in 2014 | |
 | unknown companies: Lifelong | 1991 | 2000 | 2.00 | 1991 fine condition worth $10.00 in 2014 | |
 | unknown companies: Lifelong | 1991 | 2009 | 5.00 | 1991 fine condition worth $10.00 in 2014 | |
 | unknown companies: Little Tikes | 2005 | 2011 | 3.00 | 2005 good condition worth $5.00 in 2014 (0.3MP) | |
 | unknown companies: Lockheed Martin Management Club | c1990s | 2016 | 10.00 | This camera had to be a giveaway at one of the many fund raisers the club has. The company logo can be seen on the front of the camera that is incased in a two piece locking case. This is an underwater camera with a bracket viewfinder as well as an optical viewfinder for land. The camera can be removed from the case and used as is. The camera has about a 38mm lens and uses regular 35mm film. It also has a built in lens cover, built in flash unit, flash ready LED by the optical viewfinder, flash on/off switch, frame counter, auto focus, auto film advance, auto rewind, and comes with a handy carry strap attached to the water proof case. The camera was made in China and looks like every other plastic 35mm camera of the 90’s plus. The water proof case does have a class flat lens that is screwed down with a ring seal that covers the lens (nice touch). The entire assembly looks to be only good for a very shallow dive, no more than 10 feet. The camera pictured here is in Fine condition and worth $20.00 in 2016. | |
 | unknown companies: Lomo DIY Dual Lens kit | 2020 | 15.00 | I will warn you that many copies of the Recesky that are on the internet and the quality is dismal at best. The LOMO DIY Dual Lens Reflex Camera Retro Classic TLR 35mm Twins Photos Play Hobby for $14.77 from ShenZhen, China is one of them. This is a reversed engineered copy of the Recesky that has the exact same parts without the quality and they just don’t work. The parts for the shutter assembly are so poorly made that you are unable to make them work no matter how many hours you spend on them. The two lenses are packed together in the same plastic bag with no separation and as a result the lenses are scratched. Danger Will Robison! The frame alignment assembly gears and absent tolerances were destined for failure. The thing pictured here is in non-working condition and worth $.25 for display in 2020. | ||
 | unknown companies: Looney Tunes Mil-Looney-Um | 2017 | 4.00 | Released by Warner Brothers in the year 1999, this is a 110 film cartridge camera shaped like a small can. Pictured on the camera is the Tasmanian Devil (TAZ), Silvester plus Tweety, Bugs Bunny, Daffy Duck, and the Coyote without the Road Runner but the Road Runner is on the original box. Also on the camera and box are fireworks celebrating the new millennium thus the name “Mil-Looney-um”. The camera has a film view window in the back for frame count, optical view finder, a left thumb draw film advance wheel, and a handy built in carry strap. At this same time they released a Mil-Looney-um 2000 pendant, shirt with Bugs plus Daffy, coffee cup, lunch box, pin badge, bean bags (many characters), set of glasses, Back Packs, and a two collectable coin set that is worth far more now than in 1999. There also was a cartoon with all the Warner Brothers characters partying at the Mil-Looney-um 2000 dance. The camera came with the box, small warranty card, and a one sided instruction pamphlet in English only. Judging by the viewfinder the lens is about 28mm and the camera is for daytime use only without a flash socket or any way to attach one. The camera pictured here is in Fine condition and worth $10.00 in 2017. | ||
 | unknown companies: Looney Tunes Taz | c1990s | 2013 | 10.00 | 2009 Fine condition worth $15.00 in 2014 | |
 | unknown companies: Looney Tunes Taz Flash | c1990s | 2015 | 5.00 | 1999 Fine condition worth $10.00 in 2015 (110 film) | |
 | unknown companies: looney Tunes Tweety | 2018 | 5.00 | This is a fixed focus 35mm plastic child’s camera with the Tweety Bird on it. It has a large view finder, frame counter on the bottom, rewind release button, rewind fold away crank lever, thumb wheel film advance wheel, and a carry strap hard point on this 1999 camera. Loony Tunes and Warner Brothers had these cameras made up in many configurations using other cartoon characters on the face. The camera was produced in China and is all plastic with no flash capability. The camera pictured above is in Fine condition and worth $15.00 in 2018. | ||
 | unknown companies: MegaView Hot Shot | 2017 | 2.00 | The MegaView Hot Shot is a cheap 35mm focus free compact camer with a built in flash. The camera has a built in three position lens cover (closed/open/open with flash), large optical view finder, flash ready LED, frame counter, fold down film rewind crank handle, right thumb film advance wheel, one AA battery compartment, and a handy strap attach point. It has a “Made In China” sticker on the bottom but no company name. It is lite and weighs in without film at 4.27 ounces. The camera was made in the late 1990’s and probably stole the idea from the Bell and Howell Big Finder (BF) series of cameras that began in the early 1990’s. The camera has no suggestion for the ASA or ISO but it’s safe to say 100 in daylight to 400 with flash. This camera had a battery left in it that leaked and took out the flash capability. For this reason I have it listed in poor condition with a small p on poor because it still works without the flash. The camera is worth $1.50 in 2017. | ||
 | unknown companies: Mini 110 | c | 2020 | 4.00 | This is a very light mauve 110 cartridge film camera probably made in China. It is of the cheapest construction of mostly plastic. It has an eye level frame like viewfinder that has clear flat lenses with no optics on both ends and goes through the camera. A clear window in the back lets you see the frame count on the film and the window slides to unlock the back film cover. Other features are an eye to attach a wrist carry strap on the right of the camera, a left handed index finger film advance wheel, and a shutter release button. It was probably made in the late 80s or early 90s. It also came with an instruction pamphlet that alternates back and forth from English and Spanish. Although New the camera pictured here is in Poor condition and not working and worth 10 cents in 2020. | |
 | unknown companies: Mini-camera | c1950s | c | 2018 | 5.00 | This model of Mini Camera was manufactured in Hong Kong during the 1970s. This is a very low-end model replica of the Arrow Camera previously made in Japan. This model existed in different colors like blue, red, green or black. It uses 17.5mm, 14 x 14mm exposure film. The term "HIT" has come to mean any camera with features similar to the original model -- even if made by another manufacturer. The definition of a HIT camera is generally a camera with a single shutter speed, a fixed-focus lens, using 17.5mm paper-backed film, a body style similar to the original HIT, a fixed aperture, and it produces a 14x14mm image. But there are many cameras that come close to this definition, so what is and isn't a HIT is arguable. These 17.5mm cameras are also sometimes called Mycro (or Micro) or Midget cameras after other common nameplates. The film and format are sometimes called Mycro, as well. Not all 17.5mm cameras are HIT-type cameras, and not all HIT-type cameras use 17.5mm film. Some "HIT" cameras use 16mm film, so it is all quite muddled. For a very impressive list of Hit type cameras, visit www.subclub.org. The camera pictured here with the original box is in fine condition and worth $20.00 in 2018. For all cameras of this type named HIT type, there is a book with a very complete CD: The HIT Project 2003 from Mike Parker. In this book, Mike Parker classifies these devices in several families in relation to their characteristics. |
 | unknown companies: Mini-camera | c1950s | c | 2019 | 10.00 | This model of Mini Camera was manufactured in Hong Kong during the 1970s. This is a very low-end model replica of the Arrow Camera previously made in Japan. This model existed in different colors like blue, red, green or black. It uses 17.5mm, 14 x 14mm exposure film. The term "HIT" has come to mean any camera with features similar to the original model -- even if made by another manufacturer. The definition of a HIT camera is generally a camera with a single shutter speed, a fixed-focus lens, using 17.5mm paper-backed film, a body style similar to the original HIT, a fixed aperture, and it produces a 14x14mm image. But there are many cameras that come close to this definition, so what is and isn't a HIT is arguable. These 17.5mm cameras are also sometimes called Mycro (or Micro) or Midget cameras after other common nameplates. The film and format are sometimes called Mycro, as well. Not all 17.5mm cameras are HIT-type cameras, and not all HIT-type cameras use 17.5mm film. Some "HIT" cameras use 16mm film, so it is all quite muddled. For a very impressive list of Hit type cameras, visit www.subclub.org. The camera pictured here with the original box is in fine condition and worth $20.00 in 2019. For all cameras of this type named HIT type, there is a book with a very complete CD: The HIT Project 2003 from Mike Parker. In this book, Mike Parker classifies these devices in several families in relation to their characteristics. |
 | unknown companies: Mini-camera | c1950s | c | 2019 | 8.00 | This model of Mini Camera was manufactured in Japan during the 1970s. This is a very low-end model of the Arrow Camera later made in Hong Kong. This model existed in different colors like blue, red, green or black. It uses 17.5mm, 14 x 14mm exposure film. The term "HIT" has come to mean any camera with features similar to the original model -- even if made by another manufacturer. The definition of a HIT camera is generally a camera with a single shutter speed, a fixed-focus lens, using 17.5mm paper-backed film, a body style similar to the original HIT, a fixed aperture, and it produces a 14x14mm image. But there are many cameras that come close to this definition, so what is and isn't a HIT is arguable. These 17.5mm cameras are also sometimes called Mycro (or Micro) or Midget cameras after other common nameplates. The film and format are sometimes called Mycro, as well. Not all 17.5mm cameras are HIT-type cameras, and not all HIT-type cameras use 17.5mm film. Some "HIT" cameras use 16mm film, so it is all quite muddled. For a very impressive list of Hit type cameras, visit www.subclub.org. The camera pictured here is in Poor condition missing the winder knob plus shutter spring and worth $0.50 in 2019. For all cameras of this type named HIT type, there is a book with a very complete CD: The HIT Project 2003 from Mike Parker. In this book, Mike Parker classifies these devices in several families in relation to their characteristics. |
 | unknown companies: Mustek GSmart D30 | 2020 | 5.00 | The Mustek GSmart D30 has a sensor resolution of 2.1 Megapixel / 3.0 Megapixel (interpolated) with an effective sensor resolution of 1920000 pixels on a CMOS optical sensor. The camera has a built-in flash, a 4x digital zoom, a double memory system consisting of 16MB internal flash and secure digital/multimedia card slot in the battery compartment (SD/MMC). Measuring 3.1 inch (80mm) x 1.6 inch (40mm) x 1.3 inch (34mm), this USB 2.0 camera came in silver or blue when introduced in 2003. It was made in China and was distributed exclusively from Australia by Natcomp Technology. The camera’s Digital Video Format is AVI and the Image Recording Format JPEG. Exposure modes and white balance are automatic and the maximum shutter speed is 1/2500 of a second plus a minimum shutter speed 1/15 of a second. The GSmart D30 has an 8.5 mm minimum focal length f/2.8 aperture 5 elements lens with a minimum focus distance of 27.6 inches (70.1cm) and a Macro Mode Focus Range of 10 inches (25.4cm) to 27.6 inches (70.1cm). The camera also has a 10 second Self-Timer Delay, ¾ inch (19mm) by 5/8 inch (15mm) LCD display screen, built-in lens cover, four direction thumb menu navigation disk button, Macro switch, and a handy carry strap. The camera is powered by two AAA alkaline battery and retailed for $229.00 in 2003. The camera pictured here is in Fine condition and worth $10.00 in 2020. | ||
 | unknown companies: Nickelodeon Photo Blaster | 2020 | 12.00 | The Nickelodeon Photo Blaster (Long Hall Technologies model N6800) is a compact toy camera which has the useful feature of being able to take four images onto a single 35mm frame of film, one shot at a time. The camera uses standard 35mm film, and has a built-in viewfinder and flash, and two fixed lenses. The camera was introduced in 1997 and was manufactured until 1999 by Long Hall Technologies of Farmingdale, NY, and sold new for approximately $40 retail. Instead of 24 shots on a standard 24-exposure 35mm roll, the Photo Blaster creates a tetraptych (a photo arranged into four parts). In this way it can get 96 shots from a 24 exposure roll of film. Unlike the Lomo Action Sampler camera, which takes four exposures in one second, the Photo Blaster allows each of the four exposures to be taken one at a time. Photo quality is limited by the fixed-focus lens. Its primary function is as a camera for kids. The flash however has a 2.5 second recovery time and that is not a toy. Other features are a fold down rewind crank, rewind release button on the bottom, and a sliding lens cover that is also the on/off switch. An identical camera (with a different color scheme) was sold by GoPhoto Inc. in Congers, NY, between 2009 and 2012, and sold directly from the GoPhoto web site as the GoPhoto X-treme Pix Quad Shot Camera, at an original retail price of $17.95. The camera pictured here is in Fine condition and worth $30.00 in 2020. | ||
 | unknown companies: Nitendo 64 | c1996 | c | 2004 | 5.00 | 1996 Good condition worth $10.00 in 2014 |
 | unknown companies: Nitendo 64 | c1996 | c | 2017 | 8.00 | This is a promotional camera put out by Nintendo for the launch of the 64 bit system. It is a mostly all plastic focus free compact that came in five different colors, Yellow, orange, red, green, and blue. It has a 50mm lens, thumb wheel film advance, built in lens cover, large view finder, picture counter, rewind release, fold down rewind crank handle, ¼” 20 thread tripod mount, right hand shutter button, and a handy carry strap. The release date in Japan for the Nintendo 64 was June 23 of 1996 and September 29 of 1996 for North America. The Nintendo 64 35mm was available early that same year and continued production by the Sakar company till 1998. The camera utilizes 35mm Film and works best with 200 or 400 ISO. It also needs two AA batteries to work the built in flash unit and has a flash off button. The lens cover seconds as an on/off switch for the whole camera and locks the shutter release. The camera pictured here is in New condition and worth $20.00 in 2017. |
 | unknown companies: Nitendo 64 | c1996 | c | 2020 | 10.00 | This is a promotional camera put out by Nintendo for the launch of the 64 bit system. It is a mostly all plastic focus free compact that came in five different colors, Yellow, orange, red, green, and blue. It has a 50mm lens, thumb wheel film advance, built in lens cover, large view finder, picture counter, rewind release, fold down rewind crank handle, ¼” 20 thread tripod mount, right hand shutter button, and a handy carry strap. The release date in Japan for the Nintendo 64 was June 23 of 1996 and September 29 of 1996 for North America. The Nintendo 64 35mm was available early that same year and continued production by the Sakar company till 1998. The camera utilizes 35mm Film and works best with 200 or 400 ISO. It also needs two AA batteries to work the built in flash unit and has a flash off button. The lens cover seconds as an on/off switch for the whole camera and locks the shutter release. The camera pictured here is in fine condition and worth $10.00 in 2020. |
 | unknown companies: Optimus Digital Camera | 2009 | 2015 | 3.00 | 2009 Good condition worth $8.00 in 2015 | |
 | unknown companies: Panorama Wide Pic | 2017 | 2.00 | This almost all plastic 35mm camera was produced in the 1980’s and probably cost about $10 new with film in it. The only metal in it is the odd screw that may have been used. The camera has a viewfinder, thumb wheel film advance, frame counter on the top right, about a 28mm plastic lens, fold out film rewind crank, film release button, back cover release, a slide lens built in lens cover, focus free 35mm outdoor camera label on the front, and a handy non removable string carry strap. This is as close to a toy as you can come with a working camera. This is not a true Panorama camera because it crops the 35mm film internally and only uses a percentage of a full frame. When you take a used roll of film to a photo finisher, you have to order panoramic prints. The camera pictured here is in fine condition and worth $4.00 in 2017. | ||
 | unknown companies: Photo Flex MX-35 | c1990 | c | 2016 | 3.00 | A 1980s 35mm film, fake-rangefinder camera. This is a list of some of the other cameras faking it like the Licom MXF-700, Lavec LT-002, Bentley WX-3, Promax PX-600, Elite MF-2X, Konex MX-V, Ocean OX-2, Gmtex GT-304, Meikai-4351, Yamasheta 35mm, Akira TC-002, Akira 2000, Minotex 2000, Ceptre YN-500, Windsor WX-3, Capital MX-II, Charman 2000, Nicca L-3, Orion SRZ 500, Maxim MF-101X, Yoshi Pro Shot, Photoflex MX-35, 35MM AUTO, Fotex 35mm, Condor CF-1, Nishiki Super II, Sceptre YN-500, Meikai 4351R, Sunstone MM500, Windsor WX-3, Weston WX-7, Sitacon ST-3, Optiflex NF-1, Quicksho 35mm, Caesars Atlantic City, Kinetic 35mm, Yamasheta 35mm, Seville Super SW-500, Cortland CX-7, Sitacon ST-3, Maxim MF-IX, Barrington B-1, Akira 7000, Alto camera, Lavec LT-006, Lavec T28, Barclaycard Visa, Canomatic 2000, Canomatic OX-5, Canomatic SE-AS, Comax GT-306, Damff X-700, ESC camera, F-1000, Franka JM-77, Franka NX-40, Ginette M68F, GM Tex GT-304, Hachi KX-66, Kalimar MX-1, Kinon SC-1, Kinusa Deluxe-1, Kinusa LX-9, Konex MX-V, Life (Magazine), Limp camera, Luminox 356 SL, Lynx PPL 500XL, Maximatie 888, Meikai AR-4367, Naikei 1000-X, Nikai camera, Ninoka NK-700, Novai 7000, Oppex 2 7090, Oppex 7090, Pearl P-1, Penmax YN-3, Pierre Cardin, Quartz Deluxe-1, Remac camera, Renoult Coches Ilenos De Vida, and so many more. This style of camera is pretty similar to the Time magazine style camera. The same plastic lenses, one shutter speed with f stop combinations, made in China as inexpensive often free give away cameras. On the bottom is R.O.C. standing for Republic of China and also in raised print is “Made in Taiwan”. Along with the Time Magazine camera there is the Sports Illustrated camera, the Lynx camera, the PhotoFlex MX35, the Ultronic 35, the Franka NX-40, the Romor R-Z camera and so many more as you can see above. All these cameras use the same auto fixed focus 50mm 1:6 lens and the same general layout. In the companies mentioned above only PhotoFlex is a legitimate company having anything to do with cameras. The Franka camera is defiantly not made by the Franka Camera Company and probably named after Frank Sinatra. The camera was produced around 1985 as is most of the cameras listed. The camera pictured here is in Fine condition and is worth $15.00 in 2020. |
 | unknown companies: Photo Flex MX-35 | c1990 | c | 2020 | 4.00 | A 1980s 35mm film, fake-rangefinder camera. This is a list of some of the other cameras faking it like the Licom MXF-700, Lavec LT-002, Bentley WX-3, Promax PX-600, Elite MF-2X, Konex MX-V, Ocean OX-2, Gmtex GT-304, Meikai-4351, Yamasheta 35mm, Akira TC-002, Akira 2000, Minotex 2000, Ceptre YN-500, Windsor WX-3, Capital MX-II, Charman 2000, Nicca L-3, Orion SRZ 500, Maxim MF-101X, Yoshi Pro Shot, Photoflex MX-35, 35MM AUTO, Fotex 35mm, Condor CF-1, Nishiki Super II, Sceptre YN-500, Meikai 4351R, Sunstone MM500, Windsor WX-3, Weston WX-7, Sitacon ST-3, Optiflex NF-1, Quicksho 35mm, Caesars Atlantic City, Kinetic 35mm, Yamasheta 35mm, Seville Super SW-500, Cortland CX-7, Sitacon ST-3, Maxim MF-IX, Barrington B-1, Akira 7000, Alto camera, Lavec LT-006, Lavec T28, Barclaycard Visa, Canomatic 2000, Canomatic OX-5, Canomatic SE-AS, Comax GT-306, Damff X-700, ESC camera, F-1000, Franka JM-77, Franka NX-40, Ginette M68F, GM Tex GT-304, Hachi KX-66, Kalimar MX-1, Kinon SC-1, Kinusa Deluxe-1, Kinusa LX-9, Konex MX-V, Life (Magazine), Limp camera, Luminox 356 SL, Lynx PPL 500XL, Maximatie 888, Meikai AR-4367, Naikei 1000-X, Nikai camera, Ninoka NK-700, Novai 7000, Oppex 2 7090, Oppex 7090, Pearl P-1, Penmax YN-3, Pierre Cardin, Quartz Deluxe-1, Remac camera, Renoult Coches Ilenos De Vida, and so many more. This style of camera is pretty similar to the Time magazine style camera. The same plastic lenses, one shutter speed with f stop combinations, made in China as inexpensive often free give away cameras. On the bottom is R.O.C. standing for Republic of China and also in raised print is “Made in Taiwan”. Along with the Time Magazine camera there is the Sports Illustrated camera, the Lynx camera, the PhotoFlex MX35, the Ultronic 35, the Franka NX-40, the Romor R-Z camera and so many more as you can see above. All these cameras use the same auto fixed focus 50mm 1:6 lens and the same general layout. In the companies mentioned above only PhotoFlex is a legitimate company having anything to do with cameras. The Franka camera is defiantly not made by the Franka Camera Company and probably named after Frank Sinatra. The camera was produced around 1985 as is most of the cameras listed. The camera pictured here is in Fine condition and is worth $15.00 in 2020. |
 | unknown companies: Photomatic Hi-Speed | 2019 | 5.00 | The Hi-Speed uses 126 cartridge film introduced by Kodak in 1963 and the Hi-Speed name denotes the speed of loading the camera. The last 126 film cartridge was produced by Ferrania in Italy under the Solaris brand name in 2007. The camera was probably introduced in the late 1960s or early 1970s and the styling reflects that time frame. It was made in Hong Kong and came with either a silver with black lines or wood grain face plate. The camera has a slide lock on one side of the back cover to open the film compartment that is hinged on the opposite side. The back cover has the usual window in it to observe the film backing for frame count. New, the camera came in a small box with the camera in a sealed plastic bag, a detached wrist strap, a soft plastic lens cover, and instruction booklet. The camera has a right thumb film advance wheel, optical viewfinder, a fixed focus (about 28mm) lens, a shutter (about 1/60 of a second) release lever on the side of the lens assembly, and two aperture settings of about f8 and f11 (changed with a slide switch on the side of the lens assembly) . The camera also has what looks like a light meter over the lens but it’s fake. The camera in the box probably cost around $5.00 when new. The camera pictured here is in Fine condition and worth $5.00 in 2019. | ||
 | unknown companies: Pink Eyelash | c1990s | 2012 | 2.00 | 1990's good condition worth $4.00 in 2014 | |
 | unknown companies: Pokemon | 1995 | 2015 | 3.00 | 1995 Fine condition worth $10.00 in 2015 | |
 | unknown companies: Recesky TLR DIY Kit | 2020 | 12.00 | This is a 68 piece build it yourself twin lens camera. All the parts are provided for you and you assemble it. The original is quite a joy to build and can be built in an hour as the instruction imply. It is constructed of all mold injected plastic parts with 4 small springs, one ¼” 20 thread nut, and 16 tiny screws being the only metal. The viewfinder is made up of a 45-degree-angled mirror (hence the “reflex”), a matte focusing screen on top of the camera, and a pop-up hood around it. The shutter speeds could be anywhere from 1/50 of a second up to 1/250 second and you had to learn how to produce a decent phot with it. Film speed selection, focusing for the taking lens, and distances are all battles you need to win. The kit is an excellent educational tool. Seeing how a functioning camera is put together– from the lenses, to the mirror, to the shutter mechanism– has a way of clearing your head and getting back to basics. The camera has an f/11 aperture provided by a plate installed during construction (f/5.6 if left out). The lens is a fixed, 50mm, single plastic element, with a focusing distance of approximately 40 cm (15.7 inches) to infinity. The camera uses 35mm film and recommends a minimum 200 ISO but that depends on the shutter speed. The camera was made in China and is listed on the box as Recesky Cam-6001. I will warn you that many copies are on the internet and the quality is dismal at best. The LOMO DIY Dual Lens Reflex Camera Retro Classic TLR 35mm Twins Photos Play Hobby for $14.77 from ShenZhen, China is one of them. This is a reversed engineered copy of the Recesky that has the exact same parts without the quality and they just don’t work no matter how many hours you spend on them. The parts for the shutter assembly are so poorly made that they hardly resemble those of the Recesky. The two lenses are packed together in the same plastic bag with no separation and as a result the lenses are scratched. Danger Will Robison! The camera pictured here is in Fine condition and worth $10.00 in 2020. | ||
 | unknown companies: Red Baron | 1995 | 2016 | 10.00 | 1995 New condition worth $20.00 in 2016 | |
 | unknown companies: Smart Living One Time Use 35mm | 2017 | 2.00 | The cameras are marked “Made In China” and most onetime use cameras from China are made by Huayuanda Electronic Co. Ltd and distributed here in the US by Foodhold USA Inc... The cameras have preloaded 35mm color film giving the user 27 exposures. They also have about a 28mm fixed focus lens, flash on button for the built in flash, flash ready LED, optical viewfinder, right thumb frame advance wheel, and a right hand shutter button. The cameras use a single AA battery to power the flash unit and were produced about 2010. The film is fully extended in the cameras and the user exposes a frame then accentually rewinds to the next frame. This cleverly gives the photo finisher a rewound cartridge of film. This will be the last time I enter One-Time use cameras here. The cameras pictured here are in new condition and worth $3.00 each in 2017. | ||
 | unknown companies: Sterling Miniature | c1939 | 2000 | 10.00 | 1939 Good condition worth $10.00 in 2014 | |
 | unknown companies: Sunpet 110 Pocket | 2017 | 2.00 | Sunpet Industries Limited is a company based in Hong Kong, and with manufacturing plants in mainland China, which produces a variety of optical goods, ranging from cheap novelty items to quite serious binoculars and telescopes. The firm was established as Sunny Industries in 1972, and changed to the current name in 1980. The company has made a number of simple cameras for 120, 35 mm, 126 and 110 film. Sunpet made the Vivitar Ultra-Wide and Slim cameras. Some 35 mm cameras are still listed among the firm's current products. The early 1980’s Sunpet 110 Pocket camera was also called the Sunpet 501. It is an inexpensive 110 camera for outdoor use with no flash capability. It was produced in red, pink, and a light greenish yellow. 110 film was introduced by Kodak in 1972. 110 is essentially a miniaturized version of Kodak's earlier 126 film format. Each frame is 13 mm × 17 mm (0.51 in × 0.67 in), with one registration hole to stop on the next frame. The film is fully housed in a plastic cartridge, which also registers the image when the film is advanced. There is a continuous backing paper, and the frame number and film type are visible through a window at the rear of the cartridge and a window is provided in the sunpet camera as all 110 film cameras. The camera pictured here is in New condition and worth $10.00 in 2017. | ||
 | unknown companies: Thomas The Tank Engine | c2005 | 2013 | 5.00 | 2012 Fine condition worth $5.00 in 2014 | |
 | unknown companies: Transparent | 1995 | 1999 | 1.00 | 1995 Good condition worth $3.00 in 2014 | |
 | unknown companies: U.S. News Panaview | c1990s | 2001 | 5.00 | 1980 Fine condition worth $5.00 in 2014 | |
 | unknown companies: Under Water camera | 2017 | 3.00 | This is probably the cheapest underwater 35mm camera ever constructed. You could only safely take this to 3 feet before it would leak. The camera body is as close to a one use as has ever been seen. The camera does have a larger than normal optical viewfinder and a fold down frame viewfinder for use underwater. It also has a film advance knob, frame counter, 28mm focus free lens, shutter release button, and a large yellow rubber band carry strap. This is a poolside camera released in the 90s. It has no labeling nor does it have any identifying markings. The casing is set-up like Tupper Ware with the bottom having an O-ring to seal it and four stays, two on either side. It also has an O-ring for the film advance knob and one for the shutter release plunger to keep out water. It is difficult to change film once the camera is removed from the container. The camera has no flash capability although a flash capable version must exist because this one has it imprinted in the camera and a blank cover where an on/off should be. The camera pictured here is in fine condition and worth $5.00 in 2017. | ||
 | unknown companies: VuPoint Solutions DC-ST160-VP | 2019 | 5.00 | This digital kid’s camera was released in 2006 and came packaged with a software CD, user’s manual, AAA battery, carry strap, and USB cable. The camera has a 110k pixel CMOS sensor, AVI movie mode, an aperture of f2.8 with a 6.2mm lens, focus range of 1.6 feet to infinity, 19 second self-timer, 16mb of built-in SDRAM, USB interface, and capable of 18 pictures at its highest (CIF) setting. The camera does boast that you can take up to 200 pictures but you would have to be at its lowest setting for image quality. The provided software is compatible with Windows 98, SE, 2000, ME, and XP. It is also compatible with Macintosh OS 9.0 and 10.0. The camera also has a ¼ inch 20 thread tripod socket and can be used as a Web camera. The camera pictured here is in New condition and worth $5.00 in 2019. | ||
 | unknown companies: Walgreens Studio 35 | c2000s | 2010 | 3.00 | 2000-2005 good condition worth $3.00 in 2014 | |
 | unknown companies: Winait Mini 100k Pen | 2012 | 5.00 | 2005 fine condition worth $5.00 in 2014 (352 x 288 resolution) | ||
 | unknown-companies: IBSOR DRP | 2019 | 35.00 | I have put close to a year off and on into finding information on this camera. The shutter assembly was used by many camera manufacturers and produced from 1013 to 1933. It is an IBSOR D.R.P. with the AGC emblem and has speeds of 1 second to 1/100 of a second with B plus T. The speeds are adjusted at the dial on the front top of the shutter assembly. It also has a screw-in plunger socket and a return spring reloaded shutter release quite modern for the time. The lens is a Doppel Anastigmat Jaconar 4.5/135 mm made by Jos.Schneider & Co. in Kreuznach (Bad Kreuznach district in Rhineland-Palatinate, Germany). The Aperture scale is 4.5, 6.3, 9, 12.5, 18, 25, and 36 and the serial number for the assembly is 189448. This is a 9x12cm Photo plate camera with a minimum shooting distance of 1.5 m. The best guess I have is that it is a Henning camera ((Rhaco (Richard Henning and Co)) because of the rail bed release knobs plus the front standard adjuster knob and the rail bed adjuster knob. This camera has one of the latter shutters but not the latest because the top speed is 1/100. That dates the camera to probably around 1928 to 1930. The camera also has an adapter to convert the tripod socket from 3/8” 16 thread to ¼” 20 thread in the portrait socket only. This tells us the camera was used in a tripod at some point. It could be a Wauckosin, Henning, Ihagee, Voigtlander, or any of the brands of that era. It could be a demonstrator model or a camera a factory worker made for themselves. No matter what brand it is well built. The camera pictured here is worth $100.00 in 2019. | ||
 | Utility MFG: Falcon Miniature | 1938 | 2007 | 3.50 | 1939 Poor condition worth $3.50 for parts in 2014 (Bakelite back cover warped) | |
 | Viceroy: Auto 35 | 2017 | 16.00 | Nippon Kōsokki was a Japanese manufacturer of shutters and cameras. They made various cameras models for private brand companies. Some of the brands included; Hanimex, Taron, B&A (Burstein & Applebee) and Viceroy. This model the Viceroy Auto 35 was also sold as the Taron Auto-EE, the Hanimex 35 Auto-EE and the B&A Auto-EE was introduced in 1963. It is a sturdy rangefinder camera with a Citizen MVL shutter. It uses a CdS light meter with Cadmium Sulphide Cells powered by a 1.3 volt mercury battery kept behind a screw in cap on the left hand side of the camera and left of the optical viewfinder. The 45mm f1.8 lens is of a good quality and amber coated to reduce refraction. The shutter has speeds from 1 second to 1/500 of a second and Bulb. Other features are the single lever action film advance, accessory cold shoe, PC socket in the lens, rewind release button, fold down rewind crank that is also releases the film when the assembly is pulled all the way up, aperture of 1.8 to 16 plus an auto setting, carry strap hard points, and a ¼” 20 thread tripod socket. The camera pictured here is in fine condition and worth $30.00 in 2017. | ||
 | Vivitar: Crayola Sport (CR 450) | 1990 | 2010 | 15.00 | 1990 Fine condition worth $20.00 in 2014 | |
 | Vivitar: CV35 | c1980s | c | 2017 | 3.00 | The Vivitar CV35 is a fixed-focus, plastic 35mm film camera marketed by Vivitar. It was introduced in early 1999, with a Vivitar press release calling it "an ideal first camera for young people and beginning photographers". The CV35 retail pack available on the market circa 2000 carried the copyright date ©1998, and sold for about USD $12, including one AA battery and a starter roll of film. Its most notable feature is a see-through translucent body, in clear or several colors of plastic—perhaps reflecting the design influence of Apple Computer's 1998 "gumdrop" iMacs. Variants under other Vivitar model designations are known. The camera also has a built in lens cover, a low-powered integrated flash, flash ready LED, flash on/off switch, optical viewfinder, frame counter, one shutter speed, a small aperture, and a film view window in the back cover. The CV35 might be considered to fall into the toy camera category, but its two-element lens raises it somewhat above the generic Taiwan junk camera. The AA battery needed to power the flash is cleverly fitted into the core of the film take-up spool. As with many cameras in this class, film must be present and engaged with a toothed sprocket thumb wheel in order for to cock the shutter, a "fail safe" design against miss-loaded film and double exposure. The original manual is strangely cavalier in suggesting film speeds from ISO 100 to ISO 1000, reflecting how reliant cameras like this are on the exposure latitude of color negative emulsions. The manual does note that slower films limit the flash range (under 8 feet with ISO 100 film); it also helpfully advises that even after the red "flash ready" light glows, it is best to wait a little while longer before actually shooting. The camera pictured here is in Fine condition and worth $10.00 in 2017. |
 | Vivitar: Freelance (V69379) | c2011 | 2011 | 5.00 | 2011 New condition worth $10.00 in 2014 (2.0MP) | |
 | Vivitar: Freelance V15 | 2002 | 2007 | 10.00 | 2002 Good condition worth $8.00 in 2014 (1.3MP) | |
 | Vivitar: Freelance V15 | 2002 | 2016 | 3.00 | 2002 New condition worth $15.00 in 2014 (1.3MP) | |
 | Vivitar: Mini Digital Camera | 2017 | 3.00 | The original package Includes: Vivitar Mini Digital Camera, Software CD, One AAA battery, Carrying case, USB cable, LED Keychain Flashlight and it was introduced by Vivitar in 2004. The Mini has 3 function capabilities: still camera, video camera, and web cam. The little camera has 16MB of internal memory that allows for over 240 photos compressed still photos. Other formats allowed about 20 pictures at CIF (352*288), 81 pictures at QCIF (176*144), plus under compressed 60 pictures at CIF (352*288) 243 pictures at QCIF (176*144). It not only can take photos but it also has built-in PC camera functions and If you want the photos in the camera to be downloaded into your computer, you are only required to connect the USB cable to your computer and your camera. The camera also comes with a key chain strap so you can easily attach the digital camera to your car, home, or work keys and take pictures anywhere. The digital camera is made of state of the art lightweight material making it one of the most convenient cameras that were available in that era. The camera came in three colors of pink, silver, and blue. The camera shutter in capable of 1/60 of a second to 1/1500 of a second and that complements the 1/4 inch fixed lens with a 2.8 aperture. The Mini also has auto exposure mode, auto white balance, 10 second self-timer delay, USB communication port, 1/4 inch CMOS image sensor, automatic power off if idle for 30 seconds, 12 frames per second frame rate, and 6-8 frames per second in video mode. The Arcsoft Photo Impression 4.0 program minimum System Requirements is Microsoft Windows 98/ME/2000/XP, Pentium Processor, 64MB RAM, 50MB free hard disk space, Available USB port, and CD ROM drive. The camera pictured here is in Fine condition and worth $10.00 in 2017. | ||
 | Vivitar: Point n Shoot | c1980s | c | 2015 | 6.00 | Vivitar actually made two versions of this camera. A black camera with white lettering and a red shutter button was introduced in 1986, and this more stylish purple version that was sold through Avon. This version was produced in 1987 and was sold exclusively through the giant catalog makeup company. The camera is completely purple with a minty green lettering and shutter button. It came complete with a matching purple wrist strap and zip up case. The camera has a fixed focus lens and fixed exposure, so it is as the name implies a point and shoot camera. You cannot adjust anything on the camera except to add a flash bar when needed. The camera produces 17mm x 13mm images from the 110 film. Both cameras were made in China and sold for about $40.00 when new. The camera pictured here is in Fine condition and worth $10.00 in 2015. |
 | Vivitar: Point n Shoot | c1980s | c | 2017 | 3.00 | Vivitar actually made two versions of this camera. A black camera with white lettering and a red shutter button was introduced in 1986, and this more stylish purple version that was sold through Avon. This version was produced in 1987 and was sold exclusively through the giant catalog makeup company. The camera is completely purple with minty green lettering and shutter button. It came complete with a matching purple wrist strap and zip up case. The camera has a fixed focus lens and fixed exposure, so it is as the name implies a point and shoot camera. You cannot adjust anything on the camera except to add a flash bar when needed. The camera produces 17mm x 13mm images from the 110 film. Both cameras were made in China and sold for about $40.00 when new. The camera pictured here is in Fine condition and worth $10.00 in 2017. |
 | Vivitar: Spree Plus | c1994 | 2000 | 10.00 | 1994 Good condition worth $15.00 in 2014 | |
 | Vivitar: Vista Tele Motor | 1993 | 2004 | 5.00 | 1993 Poor condition worth $1.00 for parts in 2014 | |
 | Vivitar: Vivicam 25 | c2003 | c | 2015 | 3.00 | 2012 fine condition worth $5.00 in 2015 |
 | Vivitar: Vivicam 25 | c2003 | c | 2020 | 3.00 | Simple and affordable digital camera with a 1.5" preview screen. This camera holds up to 120 photos, no SD card required. It shoots still images at 2.1 megapixels, and also records video. The ViviCam 25 had a 1 year warranty when new. It can take pictures up to 1600 x 1280 pixels that translates to the 2.1 MP. The camera saves pictures in the JPEG format and videos as AVI’s. It operates on three AAA batteries and weighs 0.88 pounds with batteries. The camera also has a ¼” 20 thread tripod socket, menu button, play button, two menu select buttons, USB socket, on button, shutter button, and two video indicator LED’s front and back. The camera originally sold for $29.95 in 2012 and can still be bought new today for $15.00. The camera pictured here is in fine condition and worth $5.00 in 2020. |
 | Vivitar: Vivicam 3000 (Sound Vision Mini-209 / UMAX MDX-8000) | 1997 | 1998 | 69.00 | 1997 Good condition worth $8.00 in 2014 (0.8MP) | |
 | Vivitar: Vivicam 3315 | 2002 | 2007 | 2.00 | 2002 poor condition worth $3.00 in 2014 (1.3MP) | |
 | Vivitar: Vivicam 3665 | c2002 | 2015 | 3.00 | 2000 Poor condition worth $0.50 for parts in 2015 (will not stay on) | |
 | Vivitar: Vivicam 5019 | 2009-2012 | 2009-2012 Good condition worth $15.00 in 2014 (5.1MP) | |||
 | Vivitar: Vivicam 5022 | 2009-2012 | 2014 | 10.00 | 2009-2012 Good condition worth $15.00 in 2014 (5.1MP) | |
 | Vivitar: Vivicam 8018 | 2009 | 2019 | 5.00 | The Vivicam 8018 was introduced in 2009 and has a 8.1 megapixel optical CMOS sensor, 8x digital zoom, AVI Digital Video Format, JPEG Image Recording Format, 640 x 480 Max Video Resolution, USB 2.0 Interface, auto ISO (100, ISO 200, ISO 400), shooting modes (beach, high sensitivity, night portrait, night scene, party/indoor, portrait mode, scenery, sports mode), automatic white balance, white balance presets (cloudy, daylight, fluorescent, incandescent), built-in flash with Red Eye Reduction, 7.23 f/2.8 lens, auto focus, SD Memory Card plus SDHC Memory Card slot, 10 second self-timer delay, Anti-Shake DSP, Smile Detection technology, auto power save, cropping an image, date/time stamp, digital image rotation, face detection, sharpness control, and a ¼ inch 20 thread tripod socket. The camera uses three AAA batteries and came new with a CD that had drivers, operators manual, PhoTags Express software for Microsoft Windows (2000, Windows Vista, and Windows XP) (Note: The software is not for Mac systems but the hardware is plug and play compatible when used on a Mac), USB cable, Quick Start Guide, and a handy wrist carrying strap. The camera pictured here is in fine condition and worth $10.00 in 2019. | |
 | Vivitar: Vivicam F126 | 2015 | 2015 | 15.00 | 2015 New condition worth $35.00 in 2015 (14.1MP) | |
 | Vivitar: Vivicam F126 | 2015 | c | 2019 | 3.00 | This camera has a 4x digital Zoom, LCD Display LCD, micro SD flash memory, built-in flash memory, mirror less rangefinder, and package dimensions are 7.5 x 9 x 2 inches, package weight is 0.5 pounds, all-in-one-zoom lens, optical Sensor resolution is 14.1 MP, optical sensor technology is CCD, 4x optical zoom, video capture resolution is 640 x 480 and flexible LCD viewfinder type. The ViviCam F126 Digital Camera lets you capture clear and lively photos using its 14 Megapixels resolution. This digital camera is designed with 2.7" LCD monitor that allows you to view your saved photos with ease. The ViviCam F126 Digital Camera is equipped with 4x Digital Zoom, letting you shoot and capture far subjects without any distortion. The camera was introduced in February 2015 and sold for $37.50. The camera pictured here is worth $5.00 in 2019. |
 | Vivitar: Vivicam F126 | 2015 | c | 2019 | 3.00 | This camera has a 4x digital Zoom, LCD Display LCD, micro SD flash memory, built-in flash memory, mirror less rangefinder, and package dimensions are 7.5 x 9 x 2 inches, package weight is 0.5 pounds, all-in-one-zoom lens, optical Sensor resolution is 14.1 MP, optical sensor technology is CCD, 4x optical zoom, video capture resolution is 640 x 480 and flexible LCD viewfinder type. The ViviCam F126 Digital Camera lets you capture clear and lively photos using its 14 Megapixels resolution. This digital camera is designed with 2.7" LCD monitor that allows you to view your saved photos with ease. The ViviCam F126 Digital Camera is equipped with 4x Digital Zoom, letting you shoot and capture far subjects without any distortion. The camera was introduced in February 2015 and sold for $37.50. The camera pictured here is used in the package and worth $10.00 in 2019. |
 | Vivitar: Vivicam F126 | 2015 | c | 2019 | 3.00 | This camera has a 4x digital Zoom, LCD Display LCD, micro SD flash memory, built-in flash memory, mirror less rangefinder, and package dimensions are 7.5 x 9 x 2 inches, package weight is 0.5 pounds, all-in-one-zoom lens, optical Sensor resolution is 14.1 MP, optical sensor technology is CCD, 4x optical zoom, video capture resolution is 640 x 480 and flexible LCD viewfinder type. The ViviCam F126 Digital Camera lets you capture clear and lively photos using its 14 Megapixels resolution. This digital camera is designed with 2.7" LCD monitor that allows you to view your saved photos with ease. The ViviCam F126 Digital Camera is equipped with 4x Digital Zoom, letting you shoot and capture far subjects without any distortion. The camera was introduced in February 2015 and sold for $37.50. The camera pictured here is used in the package and worth $8.00 in 2019. |
 | Vivitar: Vivicam S126 | 2019 | 5.00 | The Vivitar ViviCam S126 is an affordable compact point and shoot digital camera that offers a 16.1MP image sensor to produce high-res still images as well as HD 720p video. The S126 features a 1.8-inch (4.6cm) LCD screen for composing and reviewing your shots, 4x digital zoom which covers wide-angle to short telephoto perspectives, and Macro mode lets you focus as closely as 4 inches (10.2cm). Additionally the built-in LED flash unit that helps increase your image quality when shooting in low-light conditions, is SD card supported, came with a handy wrist carry strap, has a USB port, Macro on/off switch (on 10-25cm)(off 1.5m to infinity), and has a ¼ inch 20 thread tripod socket. The camera runs on three convenient AAA batteries, was introduced in 2016, and is still available. The camera pictured here is in Good condition and worth $5.00 in 2019. | ||
 | Vivitar: Vivicam X014 | 2010 | 2019 | 5.00 | The Vivitar Vivicam X014 was introduced in 2010 by Sakar International, Inc... Included in the box when new was the Digital Camera, USB cable, Vivitar Experience Image software Installation CD, and a wrist strap. Your camera needed an SD Memory card (up to 32GB) for normal use (sold separately). Primarily the camera was sold at Walmart and came with a Walmart edition of the software Installation CD. The camera is powered by three AAA batteries and rechargeable batteries are not recommended for use. The camera has an image resolutions of 10M (3648x2736), 8M (3264x2448), 7M HD (3648x2048), 5M (2592x1944), 3M (2048x1536), 2M HD (1920x1080), VGA ( 640x480 ), Video resolutions of 640X480 pixels (30 fps) plus 320X240 pixels (30 fps), JPEG/AVI file formats, 1.8 Inch TFT with 180 degree Swivel LCD display, f=7mm F3.0 lens, 4X Digital Zoom, White Balance (Auto, Daylight, Cloudy, Incandescent , Fluorescent), ISO (Auto / 100 / 200 / 400), scene settings (Auto / Scenery / Portrait / Night Scenery / Night Portrait / High Sensitivity / Sport / Beach / Party), flash settings (Auto/Force/Red Eye/Off), 2, 5 or 10 second delay self-timer, Anti-Shake, Print Photos, Face Detect, Smile Capture, USB 2.0 interface, and a ¼ inch 20 thread tripod socket. System requirements are Windows XP and above and Mac OSX 10.5 and above. The modes are Photo Capture Mode (This is the default mode when the camera is powered ON), Video Capture Mode (A red record indicator will appear on the LCD screen while record is in progress), and Playback Mode (Photos & Videos). Note: the flip-out screen faces front so you can monitor your selfies. The camera pictured here is in Good condition and worth $15.00 in 2019. | |
 | Vivitar: Vivitar (Focus Free) | 1993 | 2014 | 5.00 | 1993 Fine condition worth $10.00 in 2014 | |
 | Vivitar: Vivitar (Focus Free) | 1993 | 2000 | 10.00 | 1993 Fine condition worth $10.00 in 2014 | |
 | Vivitar: Vivitar 160Z | c1989 | 2010 | 5.00 | 1990 Poor condition worth $0.50 for parts in 2014 | |
 | Vivitar: Vivitar 160Z | c1989 | 2015 | 3.00 | 1990 fine condition worth $15.00 in 2015 | |
 | Vivitar: Vivitar 2001 Z | 1989 | 2019 | 5.00 | The camera was introduced in 1989 along with the AF 1000. This is a point & shoot camera with a Vivitar series 1 auto focus zoom lens. The lens is a 38 to 80mm with 3.8 to 7.6 apertures. One of the more interesting features of the 2001Z is the “Zip Zoom” mode that lets you go instantly to wide-angle (38mm), telephoto (80mm), or normal (55mm) settings. The 2001Z’s autofocusing is via a 59-zone infrared system and the built-in electronic flash adjusts to match the field of view. The original suggested retail price of the 2001Z was $358.00. The camera uses a 223 6V battery to power all its features. Other feature are a self-timer, a small information LCD screen, built-in lens cover, a built-in eye side viewfinder cover, a flash ready LED, a step zoom button, an infinity focus button, auto film advance, auto rewind plus mid roll rewind button, DX encoded film bay, on/off switch, and a ¼ inch 20 thread tripod socket. The camera pictured here is in fine condition and worth $10.00 in 2019. | |
 | Vivitar: Vivitar 250 SL | c1976 | c | 2017 | 15.00 | The Vivitar 250/SL is a Cosina-made M42 mount, 35mm SLR, marketed by Vivitar. The Vivitar 250/SL was identical to the Vivitar 220/SL except for the addition of a shutter release lock lever, a battery check light, and a battery check button. The two cameras have identical specification and share the same instruction manual. This camera included typical features for a mid-range SLR; exposure counter window, film plane marker, and a "film-in-chamber" indicator near the rewind crank. The camera included an X Sync hot shoe. M Sync and X Sync flash terminals are available on the side of the camera. The focusing screen provides a micro prism spot to assist with focusing. Shutter speeds ranging from Bulb to 1/1000 of a second were possible with the vertical moving metal Copal Square shutter. The shutter release included a cable release socket and a self-timer. The camera included dual behind the lens CdS cells. The battery-powered light meter used a single 1.35 volt mercury cell: Mallory PX-675, Eveready E-675, or equivalent. The camera's film speed dial allowed the user to select ASA (ISO) values from 25 to 1600. This camera also has a 200mm f3.5 Vivitar lens worth $15.00. The camera pictured here in Good condition and lens together are worth $35.00 in 2017. |
 | Vivitar: Vivitar 300 Z | 1987 | 2013 | 10.00 | 1990 Fine condition worth $35.00 in 2014 | |
 | Vivitar: Vivitar 35 EE | c1978 | c | 2017 | 5.00 | The Vivitar 35EE is a 35mm rangefinder camera with automatic exposure, rebadged to Vivitar specifications from the 1971 Cosina Cosina 35 in c1978. It is a simpler version of the Vivitar 35ES with a slower lens. The design owes a debt to the Konica C35 and 1974 Minolta Hi-Matic G. It also has a lot in common with the 1977 Mamiya 135 EE. Available in all black, or chrome with black covering, this camera was also rebadged with minor changes as the Chinon 35EE, Revue 400S, GAF Memo ET, Argus Cosina 35 and the Prinz 35E from Dixons. The camera has a 38mm f/2.8 (4 elements, 3 groups) lens with 46mm filter thread and a focusing Range of 0.9m to infinity. It also has auto-exposure via CdS "electric eye" above lens, shutter speeds: 1/30 to 1/650 of a second plus B (only at f/2.8), film speed capability of ISO 25 to 400, flashmatic system with X-sync on hot shoe and PC-socket at 1/25 of a second (Guide number scale on sticker on camera back). The viewfinder has a Brightline frame, parallax correction marks, overexposure and underexposure warning zones, with indicated approximate combined shutter speed and aperture (f/2.8 to f/14) selection shown by needle. The camera originally took a PX625 mercury cell battery. A zinc air equivalent or a higher voltage alkaline button battery can be used. This information taken from camerpedia. The camera pictured here is in Poor condition and for display or parts worth $3.00 in 2017. |
 | Vivitar: Vivitar 357PZ | c1996 | 2014 | 10.00 | 1996 Poor condition worth $0.50 for parts in 2014 | |
 | Vivitar: Vivitar 450PZ | c1995 | 2000 | 15.00 | 1995 Good condition worth $20.00 in 2014 | |
 | Vivitar: Vivitar 470PZ | 2020 | 5.00 | At the beginning of 1992, during the PMA Trade Show (Photo Marketing Association) of Las Vegas, The Philippines Company Vivitar broke out by presenting a multiplicity of various cameras, lenses, binoculars, accessories. Among those the 440 PZ and 470 PZ (PZ for Power Zoom) are quasi-twin brothers. This camera has an Auto Focus Power Zoom 38 to 70mm lens. This is a 35mm point and shoot camera. It\'s a really easy camera to use, all you\'ll need is 1x CR123A battery and a roll of 35mm film and you\'ll be ready to go. The camera will deal with exposure and focus for you. Other features are Red Eye Reduction system with a control slide switch with three positions (fill/auto/off), auto frame advance, auto rewind plus mid-roll rewind, a built in flash, flash ready LED, auto exposure, frame counter, self-timer, DX coding system, film view window in the back cover, optical viewfinder that adjusted with the zoom lens, ¼ inch 20 thread tripod socket, and a permanently attached wrist strap. The camera pictured here has a bad flash unit and worth $1.00 in 2020. | ||
 | Vivitar: Vivitar 520MZ | 2020 | 5.00 | The Vivitar 520 MZ is a point-and-shoot camera. This camera is a simple to use camera with some neat features. It has a Series 1 Zoom Super Macro 35-70mm lens for many types of basic. It features automatic film advance, auto rewind plus mid-roll rewind, built-in flash, automatic flash control with on/off button, flash ready LED, automatic exposure, automatic focus, and a self-timer. The camera was made in the Philippines and introduced in 1998. Other features are a small mode LCD screen, a Quartz Date back with small LCD display, DX coding system, optical viewfinder that adjusts with the lens, easy film load system, ¼ inch 20 thread tripod socket, and a handy wrist carry strap. It is a compact, lightweight, camera and works on a CR2 battery. The camera pictured here is in fine condition and worth $15.00 in 2020. | ||
 | Vivitar: Vivitar 530PZ | 1997 | 2019 | 5.00 | The Vivitar 530 PZ Date-A-Print camera was introduced in 1997 in USA. The 530 PZ Date-A-Print was designed to take 35mm, Cartridge Roll film. The camera requires 1, CR123A battery. Unloaded, the camera weighs 254.00 g (8.96 oz.), with batteries 270.00 g (9.52 oz.), and with film, 289.00 g (10.19 oz.). Initially priced at $118.77, the 530 PZ Date-A-Print would cost $230.00 or more in 2019 if newly released. The camera features auto focus, integrated built-in flash, flash ready LED, date back, 10 second self-timer, built-in auto lens cover that opens with power on, right thumb zoom control, optical viewfinder, ¼ inch by 1 inch LCD information screen that shows nine functions, auto film advance, motorized film load, auto rewind, mid roll rewind button, 38 to 110mm f/3.5 to 9.8 lens (5 groups 6 elements), Red-Eye Reduction, Active infrared auto focus system with focus plus infinity lock, programmed AE electronic shutter, 2.6 feet to infinity focus range, Auto power saving system, shutter speeds of 1/30 of a second to 1/350 of a second, recognizes DX coded film from ISO25 to ISO3200 (non DX film defaults to ISO25), and a ¼ inch 20 thread tripod socket. The camera pictured here is in fine condition and worth $15.00 in 2019. | |
 | Vivitar: Vivitar 550PZ | c2001 | 2015 | 5.00 | 2001 Fine condition worth $15.00 in 2015 | |
 | Vivitar: Vivitar 600 | 1977 | 2017 | 2.00 | The Vivitar 600 is a point n shoot 110 film camera with a built in flash and all glass lens. It can get about 150+ flashes capability with two AA batteries. It was suitable for both indoor and outdoor use and 110 film can still be purchased on-line but stock is dwindling fast. The camera features a built in flash, flash ready LED, flash on/off switch on the top, film view window for frame counting in the back cover, large optical viewfinder, Vivitar 24mm 1.7 lens, and a handy carry strap. The camera was introduced in 1977 and made with Japanese parts but assembled in Korea. The camera is pocket Sized at 6 1.2 inch long, by 2 1/2 inch wide, and 1 inch high. This camera is missing the real front label and for this reason is listed in poor esthetic condition but good working condition. For these reasons it is worth $2.00 in 2017. | |
 | Vivitar: Vivitar 604 | 1977 | 2007 | 6.00 | 1977 Good condition worth $10.00 in 2014 | |
 | Vivitar: Vivitar 810 | c1970s | c | 2020 | 2.00 | The Vivitar 810 is a camera for 110 film cartridge. It has a fixed-focus 24mm 1:5.6 lens, and a built-in flash. The camera was introduced circa 1970s. Other features of the camera are optical viewfinder, flash on/off switch, film view window in the back cover that lets you see the frame usage, a single action pivoted thumb film advance lever, a handy wrist strap, and it is powered by a standard 9V battery. The camera pictured here is in poor condition with a non-working flash and it is worth $1.00 in 2020. 110 is essentially a miniaturized version of Kodak\'s earlier 126 film format. Each frame is 13 mm × 17 mm (0.51 in × 0.67 in), with one registration hole. The 110 cartridge was introduced by Kodak in 1972 and discontinued manufacturing slide film in 1982 and all 110 cameras in 1994. Fujifilm stopped manufacturing 110 format film in September 2009. Lomography re-commenced 110 film production in 2011 and it is still producing it today in 2020. Cartridges with 12, 20, or 24 frames are available on-line. Production variations sometimes have allowed for an additional image. |
 | Vivitar: Vivitar Big View BV35 | 1995 | 2000 | 10.00 | 1995 Poor condition worth $0.50 for parts in 2014 | |
 | Vivitar: Vivitar Big View BV35DB | 1995 | 1999 | 15.00 | 1995 Good condition worth $15.00 in 2014 | |
 | Vivitar: Vivitar BV65 | 1996 | 2016 | 2.00 | 1996 poor condition worth $1.00 in 2016 | |
 | Vivitar: Vivitar ECO35H | 1990 | 2012 | 5.00 | 1990 Good condition worth $5.00 in 2014 | |
 | Vivitar: Vivitar EZ35 | c1980s | 2000 | 10.00 | 1990 Fine condition worth $15.00 in 2014 | |
 | Vivitar: Vivitar EZ35 | c1980s | 2016 | 2.00 | This is a nice point and shoot Vivitar EZ35 35mm camera with 35mm FOCUS FREE color corrected lens. It has a two conductor hot shoe for flash, view finder, rewind crank on top, ¼” 20 thread female tripod attach point, and a carry strap attach point. It also comes with an insert for the exposure bay to crop the negative to make it look like wide angle or panorama picture. This 1980’s simple toy like camera pictured above is in Fine condition and worth $10.00 in 2016. | |
 | Vivitar: Vivitar HC 200 | 1991 | 1999 | 1.00 | 1991 poor condition worth $2.00 in 2014 | |
 | Vivitar: Vivitar IC 100 | 1992 | 2014 | 5.00 | 1992 Fine condition worth $5.00 in 2014 | |
 | Vivitar: Vivitar IC 100 | 1992 | 1999 | 5.00 | 1992 Fine condition worth $5.00 in 2014 | |
 | Vivitar: Vivitar IC 100 | 1992 | 1998 | 5.00 | 1992 Fine condition worth $5.00 in 2014 | |
 | Vivitar: Vivitar IC 101 | 1992 | c | 2014 | 5.00 | 1992 Fine condition worth $5.00 in 2014 |
 | Vivitar: Vivitar IC 101 | 1992 | c | 1999 | 5.00 | 1992 New condition worth $10.00 in 2014 |
 | Vivitar: Vivitar IC 101 | 1992 | c | 2020 | 1.00 | Among the many plastic \"focus free\" 35mm cameras sold by Vivitar, the IC 101 is unusual in being permanently fixed in a panoramic image format. The camera has a fixed focus 28mm lens, fixed 1/125 leaf shutter speed and f/8 aperture. There is no flash hot shoe. The camera came in two color variants, all black and all silver. As with other plastic 35mm panoramic cameras, the panoramic image is not achieved by exposing a wider image than the standard 24 x 36 mm frame. Instead, the film gate is permanently masked to an image size of 13 x 36 mm, blocking much of the film area. Photo processors were expected to enlarge this cropped image into wider-than-standard prints. The IC 101 Panorama is small, compact, and solidly built camera. It features a frame counter, protective lens cover (that locks the exposure button so you can’t take accidental shots), and a curved back plate to correct for some of the spherical aberrations caused by the focus free lens. Other features of the camera are the eye level optical viewfinder, fold down rewind crank handle, handy carry strap, and it only weighs 100 g (3.5 oz.). To take advantage of the panorama feature you need to let the photo finisher know so he can use the proper procedure to get your intended end result. Much of the information in this blurb was gleaned from Camera-wiki.org. The camera pictured here is new condition and is worth $10.00 in 2020. |
 | Vivitar: Vivitar L.A. Brites | 1985 | 2009 | 5.00 | 1985 good condition worth $3.00 in 2014 | |
 | Vivitar: Vivitar LC 600 | 1995 | 2016 | 1.00 | 1995 New condition Worth $15.00 in 2016 | |
 | Vivitar: Vivitar LC 650 | 1995 | 2011 | 10.00 | 1995 Fine condition worth $15.00 in 2014 | |
 | Vivitar: Vivitar LF | 1985 | 2005 | 5.00 | 1985 Good condition worth $5.00 in 2014 | |
 | Vivitar: Vivitar LF tele | 1985 | 2006 | 5.00 | 1985 Good condition worth $5.00 in 2014 | |
 | Vivitar: Vivitar LF tele | 1985 | 2005 | 5.00 | 1985 fine condition worth $10.00 in 2014 | |
 | Vivitar: Vivitar PN2011 | c1994 | c | 2014 | 5.00 | 1994 Good condition worth $5.00 in 2014 |
 | Vivitar: Vivitar PN2011 | c1994 | c | 2011 | 2.00 | 1994 Good condition worth $5.00 in 2014 |
 | Vivitar: Vivitar PN2011 | c1994 | c | 2009 | 5.00 | 1994 fine condition worth $5.00 in 2014 |
 | Vivitar: Vivitar PN2011 | c1994 | c | 1997 | 5.00 | 1994 Good condition worth $5.00 in 2014 |
 | Vivitar: Vivitar PN2011 | c1994 | c | 2020 | 2.00 | Introduced in 1994 The Vivitar PN2011 is a 35mm fixed-focus panoramic camera marketed by Vivitar during the great panorama craze of the 1990’s. The low-quality, plastic camera has a 28mm fixed-focus lens, fixed shutter speed of 1/125 and aperture of f8. The camera's panoramic mode crops the 35mm frame to a panoramic aspect and crops the viewfinder simultaneously. This mode is optional, and there is a switch on top of the camera for normal or panoramic mode. It is not considered a true panoramic camera since the resulting frame is merely cropped vertically but is not any larger horizontally than a conventional 35mm frame. This camera remains very popular because it's inexpensive, needs no batteries, and is easy to disassemble and modify. Common modifications include conversion to a pinhole camera, adding bulb mode, adding multiple exposure capabilities, and reversing the built-in lens to get fisheye-like results. Other methods of fisheye conversion include replacing the lens with a door "peep hole" security lens, or adapting wide angle lenses made for cell phone cameras. Most Vivitar PN2011 units have two tone champagne and black coloring but a small number are silver with translucent blue plastic in place of the black faceplate. The camera was sold under the name SupaPix PN2011 and Reader's Digest sold the same camera under the name Reader's Digest PN 919 Crash Camera, so named because they suggested carrying it in your car in case you needed to take photos as evidence for your insurance company after an auto accidence. The Reader’s Digest version is white with a black faceplate and back cover. Other features of the camera were a built-in sliding lens cover, frame counter, fold down rewind crank handle, rewind release button, film cartridge view window in the back cover, wrist carry strap, and a ¼ inch 20 thread tripod socket. The camera pictured here is in Fine condition and worth $5.00 in 2020. |
 | Vivitar: Vivitar Pocket 600 | c1976 | 2015 | 2.00 | 1977 fine condition worth $10.00 in 2015 | |
 | Vivitar: Vivitar PS 10 | c1987 | 2013 | 10.00 | 1989 Good condition worth $10.00 in 2014 | |
 | Vivitar: Vivitar PS 120 | c1987 | c | 2020 | 4.00 | The Vivitar PS 120 is a fixed-focus 35mm film camera, with built-in flash and motor-driven film advance. It has a 35mm lens with a built-in lens cover that locks the shutter button when closed. It is designed for use with DX 35mm film but can use regular 100 ASA film also. Other features are a frame counter, optical viewfinder, green flash ready LED, electric eye for exposure, Red low light LED to warn you to turn on the flash with the flash on/off switch, film cartridge view window in the back cover, two AA battery compartment, rewind switch for full or partial film roll, and a built-in handy carry wrist strap. The camera was made in Korea buy the Vivitar Company and sold starting in 1987. The construction is mostly plastic with metal electronic components. The camera pictured here is in Good condition and worth $8.00 in 2020. |
 | Vivitar: Vivitar PS 135 | c1987 | 1991 | 10.00 | 1987 Good condition worth $10.00 in 2014 | |
 | Vivitar: Vivitar PS 15 | c1990s | 2016 | 1.00 | The Vivitar PS15 camera is a 35mm point and shoot film camera. The PS15 was designed to take 100 ASA 35mm, Cartridge Roll film. The camera requires two AA batteries to operate the built in flash but will work without them for outdoor photos. Unloaded, the camera weighs 4.76 ounces, with batteries 6.53 ounces, and with film 7.2 ounces. The camera has fold down rewind crank, rewind release button, flash on/off switch, right thumb film advance wheel, flash ready LED, film view window, frame count indicator, and a handy carry strap. The camera was made in China and introduced in 1992 by Vivitar. The camera came in a kit that included one roll of Kodak Gold Plus 100 film with 12 exposures, two AA Energizer batteries, instruction booklet, warranty postcard, carry strap, soft camera pouch case, and a few other sales papers plus coupons. The camera measures 4 5/8” long, 2 5/8” tall, and 1 ¾” deep. The camera pictured here is in poor condition due to a non-working flash. For this reason the camera is worth $0.50 in 2016. | |
 | Vivitar: Vivitar PS 20 | c1986 | 2013 | 5.00 | 1987 Good condition worth $5.00 in 2014 | |
 | Vivitar: Vivitar PS 20 | c1986 | 2001 | 1.00 | 1987 good condition worth $5.00 in 2014 | |
 | Vivitar: Vivitar PS 35 | c1986 | c | 2017 | 5.00 | The Vivitar PS:35 Auto Focus 35mm rangefinder film camera has a built-in flash unit, automatic film speed detection for DX coded film, automatic exposure,, 35mm f/3.8 lens, auto focus, built in lens cover, frame counter on the top of the camera, flash ready LED, flash on/off button, red eye reduction, automatic film loading, auto film advance, rewind slide switch, film view window in the back cover, instruction booklet, soft case with belt loop and a handy carry strap. The camera is stamped with the word “Korea” the country of manufacturing. The camera is usually found in black but a small number of maroon and grey examples are known to exist as well. It was introduced in 1986 with a commercial performed by the Smothers Brothers of 1969 fame for the Smothers brothers show. In the commercial they professed that the fully automatic camera sold for less than $100.00. The camera pictured here is in Poor condition and is worth $1.00 for parts in 2017. |
 | Vivitar: Vivitar PS 420 | c1995 | 2013 | 5.00 | 1995 Good condition worth $5.00 in 2014 | |
 | Vivitar: Vivitar PS 44 | c1989 | c | 2018 | 3.00 | The Vivitar PS44 is a fixed 28mm lens focus free camera with motorized film load, auto film advance, motorized rewind, auto flash, DX film sensing ( automatically sets film speed and frames), and a film view window in the back cover that shows the film loaded with film type and number of exposures. The camera was introduced in 1989 and was made in China. Other features are a built-in lens cover that seconds as the on/off switch, Built-in flash with activation slid switch under it on the front, frame counter, optical viewfinder, a battery compartment for two AA batteries, and a handy carry strap. This is a true point and shoot camera. The camera pictured here is in Good condition and worth $5.00 in 2018. |
 | Vivitar: Vivitar PS 44 | c1989 | c | 2019 | 2.00 | The Vivitar PS44 is a fixed 28mm lens focus free camera with motorized film load, auto film advance, motorized rewind, auto flash, DX film sensing ( automatically sets film speed and frames), and a film view window in the back cover that shows the film loaded with film type and number of exposures. The camera was introduced in 1989 and was made in China. Other features are a built-in lens cover that seconds as the on/off switch, Built-in flash with activation slid switch under it on the front, frame counter, optical viewfinder, a battery compartment for two AA batteries, and a handy carry strap. This is a true point and shoot camera. The camera pictured here is in good condition and worth $5.00 in 2019. |
 | Vivitar: Vivitar PS 44 S | c1990 | 1998 | 5.00 | 1990 Good condition worth $15.00 in 2014 | |
 | Vivitar: Vivitar PS 45 | c1987 | 2014 | 5.00 | 1987 poor condition worth $1.00 in 2014 | |
 | Vivitar: Vivitar PS 80 Date Back | 2020 | 6.00 | The Vivitar PS80 and PS80 Date Back 35mm point and shoot cameras, made in Hong Kong, and from the early 1990s. The camera features are motorized film loading, Auto film advance, Motorized rewind, Auto flash, flash ready LED, DX Film sensing, Film observation window in the back cover, auto focusing, date stamping (Date Back only), ¼ inch by 1 inch LCD screen on the back cover with a Mode, Year, Month, plus Day buttons (for date back only), sliding lens cover that locks the shutter when closed, frame counter, optical view finder, 35mm f5.6 lens, a purple shutter release button on the date back, blue shutter release button on the regular PS80, and both use two AA batteries to power it all. The camera pictured here is in Good condition and worth $8.00 in 2020. | ||
 | Vivitar: Vivitar PZ3105 | c1997 | 2015 | 3.00 | 1997 fine condition worth $10.00 in 2015 | |
 | Vivitar: Vivitar SP35 | c1994 | 1999 | 10.00 | 1994 Good condition worth $15.00 in 2014 | |
 | Vivitar: Vivitar T101 | c1998 | 2010 | 10.00 | 1998 New condition worth $15.00 in 2014 | |
 | Vivitar: Vivitar TEC 35 Autofocus | 1983 | c | 2017 | 3.00 | The 1983 Vivitar TEC 35 has autofocus from 1m (3.3ft) to infinity, motorized film advance plus rewind, built-in electronic flash which pops up by itself when needed plus returns to the body when through, CdS meter for programed auto exposure, and a Built in 10 second self-timer with beep plus LED emitting. It also has a unique LCD (Liquid Crystal Display) that blinks when the camera back is opened to remind you to set the proper ISO, verifies whether the film has been correctly loaded, and blinks to warn you that there is only enough power for two more rolls of film. Loading the film is as simple as dropping the cartridge into the open back and laying the film leader across the empty spool on the other side then closing the back and pushing the shutter release button causes the film to advance automatically to frame one. When the last picture on the roll has been taken, a built-in sensor causes the film to rewind automatically. The specifications for the camera are a 35mm F2.8 Pentax four elements, three groups lens with built-in 1A Skylight filter, Lens openings from F16 to F2.8, shutter speeds from ½ a second to 1/500 of a second with an automatic ''B'' mode for time exposures. Because of the additional electronics incorporated in the camera, the energy sources required include 2-AA batteries (alkaline manganese) and 1 built-in lithium battery. Dimension are 5.3x2x3 inches and the weight 14.1 ounces without batteries. The camera pictured here is in poor working condition and worth $2.00 for parts in 2017. |
 | Vivitar: Vivitar Tele 815 | c1980 | 2018 | 4.50 | The Vivitar Tele 815 is a 110 cartridge film camera with a 24mm f5.6 lens and a flip in 48mm f5.6 lens. On the top of the camera is a slide switch with settings of NORM and TELE to allow the user to switch between them at any time. The switch also changes the optical viewfinder as the lens changes. The camera has a ¼” by 1 ½” window in the back to observe the film cartridge and its frame number. The built-in flash has an on/off switch and a flash ready indicator built-in to the viewfinder. The film advances by a thumb slide arm located on the bottom of the camera and it is a single action that loads the frame plus shutter at the same time. The camera was made in Korea about c1980 and uses two AA batteries to power the flash unit. The other features are a clear built-in lens cover, large shutter release button, and a handy carry wrist strap. The camera pictured here is in Poor condition and worth $100 for parts in 2018. | |
 | Vivitar: Vivitar X-500 | 2023 | 1.00 | The Vivitar X-500 is a 1990s 35mm camera made in Malaysia. The camera employs a built in lens cover slash on/off switch and has most of the features available of the era. The features are auto focus, auto exposure, auto film advance, built-in DX auto flash (non-manual), auto film rewind, and auto film mounting. Some other features are a flash ready LED by the viewfinder, a frame counter next to the shutter release, a film type view window in the back cover, a built in wrist carry strap, and a shutter release locked when the lens cover was closed. The camera operates with two AA batteries accessed at the bottom. The camera pictured here lost its battery door and is in Poor condition worth $.50 for parts in 2023. | ||
 | Vivitar: Vivitar XV-5 | c1982 | 1991 | 30.00 | 1980-1982 Fine condition worth $45.00 in 2014 | |
 | Vivitar: Vivitar ZM50 | 1992 | 2018 | 5.00 | This is a Vivitar Vp Series ZM50 Motorized 35mm film camera. It has a 35mm to 50mm zoom lens, auto loading, auto film advance, motorized rewind and auto DX coded film speed setting. The camera also has a LCD digital film counter on the top, optical zooming viewfinder, built-in flash, flash sensor, flash ready LED, right thumb zoom rocker control, film direction view window on top, and a handy carry strap. The camera operates on two AA size alkaline batteries and the flash recycle time as approximately 6 seconds. The dimensions are 129mm x 72mm x 51mm and it weighs 210 grams without film or batteries. The Vivitar ZM50 was manufactured in China and introduced in 1992. The camera pictured here is in Good condition and worth $10.00 in 2018. | |
 | Voigtländer: Bessa | 1929-1949 | c | 2015 | 25.00 | 1929-1930 Good condition worth $50.00 in 2015. The Voigtländer Bessa was introduced in 1929. It was the first self-erecting rollfilm camera from Voigtländer, making 6x9cm images. The 1930 model is slightly smaller than the original (1929), and has flat body ends (the original 1929 version has rounded ends). The later model also had nickel trimmed body edges and a folding frame finder, which the original (1929) lacks. Both have a leatherette covered body with three-point front cell focusing (Landscape, Group and Portrait, written in German in red letters below the lens), and a Voigtar lens. The 1929 version has a 7.7/12cm lens in a Vario shutter while the 1930 version sports a 6.3/10cm lens in an Embezet shutter. On this 1929 model the Bessa label can only be found on the leather handle. The Voigtlander Bessa line of cameras are confusing in all years produced. This one is number A366835 |
 | Voigtländer: Bessa (1929) | c | 2015 | 25.00 | 1929-1930 Good condition worth $50.00 in 2015. The Voigtländer Bessa was introduced in 1929. It was the first self-erecting rollfilm camera from Voigtländer, making 6x9cm images. The 1930 model is slightly smaller than the original (1929), and has flat body ends (the original 1929 version has rounded ends). The later model also had nickel trimmed body edges and a folding frame finder, which the original (1929) lacks. Both have a leatherette covered body with three-point front cell focusing (Landscape, Group and Portrait, written in German in red letters below the lens), and a Voigtar lens. The 1929 version has a 7.7/12cm lens in a Vario shutter while the 1930 version sports a 6.3/10cm lens in an Embezet shutter. On this 1929 model the Bessa label can only be found on the leather handle. The Voigtlander Bessa line of cameras are confusing in all years produced. This one is number A366835 | |
 | Voigtländer: Bessamatic | 1959-1962 | 2019 | 39.00 | The Bessamatic was a 35mm SLR camera made by Voigtländer from 1959 to 1962, featuring a selenium meter. It uses a leaf shutter rather than the more common (in SLR cameras) focal plane shutter. This is a Synchro-Compur shutter mounted behind the lens, which is interchangeable. The shutter speeds go from "B" to 1/500. The most common lenses found on the Bessamatic are the Color-Lanthar, Color-Skopar, and Color-Skopar X all of which are 50mm focal length f/2.8 although the 50mm f/2 Septon is also fitted to these cameras, and is highly prized. The 35mm Skoparex is unusual, but not hard to find. The 135mm f/4 Super-Dynarex is relatively common, although the 200mm and 350mm Super-Dynarex lenses are relatively rare and expensive. The Bessamatic was the first SLR to be fitted with a zoom lens, the Zoomar. This is a highly sought after collectible and is quite expensive. The camera has an auxiliary flash socket, accessary shoe, single action frame advance, ASA settings from 6 to 1600, focus fron 3 feet to infinity, TTL viewfinder, frame counter, rewind slid switch unde the film advance lever, a rewind knob above the ASA setting knob, right index finger shutter release with a threaded plunger socket on the top of the camera, and a ¼” 20 thread tripod mount. The Bessamatic has a reputation as a tricky camera to repair, although if looked after they are a reliable. The camera pictured here is in fine condition and worth $200 to $250 in 2019 with a Septon 2/50 lens. | |
 | Voigtländer: Bessy K | 1965 | 2016 | 8.00 | 1965 Good condition worth $20.00 in 2016 | |
 | Voigtländer: Brillant (sheet metal) | 1932 | 1990 | 20.00 | 1932-1935 good condition worth $35.00 in 2014 | |
 | Voigtländer: Brillant Bakelite | 1949 | c | 2019 | 10.00 | The first Voigtländer Brillant was released in 1932. This early model resembles a TLR but it is functionally closer to a box camera, since it cannot be focused in the viewfinder. It uses 'zone-focusing' for which one has to estimate the distance to the subject. To assist this estimate, three situations are marked around the taking lens: Porträt, Gruppe and Landschaft (i. e. Portrait, Group and Landscape). While TLRs of the same period have a rather dim ground-glass viewfinder, the Brillant has a so-called brilliant finder made of plain glass. The 1932 version has a metal body. From 1937 onwards, the Brillant were made of Bakelite, and introduced an accessory compartment for an optical light meter and lens filters. The next major step took place in 1938, with the introduction of the Focusing Brillant. A small opaque spot is added in the brilliant finder to focus on. The viewing and taking lens are coupled outside the body through gears. After the introduction of this focusing model, the zone-focusing models continued to be produced. The Brillant has a large range of pseudo-TLR cameras, (box-reflex), and later true TLR cameras. There is many lens and shutter combinations but two body types with some variations. The metal body cameras (1932-37) serial number begins with a letter (D-1932 to J-1937) but some metal body cameras from the transition times between metal and Bakelite models have no serial no. The Bakelite body cameras (1937-51) had no serial numbers and are known as the Brillant V6. The Brillant S (1938), or Focusing Brillant, is the only one with a finder lens coupled with the taking lens. After the introduction of this focusing model, the zone-focusing models continued to be produced. The Soviet camera factories GOMZ and later LOMO made Komsomolets and Lubitel cameras that were clearly based on the Voigtländer Brillant Bakelite models, especially Brillant V6. The camera pictured here is in good condition and worth $65.00 in 2019. |
 | Voigtländer: Brillant V6 | 1937 | 1990 | 20.00 | 1932-1938 Fine condition worth $100.00 in 2014 | |
 | Voigtländer: Dynamatic I | 1960-1962 | c | 2016 | 18.00 | The German made Voigtländer Dynamatic was produced 1960 to 1962. It is a 35mm automatic camera with a selenium 3-cell around the lens. It was offered in four models the Dynamatic, Dynamatic Delux and the Dynamatic II, and Dynamatic II Delux. The Dynamatic featured a Lathar f/2.8 50mm lens with a Prontormat S-V shutter 1/30 of a second to 1/300 of a second plus B, the Delux had the Color-Skopar f/2.8 50mm lens. It used a zone focus system. The Dynamatic had limited manual control options and was marketed as a SnapShooter camera as opposed to the more advanced controls offered in the Dynamatic II. It did have a threaded mount for a cable release, a flash socket and center mounted accessory shoe. It is capable of using ASA 10 to 400 35mm film. The camera has a frame counter that counts down but has to be set for each roll of film and exposures. The camera also has an auto exposure setting, rapid winding lever, optical viewfinder, rewind knob that pulls up for film release, film reversing lever, shutter speed window, ¼” 20 thread tripod mount, and a film type indicator in the rewind knob. One oddity was that it had no place to attach a strap but instead relied on the case for that and they only made about 27,000. The camera pictured here is in fine condition and worth $30.00 in 2016. |
 | Voigtländer: Vito B | 1954 | c | 2015 | 36.00 | The Vito B is an attractive and compact 35mm viewfinder made by Voigtländer and produced from 1954 to 1960. It has the fine Color-Skopar 50mm f/3.5 or f/2.8 lens (a four element Tessar-type). The Vito B was equipped with either a 4-speed Pronto shutter (B, 1/25th, 1/50th, 1/100th, and 1/200th sec) or 8-speed (B, 1, 1/2, 1/5th, 1/10th, 1/25th, 1/50th, 1/100th, and 1/300th sec) Prontor SVS shutter, the 4-speed shutter being discontinued in 1957. The shutter is cocked by the film engaging a sprocket wheel, preventing double exposure, and so will not cock if there is not a film present; this has led some to mistakenly diagnose the shutter of a working Vito B as broken. The self-timer mechanism can be engaged by moving the synchronizing lever to the V (green) position; however, given the age of the camera and the weak governing spring, using this feature is discouraged, as it can cause the camera to stop working. The Vito B's body is compact and rounded, a look characterized as "cute". It has some nice features including a hinged baseplate for easy loading (which also releases the back) and a milled film counter that counts down rather than up. The Vito B body existed in two versions, the first one (1954-57) had a small viewfinder and low profile top plate. The later version (1957-60) had a larger bright-frame viewfinder; while brighter and more useful than the original Vito B's viewfinder, some enthusiasts feel that this spoiled the appearance of the camera. The camera pictured here is in good condition worth $40.00 in 2016. |
 | Voigtländer: Vito BL | 1956-1957 | c | 2019 | 20.00 | The Voigtlander Vito BL was introduced in 1956 with a natural viewfinder and last produced in 1957 with a bright-frame viewfinder. This 35mm camera is fitted with a 50mm f/2.8 Color-Skopar lens in a Prontor SVS shutter or a 50mm f/3.5 Color-Skopar lens in a Prontor SVS shutter. The camera has a die-cast alloy body covered in leather; metal parts are finished in satin chrome and black enamel. The camera also has a Single action film advance lever, apertures of 2.8 or 3.5 to 22, an un-coupled selenium light-meter, an accessory shoe, flash socket, and shutter speeds of 1 second to 1/300 of a second plus B. To fire the shutter without film you have to rotate the film sprocket inside the camera. This loads the shutter for release. The meter is either a Bewi-Automat or a Bertram (both made by Ernst & Wilhelm Bertram), and there are significant differences between the two meters. The Bertram meter has no provision for sensitivity adjustment according to film speed. Instead the EV scale is changed via a small knob on the back of the camera top-plate, which rotates a drum. Each EV scale on the drum is assigned a letter ID, and an engraved table on the top-plate must be used to lookup the letter setting for a film speed. This table covers speeds from 6 to 200 ASA (but once again, there may have been range variations?). The table also includes DIN and WES film speeds (Weston Film Speed ratings - found on Weston exposure meters, and were sometimes referred to by film manufactures as third party speeds). There is a window in which a needle pointer deflects to indicate an EV. This needle overlaps EV zones along its length, so the correct reading is made at the red tip of the pointer. EV zones are alternating black and white bands, where black zones have numbers and white zones do not. The EV reading was manually transferred to the lens settings. The Bertram meter was fitted to later camera. The Bewi-Automat meter had no pointer needle. There was a dial on the top-plate with an ASA or DIN film speed ring. A button on the back of the camera top-plate activated the meter, and had to be pressed for at least one second before releasing slowly. This caused aperture and shutter speed dials to rotate and align on the meter dial, and show appropriate exposure combinations, which could then be manually transferred to the lens settings. The camera pictured here is in Poor working condition and worth $10.00 for display or parts in 2019. |
 | Voigtländer: Vito II | 1950-1954 | c | 2015 | 25.00 | 1950-1954 Fine condition worth $40.00 in 2015 |
 | Voigtländer: Vitomatic Ia | 1960-1963 | c | 2020 | 25.00 | Voigtländer developed the Vitomatic series of viewfinder and rangefinder cameras for 35mm film with coupled meter as an alternate camera series to the Vito. All the Vitomatic were derived from the Vito B, in parallel to the development of the Vito BL and BR and all have the bottom lock to open the back. The Vitomatic I are viewfinders and the Vitomatic II and III are rangefinders. The Voigtlander Vitomatic was originally released in 1957 with the Vitomatic I and is and was an exceptionally compact, well-built camera. Everything is made of metal and glass, creating a dense weight camera. Levers, knobs, and the numerous lens-mounted control rings all click precisely into their detents. The Vitomatic is a well-built quality camera. The Voigtlander Vitomatic Ia was released in 1960 and manufacturing was ceased in 1963. It is a viewfinder camera with a selenium light meter with match-needle indicators visible through a window on the top of the camera. Models designated with a letter suffix (a, b, and cs), such as the “a” here, also feature a mirrored needle display in the viewfinder window. You match the two needles by altering aperture and shutter speed until the needles align. The shutter is a Prontor SLK-V with speeds of 1 second to 1/500 of a second plus B. It is capable of accepting film with ASA 12 to 800 (DIN 12-30) and focus range for the Voigtlander Color-Skopar 50mm f2.8 lens is 3.5 feet (1m) to infinity. The ASA and or DIN settings are changed by depressing the serrated button between the shutter speed ring and the focus ring. Holding the button in you then turn the split rings against each other (The split rings are between both sets of aperture numbers) while watching the window for the ASA or DIN setting you need. Setting distance is left to the photographer’s best guess. The Ia is at the lower end of the Vitomatic’s and was not fitted with a rangefinder. Other features of the camera are a utility shoe, three flash sync settings (v, x, & M), flash plug-in socket, frame counter, large viewfinder, film rewind knob on the top, right thumb single action film advance lever, a shutter release button with a screw in socket for a plunger, and a ¼ inch 20 thread tripod socket. The camera pictured here is in fine condition and worth $45.00 in 2020. |
 | Voigtländer: Vitoret | 1962-1971 | c | 2019 | 16.00 | Voigtländer Vitoret is a 35mm film viewfinder camera manufactured by Voigtländer & Sohn AG, Braunschweig, of former West Germany and produced from 1962-1971. The Voigtländer Vitoret series was a very successful range of consumer level inexpensive cameras. The Vitoret series were less expensive than the Vito range because there was the choice of lenses plus shutters and a more simple internal design. The Vitoret series of cameras were produced in a quantity exceeding 700.000. Many Vitoret cameras are often still useable and capable of providing good results. The post-1967 series of the Vitoret had square edged bodies and the pre-1967 series all had the rounded body similar to the Vito range. The camera has a 1:1 bright frame finder, a Prontor 125 shutter (speeds of B, 1/30, 1/60, and 1/125 of a second), focus range marked by symbols plus feet/meter scale (depending on point of sale), Focus range of 3.5 feet (1 meter) to 60 feet (18.2 meters) plus infinity, Voigtlander Color-Lanthar 50mm f/2.8 lens, aperture settings of f/2.8 to f /22 (no click stops), a shutter release on the right front of the camera with a cable release socket on the bottom of it, frame counter in the bottom plate with auto reset, a large bright-frame viewfinder, a single through long stroke film advance plus shutter cocking lever, fold down rewind crank lever, rewind release button, flash PC socket located on the lens-shutter barrel (synch M, X, at 1/30), ¼ inch 20 thread tripod socket, and an accessory cold-shoe. Focusing the Vitoret involved guessing the distance, there are markings for rapid zone focusing on the distance scale for portraits, groups, and landscapes, indicated by a spot, triangle and circle respectively. The camera pictured here is in fine condition and worth $25.00 in 2019. |
 | Walt Disney: High School musical | 2017 | 3.00 | A camera kit was produced by Disney and the Disney Channel and sold about the same time in 2006. The kit came with a small picture frame with Zac Efron’s picture in it, a roll of Kodak 35mm 24 exposure ASA 400 film, one AA battery, Instruction pamphlet, and the 35mm camera. The camera has a built in flash, built in lens cover, fold down film rewind crank with release button, right thumb film advance wheel, frame counter, flash on/off slid switch, Optical viewfinder, carry strap, and a shutter button shaped like a hart. On the front of the camera is a picture of the main characters with “WILDCATS” under it. The camera came with a one year guarantee at sale date and has the Disney logo along with DisneyChannel.com printed on the package. The camera pictured here is in fine condition and worth $10.00 in 2017. | ||
 | Walt Disney: Princes | 2017 | 4.00 | This camera was produced by Disney and the Disney Channel and sold about the same time in 2006. The camera has a built in flash, built in lens cover, fold down film rewind crank with release button, right thumb film advance wheel, frame counter, flash on/off slid switch, Optical viewfinder, carry strap, and a shutter button shaped like a hart. On the front of the camera is a picture of the princesses inside a heart shape. The camera came with a one year guarantee at sale date and has the Disney logo. The camera pictured here is in good condition and worth $5.00 in 2017. | ||
 | Walt Disney: Winnie The Pooh | 2017 | 10.00 | This is an all plastic 35mm camera that was packaged with a Winnie the Pooh watch. Both were produced in about the 80’s & 90’s and came with a one year warranty and a choking hazard warning for children under 3 years of age. The two items were manufactured exclusively for Disney and distributed by SII marketing International, Inc. and produced plus packed in China. The watch plus camera have instruction pamphlets enclosed with them. The camera features are a built in lens cover, 28mm plastic lens, frame counter, optical viewfinder, fold down rewind crank handle, rewind release button, shutter release button, and a handy carry strap. The camera pictured here is in New condition and worth $20.00 in 2017. | ||
 | Webster: Winpro 35 | 1947-1955 | c | 2016 | 10.00 | The Winpro 35 is claimed to be the first plastic injection-molded thirty-five millimeter camera. The cameras were introduced in 1948 and were made in either gray or black Tenite (Tenite was invented by Kodak in 1929 and is regarded as the first modern thermo-plastic) and proved to be quite rugged. The body molds were made for the Winpro by General Electric, another pioneer in synthetic materials. As a publicity stunt, Winpro cameras were dropped from tall buildings and survived intact and in working order. None of their competitors, which included Argus, Kodak and Ansco dared attempt such a feat. At $10.95, the camera proved to be very popular with buyers, and over 150,000 were sold in less than two years, a remarkable record for such a small camera manufacturing player. On the plate surrounding the lens you will find “Webster Industries Ink. Rochester, N.Y.”. The camera has three aperture stings of 8mm, 11mm, and 16mm. It also has two shutter settings of “I “(instant) and “T “(Time). The single shutter speed seems to 1/30 of a second. The camera pictured here is in Good condition and worth $15.00 in 2016. |
 | White: Realist 35 (A) | 1954 | c | 2017 | 15.00 | The David White Company made architectural tools, but as a sideline they also created a stereo camera called the Realist. That launched the stereo fad of the 1950s. But the fad crested in the early 50s and White decided to test the waters with a non-stereo camera. They already had a relationship with a Hamburg company called Wilhelm Witt, which put out the Iloca line of cameras. White imported their Iloca Rapid plus the Rapid B and named them Realist 35 (A) and (B). The difference between the models A and B is the following. The model B had a Prontor-SVS shutter with speeds of 1 second to 1/300 of a second plus B. The model B also is a true combined view rangefinder with a larger viewfinder. The model A has a Vero shutter with speeds of 1/25 of a second to 1/200 of a second with B and you had to focus with judgment. The cameras were priced accordingly with the model A costing $42.50 and the model B costing $73.50 in 1954. Both cameras used the Steinheil ƒ2.8 55mm lens. They also had a left handed single action film advance lever, synchronized flash port, frame counter, utility holder on top, and a ¼ inch 20 thread tripod mount on the bottom. To open the back film compartment you have to pull the film winder knob up located behind the film advance lever about ¾ inch, and then give it a little counter-clockwise twist. That twist opens the spring loaded latch on the side and the whole back will pop off and out of the other side. To put the back on you need to hold the spring loaded far side and insert that side of the back then turn the winder knob again while lightly pressing the back home to complete the install. The camera pictured here (serial number 502407) is in Good condition and worth $30.00 in 2017. |
 | White: Realist 35 (A) | 1954 | c | 2018 | 15.00 | The David White Company made architectural tools, but as a sideline they also created a stereo camera called the Realist. That launched the stereo fad of the 1950s. But the fad crested in the early 50s and White decided to test the waters with a non-stereo camera. They already had a relationship with a Hamburg company called Wilhelm Witt, which put out the Iloca line of cameras. White imported their Iloca Rapid plus the Rapid B and named them Realist 35 (A) and (B). The difference between the models A and B is the following. The model B had a Prontor-SVS shutter with speeds of 1 second to 1/300 of a second plus B. The model B also is a true combined view rangefinder with a larger viewfinder. The model A has a Vero shutter with speeds of 1/25 of a second to 1/200 of a second with B and you had to focus with judgment. The cameras were priced accordingly with the model A costing $42.50 and the model B costing $73.50 in 1954. Both cameras used the Steinheil ƒ2.8 55mm lens. They also had a left handed single action film advance lever, synchronized flash port, frame counter, utility holder on top, and a ¼ inch 20 thread tripod mount on the bottom. To open the back film compartment you have to pull the film winder knob up located behind the film advance lever about ¾ inch, and then give it a little clockwise twist. That twist opens the spring loaded latch on the side and the whole back will pop off and out of the other side. To put the back on you need to hold the spring loaded far side and insert that side of the back then turn the winder knob again to complete the install. The frame counter works off the internal film perforation wheel and needs to be manually set with a new roll of film. The camera pictured here is in fine condition and worth $25.00 in 2018. |
 | White: Stereo-Realist 1041 | 1947 | c | 2015 | 75.00 | Designed by Seton Rochwite and made by the David White Company, the Stereo Realist is the bestselling Stereo Camera of all time. It is a stereo camera with rangefinder focusing and takes photos in the 5p stereo format (also known as Realist format). The Stereo Realist camera was a camera that attracted celebrities throughout the 50s. The most notable user of the camera was silent film star, Harold Lloyd, who used the camera to do portraits of Marilyn Monroe and Bettie Page, among others. Advertisements of the time featured celebrities, many who were friends of Lloyd's and in his stereo camera club. Celebrities in these advertisements included Vincent Price (on the set of House of Wax), Edgar Bergen, John Wayne, James Cagney, Bob Hope, Joan Crawford, Doris Day, Cecil B. Demile, and Frank Capra. Popularity of the camera continued into the 60s and in 1971, the Realist Stereo Macro was added to the line of cameras. Today, the trademark is owned by John J. Zelenka, a stereo photographer. The start date of Production was 1947 for this 35mm viewfinder/rangefinder camera. The camera is quite wide measuring 175mm x 65mm high x 59mm deep and weighs 1.8 pounds. To give the stereo effect the Lens Separation is 69.28 mm on the David White Anastigmat (glass, matched), 1:3.5/35 mm lenses. It has Double lamellar type shutter, behind the lenses is cocked with a manual lever between the lenses. The shutter speeds are 1/150, 1/100, 1/50, 1/25, 1/10, 1/5, ½, 1 sec. and "B" and "T". The camera does have a Hot Shoe and a ¼ 20 thread per inch tripod socket. The David White Realist camera was based on the same design and was produced for many years with little or no changes. There are two basic models, the 3.5 (1041) and the 2.8 Realist (1042). Other than the lenses, they are essentially identical, except for the top shutter speed, which is marked 150 for the 3.5 and 200 for the 2.8. But even this different shutter speed is achieved with the same shutter. A good technician can adjust a 3.5 Realist to 1/200 top speed. The price of the Stereo Realist in 1947 was $160 plus $20 for the viewer and that equates to $1000.00 in today’s value. The camera pictured above is in fine condition and worth $220.00 in 2016. |
  | White: Stereo-Realist 1041 | 1947 | c | 2020 | 35.00 | Designed by Seton Rochwite and made by the David White Company, the Stereo Realist is the bestselling Stereo Camera of all time. It is a stereo camera with rangefinder focusing and takes photos in the 5p stereo format (also known as Realist format). The Stereo Realist camera was a camera that attracted celebrities throughout the 50s. The most notable user of the camera was silent film star, Harold Lloyd, who used the camera to do portraits of Marilyn Monroe and Bettie Page, among others. Advertisements of the time featured celebrities, many who were friends of Lloyd's and in his stereo camera club. Celebrities in these advertisements included Vincent Price (on the set of House of Wax), Edgar Bergen, John Wayne, James Cagney, Bob Hope, Joan Crawford, Doris Day, Cecil B. Demile, and Frank Capra. Popularity of the camera continued into the 60s and in 1971, the Realist Stereo Macro was added to the line of cameras. Today, the trademark is owned by John J. Zelenka, a stereo photographer. The start date of Production was 1947 for this 35mm viewfinder/rangefinder camera. The camera is quite wide measuring 175mm x 65mm high x 59mm deep and weighs 1.8 pounds. To give the stereo effect the Lens Separation is 69.28 mm on the David White Anastigmat (glass, matched), 1:3.5/35 mm lenses. It has Double lamellar type shutter, behind the lenses is cocked with a manual lever between the lenses. The shutter speeds are 1/150, 1/100, 1/50, 1/25, 1/10, 1/5, ½, 1 sec. and "B" and "T". The camera does have a Hot Shoe and a ¼ 20 thread per inch tripod socket. The David White Realist camera was based on the same design and was produced for many years with little or no changes. There are two basic models, the 3.5 (1041) and the 2.8 Realist (1042). Other than the lenses, they are essentially identical, except for the top shutter speed, which is marked 150 for the 3.5 and 200 for the 2.8. But even this different shutter speed is achieved with the same shutter. A good technician can adjust a 3.5 Realist to 1/200 top speed. The price of the Stereo Realist in 1947 was $160 plus $20 for the viewer and that equates to $1000.00 in today’s value. The camera pictured above is in fine condition and worth $220.00 in 2020. |
 | Whitehouse: Beacon | c1947-1955 | c | 2020 | 10.00 | Whitehouse Products was a camera manufacturer based in Brooklyn, New York, USA. It made simple Bakelite (and later other plastic) snapshot models, branded Beacon. Early Beacon models had collapsible lens chambers and collapsing to the front panel disabled the shutter. Starting c1947, they made a wonderfully styled camera named "Beacon", and several variations of it over the next 24 years, all of the same basic style. The Beacon is a very simple camera and not much more than a box camera in a smaller package. It has a two speed shutter selector with I (instant 1/50 of a second) and B (Bulb). Other features are the collapsible lens chamber, shutter lock when closed, optical eye level viewfinder, two red frame count view windows that also line up the frame, left side film advance knob, a 3/8 inch 16 thread tripod socket on the bottom, and two optically ground 46mm Whitmar coated and color corrected lenses. The camera uses 127 film for 3x4cm exposures and was produced from 1947 to 1955. Note: In 1971, Whitehouse teamed up with StarKist Tuna and produced this novelty camera in the form of StarKist's cartoon mascot, Charlie. The camera pictured here is in Poor condition and is worth $5.00 for parts or display in 2020. |
 | Whitehouse: Beacon II | c1947-1955 | c | 1992 | 10.00 | The Beacon II Camera was manufactured from approximately 1947 to 1955 by Whitehouse Products Inc., of Brooklyn New York. Like the original Beacon camera, the Beacon II was made of Bakelite (plastic) with a built-in optical view finder. The Beacon II camera came in multiple colors including black, white, turquoise and red. It was capable of capturing sixteen color or black and white exposures on number 127 roll film. It was fitted with a two element optically ground 46mm Whitmar f/11 coated and color corrected lens and a simple instantaneous 2-blade reticular shutter providing a single speed of approximately 1/50 of a second. It featured a safety lock shutter to prevent accidental exposures when closed and two red windows to view exposure count. It was originally priced at $9.95 for the camera with an additional $4.95 for the flash unit. The original Beacon had two shutter speeds of 1/50 of a second plus B and no flash capability. Then the Beacon II was improved with the addition of synchronized flash contacts (located on the top of the pull-out lens assembly tunnel) for an optional flash unit that used class M lamps that made it resemble a light house making the name more appropriate. M-class bulbs were designed to reach peak brightness 20 milliseconds (0.020 seconds) after the bulb is fired. The M-class came in various sizes up to as large as a regular household light bulb that screwed in like a medium base light bulb. M-class were intended to be used with leaf shutters (they can be used with focal plane shutters but only at shutter speeds of 1/30 of a second or less). The shutter on the Beacon II did lock when the pull-out lens assembly was in its closed position but when opened the shutter had no double exposure protection plus unlike the original Beacon it had no bulb (B) shutter speed to time exposures. Other features are a left handed film advance knob plus a ¼ inch 20 thread tripod socket. The camera also has a #8 32 thread per inch socket near the viewfinder in the back to mount the flash attachment that is only possible when the lens assembly is in the open position with the flash contacts exposed. The camera pictured here is in Fine condition and worth $25.00 with the flash in 2014. |
 | Whitehouse: Beacon II | c1947-1955 | c | 2020 | 20.00 | The Beacon II Camera was manufactured from approximately 1947 to 1955 by Whitehouse Products Inc., of Brooklyn New York. Like the original Beacon camera, the Beacon II was made of Bakelite (plastic) with a built-in optical view finder. The Beacon II camera came in multiple colors including black, white, turquoise and red. It was capable of capturing sixteen color or black and white exposures on number 127 roll film. It was fitted with a two element optically ground 46mm Whitmar f/11 coated and color corrected lens and a simple instantaneous 2-blade reticular shutter providing a single speed of approximately 1/50 of a second. It featured a safety lock shutter to prevent accidental exposures when closed and two red windows to view exposure count. It was originally priced at $9.95 for the camera with an additional $4.95 for the flash unit. The original Beacon had two shutter speeds of 1/50 of a second plus B and no flash capability. Then the Beacon II was improved with the addition of synchronized flash contacts (located on the top of the pull-out lens assembly tunnel) for an optional flash unit that used class M lamps that made it resemble a light house making the name more appropriate. M-class bulbs were designed to reach peak brightness 20 milliseconds (0.020 seconds) after the bulb is fired. The M-class came in various sizes up to as large as a regular household light bulb that screwed in like a medium base light bulb. M-class were intended to be used with leaf shutters (they can be used with focal plane shutters but only at shutter speeds of 1/30 of a second or less). The shutter on the Beacon II did lock when the pull-out lens assembly was in its closed position but when opened the shutter had no double exposure protection plus unlike the original Beacon it had no bulb (B) shutter speed to time exposures. Other features are a left handed film advance knob plus a ¼ inch 20 thread tripod socket. The camera also has a #8 32 thread per inch socket near the viewfinder in the back to mount the flash attachment that is only possible when the lens assembly is in the open position with the flash contacts exposed. The camera pictured here is in Fine condition and worth $20.00 in 2020. |
 | Whitehouse: Beacon Two-Twenty Five | c1950-1958 | 1993 | 12.00 | 1950-1958 fine condition worth $25.00 in 2014 | |
 | Whittaker: Micro 16 | 1946-1950 | c | 2018 | 0.00 | The Whittaker Micro 16 is a subminiature camera for 16mm film cartridges. It was sized like a smaller deck of cards and could be fit in an empty pack of cigarettes. It was made by Wm. R. Whittaker, Ltd. in Hollywood, Los Angeles, California since 1946. It had a built-in waist level reflecting type viewfinder. An optional sports finder was available. Detectives liked that camera since it could be hidden in a pocket or just your hand. The camera was produced from 1946 until 1950. The 16mm film cartridges were double perforated and had 24 exposures. The lens is an achromatic doublet f6.3 fixed focus and the camera has a single speed shutter. The Micro 16 was available in chrome (polished aluminum), black, blue, green, and grey. The green is seen in an anodized matt finish, a rough look enamel and a lacquer finish. There are also variations in having the pebble dash top and bottom being in black, green or grey with the rest of the camera as polished aluminum. The camera has a plunger film advance that when pressed all the way in, will lock in for storage and you press it in again to release it for your next session. The film cartridges are made of tin and the feed and take up cartridge are identical. The camera has three aperture settings of "BRIGHT" f11, "DULL" f8, and "COLOR" 6.3 and can be set using the switch beside the lens. The camera pictured here is in poor condition and worth $10.00 in 2018. |
 | Whittaker: Micro 16 | 1946-1950 | c | 2018 | 15.00 | The Whittaker Micro 16 is a subminiature camera for 16mm film cartridges. It was sized like a smaller deck of cards and could be fit in an empty pack of cigarettes. It was made by Wm. R. Whittaker, Ltd. in Hollywood, Los Angeles, California since 1946. It had a built-in waist level reflecting type viewfinder. An optional sports finder was available. Detectives liked that camera since it could be hidden in a pocket or just your hand. The camera was produced from 1946 until 1950. The 16mm film cartridges were double perforated and had 24 exposures. The lens is an achromatic doublet f6.3 fixed focus and the camera has a single speed shutter. The Micro 16 was available in chrome (polished aluminum), black, blue, green, and grey. The green is seen in an anodized matt finish, a rough look enamel and a lacquer finish. There are also variations in having the pebble dash top and bottom being in black, green or grey with the rest of the camera as polished aluminum. The camera has a plunger film advance that when pressed all the way in, will lock in for storage and you press it in again to release it for your next session. The film cartridges are made of tin and the feed and take up cartridge are identical. The camera has three aperture settings of "BRIGHT" f11, "DULL" f8, and "COLOR" 6.3 and can be set using the switch beside the lens. The camera pictured here is in Fine condition and worth $30.00 in 2018. |
 | Wittnauer: Legionnaire | 1958 | 2013 | 25.00 | 1957-1960 fine condition worth $40.00 in 2014 | |
 | Yamato: Pax M2 | 1956 | 2016 | 10.00 | 1956 Good condition worth $35.00 in 2016 | |
 | Yamato: Pax M3 | 1957 | c | 2017 | 22.00 | The Pax M3 is one of the 'Pax' series of compact 35 mm rangefinder cameras made by Yamato Kōki Kōgyō in 1957. As with its predecessors, the style of the camera is somewhat similar to the Leica rangefinders of the same period. The rangefinder/viewfinder superstructure of the earlier models is replaced with a profiled top plate. This is engraved 'Pax M3' together with the serial number. 'Pax' is impressed in the leatherette of the back. There is a small red 'Pax' badge on the front, near the shutter release. It has a Luminor Anastigmat 1:2.8 F=45 mm coated Tessar-type lens and a rim-set leaf shutter. The shutter speeds are 1/10 of a second to 1/300 of a second plus B and is cocked by film advance. It also has a synchronized flash PC socket and switch for F- or X-synch. Other features are a reverse-Galilean viewfinder, thumb single action lever film advance, film-type reminder dial in the hub of the lever, film rewind knob, film release button, 'Cold' accessory shoe on the top plate, cable release socket in shutter release button, rangefinder adjustment screws under screw-in cover by the viewfinder eyepiece, and a removable film compartment cover for ease of film loading. The user could purchase accessories like a hood, UV filter, telephoto lenses and wide-angle supplementary lenses plus viewfinders to go with them. The camera pictured here is in Good condition and worth $40.00 in 2017. |
 | Yashica: Atoron | 1965 | c | 2020 | 10.00 | Perhaps the best known Minox offshoot is the Yashica Atoron. The Japanese company Yashica first developed its own subminiature 16mm camera -- the Y16 -- and clip-load cassette. When that attempt failed to sell, they made a camera -- the 16EE -- that used the more popular Minolta cassette (9.55mm film). That also failed to sell well. They then attempted a subminiature that used the Minox cassette called the Atoron in 1965. It has a fixed-focus 18mm Yashinon f/2.8 lens (closes down to f/16), Shutter speeds of 1/45 to 1/250 of a second plus B, and a Built-in selenium meter (The meter provides a match-needle). It also has a programmed-type of exposure system which sets the f-stop and shutter speed in tandem (you dial in the film speed/Then you point the camera at the subject/then you match the meter needle with a follower needle by turning a dial) this makes the exposure settings from 1/45 of a second at f/2.8 to 1/250 of a second at f16. There are no manual settings for the aperture or the shutter speed, but the dial is marked in EV units. You can use a hand-held meter which reads out in EV (older ones do), or simply remember that EV 12 is approximately the same as sunny-16. The meter face is marked with a "sunny day" symbol at EV12 (some models) on the Built-in sliding yellow UV filter used primarily for B&W film. Other slip-on filters (80A and ND4) were available that covered the lens and the meter. Other accessories, such as a case and an AG-1 bulb flash unit were available that attached to the left side screw-in socket (3/8 inch 32 threads per inch) flash contact that used one Ever ready B154 (Maxell W10) 15v battery. The shutter lock ring surrounds the shutter release button and has two positions. The Atoron came in two body styles; one was smooth, the other had a waffled surface. The camera used a film-advance pull tab that also loaded the shutter and advanced the frame in a single pull. While the Atoron lens had a variable aperture (which Minox models lacked), the Atoron lacked a focusing lens (which the Minox had). The Atoron depended on depth-of-field to get everything in focus. It can use and has settings for ASA 25, 50, 100, 200, and 400 film. The camera was also known as the "Revue Mini-star" from 1968 to 1970 and was sold by Foto-Quelle Company of Nuremberg, Germany. Much of this information above was acquired from Subclub.org. The camera pictured here is in poor operating condition but esthetically sound and worth $15.00 for parts or repair in 2020. |
 | Yashica: Electro 35 GS | 1969 | 2016 | 25.00 | 1970 fine condition worth $60.00 in 2016 | |
 | Yashica: Electro 35 GSN | 1975 | 2006 | 30.00 | 1973 fine condition worth $55.00 in 2014 | |
 | Yashica: Electro 35 GSN | 1975 | 1991 | 35.00 | 1973 fine condition worth $55.00 in 2014 | |
 | Yashica: Electro 35 GSN | 1975 | 2015 | 20.00 | 1973 Fine condition worth $75.00 in 2014 | |
 | Yashica: Lynx 1000 | 1960 | c | 2016 | 7.00 | The Lynx 1000 belongs to the Yashica Lynx series of cameras which are fixed lens, leaf shutter cameras made in the 1960s. There are three versions: one with lens 45mm f/2.8 and shutter 1/500, one with lens 45mm f/1.8 and shutter 1/1000 and another, with lens 50mm f/1.8 and shutter 1/1000. The first version is sometimes called Lynx 2.8. The Lynx 1000 was introduced in 1960. It has an f1.8 45 mm lens with 6 elements in 4 groups and is threaded at 46mm for adding a filter. The Copal-SV blade shutter is capable of a maximum speed of 1/1000 of a second, an extra stop faster than most other diaphragm shutters. Light is metered using a small selenium photovoltaic cell behind a lens array, powering a galvanometer. The film speed for the metering system can be set from 10 to 800 ASA. Focusing is manual and the camera does have an X-sync flash socket that works with all speeds plus a cold shoe. The camera also has a right thumb film advance lever, coupled viewfinder/rangefinder that is parallax corrected, fold down rewind crank, frame counter, and two hard points for attaching a strap. The camera pictured here is in Poor condition and worth $5.00 for parts in 2016. |
 | Yashica: Lynx 5000 | c1964-1969 | 2013 | 35.00 | 1962 fine condition worth $50.00 in 2014 | |
 | Yashica: Minister D | 1963 | c | 2020 | 19.00 | The Yashica Minister D 35mm rangefinder camera was manufactured in Japan beginning in 1963. The main change from the Yashica Minister III was the new CdS meter cell mounted below the rewind crank. However the light meter remained uncoupled from the exposure settings on the lens barrel. The Minister 700 is a variant of the same camera but with a faster, f/1.7 lens. The light meter indicator on the D model measures light from 3 to 17 LV (Light Value). The Minister D has a Yashinon 45mm f/2.8 with a focus range 80cm-infinity, Copal-SVL leaf shutter with speeds up 1/500 of a second plus B, a self-timer delay, eye-level rangefinder with parallax correction viewfinder, a cold shoe with PC socket, X and M sync modes, manual plus quasi-shutter-priority exposure modes, a single action manual lever film advance with double-exposure prevention, and a ¼ inch 20 thread tripod socket. The light meter works off an internally housed Mallory PX-13 or 625 button cell battery. The lens barrel has an LVS (Light Value Setting) ring to set the exposure level. The ring has LV numbers from 2 to 17. Turning the LVS ring alone adjusts the aperture ring automatically to maintain the same exposure level, giving this camera a kind of shutter-priority mode. Reaching the minimum or maximum aperture will then automatically turn the shutter ring too. Much of the information gleaned from camera-wiki.org. The camera pictured here is in Poor condition and worth $2.00 for parts in 2020. |
 | Yashica: Sensation AF (28mm) | 1994 | 2013 | 10.00 | 1993 fine condition worth $10.00 in 2014 | |
 | Yashica: Sensation AF (28mm) | 1994 | 2015 | 3.00 | 1994 Poor condition worth $0.50 in 2015 (Battery compartment damage) | |
 | Yashica: Sensation Zoom 90 (Zoom Image 90 Super / Zoomtec 90 Super / EZ Zoom 90) | 1992 | 2012 | 5.00 | 1992 good condition worth $10.00 in 2014 | |
 | Yashica: Sensation Zoom 90 (Zoom Image 90 Super / Zoomtec 90 Super / EZ Zoom 90) | 1992 | 2016 | 3.00 | 1992 good condition worth $5.00 in 2016 | |
 | Yashica: Yashica 350 AF | 1987 | 2013 | 10.00 | 1987 Poor condition worth $5.00 for parts in 2014 | |
 | Yashica: Yashica A | 1959 | 2016 | 22.00 | 1959 good condition worth $35.00 in 2016 | |
 | Yashica: Yashica Acclaim AF (Profile AF) | 1995 | 2015 | 5.00 | 1995 fine condition worth $10.00 in 2015 | |
 | Yashica: Yashica Autofocus S | 1979 | 2015 | 10.00 | 1979 fine condition worth $15.00 in 2015 | |
 | Yashica: Yashica EZ Matic | 1966 | c | 2016 | 10.00 | The 1966 Yashica EZ-matic is a stylish camera for 126 film. It has two automatic exposure modes: aperture priority or a fully automatic exposure. The rounded lines on the body give it a classy look, and this is enhanced by the Selenium cell around the lens. The transport lever was moved to the lower back side of the camera, probably to simplify the look. With automatic exposure and an almost focus free wide-angle lens, this is practically a point-and-shoot camera. The Yashica EZ-matic features an accessory shoe and may be the only 126 film camera with a self-timer. It has a 37mm/2.7 Yashinon lens. Yashinon lenses are said to be of Tessar design and enjoy a good reputation. It can be stopped down to f/16. The selenium cell exposure meter is placed within the limits of the filter thread, so that placing a filter does not necessitate an exposure correction; light is metered through the filter. The viewfinder shows image frame lines and a shutter-speed scale. There is however, no way to directly choose a shutter-speed. Leave that to one of the exposure programs. The camera pictured here is in Poor working condition due to the shutter. It fires but does not open. The camera is in pristine esthetic condition and worth $10.00 in 2016. |
 | Yashica: Yashica EZ Matic | 1966 | c | 2018 | 8.00 | The 1966 Yashica EZ-matic is a stylish camera for 126 film. It has two automatic exposure modes: aperture priority or a fully automatic exposure. The rounded lines on the body give it a classy look, and this is enhanced by the Selenium cell around the lens. The transport lever was moved to the lower back side of the camera, probably to simplify the look. With automatic exposure and an almost focus free wide-angle lens, this is practically a point-and-shoot camera. The Yashica EZ-matic features an accessory shoe and may be the only 126 film camera with a self-timer. It has a 37mm/2.7 Yashinon lens. Yashinon lenses are said to be of Tessar design and enjoy a good reputation. It can be stopped down to f/16. The selenium cell exposure meter is placed within the limits of the filter thread, so that placing a filter does not necessitate an exposure correction; light is metered through the filter. The viewfinder shows image frame lines and a shutter-speed scale. There is however, no way to directly choose a shutter-speed. Leave that to one of the exposure programs. The camera pictured is in fine condition and worth $30.00 in 2018. |
 | Yashica: Yashica EZS Zoom 70 (Elite 70 Zoom / Zoomate 70) | 1995 | 2000 | 10.00 | 1995 Good condition worth $15.00 in 2014 | |
 | Yashica: Yashica FR II | 1978 | 2014 | 25.00 | 1977-1981 Good condition worth $30.00 in 2014 | |
 | Yashica: Yashica FR II | 1978 | 2009 | 30.00 | 1977-1981 Good condition worth $45.00 with the lens in 2014 | |
 | Yashica: Yashica FX-2 | 1976 | c | 2023 | 5.00 | The Yashica FX-2 is a 35mm SLR camera manufactured by Yashica in 1976. The FX-2 was the second camera to use the new bayonet lens mount known alternately as the Contax/Yashica mount or C/Y mount. The FX-2 viewfinder provide 0.89x magnification, providing a nearly 90% field of view. The metering is done via a needle on the right side of the viewfinder display. Choosing the proper shutter and aperture combinations will result in proper exposure with the needle aligned between the + and −. The focus is done manually on the lens, to make it easier the view finder screen features a central spot with a micro-prism screen. This TTL camera can use 12 to 1600 ASA film and has shutter speeds of 1 second to 1/1000 of a second plus B. The flash X-sync is 1/60 of a second or slower. The camera used a 1.3 volt mercury battery that is no longer available but replacements can be obtained on today’s market. Most of this information was obtained on camera-wiki.org. The camera pictured here is in Poor condition and is worth $5.00 for parts in 2023. |
 | Yashica: Yashica J-5 | 1964 | c | 2019 | 20.00 | The Yashica J-5 is a 35mm SLR camera with a built-in CdS cell light meter and was introduced in 1964. The camera was a little like the Minolta SR-7 of 1962 but of course, it differed in some details, especially the lens mount. Both cameras had a battery powered meter coupled to the shutter speed setting, with CdS photoresistor which looked through a separate bull's eye and didn't measure thru the lens yet. The J-5 camera has a focal plane shutter that supports speeds from 1/2 second to 1/1000 of second plus Bulb. It has an M42 screw lens mount, self-timer, single action film advance lever, fold down rewind crank, optical viewfinder, light meter off switch with high light plus low light setting, can use ASA film from 12 to 800, and has neck strap attach points on either side of the camera. On the front of the camera at the right of the lens mount are two flash synchro terminals (FP and X) and on the bottom is the battery compartment for the 625A battery for the light meter. Original list price in 1964 with a Yashinon f/1.8 lens was $175 and with a DX f/1.4 lens was $225. The camera pictured here is in good condition but has a problem returning the shutter the last 1/8 inch (3.175mm) at speeds lower than 1/60 of a second. For this reason this camera is worth $20.00 with the Yashinon f/1.8 55mm lens in 2019. |
 | Yashica: Yashica ME-1 | 1978 | 2016 | 5.00 | 1970 Fine condition worth $25.00 in 2016 | |
 | Yashica: Yashica MF-2 | 1979-1987 | c | 2017 | 9.00 | The MF-2 is a 35mm viewfinder camera was introduced by Yashica in 1980. It is a highly-simplified version of the MF-1, itself the successor to the 35 MF. It has a fixed-focus 38mm f/4 lens. Whereas the MF-1 has programmed auto-exposure, using the CdS meter cell on the front of the lens to vary both shutter speed and aperture program automatically, on the MF-2, the meter cell serves only to warn of under-exposure, by a red LED in the viewfinder. The camera has a fixed shutter speed of around 1/125 second (reduced when the flash is used). The film speed control can be set to ISO 100 or 400, and this sets one of two fixed apertures. The camera uses 2 AA batteries to power the pop-up flash and the meter cell. The camera also has a rewind release button, rewind fold down crank handle, single right thumb action frame advance, frame counter, flash ready light by the viewfinder, and a ¼” 20 thread per inch tripod socket. The camera pictured here is in Fine condition and worth $25.00 in 2017. |
 | Yashica: Yashica MG-1 | 1975 | 2016 | 23.00 | The MG-1 was released in 1975 and discontinued in 1980. It has an electronic controlled leaf-type shutter providing continuous variable speeds from 1/500 of a second to 2 seconds approximately. It also has built-in self-timer, direct X contact shoe (shutter speed automatically sets at 1/30 sec. when the Auto Lever is adjusted to 'flash'), and a 45mm f/2.8 Yashinon lens composed of four elements in three groups.This is one of the last metal cameras before the "Plastic Age". The Yashica MG-1 is a full size rangefinder. The automatic functions is a feature which makes it easy to use. The almost total lack of manual control is no doubt a limitation. It is achieved with a higher cost. The ASA range is from 25 to 800 and the camera has a one action 180 degree film advance thumb lever. The viewfinder uses red and yellow exposure indicator arrows visible through the eye piece. Using the viewfinder/rangefinder focus is secured by rotating the focusing ring and superimposing two images in the focusing spot at the center of the viewfinder field. The focus range is from 1 meter (3.3ft) to infinity. The power was provided by a 5.6V mercury battery (Eveready E164 Mallory PX32 or equivalent) but now can use a 6V Alkaline A32, A164, or A32PX single battery. The Yashica MG-1 was the last in the respected Electro 35 series, which began in 1966. It’s the only camera in the series that doesn’t have “Electro 35” stamped somewhere on the top plate. The camera pictured here is in fine condition worth $40.00 in 2016. | |
 | Yashica: Yashica TL Electro X | 1968-1974 | 2013 | 15.00 | 1968-1974 good condition worth $20.00 in 2014 | |
 | Yashica: Yashica TL Electro X | 1968-1974 | 2016 | 10.00 | 1968-1974 good condition worth $20.00 in 2016 | |
 | Yashica: Yashica-Mat EM | 1964 | c | 2018 | 28.00 | Released in 1964, the Yashica-Mat EM features an uncoupled light meter and a Yashinon shooting lens. The "EM" stands for Exposure Meter, referring to the uncoupled selenium cell exposure meter in front of the viewfinder. It's an all-mechanical camera with no batteries needed. It has a Copal MXV leaf shutter, capable of speeds ranging from B and 1 second to 1/500 of a second and offers flash sync at all speeds. It also has an 80 mm four-element 3.5 Yashinon lens said to be of the Tessar design and can be stopped down to F/22. The viewing lens is a 3.2 80mm Yashinon. Shutter speeds and diaphragm are set by two wheels on the front plate, the values set are shown in a window above the viewing lens. Focusing is done by a focusing wheel on the left of the camera. It has a distance scale surrounded by a depth of field scale engraved in the body. There is a small window in which you can set the ASA and DIN value of the film you use. ASA (ISO) 400 is the highest value. The body is metal, covered by black leatherette and it is quite a heavy camera, about 1.2 Kg (2.6 lb.). A film advance crank handle on the right side of the camera also loads the shutter. Other features are the ground glass waist-level finder with a Fresnel screen with red grid lines (5×5) to help composition, a viewing hood with a magnifying loupe, and the back plate of the waist finder could be flipped open to expose the sports finder for additional composition possibilities. The camera in pictured here is in Poor condition and worth $25.00 for parts or display in 2018. |
 | Yashica: Zoomate 70 (Elite 70 Zoom / EZS Zoom 70 / Elite Zoom) | 1996 | 2016 | 2.00 | 2002 Poor condition worth $0.50 in 2016 | |
 | Zeiss Ikon: Box Tengor 54/18 (Baby Box) | 1930-1938 | 2016 | 21.00 | 1930-1934 Good condition worth $40.00 in 2016 | |
 | Zeiss Ikon: Box Tengor 54/2 | 1932-1939 | 2015 | 35.00 | 1932-1939 fine condition worth $45.00 in 2015 | |
 | Zeiss Ikon: Contaflex II 862/24 | 1954-1958 | c | 2019 | 48.00 | The Contaflex II was introduced by Zeiss Ikon AG, Stuttgart, Germany in 1954 and discontinued in 1957. It was the same camera as the Contaflex I with an uncoupled needle readout selenium meter added to one side of the front plate. The Contaflex I and II have fixed Zeiss Tessar 45mm f2.8 with front-cell focusing lenses and a Synchro-Compur shutter with 1-2-4-8-15-30-60-125-250-500 plus B shutter speeds. It is possible to add a 1.7x supplementary lens (called the Teleskop 1.7x) using an adapter mount (861/07). The adapter mount slides on to the camera body below the lens and locks into place using a pair of hinged lugs. The Teleskop 1.7x lens screws on to the adapter mount and also locks into place. The lens-to-subject focus distance remains almost the same as the use of the Teleskop 1.7x and effectively increases subject magnification. Note that the adapter mount cannot be attached if a filter is fitted to the fixed lens. The camera uses 35mm film and is a viewfinder SLR, geared mirror camera with apertures of 2.8 to 22. The filter size is 27mm and the lens uses threaded only. The camera also has a PC sync connection, rewind knob on the top plus release button on the bottom, focus range from 3 foot to infinity, frame counter, ¼ inch 20 thread tripod socket, and it weighs 25.4oz (720.1g). To access the film compartment you remove the one piece bottom and back. Provided are two-fold downturn levers that work in opposing directions. You now can pull the back assembly down from the top of the camera exposing the film compartment. The camera pictured here is in poor working condition but Fine esthetic condition. The camera is worth $20.00 for parts or display in 2019. |
 | Zeiss Ikon: Contaflex Super (10.1271) | 1959-1962 | 2015 | 75.00 | 1959-1962 fine condition worth $100.00 in 2015 | |
 | Zeiss Ikon: Contaflex Super (10.1271) | 1959-1962 | 2013 | 25.00 | 1959-1962 Poor condition worth $30.00 for parts in 2015 (Shutter stuck open) | |
 | Zeiss Ikon: Contaflex Super (10.1271) | 1959-1962 | 2014 | 22.00 | 1959-1962 Poor condition worth $40.00 for parts in 2015 (Shutter problems but does work) | |
 | Zeiss Ikon: Contina Ia (526/24) | 1954-1958 | c | 2017 | 16.00 | This solid and well-made camera was manufactured from 1954-1958. It is fitted with a Novar-Anastigmat 45mm f/3.5 lens in a Prontor SVS shutter. It’s a three element design, hardly the most sophisticated, which reflects the position of this camera at the low end of the Zeiss range. The Contina Ia is a rigid-bodied 35mm viewfinder camera, and the simplest of the Contina range, which were all popular cameras. It was the successor to the earlier Contina I, a folding camera, itself previously named the Ikonta 35. Even though the Contina Ia lacks a built-in rangefinder, as do all the rigid-bodied Contina’s, it is certainly capable of rewarding careful use by returning good results. The shutter speeds range from 1 second to 1/300 of a second. The Contina has a female thread for a manual cable release, in the middle of the shutter release, which is almost hidden in the middle of the film counter. Focusing is achieved by turning the front cell of the lens, on which are printed distance markings and just above them, is a depth-of-field scale. The camera also has a flash PC-socket in front, accessory mount on the top, optical viewfinder, film release rewind button on the bottom, single action right thumb frame advance lever, and a ¼” 20 thread tripod mount. The camera pictured here is in fine condition and worth $30.00 in 2017. |
 | Zeiss Ikon: Contina Ia (526/24) | 1954-1958 | c | 2021 | 8.00 | This solid and well-made camera was manufactured from 1954-1958. It is fitted with a Novar-Anastigmat 45mm f/3.5 lens in a Prontor SVS shutter. It’s a three element design, hardly the most sophisticated, which reflects the position of this camera at the low end of the Zeiss range. The Contina Ia is a rigid-bodied 35mm viewfinder camera, and the simplest of the Contina range, which were all popular cameras. It was the successor to the earlier Contina I, a folding camera, itself previously named the Ikonta 35. Even though the Contina Ia lacks a built-in rangefinder, as do all the rigid-bodied Contina’s, it is certainly capable of rewarding careful use by returning good results. The shutter speeds range from 1 second to 1/300 of a second. The Contina has a female thread for a manual cable release, in the middle of the shutter release, which is almost hidden in the middle of the film counter. Focusing is achieved by turning the front cell of the lens, on which are printed distance markings and just above them, is a depth-of-field scale. The camera also has a flash PC-socket in front, accessory mount on the top, optical viewfinder, film release rewind button on the bottom, single action right thumb frame advance lever, and a ¼” 20 thread tripod mount. The camera pictured here is in fine condition and worth $30.00 in 2020. |
 | Zeiss Ikon: Ikoflex I | 1939-1951 | 2016 | 42.00 | 1939-1951 Good condition worth $80.00 in 2016 | |
 | Zeiss Ikon: Ikomatic A (10.0552) | 1964-1965 | 2015 | 12.00 | 1964-1965 Good condition worth $20.00 in 2015 | |
 | Zeiss Ikon: Ikonta 35 (522/24) | 1947-1953 | c | 2019 | 30.00 | The 522/24 lens is an f3.5/45mm Novar, f2.8/45mm Xenar, or an f2.8/45mm Tessar. As Zeiss was unable to produce sufficient Tessar lenses (due to war damage to their production facilities), this is one of the few Zeiss models ever to feature a non-Zeiss (Schneider Xenar) lens. The shutter is a Synchro-Compur with 1/500 top speed. The Ikonta 35 examples most frequently found have the three-element Novar, while a few are equipped with the Xenar which is very similar to the Tessar. Later models of the camera were called the Contina I, but it is the same in every respect but the name. The Ikonta 35 and the Contina were produced in the Zeiss Ikon plant in Stuttgart from 1947 to 1953 for the Ikonta and 1951 to 1955 for the Contina I. A great many of them were sold in Armed Forces PXs and came home with returning GIs. The Ikonta 35 was designed by Hubert Nerwin, who was also the principal designer of the Contax II. A very nice summary of his design work is available at the Zeiss Historica site. Parts of This article was gleaned from Mike Eckman’s site mikeeckman.com and content for the article produced by Mike Connealy. The camera pictured here is in Good condition and worth $40.00 in 2019. |
 | Zeiss Ikon: Ikonta 35 (522/24) | 1947-1953 | c | 2019 | 25.00 | The 522/24 lens is an f3.5/45mm Novar, f2.8/45mm Xenar, or an f2.8/45mm Tessar. As Zeiss was unable to produce sufficient Tessar lenses (due to war damage to their production facilities), this is one of the few Zeiss models ever to feature a non-Zeiss (Schneider Xenar) lens. The shutter is a Synchro-Compur with 1/500 top speed or a Pronto shutter 1/200 of a second top speed. The Ikonta 35 examples most frequently found have the three-element Novar, while a few are equipped with the Xenar which is very similar to the Tessar. Later models of the camera were called the Contina I, but it is the same in every respect but the name. The Ikonta 35 and the Contina were produced in the Zeiss Ikon plant in Stuttgart from 1947 to 1953 for the Ikonta and 1951 to 1955 for the Contina I. A great many of them were sold in Armed Forces PXs and came home with returning GIs. The Ikonta 35 was designed by Hubert Nerwin, who was also the principal designer of the Contax II. A very nice summary of his design work is available at the Zeiss Historica site. Parts of This article was gleaned from Mike Eckman’s site mikeeckman.com and content for the article produced by Mike Connealy. The camera pictured here is in fine condition and worth $50.00 in 2019. |
 | Zeiss Ikon: Ikonta 520/2 (Ikonta C) | 1929-1937 | c | 2016 | 22.00 | The 520/2 is the first in the long Ikonta line of a folding cameras, produced by the German company Zeiss Ikon. It takes 8 images size 6x9 cm on 120 type rollfilm and comes equipped with a variety of lenses and shutters. This camera has a Novar 6.3/10.5 cm lens in a Derval shutter. The camera was in production from 1929 to 1937. The format is 6 x 9 cm on 120 type rollfilm with no double exposure prevention. The cameras metal case has a Black finish with chrome ornaments and black colored leatherette. The dimensions are (WxHxD folded) 178x84x38 mm and it weighs in at 625 grams. This camera has shutter speeds of 1/25, 1/50, and 1/100 of a second plus time and bulb. This Ikonta also has a frame work fold down viewfinder, a brilliant viewfinder, two 3/8” tripod mounts for portrait and landscape, a plunger shutter mount, an adjustment range of 2 foot to infinity, and a table top fold out leg. The Ikonta cameras were renamed and rereleased as the Ikomat 520 (4.5 x 6cm), 520/2 (6 x 9cm), 520/14 (5 x 7.5cm), 520/15 (6.5 x 11cm), 520/16 (6 x 6cm) and 520/18 (3 x 4cm). The camera pictured here is in good condition and worth $50.00 in 2016. |
 | Zeiss Ikon: Ikonta 521 (Ikonta A, vertical) | 1938-1954 | 2015 | 52.00 | 1938-1954 fine condition worth $100.00 in 2015 | |
 | Zeiss Ikon: Ikonta 521/16 (Ikonta B) | 1938-1953 | c | 2020 | 20.00 | The 521/16 is a folding camera in the Ikonta line, produced by the German company Zeiss Ikon. The production period was 1938 to 1953 and the format is 12 frames size 6 x 6 cm on 120 type rollfilm. Known Lens/Shutter combinations (prewar): Novar 4.5/7.5 cm lens in a Klio shutter, Novar 3.5/7.5 cm lens in a Compur shutter, and Tessar 3.5/7.5 cm lens in a Compur-Rapid shutter. Known Lens/Shutter combinations (postwar): Novar 4.5/75 mm lens in a Prontor-S shutter, Novar 3.5/75 mm in a Prontor-S shutter, Schneider Xenar 3.5/75 mm lens in a Compur-Rapid shutter, Carl Zeiss Jena Tessar 3.5/7.5 cm lens in a Compur-Rapid shutter, and Zeiss-Opton Tessar 3.5/75 mm lens in a Compur-Rapid shutter. The filter sizes are 35.5 mm screw-on and a 32 mm slip-in (should have 3 slots to accommodate for lens ring set-screws). The camera is metal with black leatherette covering and chrome ornaments. Dimensions are W135xD45xH78mm (folded) and weighs 540 grams. The camera pictured here is in Poor condition and worth $5.00 for parts in 2020. |
 | Zeiss Ikon: Ikonta 521/2 (Ikonta C) | 1938-1947 | c | 2020 | 30.00 | The 521/2 is a member in the long Ikonta line of a folding cameras, produced by the German company Zeiss Ikon. It takes 8 images size 6x9 cm on 120 type rollfilm and comes equipped with a variety of lenses and shutters. It was also sold as the Ikonta 21/4 x 31/4. Prewar known Lens/Shutter combinations are the Novar 4.5/11 cm lens in a Compur shutter, Novar 3.5/10.5 cm lens in a Compur or Compur-Rapid shutter, Tessar 4.5/10.5 cm lens in a Compur or Compur-Rapid shutter, and the Tessar 3.8/10.5 cm lens in a Compur or Compur-Rapid shutter. Postwar known Lens/Shutter combinations are the Novar 4.5/10.5 cm lens in a Klio shutter, Novar 4.5/105 mm lens in a Prontor-S shutter, Novar 3.5/105 mm lens in a Prontor-S shutter, and the Tessar 3.5/105 mm lens in a Compur-Rapid shutter. Only the postwar editions had flash synchronization using a Socket on shutter with X-synchronization. The camera had double exposure prevention incorporated in the film advance winder preventing the shutter release button to engage. This camera, like most Zeiss Ikon cameras, is black with chrome ornaments and black Leatherette covering. The dimensions folded are 155x81x43 mm and the weight is 680 grams without film. Other features are the two tripod sockets for landscape plus portrait, a flip-up two lens optical viewfinder, aperture settings of 3.5 to 22, 12 second self-timer, shutter release cable socket in the release button, octagonal red frame view window with slid cover on the back cover, flip-out foot for table top placement in the portrait acclimation, and a handy carry handle. The shutter on the 521/2 was manually loaded and the speeds on most are 1 second to 1/250 of a second plus B but these speeds depend on the lens/shutter combination. The 521/2 camera production started in 1938 but was stop during the WWII years and was continued in 1946 and stopped again a year later. The camera pictured here is a parts camera. Although it works and looks good it is missing the shutter linkage from the back of the bed to the shutter assembly and it has a scratch on the inside of the front lens element. For these reasons the camera is in poor condition and worth $35.00 in 2020. |
 | Zeiss Ikon: Nettar 515/16 | 1938-1951 | c | 2019 | 22.00 | The Zeiss Ikon Nettar 515/16 was introduced in 1938 and produced through the World War II years plus 6 years after till 1951. It is a Folding billow type roll film camera that used 120 roll film (6×6cm exposures) format. The Lens/shutter combinations go as follows: Prewar and during the war from 1938-1945 it had a Nettar 1:6.3/7.5cm in a Telma leaf shutter or a Nettar 1:4.5/7.5cm in a Klio leaf shutter. Postwar from the years 1946-1951 it had a Novar Anastigmat 1:6.3/75mm (coated) in a Vario leaf shutter or a Novar Anastigmat 1:4.5/75mm (coated) in a Pronto or Prontor-S leaf shutter. All the variations have a viewfinder with two fold-up optical frames. The manual load shutter speeds are 1 second up to 1/175 of a second with bulb and timed. The cameras have a screw-in cable shutter release socket, focus from 1.2m to infinity, have a fold-down film advance winder, 3/8 inch 16 thread tripod socket (quite common before WWII), red (film backing) frame counter window in the back cover with a slid cover, and have a Zeiss Ikon “Panchrom” film sticker inside the film compartment on the back cover. The Dimensions (folded) are 135 x 78 x 45 mm and the weight is 510 Grams. The camera pictured here is in fine condition and worth $45.00 in 2019. |
 | Zeiss Ikon: Nettar 515/2 | 1937-1941 | c | 2017 | 22.00 | The Zeiss Ikon Nettar S (515/2) Year of release was 1933 and production stopped in 1951. There were several changes during production. From 1933 to 1934 the camera had a hexagonal shutter panel. From 1934 to 1951 it had a round shutter plate, and from 1937 to 1951 the Nettar logo changed to Zeiss Ikon. The camera uses 120 roll film (6×9cm exposures), weighed 650 grams and the dimensions folded are 155 x 80 x 42 mm. The camera (in some configurations) also has a plunger shutter release socket with a holder on the bed, a portrait plus landscape tripod sockets, a waist high optical brilliant viewfinder plus a fold down frame finder, a carry handle, and a shutter release time delay. The camera had many Lens/shutter combinations prewar, during, and after World War II. The pre-war combinasions are (Nettar 1:7.7/10.5cm in Derval leaf shutter), (Nettar 1:6.3/10.5cm in Nettar, Derval, Telma or Klio leaf shutter), (Nettar 1:4.5/11cm in Telma, Klio, Compur or Compur-Rapid leaf shutter), (Nettar 1:3.5/10.5cm in Compur-Rapid leaf shutter), (Novar Anastigmat 1:6.3/105mm in Compur-Rapid leaf shutter), (Novar Anastigmat 1:4.5/11cm in Telma leaf shutter), and the (Tessar 1:4.5/10.5cm in Compur or Compur-Rapid leaf shutter). The postwar combinations are the Novar Anastigmat 1:6.3/10.5cm in Vario leaf shutter, and the Novar Anastigmat 1:4.5/10.5cm in Pronto or Prontor-S leaf shutter. The camera pictured here is in Good condition and worth $45.00 in 2017. |
 | Zeiss Ikon: Nettax 513/16 (6x6) | 1955-1957 | c | 2015 | 15.00 | 1955-1957 fine condition worth $100.00 in 2015 |
 | Zeiss Ikon: Taxo 126/3 | 1927-1931 | 2019 | 38.00 | Originally the deluxe model of the range, this Zeiss Ikon Taxo 126/3 takes 6.5 x 9 cm plates. It has a radial arm focusing lever that slides the bed forward and back. The two models had a Telma or Sonto shutter. They both have an opaque glass viewing screen with its blackout surround. The 126/3 measuring just 5 x 3.25 x 1.75 inches when closed. The body is constructed of metal, covered with leatherette material, and has a single extension bellows. The deluxe model was available in two sizes, the 126/3 (6.5 x 9cm) and 126/7 (9 x 12cm). The lenses offered for the two models were Pereskop, Novar, Frontar and Dominar. Contessa-Nettel camera Company marketed a Taxo camera as far back as 1921 (The differences were only with the focus mechanism from the Zeiss Ikon model). When Contessa-Nettel merged with Goerz, Ernemann and Ica in 1926 to form Zeiss Ikon, the Taxo became part of the Zeiss catalog in 1927. The radial arm focus was added at that time but was discontinued in 1930, the simpler model was discontinued the following year (1931). The shutter speeds are 1/10 of a second to 1/100 of a second plus Timed and Bulb. The camera also has a waist high brilliant viewfinder, aperture settings of 4.5 to 22, a screw in plunger shutter release socket, two 3/8 inch 16 thread tripod sockets for landscape plus portrait, and a leather carry handle. The camera pictured here has a Dominar Anastigmatic 10.5cm/f4.5 lens and is in Good condition. This camera is worth $45.00 in 2019. | |
 | Zeiss Ikon: Tenax Automatic (10.0651) | 1960-1963 | 2015 | 25.00 | 1960-1963 fine condition worth $75.00 in 2015 | |
 | Zeiss Ikon: Trona 210, 212, 214 | 1927-1936 | c | 2019 | 62.00 | The Trona is a metal bodied folding plate camera, with double extension bellows, and screw controlled front rise and shift. Generally, it is encountered with Tessar lenses, although it was also offered with Dominar. Shutters are Compur, first dial set, and rim set after 1930. The Trona is identified on the handle area, with the Zeiss number on the rear of the top, embossed in the leather. The Trona was introduced in 1912 by Ica. When Ica merged with Goerz, Ernemann and Contessa Nettel in 1926 to form Zeiss Ikon, the line was carried over into the Zeiss catalog. It was initially cataloged under the Zeiss number 210, available as the 210/3 (6.5 x 9cm), 210/7 (9 x 12cm) and 210/5 (8.5 x 11cm). The last size was made for American and British markets only and is uncommon. The 210 series was dropped in 1930. In 1928 the 9 x 12 size became available as the 212/7 until it was discontinued in 1936. The final version of the Trona was the 214 series, introduced in 1929. It was a fancier version of the Trona, with an aluminum ground glass back (frequently exchanged for a regular back) that cost around $235.00 when new. It was offered as 214/3 (6.5 x 9cm), and 214/7 (9 x 12cm). This final version production ended in 1936 (1938 according to McKeown’s), as a war was brewing in Europe, and Zeiss began dropping models from their catalog without replacing them with new offerings. The camera pictured here is in Fine condition and worth $200.00 with the 667/7 extra backpack in 2019. |
 | Zimmermann: Luxette S | 1953 | c | 2018 | 5.00 | Solid body camera with an aluminum top and bottom, steel casing, and black crackle paint. The camera uses 127 rollfilm that produces 4 x 4cm pictures. It has a Roschlein-Kreuznach-Cymat f/7.7 lens, with apertures of 7.7, 11, and 16mm in rotating plate. It also has a Synchro Cylux shutter with settings of 1/25, 1/50, 1/75, 1/100 of a second, and B. The film compartment is released by a slide lock on the left side of the camera when looking from the back. Other features are a red window in the back cover for frame count, synchronized flash coaxial socket in the lens assembly, a direct vision reverse Galilean optical finder, film advance knob on the top of the camera, large plunger ready shutter release button, and a ¼” 20 thread tripod mount. The camera does have double exposure protection and the film advance knob needs to be turned before the shutter release button can be pushed even though the shutter is cocked manually. The Luxette S was introduced in 1953 by the Zimmermann Company and was manufactured in Nurnberg, Germany (Allemagne (French), Alemania (Spanish), Germania (Italian), Niemcy (Polish), Saksa (Finnish)). The camera pictured here is in Good condition and worth $15.00 in 2018. |
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A very impressive collection, also the descriptions are interesting, a lot of research has been gone into it, congratulations. Are you displaying all your cameras as well.
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I'm sorry I did not see this. The comment you left was at the end of my collection. Unless I responded to this already and I'm losing it. If that's the case, delete this and I'll have myself checked. To answer, this now very old question, There is too many to display. I do have some on display but most are stored hopefully for a future enthusiast. I have about 80 cameras not entered here on collectiblend.com. I also don't have the 65 video film cameras and so many lenses entered here. I love the fact that I can see my collection on this site any time I like. I think still cameras are my passion and what this venue best exhibits. Eugene has made a simply great site here for people like us.